#so fucking cool. what a cool guy

[gothoffspring]

This is Chromeo. He lets everyone at school slap stickers and doodle on him for clout. Being a rebel is in his programming. He's an eternal teenager, created by a totally-not-mad scientist after the loss of his human son in a tragic accident. He's a bit special and not the most ideal servo model, but we all love him.

[mochasucculent]

Was looking at refs and since Viktor has two different leg braces I was wondering, do we think he wears them simultaneously?? The refs don't perfectly line up perspective-wise so it's hard to tell but parts of the one he wears during the Hexcore scenes look like they could maybe line up with the brace that he wears over his clothes, but also some parts really don't and look like they'd be super uncomfy. Also HOW does he take these on and off. Experts weigh in

[inkskinned]

you know, you know. no gods, no masters, no kings on pedestals. everyone is fallible. death of the author. you know! you are balanced about your intake of media - you allow the wiggle room, the grace, the gratitude, the skepticism. nobody above criticism.

but still. a weird gut-punch feeling, something akin to betrayal. you read the article. surprise! an author you love is actually: a serial fucking predator.

well, shit. what now. no, you knew he was a person (all people are), but now you're wondering - what have i overlooked by accident? what messages have i internalized that are strange and cruel? and also, like, what the fuck?

his actions lay a thick glaze on top of everything. like each place is now ruined, opaque in a new way. but okay, fine, you've done this before. you knew better, right? you've been betrayed by many a cherished childhood author.

still, this stickiness. fuck. can you pick up that book again. will you read it to your children. you've recommended it to others - will you ever do that again? and of course, of course, no parasocial relationships. you were theoretically above this kind of sentiment. but the artist informs the art, right.

so it's not something as clear-cut as feeling he owed you, specifically (a stranger) better behavior - just that you kind of, in a distant and odd way... sort of trusted him to do better. it's not like a real trust or something speakable, just the faint hope that the product (good books) was a thin representation of the soul. now it feels like the product (good? books?) was a mask. in some small or insignificant way, your previous support of this person lent them power. your money and your time and your laughter.

and the thing is - you have this terrible, echoing sensation. how many times will this happen? over and over. you find out that the singer you love is actually a predator. you learn over drinks that your favorite high school english teacher is in jail for what he did to her. you listen to the news idly and suddenly discover that a woman you used to idolize has been abusing her kids for an actual eon.

what can you touch without the static melting off. you can't even really complain about it too much (you were supposed to know better, and besides, you don't want the same re-split "it's not your fault, love what you love" basic advice), but now it's here. somehow, it feels like - you let him into your life.

it's not that things need to be pure or an artist has to be like, endlessly perfect, mindful. demure. it's more just this terrible truth that has been replayed through your veins so often it feels criminally vain. power corrupts, absolute power corrupts absolutely. did you want any one person to be worth that power?

it's just that he wrote books where he seemed to understand that. he seemed to know about hierarchies and unfair systems and bigotry and privilege. you thought they were books about what it means to struggle. you thought they were about having power and still using it for good rather than for control. he spooned you a narrative of being a good guy, a kind soul. you fucking bought what that fucking monster sold.

maybe that's why they were fantasies, after all.

[whitemochacoffee]

This is not a threat, this is a promise

[vaguely-concerned]

the fact that iron bull opens his recruitment conversation with pretending he doesn't quite remember the name of the the inquisition's ambassador. Jose-what's-her-name-again. he's just a big dumb jock no thoughts head empty mercenary who likes fighting and drinking don't worry about lil old me inquisitor! I'll hit things for you if you'd like as long as you pay me! ],) and then right after he reveals he's a spy he drops that he knows not only the name of your spymaster and how she operates but also her haircolour. (but like in a safely bro-y way tho! make that fighting and drinking and fucking! I'll be useful to you but in a real meathead non-threatening kind of way I'll be too busy bedding chantry sisters to do any real harm ],) continue to not worry about lil old me inquisitor!)

god bull you're so multidimensionally and fine-tunedly full of shit I love you so much fhdksah

[normally-blue]

Marcille im lov you <333

[rad-roche]

testing out a new sketching brush with a little au. what if dead woman walking was instead 'dead woman has a nice time in maine. and is alive'

[marypsue]

Man, it's cool and all if you see a metaphor for marginalisation in the monstrous, and if you want the power fantasy of 'what if you could just eat anybody who threatened you/pissed you off'. Me too.

However, as soon as you start saying 'no, these monsters are a 1:1 on Specific Marginalised Group, and you have to treat them in the fiction like they are directly representative of real human members of the marginalised group', BUT you also, in the fiction, make them hurt/kill/eat humans? And then try to shame me, your audience, for noticing or engaging with the bit where they kill people, because you made them directly representative of a real-world marginalised group? You have lost me, and also, I think, the plot.

[flownwrong]

CALLUM KEITH RENNIE as Captain Rayner in Star Trek: Discovery

[oceanwithouthermoon]

saikis powers are a vital part of him so it makes sense that people who dont know about them cant truly understand his whole self, but its also very silly to me when people act like its the ONLY important part of him... people act like his friends that arent in the know are completely blind to who saiki is, but i feel like that kinda means you missed some major points... he cant keep his powers a secret forever and it DOES matter, but he can still be loved and KNOWN without knowing about them... hes still human, he still has a personality, he still has regular likes and dislikes, etcetc

his friends perspectives on him may have been wrong at first, but they CHANGED... they know him and love him, and theyll KEEP loving him the SAME once they know of his powers...

​some people cough cough cough in this fandom like to reduce saiki to JUST his powers and its so obvious that you just. missed everything. you didnt absorb anything from the show, you just saw it and went "ha, everyone thinks hes just a guy when hes actually super cool and powerful" no no no, he IS cool and powerful but look a little closer and at his core he is still LITERALLY JUST A GUY 😭😭😭

hes such a guy.....

[jmr-observingfromafar]

ngl Matangi in Moana 2 was kinda gay. like just a little gay. i mean my girl is a "crazy cat bat lady", calls Moana "babe" twice in her song (the way i audibly gasped in the theater when i heard it lol), and is like sooooo queer coded i love it sm. she just gives off the vibes of sapphic-coded older woman who's played as suave and confident and makes the mc just go "haguphuk" and we all know if this was old disney they would've leaned so hard into that. but i could not have been the only one to keep catching Matangi poking her buttons, the hand on her chin in one scene, just being a total fucking vibe like please i know what you are. that whole scene felt real gay and don't think im leaving Moana out of this one. she is gay, i don't make the rules. i'm stickin with this hc no one can stop me from making Matangi the cool lesbian aunt and NO ONE will stop me from turning Moana gay (Auli'i Cravalho knows what she's doing)

ok im gonna be so real for a second i was simping HARD over Moana's character design in this movie.... like even more than baby me was dying during the first one... like this girl is just- oh my gosh. baby-gay me from 8 years ago would have actually DIED if she'd seen this Moana. it's almost embarrassing how down bad i was during that movie like she's so fucking pretty i wasn't ready for her design. like girls are just too much sometimes, i cant cope .

also side tangent but the lazy ass rewrite of Moana 2 from its planned version as a Disney+ series into a freaking MOVIE was just- so painfully obvious. like they didn't even try reworking it. the structure of the whole movie is painfully episodic and it was just so blatantly shoved into movie format without any care for the integrity of basic movie versus tv structure, so the char dev and pacing was just so rough. like what were the writers even thinkingggg. pretty disappointing but that's ok i have the fandom to make me feel better (moana fan art save me....)

[arthursfuckinghat]

So, I've been wondering something.

In red dead online, there isn't too much use for Dead Eye because it doesn't/can't slow time down since you're playing on a server. It's still a powerful skill if you work on the upgrades for it, but one thing I noticed a lot (because I rarely use Dead Eye in online mode) is that your character really doesn't like having a low Dead Eye meter.

As in, your character will cover their eyes and scrunch up their face and wince as if they've got a bad headache (this goes for playing in story mode too). Now I know they're just visual cues for the player to see and be able to tell that the Dead Eye is low (because your aim is much worse with low Dead Eye), but the implications are pretty interesting to me.

So the question is, does having low Dead Eye hurt and why?

We know that both Dead Eye and Eagle Eye are learned skills, and things like cigarettes, cigars, chewing tobacco, alcohol, snake oil and cheese all benefit your Dead Eye when it's low. It's a crucial meter, just like your heath or stamina - which raises more questions in itself.

Dead Eye and Eagle Eye are fascinating to me because they're very valuable abilities that can be used at will, and have specific set limits for how long they can be used at a time.

But only Dead Eye needs regular sustenance, or "feeding" I suppose.

This gives me the impression that Dead Eye is constantly dormant, instead of something that's "turned on" when needed. Like a constant state of being on high alert that's running on the sidelines of your character's day to day life.

When your character hasn’t used Dead Eye for a while and it still drains, it could mean their brain is struggling to maintain that high level of alertness in the background. This constant readiness, or the potential to drop into Dead Eye at any moment, would be like someone constantly being on high alert in real life. Even if they don’t act on it, the strain of staying ready for danger builds up.

Dead Eye uses an almost superhuman level of focus and precision. To enter that state of hyper awareness where time seems to slow down (even if it's just the perception of it), your character's brain might be working much harder than usual, forcing the mind into overdrive. Just like overusing muscles leads to physical fatigue, overworking the brain through intense focus could lead to mental exhaustion and physical symptoms, like headaches or vision problems.

And since Dead Eye depletes like a stamina bar and requires nourishment (cigarettes, alcohol, cheese), the skill could be linked to the body’s energy resources. Using Dead Eye probably increases your character's heart rate, sharpens reflexes, and probably even increases adrenaline production, which are all very taxing on the body.

Which makes sense as to why things like tobacco and alcohol help replenish it.

Stimulants like nicotine or the rush from alcohol might help keep that mental sharpness in check or at least alleviate the strain. It's as if the brain needs to be sharpened or soothed with substances because it's working overdrive in the background, even when you’re not actively engaging with Dead Eye.

So if we treat Dead Eye as something that affects the brain’s chemistry, like sharpening focus and precision, it could also deplete certain neurochemicals or hormones over time (adrenaline, dopamine, etc). Tobacco or alcohol might simulate the release of chemicals that help regulate those abilities. The discomfort your character feels when Dead Eye is low could well be on the same level as withdrawal symptoms, where the brain is craving more of those chemicals to return to its state of super focus.

I mean, what a fucking fascinating concept right?

Dead Eye is solely tied to heightened awareness for life or death situations, focusing entirely on people who can fight back and threaten your life. So while you're using it, you're engaging with targets that could potentially harm you, and that’s why it probably has such a taxing effect. Your mind and body are fully ramped up for combat, for precision, and for survival. It’s essentially a battle skill, designed for quick, decisive violence.

You also gain Dead Eye points for killing people, so you're not just using this dangerous skill, you're learning every time you use it and kill with it.

From a world building pov, this really deepens characters like Arthur or any other Dead Eye users. They're not just "good with guns" - they're managing the toll that comes with honing such a deadly skill. And unlike Eagle Eye, which is more of a passive, less draining ability, Dead Eye seems to tap into something more intense and unsustainable. Which is really fitting for their lifestyle.

Eagle Eye is taught through patience and understanding of the natural world, Dead Eye is forged in fire and the result of a life steeped in bloodshed and conflict.

[musubiki]

danmarch 🐉💎

[the-one-that-weeps]

Every time someone in this godforsaken fandom says "I think we've talked about misogyny enough" I want to hit them with a hammer. No we haven't.

We haven't even talked about the deep "Ruikasa&Akitoya Vs. literally everyone else" imbalance enough but imagine all of the people that get pressured into writing specifically for male/male ships simply because otherwise they won't get any appreciation.

Yes it's a cowardly thing but when you see Ruikasa having over 4000 fics and Ichisaki having like 5 in total obviously you're going to be discouraged. Obviously you'll be biased into creating Ruikasa instead of other ships.

And as someone who depends on appreciation in particular to do any work at all obviously that's going to have a lasting consequence. Some people spend 4 hours crying in front of a screen just for 3 people to like their work and leave, it's understandable if they lose passion for creating at all, you guys killed them.

It's even in how we handle m/m ships. You go into a fic that's tagged Rui&Tsukasa(platonic), someone in the comments always goes "okay but when do they kiss". You go to an action-packed longfic, someone always ends up going "okay but when do they kiss".

Fuck you guys. Actually. This is a silly piano tiles game about Hatsune Miku, we should be one of the MOST CREATIVE fandoms in history and somehow people still get mad over two boys not kissing immediately after getting introduced. It's so fucking difficult being a content creator in this fandom because you always end up having to take the same route. They meet they tease they kiss. End of story. "Oh you're doing something "lame" instead? -1 kudo. Bring me my yaoi next🖕"

[mercurymacaroons]

arrives 15 min late with a latte

......sup

[ricky-mortis]

Curtwen Week Day 6: Happy Ending