#so damn funny sorry
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sharksliveontrains · 2 years ago
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funniest part about blue lock is when sae itoshi said actually i'm going to be the best midfielder so you be the best forward and rin said Fuck you how dare you not want to be a forward and that's the whole conflict
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blaithnne · 2 months ago
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Live Mel reaction
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poorlydrawninstarsandtime · 7 months ago
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really specific hangups
[ids in alt]
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swampybogg · 4 months ago
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dizzybizz · 11 months ago
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"this is regrettably the best kiss of your life, you understand?"
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kenchann · 2 months ago
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🪙✨.
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mutantjellybeans · 6 months ago
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Johnny Storm (celebrity with years of media experience and a number of scandals with a massive PR team) and Peter Parker (extremely bitchy broke photographer from queens with no media training) are hopelessly and disastrously in love and it is unfortunately everyone’s problem
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cometblaster2070 · 14 days ago
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hordak is such a ridiculous man because my brother really came out here with the COOLEST fucking entrance and he was genuinely being set up as such a scary and threatening villain
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like look at this he actually looks so fucking cool when we first see him. i honestly thought he was going to be our main villain for the entirety of the series.
but then we see him interact with entrapta and then the realization suddenly hits that not only is he the most awkward person ever he's also just turned into like WifeGuy™ the second entrapta talks to him.
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absolute fucking loser i'm just obsessed with how hard he tries to just act like a normal villain; like he has the scary armor, the dimly lit lair and throne, even his voice sounds scary like.
he even has his own weird little minion and whatever the fuck shadow weaver is. generally, his whole scary vibe and plans for world domination set him up as a proper villain, but then he meets entrapta and all of that just CRUMBLES and is tossed out the window.
10/10 i'm a fan of the progression.
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otome-dissection · 1 month ago
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Idk man I just think that mizu/ena5 and its progression was really beautiful actually. I just think that the release of the ena5 song was also really beautiful and kind of the nail in the coffin for me and I haven't been able to get the event(s) out of my head all week and that I kind of want to talk about it, actually.
It's about being hurt so deeply and continuously that any kindness that could be offered to you manages to feel like a sin, that it makes you crumble and shatter but for all the wrong reasons, not because of the newfound safety, not out of relief, but something worse and more deeply ingrained in you than kindness ever was. It's about carefully measuring the distance at which you keep others away from yourself, to ensure that it never happens again ("To save yourself the trouble", if that makes it easier).
It's about realizing that the people you've been spending all this time with are drifting closer, that they just might bump up against the unsightly parts of yourself that you've tried to keep locked away, it's about turning around and sprinting at full speed and slamming the door shut and holding onto the handle behind you to stop it from turning, because you're as frightened of the possibility of another wound being inflicted on you as you are of the possibility that kinder, gentler hands will reach out and smooth over the exposed scar. It's about hating eyes that judge and silently condemn you as much as you hate eyes that simply see you and take all of you in without scrutiny, because no matter what they're looking and they're looking at you and they know that your hand's on that door handle and they know that you're hiding something because, as much as you try to keep it shut, they've seen through the crack that you foolishly left open.
(The prominence of eyes in Bake no Hana, specifically eyes looking and searching, and finally landing on you, the viewer, Mizuki, is so fucking. Visceral in my opinion. Every character in the MV stares at the viewer in a deadpan, almost judging way. Even though Mizuki knows deep down that niigo won't really hate them, won't judge them, she just can't stand their kindness either; any gaze directed at her is a loss, another prick in their skin. It screams "don't look at me" while making sure that you know, with horrific certainty, that they're looking for you, that you're being watched. You can't go outside, can't leave your room, because they're searching for you, and while that should be reassuring, to you it's anything but).
It's about not wanting to be dissected, whether it's with hands that want to pull your organs apart or stitch them back together because no matter what they're there, and they're getting frighteningly close to your heart. It's about blinding yourself and covering your eyes to it all because seeing means exposure and exposure means they're taking something from you and you can't do anything about it, much less take it all back, much less have a say in the matter. Everyone's just taking and taking and taking and you wish you could just be alone. You wish everyone would just disappear and you could live in a world all to yourself, for only yourself (but is that really what you want?).
It's about the way that, near the beginning of the Yoka ni Mitoreta MV, Mizuki and her loneliness is represented as a dark, splotchy stain in the shadows. No colors, no patterns, no way to clean it or wash it all away, just raw ugliness marring a blank canvas. It's about the way that Ena reaches out to it anyway, the way she startles when the glass shatters just when she finally starts reaching forward, the way that the rest of the MV/song represents her searching for and reaching only further out to Mizuki, even if the broken shards of glass will only cut her fingers, potentially leaving scars.
It's about how, in every way, subtly, directly, consciously, and subconsciously, Ena shows that she fucking cares.
It's about the way that Ena lets Mizuki have autonomy, despite the situation being so horribly out of their control. And it's such a delicate thing: If she really wants to, Mizuki can take the opportunity to just run away, keep running forever, repeat the cycle over and over, and maybe she'll just destroy herself with it again, but it can't be denied that it's something important to them, something she can't quite live without just yet, their means of survival. Mizuki's autonomy is their identity, it's her tailoring her own clothes and choosing her own ribbons and styling her own hair the way she does. Ena letting them have that is as much about trust as it is about understanding that Mizuki of all people should have this right, when control was something stripped from her throughout so much of her life. She couldn't control how she was born, how people look at her or why, can't control what they think of her; lacking control has only left Mizuki vulnerable to the cruelties of others, has only caused them to suffer, which is why it's so important that it's given to them now.
She had the control to make the choice to see niigo's welcoming love and run away instead of staying, and she has the control to make the choice now whether she wants to keep things the way they are or take a step forward to be at their side again. She has every right to have it, and I think the fact that Ena realizes and respects that, even if it's subconsciously, is really beautiful (there is an entire fucking Verse about this in the new song and just. God Look at this. It's so caring, unconditional, and for fucking What. I think there is something to be said about how much Ena is willing to put aside for Mizuki, and maybe deep down it isn't healthy, but for now I'm just kind of in awe)
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It's about how insanely patient Ena has been this whole time. Mizuki says that she basically lied to Ena's face about telling her their secret, even after Ena said with such conviction that she would wait for Mizuki as long as it takes, and Ena is just kept waiting and waiting and worrying like this seemingly indefinitely. It's about how Mizuki danced around it, avoided it, kept the distance, straight up ran when she was finally pushed, but Ena still chased anyway when she saw that she couldn't wait anymore, kept chasing just enough to intervene and get a straight answer out of Mizuki when she really needed to, but still leaving her enough space to leave if that was truly what she wanted. It's about how relieved Ena is the moment that Mizuki finally says outright how much they want to be with her and niigo, how much she wants to try, how much more light Ena's voice sounds when she grabs her hand, relieved, the way that the relief she feels can be felt through the music, throughout the entirety of Yoka ni Mitoreta, the way that warm colors always follow her when she chases after Mizuki, just to hold onto her and stop her from running away completely.
It's about how that careful combination of Ena's directness, Ena's persistence, Ena's warmth, her patience, her bluntness about her feelings, the way she chases and holds on but not too tight and her regard for how unsafe and exposed Mizuki feels actually works and breaks it all down. It's about how she really did reach through to Mizuki, despite the thorns and broken glass shards and nearly-unfulfilled promises, the way that Mizuki did finally let her turn the door handle and step through to see what she'd been hiding all this time, the way that Mizuki's hand, limp, when Ena first grabs onto it, shifts to hold hers back as they cry in the face of Ena's gentleness.
Despite how harsh Mizu/Ena5, and even Ena herself as a character can be (or at least was in the very beginning of pjsk), everything is somehow gentle and warm in the end, blindingly so. And you know what, I think that's beautiful. And what's even more beautiful than that is how Mizuki allows themself to crumble and shatter under that kindness, that warm light, but this time, finally, out of relief.
On a final note, I just want to say that I also appreciate how all that didn't have to solve everything. The scars haven't disappeared, haven't gone away, and Mizuki knows that their desire to run hasn't gone away forever, and maybe it never truly will. But for now they've calmed it, at least a little. She's learning to allow herself to be seen, learning that when someone's fingertips brush over their scars the way Ena's did that it's only out of care, and that maybe taking in that care and allowing herself to feel kindness and safety is okay. They're safe, for now, somehow. They're learning. They're trying. And I think that's cool :)
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housederiva · 18 days ago
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Is it just me or is there way less fanart being made for this game than the previous ones? Kind of makes me sad, I remember with dai I could check the tags every few hours and find something new weeks after launch, now I only can get away with only looking a few times and week and miss nothing.
I don't think that's Veilguard exclusive.
Things I and my mutuals draw now are getting less notes/reblogs than they did even one year ago, regardless of the fandom. Fanfiction is getting less comments and kudos on ao3 too (not that they were getting many comments in the first place) Less gifs are being made because gif makers weren't getting reblogs. Hell, most of the post I make have a huge discrepancy between likes and reblogs and add polls into that? A thousand people voted on something and only a dozen people reblog it. It's a hollowing feeling when you realise you're calling out to an empty void, I don't blame people for creating less art because of that.
I don't see a vast majority of the people who follow me in my notes because I have likes disabled. Multiple times someone has sent me an ask apologizing for spamming me with likes and I don't understand it? That is not a bad thing And unless you reblogged anything along the way, I didn't even realise you were doing it in the first place. And the people whose notes I do see are not annoying in the slightest, I love the tags you add and I'm sure the original poster does even more so
I'm not trying to shame anyone Into interacting with the fandom spaces they're in but the whole point of Tumblr and what makes it a blogging platform and not social media is that this is a show and tell website. You're supposed to look at something you think is cool and then wave it around for your followers to see and then they pick it up and do the same regardless of how old it is
When you reblog an ask game from someone it used to be common courtesy to send that person one of the asks from it. Folks used to leave comments analysing paragraphs from stories people wrote and theorising about what would happen next on every chapter. We used to send each other asks just asking about our ocs unprompted
If there's no interaction or community when you create something, then what's the point of creating it? It sucks that fandom is morphing into something to be consumed and thrown away the second it's more than a week old unless you're one of a handful of blogs that got lucky and picked up traction at just the right moment
I'm sorry for the rant but I get emotional when I think about the decay of fandom spaces for too long. And this goes without saying, but you guys can reblog anything on my dash if the button isn't disabled on it
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whotfelsewantedtobelynnyx · 3 months ago
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Chat, I regret to inform you that I have added a new hyperfixation…so…
Agatha All Along Incorrect Quotes!
Alice: Hold the fuck up.
Also Alice, crawling into Lilia’s lap: It’s me. I’m the fuck up. Hold me.
Rio: I have an idea!
Jen: No murder.
Rio, sighing petulantly: I no longer have an idea.
Lilia: I have a bad feeling about this…
Agatha: What do you mean?
Alice: Don’t you ever get that little voice in the back of your head that tells you if something is going to get you in trouble?
Agatha: No.
Jen: That actually explains so much.
Lilia: As far back as I can remember, I’ve always had this little voice in my head telling me to “live it up today, because there’s not gonna be a lot of tomorrows”.
Agatha: You do realize there’s medication designed to get rid of those kinds of voices, right?
Teen: A bird flew in through my window and I’m trying to befriend it.
*later*
Agatha: Why don’t you quit bothering me and go talk to your bird friend?
Teen: Matthew and I are not speaking at the moment.
*the coven, huddling together behind a makeshift shelter to shield themselves from repeated gunshots*
Alice, hastily shoving the others behind her so she can return fire: Agatha, do you have any idea who would want to shoot you?!
Agatha, squashed between Jen and Rio: Many people want to shoot me. I take great pride in that!
Jen, glaring at the group as she hands over bail money:
Alice, tapping her shoulder: What about Teen?
Jen, glaring more: I’ve got to bail him out too? Where’s Agatha?
Teen: No one called her. We used Lilia’s phone call to call Alice and Rio’s to call you. Then Rio used my phone call to vote for American Idol.
Rio: :)
Jen: Rio isn’t answering her phone.
Agatha: Here, I’ll try.
Jen: Alice and I have tried six times each, what makes you think that-
Rio, picking up on the first ring: Hey, sweetheart.
Agatha: The ends always justify the means!
Jen: Do you know who said that?
Agatha: Was it Oprah or someone nice and great like that?
Jen: It was Machiavelli. A decidedly non-Oprah like person.
Jen: I bet you didn’t even finish the thing I asked you to get done!
Agatha: For your information, I most certainly did! Got it done last night!
Teen, whispering to Agatha: You didn’t get it done, did you?
Agatha, whispering back: I don’t even know what she’s talking about.
Lilia: I am at a loss for words!
Teen, glancing at the camera like his mom like he’s on The Office: Despite being lost for words, Lilia yelled at us for the next 45 minutes.
Agatha, carrying Señor Scratchy out of the room:
Señor Scratchy: *snuggles under her chin*
Agatha, kissing his head: You are being punished. Please stop being adorable. I love you.
Teen: I got a trampoline tent for summer sleepovers!
Jen, whispering to the other adult witches: …think of all the sex.
Alice: There are two types of people.
Rio: If you wanted to eat someone, you could put a fire under it and slowly roast them :)
Lilia: …three. Three types of people.
Jen, cautiously: I can’t believe I didn’t notice this before, but…Teen, you are a little crazy.
Teen: Aren’t we all a little crazy here, Jen?
Jen: No, I mean you’re aging-ballerina, child-chess-prodigy, professional magician kind of crazy.
Teen: It’s my mom’s fault. You know, we come from a Jewish family, but she used to tell me the reason Santa didn’t come was because my room was too dirty.
Rio: I’ve come looking for trouble. And if I can’t find trouble, I WILL create some.
Alice: Do you trust me?
Lilia, smiling proudly at her: Yes.
Alice, who has been completely panicking: Wait, what? Why?!
Agatha, awkwardly glancing around for help: Er…Alice, I’m gonna be honest, I don’t know what to say to people who are crying. So I’m just gonna hope that the tone of my voice makes you think I do, okay, sweetie?
Alice, sniffling: …thanks, Agatha.
Agatha, patting her on the back with a bit too much enthusiasm: No problem, kid.
Lilia: I told Agatha about it weeks ago!
Teen: She WHAT?
Agatha: What??? Lilia says insane shit all the time, how was I supposed to know this one was true?!
Lilia: Bank accounts are a sham created by the shadow government!
Agatha: SEE?!
BONUS:
Wanda, watching from the afterlife: so…when exactly do kids grow out of that whole emo, rebellious stage?
Lorna, shrugging: I don’t know. Alice is still in it.
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dipperscavern · 5 months ago
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(apologies in advance if I’m repeating my ask, tumblr literally crashed as I pressed the send button and the app’s being bratty 😭 ig it couldn’t take all the Cregan thirst)
I was wondering what you’d think abt Cregan giving massages? He has…very big, strong hands. The VIENS on those paws, I just know it in my loins. I can imagine them wandering, maybe groping…maybe leading to him manhandling his lady…maybe pinning her facedown into their mattress, body completely encompassing hers…flush against her back…breath and lips hot on her neck as he rutted against her fully clothed…until he wasn’t tehe~
I’ll just leave this here, had to share the vision
~<3
ur all good!! this is the first time it sent haha
i….. oh my god. okay so first off this is delicious and second off we have no secrets here, i’m a hand girlie so this is giving me THOUGHTS GOD
and with how strong he is you know he gives the best massages. those warm, firm hands working out knots with a pressure you couldn’t even dream of. this would also go with father!cregan when you’re pregnant and sore :(( ANYWAYS
you’re so right about the wandering part. he used all his restraint when you were betrothed, and now that you’re his entirely, it’s rare that he tries to hold back anymore. you’re his wife, why wouldn’t he feel the curves of your waist? grope the soft flesh of your thighs? lightly brush against your tits? you lean right into him, who is he to stop?
and he’s working u so good you just can’t help but make a few noises. and they go straight to his cock (naturally), so it leads to his front pressed against your back… letting you feel all of him. you’re putty in his hands, it didn’t take much to maneuver you into the position he wanted you in. (as you said) his lips trailing hot kisses on your neck, and even though you’re clothed, he’s rubbing against you just right. then when you’re about to cum, he completely pulls away, making u whine. he just silences you with his lips as he moves to pull your clothing off. 🙂‍↕️
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funsizedcrow · 4 months ago
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People love to talk about how much arson wild does and thats fun but also lets remember that in twilight princess in order to progress the game you do have to set a building full of bombs on fire. and it does explode.
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ryemiffie · 6 days ago
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"Sixer, it would eat you alive." Said the eats sixers alive-ing ceature
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tempestmothstorm · 4 months ago
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crazy how the sanshee plush is one of the few actual direct confirmations on what a non-act 2 Natsuki’s home life is like because of how cagey she is on literally everything. Like this isn’t anything surprising or something you wouldn’t be able to extrapolate from the games but unlike everything else we know about her the implications are right there on the tin.
They literally did the character bio trope where where all the likes are normal but the dislikes are about their very specific trauma it’s just so funny they did that on the plushie card
#the thing is the rest of the bios are mostly normal it’s just this one with the yellong part why did they do that#idk if I’m stupid or forgot the yelling thing being shown directly in a non-act 2 context but I at least appreciate the confirmation#since I might just be mixing up fanon and canon considering 90% of what we know with Natsuki’s whole deal is interpolated from small tidbits#but like trying to understand anything about non act 2 Natsuki’s background is so funny because she doesn’t like to talk about anything#so all we know about her home life is by comparing her to act 2 and the secret poem plus psychoanalysing her thoughts and actions#is like the secret poem says Monika definitely made her dad worse but the problem is we don’t know how much#anyways and for all we know her dad could range from somewhat average dad to should be put on a watch list#and sometimes there’s dialogue like the one in self love about Natsuki worrying about her friends retaliation#and it’s probably meant to act as a confirmation to whether there’s physical abuse considering how out of left field the question is#but like it could be interpreted either way so it’s basically just Schrödinger’s physical abuse for no reason#I’m not criticizing or anything I think the characters being able to hold secrets is cool and ambiguity is awesome#and the choice to keep the ambiguous is intentional since the characters only share what their comfortable with#but I just need to vent about that one line in self love ok#like idk if I’m just stupid but there’s multiple interpretations but it’s seemingly both a decomfirmation and confirmation#idk it’s weird but her dad yelling at her enough to make it one of her dislikes is at least something in terms of actual evidence#damn it I put a paragraph in the tags again I’m sorry gang I’m not moving it#ddlc#doki doki literature club#tempestmothtalk
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Genuinely glad they said something because it was all I could focus on when he was being all emo
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