#so all i had left in me was this. which is supposed to be showing the maels doing their reserach

[viaviavie]

BLOT BATTLEMENT (100 FOLLOWERS MILESTONE)

in which he suffers watching you fawn over his overblotted copy who seems to be in love with you.

SUMMARY: after an experiment gone wrong, an overblotted clone of one of the victims has re-emerged. luckily for everyone, it's reasonably powerless and will eventually disappear. unluckily for him, the clone seems to reflect his true feelings towards you.

PAIRINGS: overblot gang x reader (seperately)

WARNINGS: suggestive (for jamil, vil, and idia), slight possibility of drowning (azul), projection for ob!vil

NOTES: this is in celebration of hitting 100 followers! thank you so much for following my work, and for all the comments you have left behind! i will also be rewriting malleus's section once book 7 is complete! on another note, pls invade my inbox if you immediately see that reference from malleus's section, mwah!

"That's enough. If one of you barks one more time, I will have to show you what happens to unruly puppies that won't obey." Crewel sighs and pinched his nose, another hand gripping his baton in irritation. "Unfortunately, we cannot fix this in an hour. You bad doggies need to get along until this entire issue is resolved."

The professor clicked his tongue, shoving the two out of his office. "I have already contacted someone to get you both. Surely, the Prefect has survived both of you once and will be able to do it again. So stay put, and be good. Or else."

RIDDLE ROSEHEARTS

Seeing his Overblotted self summons waves of shame and embarrassment for Riddle. It was not his best moment at all, and that inky copy is a reflection of his worst flaws and traits. You could imagine how rushed Riddle was to collar his copy in fear that it would hurt others again, especially you who had already dealt with it once.

"Don't make me repeat myself, I demand that I see my King of Hearts, this instant!" It's very much like babysitting a spoiled child, and it makes Riddle so wracked with embarrassment. He cannot control his copy as it stomps and yells outrageous demands to see you. Riddle was really on the verge of collaring it and dragging it back to Heartsyabul when you turned the corner.

OB!Riddle's smile is so wide that it could be mistaken as sinister. "My rose!" Inky blot is smeared all over your uniform as the fake runs towards you. Just as Riddle was about to whip out his wand to stop it, you relax and return the embrace, albeit with a confused expression. Riddle manages to explain very quickly whilst trying to pry off his copy, but you suggest that it is best to let it do what it wants.

What Riddle doesn't tell you is that his copy reflects his desires as well, claiming he is uncertain why it insists on being so affectionate with you. However, it seems to be quite the blessing when OB!Riddle marches to the Heartslabyul dorm to resume its position as Housewarden. In fact, the entire dorm thanks you profusely for being able to manage that little tyrant with a bat of your eyelashes and a gentle voice.

"Trappola, have you not learned your lesson!? Rule #186, you shall not eat hamburg steak on Tuesday! OFF WITH YOUR HEAD—" Tapping lightly on its shoulder, you attempt to placate the copy with a weak smile. "Riddle— I mean, Housewarden Riddle, Ace has not been able to eat all day and the steak was the only thing left in the cafeteria. He did not have much of a choice." Suddenly, the copy's face softened before relaxing back into its seat.

"My rose, I mustn't bend the rules. If I bent them for one, I would have to bend them for all." It scowls, only sinking further into its chair as you rub gentle circles around his forearm. The entire table stares at you with looks of gratitude and relief, all in agreement that you just saved everyone a tantrum's worth of stress. You hummed at the copy, nodding softly. "I know, dear. May I remind you that rules are there to ensure everyone is happy and safe? If Ace hadn't eaten his lunch, perhaps he might have gorged on the tarts instead."

"I suppose you are right, my King of Hearts."

Riddle seethes from the other side of the table, arms crossed and face on the verge of turning red. It was hard for him to decide whether he was merely jealous, or upset at his own copy rampaging around as if he were the real one in charge. He pauses for a moment as an epiphany comes to him.

Is this what it looks like whenever the Prefect is here to calm me down from my temper?

Even though OB!Riddle cannot use his magic, Riddle is extremely watchful of his copy. It is perhaps the ugliest side of him, and the last thing he wants is an Unbirthday Party ruined and spoiled by ink. They only had to put up with it for a day, and surely, Riddle has enough patience to ride out this episode.

He does have to watch and hold himself back as his copy acts so familiar with you. A hand at your lower back, perhaps an inky kiss on the cheek, and you being referred to as 'his rose'? It should have been me!

When his copy disappears, Riddle takes the time to pull you aside and admit the truth behind the blot's behavior. His jealousy seems to have pushed him into confessing, and he makes it clear that he would rather earn your feelings properly instead of coercing you for affection with potential tantrums.

"Forgive me, Prefect. I apologize for my copy's behavior. I have to tell you the truth— it was reflecting my innermost feelings. Prefect, I harbor these affections for you and I yearn to be more than friends. You do not have to tell me anything else at the moment. If you wish for time, I understand as well. Allow me to be curt, at least just this once. I like you more than a friend should, and I would hope to hear your response soon." (So polite!)

LEONA KINGSCHOLAR

What a drag. Does he really need to help monitor his own Overblotted self? If you were able to survive it once, you should be able to handle that huge lion on your own. OB!Leona appears to be nothing but a grumpy lion who answers to no one, only being forcibly dragged around by his original self.

It changes when you show up. Suddenly, the copy springs to life in your presence and is completely disobeying the original.

You are taken by surprise when OB!Leona backs you onto a wall, a clawed hand lightly brushing against your cheek. "Herbivore," He breathed as his green eyes zoned in on you. "You should be more careful when you wander these halls alone." You couldn't help but gulp as he grins, fangs glinting against the sunlight. "You never know who might just be planning to eat you."

But when Leona takes notice of his Overblot's sharp nails cut into your skin, his attitude changes as well. The original takes initiative to pull you away and stand between you both. Perhaps you don't understand the way they bare teeth at one another, taking aggressive stances as if one or the other would jump and claw at their target. It sets the tone for a very tense environment as you attempt to drag them both to Savanaclaw.

It was best to keep both lion beastmen confined in his room. Considering that OB!Leona was focused on getting your attention, it wasn't hard to manage him. It was all that his overblotted self wanted; attention and absolute adoration. Leona, on the other hand, was more so bothered by the fact you smelled too much like ink in his own room.

"Tell me, do you look at anyone else like this?" Having been kicked out of his own bed, Leona could only stare blankly from his couch as his copy kept you trapped against its chest on the mattress. It only served to annoy him further when you seemed to reciprocate the attention it was giving you. "No, only you." The copy smirks, its tail entangled around one of your legs. "Then tell me, why? What do you adore about me?"

You hummed, sighing while your hand began to play with his mane-like hair. "You're brilliant. You're the most cunning lion that I know." Leona swears you were teasing him as you take a quick glance at him, smiling slightly. "And you're the only one that can protect me." With a mocking grin, the copy cups your cheek and returns your gaze to his own. "Tell me more, herbivore."

When the copy finally reverts back to ink, Leona can't help but find some relief in having the bed (and you) all to himself again. The first thing he does is drag you to the mattress and keep you trapped against his chest. You still smell of ink and lion, and it's his job to fix that.

"Go to bed, herbivore... Ha? I don't have to give you an explanation. You're a smart cookie, haven't you figured it out yet? ... Even with all the answers my blotted copy gave you, you're still not satisfied? Hmph, that's not my problem anymore. You're mine now, is that what you wanted to hear? ... Good. Now if that is all, let's go to sleep. You reek of ink..."

AZUL ASHENGROTTO

It had become priority to get Azul's overblotted self into the biggest Octanivelle tank, which also happened to be the most isolated one. While OB!Azul seemed to be temporarily human, he seemed more irate with each second spent on the surface. It only relaxes slightly when it spots you, but his grip on your arm never relents. "Prefect, please. I need the sea..." He's just so needy and in pain. You'd help him, would you?

Azul is absolutely livid. He doesn't want you to see his copy in such a pathetic state. He most certainly tried to get you to turn the other way and march straight home, but you had to hit him with, "Even if it's your overblotted self, I would still help you." It might have been just a small comment, but he takes it as if you would move mountains for him. You weren't making it transactional, and that's practically special treatment for him.

You thought that his overblotted self would settle once in that tank. The copy immediately sheds its human form in favor of his merform, much to Azul's embarrassment. The businessman ready to drag you out and leave that blotted mess to fend for itself when a tentacle had dragged you into the water. Suddenly, you're met with teary blue eyes just before you were submerged. "You didn't plan to leave me here alone, did you?"

And goodness, Azul is just torn between fuming and panicking as his copy drags you further and further down. To make things worse, you haven't even taken a breathing potion! That was more than enough to make the octomer shake off his anxieties and plunge down into the waters after you before you drowned.

"And then what? What exactly were you planning to do once you had the Prefect here?" Azul pinched the bridge of his nose as he crossed his arms, unable to even make eye contact with you. Clutching at the little potion bottle in your hands, you do your best to ignore the way that the copy's tentacles seem to latch onto every single limb of yours. Not to mention how they twitch and slowly coil against your skin, or the way that the copy buries itself into your neck with a whine while it ignores its original.

"Why? Why won't you give me an answer?" It murmurs, arms caging you into its chest. You can see Azul's jaw clench, but you cannot exactly tell if he's embarrassed by how pathetic his overblot can be or envious of how it got a chance to be so close. "I'll give you everything. You will never want for anything. All you have to do is say that you'll be mine." The copy grits its teeth as it tightens its grip on you, tearing a surprised gasp from your throat.

"Why won't you surrender to me?"

The moment that this entire fiasco ends, you never see Azul for another two weeks. Every time you go to the Mostro Lounge to see him, he's suddenly occupied with every single disaster known to man. It isn't until Floyd gets bored of the entire thing when you get the opportunity to be tossed into the tank again. It isn't until Azul jumps into the tank after you with another breathing potion to save you, again.

"Please don't speak of that incident, Prefect. I wish you never had to be witness to such a sorry display... W-What do you mean Floyd told you about that botched blot experiment?! ... Don't play with me, Prefect. You can't just say that you'll surrender to me, you'll hurt my poor heart! ... If you dare say it again, I am afraid that the contract can never be broken. Choose your next words wisely, Prefect. Not all agreements have to be in writing."

JAMIL VIPER

Of all the Overblots here, Jamil's was the most... unhinged one, surprisingly. It was also the nastiest, based on how it seemed to disregard everyone around him. Truly, it was the worst of Jamil's envy and wrath towards everyone around him for shaping him as a servant. No matter what Jamil did to snap some sense into his copy's head, it only served to tick it off even more.

When you came to assess the situation, however, you immediately got the sense that the Overblot will not be cooperative unless it gets what it wants.

"Master Jamil," Both copy and original froze, slowly turning their heads to you, who has knelt onto the floor with a small smile. "A frown does not suit such a handsome face. Is there anything I can do for you?" Jamil remains frozen, mentally screaming in his head while his Overblotted self smirks, sauntering towards you with desire swirling in his maddened gaze. "Rise, my diamond. You certainly may do a little favour for me..."

Thanks to Kalim and the coordination of the entire Scarabia dorm, everyone has tricked OB!Jamil into thinking it was the boss of the place (at least for a day, Kamil is super understanding of the situation!). At least someone expected the copy to see through this farce, but OB!Jamil's ego was so stroked by you and everyone around that it seemed to buy into the delusion.

Unlike Leona's copy which was super uninterested with anything that didn't concern you, Jamil's blotted self was extremely irritant with everyone else. Had it not been for you, Jamil would never be able to live down the embarrassment for having such an... unpleasant copy. So far, there have been no disasters while Jamil was occupied with keeping his copy at bay.

It's just that... Jamil has been watching from the sidelines as you are perched on his copy's lap, feeding it and attending to it's every beck and call!

Gripping his knee, Jamil's eyes narrowed onto your flushed gaze as your fingers combed through his copy's hair. If he had envied everything that Kalim ever wase, he certainly envied the abomination wearing his face as it rested its head on your lap. You didn't have to look at Jamil to know that he was seething, but it wasn't as if you could abandon the blotted copy either. It had only been a few hours since it had latched onto you, and this was not the best time to agitate it.

"It seems that I have not rewarded you." The copy sings. Its expression remains content, shuddering at the sensation of your fingers pulling gently at its scalp. "Do tell me what you desire most." Your breath hitched at the copy's purr. You do not react either as the fake Jamil sits up to caress your warm cheek. Biting onto your lower lip, you shook your head. "I desire nothing but to make you happy, master." You swear that you see Jamil's expression strain itself, and you already see how tight he grips his knee.

"Is that so?" You say nothing when the copy leans in closer to you, licking its lips with intent. You should be frightened, and most certainly be running away, but you don't. "You wish to make me happy, then? Is it me that you want?"

All the signs were there. That copy's hand was pressed against your lower back, the other hand was on your cheek, and his face was so so close—

Its lips are hot to the touch, and you melt immediately into his hands as he pushes and prods with his tongue. Against the candlelight, Jamil cannot tell if your cheeks were truly flushed red. He watches as your own hands crept up onto the copy's shoulders, pressing and digging nails into its shoulders until you have the strength to push yourself away for air.

You pant as your vision returns to you, meeting the copy's cruel smirk. It is looking down on you, and yet, you do not feel animosity towards it. You only feel disappointment once you recall it was only a fake.

"Or perhaps," A gasp is torn from your throat when the fake grabs your cheeks with a firm hand, forcing your gaze to fall upon a stunned, yet flushed Jamil. The copy smiles wickedly against your cheek, humming with absolute glee.

"Is it him that you want instead?"

You nod, and Jamil's heart skips a beat.

Yeah, no. Our boy Jamil ain't recovering from this. The moment that the blot disappears, you best expect that Jamil ain't letting you leave that room without an answer.

"I wouldn't act coy right now, Prefect. You may be clever, but I have no patience for your antics. Now, are you going to be honest with me? ... Why don't you tell me what you want, instead? What? But you were so honest with that fake only a few moments ago. Where have your words gone? ... You wish for me to force the truth out of you, then? ... As you wish, Prefect. I will give you everything you want."

VIL SCHOENHEIT

This was such an inconvenience for poor Vil, and he hates his copy to the same extent that Azul does. Just like Riddle, Vil feels a sense of shame when he looks at his doppelganger because it was a personification of his insecurities and selfishness. However, at least the copy was very calm and cooperative, perhaps even melancholy until it sees you.

Seeing Vil's Overblotted self again doesn't change the fact that the fake was still so beautiful. You are actually stunned into silence when you are brought before the two. Grim swears you have stopped functioning because being in the presence of two Vil's is too much for this world.

If you weren't watching yourself, you would've passed out the moment OB!Vil cupped your cheek with its inky hand and smiled down at you. "Ah, Prefect..." You gulped as it cooed at you, much to Vil's alarm. Its surely dangerous, but danger loves you so much and you can't pull away from it.

OB!Vil never lets you out of its sight after that. Wherever you went, the blot would follow. It seems to be fixated on being in your sights, which was not exactly a problem when you brought yourself to Vil's quarters where you would wait the entire thing out. It does concern you, however, just as the copy seems to grow more and more unhinged with each second that passes.

Vil is not exactly envious of how intimate the fake acts with you. Rather, he's extremely perplexed and observant of the way it pines for your attention and praise like a lovesick puppy. However, it isn't always so sweet. It isn't so sweet when the copy comes so close to scratching at your skin as it begs for your honesty. It certainly does not appreciate being lied to.

"Tell me, Prefect. Who is the fairest one of all?" It asks for the hundredth time.

Vil cannot exactly explain how he found himself watching his copy cage you into his own bed. It has straddled your hips, pinning your hands down onto the mattress without a care for the mess it makes. Ink drips and spills over his silk sheets, his pillows, you. Your neck has been smeared with ink, and so have your clothes. His copy is smiling with ink dripping from its lips and its hair, an obscure yet beautiful mockery of the original.

The original's breath hitches as your lips part into a breathy smile. You look like absolute art, and his fake looks like an absolute mess. "You, Vil. You're the fairest one of all." Vil shut his eyes at your quiet whisper, and he wishes that you stop bending yourself over for this pathetic imitation of him.

The copy snorted in dismissal, a sinister grin taking over its features. "Ha!" Even as it grips your wrists tighter, you know better than to believe that the copy would dare hurt you. Your heart pounds, however, as it leans in closely to your face with desperation on its breath. "Why do you say such, Prefect? Why do you say such when you feast your gaze on the ugliest part of me?" A choked breath stills the copy, its grin growing more crooked and maddened. Ink splashes against your cheek, and the copy pathetically takes a long finger to smear it away, only obscuring your features further.

"Are you trying to lie to me?" It croaked, maintaining that desperately smile.

Vil thinks you'll push it away. Vil thinks that you think of his copy so hideously, and so ugly. Vil thinks that you see him as ugly.

And you dispel all those cursed thoughts as your hand reaches out to cup the copy's cheek, dirtying your own hand in turn. "You've pushed yourself so hard, Vil. You've worked hard for everything you dreamed of." The copy's crazed expression remains, and more ink pours into you. Still, you return it with a gentle smile of your own. "Even when everyone complains, you're only pushing them because you care the most. Perhaps you act like the evil queen everyone makes you out to be, but that crown is yours by right."

Vil's heart stops. He still cannot bring himself to look at the sight. It's that cynical part of him that believe in your acting skills, that this was all a ruse to satiate his fake. The knife digs into his chest further as you hummed sweetly. "Your flaws are just as beautiful to me."

Only then does Vil bring himself to look at his copy. It is still smiling, eyes so wide as blotted tears fall upon your skin. You are covered in ink, covered in the ugliness that had consumed Vil, but you accept it all. You embrace the mess, just as you embrace the ugliness of Vil's heart. "Do you truly mean it, Prefect?" Its whisper shakes with hope, very much unlike the weariness and suspicion it held towards you the entire time.

Both you and the copy slowly glance at the real Vil whose eyes had widened at your softened gaze, filled with nothing but adoration. The heart in his chest ached, and he imagines that his entire body is melting into your hands. You are his weakness, after all.

"I mean every word, Vil."

When the situation died down, Vil takes the time to walk you back to Ramshackle Dorm. However, he makes a quick stop when the moon is set at the right spot, just to cast down light on your starstruck gaze.

"To think that the ugliest part of me revealed such feelings— you deserve an appropriate confession, at the very least. The affection that my fake expressed to you was no different to what I feel for you. I realize... that you meant more to me than you should have. I am not a benevolent prince, nor am I pure as the white snow. Still, I offer my heart for you to keep in a box. I only ask you to accept me, for all my beauty and ugliness... Ha, potato. My lovely potato, you're mine..."

IDIA SHROUD

Surprisingly, Idia got along the most with his Overblotted self. It wasn't as if he was driven by pride or competition— there was just some sort of acceptance when OB!Idia was first manifested. There wouldn't have been much issues.

At least, that was what he wanted to believe before OB!Idia set his eyes on you. It sent Idia into a choking fit when he saw OB!Idia approach you with such cool indifference, acting like one of those aloof protagonists from those dark otome games that he saw on a playthrough once. It's the way that OB!Idia leaned down towards your ear, muttering something about his boredom and suggesting to retreat to his dorm.

Idia took an hour to recover before sprinting to his dorm to ensure nothing has happened. All he found was you sitting on OB!Idia's thighs (it insisted!), and Idia swore that his copy was smirking at him.

OB!Idia was nothing to be concerned about. It wasn't as if it had the power to open up the Gate of the Underworld, which so happened to be far away. Other than the fact that the copy seems so... forward with you, Idia tried his hardest to ignore it.

"You look tense, Prefect." The copy smirked as it gently backed you against the wall. It places an arm right above your head, the figure leaning down at you. Behind the mask it wore, you can almost see it smirking down on you. "Don't I scare you?"

If this was the copy's attempt to intimidate you, ha! You got it covered! Idia is practically weak to any sort of romantic notion, it should surely send his overblot into a flustered fit! Boldly, you close in the gap slightly, crossing your arms around his neck and smiled at him. "Not at all, Idia." Much to your surprise, however, the copy takes its hand to cradle the back of your head, gently nudging your face closer until you barely a hair's worth away from kissing his mask.

"Are you sure about that?"

Suddenly a flare of red catches your attention as you glance to the side to see a fuming Idia who snuck over to your side. Wrapping a possessive arm around your middle, the original Idia glared at the fake and gritted his sharp teeth. "Listen here, bucko. You ain't getting more action than me, so buzz off!" He towers over you, hair threatening to burn orange if this fake continues to toy with you. "You wanna play, huh? Only one of us can have her, and you're nothing but a MagicMart knock-off!"

Cocking its head to the side, the copy snorted. It didn't seem to relent its hold it had on you. Instead, it leaned in towards Idia with a taunting stare. "Yeah? Why don't you ask the Prefect, hm? Seems like our little guest is enjoying all the attention." Both of them glance down at you, who seemed to be busy turning red to even give a proper response.

The blotted copy takes its hand to cup your cheek gently, but it was only a ruse as it forces you to look at Idia, eyes hazy with want. The way your breath shudders makes the original itch to steal you away from the copy.

"Don't you?"

Take that ending however you will. Idia does end up confessing to you once his copy is reduced to ink once more.

"Don't give me that look, Prefect. You totally loved seeing me get all riled up. And don't you dare deny you hated the idea of getting sandwiched by two of me... Please don't make me say it. I ain't good at the 'asking out' part, but I don't wanna skip over to straight up dating. Ugh, fine. I actually liked you for a really long time, and oh Great Seven, I just hope that I'm saying the right stuff to get onto your route. You're the only route that I wanna pursue."

MALLEUS DRACONIA (Book 7 is incomplete at the time of this posting)

Had it not been for the lack of potency in the blot, OB!Malleus would have been the end of NRC. Lilia was not a stranger to Malleus's ability to change the environment based on his mood. Even when this was a mere fake that they were dealing with, no one really wants to find out the consequences of upsetting the copy.

Malleus looks down on his Overblotted self. It was a flawed part of him, but nonetheless, a part of him that he was most disappointed by. The Fae Prince should know better than to act so wickedly, but the original understands. He tries to be as sympathetic as he can be for the copy, but it was only indifferent to what the original demanded of it.

Being the concerned friend that you were, you went to see them both despite all warnings from Sebek. Admittedly, Malleus would rather you be as far away from this poor imitation as possible. He does not want to see you hurt, let alone be at the mercy of his copy. Alas, it is too late now. The blotted copy will not allow you to leave.

Malleus hid his frustrations and anger underneath that collected demeanor. The only thing keeping him from doing anything rash was the fact that you were cradled against his chest. With a protective arm holding your waist, you were seated upon the fae's lap. The copy is forced to look up at him as he sat on his makeshift throne, and the fury behind its eyes is most evident, based on the way its hands grip your knees as if it were the only piece of you left.

Alas, it is only a stalemate now. With each tug that the copy made at your lower half, Malleus would simply pull you closer to him in turn. The fae hummed, glaring down at the copy who seems indifferent to intimidation. "Prefect, you may only say the word and this fake will be no more." He grunted, and you resist the urge to whimper as the copy's lips turned upwards into a smile. "If you wish for it, Prefect, I will disappear." It cooed, and the glint in its eyes reflecting the madness of blot.

Hesitantly, you shake your head and only feel Malleus's nails brush against your waist. "I don't want you to disappear." You whispered meekly, uncertain of what to think of the fake's lovestruck gaze. "Prefect, do you know what I can give you?" Even as the fake is forced down by the original, it still has the nerve to reach out and cup your cheek. "I can grant your dreams. I can make your fantasies a reality. I can give you everything."

Malleus lets out a breath of warning, leaning down to your ear as he narrowed his eyes at the fake with restraint. "Do not listen to this mockery, Prefect." His words are tinged with a hint of desperation, as if he had something to hide, something to shield you from. No matter how much he attempts to intimidate the fake, his blotted self presses on with a cruel smile.

"Prefect, all you have to do is love me, fear me, and do as I say. I will be your servant to will, to rule, to ruin." You are frozen as Malleus loses his temper, swinging out his staff to dispel the fake once and for all. Much to his dismay, his blotted self backs away just in time as its glowing green eyes lock onto yours once more.

"All you have to do is stay with me, forever."

The campus lets out a collective sigh of relief when the OB!Malleus disappears. However, suddenly, the entire campus is holding its breath again when Malleus doesn't immediately let you leave his room.

"Prefect, I beseech for your forgiveness. I fear that the fake has reflected my most selfish desires... You have nothing to fear, for I shall never withhold you against your will. How could I do such a thing when I am already so weak to your whims? ... Perhaps you do not have to stay forever to render me your servant. I pine for you, Prefect. My heart has already been yours long before I noticed. Please, grant me your forgiveness, Prefect, lest you cast me aside and I shall let my feelings fade with time."

[sceletaflores]

well, all right i’m bad, but then you’re no prize either…

pair: joel miller x fem!reader

wc: 8.6k

contains: 18+ SMUT MDNI, no ellie, general violence (only referenced), age gap (56/26), swearing, so many spacers lmao, not quite friends to lovers and not quite enemies to lovers but a weird other thing, kinda mean!joel for a good sec, dressing wounds, joel miller TUMMY, loss of virginity (reader is a virgin but she's not completely oblivious and weirdly infantile about it lmao), fingering (fem!receiving), p in v, unprotected sex whoops, size kink, belly bulging, pussy pronouns, porn with a tiny plot, no use of y/n.

nat’s note: well, i finally caved y’all. baby’s first tlou fic! this literally took me forever to write and even longer to post cause i was so terrified LMAO so please give me some grace if it’s shit and he’s ooc and timelines are a little fuzzy cause i barely know what i’m doing. thank you chickens love you mwah mwah mwah. kisses!

dividers by lovely @saradika-graphics!

joel found a lodge house…

You don��t know what you did to make Joel Miller hate you so much.

He's never outright said it, but you know it’s there—in every sharp glance, every clipped word, every deliberate avoidance.

Besides, his silence is worse than anything he could say. A quiet condemnation that settles in your chest like stone.

You tell yourself it doesn’t matter, that you don’t care what he thinks, but the truth is harder to swallow.

You do care—more than you want to admit. His approval, his respect, hell, even a sliver of kindness from him feels like an impossible prize you’ll never win.

And you hate yourself for wanting it. For needing it.

It's not just the weight of his disdain that eats at you, it's the not knowing why. God, do you wish you could ask him why.

What did you do to make him look at you like you’re some necessary evil he has to tolerate. Why does he hold some unspoken grudge that's manifested itself into something you couldn't dream of ever comprehending.

But the thought of confronting Joel feels like standing on the edge of a cliff, staring down into a void that might swallow you whole.

So instead, you do what you've always done. You keep your distance, try to match his indifference with your own, and tell yourself it’s better this way.

You were young when the outbreak hit, six years old.

You’re sure that’s part of it. That that’s how Joel sees you, as some bumbling, naive child who’s more of a hassle than anything else.

Another mouth to feed, another back to watch, baggage.

You've been with him for almost seven months now, traveling side by side when you may have well been miles apart. Trekking through abandoned cities, overgrown highways, and every godforsaken patch of wilderness in between.

In the beginning, you did everything you could to prove him wrong.

You pushed yourself past your limits, hunted, scavenged, fought, kept up. You did everything that needed to be done without hesitation.

All to show that you were more than what he made you out to be. It never seemed to matter much.

After you lost your parents in the early days of the outbreak, it was just you and your sister. She taught you everything you know, taught you how to survive.

It's because of her that you know how to shoot a rifle, how to skin a rabbit, how to start a fire with nothing but sticks and dried moss, how to snap bones and locate which vital arteries bleed out the quickest.

It's because of her that you've been able to hone some sick skill in the maiming of clickers.

A skill you never thought you'd need to use on her.

You were supposed to be safe in the QZ. You weren't supposed to be fifteen years old, aiming a gun at the one person you had left.

Your own flesh and blood wasn't supposed to be the very first in a long list of red tallies under your belt.

It’s been years and you’ve still never forgotten that day. December 19th, 2012, the date burned into your brain like someone took a branding iron to the tissue.

You can’t count the amount of times you’ve been ripped from your sleep drenched in a cold sweat with the tail end of a scream tearing at the skin of your throat.

The image of what was left of your sister, slumped on the ground lifeless as her blood painted the wall behind her flashing behind your closed eyelids. The sound of her last labored breath ringing in your ears louder than any shotgun blast.

You ran that same night, with the weight of her death on your shoulders.

Your entire world spinning out around you as you clawed through barbed wire fencing, not caring where you were going or what would happen to you—just needing to escape.

There was nothing left for you to do after that but survive. And that’s what you did, for years, scraping by in a world that had already chewed you up and spit you out a mangled mess.

You learned how to be ruthless because of it.

How to harden yourself against the loss, the pain, the brutality. But there were cracks, too. Cracks you hid well, buried deep beneath layers of stubbornness and distance.

The endless days blurred into each other. Empty houses, hollow streets. A life reduced to scavenging, hiding, and the occasional, fleeting moment of human connection that inevitably ended in loss. 

And then you found yourself with Joel.

You hadn’t exactly found him, though. More like crashed into his orbit by accident.

A few desperate days spent scavenging through the ruins of a small town, a chance encounter that left you both wary and unwilling to turn your backs.

But, inexplicably, you somehow became part of his traveling routine.

He wasn’t like any of the others you’d met before. At first, you thought he might be different. A man who seemed broken, but different nonetheless.

As the days turned into weeks, and weeks into months, you began to see the truth. Joel Miller wasn’t concerned with you. He didn’t need you. And, more than that, he didn’t want you around. 

You didn’t know what to do with that.

It’s a bitter kind of irony. You’ve survived all this time completely on your own, fought tooth and nail to stay alive, but with him, you might just crumble.

Joel found a lodge house. It's a small, weathered place tucked away in the dense trees of the wood surrounding it.

He only deemed it suitable after an extensive perimeter check and a thorough sweep of the interior.

It's not much—just another run-down place in the middle of nowhere—but for the first time in what feels like forever, it’s a roof over your head for the night.

The walls are sturdy, though the windows are cracked and half of the floorboards creak like they're about to give out at any moment.

You explored the second floor alone, creeping through the desolate rooms and taking in all that was left behind.

Old family photographs covered in thick layers of dust, worn clothes riddled with holes still hung in the few closets you stumble across.

The oddest of all was an old jewelry box tucked away in a dresser draw, tarnished silver dull and muddy.

The sound of familiar footsteps comes from somewhere behind you. The door creaks open slowly.

Joel. Of course.

He clears his throat, the sound abrasive in the quiet of the house.  

“Fire’s low,” he says, voice rough from its lack of use today.

You don’t turn around, not yet. You take the box in your gloved hand, running your fingers across the intricate design of the lid, touch trailing over winding vines and small roses.

“Okay,” you mutter, your voice coming out quieter than you intended. “I’ll grab some more wood later.”

Another beat of silence. Then, “It’s gettin’ cold out, I’ll go.”

Your fingers pause their ministrations, moving to flip the lid open. Empty.

“Suit yourself,” you reply after a moment, your tone just as neutral as his.

Joel doesn’t leave right away. You hear the floorboards groan beneath his weight, his presence lingering in the doorway. 

You wonder what he’s waiting for, or if he’s waiting at all.

Finally, he speaks. “Don’t touch anything.”

With that he turns and leaves the room, you wait until you can’t hear his footsteps trailing down the stairs anymore to let out the scoff festering in your chest.

You snap the jewelry lid shut with a little more force than necessary. “Asshole.”

Joel's been gone for a while now. Longer than it takes to chop a few logs for firewood.

You came down from the upstairs a few minutes after hearing the tell-tale sound of the heavy door opening and closing. The main room is quiet, save for the soft crackle of the dwindling fire.

You're perched on an old armchair near the entrance, peering out the dirty window that has the best view of the treeline as you nervously pick the skin around your nails.

You tell yourself not to worry. He’s probably fine, he’s been doing this a lot longer than you. And if Joel is anything, it’s annoyingly competent.

Still, a nagging doubt itches at the back of your mind. It's been at least half an hour, maybe more.

You’re just about to grab your own pack and go looking for him when the front door creaks open.

Joel stumbles inside, the frigid evening air rushing in behind him before he slams the door shut. At first glance, he looks fine—no more haggard than usual. 

But then you notice the way he favors his left side, the way his free hand is pressed against his ribs, blood seeping through his fingers and staining his torn undershirt.

You’re on your feet in an instant.

“Fuck,” you say, voice sharper than you expected. “What the hell happened?”

“Raiders.” Is the only explanation you get as he tries to brush past you like it’s nothing. The stiff way he moves and the tightens of his jaw betray him. “S’just a scratch.”

“Bullshit,” you snap, stepping in front of him and blocking his path to the fire. “Sit. Now.”

He gives you a look, one of those deep, withering glares you’ve seen him use to intimidate countless others into submission. But you stand your ground, chin raised and jaw set–defiant. 

His stubbornness finally meeting its match in your own. 

Finally, with a low growl of frustration, he drops onto the couch. “Happy now?”

"Not until you let me take care of that." You motion toward his side, where the blood is still spreading.

“I’m fine,” he mutters, lolling his head back to rest more heavily on the couch.

“Sure you are,” you snap, crossing the room to rifle through your bag. “And I’m the fucking Queen of England.”

"Said I’m fine," he bites through gritted teeth, but you’re already moving, heading back to him with the first aid kit from your pack.

"You want to bleed out on this ugly-ass couch? Be my guest," you shoot back, dropping to your knees in front of him. "Otherwise, shut up and let me help."

Joel surprisingly doesn’t argue any further, just sighs heavily and reluctantly sinks further into the couch cushions.

You push the front of his jacket open to slide it off his shoulders as gently as you can, peeling back the layer of his flannel next.

The smell of blood hits you immediately.

The gash is about five inches long, trailing the span of his ribcage. It’s deep—but not fatal—just an angry red and oozing blood.

Definitely not the simple 'scratch' he made it out to be.

Your stomach churns at the sight, but you push it down. No time for that.

“Jesus, Joel,” you mutter under your breath, reaching for the alcohol in your kit. “You really know how to underplay a situation, huh?”

He doesn’t respond, just watches you with those dark, calculating eyes of his. Always watching, always assessing.

It’s unnerving, but you focus on the task at hand, grabbing a clean cloth and soaking it with alcohol.

“This is gonna hurt,” you warn, though there’s a part of you that doesn’t mind the idea of causing him a little discomfort.

A petty, vindictive part that still stings from all the scorn he’s thrown your way.

“Just get it over with,” Joel grits out, his voice low and gravelly.

You don’t give him any more warnings as you wipe the soaked cloth over the wound. He flinches, a harsh curse slipping through clenched teeth, but he doesn’t pull away.

You work as quickly as you can, wiping away the blood and dirt with steady hands, your movements as gentle as possible given the situation.

You let out an annoyed huff when the torn fabric of his shirt gets in the way of your hands for a second time.

You lean back on your heels, glancing up at Joel. “You need to take your shirt off.”

Joel raises a brow at you, his lips pressing into a thin line. “That really necessary?”

“Yes, it’s necessary, Joel,” you huff, already losing patience. “Unless you want me to sit here and cut around every thread of this ratty thing while you bleed out, then by all means—”

He sighs heavily, cutting you off as he shifts forward and grabs the hem of his shirt. He tugs at the fabric, grunting in pain each time it strains his ribs.

You roll your eyes at how slow he’s moving, and your patience—already worn thin by the day's events—snaps.

“Jesus Christ, let me help,” you huff, reaching forward and grabbing the fabric.

Joel jerks back slightly, his hand shooting up to stop yours mid-motion. “I got it,” he growls, a sharp edge in his voice.

You glare at him, your hand still caught in his grip. His palm is calloused, his hold firm enough to make your pulse jump unexpectedly. 

For a moment, the two of you just sit there, locked in a silent standoff.

Then he releases your hand and pulls the shirt over his head himself, wincing as the movement pulls at his side.

You wait with your arms crossed, trying to ignore the awkward flutter of nerves in your stomach as the fabric peels away to reveal his chest.

Joel’s broad, solid frame isn’t new to you. You’ve seen him shirtless before—brief glimpses when bathing in rivers or changing in run down houses between stops.

But this time feels different, more intimate somehow.

You’re staring, and you know it.

The firelight cast shadows over his skin, illuminating old scars, faint lines of muscle, the barely there jut of his stomach over the hem of his jeans.

You had been getting more game kills recently, two hunters are always better than one.

Joel clears his throat, dragging your focus back to the present. “You gonna gawk all night, or can we move this along?”

You snap out of it, scowling to cover your embarrassment. “Yeah, yeah. Don’t get your panties in a twist.”

You finish cleaning the gash and grab the small needle and thread lying next to you.

“This’ll hurt worse than the alcohol,” you say, threading the needle easily.

Joel snorts, a rare sound. “Figures.”

The needle pierces his skin, and this time, you catch the smallest hitch in his breath. He doesn’t make a sound, but his jaw tightens, the veins in his neck standing out like cords.

His hands grip the edge of the couch hard enough that his knuckles turn white with it, but he doesn’t tell you to stop or slow down.

He’s too damn proud for that.

You shift closer, your knee brushing against his leg as you position yourself to work from a better angle. You feel his eyes on you, that intense, scrutinizing stare that makes your skin prickle.

“You’ve done this before,” Joel says after a moment, his tone less sharp than before. It’s not quite a question, more of an observation.

You shrug, keeping your hands steady. “Of course I have.”

“Who taught you?”

The question catches you off guard, Joel’s never shown much interest in what your life was before you met him. You glance up briefly, catching his gaze. There’s no malice there, no judgment—just curiosity.

You swallow hard, dragging your eyes back to stitches, half way done now. “My sister.”

You don’t elaborate and Joel doesn’t push.

Maybe it’s the sudden tightness in your tone or the look you know must be clouding your face that keeps him quiet.

You finish off the stitching, tearing the thin strand of thread with your hands before you’re leaning away again.

“Good as new,” you say, dabbing some more alcohol on your own hands to disinfect. “Try not to tear these open anytime soon.”

Joel leans back, strong arms spread across the back of the couch, his face unreadable as he peers down at the fresh stitching on his side. 

“Could’ve done it myself,” he mutters, but the edge in his voice is gone, replaced with something softer, almost resigned. 

You roll your eyes with a scoff, not even trying to hide your irritation as you rise from the floor. “Sure you could’ve, right before you passed out. You’re welcome by the way.”

You gather your supplies and turn to head back to your bag, but Joel’s voice stops you in your tracks.

“You’re always like this, y’know,” he says, and the words carry that same gravelly drawl, but there’s something new there—something heavier.

You pause, your hands tightening around the kit in your grasp. “Like what?”

“Pushy. Stubborn,” he replies, his tone cutting, though it lacks the usual venom. “Like you’ve got somethin’ to prove all the damn time.”

You whip around, your patience officially gone. “You think I’m stubborn?” you shoot back, your voice rising. “Coming from the guy who would rather bleed out on a fucking couch than admit he needs help?”

Joel’s jaw tightens, and his hands flex against the couch cushions, but you don’t stop. Not now. Not after months of this.

“I’ve been busting my ass since day one to prove that I’m not dead weight to you. I’ve fought for us, for you. And for what? Just to get more of your bullshit attitude?”

“You don’t know what the hell you’re talkin’ about,” Joel snaps, pushing himself upright despite the obvious strain it puts on his freshly stitched wound. “You don’t know a goddamn thing about me.”

“Because you won’t let me!” you fire back, stepping closer, your voice rising. “All you do is look at me like I’m some burden you can’t wait to get rid of.”

Joel’s glare sharpens, his lips parting as if to respond, but you cut him off.

You really can’t stop yourself now that you started, all the anger and frustration reaching a fever pitch hot enough to burst the tight lid you’ve kept on your emotions.

“If I’m such a hassle, why didn’t you just leave me back there, huh? Why didn’t you just walk away like I know you wanted to?”

Joel’s breathing is heavier now,  his broad chest rising and falling as his dark eyes bore into yours.

For a moment, he doesn’t say anything. Then, he stands, and the sheer size of him forces you to tilt your chin up slightly to keep your glare fixed on his face.

“You think I wanted this, kid?” he growls, his voice low and strained, like he’s barely holding himself together. “You think I wanted to be responsible for someone else? To have someone else’s fuckin’ life on me?”

“Don’t call me kid,” you spit, shoving a finger into his chest, ignoring the way his jaw ticks at the contact. “I’m not a fucking kid.”

He scoffs, casting his eyes to the ceiling disbelievingly. “Could’ve fooled me.”

“Fuck you, Joel,” you growl, fists clenching at your side. “If you hate me that much, why the hell are you still here? Why didn’t you tell me to fuck off the second you met me?”

“Because I couldn’t!” Joel snaps, booming voice filling the small space.

The confession slips out like it pains him. His fists clench at his sides, and for a moment, he looks like he might break something.

You’ve never been scared of Joel, even though you’ve seen first hand just how scary he can be.

Now, as he looms in front of you, eyes blazing and jaw working furiously beneath his skin, it’s the closest to scared you’ve felt.

“I’ve seen you out there,” he continues, tone low and dark. “You’ve got a fuckin’ death wish. You’re too damn stubborn to just stop, and I’m not gonna let you go so you can run off and get yourself fuckin’ killed.”

Your heart pounds in your chest, his words hitting far too close to home.

“I’m just trying to survive, Joel,” you snap, your voice shaking. “That’s what we do, isn’t it? Survive.”

“Survive,” Joel repeats bitterly, his gaze burning into yours. “That what you call it? Throwin’ yourself into every goddamn fight, gettin’ stabbed and shot right fuckin’ in front of me and expecting me to brush that shit off?”

You let out a humorless laugh, nodding your head exasperatedly. “Yes, yes I do expect you to just brush it off, because that’s what you always do.” 

“Well I can’t,” he grates out, taking a step closer. “I can’t ‘cause despite whatever it is that you may think about me, I don’t hate you. I care about you too damn much and that's my goddamn problem.”

That shuts you up, your mouth snapping closed with a sharp click of your teeth as you stare at him, shocked.

Joel holds your gaze, lips pressed into a thin line. “That what you wanted to hear?”

It’s in that moment that the fire finally fizzles out, the dull hiss of it the only sound left in the room.

You’re quiet for a beat, stunned into silence. The heat of his anger, his frustration, it radiates off him, and you realize suddenly that this isn’t just about you. 

It never was.

“Then show me,” you challenge softly, your heart pounding in your chest. “Show me that you don’t hate me.”

Joel’s eyes darken, his head cocking to the side as he searches your face for a sign. You don’t say anything, you only square your shoulders and raise your chin, your eyes just as hard as his own.

“I want you to prove it.”

The tension snaps like a rubber band stretched too far. 

You shouldn’t—this shouldn’t—happen. Not like this. Not after everything that’s been said.

But when Joel’s lips crash against yours, hot and desperate and urgent, it makes everything blur into nothing. 

It’s not gentle, not soft—this is anger and longing and frustration all wrapped into one. It’s messy, frantic, like a fight that’s been brewing for too long.

He grips your arm, pulling you closer, almost too roughly, but it feels like it’s everything you’ve both been avoiding.

His other hand moves to cup the back of your neck, grounding you as his lips press harder against yours, like he’s trying to pour everything he can’t say into this single moment.

You respond just as fiercely, nails digging into the skin of his shoulders as you kiss him back with all the pent-up emotion that’s been simmering beneath the surface.

The coarse hair of his beard scrapes against the skin of your chin deliciously, the scent of blood and firewood filling your senses as his arm wraps around your waist, dragging you impossibly closer.

Close enough that you can feel the wild beat of his heart booming against your chest.

You pull away for a second, breathless, both of you looking at each other, your eyes wide and pupils blown.

“Goddamn it,” Joel mutters, his voice thick with frustration and something else you can’t place. He presses his forehead to yours, the deep brown of his eyes dark than before. “What the hell are we doing?”

You don’t have an answer. You’re not sure if you even want one.

You reach for him again, arms looping around his neck to drag his mouth back to yours.

This kiss is nothing like the first, it isn’t a clash of frustration–it’s filthier, rawer. A near feral thing, all teeth and tongue, a surge of hunger and need that borders on violence. 

Joel groans into your mouth, a low, guttural sound that sends a shiver racing down your spine. His teeth catch your bottom lip, pulling just hard enough to make you gasp.

He takes advantage of the sound, his tongue sweeping into your mouth to slide against yours with wet, messy desperation, like he’s trying to claim every inch of you.

The taste of him—salt and iron and something distinctly Joel—makes your head spin. 

Your fingers knot into the chocolaty curls at the nape of his neck, surprisingly soft to the touch. His own hands roam the soft curves of your body, rough and insistent, like he can’t decide where he wants to touch you most.

“Joel—” His name spills from your lips like a plea, and he answers with a deep, guttural noise that sends heat pooling low in your belly. His tongue follows the path of his teeth, soothing the bites with lazy, deliberate strokes that make your knees weak.

You’re moving before you even realize it. Joel dragging you across the room and down onto the couch with him, using the strength he’s built up after all these years to manhandle you until your thighs are spread wide on either side of his lap.

“Joel,” you gasp again, rearing back enough to break the kiss. “Your stitches–”

He cuts you off with a sharp nip to the sensitive spot behind your ear, tearing a high whine from your throat. “Can hardly feel ‘em.”

You make a displeased sound, but it’s undermined by the way you tilt your head to give his wandering lips more room. His hands find a home on your hips, one slipping beneath your shirt to press against the soft skin of your stomach. 

His fingers splay wide across your skin, his palm callused and rough. His pinky just barely brushes the underside of your breast, and you’re suddenly rearing back. 

“Wait,” you say, your voice barely a whisper.

Joel’s hands immediately loosen their grip on your hips, his brows knitting together in concern. “You okay?”

You nod quickly, your heart pounding in your chest. “I just...I need to tell you something.”

His jaw tightens slightly, but he stays quiet, waiting for you to speak.

You take a beat, chewing at the skin of your bottom lip nervously.

“I’ve never...” You pause, swallowing hard as your cheeks heat up. “I’ve never done this before. I mean, I’ve never been with anyone like this.”

Joel pulls back slightly, his expression unreadable as he processes your words. For a moment, you think he might pull away completely, but then he exhales a long, slow breath.

“Christ,” he mutters, scrubbing a hand down his face. “You’re tellin’ me this now?”

“I didn’t exactly plan for this to happen,” you snap back, crossing your arms over your chest defensively. “It’s not like I had the luxury of a high school sweetheart to pop my cherry out here.”

Joel’s gaze softens at your tone, and he reaches out to cup your cheek, his thumb brushing against your skin. “Hey, hey, I didn’t mean it like that.”

You glance away, suddenly feeling self-conscious under the weight of his stare. “I just...I wanted you to know. But I want this, Joel. I want you.”

His thumb stills against your cheek, and he swallows hard, his adam’s apple bobbing as he considers your words.

“I don’t...” He pauses, the most hesitant you’ve ever heard him. “I don’t want to hurt you.”

It’s the most vulnerable he’s been around you, round eyes shining with something so raw and so earnest it makes your heart ache in your chest. 

“You won’t,” you insist, your voice steady despite the nerves fluttering in your stomach. “I trust you.”

Joel’s jaw clenches, and for a moment, he looks like he’s going to argue. But then he nods, his shoulders relaxing as he cups the back of your neck, pulling you closer until your foreheads touch again.

“At least let me do this right,” he murmurs, his voice so soft you almost don’t hear it. “Not here. Not on some goddamn couch.”

You blink up at him, surprised by the tenderness in his tone. “What?”

“Upstairs,” he says, his thumb tracing lazy circles against the side of your neck. “There’s a bed up there. It ain’t much, but it’s better than this.”

You can’t do anything but nod, your pulse racing beneath your skin fast enough to combat the cold night air seeping through the walls.

“Okay,” you say softly, voice barely above a whisper. “Upstairs.”

Joel stands, gently pulling you to feet and taking your hand in his. He leads you upstairs, each step feeling heavier with anticipation. The small bedroom is dimly lit, the faint glow of moonlight filtering through a broken blind. 

The bed isn’t much—an old mattress on a worn frame, covered with a patched-up blanket—but it doesn’t matter.

Joel shuts the door behind you, the sound of the latch clicking into place sending a shiver down your spine.

“Last chance,” he says, his voice a low rumble. “You say the word, and we stop. No questions asked.”

Your throat tightens at the sincerity in his tone, the way he’s giving you an out even though you can see the strain in every line of his body, the way his hands flex at his sides like he wants nothing more than to reach out and touch you.

But you don’t hesitate.

You step closer, placing your hands on his bare chest. You bite back a smile at the goosebumps that break out all along his skin at your touch. 

“Jesus, Miller,” you mumble teasingly, nails lightly scratching through the salt and pepper hair scattered along his chest. “How long are you gonna drag this out before you get it through your thick skull that I want to fuck you?”

"Christ." Joel huffs, shaking his head as the corners of his lips turn up in a small grin. “Like I fuckin’ said,” he starts, big hands kneading the meat of your hips. “Pushy.”

Joel walks you backward until the backs of your knees hit the edge of the bed, and you fall onto it with a soft gasp.

He follows you immediately, crawling over you, his body covering yours, his weight a comforting pressure. “I’ll take care of you,” he murmurs, his lips brushing yours. “I’ll make it good for you, I swear.”

His fingers are everywhere, unbuttoning your shirt with a practiced ease that has your pulse racing. His lips follow the path of his hands, each touch a branding mark, each kiss leaving you wanting more.

“Pretty girl,” he mutters softly, pressing a kiss right between the valley of your breasts.

You feel his cock stirring against your stomach, and it makes the ache between your legs flare to life, the weight of it, the hardness of it, driving you crazy with need. 

You want him so badly you can barely think straight, but when his lips graze over your collarbone, you can’t stop the quiet whine that escapes your throat.

Joel growls in response, a sound that resonates deep in his chest, and you know then that he’s as far gone as you are. His hands slide down to the waistband of your pants, tugging them down your legs with urgency. 

As your skin is exposed to the cool air, you can feel the heat of his gaze on you, like he’s memorizing every inch of you.

“You’re fuckin' perfect,” he mutters, his voice thick with desire.

Joel's hands find your thighs, parting them with a deliberate slowness that makes your breath catch in your throat. He positions himself between your legs, his body weight pressing you into the mattress, his chest rising and falling with the same frantic rhythm as yours. 

The anticipation is almost unbearable as his fingers trace the line of your panties, the fabric damp with want.

“Jesus, she’s drippin’ for me already,” he mutters, voice rough, as he slides the material to the side, his thumb brushing over the sensitive swell of your clit.

Your body jerks at the contact, a desperate sound escaping your lips, but Joel doesn’t relent.

“You touch yourself down here, baby?” he asks, working tortuously slow circles over your clit.

"Please," you beg, your hands grasping at the sheets, pulling at them as if they can anchor you to the moment.

He looks up at you, his gaze dark and filled with an intensity that makes your stomach tighten. “Asked you a question, honey.”

You whine, high and loud in your throat as your thighs clench desperately around his wrist. “Yes, I touch myself.”

Joel’s lips curl into a satisfied grin, sliding his thick index finger through the messy wetness to slip inside your clenching hole, making you gasp. Your hands grasp at the sheets, pulling at them as if they can anchor you to the moment.

“Good girl,” he breathes, eyes darkening at the broken moan that bursts from your lips. “When’s the last time you touched yourself?”

Your brain feels hazy as you search for the answer, pleasure clouding your mind slow and sweet as molasses. “A–a few nights ago.”

Joel hums idly, slipping a second finger alongside the first. The stretch has you whining, his fingers a lot more to take than your own.

Your hands come up to claw at his shoulders, relishing in the way his broad muscle ripples and shifts beneath your greedy palms.

“Joel,” you whine, hips canting down against his hand impatiently.

He just shushes you softly, free hand brushing soothing circles along the skin of your inner thigh. “I know, honey,” he mutters, the pace fingers speeding up. “But I gotta get her nice and ready if you wanna take my cock.”

The gush of your pussy around his fingers is loud in the stillness of the room, a filthy wet noise that burns your ears each time he plunges them into your aching hole.

“I am ready.” Your breath hitches as your body begins to tremble beneath him. “Please, Joel—fuck—please, I need—”

“Need what?” His voice is thick with dark amusement, but there's a hunger in his eyes that has your stomach twisting. “Tell me, baby. What do you need?”

“I need you,” you rasp, your nails digging little crescent moons into his skin, your body pleading for release. “I need you inside me.”

Your hands grab at his hair, pulling him back up to meet your lips in a feverish kiss. 

The pressure of his body on yours, the way his hard cock grinds against your trembling thigh, drives you to the brink of madness. 

Your hands trail down his chest, past the waistband of his jeans, finally reaching the bulge straining against the fabric.

Joel groans when you rub him through his pants, feeling his cock twitch in response. He pulls back, breathing heavily, his lips curling into a smirk. 

“Yeah?” he asks, his voice thick with lust. “You want my cock in this pretty pussy? Want me to show you how good it feels to be fucked?”

“God, yes,” you answer, desperation lacing your tone as your hand moves to unbuckle his jeans. “Want it so bad.”

He lets you push his pants down just enough to free his cock, and you gasp, your eyes drawn to the way his length stands, thick and hard, just waiting for you. The tip flushed an angry red, drooling pre-come onto the scratchy sheets.

Joel pulls his fingers from you, using his hands spreading your legs wider, positioning himself between them with such careful precision that you can barely stand it.

The head of his cock drags through the mess between your legs, slipping all the way down till it catches on your soaked entrance.

Joel pauses, looking down at you, waiting for your signal, but the only answer you give is a pleading whimper, your hands pulling at his shoulders, urging him to move.

His mouth captures yours once again as he slowly slides into you, the stretch of his cock filling you steadily, making you gasp into his mouth. 

The slow burn of him carving a place for himself inside of you is almost too much, your body trembling as you adjust to the feeling of him.

“Fuck, baby,” Joel mutters against your lips. “You’re so tight, so fuckin’ perfect for me.”

As he sinks deeper into you, his thick cock finally buried to the hilt inside of you, the feeling is overwhelming. You gasp, nails digging into his back as the pain slowly shifts into pleasure.

Joel groans into your mouth, his hands moving to your hips, guiding you as he rocks gently against you. 

The rhythm is slow at first, deliberate, as if he's savoring every inch of you. Your body quivers beneath him, every inch of your skin tingling with sensation. You clutch at him, your legs tightening around his waist, needing more, wanting more.

"That's it," he murmurs, his voice thick with desire. "Take it, baby."

You screw your eyes shut tightly, trying to steady yourself as he thrusts deeper, harder. The angle shifts just enough to make your breath catch in your throat. 

Every stroke feels like it’s hitting the deepest part of you, sparking heat in places you never knew could burn so hot.

"Fuck," you gasp, the sensation too overwhelming, too much in the best way. "Joel... please..."

"Please what, sweetheart?" He pulls back slightly, teasing you with a slow roll of his hips before driving back in with a grunt.

Your nails dig into his shoulders, urging him to move faster, harder. "Don’t stop," you breathe, your voice trembling. "I need you to fuck me, Joel. Faster. Harder. Please."

The sound of skin slapping against skin fills the room as Joel finally picks up the pace, each thrust harder and deeper than the last.

Your back arches off the bed, chest pressing flush to his as your body coils tighter and tighter, already so close to the edge.

Joel reaches up to take your wrist in his, dragging your hand down to press flat against your lower stomach.

“Feel that?” he asks breathlessly, the speed of his hips knocking the dingy bed frame into the wall with every thrust. “You feel how deep I am?”

His own hand blankets yours, pushing down so you can feel the way his cock punches up against your palm on the next thrust.

Your pussy clenches desperately around him at the feeling, your slick lips dropping open on a loud moan.

You can barely hold on. The heat in your stomach tightens, coiling painfully as your free hand scrambles to find purchase on his skin. "I can't—I'm gonna—"

He grits his teeth, his jaw clenched as he drives deeper, pushing you closer and closer to the edge. "Come for me, baby," he growls, his voice dark and commanding. "Let me feel it."

With a strangled cry, you finally release, your body clenching around him, every nerve igniting in a white-hot explosion of pleasure. 

You’re lost in it, your world spinning, your senses overwhelmed by the sensation of Joel’s body pounding into yours, the way his cock brushes against that sweet spot behind your clit enough to make sparks go off behind your eyelids.

Joel pulls out of your velvety warmth, hand coming up to fist his dripping length until he’s bowing over you tightly and coming with a deep groan of your name.

His release paints your stomach with milky strands of white, rope after rope of warm come claiming you in a way no one has before.

He finally collapses against you with one last shuddering breath, both of you breathing heavily, your chests rising and falling together in the quiet aftermath.

For a few moments, neither of you speaks, the only sounds are the soft creak of the bed and the quiet hum of your racing hearts. 

Joel rests his head against your shoulder, his breath warm against your skin, and you can feel the tension begin to slip away, the weight of everything that’s happened between you both settling into something new—something different, but still there.

Your hand slips down the sweaty expanse of your stomach, your fingers swiping through the sticky mess of his release curiously.

“Christ, quit that,” Joel groans, tearing his eyes away from the sight to press his forehead against your shoulder.

“Why?” you hum, brow raised in amusement as you drop your hand back to the mattress. “Can you even get it up again?”

Joel pinches your side hard enough to make you squeal, your body flinching away from him as a surprised laugh bubbles from your chest.

“Watch it,” he warns, though there’s no bite to his tone. You only laugh in response.

The two of you settle into a comfortable silence, wrapped in each other as crickets chirp from outside the window.

Then Joel clears his throat, fingers idly tracing different shapes on the skin of your hip as he gathers the courage to speak.

A circle, a square, a diamond, a circle, a heart, a heart, a heart.

“I’m…” he starts, trailing off softly. “I’m sorry. I’ve been a real fuckin’ prick, and you didn’t deserve it. You never did.”

You turn your own gaze to his chest, hand coming up so you can trail your fingers along the jagged scar decorating his shoulder. Your touch featherlight over the rough patch of skin.

All the anger seeps from your body, a heavy weight gone until you feel so light you could float off the mattress and into the cold night air.

“It’s okay,” you whisper softly, so soft you think it gets lost in the quiet darkness of the room. “I understand now.”

And for the first time in what feels like forever, you both just lay there, tangled in each other, not worrying about the world outside, about the chaos that waits. 

Just you, him, and the soft glow of moonlight.

tags are now in the comments! if you want to get tagged for any of my works just fill out this form!

mini nat's note: should i add joel to my taglist...i do kinda want to write more for him in the future but i'm not sure yet...lmk chickens <3 bee tee dubs sorry the ending absolutely sucks i could not for the life of me figure out how to end this LMAO

[shadyr4m]

REWATCHING SEASON 2 EPISODE 7 OF ARCANE

+ some of my highlights and notable moments that I enjoyed bc people can’t understand media anymore

This is mostly an infodump of stuff I can fit into a twitter thread/didn't rly want to make into a thread. I'm not great at words so I apologize in advance, I am sure there are many people much better at analysis than I.

I want to start off by saying I am heavily invested in timebomb so this is very much going to be a ship analysis. If you're looking for someone unbiased i am very much not the person for that 😭

FIRST OFF:

The disc on the music box is adorable!!! It features au Powder (who I am going to refer to as just Powder for the duration of my analysis) and au Ekko

Compared to the normal Disc

This is very obviously because it takes place in a different universe, one without Vi or "Jinx".

The first scene starts off with AU Ekko writing in his notebook. (Cute mention is Powder's doodle in his notebook!!) Then we see flashes of the wild rune. This is when AU Ekko switches to canon Ekko.

Also one of my favorite silly images from this episode is this one.. Powder is being so adorable and Ekko is just scared out of his MIND. it's so silly.

In the Last drop, Powder asks Ekko. "What is up with you? You've been out of it all day?". One thing I noticed in my rewatch is that i think Powder is aware this Ekko isn't HER Ekko. This is just one instance of many that makes me think this.

This hideout seems so much more vibrant and loved, similar to Jinx's hideout after Isha. It's colorful. There are guard rails that I like to think was pushed by Vander. We can see Ekko's art scattered around. It just shows how much more support and family Powder has compared to Jinx, which i mention a lot.

Id also like to note Ekko being shocked au him went to powder for help. In his mind at this time he believes Jinx to be all that is left, no more Powder. Through out the episode we see that change.

Notice how Powder gets upset at Ekko in this scene. However, she doesn't react explosively like Jinx would've. She handled it in a way that shows she had support. She told him to leave instead. Again, the main difference between Powder and Jinx isn't only Vi but also the existence of multiple support systems that Jinx simply didn't have.

THIS FLASHBACK! Oh my god this flashback. The fact it happened after he upset Powder? I think it shows just how much he truly cares about Jinx/Powder. He remembers VIVIDLY the day that he thought he killed her. Jinx was his childhood best friend, and I don't think that kind of feeling ever truly goes away. He doesn't want to hurt any version of her, not even the alternate universe her. We see that showcased more later on. Also, random probably insane note. He is interrupted by small children playing, having fun. This isn't a coincidence, it shows he does miss the moments from when they were kids.

While talking with Heimerdinger, we see Ekko look at Powder multiple times. Watching her laugh and be expressive, he smiles. When she doesn't return it we see him get upset. Once more this brings me to my point that he doesn't want to hurt her. Considering he hasn't known this Powder very long you can see where I gather my point that he doesn't want to hurt her in GENERAL. Any version of her.

THIS SCENE!! He is such a bad liar it's adorable. This brings me to my earlier point, Powder knows what's up!! She suspects something 100%. He is talking about this dream her like it was real.

"You aren't the kind of person who helps other people with their projects. Your ideas change the world. I can't shake the feeling that that's who you're supposed to be."

Are you LISTENING TO THIS? He is obviously talking about Jinx. You can tell this by the first sentence because obviously Powder IS that kind of person. He's starting to see that Jinx is just a part of Powder, one that is unavoidable and that he unknowingly appreciates in a sense. Like two sides of one coin he can't see Powder without Jinx and that is good. I think it is here he realizes truly just how much he cares about Jinx.

This whole montage is beautiful but I want to zero in on two things. Powder's reaction to the notebook and how she looks at Ekko after. NOW THIS. This is the nail in the coffin for her. She knows that this is not her Ekko. She has fully gathered that he isn't from this universe.

Also heimerdinger totally knows how Ekko feels you cannot tell me otherwise. Pushing him to go to the party? yeah he knows what you are.

THIS WHOLE SCENE. I AM NOT ANALYZING THE WHOLE THING HERE BUT IT IS GORGEOUS. I saw someone talking about how it was animated on 4's to signify the way Ekko can only go back 4 seconds and I honestly shed a tear. THE SONG TOO? I encourage everyone to look at the lyrics because they're beautiful.

Okay now for my favorite part of this episode so much to dissect and i'm totally going to mansplain but yk..

"I used to dream the undercity could be like this" — That sets the tone for the whole conversation and just what world he is talking about. The canon one.

"But somewhere, I got consumed by all the ways it wasn't. I gave up on it. Gave up on YOU." — Heavy emphasis on this line. Once more he is talking about Jinx. He is talking about how he got so consumed by the way that Jinx wasn't good, and he gave up on her. Believed she was irredeemable. Powder showed him that Jinx is capable of love and happiness, it's just under that tough protective shell. The undercity in the metaphor is Jinx, from my interpretation.

"I promise i'll never forget this." — Now time for my insanity. He doesn't forget this. That's why he saves Jinx from ending her life in the first place. He remembers Powder and knows that with the right support Jinx doesn't have to be the way she is. It's not that she "needs to be fixed" she just needs to be LOVED, like Powder. He sees that now. He sees how in the au the love that everyone shares for one another shaped the undercity beautifully, and made everyone in it much healthier mentally despite going through hardships. That is beautiful. People with mental illness are not unlovable they just need more support, it can't be cured, or fixed just healed. Mental illness is always there it is how you DEAL with it that matters.

Nothing too major to talk about with the kiss. It's sweet I love it, but nothing too notable for me to say about it.

Finally, Ekko leaves the au. I have seen people say that this is a sacrifice, he could've had everything he wanted and he gave it up to save the people at home. But i take insanity to another level. I see this as him appreciating his home. He knows he can never truly love this Powder because she isn't the version he fell in love with. He learned to appreciate Jinx even through her flaws, and that while this world has everything he could want and more he can have that home too.

I am experiencing HEAVY timebomb brainrot if you can’t already tell. I was tired of people taking things in the complete wrong way with this episode, if anyone has different views pls tell me I love hearing how other people took certain scenes. there are a few scenes I love but I would’ve made this post way too long..

[missmarveledsblog]

Never doubt the Matchmaker ( jake seresin x reader )

Summary : nat phoenix trace was well known by her friends and coworkers as being a excellent matchmaker although jake seresin thinks it all bullshit till he finally let her set him up and jake learns never to doubt the matchmaker ...

warnings : goofy , fluffy , miscommunication sort of rom com feel to it , picture doesn't describe the reader just cover art i started making for fics

Natasha trace  was a woman of many talents , she was strong , determined , and calculated . all good qualities that made her one of best female pilots but she also had another talent one that didn't even remotely have to do with the navy and it was her match making skills . when she disclosed the information it got laughs  , didn't bother her she laughed along with them .  then one by one it would start off joking then hinting to outright asking. first it was fanboy then bob then javy then rooster. only one she didn't get asked by was payback giving the man was already married and jake who still thought it was all  crock .  she didn’t really concern herself with what bagman had to say the results spoke for themself .  fan boy was living with the barista she set him up with , bob was married to the animal shelter volunteer , javy was still going strong with the yoga instructor while  rooster only began seeing the nurse it was still good and boy was he already gone . the results spoke for themselves as always but jake still a skeptic , still ready to shoot it all down of course . 

“ he’s just afraid of finding the one is all “ rooster laughed .

“ i mean i don’t doubt your skill but hangman finding the one is a bit far fetched “ bob shook his head amused in the constantly denial of the match making but in fairness they all were  til she did her thing. 

“ don’t worry bagman i wouldn’t subject any woman to deal with you “  phoenix rolled her eyes . 

“ because its not working i mean rooster would fall in love with a rock” he countered as the brunette exclaimed out a “ hey “ 

 “ why does it bother you so much , you feeling left out , a little lonely “ she taunted . 

“ never lonely phoenix i can get a girl to keep me warm at night any time” he winked  taking his shot potting the ball . 

“ why don’t you let her set you up then “ bob suggested . 

“ he’s right you think it’s fake then prove it “ javy added . 

“ ain’t you suppose to be on my side here?” 

“ come on man what have you got to lose”  rooster smirked . 

“ you know what i’ll bit just to show you i’m right” he crossed his arms looking to the female pilot.

“Fine  i’ll set you up bagman “ nat shook her head . 

It had been weeks since the whole agreement in the hard deck and jake constantly being the one to let her know the fact . then like an angel to answer all there prayers she found the one , the one that would have jake seresin eating his words .  then one day during lunch jake was looking at text of details for a date saturday . he promised to give the woman a chance   , knowing full well it would end like all his dates do  and that part wasn’t so bad .  He’d gotten the womans number striking up a conversation , she could least do that only thing was when he asked for selfie she would reply later , later never came then it was “ i forgot next” which didn’t fill him with much fate but still keeping his word he continues to chat . saturday he was on the beach  a regular tradition now playing dog fight football as the guys asked about his  date. 

“ i mean we text but no selfies so not promising “ he called as nat shook her head. 

“ she hot bagman not that it matters “ she rolled her eyes . 

“ all chicks say there friends are hot , i’m just being honest” he smirked . 

“ not al about looks “ rooster pointed out . 

“ says the guy with the hot nurse girlfriend , you telling me if she wasn’t attractive to you in the smallest bit you would be with her ?” he asked . 

“ yeah because of the person , she is” . 

“ again not that it matters but y/n is a hotty and well able to handle you “ nat scoffed . 

“ yeah we’ll see about that phoenix”. 

When he got home  still texting his date asking her what she was going to wear so he would be able find her .  all he got back was long red dress probably something a grandma would wear  he didn’t know why but that was what he thought . then he got ready   thinking the worse as time got closer , like it was set up in a different way , a ploy for phoenix to get back at him and set him up with some lady that had twenty cars the generic mad woman crossing his mind .  he could slip out early that was for sure  although javy was telling him it would be ok also agreed to call with fake emergency. He was glad he agreed to meet somewhere else because if this was a trick least there would be no witnesses that was for sure . checking over least he looked good   as he looked down at his dress pants that fit snugly on his legs of the light blue almost whitish blue shirt that made his chest and arms look great . he was ready to prove natasha trace wrong and make a  lady happy to get the jake seresin experience . he was sure it was going to be a disaster , some sort of catfish situation even though he had yet to she her face expectations were not high. He stood outside  the bar it was classy  place so who he thought he would meet would stand out a mile off already building an image of some desperate woman .   parking and taking one look at his phone both message one to tell him she was at the bar and another from javy to have good time but he was also on standby if needed . heading in there was one woman at the bar in a red dress , long that stopped at her shins , her long legs crossed with a pair of black open toed heels   , spagetti string straps as she looked around she was gorgeous. Maybe if his  date failed he could ? . 

She couldn’t believe she let natasha trace do her whole match maker thing knowing how it was going to fail , from texting the guy it was ok nothing special didn’t seem like he was into it either so least she wouldn’t be the only one who was going to go into it with less expectations , plus she could only imagine what she was going to meet not that she didn’t find  nat’s flyboy friends attractive because they were but they lacked a little something  .  she herself worked as a mechanic not as glorious or as dangerous as  the navy but she and nat bonded over being in a male dominated area even still she was confused as the receptionist . now here she was sitting waiting for some stranger  when she could be in her shop finishing the shit ton of cars that needed to be fixed but maybe a few drinks would be ok  , help take the busy week off her shoulders . one so busy she kept forgetting to send a selfie and then she thought it would be more fun to keep the mystery going . she text him to let him know he was at the bar barely flickering her gaze  when he text to say  he was outside well here it was. 

“ showtime “ she winked to the bartender downing the drink waiting for whatever disaster  that was coming her way . 

“Erm y/n “ the  southern drawl clear his throat she turned to raise her hand. 

“ over here” she smiled ok , so he wasn’t tragic looking maybe it was shallow but hey he was gorgeous blonde so she wasn’t complaining . 

“ well darling nice to meet you “ he beamed , he’d give nat this one she was the hotty at the bar . 

“ jake?  Nice to meet you too “ she held her hand out almost swallowed in his own , lifting it to his lips and kissing her hand .

“ what are you drinking ?” he nudged . 

“ just beer , southern boy huh” her own accent coming out more as she talked . 

“ austin born and raised , you ?” he took the seat  noting the slight disappointed glance of bartender since he came over. 

“ dallas , would you like to go sit down and get some food because i for one am hungry ?”  

“ lead the way beautiful whatever you want it on me “  he beamed holding his hand out and letting her take him anywhere and it would be anywhere damn she was like a siren luring him to sea .  following the sway of her hips like they were personal hypnotizing him and maybe they were , pulling the seat out putting the full gentlemen charm because shit she had him hooked with her body already . 

“ so jake from austin what made you ask nat for her skills “ she asked looking up  ever the gentlemen pulling her chair out and pushing it in for her as she looked up through her lashes at the blonde . 

“ honest answer?” to which she nodded .  “ honestly i wanted to see if she was good as other say kinda a skeptic but maybe not so much “ he winked as her  head tipped back and wondrous sound of her laugh came out. 

“ oh my god same i only agreed because she set my cousin up with ostrich , duck some bird dude “ she laughed . 

“ rooster?” 

“ YES !  i haven’t met him yet but my cousin  ironic dove is singing his praise then when she told me she got a perfect match not gonna lie since your being honest and all but i said no for while stuff at works been well hectic “ she shook her head. 

“ what is you do , you never said in your texts plus you owe me a selfie or two “ he teased . 

“ a mechanic actually while other girls where playing with barbies i was playing with tools and hotwheels i’m only girl of a bunch of boys so i guess when i wanted to be one of them safe to say my mom was little let down to say the least “ she chuckled . 

“ i’m only boy of bunch of girls i’m second born though “ 

“I’m the baby  , i’m actually working in a shop owned by my two older brothers and top at my job not as exciting as being a aviator for the navy though” she winked . 

“ nah i’m impressed least i know if my truck ever  has trouble i know who will take care of it for me” he smirked leaning forward honestly he hated how much he was going to be hearing nat gloat because he was already hooked  this woman was perfect although she was a decade younger but fuck she was making him feel like a teenager.

The date was good he laughed a lot she was funny , she seemed interested in knowing him and   kept the conversation light nothing was felt pushed or awkward . it was perfect date  he hated he would have to tell phoenix  as much he didn’t want that night to end ,  they even made out in the back of his truck  so why was it two days after the date and everything was radio silent . only thing that he was told was she got home safe and would contact him again .  he never had that much fun on a date especially one that didn’t end in sex , he wanted to be respectful , he also didn’t wanna text and come off desperate so he was wondering what hell went wrong .  maybe he could ask nat and swallow his pride at the fact she was good but clearly not good if he was ghosted . 

She wondered what went wrong did she come on too  strong , did he not like her .  the date was perfect and yet she never  got text back after she told him she got home safe .  it was all good even making out in the back of his truck til he stopped it now she was slightly annoyed he ghosted her .  burying herself in the overflowing work she could of been doing instead  when the familiar sound of an engine . to see natasha trace coming her way all smile probably ready to hear about how it all went . 

“ i’m mad at you “ y/n huffed tying her hair up before diving back into the hood of the corvette that needed dire attention.  

“ what did he do ?” she groaned now holding the coffee she brought like a peace offering instead of an early celebration . 

“ ghosted me  , i thought we had a great time  , even made out in his stupid truck and boom nothing even when i offered him to follow me “ she grumbled looking up . 

“ wait what javy said jake had great time i was here to rub it in both of you “ . 

“ well i’ll do that rubbing in your matchmaking skill ain’t all that .. but i love you and you didn’t know this was gonna happen so i guess i ain’t actually mad at you… my vagina might be “ she laughed finally taking the coffee. 

“ i’m gonna find out what going on cause something is  not adding up “ nat brows furrowed as she head off ignoring the protest that came from y/n mouth . 

She couldn’t make sense of it , according to javy he was smitten  like really smitten so what the hell was going on .  she knew y/n was younger than jake by ten years was that it but then she was thinking jake would date younger than himself maybe not that gap but again it didn’t seem to bother him . it wasn’t even to do with the match making anymore ..ok maybe it was could that be it , he was ghosting y/n in his own need to be right.  Now she was pissed  as she drove a little faster ,  parking her car and storming down the halls. She didn’t even look at the guys when she got to jake staring up , eyes narrowed  and hands on hips . 

“ what is your problem how come your ghosting y/n ,  she said she had a great time with you and what  is it your need to be right because that fucked if you don’t like her least be a man and tell her “ she gritted . 

“ what are you talking about  , she ghosted me nat  she should grow up and tell you the truth “ he scoffed . 

“ she looked upset although she wouldn’t show it …  she thinks you don’t like her she offered  her place ?” nat said even more confused .

“ believe it or not i was being a gentlemen because i actually did like the her.. The date “ he corrected pulling his phone out to show the fact he ended up texting her couple times . 

“ oh you stupid man , it concerning your still flying that not her the name is similar but you’ve been texting another woman no wonder she didn’t answer … idiots “ she scoffed as jake looked at his phone he didn’t even realize that name was still in his phone  he just saw the first three letters and was currently cursing the device in his hand .  it all connecting in his mind only for rooster to say it all out loud. 

“ shit you actually ghosted her after all” .

“ where she work  cause she not gonna believe me if i text her now ?” he asked chasing after nat  who honestly was done with life at the moment. 

“ if i  tell you , you gotta wear a shirt that says i was right for three nights of my choosing in hard deck ?” nat mused even though she was gonna help him either way but didn’t mean she couldn’t have fun too . 

“ you know what i’ll let you have six , come on “ he pleaded  ready to dart out knowing he’s morning was free . 

“  don't make me regret this “ nat smirked texting the address . “ make sure you check the right message “ she called as he ran off flipping her off . 

 he didnt know what it was but he was hooked on this girl like some sort of spell was cast on him  . he usually didn't bother texting after the fuck boy tendency  was strong he knew it himself but shit he was so disappointed and turned out to be his fault his fuckboy ways or some sort of self sabotage  .  already losing something so good before it even started he wanted to delete all the contacts in his phone maybe change his number start a new leaf. He was just hoping he wasn’t too late as he got into his truck nat sent another message telling him  the  coffee and baked good  peace offering to bring  as well as his size  maybe he would wear the shirt  an extra night for that. It was a race for what he didn’t know but he wanted to find out.   

She was tired but finally she gotten on top of the overflow of repairs  ones even her brothers were impressed she managed to pull of maybe the frustration of being ghosted was working in her favor , she was ready to grab her coat and head out . 

“ hey kiddo truck coming in can you sort this while i sort something in the office” her brother mikey called . 

“ you gotta be shitting me i’m heading out deal with it yourself” she scoffed. 

“ do it and i’ll give you rest of week off and next week  paid and overtime?” he said holding phone to his ear . 

“ fine after this i’m out for a week and half   “ she rolled her eyes throwing her things down tying her hair up . 

“ yeah she going  i think a date would be a good payment huh trace” he chuckled heading into the office. 

She was huffing and puffing but hey time of and extra money she could be happy with , what she wasn’t happy with was a tall blonde aviator standing by the truck . 

“ we’re closed” 

“ says your open “ he nodded to the neon sign. 

“ busy should of called a head.. Or do you have a phone?” she scoffed hand on her hip  , burning hole in his head with the fiery gaze she had on him . 

“ can we talk please ? i got your favorites here” he held up the container. 

“ you could of talked to me before , my brother is in there i will not hesitate to get the bat from his car “ 

“  hear him out … heres your stuff and thanks for screwing up so i can get a date with nat “ mikey called placing her stuff at the door before heading in and locking the door . 

“ traitor “ she mumbled taking her bag and  only see her car keys missing . “ son of a bitch “ she grumbled .  But it wasn’t going to get her down  no come hell or nothing she would walk her ass home . so she did turning out away completely not even sparing the blonde a second look or care if he was following her or not. 

“ come on please let me explain “ jake called. 

“ explain nothing if nat sent you here tell her it’s all good “ she waved over her shoulder not only was  she pissed she was no embarrassed thinking he owned her explanation .  which he did but one of his own violation and not one her friend force him to make .   she heard his booths hitting the asphalt , she could hear the panting  behind her shaking her head she kept walking . 

“ come on please” 

“ you ghost me , i practical ask you to sleep with me i thought you were doing the whole gentlemen thing  but turned out you just didn’t like me which is fine i mean not everyone gonna like me but shit when are guys gonna be honest and be like look i ain’t feeling it   or some shit “ she snapped not caring about the group of guys walking by .  

“ dude you blind “ one commented as she just groaned walking past them all . 

“ hey hey  i did want to ok and i was trying to be a gentlemen , i wanted to take you in backseat of the pickup if i could “ he yelled only instead of the group of guys passing it was a group of elderly women . 

“ pig “ one scoffed as they hurried passed. 

“ i thought you ghosted me ok …i maybe even worse asshole to admit that i was texting the wrong number because the names were similar which i’m going to have to text that person the same thing cause i’m pretty sure she married now” he winced as she finally stopped walking . 

“ you want me believe and if i did it worse that it was a mistake dude it ok we didn’t click i mean i thought we did … oh shit “ she said as he held his phone up showing her the messages her name but the contact was similar . “ is it safe for you to be flying “ she asked .

 “ yes i  made a dumb mistake but my eyesight is fine “ he snorted shaking his head nat previous statement . 

“ so you didn’t ghost me ?” she blinked up slightly  still trying to piece the new information slightly relieved since lets be real being ghosted is never fun . 

“ i didn’t ghost you be a fool to  ,  if  your in a forgiving mood since i cleared it up would you maybe wanna go on another date ?” he stood not the usually confident or cocky way he was used to he was almost shy when asking a definite new feeling that he would ( would not ) out loud . 

“ i guess since you got me a week and half off work i could least do that “ biting her lip , wanting to kick herself at the urge to twirl her hair in her finger like some smitten school girl . 

“Well then lets get going “ he winked wrapping his arm around her only for the same group of guys from before walking by looking barely 16 . 

“ dude kiss her “ one  not so hushed whisper yell  . 

“  man i was gonna ask her out” another whined. 

“ y’all watching this whole time ?” she snorted while jake was looking like the cat that got the cream having her at his side . 

“ tiktok was done … if things don’t work out with old man  heres my number” the guy winked as jake took the piece of paper instead . 

“She wont need it son “ was all jake could say leading her back towards the shop , back where his truck was least if her brother was doing him the solid he could have a small drive thru  date . he was new to it all actually wanting to see the one person actively and exclusive ( not that he told her , he wasn’t bradshaw ) but he was willing to show it in future .  He also learned never to doubt nat and her matching making skills again well how could he went he was going to be wearing the visual proof .

[rushingheadlong]

(Left: Photo from an ebay listing from Magnifico Vintage Magazines; Right: Photo from a PDF scan from worldradiohistory.com)

I stumbled across this article (from Record Mirror magazine, 30 March 1974) and wanted to share it because it’s a fascinating follow-up to this article I’ve previously shared from Melody Maker which was printed a week prior. 

The Melody Maker article looked at the role of big business in the music industry, specifically by using Queen and another band Merlin as examples of “hyped” groups i.e. artificially manufactured to generate maximum interest. While this may be somewhat accurate for Merlin, it’s not true for Queen at all - and as the Record Mirror article above shows, they were not happy about this comparison.

(Left: From Record Mirror magazine; Right: The photo in question from Melody Maker)

Lead guitarist Brian May picked up the paper and waves it under my nose. "This article is the biggest load of rubbish I've ever read in my life", he declares vindictively. "Look, there are people going to read this article - some of them won't have heard of Merlin and some of them won't know us. The headline screams out commercial pop. They've printed a very old picture of us, which we hate, looking extremely poppy and underneath it is the word HYPE. The whole article says in a suggestive way that Queen are a hype."

So Brian is certainly not happy with the Melody Maker article - or at least he doesn't like the photo they chose! I suppose he would've preferred something from the Queen II shoots instead, though it is rather funny for him to call a photo taken only a year prior a "very old picture of us".

But alright, surely the rest are concerned with things other than how they look...

(Left: Roger quoted in Record Mirror; Right: Freddie quoted in Record Mirror)

"Freddie and I used to sell old clothes. In fact Freddie used to design and MAKE our stage costumes. We've always taken care to make sure that our clothes are just right and look good. Perhaps they'd prefer it if we went on in dirty jeans, but we don't really think the public want to look at that. I think they'd rather see something that looks good." ... "Oh, really," [Freddie] exclaims in disgust, "this paper has no flair - I mean to print this picture three times in succession... and just look at my arms!" He was horrified, "look how fat they appear, now my arms aren't like that at all - what do you think?" He rolls up his sleeves for me to inspection and I'd like to state here and now that the poor dear's arms are quite, quite slender!

...okay, that's on me, I should've realized that the two fashionistas in Queen would have thoughts about their appearances and such. Or at the very least I should've expected Roger to bring up the Kensington Market stall! Poor self-conscious Freddie, but at least it seems like the interviewer reassured him about his arms!

Enough about clothes and photos though, I wonder what else the opinionated Roger Taylor had to say about the Melody Maker article?

(Above: Roger quoted in Record Mirror)

"That's exactly how we think it is," joined in their drummer Roger Taylor. "Supported by the fact that they've compared us to a totally new band who we've never heard of. We don't want to say anything against them, but apparently they're just a straight pop band. Whereas we've been playing and working up to this for years. Christ, I'm 24, Brian's 25, Freddie is 27, John's a bit younger 23. Plus the fact that we're all intelligent enough not to want to be put across in that way. We want to put our music first."

Honestly, Roger makes a really good point here. When the Melody Maker article was printed, Merlin had only been together in their current form for less than a year and had only released one single. Their first (and only) album wouldn't be released for over 6 months, and unfortunately they would be disbanded by this time the following year.

That being said, the emphasis on their ages is very funny to me because while Merlin might be a young band, the individual members weren't exactly far off from Queen's own ages and experience.

Their lead singer, Allan Love, was born in 1946 just like Freddie and had already been in the music business for seven years. The youngest member of the group was guitarist Jamie Moses, who was only 19 at the time, but even he had been performing semi-professionally for six years. In fact, all the members of Merlin had some degree of previous experience in other bands and the rest of them were right around 23-24 themselves, the same ages as Roger and John!

But speaking of John, what does he have to say about all this?

(Above: From Record Mirror)

By this time John Deacon (who reminded me of the Alice's doormouse) had woken from his slumbers (too many late nights and early mornings), he was reasonably cheerful for someone who had had his clothes ripped off the day before. "By the law of averages," he was saying, "it's someone else's turn to be ripped off today."

That's a lovely tidbit of wisdom at the end there, John, but what on earth is that about your clothes being ripped off?? Unfortunately there's zero elaboration on this in the article, so I guess it's just left to us to imagine.

So, any final opinions from the boys?

Above: From Record Mirror magazine

Phew! If after all that you think that the lads are hypersensitive to criticism and feel animosity towards their critics, then let Roger put you straight. "No, we don't hold grudges - we just go round and wrench people's arms and legs off. Or send them bags of wet cement, nothing too violent!"

Amazing response, perfectly executed by the one who would later refute a Rolling Stone article about Queen by writing them a letter on an airline sick bag.

Never change, Rog. Never change.

[plaidos]

Hi! I’m not a follower but I came across your post while browsing the arcane tag and I was curious bc I’d only heard positive things about the show re: representation so far. I went ahead and rewatched the scene you shared the image of and here’s what I’d say—

i don’t remember much about the character on the left, I think they’re only in there for that brief scene where we see them react as some rando gets thrown out of the brothel theyre standing in front of. They’re not treated like a joke, they just exist.

the one on the right is a yordle which is a race from LoL/arcane, which is why she looks “funko pop” esque. side note, she’s not the only yordle in the show and not all yordles are in the undercity. she’s only in one scene but has a somewhat important role. She’s not treated as a joke at all. When she seductively curls a finger at one of the side characters and he shies away and grimaces, I took that more as a kid (like a 13 year old) being creeped out that a lady old enough to be his grandma is trying to pull him into the brothel.

the whole scene this is a part of is just us being introduced to the city (“the undercity”) the main characters live in, it’s dark, it’s grimy, it’s the underbelly. We see shots of a lot of different types of creatures, different types of people, different races. The primary thing being portrayed here is how dangerous and non kid friendly the place is, as we see lots of criminals, shady characters, and ofc the aforementioned brothel.

all that being said, I’m not trans so I could be missing something here, but I feel like the screenshot is somewhat taken out of context. I myself had to go back and watch the scene to remember what happened.

Also, I really love the show and I think it’s a shame people are shying away from it because it’s based off league. Ofc you don’t have to watch anything you don’t want to, but it’s a great standalone story and I have a lot of friends who watched it despite hating league (and league players) and still enjoyed it!

Anyways sorry this was kind of long and I hope you don’t mind that I dropped into ur inbox despite not following u.

what you’re missing is that it is a joke. like, you’re telling me how you “took the scene” but you’re just wrong, sorry. like you don’t need to explain the scene to me! i went and watched it. and it’s transmisogynistic for all of the reasons i’ve described. just because there isn’t a massive punchline about her being a man in a dress doesn’t mean it isn’t transmisogynistic. like the audience is supposed to think that this huge muscular trans woman and her gremlin friend are disgusting and scary. it’s awesome that you didn’t and you thought this was just, oh cool, nice body types moment! but why were these specific women chosen for a joke about the seedy underbelly of this city? why these specific women for a joke about how scary this place is?

you have to stop closing your eyes when trans women point out the obvious. it is a transphobic joke. anybody trying to argue with me on that in my inbox will be blocked.

[hb-writes]

What's Needed Most

Summary: 1923 in the Little Lady Blinderverse. When Clara is the victim of a mugging near her sister's home in Primrose Hill, she's given orders to rest.

Characters: Ada Shelby, Tommy Shelby & Clara Shelby (OC)

Peaky Blinders (Little Lady Blinder) Masterlist

Comfy-vember 2024 Masterlist

—

Clara sat in front of the vanity in Ada’s guest room, studying the bruise settling in on her cheek as her sister brought a brush through her wet, tangled hair. It had taken ages for Ada to get the house to this point—quiet and calm and with everyone near ready for bed—and Ada sighed when she heard the front door open.

“Stay here,” Ada said, her hands placed on Clara’s shoulders for a moment before she leaned down to kiss her sister’s cheek. 

Clara was too tired to fight her sister on staying put. Ordinarily upon her sister’s leaving, Clara might have stood and moved to stand near the door, or bolder yet, the top of the stairs all the better to hear the conversation between her brother and sister, but just now it seemed an impossible distance to cross. 

And Clara hadn’t any real need of listening in as she could almost imagine the conversation anyhow. She knew Ada intended to talk Tommy down from a shouting match because it was so late and Clara wasn’t feeling well. And especially because Ada had just gotten Karl to go down for the night in the room across the hall. 

As Clara’s ears caught the distinctive sound of Tommy’s steps on the staircase, she reached out for the hairbrush Ada had set aside. Pain shot through Clara’s hand and wrist as she tried to pull it into her grasp and the brush clattered as it fell against the vanity. Clara flinched, meeting her brother’s eye in the mirror as he appeared there.

Clara wasn’t surprised by his presence so much as the tenderness that showed on his face. Tommy was still wearing his coat and hat, his eyes shifting from her reflection in the mirror to the wrist which was carefully wrapped.

“The doctor said I’ve not broken it,” Clara offered, meeting her brother’s gaze through the mirror as he pulled his eyes from her wrist. “Just sprained,” she continued.

Tommy nodded. He knew his sister would be fine. He knew that Alfie Solomons had made sure a doctor that he knew and trusted—a man by the name of Dr. Hirsch—had tended to Clara’s injuries. He knew the man would pay her a visit in the morning and she was expected to follow up in a few weeks to monitor progress as well. Tommy had known all that for hours now and yet, it was something different to see for himself that she was well-enough. It was a relief. 

Tommy couldn’t help but think his sister looked impossibly small and young with one of Ada’s dressing gowns wrapped around her, the hem of it pooling on the floor, and her long, tangled hair left wet down her back. 

Tommy took a step into the room and closed the door. Clara turned toward her brother as he removed his coat and hat, watching as he settled them both on a chair.  

The bruising on Clara’s face was more startling head on, covering almost the entirety of the left side of her face, two separate injuries that had blossomed to form one large bruise. 

Clara closed her eyes when Tommy reached out, his hold gentle as he caught her chin and tilted her face toward the dimmed light.

“Our sister made me promise not to shout in her house, so I’ll say it quietly. What did you not understand when I told you to go straight to Ada’s?” he asked.

Clara kept her eyes closed, almost seeming as though she hadn’t heard him, as if by keeping her eyes shut, she could avoid the conversation, the disappointment. Maybe if she kept her eyes closed and let Tommy continue to stare at her bruised face, the tenderness would come back. Maybe Tommy would be able to keep his promises to Ada about the shouting.

After all, she had been at Ada’s for close to two hours now and her sister hadn’t shouted even once. Clara supposed she had Mr. Solomons to thank for that, for explaining what the doctor had said about her head. What he had recommended about the importance of a few days’ worth of quiet and rest. 

“She wasn’t home,” Clara finally said. 

She had later learned that her sister and Karl had just been out to a shop. If Clara had waited just a few minutes, they would have returned, but Clara had taken her sister’s locked door as an opportunity to wander the neighborhood. “I…I thought it was safe.” 

Her mind still couldn’t quite reconcile the fact that it hadn’t been safe. Primrose Hill was a safe neighborhood. Tommy had bought Ada’s house here for a reason. Never had Clara been afraid while out walking with her sister, not even during the evening.  

But here she had been accosted in broad daylight. She had been robbed on a seemingly innocuous street, in a well-off neighborhood. Clara wasn’t entirely sure how she had ended up in Camden Town, but when she woke, Alfie Solomons had been there along with his sister and his nephew and a doctor.

Clara squinted her eyes open as Tommy pulled his hand away. 

“Well, you’re safe now,”  he answered, before reaching over for the brush. “Turn around.” 

It had been ages since Tommy had brushed and braided Clara’s hair. Ages since she would have allowed it, but Clara turned to face the mirror, a calm settling over her as her brother smoothed out the tangles before weaving her hair in a simple braid down her back.

Without his needing to prompt her, Clara moved to the bed as Tommy pulled a chair near to the bedside. It was a routine they both knew, Tommy and Clara going through the motions in silence, perfectly coordinated though they hadn’t rehearsed the routine in ages. 

“Aren’t you mad at me?” Clara asked as Tommy arranged the blankets around her.

Clara hadn’t really expected her brother to be able to uphold his promise to Ada. She’d expected a bit of shouting at the very least, but here he was braiding her hair and tucking her in.

“I’m mad as hell,” Tommy answered, “but you need to rest more than you need to be shouted at.”

Clara laid her head down against the pillows as she considered Tommy’s words. She was exhausted, both physically and mentally, but some part of her thought she was due a bit of shouting anyhow. Some part of her thought it might help to wipe a bit of the guilt she’d collected away. 

She’d gotten herself hurt and she was sorry for that. Sorry for worrying her brother and sister. Sorry for putting Alfie Solomons through the trouble, but that guilt wasn’t what had a heaviness settling in the pit of her stomach. 

It was the things that had been stolen off her that gave her the most trouble. Tommy’s watch, mostly. She’d been looking after it since before the war. He had said it was hers when he came back, told her to keep it, but she’d always still considered it his. 

“They took your watch, Tommy. I’m sorry I—” 

Tommy reached into his pocket without hesitation, retrieving his sister’s pocket watch. Clara caught his hand as he dangled the watch between them, Tommy’s gaze going to the splattered blood on his sleeve at the same time as Clara’s did. 

“Tommy, there’s blood on your—” 

“None of it mine,” Tommy answered, though that much was already clear. Clara understood that the return of her personal effects meant that the men responsible had been found and dealt with. 

“You should get some sleep, my girl,” Tommy added before she could continue. He exposed the watch’s clock face, the steady tick-tock momentarily drawing Clara’s attention from the flecks of blood dotting her brother’s arm. 

Clara nodded, taking the watch and settling it on the bedside table before leaning back into the pillows.

“Ada’s sending my things out in the morning to be cleaned.” Tommy followed Clara’s gaze as she pointed toward the cream colored coat that hung on the back of the door, blood splattered along the collar. “You can send your shirt as well.” 

Tommy glanced back at his sister, his eyes now catching the thin cut along her throat where one of the men had held a knife. 

“It seems a red coat is more sensible for a Shelby girl, after all. Less stains,” Clara said, half a smile on her face before she realized that Tommy didn’t find it particularly funny. He’d once been insistent that a red coat was a target Clara didn’t need, drawing too much attention.

“Enough talking,” he said, standing from the bed. “Get some sleep.” 

“Wait! Can you read for a bit?” 

Clara had brought the book up from Ada’s sitting room, but after looking at it for only a few seconds, she had realized she wouldn’t be able to read, not until the pain in her head passed and her vision cleared, at least. 

“Just one chapter? Please?” 

Tommy was exhausted and he wanted to speak with Ada about all that had happened, but he leaned back in the chair he had pulled up to the bedside instead. He removed his cufflinks and rolled back his sleeve, hiding away the bloodstain, Clara’s eyes tracking the spot until it disappeared. 

“Eyes closed,” Tommy said as he grabbed her book and opened to the first page, and began to read. 

Clara complied quickly when her brother began to read, her breath evening out before two pages were through. Tommy made it another two pages on his own before he, too, drifted off.

After a scare like today, Tommy needed rest just as much as his sister. More than shouting and strategy, he needed to sleep, and now that he’d gotten retribution, now that he’d seen to it that his sister was alright, sleep came easier than most days.

—

Peaky Blinders (Little Lady Blinder) Masterlist

Comfy-vember 2024 Masterlist

[zigrethsnotebook]

A Northwest

Stan x Reader

words: 2,361

tags: sfw, fluff, reader is a Northwest

a/n: this way to the request for this story

You just arrived in Gravity Falls, a town your family has lived in for generations. However, you had promised yourself to never return. After a big fight with your little brother about a woman’s place in the family and him insisting that he should be the sole heir of the family estate and such, you had had enough. Told him that if he wants it, he could have it all.

Your parents hadn’t cared either. Well. your mother had but… your brother had to have learned his attitude towards women from someone. You and your father had never seen eye to eye on anything, especially when it came to such progressive topics like ‘Should women be allowed to vote’. God, you hated him. Even went to his funeral with a big smile on your face and the most colorful clothes you could find, pissing him off one last time.

But all of that was in the past now. All you cared about as you walked those familiar streets again was your niece - Pacifica. Preston had, unsurprisingly, run his wealth into the ground, leaving himself, his wife and daughter homeless. You on the other hand had made a great career for yourself and earned enough money to live a very comfortable life.

So, as soon as you heard about the whole incident from Priscilla (she calls you about once a month, only when her husband isn’t around to hear it), you decided to help. Not him. But his wife and mostly Pacifica. You had great hopes that maybe the next generation of your family wouldn’t turn out like the rest of them had and well, if you want something done, better do it yourself.

You had arrived a little earlier than expected and decided to stop by Lazy Susan’s Diner. Greasy’s Diner. When you entered and sat down at the counter it seemed like she didn’t recognize you. You didn’t blame her, you looked nothing like you did 34 years ago. After you had left you had decided to reinvent yourself completely, new clothing style, new hair color, although by now it was starting to grey a little.

You probably wouldn’t have recognized yourself either.

As you sipped on your coffee, contemplating whether or not to remind Susan of you, you felt a tap on your shoulder. When you turned to look it was a man in an old looking suit, wearing a fez and the cockiest smile you’d seen this year. You leaned back against the counter, amused.

“You’re new in town, aren’t ya?” You hummed, deciding to play along. “Yes, I suppose so.” He leaned against the counter as well, his eyes never leaving yours. “I knew it. Well, let me tell ya, a pretty woman like yourself should not be wandering about these woods on her own. There are a lot of dangerous creatures lurking just off the main road. But don’t you worry, I will gladly give you a tour of the town, showing you all the places to avoid. And also the places to stop by more often.”

He wiggled his eyebrows at you at the last sentence. You couldn’t help but laugh at his silly flirting. Behind him in a booth two children groaned in an exaggerated way. He looked back at them with a frown. “Hey! Let a man have a conversation.”

Ah, he must be their uncle? Or something? You just smiled at him. Cocky, flirty, broad shoulders and responsible enough to take care of kids. If you had known that a guy like this lived here you would have come back years ago.

“I would gladly take your offer, Mister…?” You trailed off, inviting him to introduce himself, which he did. “Pines. Stan Pines, at your service.” He grinned at you and you nodded as you gave him your first name as well and continued. “Mister Pines. Unfortunately, I have some urgent business I need to take care of first. Perhaps we can postpone this tour?”

The man looked a little deflated at first, but quickly brightened up again at your question. “How about tomorrow evening. We meet here again for dinner. And after that we’ll take a stroll through town?” “Sounds lovely.” Stan clapped his hands together and winked at you before he went back to the booth with the kids.

By that point you had finished your coffee and headed out to look for Pacifica and her parents. You didn’t see it but as you left Stan looked after you, very obviously staring at your ass and grinning. He’d love to get his hands on that.

When you found them you got the basics settled first. Get them some place to stay the night. Then you got them a new set of clothes, their current ones being torn and dirty. That’s how you spent the entire rest of the day, pulling your brother and his family out of the hole he had dug them into.

You made it a point to hold it over his head though, that you managed to get rich on your own while he couldn’t even keep the money he inherited. He was mad at you the entire time but he couldn’t refute your words, you were correct after all. All throughout this you noticed the way Pacifica looked up at you with bright eyes.

To Pacifica you very quickly became her role model. Confident and strong-willed and most importantly, not taking any shit from her dad. She clung to you, asking you countless questions and admiring you for every choice you had made, especially standing your ground and moving away from the family.

She had heard rumors about her dad’s sister, but until today she had never actually met you. Obviously, her dad didn’t want her to get any ideas from you. You, the black sheep of the family.

Seeing Preston crawl back to you now, after all those years, was incredibly satisfying to you. If you’d also get to help turn his own daughter away from his precious ‘family values’ then you’d proudly call you her aunt.

While you were out helping your family, the Pines had also gone back to the Shack, now relaxing in front of the TV. Mabel was texting on her phone with Candy and Grenda. Suddenly, she gasped after having read the newest text from Candy. “There’s more of them?!”

Dipper and Stan looked at her in confusion. “Who?” Dipper asked, but Mabel ignored him, just stared at her phone as another text appeared. “She was at Greasy’s Diner? Today? We were there today! How did we not see her!?” Dipper was starting to get frustrated with Mabel ignoring him, so he placed his hand over her screen, making her look up at him.

“Who are you talking about?” “Pacifica’s aunt! Candy says that she heard her mom talk to her friend on the phone who told her that another Northwest came to Gravity Falls today. Apparently, she wants to help them now that they’re homeless.” Stan bellowed a laugh.

“Serves that slimy Northwest right! Blood runs thicker than water after all. Even he needs to learn that.” Ford, who was also enjoying movie night with his brother and the kids, looked at Stan. He had forgotten how much of a family man Stan really was.

Dipper frowned. “Okay, sure. But if she can help them out then that means she is also rich. Who’s to say she is any better than Pacifica’s parents?” Stan scoffed. “She probably isn’t. But who cares. Hopefully, they’ll just leave Gravity Falls together now and we won’t have to bother with them anymore.”

Dipper turned back to look at the TV. “Yeah, hopefully…” He mumbled, although he didn’t quite mean it. He hated to admit it, but he had started to like Pacifica a little.

The topic was dropped after that and movie night continued.

The next day came and went rather quickly for you. There was a lot for you to do, to get your brother on the right track again. So much so that in that haze you almost forgot about your date with Stan. But you remembered and soon excused yourself, leaving them in the motel room you had rented them.

You went back to Greasy’s and met up with Stan, who immediately greeted you with a kiss on the cheek and his hand on the small of your back as he led you inside. He truly was a man of action and you appreciated that about him. There was a certain honesty in his behaviour which came as a refreshing change to the cold mask your brother and his wife had learned to live with.

“So, what was this business of yours that was more important than the best date you’ll ever have?” The way he was presenting himself in his seat, one arm over the backrest and the other resting on the table, while he looked at you through half-lidded eyes and a smirk on his lips. You loved this. It was silly in a way, but it was so different from the way you were raised that it left you feeling giddy.

“Oh, just some old family squabble. Nothing important.” A lie, of course, at least to some degree, but you knew that your family was hated in this town. And for good reason. So you didn’t want to taint his view of you before he got to know you properly.

“Hm, yeah, I get that. My brother and I had a rough time these last few decades as well.” His smirk had faded and you missed it already. Even so, you asked: “I’m so sorry. Where is your brother now? Did you manage to work it out with him?” Stan chuckled lightly at you and his smirk returned. “Well, considering that I live in his house… Yes, I’d say so.”

You chuckled as well. Now this was something you and your brother would never be able to achieve.

The two of you had a very nice dinner together and talked about everything and nothing. It was a fantastic date. When you left the Diner you turned to look at Stan again. He was already grinning at you and held his arm out for you to take. “Now, onto the tour?” You laughed and gladly looped your arm through his. You had already forgotten about this part of the date.

You strolled through the woods. Stan told you all kinds of fantastical stories about monsters and little supernatural critters that are said to live in these woods. You didn’t believe a word of it, of course, but it was fun to play along.

After about twenty minutes you had reached a wooden house in the middle of the forest. It looked like it was supposed to attract tourists, with a big sign on the top that read ‘Mystery Shack’.

“And this,” Stan made a grand gesture, as if revealing the house to you, “is my humble home. Well, my brother’s, but you get it.” You chuckled lightly and pulled his arm closer to yours again. “Yeah, I’m starting to.”

Stan led you inside, telling you about his family. You were starting to get really excited to meet them. Stan had talked so highly of them, you were sure to like them.

Something you didn’t know was that throughout your entire date, Pacifica had followed you. She was curious who you’d agree to go on a date with, especially so soon after arriving in the town. She was shocked, to say the least, when she saw you and Stan Pines entering the Diner. She was even more shocked when he led you to his home.

After you had entered, she stayed outside for a while, pacing back and forth and considering whether or not to confront you about it. Eventually, she decided to do just that.

Inside the Shack Stan had already introduced you to the kids, Mabel and Dipper, and also his twin brother Ford. It was very sweet, especially when you quickly realized that the kids were very similar to their great uncles. Or grunkles, as they put it. They were such a charming family and you envied them for it a little.

After a little bit of sitting together with them you heard a knock at the door. “Any of you expecting someone?” Stan asked around the room and everyone shook their heads. Dipper stood up and went to open the door. In front of him stood Pacifica.

“What do you want, Pacifica?” At the name your ears perked up. What was she doing here? You told her to stay with her parents. Then again, you wouldn’t have stayed with them either.

“Your great uncle went on a date with my aunt. I want to know why.” Everyone turned to face you, even Dipper craned his neck around the doorway to look at you with his mouth hanging open. Mabel was the first to speak up. She stood on her chair and pointed at you. “You are a Northwest?! …How? You are so… different!”

You chuckled sheepishly. “Yeah, well, they don’t call me the black sheep of the family for nothing.” At that Stan’s expression immediately softened again. Being the odd one out in your family was something he could relate to.

By now Dipper and Pacifica had walked into the room as well. Pacifica had her arms crossed in front of her and looked at you like she was trying to figure you out. “I get that. But why… him?” She gestured towards Stan who frowned at her. You just shrugged your shoulders.

“He’s exactly my type. Plus! He seems to have the same kind of… affinity for making a quick buck like I do.” You smirked at Stan and he returned with a smirk of his own. In a way, you two were quite similar.

Pacifica groaned in frustration and turned to Dipper. “No way. I get a cool new aunt who immediately dates your stinky grunkle? This is unfair.” “Well, I’m about to be your stinky uncle as well!” Stan laughed loudly and soon enough everyone at the table joined in, even Pacifica.

[kunikame]

venus, planet of love. - mitsuki i.

warning(s) : hurt/comfort, mitsukis inferiority complex, i7 are the planets dont ask me why just read the fic, i love u izumi mitsuki u are so me w/c : 1619

you know love is real because izumi mitsuki exists, and he is full of it.

mitsuki loves many things – he loves iori, ZERO, re:vale, idolish7, his parents, the bakery, .. the list goes on endlessly, for izumi mitsuki is love itself. he is a lover through and through, he was raised with love enveloping him all around, and he spreads it around to everyone shamelessly and selflessly.

the only thing mitsuki doesn’t really love is himself – he is second. always, always second.

second to his genius younger brother, secondary to all his group members, always the kid picked last unless iori was the leader.

there was nothing particularly wrong with him that made it this way, he was, simply put, mediocre. a jack of all trades but master of none, if you will.

so you can imagine it didn’t quite surprise him to be less popular than his group mates by a huge margin. he didn’t stand out with anything, he had nothing for himself that would make him stand out – he wasn’t too likeable. he was aware of this, he has known this for a while – but it still hit him quite hard.

it was horrible, really, to see a light so bright become dim because it cannot see itself – it only sees the other lights, and becomes lost in their glow, mistakenly led to believe he does not shine at all.

it certainly does a number on the sight to gaze directly at the sun.

perhaps if he was brighter, if he was made of something different, he, too, would shine – would be loved.

you’ve always compared idolish7 to the planets in the sky, and fittingly so, as to you, a friend and fan, they are the center of a greater something. something only they can create, something that is tried and tested and truly theirs, because they shine brighter than all the stars combined, and because they deserve to have their place in the universe.

if nanase riku is the sun, a sense of purpose, then iori izumi is the moon, instinct. nikaido yamato is jupiter, expansion. nagi rokuya is saturn, responsibility. tamaki yotsuba is uranus, freedom. osaka sogo is mercury, adaptability. 

izumi mitsuki is venus, love.

for it is not love if it is not izumi mitsuki. it is not izumi mitsuki if it is not love.

you just wish he knew that.

which is exactly why when he got offers to mc on variety shows, you encouraged him to take them, to try them – maybe he’ll end up liking them. he is really funny, after all, a natural conversationalist. he is exactly the type variety mc’s like to interview the most, you’re almost certain he would be good at the job.

and he was – he was so good, in fact, he earned idolish7 their very own namesake show, with him as the mc.

he finally had something for himself, something that was purely his, something that defined and solidified his place in idolish7. something that made him irreplaceable.

seeing mitsuki try so earnestly and work so hard, you honestly didn’t know what to do. sometimes, you’d want to say “good luck!”, but other times you feel a “you don’t have to work so hard” would be better, as he was literally working himself to the bone to please everyone he possibly could – for what is he, if not love?

he never desired whatever side parts come with fame – he simply wanted to make people happy. that was his one true ambition, his goal. he doesn’t need anyone to love him, as long as they love the things he loves – as long as they love idolish7. it would sting, of course, to be left behind, to be unfavored, but he supposed he could live with that reality. he was finally accepted after all those failed auditions, he was doing what he loved, with the people he loved by his side.

he believed he could somehow get used to being disliked.

being disliked for doing something he loved however, that was a different story. 

he thought by mc-ing he could get closer to the others in popularity – and, from a certain point, it was true – his popularity did rise a bit, and he definitely did receive more fan letters and positive comments now, but the fated encounter and the unfortunate “he’s so annoying, i wish he would shut up” would continue to ring in his head for a long while to come.

he has just built up his confidence and stability like a fine tower of cards, fearing the slightest gust of wind lest it gets knocked off and tumbles onto his wooden desk in a messy pile – but instead, someone kicked the desk and the cards flew off and onto the cold, harsh ground, such a far distance off.

nagi had attempted to salvage the situation to the best of his ability, but lifting the cards off the ground isn’t going to rebuild the tower – mitsuki will have to do that himself.

handing him the cards while he does so was a simple act of kindness on your part.

“mitsuki?”

he startles mid stretch, an earbud falling out as he turns his head.

“[name]? what are you still doing here?”

“i was looking for you, then i ran into iori– he said i’d find you here,” you made your way over to sit next to him on the floor, sharing a look through the mirror facing you, “what are you doing here so late?”

“y’know, just practicing. gotta catch up and stuff, haha.”

“you’re already good enough as you are, mitsuki. you don’t need to chase after anything or anyone.”

he heaves an exhausted sigh, fiddling with the wires from his earbuds, “i do, though. i’m smaller than the others so i’m often off beat during the choreographies. i need to do more work to make sure i stay on.”

“you shouldn’t work so hard all the time. you’re tearing yourself apart trying to do this and that all at the same time – i understand your intentions, but i feel the way you’re going about them is going to bring you ruin in the end. as a friend first and fan second, i care for your health, and i don’t want to see you destroy yourself.”

“i’m not as good as them th–”

“yes, you are. you’re too absorbed in seeing them as the brightest lights to see yourself shining just as much as them. popularity polls don’t define who you are as a person, or how much you work, or how hard you try. the others know that, though, and so do i. we all see how much effort and care you put into your work, mitsuki – we know you pour out your heart and soul into everything you do, desperately trying to make it the best, trying to make people happy with you, and you do. the disapproving voices simply sound louder to you at this point in time, because those are the ones you’re most exposed to. it is however not hatred and dislike that kills entertainers, it’s love.”

the ginger listened attentively, taking your monologue in, dissecting it bit by bit. though he seems to disagree, he does understand your view and he respects it – he just doesn’t quite understand. he looks up at the mirror, staring in your eyes through it, and his seem to shimmer a tad more than they normally would under the studio lights.

“why love?”

the smile on your face feels a little melancholy, and again, he finds himself not understanding why.

“love can be overbearing and suffocating. sometimes we love things too much – so much we would kill just to keep them to ourselves. we destroy ourselves in an effort to make our loved ones happy or proud, completely blind to our surroundings becoming hazy and hard to navigate, and when you come to, you find you’re all alone in a room once filled with people. love changes, sometimes not in a good way. much like the stars burn up and disappear, the planets, too, will be destroyed by the sun,” you turn to him then, and there is a singular tear streaming down his face. you reach out to wipe it with your finger, and he blinks, “i don’t want to see that happen to you, because to me, you are love.”

“the destructive kind?”

“no, the beautiful kind. i see pieces of you in everything i hold dear, because i hold you dear.”

you see him smile for the first time that night, and it is beautiful, blindingly so – brighter than the white leds above his head. 

“i hold you dear, too.”

there’s a comfortable silence as you gaze at each other, the instrumental to their new song faintly heard from his long discarded earbuds on the floor.

“hey, did you know venus is the brightest planet naturally visible in the night sky?”

perhaps the planet of love itself was destroyed by being loved too much, but not izumi mitsuki – never izumi mitsuki.

izumi mitsuki loved many things. he loved iori, ZERO, re:vale, idolish7 – the list goes on. he was a lover, raised to love the things and people around himself.

“oh, really?”

but izumi mitsuki was also loved. loved by his fans, group mates, parents – by you.

the izumi mitsuki you knew had his love returned to him tenfold by his surroundings – be it the flowers his eyes linger on, the deep orange hues of the setting sun as they caress his face, the stray pets he feeds when he sees them – everything.

the izumi mitsuki you know is loved.

“yeah.”

maybe one day he will learn to love himself, too. 

ੈ✩₊˚TAGLIST : @gabirii //ask/comment or fill form to be added/removed! (if you’re in bold i can’t tag you)

[sitkowski]

sink with me ( girl!noah x f!reader )

kinksgiving day one: shibari

pairing: girl!noah x f!reader cw: 18+ MDNI ⚠️ genderbent characters (always a girl noah), dominant f!reader, mentions of sex work, shibari, orgasm denial, kink negotiations, subby noah, hair pulling, face slapping, mommy kink, vaginal fingering, overstimulation, strap ons, aftercare. word count: 2.8k author's note: leftovers from kinktober that i never finished! so, happy kinksgiving. this one was fun as hell to write and soon i will have genderbent all the omens...title comes from "forever sinking" by ocean sleeper. divider by @saradika-graphics 🪢bless @darksigns-exe for the inspo of girl!noah's tattoo <3

⇉ masterpost || taglist signups || read on ao3 (coming soon)

The knock on your apartment door disturbs your bath. Reaching out of the tub, you pick your phone to check the time. Your client is almost thirty minutes early. Mild frustration bubbles beneath your skin and you lift yourself out of the water. You pull the plug and grab your robe, seeing no point in rushing to the door. They knew what time they were supposed to be there. If they didn’t want to remember the time, they’d have to come in and wait for you while you prepare.

“You better have a damn good reason for not remembering the rules, Noah.” you say when you open your apartment door.

Noah, usually so full of anger and swagger on stage, stares at you with a cute little dumbfounded expression. “I don’t…I just got antsy.”

It’s not a good enough answer, and she knows it. She’ll pay for it. Which is probably exactly what she wanted in the first place.

“Okay, well I could make you just sit out here for the next half hour,” you see the protest forming on Noah’s lips, and as tempting as it is to listen to her plead her case, you roll your eyes and step aside. “Or you can just park it on the sofa while I finish getting ready.”

“Thank you.” she murmurs gratefully.

You let Noah walk past you, your gaze softening once she’s not looking. She obviously showed up early for a reason, and though you won’t let her see it, you’re a little worried about her. Closing the door and turning the lock, you look over your shoulder to watch as Noah does exactly what she was told to do. She sits down on your sofa, and she waits.

“I won’t be long. Don’t move from that spot.”

You’ve seen all types come through your door and honestly, Noah is no different from any of them. Everyone needs the same thing; a distraction, you give them a semblance of control that they’re missing somewhere in their lives. And you’re more than happy to provide that. Even for the front woman of an up and coming band who is probably drowning beneath the pressures of newfound fame.

Leaving her in the safety of your living room, you walk down the hall to your room, not bothering to close the door behind you. Noah prefers her scenes in the living room, and you have a selection of items laying on the end of the bed that you’d planned to bring out before she arrived. You take your time putting on a simple lingerie set, something decadent in red that Noah will like. Instead of putting back on the robe that you’d had on when your bath was ruined, you find another one, something in silk that you don’t bother to tie off as you gather the items from their place.

When you come back out in the living room, you see that Noah is exactly where you left her, elbows propped up on her knees, chin in one of her palms. Her eyes raise slowly as you enter the room, but you ignore her in favor of depositing things on the coffee table before her; a length of rope that matches the same shade of red as your lingerie, a set of safety scissors, and a harness and dildo that Noah always picks out when she comes to see you. You watch the way she looks over each item greedily, before looking up at you again.

“This is what you were hoping for, correct?” you ask. She nods and you make a face at her. “Words, Noah. You know you’ve got to make it through this part before you get anything you want.”

“Yes mommy,” she says without missing a beat.

“So, you want me to use all of this on you?”

“Yes,” her answer is automatic, and you nod in approval. “I’d like that very much.”

Giving her another nod, you gesture for her to stand. She’s taller than you, but you’ve never let that stop you before. A snap of your fingers and she shrugs out of her jacket and then her hoodie, leaving each piece of clothing in a careful pile in the chair by the sofa. You watch as fabric gives way to inked skin, and you wonder how many people get to see this much of her on a regular basis. You only know so much. As much as Noah lets you. It would be cliche to say that she’s one of your favorites, but it might be true.

“Turn around for me, Noah.”

She does as you ask and you step up behind her to pull her hair back off of her shoulders, twisting the strands into a loose braid. Your fingertips trace over her back piece, just an outline of Joan of Arc for now but it’ll be something when it’s done. Noah shivers under your touch, and turns back around when you’re finished. Her hands hang loosely by her sides, and she meets your gaze head on.

“Safeword?”

“Traffic lights.” Noah says.

“Hard limits tonight?” She chews on her bottom lip, obviously hesitant to say what she doesn’t want. Usually she’s more prepared than this. “It’s okay, Noah.”

“No name calling, nothing degrading at least,” she says at last.

You nod. “Okay. What are your soft limits?”

“Slapping? And…pulling my hair.”

It’s pretty tame, by your standards, but it’s your goal to make sure that she’s comfortable with you, that she feels safe and she gets what she wants out of this. Honestly, your pleasure is secondary, unless Noah’s in a mood. She’s left you a complete mess more than once because that was all she wanted.

Tonight, she’s the one who will be a mess.

“Find your position.”

It would be easy just to have Noah kneel, but since she’s going to be tied up, you need her to start out in a place that you’ll be able to tie her then move her. She edges into the middle of the room and sits down on the floor, stretching a little bit before pulling her legs up and resting her arms on her thighs. This position will leave her fully exposed and one good push would send her right over on her back once you’ve tied her.

Picking up the rope, you walk over and crouch down in front of her. She straightens her shoulders, and you reach out to run your fingers down her inked throat. “Color?”

“Green.” she says confidently.

You shrug out of your robe and unwind the rope. Noah’s eyes never leave your face as you first tie her forearms and wrists, and then tie her wrists to her thighs. Each turn of the rope seems to make something soften in her, making her pliant, until you’re looking at her and you see that her eyes are closed now. She breathes deeply through her nose, exhales slowly through her mouth. You take a separate section to tie her torso, around her breasts and down to her waist. Finally, you tie her where her elbows are cinched on the bottom of that rope, leaving her bound from her shoulders down to just above her knees.

“Try and move for me, Noah?”

She tries to lift her arms, but can’t. If she wanted, she could stretch out her legs, but it would just change her balance and she’d fall forward. Her only option is to keep her legs bent at the knees. You make a noise of approval, sliding your hands up her inner thighs, pushing her legs open wider. You trace your fingers over the tattooed skin that shows between the columns of rope. Her chest rises and falls with each breath and you move to your knees. You let her take as long as she needs to settle, and then you slide your hand further down between her legs. Her gasp of surprise is cute, as if she weren’t expecting it. You take your time, teasing your fingers into her slowly.

“I think you’re gonna make a mess on my floor,” you say, and you see the way Noah’s cheeks go red.

If it were a different night when she’d want you to be mean to her, you could probably make her cry about it. But that isn’t what she’s after and instead of degrading her for it, you just curl your fingers higher inside of her and lean in so that your tongue teases over the skin around the ropes on her chest. Your tongue swirls around her nipple, teeth gently closing on it. Out of the corner of your eye, you see Noah's hands clenched into fists when she realizes she can't touch. When you look up at her, her eyes are wide, her mouth open a little. She's doing her best to stay still as you touch her, because squirming is only going to put her off balance.

“Can I come?” Noah asks, and you sit back, moving your fingers faster. Your thumb brushes over her clit and her jaw clenches. “Mommy, please, can I—”

“No.” you say, pulling out your fingers.

She lets out a noise of disappointment and you can see the way her limbs are trembling already. Slowly you count to ten before letting your fingers slide back inside of her. Noah makes a move like she wants to shift away, already dripping again down your hand, but holds herself still again as you bring her close to her climax for the second time. Just as she’s on the edge, you pull away and this time her cry of protest is louder.

The slap to her cheek isn’t hard, if anything it was nothing more than a pat. Noah sucks in a deep breath and you grab onto her chin with fingers wet with her own slick. “Color?”

“Green,” she gasps out.

“We’re gonna move now, okay? Turn around and shuffle back, just like that.”

Noah’s moved now so that she can lean back into the love seat, her back supported by a cushion you put down behind her. The move also puts her legs higher and you tap on her inner thighs for her to open them wider. When you sink your fingers back inside, a sob-like sound comes out of her mouth and she does squirm this time, rocking down on your hand as much as the ropes will let her. You feel her clenching around your fingers, trying to keep you there even though you’re going to pull away yet again.

“Yellow,” Noah says and you immediately pull away. “Sorry, sorry, I was going to—and I don’t want to disappoint you.”

You frown because that’s not the direction you want to go at all. Scooting closer, you tip her chin up so she meets your eyes. “You could never disappoint me, Noah, you were doing so good. I wouldn’t have punished you for it…much.”

This brings a bashful smile to her face and she shifts around a little. You give her a few minutes to settle again, lightly tracing your fingers over her arms and thighs.

“How are you feeling? Anything bothering you?” you ask. You cannot wait to see the marks when you undo the rope later.

Noah shakes her head. “I’m ready to continue when you are, back to green.”

You take her at her word; despite the light sheen of sweat on her tattooed skin and the wild look in her eyes, you’ve done this enough times to be able to tell that she’s okay. But instead of touching her again, you lean back. “I think it’s time for something else, gotta give the needy girl what she really wants, right?”

She nods in agreement, and you smile indulgently, getting up long enough to undress and grab the rest of the supplies from the table. She gazes up at you as you slip on the harness and adjust everything correctly. You know that you could play this up, have her go down on you—on the fake cock that she’s currently eying greedily—but instead you kneel back down. Her frustration at not being able to touch you is palpable as she squirms around, and you hook her braid around your hand and tug.

“Be still for me, Noah, you’ve been so good so far.” You say, the hint of a warning clear in your voice.

“Sorry, mommy,” she murmurs, looking up at you. You don’t buy the innocent act at all, but you twist the braid again until she gasps, trying to arch away. “I’m sorry!”

You believe her now, and you let go, tapping the end of her nose with your finger. “That’s my girl. Now, sit up a bit for me?”

She does as you ask and you pull the cushion out from behind her, tossing it on the floor and then tipping Noah over. She lets out a little laughing protest, and it’s a little amusing watching her try to get into a position by herself. Eventually you give in and help her so that the pillow is up under her hips, her shoulders pressed to the floor. She’s always liked to have her eyes on you, and you won’t deny her that.

Reaching down, you wrap your hand around the dildo and feel absolutely nothing. It’s always a mindfuck for you, and you like it, the curious disconnect that comes with giving someone pleasure from something that only gives you a little bit of an after effect. But it’s in the way that Noah’s eyes go glassy and wide as you slowly push into her that gives you more of a powerful feeling. In your mind, no one else can do this for her, make her feel like this.

“Does it feel good, Noah?” you ask once it’s fully inside, your hips flush to the back of her thighs. The ropes graze your skin and you slide your fingers beneath them for leverage. “Is this what you needed?”

“Green, really fucking green,” she gasps out.

You’re glad she’s remembering to check in with you even when you don’t ask for it, and you reward her by pulling almost all the way back out and using your grip on the rope to yank her back down. She yelps and her fingers scrabble at nothing, still tethered to her thighs, and you know it must be frustrating that she can’t do anything. But that’s the entire point, she’s given you all of the control here, and you happily take it to give her exactly what she needs.

Each thrust of your hips draws a new sound out of her and you don’t even try to drag it out now, hips pistoning into hers. You take pity on her and lace your fingers through hers on one hand, giving her something to hold on to while you take her apart. Your other hand reaches down, thumb teasing over her clit in quick circles.

“Come whenever you want to, Noah.” You say, not expecting her to last much longer.

Her fingernails dig into the back of your hand and she arches up off the floor when she finally falls over the edge, tears spilling down her cheeks. As soon as she goes lax beneath you, you pull away slowly so as not to overstimulate her to the point of pain. Looking down at her, trying to catch her breath, eyes still clenched shut, you know she got exactly what she needed when she came here tonight.

“I’m going to get the scissors now, okay?” you rub a hand over her stomach to get her attention from wherever she’s drifting in her mind. She nods once. “Stay still for me.”

You get up long enough to take off the harness and grab the safety scissors from the table. Noah’s exactly how you left her, eyes still closed, when you kneel back down. You cut her arms free first, slowly rubbing your hands over the skin to make sure she’s still got the feeling in them. Each piece of rope that falls to the floor makes her breathing even out, and eventually she’s watching you as you remove the final pieces from her thighs.

Leaning over her, you place a soft kiss on her lips.

“Thank you,” she whispers, and you smile, helping her sit up.

“I’m thinking you need a bath, and a big glass of water. Are you okay to move?”

Noah looks down at her thighs, tracing her fingers over the indentations left behind from the rope. She shivers when you do the same to the marks on her chest. It’s always been one of your favorite parts of after, seeing what’s been left behind.

“What about you?”

“Oh, that’s also what the bath is for,” you say as you undo her tangled braid. “You interrupted mine after all. I think you’ve still got to pay for that.”

Noah smirks as she manages to let you pull her to her feet. “Whatever you want.”

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[descendant-of-truth]

Okay I waited to get this out there because I didn't want to be a bummer the second it released, but. The story in Shadow Generations was... kind of nothing. Which sucks, because it had literally everything going for it.

Shadow gets plunged into a white space where people and places from different points in time are unceremoniously dropped in due to the power of the Time Eater, and that means Black Doom is here to try to manipulate Shadow again. Shadow starts developing alien mutations that mess with his sense of identity and only make Black Doom stronger, but he's determined to use them to take him out for good.

At the same time, Maria and Gerald Robotnik are here, and of course the first thought on Shadow's mind when he discovers them is how he can find a way to save them from their original fates. So he's got two goals: defeat Black Doom, and save his family.

This setup is really good. It's immediately engaging for all sorts of reasons, from the surface-level "whoa cool alien powers!!" to the heartbreaking implications of Shadow being forced to say goodbye to Maria and Gerald again. (Because naturally, we've seen where the games go from here and we know the timeline isn't changed that drastically.)

And it's clear to see that the people involved in working on this game were passionate about it, too. The animation and cinematography is quite good, and while I have my critiques (I still don't think the character models are that great), so much effort was put into making Shadow the coolest guy ever, and I think it paid off. He's both very cool and shows a wider range of emotions than we've seen from him in a while, which is always a plus for me.

I mean, goodness knows that Shadow needed his character to be revisited and given respect after, what, over ten years? The step up that this is can't be overstated.

And yet.

The story itself is so empty.

Let's go in order:

The game opens with a narrated recap of Shadow's basic history in order to catch people up. I can't say it doesn't technically serve its purpose, but given the fact that the premise of the game is exploring Shadow's past, it's a little weird to spell it out at the start like this. If you're a newcomer to the series and don't know much about Shadow, wouldn't it be cooler to find this stuff out by progressing in the game?

It also leaves out crucial details that, while they could arguably bloat the scene, provide a lot of relevant context that a first-time viewer isn't privy to.

"At the last moment, Shadow remembered Maria's final wish... to protect her beloved planet and all who lived there."

The last moment of... what, exactly? What made him remember, what made him forget in the first place?

In order, these are the answers the scene doesn't give you:

The last moments before the ARK crashed into the Earth, which would've caused catastrophic damage.

Amy was the one who pleaded with Shadow to give everyone a chance, which echoed what Maria told him, triggering the full memory.

It's actually unclear if Shadow forgot what Maria said as a natural trauma response or because Gerald messed with his memories on purpose, but this would have been a great opportunity to clarify.

It also leaves out the fact that Shadow teamed up with Sonic to save the world after he tried to destroy it, so that's two connections with other characters he has that are completely left out in the recap. I know we're finally getting back to showcasing Rouge and Omega as his best friends, but he does hold respect for Sonic and Amy, too. Plus, his interactions with them in SA2 were so iconic, why leave them out?

Then again, I suppose Rouge and Omega aren't in this recap either... which is really weird, the more I think about it.

But even as it's describing the moment he chooses to be a hero, they don't show him in his super form alongside Sonic, he's just... what, on fire?? I don't know what that's supposed to be depicting, it just looks cool.

"Shadow didn't understand why Black Doom expected him to be the vanguard for his invasion of Earth."

A fine start, but shouldn't we have gotten a passing mention of Shadow's amnesia somewhere in here? He spent two whole games trying to remember who he was, and Black Doom's whole tactic was to exploit his desire for answers. That's important characterization for both Shadow and Black Doom that we're missing out on, here.

"Shadow the Hedgehog. The lone, dark warrior who judges the world by his own code."

This is maybe best addressed in a separate post, but. does anyone else find this description of Shadow kinda odd? "Lone warrior" I get, even with his friends he's not big on groups, but it's everything else.

Yeah, he judges the world by his own code, I guess, but his actions are all in service of following Maria's code. It's Sonic that lives solely by what he wants without much influence from others, not Shadow.

And what exactly makes Shadow a "dark" warrior? He's been explicitly characterized as someone who doesn't kill as recently as the prologue animation to this very game, where he goes out of his way to save a pilot when he doesn't need to. His entire life's purpose is protecting the world, and this doesn't involve killing or torturing people, so... what exactly is the dark part of his morality. Nothing about this recap has given me reason to believe he's anything but a heroic person with a traumatic past, and the subsequent game will only reinforce that.

I guess he did kill all the Black Arms, but that's not something the game ever treated as an immoral action. Shadow blows up Black Doom and the comet his people live on and all of our heroes cheer as he does it. It happens in the True Ending and everything, where Shadow's supposed to be proving himself as a hero for real, so that can't be the example of him being a Dark Warrior.

Is it because of how he treated Infinite, a character that this game doesn't acknowledge despite featuring a level from Forces? We'll never know. They just want you to accept the idea that he's Darker and Edgier than Sonic based on his surface-level demeanor alone, which... given that the objective of this game is to showcase Shadow's nuance, this is really out of place. Overall, not a great scene.

That said, the first real cutscene is pretty good, and it immediately showcases how unnecessary that recap was by showing how excited Maria was to meet Shadow for the first time. From that scene, we learn that Shadow was artificially made, that he's "the Ultimate Lifeform," that Maria was likely close to him, that this happened on some place called "the ARK" which is in space, etc. Why did we have a narrator tell us all of this a minute ago when we were just about to see it for ourselves?

I do have one nitpick, though - Shadow claims that he arrived at the ARK "an hour ago," and Rouge on the other end of the comm is already at Sonic's birthday party. Rouge only agreed to help Shadow get to the ARK if he would go to Sonic's birthday party afterwards, but how was Shadow supposed to have time to do anything up there if Sonic's party was that soon? I was under the impression from watching the prologue that Sonic's birthday was at least a week away, because how else would Rouge expect him to conduct a full investigation and potentially fight some huge battle before then?

Oh and the Time Eater shows up in two places at once (at Sonic's party and on the ARK), I feel like it would've made more sense to have it grab Shadow after it was done with everyone else. Now I'm gonna be forced to ask "why doesn't the Time Eater multiply" for the rest of the game. Whatever

Moving on, our first real sign of things to come is the fact that Omega does not have a proper speaking role despite showing up in the first cutscene. He's right there, conveniently next to Shadow, but as soon as you think they're going to talk to each other... you're dropped into the hub world. Speaking to Omega results in text bubble dialogue, wherein Shadow is mysteriously hit with Silent Protagonist Disease and we don't get to hear anything he says. Effectively, Omega just. talks at Shadow three times, saying nothing of interest. and it's completely optional.

I repeat: all of the dialogue from one of Shadow's best friends is OPTIONAL, and Shadow himself says nothing to him. Yeah, we're off to a great start.

(Omega even says that he's going to assist Shadow, and I just. I have to laugh. I'm so sorry Omega but in terms of physical actions, you're genuinely going to do less here than in Forces)

Shadow: "No. She's gone. I'm seeing things."

Pardon?? Seeing things??? I'm sorry but there is no way that Shadow can see and recognize Maria from that distance but not from ten feet away with her back turned. He's also never been implied to have super-vision, so the whole scene just doesn't make sense, and frankly adds nothing to the story.

Even if he doesn't mean literal sight, then 1) why did he phrase it like that, and 2) I kinda don't care. He doesn't need to be able to sense Maria's presence or whatever's going on here, because he's just as shocked when he actually sees Maria properly later. It builds suspense I suppose, but I feel like it would've been more impactful to discover that Maria was really here the same way Shadow does; in the cutscene where he saves her.

But before they can reunite, we've got the first proper cutscene with Black Doom:

Black Doom: "You defeated us, but the Black Arms live on. And this temporal anomaly has accelerated my plans to revive my forces and consume the world."

I'm gonna be real with you guys. I have no idea what he's talking about here.

The game makes zero attempt to really explain how the Black Arms "live on" despite Shadow blowing up their entire comet along with Black Doom himself, and going into the game, I kinda thought it was just... time displacement. Maria and Gerald are brought in from a time they were alive, so I thought it would be the same with Black Doom, but no - he revived himself before the Time Eater even got involved.

Which I'd be willing to accept if they gave me an explanation for it, but they didn't, and the whole foundation of the plot suffers for it.

Plus, what the heck does he mean that the temporal anomaly has "accelerated his plans to revive his forces"?? The Time Eater's powers don't... accelerate anything. At all. They pluck things out of time and freeze them in a void. How does that help Black Doom's plans whatsoever?

If the idea is that he's going to pluck his own forces out of time and bring them back that way, why not just say that? Why are they withholding such basic information from us? It doesn't create intrigue, and the story doesn't even treat it like there's a gap in our knowledge to begin with. I think it's genuinely supposed to be the whole explanation, and that's a problem because it explains very little.

Then you've got the Black Moon, and this thing annoys me to no end because guess what?? Despite gradually opening more eyes and cracking open every time you complete a level, it's never once explained what it is or what it's for. All it does is turn the white void into a red void and open a portal to Even More Radical Highway. Maybe I'm forgetting something from an optional piece of dialogue, but that only creates a different problem, which is that you should never lock basic understanding of the story behind optional dialogue.

Why does it have eyes? Is it a living creature or some weird bioweapon? It's oddly mechanical for a creation of the Black Arms; even their weaponry is organic, as this very game tells us through Omega, so what's its deal??

You'd think it would have something to do with time, considering the framing of this scene:

Shadow says "perhaps I can change their fate" and then looks to the Black Moon as though it may hold some relevance to this new plot thread, but. nope. it just takes you back to Radical Highway.

And hey, look at that, I was so busy complaining about the moon that I seamlessly transitioned into one of my biggest issues with the game: Shadow says this. and never follows up on it. EVER.

I'm not kidding, there's literally NO point in the game where we're shown Shadow trying to do ANYTHING to change Maria and Gerald's fates. There's no scene where he attempts to understand the void better, he never investigates anything, he makes exactly zero attempts to accomplish one of his main goals. of BRINGING HIS FAMILY BACK TO LIFE.

What is the point of them being here, then.

No, I'm serious, literally why are they here if we don't get to see Shadow try to save them?? By the time the final cutscene rolls around, they start fading away back to their own time, and suddenly Shadow's like

(WHY ARE YOU SURPRISED, YOU DID NOTHING TO PREVENT THIS OUTCOME)

But I'll talk more about Maria and Gerald later - for now, since we're on the topic of Shadow having odd reactions to things, how about those stages and bosses, huh?

Well guys, I'm pleased to announce that despite there being dialogue in some of the stages, absolutely none of it provides context to the locations Shadow visits or his thoughts on them! If you didn't play Heroes and have no idea that Bullet Station is where Shadow found a destroyed Shadow Android, kickstarting a new layer to his identity crisis, then congratulations, this choice of level will mean nothing to you.

And before anyone tries to be like "the Sonic Generations levels don't get commentary from Sonic on their significance to him, either," it's a problem there, too. But it's an even bigger problem here, because they went out of their way to choose levels that have real emotional significance to Shadow and then proceeded to do nothing with it.

Isn't this the game where we revisit Shadow's story up until this point? Would it have been so hard to drop a line of dialogue indicating that Shadow's not thrilled about returning to Bullet Station? Maybe add a brief cutscene where he finds the same broken android from before, and says something like "hmph, I can't believe I let that thing make me doubt myself for so long," thus demonstrating his growth?

Here's a fun fact: Shadow has zero cutscenes that happen inside of levels. This is something Sonic beats him at, by having one cutscene that takes place in a level (Chemical Plant). This should not have been a high bar to clear, but they fell short somehow, anyway.

(Space Colony ARK doesn't even use the Final Chase music. The Shadow game starts out with a song exclusive to Sonic rather than him. He actually has more ARK-related music than Sonic does and they still didn't use any of them. How did they mess that up)

This problem only gets worse when they start pulling in levels from Forces and Frontiers - games that this Shadow hasn't experienced yet and wasn't there for, respectively. Once again, on principle, this is a cool idea! Shadow getting a peek into what his and Sonic's futures have in store? The confusion over when these events take place, if they're even connected to him like the others have been? Great stuff

And hey, if he's going to Chaos Island, and we saw from the trailers that the volcano is exploding in Act 1, then maybe we could even see Super Sonic fighting Knight in the background in Act 2! The debris from their fight could even act as platforming challenges, can you imagine how cool that would be? What will Shadow think of the advanced tech on the island, or of seeing Sonic fight something so massive? Surely this is a great opportunity to elevate Frontiers even further--yeah of course they don't do that.

No Knight fight in the background, which is... fair enough, I guess, but then why bother with the volcano exploding? It only does that moments away from when Sonic is about to fight Knight. Yeah, it looks cool, but we didn't need it. The more egregious problem is still the fact that Shadow has no observable thoughts or opinions on being sent to unfamiliar terrain in the future, though.

The bosses all have dialogue, though, which is a step up on a technicality and little else. Most of the dialogue from Shadow is just him being a self-aggrandizing badass who doesn't see any of the bosses as threats - even Neo Metal Sonic, who he should really not be so confident in beating all by himself, considering that he. didn't do that before. It actually took eleven other people to defeat Neo Metal, including Super Sonic, but I guess he just doesn't care at this point.

If they wanted to, it would've been easy to make him overconfident on purpose due to his new Doom powers, make an arc out of it, but no. Shadow's just Like This now, apparently.

There's a similar power scaling issue in Sonic Generations too, where Sonic can somehow defeat Perfect Chaos without his super form, but the game had dropped location-specific cutscenes so long ago that it was hard to feel like it was even canon at a certain point. The game never cared about making sense or really being anything, but Shadow Generations doesn't get that excuse. The bosses having the most mid-gameplay dialogue tells us that they're Definitely Happening, and so I care more about them as a result.

Which takes us to the moment that I truly realized that this game had no interest in doing anything with its material: the Mephiles boss fight.

Shadow: "What's this? A seal of some sort?"

Okay real quick before I get into my big issues with this fight: I know it's a magic glowing artifact, but what about it actually looks like a seal, specifically? Does Shadow just have a sense for this kind of thing? I don't recall him ever demonstrating that ability before.

I feel like this line is just here to clarify what it is for people who don't know, but since Shadow also doesn't know, it's just kind of weird. I'm not even sure why he's in the Scepter to begin with, considering that Shadow's sealing attempt in this room was a failure, but whatever.

Of the three bosses in Shadow Generations that precede the final boss, Mephiles is the only one that can both speak and had a relevant dynamic with Shadow that would be interesting to revisit. The Biolizard is cool but doesn't have a personality, and Neo Metal had no real opinion on Shadow. (In Rivals 2, Shadow and Metal Sonic have a developing friendship, but this has unfortunately never been brought up again. If they did so here, it would only have been on Shadow's end, since Metal hadn't gotten to that point yet.)

But Mephiles? So much of his character revolves around Shadow. It was Shadow who sealed him away originally, and it was Shadow's form that he took when he broke free. He's the main antagonist of Shadow's story in 06, and even though his primary goal is rejoining with Iblis, he takes a vested interest in trying to manipulate Shadow over to his side by showing him the worst of what humans will do to him - not unlike Black Doom, honestly, though he was focused on Shadow's past instead.

Plus, it's been so long! We thought we would never get to see Mephiles again! What have you got for us, game?

Mephiles: "I will defeat you, then restore myself to the timeline." Shadow: "I don't know what you're talking about, but I will crush you all the same." Mephiles: "What? Did you forget about me AGAIN?"

*deep sigh*

Contradictory dialogue back-to-back. I see. Cool.

Mephiles should not be surprised that Shadow doesn't remember who he is, because he literally JUST SAID that his goal is to restore himself to the timeline. He KNOWS that he never existed, and therefore SHOULD KNOW that nobody he encounters will remember him. I'm convinced that he only reacted this way because the writers thought it would be funny, and that's it.

Even if it made sense, though, Mephiles isn't supposed to be funny. He's supposed to be ominous and threatening. For as much care that went into recreating this environment and his powers/body language from 06 (and I gotta say, this whole section looks extremely nice), none of that same care really seemed to go into his personality. He's just as drab as Neo Metal, occasionally repeating lines from 06 so that you know they played it and not much else.

The end of the fight features some absolutely unhinged dialogue from Shadow for no reason, though.

Mephiles: "No... I want... to exist...! Shadow: "There is no future for you. Ever."

Look, I get it, they've done nothing but fight this whole time . But Shadow has no personal beef with this guy. Even if they're going with the idea that Shadow wouldn't care to learn what Mephiles is rambling on about (kind of boring, and why wouldn't he be curious about why someone like this has it out for him), there's no reason to go so far as to say he'll never have a future. Is this the "dark" part of that "dark warrior" thing they were talking about in the beginning?? Kind of a random place for it to jump out of him, if so.

The kind of intensity coming from Shadow here would be justified if he remembered who Mephiles was, but he doesn't. As it stands, it gives off the impression that he didn't actually process a single thing Mephiles said about wanting to exist and restore himself to the timeline, and just said the first cool, edgy retort that came to mind. Which makes the sentence both less cool and even more out of character.

After this boss finished playing out, all I could feel was disappointment and a creeping sense of emptiness. If this was how the game was handling Mephiles, of all characters, if this was the extent of what they were willing to do with an idea... the rest of the game suddenly seemed much less exciting. I got to this point, realized how comparatively little of the game was left, and thought oh no.

Now, uh... where was I in the story, again?

Oh right, Shadow was about to go save Maria. I actually have no notes on that scene, it's pretty good and I liked that Maria was immediately thrown off by his aggressive fighting style and whatnot. It implies a lot about what Shadow used to be like without really showing or telling us, and that's pretty neat.

The following cutscene where Gerald explains how Shadow's growing powers only make Black Doom stronger in the process is also fine, there's nothing super specific for me to gripe about it in isolation.

And this good streak it has going is immediately interrupted by the worst, most nonsensical scene in the entire game.

Sonic: "I found you, Shadow!" Shadow: "The blue hedgehog... of all places..." Sonic: "You have something I need." Shadow: "You can wait until my business is finished." Sonic: "Yea sorry, but that Chaos Emerald and I have a date with a monster!" Shadow: "Well then, it'll be a date to die for."

This is. a really stilted conversation, no matter what way you look at it. On one hand, it's repurposed dialogue from two different scenes haphazardly mashed together, neither of which should represent their current dynamic anymore since they were both antagonistic at the time. And on the other, it just... completely lacks character from both of them. They're so unbelievably dry despite their attempts to sound quirky, it's actually impressive.

I have to ask - have the script writers not heard the incessant complaints from fans about there being too many references in modern Sonic dialogue?? Because this scene plays out like an actual parody of that trend, the kind I would expect to see on twitter or something. I initially saw the animation for this cutscene without audio due to leaks, and I thought it looked pretty cool because the animation was nicely done.

Boy, when I tell you I was stunned to discover that THIS was the actual, official dialogue. What happened here?? Why is this what Sonic cutscenes are turning into?? In a game that costs $50-$60??And people are saying it's the best Sonic game???

Somehow, the god-awful dialogue isn't even the only thing that's wrong with this scene, but I'll compile the rest in bullet points to speed it up a little.

Shadow suddenly shows up in Sonic's section of White Space, despite it not being visible from a distance and therefore giving no reason for Shadow to venture out that far

Sonic says he "found" Shadow as if he was looking for him, even though the only people Sonic has seen here other than his and Tails' past selves are people who were at his birthday party

Classic Sonic is neither seen nor mentioned despite the extremely fun potential of having him interact with Shadow

A purple portal conveniently shows up in front of Sonic and Shadow while they're talking for no reason

The boss fight with Sonic is just a cutscene (lame), and Shadow gets taken out completely by one solid bonk from Sonic (even lamer)

The fake Chaos Emerald switcheroo, while clever, is presented as if it was done deliberately when it was clearly a coincidence that it got knocked out of Shadow instead of the real one

(I guess this technically happens before the Mephiles fight so my faith in this game was already plummeting, but I was willing to tolerate this scene being bad because I could understand them not wanting to add too much to Sonic's side of things. They had completely free reign with Mephiles and still delivered nothing, which is why it really cemented itself in my head)

The one thing I really liked here was seeing Shadow almost use his Doom powers to defeat Sonic, deciding against it, and his hesitation being what lost him the match. Shadow refusing to fight Sonic on unequal terms is some really good characterization that I was happy to see.

Black Doom: "The promised time is nigh upon us, Shadow. Soon, you will be mine."

So did we ever learn what the "promised time" was, exactly? I've played every route of Shadow the Hedgehog (some more than once) and still can't remember. If he's referring to the time when Shadow awakens his full power then I guess it makes sense, but otherwise it's kind of an oxymoron considering that time doesn't exist in White Space.

Gerald: "He has grown a new body, and used the nebulous nature of time in White Space to accelerate his plans for revenge."

Shadow, buddy, your animation is positively kickin' right now but Gerald, I'm gonna need you to do literally anything other than just repeat the same lackluster explanation we got earlier as if that's going to make it any less confusing. What ABOUT the nebulous nature of time? Is time not largely just frozen here?? We're somehow around 3/4s into this story and I still have NO idea how anything works

Maria calms Shadow down from his frankly justified anger by holding his hand and talking about how she doesn't want him to be driven by darkness. They find a way to throw in the fact that apparently Maria named him "Shadow" because the presence of a shadow can show you where to find the light, and it's... nice? Very wholesome, but it feels awkwardly placed and I'm not sure anyone was seriously asking why he was named that. Like, of all the questions to spend this game's limited screentime answering, "why is he named Shadow" was probably not at the top of most people's lists.

And before you have a chance to think about it, we're already at the endgame.

Shadow: "I'm letting go of that destructive anger."

Wow, and in the very next scene after it was brought to your attention, too! You sure do grow fast, Shadow!

Okay, all jokes aside, there's not much I can say about the pacing in this game other than It's Rushed and Bad, but I think it's finally time to talk about Gerald and Maria.

Gerald first: He's mostly just here to give out exposition. His relationship with Shadow is much less focused on than Maria's, which I find to be really frustrating because I always had a lot of questions about how those two interacted. In SA2, we only know him as a grieving, hate-filled man who was heavily implied to have scientifically messed with Shadow's mind - not long after they had both just lost Maria - in order to make him inclined towards Gerald's revenge plan.

In Shadow's first game, we see a side to him from before then, when he really seemed to care for Shadow and we got some clarity on the purpose of the Eclipse Cannon and whatnot. But what were their average interactions like? Who was in charge of Shadow's training? If it was Gerald, did that ever create a sense of distance between them? Shadow never has warm, nostalgic flashbacks of him, so I assumed their relationship either wasn't as close or he has too many conflicting feelings now for those memories to be very comforting.

This game decides to lean into Gerald being a kind, supportive man, but regardless, Shadow's feelings should be a lot more complicated, no?

I'd imagine that, in a way, it's a relief to have this Gerald around again. It would make it easier to pretend that the man who used him in an attempt to destroy the world and go against everything Maria stood for was just... a fluke, or something.

But still, Shadow knows that he would do bad things to him if Maria died. It's already happened.

Dark Beginnings also suggested that either Shadow was there when he shot down by the firing squad (unlikely given the context), or he watched the recording that played at the end of SA2 enough to be able to see it in his dreams. Neither of those are good for his psyche, and would only add to the number of emotions he has to suppress whenever they interact. There is, of course, none of this nuance within the game itself, despite it being right there and ready to be worked with.

Then you've got Maria, and. hoo boy.

I take no real issue with any of Maria's traits that are on display. Her being a nice girl with boundless energy and goodwill does not make her boring, and I've always been fascinated by her character. So, I need you guys to understand that it's with a heavy heart that I must say that Maria is... barely a character in this game.

And like, she doesn't exactly have a history of being deep or complex. But we've also only ever seen her in Shadow's memories up until this point, and that means this game was a unique opportunity to flesh her out more.

When a character is as idealized by another as Maria is by Shadow, and we only see them through that lens, it's natural to assume that the depiction isn't completely accurate. I was never in doubt that Maria was kind and gentle, or that she was always there to help Shadow when she knew he was struggling, but I always wanted to know what she was like outside of that. What makes her angry? What was she like on a bad day, when she inevitably got frustrated at her lot in life? How did Shadow comfort her? What was her sense of humor like?

While we technically learn more things about Maria in this game, there's never a point where she acts differently from Shadow's vision of her. She's not really shown to have flaws, and she's only really there to be saved and offer emotional support. It's like... a textbook example of what you shouldn't be doing when writing a female character, having her be defined entirely by her relationship with the male lead and never speaking up or complaining about her own problems or feelings. They don't even make a point out of it, that Maria tempers herself to be "perfect" for other people or anything like that.

Why don't we get to see how she and Shadow would handle an argument or something like that? Especially this Shadow, who's all shaken up by everything? Wouldn't it be beneficial for both of their characters for Maria to be seen as herself, the way she was in life, rather than just the nicest moments she and Shadow had together?

I'm gonna make a comparison here that people aren't gonna like, but... I think Elise is honestly shown to be a more nuanced character than Maria is. And this is coming from someone who thinks that she was also mishandled in her game.

Similar to Maria, Elise is genuinely a deeply caring person, and lives mostly isolated with a condition of sorts that makes her life difficult. Her most important relationship is also with the male lead of her respective game, but she doesn't exist solely for his benefit. (Amusingly, Sonic actually seems to be there primarily to further her arc, so it's a bit of a role swap there.)

But we see more from Elise than just Being Nice all the time. We see her being resolute and bold in the face of danger, or disappointed when she has to go back to the castle. We watch her try her hardest not to cry and retain her strong, regal exterior when faced with overwhelming emotion.

We get to see her open up and laugh and become more confident, we watch as someone who's been forced to put her feelings aside for the convenience (and safety) of others her whole life finally break down and shout something selfish for once. And then we watch her ultimately choose to do the right thing, anyway. Her strength of character is shown to us by putting her in situations that challenge her, and the narrative never once shames her for being imperfect; it's actually encouraging her to be her real, flawed self.

Why does Maria not get this same treatment? Why don't we get cutscenes of her being excited about the new environment she's in, or frustrated that her symptoms are making it difficult to do anything here? When does she get to be selfish? Why can't she get upset at people treating her like she's frail, even if it technically "makes sense" for them to do so?

We're told, in Gerald's journal, that some of the people aboard the ARK doubted that Maria was really sick due to her symptoms not being clearly visible. Because it's his journal, we only get to hear his feelings on the matter, but in the full game, we never once get to know how it makes Maria feel, the person this is all about to begin with. They absolutely could have incorporated this into a cutscene somewhere, but they didn't.

Once again, I have to ask: what is the point of Maria and Gerald being in this game if this was how they were going to be written? Not only does Shadow fail to even attempt to save their lives, he doesn't even walk away from the experience with renewed understanding of who they were as people.

So what even happens in this story, then?? Every single aspect of it is dragged down constantly by the game's refusal to do anything with what it has:

Shadow revisits places from his past, but has nothing to say about them

Shadow visits places from the future, but has nothing to say about them

He has nothing relevant or interesting to say about any of the bosses

Mephiles trying to restore himself to the timeline is a plot point that exists solely within his boss fight and nowhere else

He doesn't struggle with any of the bosses, emotionally or physically, turning them into a boring power trip

He barely struggles with his Doom powers, the things that are supposed to be giving him an identity crisis

Sonic is not a playable boss fight and he also says nothing relevant or interesting

Classic Sonic doesn't even get a passing mention

The Team Dark friendship is supposed to be a highlight but Shadow never speaks to Omega, who also never shows up in cutscenes, and Rouge is just kinda there

Maria and Gerald never meet Rouge and Omega, or anybody else on-screen, despite it being extremely easy for them to run into each other

Shadow's relationships with Maria and Gerald are barely explored past their surface

Most importantly, Shadow is never shown making any sort of effort to save Maria and Gerald from their fates, despite it being one of his primary goals

...Oh yeah, I forgot to complain about how Shadow barely struggles with his Doom powers. I was gonna go on a whole spiel about how it would've been super easy to make into an arc and how it was wildly underutilized despite being a major selling point of the game, and the only real consistent conflict whenever Black Doom isn't on screen.

Well. Anyway. Once the White Space becomes Red Space (something that once again makes me question how far away Sonic's area is, to not be able to see this happening), Shadow magically gets over his "destructive anger" and goes to Radical Highway one last time for the epic final boss.

And it certainly is epic, I can't deny that. A massive technical improvement over the first fight against Devil Doom, and I'm not about to sit here and act like the wings aren't cool. But I can't say it feels very rewarding, since I never really understood what was going on and Shadow didn't really struggle that much to get to this point. Not to mention, he's still acting all high and mighty during boss fights, which makes it feel stale really quickly. Black Doom isn't really that interesting by himself, so Shadow kinda needed to carry that fight, but no, it's just more of the same.

One last point before I wrap this up:

Where was Emerl???

Correct me if I'm wrong, but a promo animation for a game should, in theory, provide you some idea as to what kind of things to expect in the game itself. While a lot of them take their share of creative liberties, I don't think they're in the habit of putting spotlight on entire characters who never appear in the game at all.

This is THE GAME where we bring back the people from Shadow's past that he's lost, and Emerl most certainly qualifies. He's from the more recent past, yes, but Shadow still cared about him and absolutely would have been affected by his death. There's no way that, had he been in the story, Shadow wouldn't have been determined to save him as well. But no, he's just there to be a cool lore detail in Gerald's journal.

Which means this is yet another depiction of Emerl where we refuse to acknowledge his personality. Do they seriously think Emerl is more interesting as an emotionless killing machine that Gerald researched in his spare time? Where's the fun-loving kid who mimicked everyone around him, splicing things he heard them say together to communicate and creating funny tonal whiplash? Where's the robot with the soul that Gerald gave him, that was nurtured by Sonic and his friends?

Not in this game, apparently! They went out of their way to canonize Battle and still managed to treat it with zero respect. Kind of impressive, really, and just another footnote in the trend of this game not actually caring to do anything with Shadow's past.

There are definitely moments in this game that I like, but that's kind of all they are: moments. The game's total cutscene runtime is around 30 minutes, and that means there's not enough time in any of them to get anything done. A scene that's good in isolation is tainted by the fact that it's all there is.

And it's just... so baffling to me. There are so, so many points in this game where you could have fit additional cutscenes in. We could have had one after each act, or at least after each level. Give us more cutscenes after activating things in the hub world or something. I mean, a game that claims to be this story-driven doesn't usually need an excuse to throw cutscenes at you, and they certainly didn't need to force each scene to be so unbelievably short.

If they really needed to downsize on cutscene length for some reason, then maybe they should have just made a less ambitious story. The game wants to do so many things at once, but it doesn't have the time to do any of those things justice. We could have gotten a short, sweet, well-done little story, but instead we get a story that easily needed at least two hours to tell crunched into a measly 30 minutes.

I mean, Dark Beginnings in its entirety is half the length of the full game. Think about that for a second.

This game's story was supposed to be something, man. It's getting so much praise for what feels to me like the bare bones structure of a story, and it's frustrating because I know this series can do better. The writer of this game can do better, and I know that because I've read his other Sonic material and it feels much more complete than this does.

I was genuinely looking forward to this game, is the thing. I really didn't think it would be this lackluster, because like I said at the beginning of this post, it had everything in the world going for it. But no matter how nice it feels to have a Shadow who isn't wildly out of character for once, that alone can't carry an entire story.

Shadow Generations is a mess of good ideas executed in the least interesting, most nothing way possible. Its only real saving grace is its animation, and the fact that Shadow generally feels like himself.

Except for when he's talking to Sonic. What the heck happened when he was talking to Sonic

[seaofreverie]

Sparkstember Day 22: The Seduction Of Ingmar Bergman

My knowledge of this album is limited to the excerpts of it that have been performed on the THOM tour, but based just on those I should enjoy it quite a bit... Someday soon I hope!

[kyolypso]

NEW GREAT PRETENDER MOVIE IS SO GOOD BTW.

[shikai-the-storyteller]

Head in my hands wondering if I'll have to cut the entire Chume Labs section out because it's more suited to being a different chapter, but also knowing the next chapter can't have it either so I might have to cut it from this fic entirely aaaAAAAAAAAAA

[unityrain24]

i wish u had a friend :( i would actually love to have two, but that just seems... unattainable. too much to ask for. even just one does, a bit, but... please.... please. a want to have a friend :(

[1ovestay]

have had a very disappointing and stressful morning but at least i am sitting by the ocean with the sun shining on my face