#so grain of salt

[kathaynesart]

Hey!

I don’t know if you’ve ever answered and ask like this, but i was wondering how you stick with a comic series. How do you manifest plot and such and stick with it without later deciding it’s not good enough for your tastes and completely changing or dropping it as a whole?

Hoo boy, ok here's a bit of a longer one. NOTE this is just what works for me and is in NO WAY educational advice.

TLDR:

Practice

Flexibility

Loving the characters and core message

Getting over your own embarrassment and respecting your growth

Keeping it FUN

If these points seem helpful, feel free to check under the cut.

PRACTICE:

I always hate this answer, but it really is true especially for work in a creative field. You ask how I manifest plot? I'm mostly just throwing ideas at a board and seeing what sticks. Then I take the things that stick and lay them out and find what's important or can support my core message. You will have to do this many many times with a long form story, in which case my brain is constantly buzzing with ideas and working at them like an ongoing puzzle. A lot of people use this method, but it's the experience of having done it many times that helps me know what's been overused, how to apply a fresh take, or what should be trimmed (even if I don't want to haha). The best way to practice I think is through personal experience and dissecting other stories to see what makes them work/not work for you as a viewer. As far as personal experience, I would recommend trying to make a story of your own but much shorter. See if you're able to finish it and once you do, come back to it with a critical (but kind) eye. Find where the moments of lull occurred in your creative process and see what you could have done to improve both the creative and viewing experience. Hindsight is a hell of a drug and pretty good at helping you see where you went wrong. If not, get a friend to help! After all is said and done, try fresh with a slightly longer story, rinse and repeat. Just know that the longer your story gets, the less you need to have the whole story figured out before you start creating. In fact I feel it’s better if you don’t necessarily know the whole plot when creating a long ongoing story, which leads me to my next point…

FLEXIBILITY:

When it comes to ongoing stories, it's practically a given that your tastes and writing style will change over time. You will begin to come up with even better ideas as you go, and if you work at it, sometimes you can find ways to infuse these new concepts into your story. Now mind you, when starting a story you should have a decent idea of the overarching plot and major points of conflict/success. However, I find it helps to be flexible with the sinew that connects them. As you move along with your story you may find themes and concepts growing within the plot and characters that you would want to lean into. Rather than forcing them down the path you had initially set, it can be a lot more fun to play in that space and see how you can improve things.

For example, in my latest post, the flashback shot of Leonardo and his brothers all resting together was an idea I came up with a few weeks ago to a plot point I had set back in January. Little things like that are the spice of life for a story and can come to you more easily the longer you work in that headspace. But what really helps me to keep coming back to that story has to come from a place of passion, especially with...

CHARACTERS AND CORE MESSAGE:

You need to make sure that when you sit down to create a story (especially a long one) that it has characters you love and a message you really want to tell, because these are themes and people you are going to be spending a LOT of time with. It's like... going on a trip. There are many people you could easily share a trip to the the mall with... but a six month trip across, Europe? You better make sure the person you're going with isn't someone you're going to want to strangle half way up the Eiffel Tower. People change... tastes change... YOU will change. So I find it's wiser to make sure that you stick to messages that hit you at your core that you already have tattooed on your heart and will not be changing any time soon. Some people use storytelling as a method of therapy, which can be great especially for short stories to get feelings and emotions out. But with a longer story, those strong feelings you have may drain and no longer be relevant by the time you're only half way through your story. I see this happen with a lot of stories that come from a place of "angst." Great for short form! Not so great when drawn out into an ongoing exhausting experience. That's not to say angst can't be done well (there's PLENTY of that in Replica), but it's not the underlying THEME of this story. Just a byproduct THAT what comes from surviving the apocalypse. So stick to those evergreen themes that you know are important to you whether you're fifteen or fifty and make sure you have characters who you WANT to see succeed and are rooting for, because it'll make you want to help them on their way all the more.

EMBARRASSMENT AND RESPECTING YOUR GROWTH:

Hoo boy. I think this is something every creative can relate to. Looking back on your old work can be a cringing experience. Having that work be the beginning part of a story you are STILL currently working on can be even worse! You may hate the way you used to write/draw or find certain elements that no longer jive with who you are now or represent you as a writer/artist. Heck there may be plot points that you wish you could change/cut because you have an even BETTER idea now. All of that can be really hard to stomach and can lead to a lot of unfinished works being abandoned. Now if the work truly does have that strong of a response, it very well may be best to cut your losses. But if you have taken the steps I mentioned above seriously, then there should be a lot to love about your story still. If so, then you have several options before you.

Try to work within the limitations of your early work to make it even better by finding ways of twisting the plot to match your new ideas (difficult but satisfying). Example: one time I had a comic where a side character had to suddenly be available for an extensive period of time... I realized this was shortsighted since I had setup how important he was within a company and there was a conflict of interest. My co-creator and I mulled over it for weeks then realized, that we could just have him get fired! Which was great because it formed more tension with the company (future antagonist) and freed up his time to be a more integral part of the story. So analyze your work and pinpoint those parts that you do not like and see if you can put your improved skills to work to make it even better.

If there's certain things that are unforgivable, then it is always within your power to go back and edit/redraw/change what happened before. I've seen it done before and it CAN work, but be careful because this is a rabbit hole you can fall down where you're just constantly editing the past rather than working on the future. I've seen many stories end simply because they get stuck in an editing loop. However, if the changes are small (but integral), it can help relieve some of the stress. Just be sure to communicate these changes to your followers to avoid confusion.

Redo. This is an extreme method, but I have seen stories be completely overhauled in this manner where the creator will take what they learned from the first iteration and make a new version of it from the ground up that is even better. However, this method is very time consuming and also a pothole that can lead to burnout. It's hard having to redo a story that you've already started telling. So if you really want to start fresh, make sure it's changed enough where you don't feel like you're just plotting over the same points you're already tired of.

Finally... be kind to yourself. Rather than being upset by looking at the early portion of your story, be proud in seeing how far you've come. One of my favorite things to do with webcomics, is to hop from the first page to the latest page and see how much they've improved. I'm sure for the creator it's a harsh experience, but as a VIEWER it's super exciting and makes me want to read even more to see that progression. Long form stories are cool because they are a living, breathing thing... a time capsule of its creator's prowess and a representation of how far they've come. Respect that. Respect yourself as a creator, and be happy to know how much you've improved.

FUN:

Ok, did you absorb all that? Get everything down? Cool, now I want you to take all that knowledge I just gave you and throw it out the window. Ok not literally. Like, keep it in your subconscious, but don't worry about it too much and remember that you're doing this for FUN. If you get too caught up in the idea of "practicing" and "due dates" it'll just burn you out. I actually hate the word "practice." It's like... the word "jogging." Most people don't jog for fun, you jog because it's good for you. But if that's the only reason it's not really great incentive. I wasn't drawing for months on end outside of work because whenever I did I saw it as "practice." So of course I'm not going to want to do it. You have to come at this with the intention of having a good time.

So instead of jogging... treat it like running around a theme park. I know it sounds silly but it does wonders for me. I've been having so much fun drawing Replica and other content for this fandom but at the end of the day, it's sneakily tacking onto my skill sets as practice. I'm not making money off of this.. but I'm learning and getting better and looking back at my old stuff I already know I've improved. It makes me want to keep going and see it to the end! Just make sure to not put too much pressure on yourself. Give yourself rests when needed and make sure to do other things in your life to balance out the workload. You'll be much happier for it.

Or at least that's what works for me. I hope some of this might work for you too. Thanks and good job if you've made it through my long-winded explanation. Gold stars all around.

[baronetcoins]

So. The US has a speaker of the house(*). If you've seen the memes floating around for the past few days, you might find yourself wondering: how did that happen? Buckle in folks, this was a bit of a ride.

(*) for now

When we last left our... main characters, Kevin McCarthy had failed an 11th ballot to be elected speaker, down 20 Republican votes when he could afford a maximum of five defectors. The house then voted to adjourn until 12 eastern time on January 6th. Overnight, some deals happened, because for the first time since day 1 there was a significant movement in votes. Round 12 saw 14 of the representatives who had previously been defectors voted for McCarthy—not enough to give him the speakership (lmao, imagine?), but enough to prove his chances of victory weren't entirely dead. Important for later, three representatives were absent—Ken Buck (R-Colorado), Wesley Hunt (R-Texas), and David Trone (D-Maryland).

Round 13 went much the same in actual voter count, with one more of the never-Kevins peeling off to vote for McCarthy, though it was the first round in which there was not another republican candidate formally nominated. Trone came out of his voluntary surgery to vote for Hakeem Jeffries, and there was a motion to adjourn so the republican caucus could continue haggling, which passed. Setting the house up to reconvene at 10 pm eastern time, and some of the most dramatic hours we've seen in this whole glorious train wreck.

Signs suggested Kevin was feeling good—when asked why he felt confident he had the votes to clinch this, he responded "because I count." Two of the more notorious never-Kevins (Boebert and Gaetz) seemed open to negotiating. The press reported Buck and Hunt would be returning for the evening vote. A cart loaded with giant boxes of Five Guys burgers rolled into the speaker's office.

The hours pass. 10 pm rolls around, and the air is thick with anticipation. The house chaplain offers a prayer in which she suggests the gridlock may finally be over. Patrick McHenry (R-North Carolina) gives a nominating speech for McCarthy with not one but two jokes that fell extraordinarily flat, all the while wearing a bow tie.

Now, the votes for speaker are conducted as roll call votes. The poor, probably underpaid, long-suffering house clerk reads off the name of each representative in alphabetical order, then goes through a second time calling the name of any representative who didn't vote the first time. This takes... a while, but what it means is that when you know who's vote to watch, you spend a while in anticipation of that person's name being called, listening to the alphabet.

The other thing to understand, as this gets deep into the weeds, is a little more of the nuts and bolts of how the count works. The speaker of the house is elected by a majority of the votes cast—that is to say, the number of representatives-elect who vote for a name instead of not voting or voting present, divided by half, plus one.

M = [ (# reps elect - # of reps elect not voting - # of reps elect voting present)/2 ] + 1

The US House, while normally filled with 435 reps, currently has 434, due to one death. 212 of those are democrats, the remainder are republicans. If all 434 vote, the threshold for a majority is 218 (434/2, +1). If, say, two members vote present and everyone else votes, the threshold is 217.

The remaining detractors were Biggs, Boebert, Crane, Gaetz, Good, and Rosendale. Biggs, first on the list, voted for a non-Kevin guy, Jordan. Boebert, second in line, voted present. This was a difference that got audible applause from the chamber. For one brief, beautiful, shining moment, it seemed like we might have a resolution. And then Crane votes for Biggs, which. Fine. Kevin can spare a few losses. And then, Gaetz doesn't. vote. Not voting present, which is a different thing. He just lets the first round skip him. Good votes for Jordan. Rosendale votes for Biggs. At which point, the math is as follows. 434 congresspeople, 432 votes, 217 to win. McCarthy has 216 votes. It all comes down to Gaetz: if he votes for McCarthy, Kevin wins. Anything else, and we're doing this again.

Gaetz. Votes. Present.

At first, this gets cheers and claps. And I look at my mom, who's watching the vote with me, and wonder "what the fuck?" The reaction makes me doubt my math. The floor is in chaos. Pretty quickly, it seems people realize that McCarthy is not, in fact, speaker of the house. Kevin runs back towards Gaetz and starts "negotiating" (fig 1)

Fig. 1: things get heated

A democrat heckles from the distance, yelling "On your knees!" To Kevin as he approached Gaetz. There are calls for order. Mike Rogers, R-Alabama, has to be physically dragged away from Gaetz (fig 2)

Fig. 2: lol, and furthermore, lmao

All this, followed by a motion to adjourn until Monday that at first appears to be successful, until Kevin runs to the front to tell members to change their votes. It appears a deal has been struck—and ballot 15 proves it. All the remaining holdouts vote present, lowering the threshold to 215, and allowing Kevin's 216 votes to take him over the line. Truly, our long national nightmare has come to a middle.

What does this mean? Probably bad things. The rules package and committee assignments are yet to be formalized (that'll come on Monday), but expect the house ""freedom"" caucus to be more or less running the show (*) (*pending a long and bloody battle over the rules, which is, IMO, still on the table).

I could go through the speeches, but it's 2:30 am and I've got a flight tomorrow so I would literally Rather Perish so instead, to conclude, i'll leave you with this.

(3: source)

[bluerosering]

why are annoying people allowed to have laura palmer icons...

[telesilla]

13 years, $350m with no opt-out and a full no trade? Correa damn well better be worth this.

[jsheios]

So Hilda season 3. (This post has nothing to do with hilda season 3)

[pwippy]

sua's such an under analyzed character but her mentality and presentation is really interesting!! to others (besides mizi), she appears reserved (very demure. very mindful) / cold but she's genuinely going through constant inner turmoil.

growing up, she was literally used as a commodity by her guardian. she's bullied by her sisters for being the guardian nigeh's favorite, but it's really only because she makes the most money. even after death, her guardian doesn't care that sua's gone, they're more concerned with the popularity and revenue that her fandom brings.

to the segyein, sua's essentially a doll and an ideal pet human. she's a top student at anakt, aka she sticks to a routine and acts easily brainwashed. when asked about her study habits, she just says "it's not really that hard... you just have to memorize what they teach you."

her objectification by others strips her of her identity and livelihood. it definitely plagues her perception of self worth/value, and manifests in her behavior (being quiet/not taking up much space, jealousy, apologizing often, being defensive - more on that later)

^ i think this whisper sums up her situation pretty well. her circumstances and the way she presents herself affects her relationships in anakt a ton if that makes sense ?

when sua meets mizi, such a vibrant, lively, and loving person, her focus and dare i say will to live completely shifts to mizi. in mizi's eyes, sua is seen as mizi's soulmate, someone she'll be with forever. someone who's always there for her. synergyyyy

although sua's feelings are mutual, she carries a level of self doubt and anxiety with her. sua believed her love for mizi would harm her in the end. she's stated before (EXPLICITLY) that she would die for mizi, and she does end up doing this in the form of sacrifice in round 1.

it's almost as if sua feels guilty for loving mizi. she knows they're doomed, and with their limited time, why should she be focused on? is it selfish of her to not tell mizi of their inevitable fate to live in their dream a little longer?

^ the lyrics of sweet dream can also serve as her mentality and point of view leading up to alien stage. she knows the idyllic world she's in is temporary, knowing her end is imminent yet praying to be saved.

although mizi views sua in a tinted lens, the other characters do not. at least, not in the affectionate sense. to till, sua's demeanor is offputting and uncomfortable

to ivan, he sees straight through to suas actions and (maybe unintentionally but i doubt it) exacerbates her doubts. he has his own events going on and genuinely does seem to want to be close to sua (graduation message + human relationship rating) but interacts in a way that makes her feel threatened. (in addition "he keeps crossing the line" in the relationship chart)

to the outside viewer its interesting to note sua often pulls mizi away from people. she pulls mizi away from ivan, and pulls mizi's attention from till to her in a short act of jealousy.

[cirrocula]

shaggy hair roy harper bc i enjoy the trope where characters with hidden eyes actually have hawklike vision

[g0ddyke]

Forcemasc except instead of pushing you to go to the gym, it's pushing you to do your physio. it's pushing you to take up space and take your wellbeing seriously - use your mobility aids, take your meds, stop letting other people push you too hard. stop pushing yourself too hard. Understand that you deserve to be here, deserve to be who you are, deserve to be respected. That your masculinity isn't defined by your physical strength or your athleticism or how you look or what other people think of you - it's just part of who and how you are, and now you have someone who sees that. That sees You, and won't let you back down from who you really are.

[mipmoth]

INGO TELL EM

[expergoe]

ROGER FEDERER and RAFAEL NADAL after their 2022 Laver Cup doubles match, the final match of Federer's career.

[whoisnotmyname]

A very short and messy How I draw mabari!

[isatartdump]

Would do the entire dialogue but drawing Bonnie crying is the bane of my existence! HA

Anyway my reaction to when this entire dialogue was over was just. Hihi.

[hellenhighwater]

I have a maybe silly question, but uh. How do I become a more interesting person? I have a horrible habit of staying home and not going out and doing things. How do I not do that? This feels very goofy as a thing to ask, but you appear to have an interesting life, therefore making you a reliable source. Do with this what you will, and please say hi to your creatures! Here is my mischief goblin Jammer for your troubles:

It may seem backwards, but...don't try to be interesting, try to be interested.

Find things you find engaging, and then find ways to pursue them. It's best if you can find some kind of group or community that also does the thing you want to try--if you're struggling to find things you like, then just start trying things local to you. You've probably got a local birdwatching group, or a sewing circle, or a community theater, or a historical society, or a comic shop that does game nights, or a group of regulars volunteering at an animal shelter, or stained glass classes, or a makerspace, or any number of little communities that are out there. Try them! The first meeting will be the worst. And if you hate it, you don't have to keep at it, and trying will give you a fun story. Sooner or later you will land on something you like and then...keep turning up.

And if you're not finding things local and in person, then just take up whatever strikes your fancy at home. If you could be incredible at any three hobbies, what would they be? What's stopping you from starting those hobbies? You're going to fail at them when you start but you're already failing at them now by not starting, so what do you have to lose?

Here's the thing: nobody wants to talk with someone who's just singing their own victories. The best stories are the ones where we tried something new and different and silly and strange and maybe messed it up, but had fun. And the best stories are shared--ask other people about the things they're into, be interested and engaged and maybe see if they're open to teaching you a little, if their interests seem fun to you. It's not about being interesting, it's about sharing passion.

So find the things you're passionate about, and keep at them even after you've failed, and the rest will follow.

And pet your cat, he's doing his job so well!

[damnnotagainn]

Damn, I really do love how realistic the family dynamics in blue lock are and it’s been such an unexpected surprise. Like there’s so much range

a rich kid who was spoiled by his parents but also was expected to do the most and so now has crazy perfectionist tendencies

a kid that was taken care of materially but was absolutely neglected by his parents, and now as a teen has to learn how to socialize and be close to others in a way that he probably craves but doesn’t know how

a kid with totally normal parents that support his hobbies and want the best for him without expecting the moon, probably in a very average way (get a good job, marry a nice person, etc.)

a kid of divorced parents that used their child as a way to project and navigate their relationship failures, leaving him feeling isolated and with the burden to bring peace to his family through his success

a kid with curious and destructive tendencies, who’s parents tried their best to raise him but fell in the trap of trying to adjust him to their sense of normalcy rather than to understand his instincts. also had an older brother he placed on a pedestal that tried to protect him from the burdens that were placed on them, which inevitably backfired as they were just a child too.

a kid with a single mom who raised him with so much care and acceptance, encouraging him to embrace his feelings

a kid who was raised kinda by a single dad, but grew up in a very abusive home that told he was worthless and instilled so much self hatred

But now they all just… play soccer together.

…and try to navigate that time when you’re a teen and you realize how fucked up your childhood was, while also forming your own identity outside of the world your parents built for you (kinda like what all my friends and I did when we ended up in the same college together lol)

[szynkaaa]

kicks down everyone's door folks I might have figured out how tall Sun Wukong/Destined One is in Black Myth Wukong.

Starting with a disclaimer that this is just my speculation and nothing is confirmed unless the dev state otherwise

So y'know how the collector's edition came with this amazing Wukong figurine:

amazing right? I want one too.

The description states that the figure is 40cm tall (according to playasia)

The figure is made by Queen Studio, specifically the INART team that makes 1:6 figures.

So we know that the figure is 40cm tall. It is not clear if that includes stand or not, and I was not able to find any information how tall the stand is

On another website (which I don't want to name because I don't know how serious the website is) lists up the figure as 315mm/31.5cm

If that is the height of the actual figure without stand, and it's a 1:6 figure, that means 31.5cm * 6 = 189 cm

So that means it is very possible Destined One/Sun Wukong is 189 cm / 6 feet 2 inch tall.

that is TALL. a lot taller than I thought he would be tbh LOL cause in the books he is usually described as the shortest (cause well, monkey)

which ALSO means.

Wukong better be paying for her chiropractor with the amount of crancking her neck up she has to do.

[is-nino-actually-luka]

Do you guys ever think about how Badrien just doesn’t talk. He’s absolutely silent the entire time when he doesn’t have his miraculous. Like when he was handcuffed on the ground he didn’t ever say anything. When Marinette asked if he knew her he just shrugged. Literally the only things I remember him saying was Plagg, Daggers Out. He only ever spoke to become Claw Noir.

But when he was transformed he was talking non stop. He was taunting everyone, his allies and his enemies, even by himself he just played with dolls and talked to himself.

And I just kind of think about this a lot