#so I'm not devastated
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lazylittledragon Ā· 11 months ago
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domesticating your vampire: a memoir
(beautiful high res version on patre0n)
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souphamsters Ā· 1 month ago
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I've been hopelessly fixated on drawing one (1) sweetheart butchfemme couple ... they're all I think abt ... HELP !!!
(silly lesbian ocs that I love , chaešŸ“and luckyšŸ‹!!!)
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poorly-drawn-mdzs Ā· 8 months ago
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The Dungeon Meshi crew 'leap' into action!
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maidfrin Ā· 5 months ago
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alice dyer is the funniest woman alive. she calls her ex things like Baby Shrimp. she maybe-jokingly told her new coworker I Want You, and when the coworker was caught off-guard, alice said the coworker was so so in love with her and then she left before the coworker could reply. she calls the computers at work cute in a flirtatious manner. she hates the british government. she calls one of the work programs' tts voices sexy. her way of dealing with work being scary is genuinely to "stop paying attention". her friend tried to comfort her about her ex moving on and she immediately said she was going to drown said friend. she wants bigfoot carnally. she describes her way of talking as "irritating, yet faintly erotic". who's doing it like her
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metamorphicrocky Ā· 1 year ago
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at first I thought it was endearing to see the doctor constantly being like "oh do I say things like that now? is this who I am?" because it's an old face but with all the experiences and changes that come with living longer. so unlike ten, fourteen is open about his feelings because there were lingering regrets with not telling people how she felt as thirteen
BUT NOW. not-donna saying you're scared. because of the flux. because the universe destroyed itself just in the chance it could destroy you. and you know now that you're not from gallifrey and that scares you. because the doctor is scared. everything they ever knew is thrown out because on top of everything an old face came back and the doctor can't figure out why
the timeless child and the flux just being MENTIONED brought the doctor to frightened tears and we have never seen anything like that before. the doctor is so so lost and just wants to know who they are. so regenerating into something new but old has thrown them off so much that at every turn he thinks "huh. is this who I am?" and it is so strange to see the doctor unsure about themself, questioning their identity every second. and it is HEARTBREAKING
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abla-soso Ā· 1 year ago
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I really have no words anymore.
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yangjeongin Ā· 10 months ago
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HYUNIN | RACHA LOG EP. 09
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flowerbloom-arts Ā· 10 months ago
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Change is a two-way street.
(Is my favoritism towards the Damsel obvious enough, or?)
note: TLQ [aka my sona Bloombird] is a butch sapphic and this is yuri
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morningstarwrites Ā· 1 month ago
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Of Saints and Sinners Ch. 35 is out! Here's some outfit refs if you'd like to know what they're wearing šŸ˜Œ
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flwrkid14 Ā· 1 month ago
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Eternal Bonds: Tim and Dannyā€™s Infinite Realms Marriage
In the Infinite Realms, marriage is an unparalleled commitment. Unlike the mortal world, where love can be fleeting and easily undone, marriage in the Realms is something far more sacred. Itā€™s not just about vows or ceremoniesā€”itā€™s about merging souls, creating a bond that not even the vast stretches of time can sever. The very idea of marriage in the Realms is rare, almost mythical, because it requires two beings to love each other so profoundly that theyā€™re willing to bind their very existence to one another.
For the ghosts and entities that reside in this realm, eternity isnā€™t just a poetic ideaā€”itā€™s a reality. Time is meaningless when youā€™re no longer alive, when your very essence is bound to the afterlife. And because of this, relationships are viewed through a different lens. Thereā€™s no such thing as divorce, no ā€œtime apart.ā€ Once a couple is bound, their souls are intertwined forever. To dedicate your entire beingā€”past, present, and futureā€”to another means accepting that their joys, sorrows, triumphs, and failures will be yours too. Itā€™s a partnership where breaking the bond is simply impossible.
Itā€™s why marriage is such a rare occurrence in the Realms. The ghosts, who have already lived one life and often seen the frailty of mortal promises, donā€™t enter into this kind of bond lightly. Itā€™s only for the strongest of loves, for the most steadfast of commitments. Because once you marry in the Infinite Realms, that bond holds through eternity itself.
And yet, despite the gravity of it all, Tim and Danny find themselves willing to make that very commitment. Tim, a mortal tied to a world where things end, where nothing lasts forever, steps into the unknown. His love for Danny is so deep, so unshakable, that he agrees to a traditional Infinite Realms marriage. He knows full well the weight of itā€”heā€™s not just vowing to love Danny in this life, but in every life after. In swearing to this bond, Tim is offering his entire being to Danny, for now and all of eternity.
For Danny, this choice means even more. As a halfa, he exists between two worlds, knowing both the mortality of the living and the permanence of the ghostly afterlife. His love for Tim is powerful enough that heā€™s willing to make this eternal commitment, knowing that thereā€™s no one else in any worldā€”mortal, ghostly, or beyondā€”he would rather be tied to. For Danny, the bond is as natural as breathing. Itā€™s a connection that deepens their relationship in a way that transcends the limitations of their two worlds.
Their marriage isnā€™t just a declaration of loveā€”itā€™s a merging of souls, a binding that makes them two parts of the same whole. It overwhelms them with the sense of safety and belonging that theyā€™ve both craved in their lives. In each other, they find the kind of love that doesnā€™t just endure lifeā€™s difficulties but thrives beyond them. Their bond ties them together forever in a way that no one else could understand, but to Tim and Danny, itā€™s everything.
They are each otherā€™s home. And in the Infinite Realms, there is no greater honor, no stronger connection, than to be bound by love for all of eternity.
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aestheticsicrushon Ā· 3 months ago
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Never thought I'd catch you blubbering. Wonder if Silco even saw that.
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cenvast Ā· 3 months ago
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"Toshiro Is Sexist," "Toshiro Owns Slaves": What's Really Going on With This Guy?
I've seen a lot of debate on whether or not Toshiro is problematic because he's a slave owner or because he's sexist in the context of his crush on Falin. While I do want to examine his relationship to Falin, I'd like to take a few steps back and unpack his upbringing first. We'll dive into the gender and class dynamics he was raised with and how it impacts his behavior in the main storyline.
Like all people, Toshiro is shaped by the environment he grew up in. Toshitsugu, Toshiro's father and the head of the Nakamoto clan, is the most impactful model of authority and manhood in his life. Toshiro does recognize some of his father's flaws and tries to avoid replicating them. But whether or not he emulates or subverts his father's behavior, Toshitsugu is often the starting point for Toshiro's treatment of others, particularly marginalized people.
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The Nakamoto clan exists under a patriarchal hierarchy with Toshitsugu at the top. As noted by @fumifooms in their Nakamoto household post, his wife has more authority than Maizuru. She's able to ban Maizuru from parts of their residence, but despite disliking his infidelity, she can't divorce him or stop him from cheating on her. Their marriage is not an equal partnership.
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On an interpersonal level, Toshitsugu and Maizuru also have a fraught relationship. While she does seem to care for him, she's often frustrated by his thoughtless behavior.
For example, he drunkenly buys Izutsumi for her ā€” without considering how she'll have to raise this child ā€” and invades her room in the middle of the night. When he cryptically says, "It's all my fault," she replies, "I can think of a lot of things that are your fault." She calls him an "idiot" and "believes that [Toshiro] will grow up to be a better clan leader than his father," implying that she takes issue with Toshitsugu's leadership.
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Because Maizuru and Toshitsugu are described as being "in an intimate relationship" and "seem[ing] to be lovers," Maizuru appears to be a consensual participant. Still, this doesn't negate the large power imbalance between them as a male noble clan leader and his female retainer. This imbalance introduces an insidious undertone to Maizuru's frustration with Toshitsugu. Like Toshiro's mother, Maizuru doesn't have the agency to do as she pleases in their relationship; he has the ultimate authority. For instance, she doesn't seem to want to raise Izutsumi, but she has to anyway.
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While Maizuru's role as Toshitsugu's mistress is significant, she's also the Nakamoto clan's teacher and Toshiro's primary maternal figure. She cares deeply for Toshiro: tailing him, feeding him, and taking responsibility even for his actions as an adult. While it might seem sweet that she cares for him like a son at first, Maizuru was notably fifteen years old at the time of his birth. In the extra comic below, he's six years old and has already been in her care for some time. Even if we're being generous and assuming that she didn't start raising him until he was six, she was still only twenty-one at the time she was parenting her boss/lover's child with another woman.
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Maizuru's roles as mistress and maternal figure, in addition to her role as retainer, demonstrate the intersection between gendered and class oppression in the Nakamoto household. Despite her original role being a retainer trained in espionage, Toshitsugu presses her into performing gendered labor for him and eventually, Toshiro. She's expected to be Toshitsugu's lover, perform emotional labor for him as his confidant, care for his child, and carry out domestic tasks like cooking. She says, "Even during missions, I was often dragged into the kitchen." If she was a male servant, I doubt she would have been expected to perform these additional tasks. She can't avoid these tasks either, stating that her "own feelings don't factor into it."
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Toshitsugu disregards his wife's and Maizuru's desires and emotions to serve his own interests. Because he has societal power over them as a nobleman and in Maizuru's case, her master, neither woman can escape their position in the household hierarchy.
As a result, Toshiro grew up within a structure where men and male nobility, in particular, wield the most societal power. The hierarchical nature of his household and society discourages everyone, including him as a clan leader's eldest son, from questioning and disrupting the existing hierarchy.
The other Nakamoto household members also internalize its sexist, classist power dynamics.
For example, Hien expects that she and Toshiro will replicate the uneven dynamics of the previous generation, regardless of her personal feelings. She sees her and Toshiro's relationship as paralleling Maizuru and Toshitsugu's relationship; she is the closest woman to Toshiro and his retainer, so she's shocked when Toshiro doesn't attempt to begin an intimate relationship with her. Notably, she doesn't have actual feelings for him. Her expectations are centered around the household's precedent of placing emotional, sexual, domestic, and child-rearing labor onto the female servants without any regard for their personal desires.
Hien also probably knows that her position in the household will improve if she is Toshiro's lover because she's seen it improve Maizuru's position. However, the fact that being the future clan leader's lover is the closest proximity she, as a female servant, has to power further reveals the gendered, class-based oppression she and the other women live under.
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It's important to note that the Nakamoto clan bought Benichidori, Izutsumi, and Inutade as slaves, so they have less power and agency than Maizuru and Hien. The clan further dehumanizes Izutsumi and Inutade as demi-humans; their enslavement contains an additional layer of racialization.
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Toshiro isn't oblivious to the gendered, class, and racial power dynamics of his household. He tries to distance himself from participating in its exploitative power structure. He walls himself off from Hien, who he's known since childhood, to avoid replicating his father's behavior and making his servant into his lover. He disapproves of his father's enslavement of Izutsumi and Inutade, and he lets Izutsumi go when she runs away in the Dungeon.
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But does any of this absolve him of his complicity in his household's sexist, classist power dynamics and racialized slavery?
The short answer is absolutely not.
Despite his distaste for his father's exploitation of his servants and slaves, Toshiro still uses them. He refers to his party as "his retainers," and he has them fight and perform domestic tasks for him. You could argue that Toshiro doesn't like to and thus, doesn't regularly use his servants and slaves. In the context of him asking his retainers to help him rescue Falin, Maizuru says, "The only time he ever made any sort of personal request was for this task." But it shouldn't matter whether exploitation is a regular occurrence or not for it to be considered harmful. Toshiro asking Maizuru to cook him a meal still constitutes asking his female servant to perform gendered labor for him. He's also very accustomed to her grooming and dressing him.
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Maizuru sees feeding, washing, and even advising Toshiro romantically as fulfilling Toshitsugu's orders to care for his son. They aren't fulfilling a "personal request." But just because her labor has been deemed expected and thereby devalued doesn't mean that it isn't labor or that she isn't performing it.
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Maizuru's dynamic with Toshiro is also complicated by her role as his maternal figure. She loves him and wants to take care of him, and she doesn't have a choice in the matter. During Toshiro's childhood, the onus was on Toshitsugu to cease exploiting his lover and release her from servitude, but Toshiro is now an adult man. Seeing as how Maizuru defers to his wishes and calls him "Young Master," they still have a power imbalance that he's passively maintaining. Ideally, he would not ask anything of her until he has the authority to release her from servitude.
Throughout the story, Toshiro acts as if he has no agency and quietly disapproving of his father's actions absolves him of his participation in maintaining oppressive dynamics. While his father still ranks higher than him, he's essentially his father's heir. He has much more power than Maizuru, the highest-ranked servant. At the very least, he could leave his slave-owning household.
Unfortunately, his refusal to confront injustice is consistent with his character's major flaw: he does not express his opinions, desires, or needs. While this character trait obviously hurts his friendships, it also furthers his complicity in the injustices his household runs on.
Toshiro's relationship with eating food ā€” the prevailing metaphor of the series ā€” also parallels his relationship with confronting injustice. Maizuru mentions that he was a sickly child, so the act of eating may have been physically uncomfortable for him. As an adult, his refusal to eat crops up during his rescue attempt of Falin. Denying himself food might have been punishment for not accomplishing important tasks like rescuing Falin and/or a way to maintain control over something in his life when he felt like he'd lost control over the rest of it, again in the context of losing Falin. (Note: I suggest reading this post on Toshiro's disordered eating by @malaierba.)
But he cannot and does not avoid consuming food forever.
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Similarly, Toshiro keeps his distance from his retainers and tries not to use them until the Falin situation occurs. His efforts to avoid exploiting his retainers amount to inaction ā€” things he doesn't ask of them or do to them. But his inaction does nothing to dismantle the existing hierarchy that places his retainers under his authority, denies them agency, and often marginalizes them as not only servants or slaves but as women, and he ends up using them as servants and slaves anyways.
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Returning to the narrative's themes of consumption, Toshiro cannot avoid eating just as he cannot avoid perpetuating the exploitative system of his household. The Nakamoto clan consumes the labor and personhood of those lower in the hierarchy. The retainers' labor as spies and domestic servants is the foundation of the clan's existence. Thus, the clan consumes their labor to sustain itself.
Within this hierarchy, the retainers' personhood is also consumed and erased. As Izutsumi describes, they are given different names and stripped of their agency to reject orders or leave. Maizuru and Hien also say their feelings are irrelevant in the context of Toshitsugu's and Toshiro's wants and needs. Both women are expected to comply with whatever is most beneficial and comfortable for the noblemen. Clearly, despite Toshiro's detachment from his household's functions, these social structures remain in place and harm the women under him.
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Although we know the Nakamoto clan has male retainers, the choice to highlight the female retainers seems intentional. We're asked to interrogate how not only being a servant or a slave in a noble household impacts a person's life and agency, but how being a woman intersects with being a member of some of the lowest social classes.
Toshiro only distances himself from his father's behaviors of infidelity and exploitation so long as it doesn't take Toshiro out of his comfort zone. He doesn't free his slaves. He's far too comfortable with his female retainers performing domestic labor for him, and he barely acknowledges their efforts; they're shocked when he thanks them for helping him save Falin. He hasn't unpacked his sexist (or classist or racist) biases because he perpetuates his household's oppressive hierarchy throughout the narrative. Considering all of this, he inevitably brings this baggage to his interactions with Falin.
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Falin is presumably one of the first women he's had extended contact with that isn't his relative or his family's servant. Because of his trauma surrounding his father and Maizuru sleeping together, he understandably falls for a woman as disconnected as possible from his father and his clan. He seems to genuinely like Falin, respects her boundaries, and graciously accepts her rejection. His behavior towards her is overall kind and unproblematic.
But if Falin had gone with him, she would've likely been devalued and sidelined like the other women of the Nakamoto household. No matter how much he loves Falin, simply loving her cannot replace the difficult work of unlearning his sexism. Love, of course, can and should be accompanied by that work, but by the close of the narrative, we gain little indication that Toshiro acknowledges or seeks to end his part in exploiting and devaluing women and other marginalized people.
A spark of hope does exist. Toshiro expressing his feelings to Laios and Falin suggests that his time away from home has encouraged him to speak up more. Breaking his habit of avoidance may be the first step towards acknowledging his complicity in systems of injustice and moving towards dismantling them.
Special thanks to my very smart friend @atialeague for bringing up Toshitsugu's relationship with Maizuru and the replication of dynamics of consumption and class! <3
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poorly-drawn-mdzs Ā· 5 months ago
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Never gonna live that down.
[First]Ā PrevĀ <ā€“-> Next
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da-cti Ā· 3 months ago
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Was inspired to draw this by an Ed Vebell piece! That will be under the cut. I saw it and immediately thought of those two with it in some way. Was originally going to be nicer with flowers, however the horrors seemed more fitting
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The mentioned Ed Vebell drawing!
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dr-zeddy Ā· 5 months ago
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urielbestgirl Ā· 4 months ago
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I DIDN'T KNOW THERE WAS ANOTHER ANGLE OF THIS PHOTO šŸ˜­šŸ˜­šŸ˜­šŸ˜­
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