#so all of those are really shit arguments

[captainclickycat]

Whoops turns out I have Further Thoughts on this.

So, here's the thing. We could argue a lot about whether or not characters in horror films make stupid decisions and how it depends on the individual film and what have you all day long. And I'm sure we could come up with a few examples on either side of the argument.

But I think there's a broader point here which is that when people say "what if there was a horror movie that featured a convenient and straightforward way for the characters to get out of trouble without making any sacrifices along the way, so they did that and were fine, the end", and especially when they present this as some kind of refreshing new take on the genre...

Well, aside from the fact that this would make for a very boring and disappointing story for anyone who actually wanted to watch a horror film, it has the same energy as those people who are presented with moral dilemmas as a thought exercise and get fixated on "what if there was a way to stop the trolley and save all six people" "what if you could replace the Omelas kid with a robot" and so on. It's a copout, and it really does come off more like they're balking at the idea that suffering is sometimes unavoidable, that sometimes there are no easy answers and any decision you make comes at a cost.

It reminds me of this other post that was going round a decade or so ago, where the title was something like "horror movies for our generation" and the gist of the whole thing was essentially "if millennials were in a horror movie scenario we'd be able to fix everything and save ourselves straight away because we're so smart and progressive and have the best resources!" (Which to add a bit of extra context was clearly pushing back against a lot of the "millennials are stupid children who don't know how to do anything" think piece discourse that was floating around at the time) and a lot of people in the notes (possibly even including me, at the time) going "omg I need this!! I'd watch the shit out of this!!" which, when you think about it, is really weird when you acknowledge that the scenarios being described were essentially just "what if something that claimed to be a horror story actually just had no plot."

The idea of a horror story where the characters make sensible, realistic, understandable decisions is potentially a great premise (and again, there are plenty of existing horror stories that already meet that criteria.) Crucially, though, that can't be enough to get them out of trouble, at least not instantaneously.

If you could avoid getting lost in the scary woods just by using your trusty functioning gps tracker, there would be no story. So in an actual horror story, the gps wouldn't work, or it would be hijacked by some sinister entity and end up landing the characters right back where they started, or lead them further into danger. The characters happen to have the exact right combination of personalities and skillsets to instantly defeat the monster and go home? Well, first of all that's just dumb luck, and second of all that can't work right away either. There would be a different monster that they can't defeat so easily, or they simply don't have enough information or opportunity for most of the story to be able to actually use their collective skills against it. You managed to evade the killer and get out of the creepy log cabin unharmed? Congratulations. Your best friend is still in there, though, and they might be injured. Are you comfortable leaving them behind and hoping they can fend for themself while you get away? What if it's your child? Sometimes the "stupid" decision is the one you wouldn't be able to live with yourself if you didn't make.

I'm going to give the "cozy romance" person props because at least they're honest about the fact that they don't actually want a horror story, and at least the story they're proposing would actually have a plot, just not a horror one. I can see where their thought process was going; there is something cool about the idea of a secret secondary plot going on in the background that the protagonist managed to narrowly avoid, that we can put the pieces together about if we pay close enough attention. (It's not the best example, there are undoubtedly better ones, but it reminds me a bit of Shaun of the Dead where we get these hints that there's a doppelgänger squad running around in the background, and it seems like just a one-off joke until one of them shows up at the end with the military in tow.)

But the thing about that example and a lot of the other ones is that there's eventually a payoff. Ultimately it does affect the protagonists in some way, even if it's sometimes a subtle way. And there's something sort of weird, and just a little jarring, about the idea of reading a story where you're sort of vaguely aware that horrible things are happening to some poor bastard in the background, and your only takeaway from that is supposed to be "oh well, sucks to be them. Let's continue to enjoy watching these Sensible people kiss! Yay!" Apart from maybe being a cool sort of easter egg, what exactly is the point of this subplot, besides imparting the profoundly unsatisfying message of "you can easily avoid danger and have a wonderful life if you're just smart and sensible enough!" when that's so often and so tragically untrue in real life.

And that's why I feel like this would be a much better premise if the horror eventually caught up with the protagonist. Because sorry folks, but escaping the genre unscathed is too easy and too unsatisfying. It has to at least be a challenge, or there's no story worth reading.

You can't just replace the Omelas kid with a robot.

people are so mean about horror movie victims like. sorry but if i had gone to a cabin in the woods with my friends as a teenager you couldn't have stopped us from reading aloud from the evil tome. how were they supposed to know the ancient curse was real they're like 17

[laseracronym]

They Made You Cry (MHA/Fem!Reader)

(Laser: I'm sad today, so I curse you with angst.)

Summary: MHA characters reacting to making their girlfriend cry. (Angst, arguments, and some unhealthy relationship dynamics.)

Characters: Bakugou, Dabi, Aizawa, Shigaraki, Midoriya

MHA-MHA-MHA

Bakugou

Katsuki's heart sinks when he sees the unmistakable wetness that mists over your eyes. What's worse, what really makes him feel like the worst kind of bastard, is the way you shy away from his gaze with a sense of bitter defeat. Like he's getting what he wanted. Like his victory, his intention, was pushing you to tears.

As if he could ever consider this a victory.

"H-Hey..." he reaches out to you, awkward and unsure. He's so bad at dealing with tears, especially yours. It's so much easier to take on whatever piece of shit that's made you cry, but in this case, it's him. He's the piece of shit.

You sniffle, hurriedly brushing past him, equal parts angry and hurt.

"Whatever, Katsuki."

Dabi

The thing about you is that you're so damn unpredictable. Sweet one second, drawing blood the next.

Dabi kind of loves it. It keeps things from becoming boring, getting stale. And you're so hot when your eyes are ablaze with whatever emotion is overcoming you.

Just like right now, in the middle of some pointless, bullshit argument, when something he says makes you snap. You tackle him to the ground, your hands fisting into his jacket as you yell in his face. All he can do is grin up at you dangerously, just as angry, but equally as enticed by just how vibrant you look in this moment.

Then something even sweeter happens.

Big, fat tears begin to drip from your wild eyes, and Dabi sucks in a breath. You sob, frustrated and overwhelmed, and his cold, little heart warms at the sight.

"Oh, pretty girl..."

His arms wrap around you as you cry into his chest, cursing his name all the while. He strokes your hair, twisted affection squirming in his chest like a nest of spiders.

Always so unpredictable and entertaining.

Aizawa

"(Name), I-" Shouta falters, all the anger and frustration from your argument washed away by cold, all-consuming guilt at the sight of the tears slipping down your face.

You hurriedly wipe them away, stepping back, away from him, and the guilt deepens.

He knows you hate crying in front of him, even when it isn't his fault. It makes you feel weak, and he knows you worry he'll think less of you, that he'll find your more emotional way of being "irrational."

You turn, hiding your face as you try to walk away, but he stops you, gently catching you by the arm.

"Wait," he pleads, his voice gentle, "I'm sorry." Because no argument is worth making you cry.

"I don't want you to see me like this," you mutter, your head down. But at least you're not pulling away from him. He takes that as a good sign.

"Don't hide from me," he urges. He takes you by the chin and tilts your head up so he can look at you properly. He brushes your tears away, regretful that they're there in the first place. "Let's talk about this, okay?"

He's always so stubborn, set in his ways. But he'll try to meet you in the middle, to understand your perspective. You're worth it.

Shigaraki

Tomura feels no guilt at the sight of your tears, only vindictive satisfaction. Good. He'd been aiming to hurt you when he said those words to you. He really can't stand the way you make him feel sometimes, so he's happy to return the favor.

"You're seriously crying?" he taunts with a cruel smirk, poking at your cheek with a mocking finger.

You smack his hand away, "fuck you, Tomura, you fucking prick," you hiss, trying not to cry even more in front of him. You turn and storm away from him before things get even worse.

"You're so pathetic!" he calls after you, making sure you can hear him before you slam the door behind you.

He huffs, standing there and scratching at his neck. You're so damn overdramatic, a pain in his ass. You deserve to cry a little for the shit you put him through.

The image of your tear-filled face flashes through his mind. He ignores the way it makes his stomach twist with discomfort.

Midoriya

Izuku feels his own eyes fill with tears, watching you hug yourself and cry in front of him.

"(N-Name)... please don't cry..." he begs, his hands brushing up and own your arms, trying to console you.

"I thought I was never going to see you again," you cry, your words making his heart ache. You scrub a shaking hand over your eyes, "I was so s-scared for you!"

"I'm sorry, (Name)," he pulls you into a hug, his own tears running free. He really scared you this time. It was a close call. "It's okay, I'm okay. I'm here."

He shushes you gently, guilt spreading through his chest at the distress he's caused you. His job is always going to cause you to worry, the only thing he can do is try his best to come home to you at the end of the day.

(Requests)

[acexsmhking]

hello!! Can you write a headcanons/oneshot post of (separate) ticci toby, eyeless jack, and/or jane the killer dating a piercing obsessed! Reader? Ppl always say lots of piercings r unattractive :(( but omgg i love ppl with lots of piercings, theyre so lovely! Thank youu:D

𝐒𝐭𝐢𝐠𝐦𝐚𝐭𝐨𝐩𝐡𝐢𝐥𝐞

(𝗻.) 𝗔 𝗽𝗲𝗿𝘀𝗼𝗻 𝘄𝗶𝘁𝗵 𝗹𝗼𝘃𝗲 𝗳𝗼𝗿 𝘁𝗮𝘁𝘁𝗼𝗼𝘀 𝗼𝗿 𝗯𝗿𝗮𝗻𝗱𝗶𝗻𝗴𝘀

: ̗̀➛ Piercing!Reader x Shared Headcanons

(Toby, Jack, Jane)

Summary: GN!Reader with love for piercings/having multiple being in a relationship with Toby, Jack and Jane. How would they react?

Warning(s): None! Mostly just fluff, FEM & TRANSF in mind for Jane

・❥・ Toby

First of all, Toby himself is covered in a lot of facial piercings so he is not one to judge! He loves piercings, especially on himself (egotistical asshole knows how sexy he is), so if you love them just as much him, he immediately just yaps with you

Do not trust him to give you one.

Now if you really like piercings but hate needles? He definitely bullies you about it some but understands. Since he can’t feel pain he can feel a lot of the pressures/intrusions that the pain usually covers up and it can weird him out

He plays with your piercings like a lot. Mostly nervous fidgeting type things

OMG DO YOU HAVE TO STAY ONTOP OF HIM IF HE GETS A NEW ONE, he is so bad at taking care of them himself but he’s so good about taking care of yours. Little weirdo

Now, Toby can be mean during fights so sometimes if he’s close enough he’ll twist one. Petty little shit. But he is quick to apologize, he just likes winning arguments

・❥・Jack

Jack like.. literally cannot see. So he genuinely just thinks your piercings are apart of you. Like he really doesn’t remember things of humans and so he completely forgot about minuscule things like piercings

He does like licking them tho, that nice metal taste

Weirdo.

Once you actually explain it he’s a little perplexed. Since he’s an apex predator usually they associate things like anything piercing you as hindrance to hunts

But whatever makes you happy!

Since Jack does live in a lot of holes/caves you probably are gonna wanna let your piercings heal a lot or just clean them a lot more so the dust and dirt doesn’t infect/irritate them

If you wanna give Jack piercings well.. it’s gonna have to be like a really protected spot. He’s running around and climbing lots of trees not to mention how many people actually do try fighting a 6’10 demon..creature…thingy. So you don’t want him getting hurt

That and his healing factor literally is just too good at its job. Damn powers. But hey you can get those little fake ones! He’ll try to keep them on but…

・❥・Jane

Again! She doesn’t judge. She thinks they’re pretty cool, now she can’t have any cause.. well.. she’s a little crispy but! She will wear matching fake ones with you

Definitely best person to get a nice piercing with as she helps you clean and stay on top of them

She bought you a little machine thingy to clean them for you<3

She does actually have her ears pierced but she can’t wear them for long any more :(

She is also stupidly good at finding missing earrings, piercings and jewelry like omg. Like I mean fucking assassin’s creed eagle vision type shit

She’s good in general at findings things really

Omg does she love kissing your piercings <3 she especially likes nose piercings, JANE IS A NOSE KISSER IDC WHAT ANYONE SAYS

my romantical wife<3

She will buy rings and necklaces to match your piercings too! She’s pierced with you in spirit ya know

: ̗̀➛ hehe i loved this. I gotta write Jane and the others their own general headcanons soon, I’m just lazy. Also tell me why Chapter 3 is not plotting how I want it too like come on brain work, anyways I loved this little ask! I have got to start writing more of other characters too I have like… 18 drafts of all sorts of shit. Impulsive writing — Ace

[genderqueerdykes]

Kinda depressing irony that I have more than once discovered a part of my identity due to horrendous online discourse drawing attention to an option I'd never considered before. It's happened three times now, first with being asexual, then polyamorous, and now with being transmasc. On the one hand the thought process of "Why is everyone yelling at that group? Guess I'll go have a look and see what all the fuss is about. Oh. They're just like me, I didn't realise there were others. oh ... everybody hates us." Is really depressing, as is finding a community just in time to watch it get stamped into oblivion. On the other hand you gotta admit it's kinda funny that their attempts to destroy a group of people is literally creating more of us.

i agree with you 100%. this shit is just so exhausting. it keeps happening but with different area of the community every few years

i think a lot of this is people who just aren't familiar with these communities over reacting to them and thinking they're all just weird cishets at first and it's so terrible. all of those groups you mentioned are queer and normally accepted in general queer spaces. people genuinely do have thin to non existent skin these days and refuse to talk in anything but arguments and death threats. it's exhausting. it's not worth the time. it's honestly just worth it to live your life in person. know who you are. remember your identity. but don't interact with this nonsense. it's pointless. just go be yourself. it'll save your life. love you. take care

[sir-myst-cake]

First post on here and it's a rant!! If you want more cool takes you should totally follow me as I'll be posting here more often and have totally cool art to share‼️‼️

I'm not completely sure how to tag this? I'm talking about the ships in a positive light so I think it's okay, and besides, I want lots of peeps to see it, I'm aware I probably won't change many people's minds at all, but it's okay lol, I just want Anti's to see they genuinely have a nothing burger and need to leave people alone.

This is a mostly TikTok only problem regarding Beast x Ancient's (thank god) but I've seen my fair share elsewhere like on here. So lemme counter every argument I've seen so far cause you got a lot of time on your hands to be telling people to off themselves over Cookie ships 😭 put that hate into people who actually deserve it.

BILLFORD COMPARISON

Regarding ShadowVanilla specifically, people have compared the ship a lot from both sides, but what really got me is what I've seen here:

"Shadow Milk Cookie is way worse than Bill! He drove Pure Vanilla to insanity! He tortured him!"- This is in regards to how people bring up the fact Anti's are fine with one thing but not the other when it's basically the same thing they're against. Psychological, physical, mental, and emotional torture. I'll be honest I haven't watched Gravity Falls whatsoever, but my friend has, and from what she says, yeah Bill is the definition of a cruel and unusual punishment. He's done some crazy things, absolutely heinous, might even be a little worse than Shadow Milk or on the same level, either way though-

You can't like one thing and then not the other, it's different flavors of the same thing, it's hypocritical. Either you hate them both or you hate neither.

"Those are 2 different fandoms!"- Doesn't matter, it's the same thing, just different media, it's not different whatsoever aside from the universe, there's much torture involved on both ends.

ABUSER X VICTIM

This one I've seen A LOT and I'm just ??

"If you ship Beast x Ancient's you support Abuser x victim btw"- That's a STRETCH. You are reaching FAR. Nobody is romanticizing the abuse, nobody is normalizing it, it's stuff that happened in canon and we acknowledge it but nobody is doing any of that other stuff. I'm not condoning anyone in real life to do that shit lol. It's called exploring, they have an interesting dynamic, romantic or platonic, two sides of the same coin. You can say the same thing about horror movies, they put a lot of disturbing stuff in there. Do the movie producers CONDONE any of that stuff? Obviously not. Goes for Devsisters too, they don't condone body mutilation yet they still made Burning Spice rip off Cheese's wings.

But even so, for the people who DO like it for the angst, I won't say fiction doesn't affect reality because it does in many cases, but this isn't one of them. Not every relationship is going to be peachy and perfect, just like in real life. I can give an example on this one too actually.

GoldenLily, they aren't condoning what Lily (technically) did to Golden Cheese's kingdom, but they like it for all the potential, complicated feelings and emotions that come along with it.

Also, that's basically the same thing with Beasts x Ancients, just turn it around to enemies to lovers.

"This isn't Villain x hero, this is abuser x victim"- Are you saying MOST of media is abuser x victim then? This is in fact a typical hero x Villain trope, it's nothing new. Respectfully, you guys freak out when a Villain does villain stuff, I'd be surprised if there was a villain who DIDN'T cause any trauma for the opposing party. But according to this logic, media is just dead, no more fanfiction, no more what ifs, no more content since it's all apparently problematic and not canon. Even if somebody switches stuff up in an AU, and makes things completely fluffy, that's apparently still not enough.

"oh you had to make an AU to ship them because you know it's toxic"- No, it's just playing around with scenarios. Learn to separate fanon from canon. This specifically goes for the redeemed AU's I see of the Beasts, people still complain, they act as if people can't change. One of the biggest examples I have of that is FlutterCord, Discord did plenty of messed up things, but in the end, he still managed to change. You'll still get burned at the stake for it though.

"You must be an abuser yourself to condone this!!"- Extremely disrespectful and a WILDDD take. Need I say more??

"I ship Beast x Beast rather than Beast x Ancient's"- According to your logic, the Beasts are abusers right? And if we followed the same story, they are not mentally well whatsoever. You'd rather ship 2 dangerously mentally unstable characters together who'd just make each other worse? Destroy each other? Fuck each other up beyond belief? It doesn't make sense does it, nor is it fair for y'all to praise these ships but hate on the others. You like watching the cookies crumble huh 😭

CANON

"The ship isn't canon!"- We know that, everyone should know that. With what I said earlier, please learn to separate fanon from canon. That's what a fandom is, we do non-canon stuff, it's very fun, you should try it.

"It's a Proship/Dark ship!"- Going the canon route, Beasts are Eons old, Ancients are thousands of years old. Big gap yes, but nonetheless all of them are old as fuck. Older than bloodlines. Treating the Ancients as if they aren't grown adults. You're intentionally trying to make it weird. Stop calling ships you don't like proships please.

Also a little off topic but please don't listen to everyone you interact with on TikTok?? I remember one time I was scrolling through a comment section and saw somebody say "Doesn't Mystic Flour Cookie hate Burning Spice Cookie?" On a MysticSpice vid, looked in the replies, somebody asked for proof/where it was implied, and they didn't answer 💀 just blatantly spreading misinformation. Sources around you are way more reliable than people who don't back up their claims.

CONCLUSION

Even despite all this, you still have the right to feel how you wanna feel. Just please stop harassing people for simple stuff like this, in all honesty, I feel like it's more about seeing one of your favorite characters shipped with somebody who hurt them in canon that makes peeps upset. Which I can totally understand because I used to be exactly like that, I LIVEEEE for Dark Cacao Cookie, when Mystic Flour's update came out, I wanted her dead. Quite literally blocked someone because I couldn't stand seeing their MysticCao art. Hated what she did to my baby boy fr.

But then It started growing on me, over time, I just realized it was never that serious.

Even so, notice how I still didn't go out of my way to harass said person about it because I specifically didn't like it? It really is that easy. Block and go about your day.

I also suspect this because of stuff like this 💀

Love that person who replied, but it's not that hard y'all. We all can in fact, get along.

ANYWAYSSSS thanks to those who took the time read, I love you my pookies hope you have a good day or night💕💕

[olderthannetfic]

So there was a stupid, badly executed major character death in my fandoms canon. And fans trying to defend that media from other fans frequently argue that we simply can't "handle" MCD and need to grow up and get over it rather than being upset that character died in a really poorly written way.

I'm now watching a different thing, with a really well executed, beautifully tragic MCD. And I'm essentially petty and salty of being talked about like a wittle weak baby who can't handle big mature themes.

I can appreciate meaningful, well done MCD. I am not a lesser or less mature fan because I point out when it's done badly for shock value. I am allowed to be mad my blorbo died for nothing.

And why do fellow fans so often feel and act as if they have to defend their franchise from any critique from fellow fans?!? Or worse, tell fellow fans to leave the fandom if we're not thrilled with what fandom gave us. I'm still writing for it, which is contributing more than some who only mocks and attacks fans who disliked how things went.

--

I am so fed up with people crying about how MCD is such a valid artistic choice. 99% of the time, the interest and value from some character's occasional future appearances in an ongoing piece of media would have added up to more than the death did even if it was wonderfully well done.

A death towards the end often takes a gigantic shit on the other themes of the piece or is idiotic in light of genre conventions that would normally make that uncurable poison/lingering illness/minor flesh wound non-fatal.

Nearly nobody wails that some two-hour film festival fare shouldn't end in the lead's death. We all know those are going there, and they often do it competently.

"You should like my bad art because consuming drivel misery builds character" is never a sympathetic argument.

[dalekinapaintedparadise]

Stumbled upon a Reddit thread (don't ask) where people still whine and bitch about having to pick the "Nah, fucked that up too," dialogue option at the Oil fields to have a good relationship with Johnny. Saying that it needs to get fixed, calling it 'antagonizing' him, further proving that they don't understand him or his friendship with V at all. Sorry, but what's still not clicking? Holding him accountable for what he did and being honest with him is the only way you can have a good relationship with him for a reason.

It's not scolding him, it's not being mean, it's just V telling him 'No, what you did hurt me and I can't trust you anymore.' And he needs that, he needs someone who won't let him get away with the shit he does, he needs someone who is honest with him and won't just agree with everything he says so that he can grow and change. He knows he royally messed up, but he needs to hear that from V too. How do you expect V to have a true friendship with him if they just let him walk all over them and act like he did nothing wrong and everything's fine?

And it makes sense that the devs chose this as the secret ending unlocker because you can't have them storm Arasaka Tower together in full synergy when some parts of them are still at odds with each other.

Listen, I love Johnny as much as we all do here, but he needs to be called out when he messes up, and that's that.

[smartzelda]

Sorry guys I gotta speak my truth on this one

I'm not kidding when I say that I think that blaming shit media literacy from fans on shipping/shippers avoids the actual root of the problem to throw people you can easily throw under the bus (simply because it's not unpopular to consider people who post about ships or ship characters in media as having lesser or derivative tastes by default)

And here's why.

I think when you blame people who are "shippers" or "consume media through shipping lenses", the true root of it all is a mindset problem.

In actually, putting on shipping lenses can be helpful when trying to analyze a piece of media. When analyzing media you're supposed to approach it through a number of mindsets and put on different lenses (both to deepen your personal understanding of the media, and to pick it apart and see what you can find there (whether intentional or not on the author's part)), and different ships can be some of those lenses

When it comes to ships between main characters (for those who are genuinely willing to see what the narrative is showing with their relationship and what it's doing), there are times when analyzing it from a shipping lens may be helpful. As someone from KH fandom, I have seen people come to deeper understandings and pick canon apart in the process of analyzing a relationship that is genuinely integral to the story (platonic or not). I've also seen people get into rarepairs of characters who barely interact or who just suffer little screen time, and I've seen them come to better understandings of those side characters and how they potentially fit into the world of the media simply because people are now focusing on these characters and how they fit into the narrative.

Frankly, I resent the idea that the only way to truly objectively analyze a piece of media is by turning off the part of your brain that gets excited over relationships and individual characters. Don't get me wrong, that is a way to approach a piece of media and a valid one at that, but the truth is that we cannot be free of bias.

For instance, I was watching House MD with my parents circa last year. At some point I started heavily tuning into what was going on with House and Wilson's relationship. My parents, on the other hand, were largely watching casually. They're not thinking of character relationships or getting heavily invested in most characters, they're watching because they like watching. One of them in particular did try to analyze things that were happening in the show as they happened. However, when it came to the scene late in the series where House threw out Dominika's letter approving her American citizenship, my parents could understand that he was doing that because he didn't want her to leave, but not much beyond that. I ended up explaining to them that House's fake marriage for Dominika was an explicit parallel to when Wilson was living with House in the early seasons. Both situations started with House being none too happy about it but ultimately letting them stay, spending a considerable amount of effort getting them to leave/getting this situation to be finally over so he didn't have to deal with it anymore, and then by the time a piece of news comes through that would mean the person in question actually leaves, House hides this news as long as he can. Because he doesn't actually want them to leave and has grown attached. And by doing this he became a self fulfilling prophecy. By reacting to the truth of Wilson and Dominika leaving him the way he does, he seals his fate and they ultimately leave anyways. Maybe I ship Hilson, but becoming open to how their relationship was handled allowed me to transition to doing character studies and recognizing patterns/parallels that I wouldn't have noticed if I didn't particularly care about the characters or their relationship.

Likewise, I've seen mutuals complain about how people who don't like or don't care about certain characters often overlook these characters (what they're actually like and their place in the narrative), while the mutuals in question (by default) are able to come to deeper understanding of what the writers/story is trying to do because they care about this funky guy

You can't eradicate bias when you're engaging in media analysis, but you can consciously put on a range of lenses and observe the media through different povs with the goal of understanding the media better or bolstering your reading of it. And those lenses/povs can include focusing on specific relationships or the perpective of certain characters

And this is why I say it's actually a mindset problem. Shippers and people who have this one blorbo they like a lot aren't inherently terrible "fandom brained individuals" who are the root of media analysis problems. The problem only arises when people's readings/analysis of a piece of media are inherently restrictive/narrow and self centered. Your problem is with people who view a piece of media through a ship they like but don't keep an open mind about it, and whose "media analysis"/views on canon cannot be split from fanon and their comfortability levels. These are the people whose "media analysis" starts and ends with justifying their fanon as canon, whose views on media revolve around sorting characters and relationships into categories they personally enjoy rather than trying to understand what's going on.

Here's another example.

Here we have a fictional ship we'll call uhhhh...Blanebin. this fictional ship I made up on the spot for characters that don't exist named Blane and Corbin

Person A is super into Blanebin. They're part of the main cast of characters and canonically childhood best friends, so person A (as much as they enjoy fanart and fic) is also enjoying analyzing how narratively important to each other they are. Recently, Corbin started dating another character in canon, but Person A is enjoying watching how Blane is reacting to this. "Is this potentially a tell that Blane is jealous or is having complicated feelings about this? What if he was, how would that contextualize his behavior this season? Here's what I think based on how Blane dealt with explicit jealousy last season in a different situation". It's not impossible that person A is still missing further understanding due to their obsession with Blanebin, but at the end of the day this obsession has allowed them to start picking through the characters both in and outside this relationship. It has allowed them to see potential subtext and theorize on what might happen next with these characters' relationship. Not to mention that with addition of Corbin dating someone else, instead of trying to erase this fact or state that Corbin canonically isn't into that person, Person A is trying to factor in how Corbin's current dating life affects his relationship with Blane (irregardless on personal views on the nature of Corbin's relationship with the person he's dating).

Person B is also super into Blanebin. They really enjoy fanart and fic of the characters, love obsessing over their moments together, and just feel like there's really something between the characters. To person B, every moment between them is just further proof that the writers are ship teasing them. But Corbin getting together with someone else this season? Oh that pissed person B off. They cannot believe that even though Corbin and Blane are CLEARLY gay for each other the writers had Corbin get with someone else this season. Perhaps, they think, it was even a decision specifically made to spite fans. How evil of the writers to tease a perfectly good ship and then have them not get together first? They must have been just doing those teases to get views from Blanebin shippers those scoundrels. To Person B, since Corbin started dating someone when he obviously has some chemistry with Blane (even though the series is far from over) means that Blanebin can never get together now and Corbin x person he's dating is ruining Blanebin by existing. In fact, they think, this is terrible writing for Corbin to be dating someone else because they don't like that relationship and don't see the point. Obviously if the writers were good then Corbin would have started dating Blane instead because this was supposed to be the Blanebin show.

Person C despises Blanebin. Don't get them wrong, they've always enjoyed the character's childhood friendship, but they actually have always thought Blane would have been better off with Victoria. They have a lot of moments too! But they're tired of seeing people ship Blanebin. Corbin just got together with someone else, so obviously that's not gonna work out. Plus Corbin and Blane totally has always given person C bro vibes. In fact, person C thinks, sure Corbin and Blane have a close friendship, but people shouldn't be shipping them. Person C likes Blanetoria and Blanetoria can't be canon if Corbin is in the way of it. So Person C likes to read Blanebin as siblings anyways. Sure they're canonically friends, but obviously their friendship turned into brotherhood. This means that nothing can be in the way of Blanetoria and Corbin can keep dating the person he's already canonically dating. Actually, now Blanebin just straight up makes Person C uncomfortable. Don't the pesky shippers understand that Blanebin are sibling coded because they're childhood best friends and that they're important to each other because they're brothers? It's obvious to anyone with eyes.

Sure, ships are involved here, but is the root of this problem shipping? Character A isn't as knowledgeable of other characters in the plot due to this lens they're using, but at the end of the day they're dedicated to analysis. Their love of the characters is pushing them beyond what they like or dislike to try to understand what might be happening through their lens. Not perfect, but they are slowly broadening their horizons. But Person B and C's problems here are their restrictiveness. What is or should be canon to them is tantamount to what they personally like or find comfortable. Is person C actually analyzing the this fake show when they decide to "read" Blanebin as basically canonically siblings (and this all of their moments are totally a bro thing) just because they don't like Blanebin and the idea of them getting together over Blanetoria makes them uncomfortable? Is person B actually analyzing this fake show when their "analysis" of Blanebin goes only as far as asserting it's being ship teased and deciding anything short of canonizing Blanebin is a targeted attack or "bad writing" because it's not what they wanted personally to happen?

This is what I'm talking about. This is the mindset. Shipping isn't the problem. The problem is when people marry fanon and canon to the point where they have a vested interest in superimposing their fanon over canon as "a reading" and trying to make "collective decisions" on what is canon (or what canon is trying to say) based on what does or doesn't make them uncomfortable. The problem is people being restrictive and centering their own likes and dislikes in the conversation, so they can only interact with canon "analysis" wise by deciding what is canon or should be canon "as obviously agreed on by everyone". You can't simply claim you like media analysis. To be able to analyze media and bolster your views on any given canon, you must be open to looking at it through multiple povs, to studying characters without trying to pretend things you don't like don't exist or do like do exist. There is a balance that must be kept between trying to keep objectivity and putting on specific focus/bias based upon the lenses you're putting on. You have to be willing to try to figure out what a media is doing or saying, not saying you're trying to figure out what it's saying while in actuality trying to define the narrative around what people believe it's saying in ways that suit you.

Thank you for coming to my ted talk.

[mokeonn]

Before I go to sleep I leave you all with this piece of advice: sometimes you don't actually have to answer big political questions, sometimes you can just say "I am not smart enough to know that, I just know the small things I do to help." Like you can often times completely avoid making a fool of yourself if you just say you don't know.

[silverislander]

i'm thiiiiis close to just blocking the whole j/v tag and/or the individual tags for both characters :)))

[the-acid-pear]

Y'know this little throwaway gag is so bizarre to me and I know this game is a bit very different to 2 and 3 but look at Matt's reaction when Jack raids the place in 3:

You'd argue he's simply stopping Jack bc he hates this guy and he also hates this job which Could Be True but i highly doubt bc overall despite his virginity and overall cursed vibe, Matt seems to be a good employee, by all means (I mean, Peter literally gave him a vacation instead of firing him in 2, so that says a lot).

Plus, Dave hates this guy as much as he hates him! He literally always calls him creepy and, AND!

This is the only footage you get of the prize corner in 2. Which is also the first game to show Matt and Dave's disdain for one another, Dave being likely more scared of Matt than Matt will ever be of him.

Which is all very curious. 2 does set a drastic change for Matt too with him going from being just strange to outright creepy, so was the old pizza place closing something that actually affected him or was he consistently that creepy all along? And if the later, did he just start hating Dave after that or did they always have beef and they simply had some sort of arrangement (or even higher word from Steven who tended to let Dave do whatever he wanted in general) that let him do so?

[oozeandgoo-art]

[stew4]

Although the lighteyes/darkeyes conflict was completely bungled (I think we all agree on that), I do appreciate the moments in Words of Radiance where it was good. Or handled in a way that was far better. Even if a lot of the book was still showing signs of the decline.

specifically: I’ve noticed a lot of authors tend to ignore certain moments that are used for jokes or metaphors in regards to their implication. I would not have been surprised if the boots scene was forever forgotten in the plot outside of ‘silly Kaladin grumbling about being robbed’ . That would have been very much expected. But I’m glad that it is at least acknowledged as a shitty thing for Shallan to do. She gets called out on it and is definitively the bad guy in that circumstance.

still though, he should’ve also acknowledged all her worse moments of supporting the lighteyes/darkeyes hierarchy. And literally everything done with the plotline in later books does more than cancel it out. But I think it’s good to remember days when it was in fact not a trainwreck and seemed to have some self-awareness.

[avopumpkin]

The feminine urge to put my head into the beehive and send copium image to toxic fanatics of the one Naruto ship that didn't make it into canon.

[screamingay]

someone on here will literally say "encouraging plastic surgery for the sole purpose of conforming to eurocentric beauty standards isn't actually feminism" and 200 other people will come out of the woodworks and chant in harmony LET WOMEN BE HAPPY and WHAT ABOUT TRANS PEOPLE AND BURN VICTIMS as if the post wasn't clearly 1. about womens' self image & insecurities being strongly influenced by the richest and whitest of society and 2. not about trans people or burn victims at all

[ff2-soda-pop]

went into tag of an anime that is Special To Me and literally one of the first posts that isnt just a random photo with "#animecore" "#2000score" "#aesthetic" tags is just someone shit talking the show for "being too sad" and "based on a dating sim" and "its from the 2000s"