#so I usually just tag main series characters as their official english names

[phoenixwright-aceattorney]

Thank you for tagging as the fanon names too, they will always be sebastian and uncle ray in my heart

No problem!

I actually also tag the aai2 characters by their Japanese names because I actually watched a playthrough when the game was very new because I watched roughly translated versions when I was in high school and never played the popular fan translations.

My fiance has been playing the official release on Switch though, so maybe I'll go play it again sometime since it's actually been about a decade since I've interacted with it oops :)

[fallloverfic]

ENNEAD tags and finding fanworks and community

If you're looking for fanworks and discussion for ENNEAD by Mojito, the boy's love manhwa about ancient Egyptian gods, here's a collection of things to try on different platforms:

ENNEAD (English) / Ennead (sometimes lowercasing part of it returns different things) / 엔네아드 (Korean) / 九柱神 (Chinese) / エネアド (Japanese) / Эннеада (Russian) / เอนเนด (Thai)

Horuseth (English), HorusxSeth, HorusSeth, HorusxSeth / 호루세트 (Korean) / ホルセト (Japanese) / 繋がらなくてもいいから俺のホルセトを見てくれ (Japanese) / ฮอรัสxเซธ (Thai)

Anuseth (English), Anubis/Seth, AnubisSeth, AnubisxSeth / 아누세트 (Korean) / アヌセト (Japanese) / 繋がらなくてもいいから俺のアヌセトを見てくれ (Japanese)

Osiseth (English), Osiris/Seth, OsirisSeth, OsirisxSeth / 오시세트 (Korean) / オシセト (Japanese) / 繋がらなくてもいいから俺のオシセトを見てくれ (Japanese)

FGSeth (English), FG/Seth, FGxSeth / 이국세트 (Korean = Exotic Set) / 髭セト (Japanese = mustache Set) / 繋がらなくてもいいから俺の髭セトを見てくれ (Japanese)

NephthysSeth (English), Nephthys/Seth, NephthysxSeth / ネフセト (Japanese)

The main ENNEAD tags (just the series name) are all the most populous for stuff, regardless of platform, particularly the English and Japanese. Horuseth is the next most populous.

As a caveat, exploring these tags and communities assumes you are either up to date with the latest episode in Korean or don't care about spoilers. Fans will sometimes spoiler block panels, meta, or fanworks for the latest episode, but usually nothing older than that, and communities are increasingly flooded with panels from the new episode on the day of the update as the community grows bigger. Your best bet if you don't want to be spoiled because you're reading a version that's behind the Korean (e.g., the English, which is usually multiple episodes behind) is to mute the number for the latest Korean episode while browsing. If you'd like to read the Korean, I made a carrd and a Tumblr post to help. If you'd like to share panel screengrabs/screencaps/captures from the comic on socials, please either stick to the previews shared by Witchcomics on their twitter, or 1-2 panels max, at Mojito's request.

In terms of socials, there are active fan communities basically everywhere!

At the moment, twitter is by far the most populous for anything ENNEAD, cross-language, including fanart, sharing fics in a number of languages (or at least links to them, if not also twitter fics), discussion, meta, and cosplay. Japanese fandom in particular is very active there and posts a lot about fandom events. If you'd like good twitters to follow:

RT ENNEAD is a good general trawler of all things ENNEAD. They do all ships and characters, as well as news, and usually update 2-3 times a day

Mojito is also on twitter and posts things sporadically

Witchcomics, one of the official Korean chapter posters, regularly promotes ENNEAD and raffles for merch. They also post previews for new episodes some hours before the episodes go up.

ENNEAD Japan is an official twitter run by b-boy, who manage the Japanese license for ENNEAD. They use the twitter to announce distribution (webcomic updates), publication (physical book updates), and merchandise.

Papyrus Studio/Studio Papyrus is a group of artists who create fanworks for ENNEAD, including phone calendars, and regularly run fandom events

HoruSeth365/365_with_HS, another fangoods collaboration

Following that, pixiv is a very populous site for fanworks, including fanfics (each tag will have its own fanfic hub, just go to the "novels" tab to see if anything is there). Pixiv is free to use, very accessible if you read English (or obviously Japanese since it's a Japanese art site) but easier to use if you have an account (though you don't have to pay for it, and you don't have to post anything). A lot of twitter artists have been mass dumping all their art on pixiv lately, or near-simultaneously publishing there, so if you hate twitter, pixiv is the place to go.

Archive Of Our Own has a fanfic archive for the community across many languages, with English and Mandarin Chinese dominating (followed by Spanish).

Instagram is the next most populous site for fanworks, mostly just fanart and cosplay, though it's pretty heavily censored, so people just mention their work is on twitter or somewhere else. Also be wary, IG is full of art reposters and folks sharing scanlations. They've also gotten rid of chronological search, so it's hard to browse anything but what came out years ago.

Tumblr also has a lovely archive of art if you want to browse.

If you'd like a Discord, many are locked or dead, but I have an adult Discord open if folks would like to join, where I try to do regular news and event updates on different platforms, as well as share links to fanworks and resources on different platforms, and there are lots of channels to talk about the story, the mythology, and fanworks.

(if the link is down, reply and/or DM me and I'll send you/post a new one!)

There is a growing but still somewhat small Blue Sky Social community.

There is also a very small pillowfort community.

There are some locked communities on Facebook, and some artists apparently do well there, though there is also a lot of art theft and scanlation there.

I would not recommend using sites like Pinterest, as it's almost entirely stolen and reposted art, without credit. A few artists actually post their art directly there, but by and large, it's the worst place for art theft. TikTok and YouTube are also full of art theft, scanlations, and vitriol.

However, there are a couple of YouTube accounts I'd recommend:

Mojito has a YouTube account, where Mojito rarely posts videos

Papyrus Studio/Studio Papyrus has made collaborative AMVs for the series

There is a subreddit, enneadmanhwa, which is very quiet.

There are fics on Wattpad, but most of them use stolen fanart, or include scanlations. There's a lot there if you want to check them out, just be wary, and please support actual artists, not reposters. There is also a collection of Thai fanfics on readawrite (but again be wary as a lot of them also use stolen fanart).

For information on characters, side comics, physical releases, locations, etc., the ENNEAD fanwiki on FANDOM exists, though it's still under heavy construction. I also have a tumblr post about side comics and extra art by Mojito.

I will update this post as I find more tags and sites.

[eiirisworkshop]

The Fanfic Author's Guide to Metatext

(As Used on Ao3) by Eiiri

Also available as a PDF here. This thing is 13,000 words.  The PDF is recommended.

Intro: What is Metatext?

Metatext is everything we fanfic authors post along with our story that is not the story itself: title, tags, summary, author's notes, even the rating.

It is how we communicate to potential readers what they're signing themselves up for if they choose to read our story, how we let them make informed decisions regarding which fics they want to read, how we get their interest and, frequently, how they find our story in the first place. A lot of metatext acts as a consent mechanism for readers, it's the informed part of informed consent.

Since most of us who write fanfic also read it, we understand how important this is! But, for the most part, no one ever teaches us how to use metatext; we have to pick it up by osmosis. That makes it hard to learn how to use it well, we all suck at it when we first start out, and some of us may go years without learning particular conventions that seem obvious to others in our community. This creates frustration for everybody.

Enter this guide!

This is meant to be a sort of handbook for fic writers, particularly those of us who post on Archive of Our Own, laying out and explaining the established metatext conventions already in use in our community so we (and our readers!) are all on the same page. It will also provide some best-practices tips.

The point is to give all of us the tools to communicate with our audience as clearly and effectively as possible, so the people who want to read a story like ours can find it and recognize it as what they're looking for, those who don't want to read a story like ours can easily tell it's not their cup of tea and avoid it, nobody gets hurt, and everybody has fun—including us!

Now that we know what we're talking about, let's get on with the guide! The following content sections appear in the order one is expected to provide each kind of metatext when posting a fic on Ao3, but first….

Warning!

This is a guide for all authors on Ao3. As such, it mentions subject matter and kinds of fic that you personally might hate or find disgusting, but which are allowed under the Archive's terms of use. There are no graphic descriptions or harsh language in the guide itself, but it does acknowledge the existence of fic you may find distasteful and explains how to approach metatext for such fics.

Some sexual terminology is used in an academic context.

A note from the author:

This guide reflects the conventions of the English-language fanfiction community circa 2021. Conventions may differ in other language communities, and although many of our conventions have been in place for decades (praise be to our Star Trek loving foremothers) fanfiction now exists primarily in the realm of internet fandom where things tend to change rather quickly, so some conventions in this guide may die out while other new conventions, not covered in this guide, arise.

This is not official or in any way produced by the Archive of Our Own (Ao3), and though some actual site rules are mentioned, it is not a rulebook. Primarily, it is a descriptivist take on how the userbase uses metatext to communicate amongst ourselves, provided in the interest of making that communication easier and more transparent for everyone, especially newer users.

Contents

How To Use This Guide Ratings Archive Warnings Fandom Tags Category Relationship Tags Character Tags Additional Tags Titles Summaries Author's Notes Series and Chapters Parting Thoughts

How To Use This Guide

Well, read it.  Or have it read to you.

This isn't a glossary, it's a handbook, and it's structured more like an academic paper or report, but there's lots and lots of examples in it!

Many of these examples are titles of real media and the names of characters from published media, or tags quoted directly from Ao3 complete with punctuation and formatting.

Some examples are more generic and use the names Alex, Max, Sam, Chris, Jamie, and Tori for demonstration purposes. In other generic examples, part of an example tag or phrase may be sectioned off with square brackets to show where in that tag or phrase you would put the appropriate information to complete it.  This will look something like “Top [Character A]” where you would fill in a character's name.

This guide presumes that you know the basics of how to use Ao3, at least from the perspective of reading fic. If you don't, much of this guide may be difficult to understand and will be much less helpful to you, though not entirely useless.

Ratings

Most fanfic hosting sites provide ratings systems that work a lot like the ratings on movies and videogames.

Ao3's system has four ratings:

General

Teen

Mature

Explicit

These seem like they should be pretty self-explanatory, and the site's own official info pop-up (accessible by clicking the question mark next to the section prompt) gives brief, straightforward descriptions for each of them.

Even so, many writers have found ourselves staring at that dropdown list, thinking about what we've written, and wondering what's the right freaking rating for this?  How do I know if it's appropriate for “general audiences” or if it needs to be teen and up? What's the difference between Mature and Explicit?

The best way to figure it out is often to think about your fic in comparison to mainstream media.

General is your average Disney or Dreamworks movie, Cartoon Network or Nickelodeon shows, video games like Mario, Kirby, and Pokemon.

There may be romance, but no sexual content or discussion. Scary things might happen and people might get hurt, but violence is non-graphic and usually mild. Adults may be shown drinking alcohol or smoking tobacco, and some degree of intoxication may be shown (usually played for laughs and not focused on), but hard drug use is generally not shown or discussed.  There is little to no foul language written out and what language there may be is mild, though harsher swears may be implied by narration. There are no explicit F-bombs or slurs.

Teen is more like a Marvel movie, most network television shows (things like The Office, Supernatural, or Grey's Anatomy), video games like Final Fantasy, Five Nights at Freddie's, and The Sims.

There might be some sex and sexual discussion, but nothing explicit is shown—things usually fade to black or are leftimplied. More intense danger, more severe injuries described in greater detail, and a higher level of violence may be present.  Substance use may be discussed and intoxication shown, but main characters are unlikely to be shown doing hard drugs. Some swearing and other harsh language may be present, possibly including an F-bomb or two.  In longer works, that might mean an F-bomb every few chapters.

Mature is, in American terms, an R-rated movie* like Deadpool, Fifty Shades of Grey, The Exorcist, and Schindler's List; certain shows from premium cable networks or streaming services like Game of Thrones, Shameless, Breaking Bad, and Black Sails; videogames like Bioshock, Assassin's Creed, Grand Theft Auto, and The Witcher.

Sex may be shown and it might be fairly explicit, but it's not as detailed or graphic or as much the focus of the work as it would be if it were porn. Violence, danger, and bodily harm may be significant and fairly graphic. Most drug use is fair game. Swearing and harsh language may be extensive.

Explicit is, well, extremely explicit. This is full on porn, the hardcore horror movies, and snuff films.

Sex is highly detailed and graphic. Violence and injury is highly detailed and graphic. Drug use and its effects may be highly detailed and graphic. Swearing and harsh language may be extreme, including extensive use of violent slurs.

Please note that both Mature and Explicit fics are intended for adult audiences only, but that does not mean a teenaged writer isn't going to produce fics that should be rated M or E.  Ratings should reflect the content of the fic, not the age of the author.

Strictly speaking, you don't have to choose any of these ratings; Ao3 has a “Not Rated” option, but for purposes of search results and some other functions, Not Rated fics are treated by the site as Explicit, just in case, which means they end up hidden from a significant portion of potential readers. It really is in your best interest as a writer who presumably wants people to see their stories, to select a rating. It helps readers judge if yours is the kind of story they want right now, too.

Rating a fic is a subjective decision, there is some grey area in between each level. If you're not quite sure where your fic falls, best practice is to go with the more restrictive rating.

*(Equivalent to an Australian M15+ or R18+, Canadian 14A, 18A or 18+, UK 15 or 18, German FSK 16 or FSK 18.)

Warnings

Ao3 uses a set of standard site-wide Archive Warnings to indicate that a work contains subject matter that falls into one or more of a few categories that some readers are likely to want to avoid.  Even when posting elsewhere, it's courteous to include warnings of this sort.

These warnings are:

Graphic Depictions Of Violence

Major Character Death

Rape/Non-Con

Underage

Just like with the ratings, the site provides an info-pop up that explains what each warning is for. They're really exactly what it says on the tin: detailed descriptions of violence, injury, and gore; the death of a character central to canon or tothe story being told; non-consensual sex i.e. rape; and depictions of underage sex, which the site defines as under the age of 18 for humans—Ao3 doesn't care if your local age of consent or majority is lower than that.

In addition to the four standard warnings above, the warnings section has two other choices:

No Archive Warnings Apply

Choose Not To Use Archive Warnings

These do not mean the same thing and cannot be used interchangeably. “No Archive Warnings Apply” means that absolutely nothing in your fic falls into any of the four standard warning categories. “Choose Not To Use Archive Warnings” means that you the author are opting out of the warning system; your fic could potentially contain things that fall into any and all of the four standard warning categories.

There's nothing wrong with selecting Choose Not To Use Archive Warnings! It may mean that some readers will avoid your fic because they're not sure it's safe for them, and you might need to use more courtesy tags than you otherwise would (we'll talk about courtesy tags later), but that's okay! Opting out of the warning system can be a way to avoid spoilers,* and is also good for when you're just not sure if what you've written deserves one of the Archive warnings. In that case, the best practice is to select either the warning it might deserve or Choose Not To Use Archive Warnings, then provide additional information in other tags, the summary, or an initial author's note.

Unless you're opting out of using the warning system, select all the warnings that apply to your fic, if any of them do. So if a sixteen year old main character has consensual sex then gets killed in an accident that you've written out in excruciating detail, that fic gets three out of the four standard warnings: Underage, Major Character Death, and Graphic Depictions Of Violence.

*(Fandom etiquette generally favors thorough tagging and warning over avoiding spoilers. It doesn't ruin the experience of a story to have a general sense of what's going to happen. If it did, we wouldn't all keep reading so many “there was only one bed” fics.)

Fandom Tags

What fandom or fandoms is your fic for?  You definitely know what you wrote it for, but that doesn't mean it's obvious what to tag it as.

Sometimes, it is obvious! You watched a movie that isn't based on anything, isn't part of a series, and doesn't have any spinoffs, tie-ins or anything else based on it. You wrote a fic set entirely within the world of this movie. You put this movie as the fandom for your fic. Or maybe you read a book and wrote a fic for it, and there is a movie based on the book, but the movie is really different and you definitely didn't use anything that's only in the movie. You put the book as the fandom for your fic.

All too often, though, it's not that clear.

What if you wrote a fic for something where there's a movie based on a book, but the movie's really different, and you've used both things that are only in the movie and things that are only in the book?  In that case you either tag your fic as both the movie and the book, or see if the fandom has an “all media types” tag and use that instead of the separate tags.  If the fandom doesn't have an “all media types” tag yet, you can make one! Just type it in.

“All media types” fandom tags are also useful for cases where there are lots of inter-related series, like Star Wars; there are several tellings of the story in different media but they're interchangeable or overlap significantly, like The Witcher; or the fandom has about a zillion different versions so it's very hard, even impossible, to say which ones your fic does and doesn't fit, like Batman. Use your best judgement as to whether you need to include a more specific fandom tag such as “Batman (Movies 1989-1997)” alongside the “all media types” fandom tag, but try to avoid including very many. The point of the “all media types” tag is to let you leave off the specific tags for every version.

In a situation where one piece of media has a spinoff, maybe several spinoffs, and you wrote a fic that includes things from more than one of them, you might want use the central work's “& related fandoms” tag. For example, the “Doctor Who & Related Fandoms” tag gets used for fics that include things from a combination of any era of Doctor Who, Torchwood, and The Sarah Jane Adventures.

And don't worry, from the reader-side of the site the broadest fandom tags are prioritized. The results page for an “all media types” or “& related fandoms” search includes works tagged with the more specific sub-tags for that fandom, the browse-by-fandom pages show the broadest tag for each fandom included, and putting a fandom into the search bar presumes the broadest tag for that fandom.  A search for “Star Wars - All Media Types” will pull up work that only has a subtag for that fandom, like “The Mandalorian (TV).” You don't have to put every specific fandom subtag for people to find your fic.

If you wrote a fic for something that's an adaptation of an older work—especially an older work that's been adapted a lot, like Sherlock Holmes or The Three Musketeers—it can be hard to know how you should tag it. The best choice is to put the adaptation as the fandom, for instance “Sherlock (TV),” then, if you're also using aspects of the older source work that aren't in the adaptation, also put a broad fandom tag such as “Sherlock Holmes & Related Fandoms.” Do not tag it as being fic for the source work—in our Sherlock example that would be tagging it “Sherlock Holmes - Arthur Conan Doyle”—unless you are crossing over the source work and the adaptation. Otherwise, the specific fandom subtag for the source work ends up clogged with fic for the adaptation, which really is a different thing.

By the same token, fic for the source work shouldn't be tagged as being for the adaptation, or the adaptation's subtag will get clogged.

The same principle applies to fandoms that have been rebooted. Don't tag fic for the reboot as being for the original, or fic for the original as being for the reboot. Don't tag a fic as being for both unless the reboot and original are actually interacting. Use an “& related fandoms” tag for the original if your fic for the reboot includes some aspects of the original that weren't carried over but you haven't quite written a crossover between the two. Good examples of these situations can be seen with “Star Trek: Alternate Original Series (Movies)” vs. “Star Trek: The Original Series,” and “She-Ra and the Princesses of Power (2018)” vs. “She-Ra: Princess Of Power (1985).”

Usually, this kind of mistagging as a related fandom happens when someone writes a fic for something that is or has a reboot, spinoff, or adaptation, but they're only familiar with one of the related pieces of media, and they mistakenly presume the fandoms are the same or interchangeable because they just don't know the difference.  It's an honest mistake and it doesn't make you a bad or fake fan to not know, but it can be frustrating for readers who want fic for one thing and find the fandom tag full of fic for something else.

In order to avoid those kinds of issues, best practice is to assume fandoms are not interchangeable no matter how closely related they are, and to default to using a tag pair of the most-specific-possible sub-fandom tag + the broadest possible fandom tag when posting a fic you're not entirely sure about, for instance “Star Trek” and “Star Trek: Enterprise.”

The Marvel megafandom has its own particular tagging hell going on. Really digging into and trying to make sense of that entire situation would require its own guide, but we can go through some general tips.

There is a general “Marvel” fandom tag and tags for both “The Avengers - Ambiguous Fandom” and “The Avengers (Marvel) - All Media Types.” Most of us who write Marvel fic are working with a cherry picked combination of canons from the MCU, various comics runs, both timelines of X-Men movies, and possibly several decades worth of cartoons. That's what these tags are for.

If your cherry picked Marvel fic is more X-Men than Avengers, go for the “X-Men - All Media Types” tag.

If you are primarily working with MCU canon, use the MCU specific tags rather than “all media types” and add specific tags for individual comics runs—like Earth 616 or the Fraction Hawkeye comics—if you know you're lifting particular details from the comics.  If you're just filling in gaps in MCU canon with things that are nebulously “from the comics” don't worry about tagging for that, it's accepted standard practice in the fandom at this point, use a broader tag along with your MCU-specific tag if you want to.

Same general idea for primarily movie-verse X-Men fics. Use the movie-specific tags.

If your fic mostly draws from the comics, use the comics tags. If you're focusing on an individual run, show, or movie series rather than an ensemble or large swath of the megafranchise, tag for that and leave off the broader fandom tags.

Try your best to minimize the number of fandom tags on your Marvel work. Ideally, you can get it down to two or three. Even paring it down as much as you can you might still end up with about five.  If you're in the double digits, take another look to see if all the fandom tags you've included are really necessary, or if some of them are redundant or only there to represent characters who are in the fic but that the fic doesn't focus on. Many readers tend to search Marvel fics by character or pairing tags, it's more important that you're thorough there. For the fandom tags it's more important that you're clear.

If you write real person fiction, you need to tag it as an RPF fandom. Fic about actors who are in a show together does not belong on the fandom tag for that show. There are separate RPF fandom tags for most shows and film franchises. Much like the adaptation/source and reboot/original situations discussed earlier, a fic should really only be tagged with both a franchise's RPF tag and its main tag if something happens like the actors—or director or writer!—falling into the fictional world or meeting their characters.

Of course, not all RPF is about actors. Most sports have RPF tags, there are RPF tags for politics from around the world and for various historical settings, the fandom tags for bands are generally presumed to be RPF tags, and there is a general Real Person Fiction tag.

In order to simplify things for readers, it's best practice to use the general Real Person Fiction tag in addition to your fandom-specific tag. You may even want to put “RPF” as a courtesy tag in the Additional Tags section, too. This is because Ao3 isn't currently set up to recognize RPF as the special flavor of fic that it is in the same way that the site recognizes crossovers as special, so it can be very difficult to either seek out or avoid RPF since it's scattered across hundreds of different fandom tags.

On the subject of crossovers—they can make fandom tagging even more daunting. Even for a crossover with lots of fandoms involved, though, you just have to follow the same guidelines as to tag a single-fandom work for each fandom in the crossover. The tricky part is figuring out if what you wrote is really a crossover, or just an AU informed by another fandom—we'll talk about that later.

There are some cases where it's really hard to figure out what fandom something belongs to, like if you wrote a fanfic of someone else's fanfic, theirs is an AU and yours is about their OC, not any of the characters from canon. What do you do?! Well, you do not tag it as being a fanfic for the same thing theirs was. Put the title of their fic (or name of their series) as the fandom for your fic, attributed to their Ao3 handle just like any other fandom is attributed to its author. Explain the situation in either the summary or the initial author's note. Also, ask the author's permission before posting something like this.

What if you wrote a story about your totally original D&D character? The fandom is still D&D, you want the “Dungeons & Dragons (Roleplaying Game)” tag.

What if there's not a fandom tag on the Archive yet for what you wrote? Not a problem! You can type in a new one if you're the first person to post something for a particular fandom. Do make sure, though, that the fandom isn't just listed by a different name than you expect. Many works that aren't originally in English—including anime—are listed by their original language title or a direct translation first, and sometimes a franchise or series's official name might not be what you personally call it, for instance many people think of Phillip Pullman's His Dark Materials series as The Golden Compass series, so it's best to double check.

What if you wrote an entirely new original story that's not based on anything?  Excellent job, that takes a lot of work, but that probably doesn't belong on Ao3!  The Archive is primarily meant as a repository for fannish content, but in a few particular circumstances things we'd consider Original Work may be appropriate content for the Archive as well. Double check the Archive's Terms of Service FAQ and gauge if what you wrote falls under the scope of what is allowed. If what you wrote really doesn't fit here, post it somewhere else or try to get it published if you feel like giving it a shot.

Category

What Ao3 means by category is “does this fic focus on sex or romance, and if so what combination of genders are involved in that sex or romance?”

The category options are:

F/F

F/M

Gen

M/M

Multi

Other

The F/F, F/M, and M/M categories are for stories focused on pairings of two women, a woman and a man, and two men, respectively.  These refer to sexual and/or romantic pairings.

The Other category is for stories focused on (sexual and/or romantic) pairings where one or both partners are not strictly male or female, such as nonbinary individuals, people from cultures with gender systems that don't match to the Western man-woman system, and nonhuman characters for whom biological sex works differently or is nonexistent, including aliens, robots, and inanimate objects or abstract concepts. There are some problems with treating nonbinary humans, eldritch tentacle monsters, sexless androids, and wayward container ships as all the same category, but it's the system we currently have to work with. Use Additional Tags to clarify the situation.

Multi is for stories in which several (sexual and/or romantic) relationships are focused on or which focus on relationships with multiple partners, including cases of polyamory, serial monogamy, strings of hookups with different people, and orgies.  A fic will also show as “Multi” if you, the author, have selected more than one category for the fic, even if none of those are the Multi category. Realistically, the Archive needs separate “Multiple Categories” and “Poly” options, but for now we have to work with this system in which the two are combined.  Use Additional Tags to clarify the situation.

Gen is for stories that do not contain or are not focused on sex or romance. Romance may be present in a gen fic but it's going to be in the background.  While rare, there is such a thing as a sexually explicit gen fic—solo masturbation which does not feature fantasizing about another character is explicit gen fic; a doctor character seeing a series of patients with sex-related medical needs following an orgy may qualify if the orgy is not shown and the doctor is being strictly professional—but such fic needs to be rated, otherwise tagged, and explained carefully in the summary and/or author's note.

Much like the warnings section, category is a “select all that apply” situation. Use your best judgement. For a fic about a polyamorous relationship among a group of women, it's entirely appropriate to tag it as both F/F and Multi.  A poly fic with a combination of men and women in the relationship could be shown as both M/M and F/M, Multi, or all three. A fic that focuses equally on one brother and his husband and the other brother and his wife should be tagged both M/M and F/M, and could be tagged as Multi but you might decided not to just to be clear that there's no polyamory going on. If you wrote a fic about two characters who are both men in canon, but you wrote one of them as nonbinary, you could tag it M/M, Other, or both depending on what you feel is representative and respectful.

When dealing with trans characters, whether they're trans in canon or you're writing them as such, the category selection should match the character's gender.  If there's a character who is a cis woman in canon, but who you're writing as a trans man, you categorize the fic based on his being a man. If there's a character who is a cis man in canon, but whom you're writing as a trans man, he is still a man and the fic should be categorized accordingly. When dealing with nonbinary characters the fic should really be classed as Other though, by convention, fics about characters who are not nonbinary in canon may be classed based on the character's canon gender as well or instead. When dealing with gender swapped characters—i.e. a canonically cis male superhero who you're writing as a cis woman—class the fic using the gender you wrote her with, not the gender he is in canon.

Most of the time, gen fics should not be categorized jointly with anything else because a fic should only be categorized based on the ships it focuses on, and a gen fic should not be focusing on a ship in the first place.*

*(One of the few circumstances in which it might make sense to class a fic as both gen and something else is when writing about Queerplatonic Relationships, but that is a judgement call and depends on the fic.)

Relationship Tags

The thing about relationship tagging that people most frequently misunderstand or just don't know is the difference between “Character A/Character B” and “Character A & Character B.”

Use a “/” for romantic or sexual relationships, such as spouses, people who are dating, hookups, and friends with benefits. Use “&” for platonic or familial relationships, such as friends, siblings, parents with their kids, coworkers, and deeply connected mortal enemies who are not tragically in love.

This is where we get the phrase “slash fic.” Originally, that meant any fic focused on a romantic paring, but since so much of the romantic fic being produced was about pairs of men, “slash fic” came to mean same-sex pairings, especially male same-sex pairings. Back in earlier days of fandom, pre-Ao3 and even pre-internet, there was a convention that when writing out a different-sex pairing, you did so in man/woman order, while same-sex pairings were done top/bottom. Some authors, especially those who have been in the fic community a long time, may still do this, but the convention has not been in consistent, active use for many years, so you don't have to worry about putting the names in the “correct” order. Part of why that died out is we, as a community, have gotten less strict and more nuanced in our understandings of sex and relationships, we're writing non-penetrative sex more than we used to, and we're writing multi-partner relationships and sex more than we used to, so strictly delineating “tops” and “bottoms” has gotten less important and less useful.

The convention currently in use on Ao3 is that the names go in alphabetical order for both “/” and “&” relationships. In most cases, the Archive uses the character's full name instead of a nickname or just a given name, like James "Bucky" Barnes instead of just Bucky or James. We'll talk more about conventions for how to input character names in the Characters section. The Archive will give you suggestions as you type—if one of them fits what you mean but is slightly different from how you were typing it, for instance it's in a different order, please use the tag suggested! Consistency in tags across users helps the site work more smoothly for everybody.

This is really not the place for ship nicknames like Puckleberry, Wolfstar, or Ineffable Wives. Use the characters' names.

Now that you know how to format the relationship tag to say what you mean, you have to figure out what relationships in your fic to tag for.

The answer is you tag the relationships that are important to the story you're telling, the ones you spend time and attention following, building up, and maybe even breaking down. Tagging for a ship is not a promise of a happy ending for that pair; you don't have to limit yourself to tagging only the end-game ships if you're telling a story that's more complicated than “they get together and live happily ever after.” That said, you should generally list the main ship—the one you focus on the most—first on the list, and that will usually be the end-game ship. You should also use Additional Tags, the summary, and author's notes to make it clear to readers if your fic does not end happily for a ship you've tagged. Otherwise readers will assume that a fic tagged as being about a ship will end well for that ship, because that's what usually happens, and they'll end up disappointed and hurt, possibly feeling tricked or lied to, when your fic doesn't end well for that ship

You don't have to, and honestly shouldn't, tag for every single relationship that shows up in your fic at all. A character's brief side fling mentioned in passing, or a relationship between two background characters should not be listed under the Relationship tag section. You can list them in the format “minor Character A/Character C” or “Character C/Character D – mentions of” in the Additional Tags section if you want to, or just tag “Minor or Background Relationship(s)” under either the Relationship tag section or in the Additional Tags section.

There are two main reasons to not tag all those minor relationships. The first is to streamline your tags, which makes them clearer and more readable, and therefore more useful. The second reason is because certain ships are far more common as minor or background relationships than as the focus of a work, so tagging all your non-focus focus ships leads to the tags for these less popular ships getting clogged with stories they appear in, but that are not about them. That is, of course, very frustrating for readers who really want to read stories that focus on these ships.

If your fic contains a major relationship between a canon character and an OC, reader-insert, or self-insert, tag it as such. The archive already has /Original Character, /Reader, /You, and /Me tags for most characters in most fandoms. If such a relationship tag isn't already in use, type it in yourself. There are OC/OC tags, too, some of which specify gender, some of which do not.  All the relationship tags that include OCs stack the gender-specific versions of the tags under the nongendered ones. Use these tags as appropriate.

For group relationships, both polycules and multi-person friendships, you “/” or “&” all the names involved in alphabetical order, so Alex/Max/Sam are dating while Chris & Jamie & Tori are best friends. For a poly situation where not everyone is dating each other you should tag it something like “Alex/Max, Alex/Sam” because Alex is dating both Max and Sam, but Max and Sam are not romantically or sexually involved with each other. Use your judgement as to whether you still want to include the Alex/Max/Sam trio tag, and whether you should also use a “Sam & Max” friendship tag.

Generally, romantic “/” type relationships are emphasized over “&” type relationships in fic. It is more important that you tag your “/”s thoroughly and accurately than that you tag your “&”s at all. This is because readers are far more likely to either be looking for or be squicked by particular “/” relationships than they are “&” relationships. You can tag the same pair of characters as both / and & if both their romance and their friendship is important to the story, but a lot of people see this as redundant. If you're writing incest fic, use the / tag for the pair not the & tag and put a courtesy tag for “incest” in the Additional Tags section; this is how readers who do not want to see incestuous relationships avoid that material.

Queerplatonic Relationships, Ambiguous Relationships, Pre-Slash, and “Slash If You Squint” are all frequently listed with both the “/” and “&” forms of the pairing; use your best judgement as to whether one or the other or both is most appropriate for what you've written and clarify the nature of the relationship in your Additional Tags.

Overall, list your “/” tags first, then your “&” tags.

Character Tags

Tagging your characters is a lot like tagging your relationships. Who is your fic about? That's who you put in your character tags.

You don't have to and really should not tag every single background character who shows up for just a moment in the story, for pretty much the same reasons you shouldn't tag background relationships.  We don't want to clog less commonly focused on characters' tags with stories they don't feature prominently in.

You do need to tag the characters included in your Relationship tags.

A character study type of fic might only have one character you need to tag for. Romantic one shots frequently only have two. Longfics and fics with big ensemble casts can easily end up with a dozen characters or more who really do deserve to be tagged for.

Put them in order of importance. This doesn't have to be strict hierarchal ranking, you can just arrange them into groups of “main characters,” “major supporting characters,” and “minor supporting characters.” Nobody less than a minor supporting character should be tagged. Even minor supporting characters show up for more than one line.

If everyone in the fic is genuinely at the same level of importance (which does happen, especially with small cast fics), then order doesn't really matter. You can arrange them by order of appearance or alphabetically by name if you want to be particularly neat about it.

Do tag your OCs! Some people love reading about OCs and want to be able to find them; some people can't stand OCs and want to avoid them at all costs; most people are fine with OCs sometimes, but might have to be in the mood for an OC-centric story or only be comfortable with OCs in certain contexts. Regardless, though, Character tags are here to tell readers who the story is about, and that includes new faces. Original Characters are characters and if they're important to the story, they deserve to be tagged for just like canon characters do.

There are tags for “Original Character(s),” “Original Male Character(s),” and “Original Female Character(s).” Use these tags!  If you have OCs you're going to be using frequently in different stories, type up a character tag in the form “[OC's Name] – Original Character” and use that in addition to the generic OC tags.

Also tag “Reader,” “You,” or “Me” as a character if you've written a reader- or self-insert.

You can use the “Minor Characters” tag to wrap up everybody, both OC and canon, who doesn't warrant their own character tag. Remember, though, that this tag is also used to refer to minor canon characters who may not have their own official names.

Just like when tagging for relationships, the convention when tagging for characters is to use their full name. The suggestions the Archive gives you as you type will help you use the established way of referring to a given character.

Characters who go by more than one name usually have their two most used names listed together as one tag with the two names separated by a vertical bar like “Andy | Andromache of Scythia.” This also gets used sometimes for characters who have different names in an adaptation than in the source text, or a different name in the English-language localization of a work than in the original language. For character names from both real-world and fictional languages and cultures that put family or surname before the given name—like the real Japanese name Takeuchi Naoko or the made up Bajoran name Kira Nerys—that order is used when tagging, even if you wrote your fic putting the given name first.

Some characters' tags include the fandom they're from in parentheses after their name like “Connor (Detroit: Become Human).” This is mostly characters with ordinary given names like Connor and no canon surname, characters who have the same full name as a character in another fandom, such as Billy Flynn the lawyer from the musical Chicago and Billy Flynn the serial killer played by Tim Curry in Criminal Minds, and characters based on mythological, religious, or historical figures or named for common concepts such as Lucifer, Loki, Amethyst, Death, and Zero that make appearances in multiple fandoms.

Additional Tags

Additional Tags is one of the most complicated, and often the longest, section of metatext we find ourselves providing when we post fic. It's also the one that gives our readers the greatest volume of information.

That, of course, is what makes it so hard for us to do well.

It can help to break down Additional Tags into three main functions of tag: courtesy tags, descriptive tags, and personal tags.

Courtesy tags serve as extensions of the rating and warning systems. They can help clarify the rating, provide more information about the Archive Warnings you've used or chosen not to use, and give additional warnings to tell readers there are things in this fic that may be distasteful, upsetting, or triggering but that the Archive doesn't have a standard warning for.

Descriptive tags give the reader information about who's in this fic, what kind of things happen, what tropes are in play, and what the vibe is, as well as practical information about things like format and tense.

Personal tags tell the readers things about us, the author, our process, our relationship to our fic, and our thoughts at the time of posting.

It doesn't really matter what order you put these tags in, but it is best practice to try to clump them: courtesy tags all together so it's harder for a reader to miss an important one, ship-related info tags together, character-related info tags together, etc.

There are tons and tons of established tags on Ao3, and while it's totally fine, fun, and often necessary to make up your own tags, it's also important to use established tags that fit your fic.  For one thing, using established tags makes life easier for the tag wranglers behind the scenes. Using a new tag you just made up that means the same thing as an established tag makes more work for the tag wranglers. We like the tag wranglers, they're all volunteers, and they're largely responsible for the search and sorting features being functional. Be kind to the tag wranglers.

For basically the same reasons, using established tags makes it easier for readers to find your fic. If a reader either searches by a tag or uses filters on another search to “Include” that tag, and you didn't use that tag, your fic will not show up for them even if what you wrote is exactly what they're looking for.  Established tags can be searched by exactly the same way as you search by fandom or pairing, your off the cuff tags cannot.

Let's talk about some well-known established tags and common tag types, divvied up by main function.

Courtesy

A lot of courtesy tags are specific warnings like “Dubious Consent,” “Incest,” “Drug Use,” “Extremely Underage,” “Toxic Relationship,” and “Abuse.” Many of these have even more specific versions such as “Recreational Drug Use” and “Nonconsensual Drug Use,” or “Mildly Dubious Consent” and “Extremely Dubious Consent.”

Giving details about what, if any, drugs are used or mentioned, specifying what kinds of violence or bodily harm are discussed or depicted, details about age differences or power-imbalanced relationships between characters who date or have sex, discussion or depictions of suicide, severe or terminal illness, or mental health struggles is useful. It helps give readers a clear sense of what they'll encounter in your fic and decide if they're up for it.

One the most useful courtesy warning tags is “Dead Dove: Do Not Eat” which basically means “there are things in this fic which are really screwed up and may be disturbing, read at your own risk, steer clear if you're not sure.” This tag—like all courtesy warnings, really—is a show of good faith, by using it you are being a responsible, and thoughtful member of the fanfic community by giving readers the power and necessary information to make their own informed decisions about what they are and are not comfortable reading.

Saying to “Heed the tags” is quite self-explanatory and, if used, should be the last or second to last tag so it's easy to spot.  Remember, though, that “Heed the tags” isn't useful if your tags aren't thorough and clear.

“Additional Warnings In Author's Note” is one of only things that should ever go after “Heed the tags.”  If you use this, your additional warnings need to go in the author's note at the very beginning of the fic, not the one at the end of the first chapter.  If your additional warnings write up is going to be very long because it's highly detailed, then it can go at the bottom of the chapter with a note at the beginning indicating that the warnings are at the bottom. Some authors give an abbreviated or vague set of warnings in the initial note, then longer, highly detailed, spoilery warnings in the end note. It's best to make it as simple and straightforward as possible for readers to access warnings.

Tagging with “Dead Dove: Do Not Eat,” “Heed the tags,” or “Additional Warnings In Author's Note” is not a substitute for thorough and appropriate courtesy tagging. These are extra reminders to readers to look closely at the other warnings you've given.

While most courtesy tags are warnings, some are assurances like “No Lesbians Die” or “It's Not As Bad As It Sounds.”  A fic tagged for rape or dub-con may get a tag assuring that the consent issues are not between the characters in the main ship; or a fic with a premise that sounds likely to involve lack of consent but actually doesn't may get a tag that it's “NOT rape/non-con.” A tag like “Animal Death” may be immediately followed by a freeform tag assuring that the animal that dies is not the protagonist's beloved horse.

Descriptive

There are a few general kinds of descriptive tags including character-related, ship-related, temporal, relation-to-canon, trope-related, smut details, and technical specifications.

Many character- and ship-related tags simply expand on the Character and Relationship tags we've already talked about.  This is usually the place to specify details about OCs and inserts, such as how a reader-insert is gendered.

When it comes to character-related tags, one of the most common types in use on Ao3 and in fandom at large is the bang-path. This is things like werewolf!Alex, trans!Max, top!Sam, kid!Jamie, and captain!Tori. Basically, a bang-path is a way of specifying a version of a character. We've been using this format for decades; it comes from the very first email systems used by universities in the earliest days of internet before the World Wide Web existed. It's especially useful for quickly and concisely explaining the roles of characters in an AU. Nowadays this is also one of the primary conventions for indicating who's top and who's bottom in a ship if that's information you feel the need to establish.  The other current convention for indicating top/bottom is as non-bang-path character-related tags in the form “Top [Character A], Bottom [Character B].”

Other common sorts of character tags are things like “[Character A] Needs a Hug,” “Emotionally Constipated [Character B],” and “[Character C] is a Good Dad.”

Some character-related tags don't refer to a particular character by name, but tell readers something about what kinds of characters are in the fic. Usually, this indicates the minority status of characters and may indicate whether or not that minority status is canon, as in “Nonbinary Character,” “Canon Muslim Character,” “Deaf Character,” and “Canon Disabled Character.”

Down here in the tags is the place to put ship nicknames!  This is also where to say things like “They're idiots your honor” or indicate that they're “Idiots in Love,” maybe both since “Idiots in Love” is an established searchable tag but “They're idiots your honor” isn't yet. If your fandom has catchphrases related to your ship, put that here if you want to.

If relevant, specify some things about the nature of relationships in your fic such as “Ambiguous Relationship,” “Queerplatonic Relationships,” “Polyamory,” “Friends With Benefits,” “Teacher-Student Relationship,” and so on. Not all fics need tags like these. Use your best judgement whether your current fic does.

Temporal tags indicate when your fic takes place. That can be things like “Pre-Canon” and “Post-Canon,” “Pre-War,” “Post-Captain America: The Winter Soldier,” “1996-1997 NHL season,” “Future Fic,” and so on.  These tags may be in reference to temporal landmarks in canon, in the real world, or both depending on what's appropriate.

Some temporal tags do double duty by also being tags about the fic's relationship to canon. The Pre- and Post-Canon tags are like that.

Other relation-to-canon type tags are “Canon Compliant” for fics that fit completely inside the framework of canon without changing or contradicting anything, “Alternate Universe - Canon Divergence” for fics that are compliant up to a certain point in canon, then veer off (maybe because you started writing the fic when the show was on season two but now it's at season four and you're not incorporating everything from the newer seasons, maybe a character died and you refuse to acknowledge that, maybe you just want to explore what might have happened if a particular scene had gone differently), and the various other Alternate Universe tags for everything from coffee shop AUs and updates to modern settings, to realities where everyone is a dragon or no one has their canon superpowers.

The established format for these tags is “Alternate Universe – [type],” but a few have irregular names as well, such as “Wingfic” for AUs in which characters who don't ordinarily have wings are written as having wings.

If you have written an AU, please tag clearly what it is! Make things easy on both the readers who are in the mood to read twenty royalty AUs in a row, the readers who are in the middle of finals week and the thought of their favorite characters suffering through exams in a college AU would destroy the last shred of their sanity but would enjoy watching those characters teach high school, and the readers who really just want to stick to the world of canon right now.

Admittedly, it can get a little confusing what AU tag or tags you need to describe what you've written since most of us have never had a fandom elder sit us down and explain what the AU tags mean. One common mix up is tagging things “Alternate Universe - Modern Setting” when what's meant is “Alternate Universe - Canon Divergence.”  The misunderstanding here is usually reading “Alternate Universe - Modern Setting” and thinking it means an alternate version of the canon universe that is set at the same time as the canon universe, but is different in some way. That's not how the tag is meant to be used, though.

The Modern Setting AU tag is specifically for fic set now (at approximately the same time period it was written), for media that's canonically set somewhere that is very much not the present of the real world. This can mean things set in the past (like Jane Austen), the future (like Star Trek), or a fantasy world entirely different from our own (like Lord of the Rings or Avatar: the Last Airbender). Fic for a canon that's set more or less “now” doesn't need the Modern Setting AU tag, even if the world of canon is different from our own. If you're removing those differences by putting fantasy or superhero characters in a world without magic or supersoldier serum, you might want the “Alternate Universe - No Powers” tag instead.

Some of the most fun descriptive tags are trope tags. This includes things like “Mutual Pining,” “Bed Sharing” for when your OTP gets to their hotel room to find There Was Only One Bed, “Fake Dating,” “Angst,” Fluff,” “Hurt/Comfort” and all its variants.  Readers love tropes at least as much as we love writing them and want to be able to find their favorites. Everyone also has tropes they don't like and would rather avoid. Tagging them allows your fic to be filtered in and out by what major tropes you've used.

Explicit fics, and sometimes fics with less restrictive ratings, that contain sex usually have tags indicating details about the nature of the sexual encounter(s) portrayed and what sex acts are depicted. These are descriptive tags, but they also do double duty as courtesy tags. This is very much a situation in which tags are a consent mechanism; by thoroughly and clearly tagging your smut you are giving readers the chance to knowingly opt in or out of the experience you've written.

Most of the time, it's pretty easy to do basic tagging for sex acts—you know whether what you wrote shows Vaginal Sex, Anal Sex, or Non-penetrative Sex.  You probably know the names for different kinds of Oral Sex you may have included. You might not know what to call Frottage or Intercrural Sex, though, even if you understand the concept and included the act in your fic. Sometimes there are tags with rectangle-square type relationships (all Blow Jobs are Oral Sex, but not all Oral Sex is a Blow Job) and you're not sure if you should tag for both—you probably should. Sometimes there are tags for overlapping, closely related, or very similar acts or kinks and you're not sure which to tag—that one's more of judgement call; do your best to use the tags that most closely describe what you wrote.

Tag for the kinks at play, if any, so readers can find what they're into and avoid what they're not. Tag for what genitalia characters have if it's nonobvious, including if there's Non-Human Genitalia involved. Tag your A/B/O, your Pon Farr, and your Tentacles, including whether it's Consentacles or Tentacle Rape.

Technical specification tags give information about aspects of the fic other than its narrative content.  Most things on Ao3 are prose fiction so that's assumed to be the default, so anything else needs to be specified in tags. That includes Poetry, Podfics, things in Script Format, and Art. If it is a podfic, you should tag with the approximate length in minutes (or hours). If a fic is Illustrated (it has both words and visual art) tag for that.

Tag if your fic is a crossover or fusion.  The difference, if you're not sure, is that in a crossover, two (or more) entire worlds from different media meet, whereas in a fusion, some aspects of one world, like the cast of characters, are combined with aspects of another, like the setting or magic system.

If the team of paranormal investigators from one show get in contact with the cast of aliens from another show, that's a crossover and you need to have all the media you're drawing from up in the Fandom tags. If you've given the cast of Hamlet physical manifestations of their souls in the form of animal companions like the daemons from His Dark Materials but nothing else from His Dark Materials shows up, that's a fusion, the Fandom tag should be “Hamlet - Shakespeare,” and you need the “Alternate Universe - Daemons” tag. If you've given the members of a boy band elemental magic powers like in Avatar: the Last Airbender, that can be more of a judgement call depending how much from Avatar you've incorporated into your story. If absolutely no characters or specific settings from Avatar show up, it's probably a fusion.  Either way, if the boyband exists in real life, it needs to be tagged as RPF.

Tag if your fic is a Reader-Insert or Self-Insert.

You might want to tag for whether your fic is written with POV First, Second, or Third Person, and if it's Past Tense or Present Tense (or Future Tense, though that's extremely uncommon).  For POV First Person fics that are not self-inserts, or POV Third Person fics that are written in third person limited, you may want to tag which character's POV is being shown. Almost all POV Second Person fics are reader-insert, so if you've written one that isn't, you should tag for who the “you” is.

A fic is “POV Outsider” if the character through whom the story is being conveyed is outside the situation or not familiar with the characters and context a reader would generally know from canon. The waitress who doesn't know the guy who just sat down in her diner is a monster hunter, and the guy stuck in spaceport because some hotshot captain accidentally locked down the entire space station, are both potential narrators for POV Outsider stories.

Other technical specifications can be tags for things like OCtober and Kinktober or fic bingo games.  Tagging something as a Ficlet, One Shot, or Drabble is a technical specification (we're not going to argue right now over what counts as a drabble). Tagging for genre, like Horror or Fantasy, is too.

It's also good to tag accessibility considerations like “Sreenreader Friendly,” but make sure your fic definitely meets the needs of a given kind of accessibility before tagging it.

Personal

Even among personal tags there are established tags!  Things like “I'm Sorry,” “The Author Regrets Nothing,” “The Author Regrets Everything,” and “I Wrote This Instead of Sleeping” are common ones.  Tags about us and our relationship to the fic, such as “My First Work In This Fandom,” “Author is Not Religious,” and “Trans Porn By A Trans Author,” can help readers gauge what to expect from our fic. Of course, you are not at all obligated to disclose any personal information for any reason when posting your fic.

The “I'm Bad At Tagging” tag is common, but probably overused. Tagging is hard; very few of us have a natural feel for it even with lots of practice.  It's not a completely useless tag because it can indicate to readers that you've probably missed some things you should have tagged for, so they should be extra careful; but it can also turn into a crutch, an excuse to not try, and therefore a sign to readers they can't trust your tagging job. Just do your best, and leave off the self depreciation. If you're really concerned about the quality of your tagging, consider putting in an author's note asking readers to let you know if there are any tags you should add.

You might want to let readers know your fic is “Not Beta Read” or, if you're feeling a little cheekier than that, say “No Beta We Die Like Men” or its many fandom-specific variants like the “No Beta We Die Like Robins” frequently found among Batman fics and “No beta we die like Sunset Curve” among Julie and The Phantoms fic. Don't worry, the Archive recognizes all of these as meaning “Not Beta Read.”

The Archive can be inconsistent about whether it stacks specific variants of Additional Tags under the broadest version of the tag like it does with Fandom tags, so best practice is usually to use both.  You can double check by trying to search by a variant tag (or clicking on someone else's use of the variant); if the results page says the broader or more common form of the tag, those stack.

There's no such thing as the right number of tags. Some people prefer more tags and more detail, while other people prefer fewer more streamlined tags, and different fics have different things that need to be tagged for.  There is, however, such a thing as too many tags.  A tagblock that takes up the entire screen, or more, can be unreadable, at which point they are no longer useful. Focus on the main points and don't try to tag for absolutely everything.  Use the “Additional Warnings In Author's Note” strategy if your courtesy tags are what's getting out of hand.

Tag for as much as you feel is necessary for readers to find your fic and understand what they're getting into if they decide to open it up.

A little bit of redundancy in tags is not a sin.  In fact, slight redundancy is usually preferable to vagueness. Clear communication in tags is a cardinal virtue. Remember that tags serve a purpose, they're primarily a tool for sorting and filtering, and (unlike on some other sites like tumblr) they work, so it's best to keep them informative and try to limit rambling in the tags. Ramble at length in your author's notes instead!

Titles

Picking a title can be one of the most daunting and frustrating parts of posting a fic. Sometimes we just know what to call our fics and it's a beautiful moment. Other times we stare at that little input box for what feels like an eternity.

The good news is there's really no wrong way to select a title. Titles can be long or short, poetic or straight to the point. Song lyrics, idioms, quotes from literature or from the fic itself can be good ways to go.

Single words or phrases with meanings that are representative of the fic can be great. A lot of times these are well known terms or are easy enough to figure out like Midnight or Morning Glow, but if you find yourself using something that not a lot of people know what it means, like Chiaroscuro (an art style that uses heavy shadow and strong contrast between light and dark), Kintsukuroi (the Japanese art of repairing broken pottery with gold), or Clusivity (the grammatical term for differences in who is or isn't included in a group pronoun), you should define the term in either a subtitle, i.e. “Chiaroscuro: A Study In Contrast,” or at the beginning of the summary.

As a courtesy to other writers, especially in small fandoms, you may want to check to make sure there's not already another fic with the same title in the same fandom, but this is not required. In large fandoms, there's no point in even trying. After all, there are only so many puns to be made about the full moon and only so many verses to Hallelujah.

It may be common practice on other platforms to include information such as fandom or ship in the title of a fic, but on Ao3 nothing that is specified by tags belongs in the title unless your title happens to be the same as a tag because, for instance, you've straightforwardly titled your character study of Dean Winchester “Dean Winchester Character Study” and also responsibly tagged it as such.

Summaries

Yes, you really do need to put something down for the summary. It might only need to be a single sentence, but give the readers something to go off of.

The summary is there to serve two purposes: one, to catch the interest of potential readers, give them a taste of what's inside, and make them want to know more; and two, to give you a space to provide information or make comments that don't really fit in the tags but that you want readers to see before they open the fic.

We've already talked some about that second function. When you put an explanation of the title or clarification about tags in the summary, that's the purpose it's serving. You can also put notes to “Heed the tags” or instruct readers that there are additional warnings in the author's note here in the summary, rather than doing so in the tags.

The first function, the actual summarizing, can be very hard for some of us.  It's basically the movie trailer for your fic, butwhat are you even supposed to say?

There are two main strategies as to how to approach this: the blurb, and the excerpt. Blurbs are like the synopses you at least used to see on the backs of published books, or the “Storyline” section on an IMDb page. Writing one is a matter of telling your readers who does what, under what circumstances.

Depending on the fic, one sentence can capture the whole thing: “Sam and Alex have sex on a train.” “Tori tries to rob a bank.” “If anybody had mentioned Max's new house was haunted, Jamie wouldn't have agreed to help with the move.”

Sometimes a blurb can be a question! “What happens when you lock a nuclear engineer in a closet with a sewing kit, a tennis ball, and half a bottle of Sprite?”

Of course, plenty of blurbs are more than one sentence. Their length can vary pretty significantly depending on the type and length of fic you're working with and how much detail you're trying to convey, but it shouldn't get to be more than a few short paragraphs. You're not retelling the entire fic here.

An excerpt is a portion of the fic copied out to serve as the summary. This, too, can vary in length from a line or two to several paragraphs, but shouldn't get too long. It should not be an entire scene unless that scene happens to be uncommonly short. It's important to select a portion of the fic that both indicates the who, what, and under what circumstances of the fic and is representative of the overall tone. Excerpts that are nothing but dialogue with no indication of who's talking are almost never a good choice. Portions that are sexually explicit or extremely violent are never ever a good choice—if it deserves content warnings, it belongs inside the fic, not on the results page.

Counterintuitively, some of the best excerpts won't even look like an excerpt to the reader if they don't contain dialogue. They seem like particularly literary blurbs until the reader reaches that part in the fic and realizes they recognize a section of narration.

Some of us have very strong preferences as to whether we write blurbs or use excerpts for our summaries. Some readers have very strong preferences as to which they find useful. Ultimately, there's no accounting for taste, but there are things we can do to limit the frustration for readers who prefer summaries of the opposite kind than we prefer to write, without increasing our own frustration or work load very much. Part of that is understanding what readers dislike about each type so we know what to mitigate.

Blurbs can seem dry, academic, and overly simplified. They don't automatically give the reader a sense of your writing style the way an excerpt does. They can also seem redundant, like they're just rehashing information already given in the tags, so the reader feels like they're being denied any more information without opening the fic.

Excerpts can seem lazy, like you, the author, don't care enough to bother writing a blurb, or pushy like you're telling the reader “just read the fic; I'm not going to give you the information you need to decide if you want to read or not, I'm shoving it in front of you and you just have to read it.” That effect gets worse if your tags aren't very informative or clear about what the plot is, if the excerpt is obviously just the first few lines or paragraphs of the fic, if the except is particularly long, or, worst of all, if all three are true at once.

A lot of the potential problems with blurbs can be minimized by having fun writing them! Make it punchy, give it some character, treat it like part of the story, not just a book report. A fic for a serialized show or podcast, for instance, could have a blurb written in the style of the show's “previously on” or the podcast's intro.  Make sure the blurb gives the reader something they can't just get from the tags—like the personality of your writing, important context or characterization, or a sense of the shape of the story—but don't try to skimp on the tags to do it!

Really, the only way to minimize the potential problems with excerpts is to be very mindful in selecting them. Make sure the portion you've chosen conveys the who, what, and under what circumstances and isn't too long.  You know the story; what seems clear and obvious from the excerpt to you might not be apparent to someone who doesn't already know what happens, so you might need to ask a friend to double check you.

The absolute best way to provide a summary that works for everybody is to combine both methods. It really isn't that hard to stick a brief excerpt before your blurb, or tack a couple lines of blurb after your excerpt, but it can make a world of difference for how useful and inviting your summary is to a particular reader. The convention for summaries that use both is excerpt first, then blurb.

If you're struggling to figure out a summary, or have been in the habit of not providing one, try not to stress over it. Anything is better than nothing.  As long as you've written something for a summary, you've given the reader a little more to help them make their decision. What really isn't helpful, though, is saying “I'm bad at summaries” in your summary. It's a lot like the “I'm Bad At Tagging” tag in that it's unnecessarily self depreciating, frequently comes across as an excuse not to try, and sometimes really is just an excuse. Unlike the “I'm Bad At Tagging” tag, which has the tiny saving grace of warning readers you've probably missed something, saying you're bad at summaries has no utility at all, and may drive away a reader who thought your summary was quite good, but is uncomfortable with the negative attitude reflected by that statement. Summaries are hard. It's okay if you don't like your summary, but it's important for it to be there, and it's important to be kind to yourself about it. You're trying, that's what matters.

Author's Notes

Author's notes are the one place where we, the writers, directly address and initiate contact with our readers. We may also talk to them in the comments section, but that's different because they initiate that interaction while we reply, and comments are mostly one-on-one while in author's notes we're addressing everyone who ever reads our fic.

The very first note on a fic should contain any information, such as warnings or explanations, that a reader needs to see before they get to the body of the story, as well as anything like thanks to your beta, birthday wishes to a character, or general hellos and announcements you want readers to see before they get to the body of the story. On multi-chapter fics, notes at the beginning of chapters serve the same function for that chapter as the initial note on the fic does for the whole story, so you can do things like warn for Self-Harm on the two chapters out of thirty where it comes up, let everyone know your update schedule will be changing, or wish your readers a merry Christmas, if they celebrate it, on the chapter you posted on December 23rd but is set in mid-March.

Notes at the end of a fic or chapter are for things that don't need to be said or are not useful to a reader until after they've read the preceding content, such as translations for that handful of dialogue that's in Vulcan or Portuguese, or any parting greetings or announcements you want to give, like a thanks for reading or a reminder school is starting back so you won't be able to write as much. End notes are the best place to plug your social media to readers if you're inclined to do so, but remember that cannot include payment platforms like Patreon or Ko-fi.

As previously mentioned, warnings can go in end notes but that really should only be done when the warnings are particularly long, such that the length might cause a problem for readers who are already confident in their comfort level and would just want to scroll past the warning description. In that case, the additional warnings need to go in the note at the end of the first chapter, rather than at the end of the fic, if it's a multi-chapter fic; and you need to include an initial note telling readers that warnings/explanations of tags are at the bottom so they know to follow where the Archive tells them to see the end of the chapter/work for “more notes.”

When posting a new work, where the Preface section gives you the option to add notes “at the beginning” or “at the end” or both, if you check both boxes, it means notes at the beginning and end of the entire fic, not the beginning and end of the first chapter. For single-chapter fics this difference doesn't really matter, but for multi-chapter fics it matters a lot. In order to add notes to the beginning or end of the first chapter of a multi-chapter fic you have to first go through the entire process to post the new fic, then go in to Edit, Edit Chapter, and add the notes there.

Series and Chapters

Dealing with Series and Chapters is actually two different issues, but they're closely related and cause some of us mixups, especially when we're new to the site and its systems, so we're going to cover them together.

Series on Ao3 are for collecting up different stories that you've written that are associated with each other in some way. Chapters are for dividing up one story into parts, usually for pacing and to give yourself and your readers a chance to take breaks and breathe, rather than trying to get through the entire thing in a single marathon sitting (not that we won't still do that voluntarily, but it's nice to have rest points built in if we need them).

If your story would be one book if it was officially published, then it should be posted as a single fic—with multiple chapters if it's long or has more than one distinct part, like separate vignettes that all go together. If you later write a sequel to that fic, post it as a new fic and put them together in a series. It's exactly like chapters in a book and books in a series. Another way to think of this structure is like a TV show: different fics in the series are like different seasons of the show, with individual chapters being like episodes.

If you have several fics that all take place in the same AU but really aren't the same story those should go together as a series.  If you wrote a story about a superhero team re-cast as school teachers, then wrote another story about different characters in the same school, that's this situation.

Series are also the best way to handle things like prompt games, bingos, or Kinktober, or collect up one shots and drabbles especially if your various fills, entries, and drabbles are for more than one fandom. If you put everything for a prompt game or bingo, or all your drabbles, together as one fic with a different chapter for each story, what ends up happening is that fic gets recognized by the Archive as a crossover when it isn't, so it gets excluded from the results pages for everyone who told the filters to Exclude Crossovers even though one of the stories you wrote is exactly what they're looking for; and that fic ends up with tons and tons of wildly varying and self-contradictory tags because it's actually carrying the tags for several entirely different, possibly unrelated stories, which also means it ends up getting excluded from results pages because, for instance, one out of your thirty-one Kinktober entries is about someone's NoTP.

Dividing these kinds of things up into multiple fic in a series makes it so much easier for readers to find what of your work they actually want to read.

If you've previously posted such things as a single fic, don't worry, it's a really common misunderstanding and there is absolutely nothing stopping you from reposting them separately. You may see traffic on them go up if you do!

Parting Thoughts

Metatext is ultimately all about communication, and in this context effective communication is a matter of responsibility and balance.

Ao3 is our archive. It's designed for us, the writers, to have the freedom to write and share whatever stories we want without having to worry that we'll wake up one day and find our writing has been deleted overnight without warning.  That has happened too many times to so many in our community as other fanfic sites have died, been shut down, or caved to threats of legal action. Ao3 is dedicated to defending our legal right to create and share our stories. Part of the deal is that, in exchange for that freedom and protection, we take up the responsibility to communicate to readers what we're writing and who it's appropriate for.

We are each other's readers, and readers who don't write are still part of our community. We have a responsibility as members of this community to be respectful of others in our shared spaces.  Ao3 is a shared space. The best way we have to show each other respect is to give one another the information needed to decide if a given fic is something we want to engage with or not, and then, in turn, to not engage with fic that isn't our cup of tea. As long as our fellow writer has been clear about what their fic is, they've done their part of the job. If we decided to look at the fic despite the information given and didn't like what we found, then that's on us.

Because metatext is how we put that vital information about our fics out in the community, it's important that our metatext is clear and easy to parse. The key to that is balance. Striking the balance between putting enough tags to give a complete picture and not putting too many tags that become an unreadable wall; the balance between the urge to be thorough and tag every character and the need to be restrained so those looking for fics actually about a certain character can find them; the balance between using established tags for clarity and ease and making up our own tags for specificity and fun.

Do your best, act in good faith, remember you're communicating with other people behind those usernames and kudos, and, most importantly, have fun with your writing!

[readingaway]

Mid Year Book Freakout Tag

Stolen from @ninja-muse, this was a good distraction for a few minutes

How many books have you read so far?

126; fewer than I wanted to have read but there’s a lot of extenuating circumstances and reading must take a back seat to everything else. A few have been re-reads like Dance of Thieves, Red White & Royal Blue, the first three books of An Ember in the Ashes, and I will get to re-reading We Hunt the Flame in the next few weeks. 

What genres have you read?

A decent mix, I think. It’s still somehow dominated by fantasy and YA (or YA fantasy), but I’ve gotten in quite a few other genres like contemporary/ adult literary fiction, historical fiction, romance, sci-fi, classics, and some nonfiction, poetry, short stories, and graphic novels. 

Best books you’ve read so far in 2021:

Not counting re-reads -

Saga by Brian K. Vaughan and Fiona Staples (book 3 hurt so much)

Why Be Happy When You Could Be Normal? by Jeanette Winterson

A Memory of Light by Brandon Sanderson & Robert Jordan 

Men at Arms by Terry Pratchett (my favorite Discworld novel so far)

The ABC Murders by Agatha Christie

The Color Purple by Alice Walker

New Spring by Robert Jordan

The Emigrants by W.G. Sebald (was a bit hard to read but the flow and the emotional pull)

The Lives of Christopher Chant and Witch Week by Diana Wynne Jones (I’ve discovered that when I’m in a slump - usually because my reading has been too depressing or dry I just have to pick up a Jones or a Pratchett to fix things)

A Sky Beyond the Storm by Sabaa Tahir (I mean, I thought I was upset by certain things but then I checked the tagged posts on here and realized I’m normal, actually)

Spindle’s End by Robin McKinley

Curses are for Cads by Tamara Berry

The Goddess Chronicle by Natsuo Kirino

The Box in the Woods by Maureen Johnson

The Valley and the Flood by Rebecca Mahoney

The Long Way to a Small, Angry Planet by Becky Chambers

Cures for Heartbreak by Margo Rabb

The Poisonwood Bible by Barbara Kingsolver

Best sequel you’ve read so far in 2021:

Uh, I’m gonna go with The Box in the Woods even though it’s not quite a sequel, it is connected to the main series

New release you haven’t read yet, but want to:

Lucky Girl by Jamie Pacton, Delicates by Brenna Thummler, Lucy Clark Will Not Apologize by Margo Rabb, and Project Hail Mary by Andy Weir. There’s a few more but these are the ones I’m most anxious to get to.

Most anticipated release for the second half of the year:

I’m very excited for A Snake Falls to Earth by Darcie Little Badger, Vespertine by Margaret Rogerson, Hypnosis is for Hacks by Tamara Berry, and The Winners by Fredrik Backman - the intended release date is unclear but it looks like it should be out in English in November/ December but might be pushed to next year. (On that note, I am still waiting for The Winds of Winter and The Thorn of Emberlain.)

Biggest disappointment:

Ace by Angela Chen was well put together but nothing earth-shattering or even that affirming for me. I keep myself sheltered from discrimination so I don’t face the stuff that people in the stories related faced, nor is it like I’ve never heard of asexuality before. 

In terms of books I think were just bad, Coyote America by Dan Flores was a flop; it looked like it might be pretty informative and some parts of it were, but there were so many assumptions and presumptions, as well as poor argumentation, that it threw everything else the author was claiming into question. Brideshead Revisited and A Handful of Dust, both by Evelyn Waugh were also big disappointments, out of all the classics I’ve read so far this year they were both boring, stale duds in which nothing interesting happened at all and the narrative voice was even more boring and grating. 

Biggest surprise:

Um, The Poisonwood Bible by Barbara Kingsolver. I thought it would be iffy but it was... it flowed well and highlighted the differences between the women and had such emotional depth and also drew so much attention to patriarchal religious structures and patriarchy in general. 

Favorite new author (debut or new to you):

Ooh, I’ve read quite a few debut novels - mostly middle grade since I’ve been reading a lot of middle grade since my own novel project falls somewhere between middle grade and YA and I want to study the story types and narrative styles and I like how they’re written much more clearly than YA and adult books and yet typically have great emotional depth. So for most notable debut authors I liked Rebecca Mahoney and Nora Shalaway Carpenter. In new to me authors, Rachel Maddow, Tillie Walden, and Natuso Kirino all have other books that I’m now interested in checking out. Actually I have one of Tillie Walden’s other books next to me right now.

Underrated gems:

I’m going to say Spindle’s End, The Goddess Chronicle, The Valley and the Flood, Cures for Heartbreak, the Chrestomanci series by Diana Wynne Jones, Sia Martinez and the Moonlit Beginning of Everything by Raquel Vasquez Gilliland, Black Flamingo by Dean Atta, The Midwich Cuckoos by John Wyndham (a classic horror/ sci-fi novel), and The Thirty Names of Night by Zeyn Joukhadar

Newest fictional crush:

Was gonna say “don’t have any” but one could say that I love Marko in Saga (they draw him with such a strong jawline and he wears armor and has beautiful ram horns; bearded Marko was peak Marko) and Eleanor Wilde in Tamara Berry’s Eleanor Wilde mystery series might count.

Newest favorite characters:

the crew in Saga and Ashby in The Long Way to a Small, Angry Planet stick out but really, I loved a lot of characters this year.

Book that made you cry:

Jumping Off Swings by Jo Knowles, Love & Olives by Jenna Evans Welch, and The Seven Husbands of Evelyn Hugo by Taylor Jenkins Reid leap to mind

Book that made you happy:

Aside from the ones I already listed, The Transatlantic Book Club by Felicity-Hayes McCoy

Most beautiful book cover of a book you’ve read so far this year:

Oh but there’s quite a few! Like The Pull of the Stars, the vintage classics copy of Orlando, The Go-Between, The Valley and the Flood 

How are you doing with your year’s goals?

Well I didn’t make any official goals aside from my overall reading goal of 200 books, which I’m doing well on. I might up it to 250 but I’m not sure how demanding fall semester is going to be yet. Aside from that I just have vague goals to push my boundaries and read as diversely as possible - not just with things like #ownvoices books but in genre, all the different categories, as well. That’s going pretty well.

What books do you need to read by the end of the year?

SO MANY. I can’t give a list because there is no way to keep it concise.

Tagging: @softironman, @she-wolf-of-highgarden, @motherofkittens94 and anyone who wants to do it.

[venusofthehardsells]

No Rest for the Wicked [Dea ex Machina part one]

John ConstantinexAngel!Reader Summary: You travel to a remote island to put a murderous spirit to rest, but things get complicated when you run into one John Constantine. Warnings: swearing, mentions of mental illness, blood, smoking, ghosts, pining, is slowburn a warning? A/N: My first Constantine fic on tumblr, yay! This was originally written for a challenge aaages ago, but it got away from me and I couldn’t meet the deadline. I had so much fun with this though, Constantine is a great character to write for! There will definitely be more stories about him and this particular angelic reader in the future ♥

I’ve mixed elements from both the Vertigo comics and the NBC TV series, as well as from the general DC Universe, so don’t expect accuracy when it comes to canon. A special thanks to @nellblazer​​ for support and linguistic aid, you’re the best! ♥ Let me know what you think and if you want to be tagged ~

Contrary to common belief, there had never actually been any ravens on Raven’s Rock. The tiny, windswept fleck of land in the North Sea had been named a few hundred years ago by a fool of a sailor, who hadn’t been able to tell a raven from a severely lost and consequently very confused Scandinavian pigeon. Said sailor had regrettably also been of some importance in his homeland at the time, meaning no one had bothered to correct the unfortunate mistake for fear of losing a head. Even though everyone who since came upon the island only ever managed to find gulls and puffins and various other seabirds, it had still kept its misleading English name.

The Celts, who by rights had been on the island long before the British, had chosen to play it safe and completely forego the bird names (although it had been suggested several times in later centuries to change it to the Gaelic word for seagull, or even pigeon, as a taunt). Instead, they had most likely looked to the ancient ruins that specked the island, jutting up from the rocks like broken teeth and, all things considered, had endured well beyond memory and history and legend. Or perhaps they had still been reeling from the mad determination that had brought them and their wooden ships so far from home. Whichever the case, they had called the stubborn, little rock Innis Seasmhach, “the steadfast island”.

That was its official name to this day, though most people, especially those who didn’t speak Gaelic (which in all fairness are not very many), still referred to it as Raven’s Rock.

The locals shrugged and simply called it “the island”.

There was only one village on the entire island, whose population on a good day might reach a hundred and thirty people. That usually only happened a few times during summer when the ferries from Stavanger and Aberdeen docked at the same time. The tourists came to see the ruins, buy a souvenir fridge magnet of a raven or a puffin, complain about the frightfully bleak weather and leave again on one of the ferries that departed before evenfall, secretly happy they didn’t have to spend any more time on the island.

On the day you arrived, the population on the isle of Raven’s Rock, was an astounding one hundred and forty four, which was quite unheard of in the middle of October.

What was even more unheard of, however, was the reason for all these untimely appearances.

A night ago, a pair of fishermen had discovered the body of a man in a small, secluded cove on the north side of the island. The body was placed so that it could only be seen from sea, unless one were to venture down a rocky and extremely narrow trail into the cove itself. It wasn’t hard to imagine someone slipping and ending up on the stony beach below. That kind of unfortunate death was of course tragic, but it hardly warranted the wide array of policemen and journalists the death had attracted. No, the reason for the sudden interest was the gruesome way the body had been displayed.

The dead man had been stripped bare and splayed out on the rocks like a cross with his arms stretched away from his torso. His skin was almost completely covered in symbols and writing no one could make sense of, though one expert, when consulted by the mystified and slightly desperate police, vaguely suggested it was possibly a rare pre-Arthurian dialect.

The more macabre specifics had so far been kept out of the press.

One was that the writings on the body had been done in blood, the corpse’s own, and another was that it came from where the head had been crudely severed from the rest of the flesh and spiked close by on a piece of driftwood.

Even hypnotised, the young sergeant who had told you, had looked slightly green when he related the information. You had padded him sympathetically on the shoulder before moving on. He wouldn’t remember revealing the details to you, but the information itself was seared into his mind forever.

His, along with the rest of the islanders’, you mused as you continued from the harbour and on into the village.

The locals called it “town”, but in truth it wasn’t really big enough to warrant that title.

It had one store that sold a little bit of everything depending on the weather, a church, a pub, a repair shop (it wasn’t specified what exactly you could get repaired there) and a public building, functioning as city hall, police station, post office, library and school in one. All the police reinforcements from Aberdeen had been moved into the city hall, seeing as the only two policemen permanently stationed on the island had never handled a murder case before. Meanwhile, the reporters and TV crews covering the case were taking up the pub’s five tiny bedrooms, both B&Bs and every single rental cottage Raven’s Rock could boast (nine in total if you counted the back room in the garage of the repair shop). Because you had left for the airport in a hurry and jumped onto the first plane to Norway, you hadn’t had time to secure a place to sleep on the island. You had pondered it on the ferry, but when it came down to it, you didn’t want to stick around longer than a day. If you worked fast, you could probably be on your way back to the mainland in the morning and wouldn’t need to worry about finding a bed. You had spotted a bench down by the harbour; it would have to do.

Besides, you didn’t have any time to waste as long as the murder case was unsolved. You could still hear Madame Xanadu’s words in your head like some annoying ominous echo.

A restless darkness will carry its evil across the water to be unleashed upon the twice-named rocks. The steadfast land will drink the blood of the laughing magician.

Fate was a menace when you had to deal with it like this, grounded and fumbling through the world with nothing but scraps to guide you. Not like in the old days when you had all of Heaven at your disposal… Being a proper angel had really had its advantages. You scoffed and walked faster. At least this prophecy had been pretty straightforward, which was far from what you were usually given to work with, you thought sourly, folding your arms around yourself against the wind.

A malevolent spirit that should have passed on, but hadn’t was easy enough to figure out; it happened all the time and you could deal with that. The location of the spirit had also been a walk in the park with so many hints to go on.

What really worried you was the second part of Madame Xanadu’s little mystic insight.

The steadfast land will drink the blood of the laughing magician.

Blood drinking was never a good omen in prophecies. It hardly ever meant vampires, usually just death. And the laughing magician, well, that one was always the same. The reason Madame Xanadu had called upon you to restore the balance in this place.

John Constantine.

Whenever one of her foresights indicated that the blonde warlock was walking into something he couldn’t handle himself, she sent you after him or, in this case, ahead to clear his path for him. Most times, he didn’t even know you had been there and you preferred it that way.

Like now.

The last you had heard of John was that he was in the States. Sufficiently far away, you thought. Even if someone had alerted him to the murder on Raven’s Rock, it would be at least another day before he could reach the windswept little island and by then you hoped to be long gone. It was best if you two didn’t meet at all.

You chewed on your lip as you thought of him. It wasn’t that you didn’t want to see him, it was just… easier if you didn’t. The things you did, the jobs you took were simply too dangerous if your focus wasn’t a hundred per cent on the task in front of you. And with John around, your newly mortal heart had a tendency to make your better judgement evaporate.

You passed a phonebox on the main (and only) street that looked as though it had seen better days and a small tourist information office/part time bakery with its doors and windows shut for the night, before you reached the seemingly only building in town with light and, admittedly subdued, noise streaming out of it: the pub. Apart from the city hall, you reckoned it must be the oldest building around, but also by far the one in best repair. The wooden sign above the heavy green door was, unsurprisingly, in the shape of a very sinister looking gull and it swayed in the wind with an ominous creak that made a shiver run down your spine, as if trying to dissuade you from entering.

Well, it wasn’t very likely that you would get any information elsewhere. With determination in your steps, you walked the last few cobbled steps to the door and went inside.

Your eyes quickly scanned the room, the patrons, the energies... and you froze on the threshold.

On a stool by the bar sat the very man you had hoped to avoid. He had taken off his signature trench coat and his back was towards you, but it didn't matter; you would recognise him blindfolded. He was so thoroughly cloaked and shrouded in magical protections of all sorts that the space he occupied was practically a vacuum. It was damn near impossible to locate him by magic, you knew. If one weren't looking directly at him, like you were now, no sixth sense or intricate spell would reveal his whereabouts. But his was a vacuum you had come to know very well. So well in fact, that by now you could pin him down by his apparent lack of magic, rather than by his well-hidden magical signature, and yet, there he was, sitting only half a room away from you with a drink in one hand and one of his ghastly Silk Cuts resting between the fingers of the other. And you hadn't noticed. You hadn't even done a quick scan to see if there were other magical presences on the island when you arrived. Worse, you hadn't cloaked yourself as thoroughly as you normally would have done and your own signature reached him before you could even think to try and prevent it.

From the way he straightened his back and immediately snuffed out the cigarette in an ashtray as if someone had shouted at him to show some care, you could tell he knew you were there. He shifted ever so slightly as if making room for you and you sighed. There was no getting out of this one.

Getting rid of your raincoat, you went over and crawled onto the empty stool next to him.

You were met with that wicked smirk of his that made your heart stutter and stumble in your chest.

"Now, there's a pleasant surprise to brighten this hellhole," he greeted, raising his glass at you. "Must confess, I never guessed I'd be running into you on this godforsaken rock, luv."

"Hello John." You did with a nod, trying to keep your voice even. "Can't say I expected this to be your sort of retreat either."

The warm light in the pub shone in John Constantine's dark eyes and his smirk grew into a grin.

"It's good to see you, luv. I've missed that disapproving pout o' yours. The fact that I never know when I'll see it again makes it so much sweeter."

You rolled your eyes at him, but didn't attempt to hide your burning cheeks. The bastard couldn’t possibly know exactly how brightly your torch for him was burning, but he always acted accordingly.

"So, what are you doing here then? Odd place for playing tourist, innit?"

He leaned on the counter, his hand moving closer to where yours was resting and there was that little, dark gleam of hope in his eyes that always appeared when he looked at you. As if there was somehow some other reasonable purpose you could have to be in a place like this, at a time like this.

You shrugged, biting down a smile.

"I find the climate rather agreeable."

John threw his head back and laughed at that. Even the barkeep, who had overheard your words, snorted. You caught his gaze before he turned back around and ordered a sparkling water.

"Right. And I just happened by to see the sights, eh?"

"Well, what do you think of them then?"

You raised an eyebrow at him and took a sip of the fizzy water the barkeep placed in front of you. John grinned and gave you an obvious once-over. Your dirty boots and high-neck jumper didn't seem to put him off.

"Much improved since this morning. At this rate, I can't wait to see how they'll look in the night."

"Oh, I ought to slap that smirk off your smug face, wizard," you sighed, feeling how your stomach was practically fluttering at his suggestive tone.

"Is that a promise, luv?"

"You're insufferable."

"Aye, that I am, luv, but you keep coming back for more. Must be doing something right, eh?"

You bit your lip and looked down; he suddenly felt too close. And the general level of noise inside the pub from people chattering wasn't as high as you had hoped. It would be easy for others to overhear anything you said. Given the island-wide unrest over the murder, you were sure ears were perked more than usual and you didn't want to draw any attention to yourself, or John. You would have to gather more information some other way.

"I missed you, too," you confessed, staring at the bottles lining the wall behind the bar as if they were all of a sudden exceedingly interesting. "But I... I thought you were helping out a certain green vigilante overseas these days."

John visibly tensed up.

"Who told you that?"

You shrugged, still not looking directly at him. The truth was that he couldn't really hide from you, not even in your current state. If he found out though, you didn't doubt for a second that his heated flirting would be switched for a literal knife in the back before you could even think the word "portal". Well, perhaps not literal, but you had no doubt the outcome would be fatal for you anyway.

"Who told you to come here?," you countered, raising an eyebrow and John scoffed.

"If you must know, I got a call from an old friend. Looks like she's been scrying on her own and this little spit of land kept drawing all her energy. Didn't seem like something I could ignore."

"You should've," you mumbled, taking a large slurp of your water and doing your best to ignore the persistent little spark of envy starting to gnaw away at you at his choice of words. What old friend? It had to be someone he had slept with, it always was with him. Why couldn't you just not care? "Take my advice, John, leave. Go home and lay low. I'll handle this island."

"Is that concern for old Johnny I hear, luv?," he asked with mock-surprise.

"Maybe. Don't let it get to your head, your ego won't be able to fit into that coat of yours."

He chuckled, but the tension was still there and you didn't know how to break it without giving him the truth, or at least something close.

"Your turn, pretty bird. I don't believe in coincidences like this, so tell me. How'd you know to come here?"

Lying to John Constantine was out of the question. As was being honest with him.

You chewed on your lip a bit, weighing your options. It wasn't like him to accept any kind of help unless he was downright desperate and that was still a long way off. If you challenged him though, he was most likely to flee, that much you knew. But you didn't want to get on his bad side unless you had absolutely no other choice.

"Leave," you repeated. "This one's out of your league, John. Let me take care of it, please."

The way your eyes were pleading with him made him frown and you realised you might have shown too much of your hand.

"I'm not going anywhere, luv." His hand was on top of yours on the bar before you could move it. To anyone looking, it seemed like an affectionate gesture, but he was effectively pinning you in place. "Not until you give me a bloody good reason not to give you the same treatment as whatever beast it is we're dealing with on this island."

"Let go of me."

Your voice wasn't very loud, but you knew he could hear you. He answered by pressing down harder on your hand and you winced.

"Why is it so hard for you to believe I just want to keep you safe?," you all but hissed at him, emptying your drink with a sour expression.

"Oh, I trust you just about as far as I can throw you, luv. Every time I see your pretty little face it means there's trouble brewing just around the corner."

"I saved your life in Tennessee. And in Derry," you tried, but his hold didn't loosen. If anything, John was now gripping your hand so hard no blood could possibly flow to your fingers. "I am trying to do your stubborn Scouse arse a bloody favour, why can't you just for once in your damn life listen to me?"

"Tell me your name then and maybe I will."

Fuck. Somehow it always came down to that.

"Xanadu," you snapped through gritted teeth, eyeing John with what you hoped was an appropriate amount of ire. "Xanadu contacted me and told me about this place. Happy? Obviously, she wasn't going to tell you now, was she?"

John withdrew his hand from you as though you'd burned him. It felt about as pleasant as a punch to the teeth, but you tried not to let it show on your face.

"I suppose you're right...," he admitted. "What did she tell you then? Her usual cryptic nonsense I reckon?"

"For someone in your line of work, you're not at all keen on prophecy reading, are you?," you sighed, forcing a bit of humour into your words.

There was no love lost between John Constantine and Madame Xanadu, that much had been clear to you from the beginning. But even though she couldn't stand the sight of him, she believed John was instrumental in keeping the world safe and had begrudgingly agreed to help you protect him when she could.

"Not really my style. I prefer things more tangible, to the point. Besides, I don't need to worry about divination when I have you."

"You rarely do."

"Not by my choice, luv."

Your eyes flickered back to the empty glass in front of you and you had to take a very slow breath to try and steady yourself. His effect on you was too strong for you to be safe around him. Your job required a clear head - for both your sakes.

"A restless darkness will carry its evil across the water to be unleashed upon the twice-named rocks," you recited, steeling your voice as you averted his unspoken question the way you always did. "It wasn't that cryptic at all for once."

He didn't need to hear the other part. You could feel his eyes roaming your face, trying to figure you out, looking for something without fully knowing what. It was at times like these you missed your wings. Keeping secrets in a human body full of emotions and urges and reactions beyond your immediate control was frustrating at best. It was another reason you were better off keeping your distance.

After a while of searching your features, John sighed and gave up.

"Alright. So it's probably some kind of malevolent spirit then, wreaking havoc. Don't see why you're so worried luv, sounds like any other Tuesday to me."

The barkeep was close enough for you to signal for a refill to you both. He grunted something unintelligible, obviously not too keen on all the Brits suddenly hanging out in his pub. You made sure to send him a grateful smile as he filled your glasses, yours with sparkling water, John's with whisky.

"My weeks are all Mondays," you said and raised the glass to your lips; just as you had hoped, John did the same. "Did you get here in time to see the body?"

"Only after they moved it. Wasn't pretty..." He took another swig while staring at the wall with a distant glaze clouding his eyes that told you he wasn't seeing the wall at all. "Pathologist told me the man had been alive when 'is head was severed. The, er... the inscriptions..." John looked just as sickly green as the constable had done and very gently you put your hand on his shoulder. A small gesture of reassurance. "I'm tired," he whispered suddenly. He turned his head to look at you and your heart ached when you realised how glassy his eyes had become. "I am just so bloody tired. Demons, vampires, curses, spirits, the lot. No matter where I go, there're always more and people die, it never stops. Innocent people, good people... I just want a fucking break, but if I don't stop the darkness from spreading, who will?"

His voice was thin and on the verge of breaking entirely. You wanted nothing more than to lean forwards on the stool and put your arms around him, somehow make him know he wasn't alone, but the risk was too great. You were in too deep already.

"Sometimes I wonder whether it's all worth it..."

"Of course it's worth it, John," you said quietly, clenching his shoulder. "We do what we have to so they...," you gestured discreetly towards the patrons, ”they can go on living their lives and not... not know and see the things we do..."

"I know, luv, I know. I just... I want..." The gloom that was always lurking just below the surface of his existence was spilling into his eyes. He was weary to the bone, deep into his very soul. For a moment, you thought he was going to let the tears burst. "I risk my life every day and it's never bloody enough, is it? A man got his head carved off by some wretched spirit who should have been resting in peace. Fuckin’ Hell..."

He rubbed his eyes hard and you decided then what to do. You didn't like it one bit, but seeing John this worn down, well, you liked that even less. It meant you had been sleeping on the job.

As subtly as you could, you put your hand in your pocket and found the tiny zip-bag with a pinch of purple powder in it. It wasn't something you used often and it had never been meant for John, but you couldn't in good conscience let him go after a rogue spirit in his current state. While he emptied his glass again, you drizzled the powder into your hand and braced yourself.

"John, look at me. It's going to be alright. You are John Constantine and without you this world would have ended twelve times in the last decade, maybe more. And right now you are going to save this island, because that is what you do. So get off your sulking arse and stop feeling sorry for yourself. We have a job here. You're going to find that spirit and put it out of its misery before it hurts someone else, got it?"

He huffed, but even so raised his head and managed a small grateful smile at the reprimand.

"Yes. You're right. Thank you, luv. You always know what to say..." His eyes darted to your lips and for half a heartbeat, you did nothing, just sat there and waited for him to lean in the rest of the way and kiss you. It was far from the first time it had happened, but you still felt at war with yourself. There wasn't a single atom left in you anymore that didn't crave his affection. He was drunk and emotional and between the way he looked at you and the way there suddenly seemed to be less and less space separating your bodies, there was no doubt about his intention. It would be so easy just to finally give in and let it happen.

"Don't thank me."

Before he could lean back or ask you what you meant, you blew the purple powder straight into his face.

His eyes widened in shock, but his body immediately began to turn relaxed and pliant.

"Oh, you have got to be kidding me...," he mumbled, but his gaze was already unfocused.

"I'm so sorry, John," you whispered, gently guiding his torso onto the bar.

He tried to say something more, but his words were slurred and within a few seconds, he was gone.

You had gotten the sleeping powder from a dealer in New Orleans, who had told you the effects would last at least four hours. They always oversold their stuff, but hopefully John would be out long enough for you to deal with the entire affair if you hurried up and took a few shortcuts. It was a messy solution, but then again, you hadn't planned on him being here. Desperate times and all that.

"He gonna be lying there all night?," the barkeep grumbled with a raised eyebrow at John when you hopped down from your stool. You put on the best smile you could manage under the circumstances and slid 50 quid across the counter.

"He'll come ‘round soon enough. If not, I'll be back for him in a few."

You practically fled the pub before he could ask you any more questions.

The road outside was deserted and you hoped no one was watching as you marched to the lonely phone box you had spotted earlier. It didn't look like anyone had used it in several years, but when you picked up the receiver the dial tone was there alright.

You took out a stained, battered playing card from the depths of one of your pockets (the seven of diamonds) and slid it into the credit card slot. You didn't own a mobile phone and neither did most of your acquaintances, but still you had memorised the few numbers you occasionally needed.

"Hey Chas, it's me," you said when the answering machine finally picked up. "I'm at the island with John and I haven't got much time. I don’t want to get John involved in this so I need to work fast. There's no need to worry, really, I've got it under control, but... just in case something unforeseen happens, uhm... if I don't call back in let's say ten hours, will you let John know where to find my body? He can't track me in his usual ways, so he'll need your help."

You took a deep breath and closed your eyes. What you were about to do was risky, maybe even reckless.

"I'm going to the beach where they found the dead man and work my way from there. If... if I don't succeed..." It was as if your throat was suddenly full of gravel. "Chas, please, just make sure John isn't the one to take on that spirit. He is not ready for that." Too late, you held the receiver away from your face while you tried to suppress a sniffle. So much for convincing Chas Chandler that you had things under control. Forcing your voice to even out, you continued. "I have to go. Just help him if I can’t, okay? And don’t worry too much. I’ll probably see you in a couple of days.”

Before you could say anything even more stupid, you hung up and slid your helpful seven of diamonds back into your coat. Handy little thing to have on you.

You left the phone box in the last light of day and made your way down to the beach. It took you twenty minutes to reach the cove and less than one to sneak under the police tape unseen. There were just two constables standing guard at the scene and they only looked when you wanted them to. For an active crime scene, the site was unusually quiet, but you attributed your luck to the dusk that made searching for clues almost impossible.

Of course, that went for you as well, you thought sourly as you carefully stepped around the little plastic numbers the police forensics had put up all over the little stretch of beach. You could make out the bloody piece of driftwood and the large dark spatter running down the stones where the corpse had lain, but nothing smaller than those. Even if the place was rather secluded, you didn’t dare light a torch with the uniforms standing idly guard so close by.

Sighing, you closed your eyes and concentrated.

The place was tingling with dark energy and it became clearer the more you felt around, using your own magic.

A spirit, just like you had anticipated. A lost soul preying on the living for… revenge? Yes, the bloody traces sang with the mad desire for vengeance that so often kept the dead from their rest. 

Bloodshed, the thirst temporarily quenched. Then what?

The movements of the spirit became blurry after that no matter how hard you tried to focus. The leftover energy had been disturbed and mixed with the signatures of all the people who had been to the crime scene since the discovery of the body and it was impossible to make out without assistance, even for someone as experienced as you.

If you couldn’t locate the soul, you couldn’t send it packing. 

Luring it via séance required more people and it was too risky for everyone involved anyway. Without its name, summoning it was out of the question as well.

You groaned when you realised what you had to do.

Making sure for the last time you couldn’t be seen from the line of police tape above you, you took off your backpack and dark raincoat and shoved both of them under the nearest rock. Next, you loosened your boots and sat them next to the backpack, then your thick scarf and woollen jumper. With short, angry movements, you rolled your trousers down and folded them hastily, ripped off your socks and wriggled out of your top.

“You’re so bloody lucky I love you, John,” you mumbled through clenched teeth that were starting to rattle in your skull. With fingers already numb from the cold, you unclasped your bra and slid down your underwear before you could change your mind, and with a deep breath, you stepped into the waves.

Even before you went into the sea, your body had been covered in goosebumps from the chilly October air, but the surfs rising around your legs now made you heave for breath with every step forward. The rocks under your feet were dull compared to the sharpness of the water. When it reached you mid-thigh you had to stop and wait for the pain to subside enough so that you could get further out. You were too close to the beach and the water was still too shallow for your purpose.

A tangle of seaweed drifted past your ankle, or at least you hoped it was just seaweed. It was hard to tell for sure in the dark.

Your submerged muscles were screaming as you forced yourself out until the water reached your ribs. If only that wretched spirit hadn’t chosen the middle of the bleeding autumn to throw its tantrum.

“Sacred Nanuet, your humble servant speaks to you,” you intoned through gritted teeth and held out your hands on either side of you so the gentle waves touched the palms of your hands. “She beseeches you; allow her the honour of sharing in your wisdom. Blessed goddess, lend her your sight and expand her understanding, your humble servant begs of you, great Nanuet…”

The ancient language you muttered your request in felt strange on your tongue as always, but your flattery worked. You could feel the magic start to sing under your hands and so you took a deep breath and lowered yourself completely into the sea.

The stranglehold of the freezing water somehow got pushed into the background of your conscience and within a beat of your heart your mind was alight with images. Through the water, you could see most of the world, but you focused on Raven’s Rock and the little beach behind you. The water had seen it all. From the depths of the ocean, it rolled onto the sand and sneaked its way under the island’s rocks, seeped into the soil and was drunk by the hungry roots of The Green, stretching into the light above ground…

It wasn’t long before you managed to zero in on the exact event you needed. The Sight of Nanuet allowed your mind to access the memory of the watery abyss, which included as good as all water on Earth and not a lot of people mastered navigating it anymore. You had been forced to use a lot of wordly magic since you lost your wings and so had learned to find what you needed relatively easy.

Through the Sight, you saw the murder of the man on the beach, how the spirit severed his head and lapped at the blood before turning away from the scene. It lost some of its shape then, but through the dewy grass above the cove and the moist air, you managed to follow it away from the beach and across the land.

The spirit held its physical form, or at least the overall contours of it, and it made it easier to trail. From what you could tell, it definitely had been human when it had been alive. Poor thing. If only it hadn’t gone and murdered someone, maybe you could have sent it to rest. 

But would you even be there if it hadn’t?

When the spirit finally settled, you had followed it to an old, abandoned stone house with no windows and a door rotting away on the hinges. The place must have been a farm. There were several small outhouses scattered around the main building and indents in the earth marking former animal pens. The roof had been a thatched one, but now it was more moss than straw and what still remained beneath the heavy green patches had long since turned mouldy and dark. A few shards of glass jutted from some of the window frames like crude, predatory teeth waiting to chew up whoever was unfortunate or foolish enough to get close.

You went after the spirit through the remnants of the front door.

A voice in the back of your head told you it was enough, you should get out of the house and the Sight and the water. You had what you needed for now.

But the way the spirit slumped through the dark rooms and up a ramshackle staircase, as if it had done it a hundred times before, as if it belonged there in that house, intrigued you. It didn't match your original theory, the reason you didn't want John involved.

Curiosity piqued, you followed the lonely ghost up the stairs, where it turned left and went into a room with what had been two alcoves in the wall but were now mostly caved in. The room didn't have any windows and it was hard to make out the details, but the flimsy shape of the spirit trudged towards one of the beds and with motions as if the bedding had still been intact, it lay down and pulled the memory of a blanket over itself.

You slowly got closer, unsure of what to do. The visible shape of the ghost was gone now that it was no longer in motion and the general gloom of the empty house made it near impossible for you to see anything clearly. But the person the ghost had been once seemed so at home here. You couldn't feel any hostility from it at all, not even a trace. Only peace, comfort. Quiet.

This had been its home once when it had lived, you were almost certain of it.

But the desolate little stone house, out of the way even for the island's standard, must have stood abandoned for several decades, maybe even a century or two. If the ghost had lived here it was much older than you had initially thought.

Which meant you might have knocked John out for nothing.

Fuck.

You had to find out more and fast, but it was unlikely the memory of the house before your closed eyes would yield anything further. Even if it was dark and late in the evening, you would have to go there physically. The chances of finding something would be higher, and besides, you couldn't stay in the water forever. You were almost human, after all.

The thought had barely crossed your mind before the reflex to breathe kicked in and you could feel the freezing seawater rush down your throat. One inhale was all it took for your lungs to feel heavy as a pair of burning bricks. A fleeting realisation, that drowning was one of the most unpleasant sensations you’d had the misfortune of experiencing since losing your wings, faintly made it to the front of your perception before the back of your head hit the sand on the ocean floor. Then the only thing you could focus on was the pressure of the water and the way your body grew ever more numb…

The room still flickered before your eyes, slowly losing definition as you lost consciousness. Strange, you mused with your last bit of coherence, that an angel from Heaven should die looking up at it from so far below, in the cold embrace of the sea. It wasn't even painful anymore, the water, but oddly comforting, lulling you to rest, holding you tight.

The only regret you had was leaving John…

The last thing you saw before your eyes fell shut was his face above yours and a faint smile moved your lips. How very considerate of your mind to conjure up his image as the last thing you would ever see.

You could feel his arms around you even, fingers digging into your skin, his body pressed down against your own…

“Bloody fucking Hell, let her go!” The words didn’t make sense to you and they sounded so awfully far away. “She isn’t yours, you stupid paegan relic, let go of her! Let go!”

But you were, you were letting go, there was nothing more you could do.

“Christ, luv, which heathen tosspot did you enlist to drown you?! Yam, Ægir? Tiamat? Nanuet? Nanuet, isn’t it?” At the invocation of her name, you could feel the ancient goddess slacken her hold on you, as if in surprise, and you vaguely realised that the embrace you felt didn’t belong to her or the water, but to John. “Oh, you always were a fickle tart. Let go of this servant or so help me God, I, John Constantine, will destroy you and every last shrine still bearing your blasted name! Let her go!”

With a cry you weren’t sure was even coming from you, your face broke the surface of the waves. You violently coughed up seawater and if it weren’t for John’s arms, you would have fallen right back down into the deep. Your head was spinning. The numbness gave way to a cold so freezing you might as well have been rolling in needles. Everything hurt. Your legs felt unsteady, no, your entire body felt as if someone had replaced your bones with straw and your muscles with jelly.

“J-John…,” you coughed, but he shushed you, keeping you close to him in the water.

“I know, luv, it’s a bloody miracle you aren’t dead, you’re welcome for that. Now let’s get you out of the water, yeah?”

He was really there, drenched in the North Sea in the middle of October at what might as well have been the edge of the Earth, just to save you from drowning. His white shirt and black trousers clung to his frame like film and from what you could make out in the light from the moon, he was shuddering from the cold, too. You had never wanted to kiss him so badly before.

“I c-can’t m-m-move,” you got out through teeth rattling painfully in your skull, suddenly all too aware of your proximity and your own state of undress. As much as you wanted to cling to him for warmth, for closeness, the logical part of your muddled brain was screaming at you to keep your distance. That was what you did, wasn’t it?

“‘Course you can’t. How long were you under for, anyway? Completely off your rocker summoning a paegan goddess alone at night in the middle of the bloody ocean! What were you thinking?”

“I-I saw the g-ghost,” you weakly tried stammering through your clattering teeth. “Saw h-how it killed-ungh!”

You let out a groan as John swiftly picked you up and started carrying you towards shore. Your severely tested heart felt as though it might give out entirely. Never had you been reckless enough to let him touch you like this before, to let him hold you, as if you were a lover who would readily indulge in such intimacy. If it weren’t for the fact that you were very likely about to freeze to death, your cheeks would have been on fire. Every inch of your skin would have been scorching.

As it were, you were too cold and too exhausted for your body to produce that kind of heat. Surrendering to the fatigue in your bones, you allowed your head to rest against him and closed your eyes. He could carry you to shore or to Hell on his hands. You weren’t going to argue. For the first time in all your human life, you completely let your guard down.

[hobidreams]

Moonlit Throne historical clarifications/references

i want to accurately represent the history from the joseon era, but sometimes for the sake of story/ease of accessibility, things had to be minorly changed. the following is a list of creative choices/changes i make in the writing of Moonlit Throne, as well as further information about the history/culture that i’ve found through my own research 💓 i hope this can also provide some more context for those interested. this list is to be updated as the series progresses so i always recommend you read the latest drabble before checking for more info here for risk of spoilers. please correct me if i get any info wrong!!

for even more information about the world, check out the tag #moonlit history!

last updated: after drabble 43!

new information for the latest drabble will be under the moon.

king gwanghae - as mentioned in the line “gwanghae flow” & in the rest of the MV, Daechwita was inspired by this historical king & the movie about him. Moonlit Throne is not inspired by any king. any event that is similar is purely coincidental!

topknot - various sources state that only married men were allowed to wear their hair up, though this is often not the case in popular korean media. even though Yoongi is unmarried, i chose to pay homage to the daechwita MV & give him a topknot throughout the series. *** same goes for the blonde hair color!

months - traditionally, they followed the lunar calendar in the Joseon era. but i thought that that would be a bit difficult to explain for modern audiences so i am choosing to use the months/modern equivalents of dates.

yoongi’s scar - i am aware that Scarlet Heart Ryeo depicts the facial scar as a reason that someone could not become king. i haven’t found much on this in the way of historical sources, so it’s not a factor in my series!

uinyeo - aka. reader’s mom, and eventually reader herself. at the time, it was believed that women could not be treated by male doctors due to the shame of showing a man their body, even in a medical context. this position was generally occupied by a woman that was ranked below middle-class & commoner (think merchants/fishermen/etc.) as it was not a very desireable role. reader’s mom, Eun-a, is the head uinyeo, which is why she is called “su-uinyeo-nim” by others.

***i haven’t found any information that says men couldn’t be treated by women due to the Confucius beliefs, so at least in this story, reader helps out the male physicians from time to time.

eunuch - eunuchs were impotent or castrated men (had all or part of their genitals removed) who worked within the palace walls, serving and attending the royal family. they had their own hierarchy, like head eunuch, etc. it was possible for eunuchs to marry & have families of their own.

***Eunuch Kim has a 🍆! it’s just his testicles that were removed.

yoongi’s name - technically kings use temple names that end in jo or jong instead of their given names, but i’m keeping it as Yoongi!!

age - it’s revealed in the march 1858 drabble that Yoongi is officially turning 10 years old that year, but this is in Korean age. his birth year is 1849, which would make him 9 years old in age as we know it internationally. Korean tradition dictates that people age up at the start of the new year (Jan 1), not on their actual birthday. traditionally, they also add an extra year as they consider the baby 1 year old at birth, not 0 years old. to do the math, reader is two years older than him, which would make her born in 1847 & turning 12 that year!

*** the average life expectancy around that time was ~35-40, so their understanding of a teenager would be very different than ours, at least in terms of maturity. thus, even though the main characters are relatively young by today’s standards, i’ve written them to come off as older. UPDATED INFO: it seems court ladies could live up to rather elderly ages, even up to 70, so i’m not sure if the earlier statistic was just mainly for men.

birthdays - i couldn’t find any information about whether they celebrated the actual day of birth as well back then, only about 100 day milestones, etc. but it is part of Korean culture to celebrate the birthday in modern times, so i kept it in.

jeonha - similar to mama, this is how you refer to the king as an equivalent to “Your Majesty”. wangseja-jeonha is the full title for the crown prince. usually people just call him seja-jeonha.

women’s rights - how much freedom you have kind of depends on what rank you are. most of the upper court/noble ladies (yangban) are born & raised within the palace. they were very, very rarely allowed to leave (& if they were married off, then they would have to leave with like guards/people with them). it’s unfortunate but they were treated like property, passed off from father -> husband. from what i can gather, the lower ranked women (like the uinyeo) had a bit more liberty about going into town (or at least ive seen in media), mostly bc no one cared about them.... sad truth but truth nonetheless.

king’s authority - even though the king is the ruler of the entire land, he doesn’t have absolute authority over everything. generally kings in the joseon era had to listen to the advice of the court officials if they thought he was making the wrong choice.

Minister Choi’s execution - so actually there were several types of executions for people of different ranks. someone of Minister Choi’s status likely would have been given a less gruesome death via. poison (sasa or 사사). but i’m keeping it as a beheading to pay homage to the daechwita MV!

***i also came across an article that said only royal blood could be spilled on the palace grounds so i’m not 100% sure where the public execution square was located, only that there was one & it was separate from the palace. also a lot of dramas seem to ignore this rule, so i’m not sure.

perfume - this existed back then! along with cosmetics. they were a luxury item for mostly the upper class, but they definitely existed.

Queen Jeonghui’s birthday - fun fact! i borrowed this real life queen’s name first, for drabble 3. then i found out, it just so happens that her real birthday falls in November as well. it was a total coincidence haha. 

OC’s outfit/hairstyle - this is what she would have worn!

palace - the layout of the series setting is loosely based off Gyeongbokgung Palace! if you look at the map, i’ve set the private gardens at #24 (though the position of the island is different than how it looks in the map. it’s instead from the right side going towards the left), Yoongi’s private residence is #25. reader is moved into #23. #26-28 are libraries, which includes the crown prince’s private library.

*** also the palace is much bigger than you might imagine so to get anywhere takes some time & a bit of walking!

jipgyeongdang (집경당) - #22 on the map. along with #23 (below), were traditionally houses for concubines & palace maids before Yoongi moved them.

hamhwadang (함화당) - #23 on the map. where reader lives post December 1868.

sanggung - the highest rank available for women who served the palace/royal family. a woman could become a “favored sanggung” if she slept with the king, but not a proper concubine. normally from the “commoner” class.

sangmin - “commoner” class. made up about 80% of joseon’s people. were the farmers, fishermen, laborers, etc. these were the people that paid taxes and were ruled over by the nobles!

cheonmin - the rank below commoner, described in English as “vulgar commoner.” the upper classes considered these people “unclean.” among their numbers were butchers, sex workers, performers, shoemakers, and yes, uinyeo. they were normally given little to no respect at all within society.

concubine - women that had the honor of sleeping with the king. concubines had their own ranks within them as the king usually had many (think around a dozen). more info.

town - from what i can gather, directly outside of the palace is a small town. if you think of the Daechwita MV, it’s like the town that Yoongi walks through when he has black hair. this is where mostly people of the middle/lower class, like sangmin & those below that, live.

chuseok - Korean harvest festival! it means “autumn evening with the brightest moon”. it’s usually celebrated on the 15th day of the eighth month in the lunar calendar. that would put it anywhere around sept 9-oct 2 in our modern calendar depending on the year!

yangban - these are the “ruling class” or gentry of the joseon era. generally means their families own land, are somewhat (or very) wealthy, and they are well-educated. (think Mr. Darcy, for a British equivalent)

why does no one recognize the prince in town? - with a lack of access to pictures & internet, it was common for the normal citizens of the country to not know what their monarchs looked like. generally to identify people & rank, they had to rely on appearance. gold was a color only reserved for royalty, so only the king & his sons could wear the royal robes with gold embroidery. once Yoongi takes off those robes, it’d be hard to identify him from among regular yangban!

jeon - these are bits of shrimp/vegetables/fish/other small things that are deep fried in egg batter!

nokdujeon - this is like a small, savory pancake made with, you guessed it, mung beans!

Chun-ja calling Eunuch Kim “Kim-nim” - look. i’ll be straight with you i have no idea how a commoner would refer to a eunuch. i’m flip-flopping between his title (which i also cannot figure out bc idk which of the 18 political ranks he would be, but not for lack of trying y’all T_T) & his name with the respectful -nim. so just to be safe, i’m going with it.

***i also am not 100% on this, but i believe Eunuchs rank higher than commoners because they work in the palace? which is why Eunuch Kim uses “-ssi” for her.

hangul & hanja - so the Korean alphabet as we know it is called hangul, and it was invented in 1443. in the past, they used to use hanja, Chinese characters, to write documents.

female literacy rate - as related to above, it was rare for women to be able to read/write even up until the late 19th century. they weren’t allowed to learn hanja at all & only around 4% could learn hangul. of those 4%, it was mostly noble women, who received good education to be better wives.

***books were then thus read aloud by those literate to crowds, so people could still enjoy stories.

face - the concept of “face” is very much rooted in Asian culture. in Korea, it’s called chemyon, & is basically related to your reputation + how others see you. you can lose, build, or gain face through your actions or what rumors of you spread. for example, if parents have children with bad grades, they + the child lose face. people should strive to do things to build their family’s honor & face up. i’ve experienced firsthand how people go to sometimes extreme lengths to “save face” as the term goes. basically, if you’re going to do something shameful, it’s better to do it where no one can see. (this concept isn’t going to have a huge influence in the series, at least not so far & i use it rather lightheartedly in October 1865 but i just thought that it’s really interesting + important to know about Asian culture!)

French expedition to Korea (Byeong-in yangyo) - in October 1866, the second French empire tried to invade Korea (or Joseon as it was called at the time) because the king at the time executed seven French missionaries. after several months of fighting, Korea won with only four soldiers killed & 3 wounded (compared to France: 3 killed, 35 wounded). Joseon was able to stay relatively isolated from all the other countries, continuing the practice of isolationism.

gossip - i couldn’t find any laws prohibiting people from talking about court going-ons/battles, though i would assume that it’s punishable if you’re doing it to talk badly about the king. but even if there were laws in place, word gets around, as word tends to do. therefore, i’ve given Eunuch Kim a bit more freedom in his letters.

royal funerals - it could actually take up to 5 months for the coffin to begin its journey to the resting tomb, but i’ve expedited the timeline for plot purposes!

coronations - these actually weren’t super common in Korea or Asia in general, but it did happen once in the 1700s for King Yeongjo. i’m using that as inspiration for Yoongi’s crowning.

*** also i couldn’t find info on the exact wording that King Yeongjo used when he announced his succession to his deceased brother’s body so... i took some creative license there.

gama - how yangban & up women travelled, carried by their servants. here’s a visual!

the royal engagement - actually, Beom-su would not have lived within the palace walls. she would have lived in a detached palace that was further away from the main palace, and there would be a whole procession where the king goes to her during their wedding rites. however, i’ve seen several dramas have the bride-to-be hang around a lot, which seems to be true because she would have had to learn the customs of the palace, so i’m not sure how much she would have been around realistically. i’ve just chosen not to address it, like the dramas do.

Beom-su’s name - i chose this name for her because of one of the possible hanja for beom: “犯”, which i would pair with the hanja “秀” for su. her name would basically mean excellent invasion, which i thought was a bit cruel, slightly humorous, & overall fitting. it is normally a masculine name though! 

why are Beom-su’s father’s actions such a scandal? - so all the unmarried women living/working in the palace were considered the king’s property. he could sleep with them if he wanted to, but essentially they belonged to him. by laying hands on the maid, the minister committed a double sin because he not only was he assaulting someone, but he was infringing upon the king’s territory. 

civil service exam (gwageo) - this is an exam issued every 3 years that any man, commoner rank & above, could take in order to enter into civil service. it’s what Jimin takes to enter into the court! i’m not sure what month these were held or if it was just at the king’s discretion (could not find much info)

more on eunuch kim & the re-marriage process

royal tombs - these were often quite far away from the actual palace but looking on maps, i found that there were a few tombs rather close to the palace that people could have conceivably travelled to within a day, over several long hours on horseback!

on natural disasters - yes, in history, natural disasters like floods/earthquakes/eclipses were said to be the king’s fault because he wasn’t a good enough ruler! things like this could seriously derail the people’s trust in the king and was a big cause of concern.

on Queen Jeonghui being in court meetings - i couldn’t find actual evidence that said the queen couldn’t be at these daily meetings between officials. in fact, the real life Empress Myeongseong in the ~1870s was pretty involved in politics and was quite interested in matters of law, etc. so, i’ve decided to allow Jeonghui to be present and address the ministers alongside Yoongi!

Chunaengjeon - i kind of explain more about this already in the drabble itself but if you’re curious, it’s the only solo court dance in the Joseon era and the highlight of the dance is a moment where the dancer mimics a bird perched on a flower and smiles :’) i thought it was fitting for these two. here’s a video of a performance that i used as reference!

janae - there were quite a few different terms for couples to call each other during this time. “janae” was meant to represent wife and is kind of their equivalent to our... “honey”? it was mostly used among the commoners/lower classes to convey affection and closeness. (aka eunuch kim continues to be the cutest)

on adopting a child as a eunuch - the readings i found say that eunuch kim’s children must be eunuchs themselves if he adopts them directly, but they don’t mention anything about this particular case of a eunuch marrying a widow, aka the child is not directly adopted by Eunuch Kim himself. so Han-jae will not be a eunuch when he grows up!

american invasion of korea (shinmiyangyo) - this is a true historical event, as i’ve mentioned in my author’s note for “June 1871.” Americans repeatedly violated Korean soveriegnty and invaded their land, resulting in many, many deaths for the Korean side. they were hoping this destruction would force Korea to accept the trade treaty. Korea did not, and eventually were able to chase the Americans out of their land a month later. the wikipedia page goes into greater detail if you’re interested, and is a quick overview of the situation.

seong-min’s living situation - as i’ve mentioned earlier with the whole Beom-su situation, i’ve chosen to not use the detached palace again for this engagement as dramas tend to do.

the wedding ceremony - similar to my reasoning about the detached palace, i’ve chosen to focus on only a few parts of the marriage rites while only briefly mentioning the rest. why? well, while i would LOVE to explain all the details and intricacies of such an incredible process, i feel like that would take a lot away from the heart of the story and be distracting, especially at such a critical stage. so i’ve explained what i can, and given brief overviews where i am able. ofc i adjusted the parading ceremony because of the change of the detached palace custom. if you’d like an easy-to-read source on the whole process, please check out this link! basically the MLT chapter depicts a tweaked vers of steps 5 and 6. 1-3 happened behind the scenes, and i mentioned #4 in the “summer 1871″ drabble.

chungin - our equivalent of “white collar” workers, or the upper-middle class. this rank was made up of low-level bureaucrats, accountants, physicians, etc. some royal servants would also be part of this rank because they’re allowed to enter the palace. there is an exam (chapkwa) to become this rank!

conception dreams (taemong) - as uinyeo-nim explains in the drabble, these dreams were often seen as omens of impending pregnancy. depending on what you see in your dream, there are different interpretations. possible symbols are animals, fruits, elements of nature, children, and jewels. eg. if you dreamed of fruits, it was often considered to be a sign of having a baby girl.

other conception myths - i know from my own experience that Asians often have a lot of superstitions regarding conception and pregnancy and medical things in general. however, i couldn’t find any specific conception myths for the time period in question (most of my research only uncovered superstitions for after you’re already pregnant), so i’ve taken some creative license here, using the conception dreams and current beliefs as inspiration!

on Queen Jeonghui calling oc “dear” - since I prefer not to use Y/N, ___, etc. for reader’s name and just generally avoid mentioning it, it’s nearly impossible for me to convey the tone with which Queen Jeonghui would’ve been calling OC in this chapter. in Korean, she would be saying “[name]-yah/ah” depending on the ending syllable of the name. adding that suffix to the end of a name conveys closeness and intimacy between people. I’ve chosen to substitute it for “dear” to make things sound more natural in English. it’s not an exact match, but it’ll have to do!

[amandajoyce118]

Agents Of SHIELD S7E05 “A Trout In The Milk” Easter Eggs And References

The team heads to the 1970s where they discover that Hydra has received a hand up from the Chronicoms. 

You know the drill. If you’re reading this, I’m assuming you’ve already seen the episode. Especially since I’m watching the episode four days after it aired. So, yes. There are spoilers.

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Those Opening Credits

They are so very ‘70s. If you’ve ever watched a sitcom or a spy series from the era, you’ll see nods in the sequence.

Sousa Wonders About Ending Up In The Present

Perhaps Sousa’s questioning of Daisy and Coulson about ending up in their present time is a nod to the actor’s cameo in Avengers. Let’s hope the show actually ties those two together instead of just giving us an Easter egg or two.

Dooley’s Booth

Coulson talks about Dooley’s booth in the old bar that becomes a SHIELD meeting spot. Dooley was the chief of the New York office of the SSR, for those who didn’t watch Agent Carter.

Bendeery English Ale

Daisy drinks one of these in the SHIELD bar, and there’s also a poster for it in Malick’s office. It is the official unofficial beer of the show. It’s named for a friend of Nick Blood’s and first appeared back in season two.

You Always Bounce Back

Yeah, this is, what, the third time someone has referenced Elena’s first episode of the series and her powers. That feels like it’s not going to bode well for her, but not sure what to make of all the on the nose references just yet.

‘70s SHIELD Uniforms

Those blue and white jumpsuits are straight out of the comics of the same era. Yep. 

Project Insight

We all saw Captain America: The Winter Soldier, right? Project Insight is the big project created by Hydra that targets “threats” to the world in the form of Stephen Strange and Tony Stark. In other words, it calculates the probability that people will go against Hydra and advises on whether or not they should be eliminated.

The Episode Title

The phrase is, as Sousa points out, an “old timey one,” and it’s fun that it gets used repeatedly in the episode.

Coulson Is From Processing

When Malick asks Coulson where he’s from at the bar, Coulson says he’s from processing. That’s a callback to season five when the team ended up in the future. It’s what Deke told them to say when anyone asked where they were from so they wouldn’t give away that they were time travelers.

Come With Me If You Want To Continue To Exist

This show loves to nod to its sci-fi and action movies, right? While Elena talks about Bond movies early in the episode, this line is a nod to the Terminator franchise.

The Launch Hangar

Where the Insight rocket/satellite combo launches from in the middle of the lake is where the zephyr usually launches from in the future.

The Episode Tag

Nathaniel Malick isn’t even supposed to exist anymore, but he’s sure working on living up to the family name, huh? His wanting to talk to Daniel Whitehall about surgically transferring abilities should sound familiar. Whitehall lives for so long by surgically transferring Jiaying (Daisy’s mom, remember her?) to himself. 

The List Of SHIELD Assets/Hydra Threats

I saved this one for last because this is where the majority of the episode Easter eggs come from. When Daisy and Sousa get the list of “threats” for Project Insight in the ‘70s, the computer has a nice “Level 7 only” at the top of the screen. That’s a nod to how the show began, with Coulson as a Level 7 agent, welcoming Ward to his new status on the team.

Sousa and Daisy mention that Bruce Banner, Peggy Carter, and Nick Fury all show up on the list. The long list features some other names that should be familiar. There are actually two sets of lists, but it’s really hard to make out the first one, so help a girl out if I miss some names.

Roberto Gonzalez and Victoria Hand both show up. You might remember them from earlier seasons of the show. Vic is killed by Ward when he breaks Garrett out of SHIELD custody and Gonzalez is killed by Jiaying when he tries to have a meeting with her. I believe Isabel Hartley is also on the first page of the list, but not positive because her name is blurry. In the comics, she dated Vic, but she was killed in the first episode of season two.

Also on the list? Jim Morita and Gabe Jones. They’re both Howling Commandos. Gabe also happens to be Trip’s grandfather while Jim is grandfather to Peter Parker’s school principal.

Some more familiar names that appear are Nicole Amador, Susan Morse, and Nathan Bowen. The first is likely a relative of Akela Amador from season one, while Susan Morse is mother to Bobbi Morse in the comics. Nathan Bowen is the father of Tandy (from Cloak And Dagger) and a scientist who works for Roxxon.

Still with me? Good. Because there are even more.

Conrad Murphy is the father of Sandra Murphy in the comics. Sandra is one of the “Caterpillars” or Secret Warriors in the comics, though she’s not on Daisy’s team. She actually is on the team sent to spy on the Russian organization Leviathan (which was in Agent Carter) and her entire team ends up dead.

Andrew and Margaret Nelson appear - though on separate halves. I’m curious if they’re meant to be relatives of Foggy Nelson from Daredevil, though their names don’t ring any bells for me. It’s worth noting that the show has connected to Daredevil in the past with other Easter eggs and Skye and Matt both having a connection to St. Agnes.

There’s a Susan Parker on the list, who could be related to Peter Parker, or she could be a really random reference to a character that appeared in one comic book in the ‘40s? Likewise, Michael Phillips is a name that is connected to a mercenary who worked with the Punisher in the comics who used to be a CIA agent, but that feels like too common of a name. (There’s also an assistant director with the name who works on the show, so he could just be a nod to him.)

Betty Wright is a famous singer who actually rose to fame in the ‘70s. She died this year. She wrote the original “Where Is The Love” and has been sampled on tons of R&B tracks. Likewise, Mark Roberts might be another pop culture nod since he was an actor who started working in the ‘30s, though that was just his stage name, so who knows?

I’ve got nothing on Ben Taylor, Ben Harris, James Cook (unless they’re talking about the British explorer who would have already been dead), Ronald Collins, Roger Stewart, Leonard Torres, Robert Moore (though I did think initially that it said Morse and wondered if Bobbi was named after her dad), and David Robinson. I also didn’t catch the last name for the entry that starts with Theresa. But that’s - a lot. So, some of the names are presumably filler names, entered just because they were ones the team could use, and they could also be nods to people the VFX team knows in real life.

Edited to add:

Chastity McBride

I completely forgot to note that May’s alias in this episode is a real SHIELD agent in the comics. She’s only appeared in a handful of comics and her main mission was stopping John Garrett and Elektra from an assassination plot.

I think this is the longest list I’ve done in a while, so no speculation this time. Until next week. Or, I guess, later this week!

[ovverwwhelmed-too]

So, that Homestuck Epilogue huh?

aka I ramble on about the new update to my audience of precisely one. Spoilers lurk in the paragraphs below, obviously.

WHAT I THOUGHT OF IT

I have some mixed feelings!! It’s been a while since the last time I read through Homestuck, so maybe it’s because I’ve fallen a little out of familiarity with the writing style, but it felt a little different from usual? Although I did also hear that it was written by a host of people as opposed to mainly Hussie.

I did really enjoy the introduction to the epilogue being structured like an ao3 fanfiction, though! It was a very nice and concise way of saying “these characters have been living outside of canon for a while now and their experiences on World C are not regarded as canon.” It’s a very recognisable format and shows that the format of the story continues to be just as important to Homestuck’s narrative as the narrative itself.

I was also a little alarmed seeing the tags on the front page of the epilogue. I’m of the understanding that these are only to cover every single controversial topic that may be brought up, even if it’s only a single word absentmindedly brought up in a conversation, but I’m still a little bit on-guard about some of the things I saw. I really do hope that some of those topics aren’t dwelt on for too long. I did, however, see a tag for polyamory. As someone with a personal affinity for polyamorous relationships, I’m excited to see some representation, even if it is only for a fleeting moment in the afterthoughts of an online comic.

Anyway, I’m going to return back to that point about Hussie not doing the writing for the epilogue.

WHY DO I THINK THAT HUSSIE ISN’T CREATING AS MUCH OF CONTENT FOR HOMESTUCK AS HE ONCE DID?

Do I think that he’s working on something big for the epilogue? Is there something even bigger coming? Another animation? Maybe SBURB; the actual real-life game?

Personally, no. I don’t think it’s too implausible that Hussie just burned himself out over the course of his comic and is letting some other people take on the brunt of the writing and content creation. I do think of course that he’s in charge of directing the plot, it IS still his story after all, but I wouldn’t be surprised if we see more people contributing to the canon of Homestuck in the future aside from the big man himself.

WHERE DO I THINK THE STORY IS GOING TO GO?

The important question that John had to ask himself at the end of the latest chapter; candy, or meat? What do I think he’s going to choose? Considering the fact that, 1. The choice seems to be a very difficult one for him to make (despite the fact that this isn’t really one he NEEDS to make, since he could just have the best of both worlds and have a bit of both) and 2. We see that the cover for the epilogue is the Homestuck symbol split cleanly between black and white, ying and yang, essential and inessential, I believe that he is going to choose to eat both. This makes the other big choice he must make interesting as well. As an Heir of Breath, somebody who embodies freedom and choice, I don’t think I can see him really actually confining himself to only one strict option. I think he’s going to do what he needs to do (Defeat Caliborn / Lord English) and have fun along the way. He’s going to do things that aren’t entirely essential to the plot, just because he wants to. However, this may just be me projecting my own hopes and desires onto the story. There are many characters I would have loved to see be better developed and to properly complete their character arcs, characters I’m sure many others want to see more of as well, and a retcon would be a great way to do this. Maybe we will get to see more of these less-developed characters, since many of them had their names listed in the character list. But I don’t want to get too optimistic over the possibility. I suspect we’ll see some development for the main cast of characters, and not much for anybody else.

INSIDE CANON, OUTSIDE CANON, NON-CANON

To be honest, I kind of adored Rose’s descriptions of the different kinds of canons, and the clean-cut categories she sorted each out into. The definitions felt a bit stiff but made sense. I do personally think that the significance of one other type of canon should not be understated though, this type being fanon. I suppose it does fit more or less under the umbrella term of “non-canon,” but in a story as fandom driven as Homestuck, sometimes even this form of non-canon can carry some truth. There are some things that are regarded broadly within the fandom to be “true,” not because of it being confirmed by the creators of the series, but due to the overwhelming popularity of the facts that the fans have come up with. Things like LGBT+ characters, interpretations of the aspects, things like these. Leave the fandom to its own devices for long enough, and eventually, they will begin making their own stories, often more collaboratively than they realise. And ultimately, even these stories and collective headcanons stick with everybody involved. Though they may not be true in the official sense, they’re true in that they very heavily influence the way we view and consume the original media and the way we view each of the characters as a whole. Sometimes fanon can be just as important and influential as canon, and like I mentioned before, in a story that’s as heavily influenced by the fans’ wills and interpretations as Homestuck, sometimes what’s fanon can be true in the canon world just by virtue of its popularity.

I think it’s also worth noting that the truth of a canon fact is very dependent on the willingness of the fandom to take it as such. If the author ends up saying some batshit crazy stuff and the fandom as a whole ends up denying it, that fact can be regarded as untrue; one content creators word up against the volumes of people who make a story what it is.

So basically, Rose’s descriptions of various types of canons were basically true but failed to account for the importance of the fans. This is just my opinion though. Maybe we’ll see that description expanded upon in the future, or maybe I’ve gone batshit crazy myself at this point.

That’s all I have to say for the epilogue right now. I’m very eager to see the direction that it takes in the next chapter or however many chapters we may next get. See you all at the next update!

[shiguremachi]

藍二乗 / Blur (english lyrics)

By the 2-person band Yorushika (ヨルシカ) (website / twitter)  Lyrics, music: n-buna Vocals: suis MV: Popurika

(The ink bottles read “tsuki-yo” or “moonlit night”.)

More on the name: “Blur” was the official English name as stated in the video description, but the original name translates to “indigo squared” or more naturally, “deep indigo”.

変わらない風景　浅い正午 kawaranai fuukei　asai shougo 高架下、藍二乗、寝転ぶまま koukashita, ainijou, nekorobu mama 白紙の人生に拍手の音が一つ鳴っている hakushi no jinsei ni hakushu no oto ga hitotsu natteiru 空っぽな自分を今日も歌っていた karappona jibun wo kyou mo utatteita

An unchanging view　A faded midday Under the overhead railway, laying down amidst the deep indigo The sound of a single clap rings out on a life blank like a fresh sheet of paper Today, I’m singing about my empty self once again (lit. indigo squared, it could stand for both the protagonist and Elma)

変わらないように kawaranai you ni 君が主役のプロットを書くノートの中 kimi ga shuyaku no purotto wo kaku noーto no naka 止まったガス水道　世間もニュースも所詮他人事 tomatta gasu suidou　seken mo nyuーsu mo shosen taningoto この人生さえほら、インクみたいだ ko no jinsei sae hora, inku mitai da

As usual, I’m in the middle of my notes starring you as the main character in the plot The interrupted gas and water, even the world out there and the news are all other people’s business Look, even this life is like ink

あの頃ずっと頭に描いた夢も大人になるほど時効になっていく a no koro zutto atama ni egaita yume mo otona ni naru hodo jikou ni natteiku

As I get older, even the dreams I’d spent all my time drawing up in my head back then are starting to expire

ただ、ただ雲を見上げても tada, tada kumo wo miagetemo 視界は今日も流れるまま shikai wa kyou mo nagareru mama 遠く仰いだ夜に花泳ぐ tooku aoida yoru ni hana oyogu 春と見紛うほどに haru to mimagau hodo ni 君をただ見失うように kimi wo tada miushinau you ni

Just by looking up at the clouds, even today flows past my sight and I walk through the distant night I’d gazed up at To the point I’d mistaken it for spring Almost as if I had only lost sight of you (lit. swimming with flowers, this site suggests it could mean living gracefully, or in this case, living normally after Elma is gone. hopefully this translation captures both the literal and intended meanings at once.)

転ばないように下を向いた korobanai you ni shita wo muita 人生はどうにも妥協で出来てる jinsei wa dou ni mo dakyou de dekiteru 心も運命もラブソングも人生も信じない kokoro mo unmei mo rabu songu mo jinsei mo shinjinai 所詮売れないなら全部が無駄だ shosen urenai nara zenbu ga muda da

To stop myself from tripping, I kept my gaze down and got through life with forced compromises My own heart, fate, love songs and even life — I didn’t believe any of it As someone once said, things are worthless if you can’t put a price tag on them (may reference another Yorushika song, Hitchcock)

わざと零した夢で描いた今に寝そべったままで時効を待っている wazato koboshita yume de egaita ima ni nesobetta mama de jikou wo matteiru

I lay on this moment that I drew with my dreams and purposely let shatter, waiting for it to expire

ただ、ただ目蓋の裏側 tada, tada mabuta no uragawa 遠く描く君を見たまま tooku egaku kimi wo mita mama ノート、薄い夜隅に花泳ぐ noーto, usui yosumi ni hana oyogu 僕の目にまた一つ boku no me ni mata hitotsu

Just on the other side of my eyelids, as I watched the you I’d drawn so far away, another note appears in front of my eyes as I’m walking through a pale corner of the night

人生は妥協の連続なんだ jinsei wa dakyou no renzoku nanda そんなこと疾うにわかってたんだ sonna koto tou ni wakattetanda エルマ、君なんだよ eruma, kimi nanda yo 君だけが僕の音楽なんだ kimi dake ga boku no ongaku nanda

Life is a series of compromises I’ve known this for a long time Elma— you, and only you, are my melody (see the end-notes for the translation of the text that flashed here)

この詩はあと八十字 ko no uta wa ato hachijyuu ji 人生の価値は、終わり方だろうから jinsei no kachi wa, owarikata darou kara

There’re still eighty words left in this song Because the value of life is in its ending, isn’t it?

ただ、ただ君だけを描け tada, tada kimi dake wo egake 視界の藍も滲んだまま shikai no ai mo nijinda mama 遠く仰いだ空に花泳ぐ tooku aoida sora ni hana oyogu この目覆う藍二乗 ko no me oou ainijou

I can only draw you as even the indigo in my sight spreads across the paper Walking through the distant sky I’d gazed up at, a deep indigo covers these eyes

ただ、ただ tada, tada 遠く仰いだ空、君が涼む tooku aoida sora, kimi ga suzumu ただ夜を泳ぐように tada yoru wo oyogu you ni

In the distant sky I’d gazed up at, you’re simply resting as if you were merely swimming in the night

End notes

The text that appeared during the bridge

六畳一間で詩を綴る。人生は思い出の連続だった。

インディゴブルーの梅雨晴れ、寝転ぶ背中の冷たき、乾いた土と草の匂い、

高架下、アスファルト、指先の感覚、見上げた視界に映る群青、滲んで重なる藍の二乗。

人生は妥協の連続だ。

一つ、一つと選択をする中で決定的に間違ってしまった瞬間があった。

その感覚を忘れられないままで大人に成っていく。関町のマンションに差す夜紛の夕暮れ。

乾き切った茜色が窓硝子に反射する。

I’m writing a song in a room six tatami mats large.

(a standard way of calculating room size in Japan)

Life is a series of memories.

The indigo blue sky during a clear day in the rainy season, the chill on my back as I lay down, the smell of the dried earth and the grass,

under the elevated railway, the asphalt, the sensations at my fingertips, the ultramarine reflected in my eyes as I looked up, a deep indigo that spreads across the page and reverberates.

Life is a series of compromises.

As you made your choices one by one, there was surely a moment where you messed up.

I became an adult, all the while unable to forget that feeling. Mixed into the night, the evening sun shines into this apartment in Seki town.

A parched madder red is reflected through the window pane.

[shinichameleon]

NDRV3 - “陰キャ原”

Lately I got several messages when they asking about... this one  “陰キャ原” they’re always asking. I’m sorry if I answer very late and I want to finish it right now.

This post is huge spoiler warning if you didn’t finish the game especially final chapter. Don’t try copy  陰キャ原 and paste in Twitter or Pixiv’s search bar unless you’re really curious to know.

(I recall oumakokichi had stated and explained about this “character” before but I can’t remember where it was)

Who is “陰キャ原”? Why I see this name everywhere especially in Twitter and Pixiv?

陰キャ原 means Inchara, a combination name of In character + Saihara. Inchara is a character featured in final chapter of NDRV3, where mastermind reveal audition videos for the killing game, showing what sort of people they were prior to participating. When Shuichi were shocked upon that video shows his former self willingly participated in a killing game and as one of Danganronpa fanatics. Thus, Inchara was born and the reveal of his existence becomes “One Scene Wonder” trope in Danganronpa’s history.

Inchara has another alternative name, “影原” means Kagehara, in English name, Shadowhara. This fan nickname comes from Shin Megami Tensei Persona′s reference, where Shadow bosses are taking as a human form and impersonating them with fake or true desire personality. Inchara and other students including who didn’t show up in the audition video, something akin to Shadow in Persona series.

Inchara was fan nicknamed by Japanese fans due the fact Shuichi shows his personality in audition video is very Out-Of-Character and found it very funny that our protagonist is actually an otaku. At the same time, many fans found this very wrong in so many levels. Thankfully Kodaka gave a huge hint from his Twitter.

According to Kodaka, he said players have to find out the contradiction in prologue chapter after they were finished the game. In prologue chapter, Former Shuichi weren’t crazy or feel obsess when the first time we saw him before final chapter. There are difference between Former Shuichi from prologue chapter and Inchara from final chapter:

Former Shuchi is sane and nothing looks like Inchara, no feel obsess, hype or acting like a crazy otaku, Shuichi being his usual self even after the end of prologue chapter. Inchara on the other hand, many Japanese fans believe there are several famous theories about him, I list two theories there:

A crazy otaku who cosplays as Shuichi and working together with mastermind.

A mastermind Tsumugi, disguises as everyone and makes fake audition videos. (We’ve seen Shuichi, Kaede and Kaito so far). Tsumugi can cosplay all DR characters EXCEPT MUKURO from two previous DR games, and surprisingly she can change her voice and size whenever she cosplays as someone else. The irony is that Tsumugi is allergic to cosplay as “real people” but she says she can cosplay due all previous DR characters are fictional characters, however this is maybe one of Tsumugi’s lie. Many fans joking Tsumugi has another talent called “SHSL Seiyuu”.

Meaning Inchara is not Shuichi we always know and they could be an impostor who disguises as him to make Shuichi fall into the despair. Well Shuichi believes this is one of mastermind’s trump card or not until proven otherwise.

How and why Inchara becomes an ensemble darkhorse. What about Kaede and Kaito? What about everyone else? And what do you mean they are separate character?

I think Inchara becomes ensemble darkhorse because...... it’s another main protagonist becomes crazy person. Remember Makoto had been brainwashed after watching Despair Video and Hajime is almost lost his hope and says “SHUT UP!”? Well this is one of them.

Although, the strong point about Inchara is that he has share similarity with Izuru Kamukura: As a plot twist, unexpected, and different identity character. Believe it or not, Inchara is your new SPOILER-KUN, just like how everyone calling Izuru Kamakura as Spoiler-kun without revealing his name for those who didn’t finish the game. Except Inchara had little contributed to the plot but makes Shuichi falls into despair.

Inchara’s personality and characteristic are come from audition video but few traits at least. Until his personality contributed by Japanese artists, depend on how they view him as an otaku. You;ll see how many times Inchara being creep whenever you see him buying Danganronpa merchandise.

As for Kaede and Kaito, I think everyone comments “They’re just their real usual self and nothing special about them. Still sad to hear about that”. Then there’s Inchara all of a sudden. You know, I have to admit I were shocked too when they’re revealed audition videos.

The reason why Inchara as a separate character or at least I can say he is a Doppelganger. As I mention it above, everyone believes Inchara and Shuichi are not same person. There are good reasons why everyone tagging him “Inchara” or “Kagehara”. Sometimes they tag it with their both name including “Saihara Shuichi” as well. It’s not wrong if someone calls Inchara as “Saihara Shuichi”, hence they have done this before even since Izuru Kamakura’s first appearance in SDR2 and still calling him as “Hinata Hajime”.

So yeah, Inchara has own character and his popularity goes skyrocket after that big reveal in final chapter, even despite he appears briefly in addition video. Just........ check all these links, you’ll see why.

https://twitter.com/ne_pogochan/status/838203588883066880

https://twitter.com/yu_ng_km/status/832945252176588800

https://twitter.com/26_Noeshi/status/833657091281739776

https://twitter.com/igaoxpt/status/828262334837649408

https://twitter.com/rin_hhs/status/844099332454285312

https://twitter.com/yyaammaakkii/status/840788025432989696

https://twitter.com/hadahadam/status/846419663907020801

https://twitter.com/LOG_haironpa/status/828939570171424768

https://twitter.com/shino_dgr_7/status/831938804814540801

(From  感觉好久没画最赤…… by Zui. Permission granted by the artist)

OH, HAVE FUN WITH YOUR NEW SELFCEST BY THE WAY.

Does that mean we have to tag new name for fake Saihara?

I would say yes, but I don’t think that’s not best answer I think of. It’s up to you, whether you want Inchara / Kagehara as brand new character or still tag him as Shuichi Saihara. By the way, not just him though, same goes for all characters including mastermind. Although..... Fake Saihara, Fake Akamatsu and Fake Momota are only characters who show their “true” personality in audition video so far. What about other characters? 

Some Japanese artists having fun with this shadow / fake characters and come up with a lot of theories about their real personality. Some artists drawing Kirumi being a lazy person, Hoshi as pervert character  Gonta as giant bully or actual a genius student who acts like a normal person, Himiko being an energetic person and so on. So yeah, you can see where is this going.

Now here’s the thing: We don’t know all unseen fake characters’ personality, so I can see why someone says “We have to tag Kage / Shadow + their last name” if there is no official work about unseen fake students. I can give you an example:

If you see fanart of Kirumi being lazy or any OOC moment, just tag “Kagejou”, “ Inrumi”, “Shadorumi” or any name you can think of. 

If you want recommendation, I think Kage and Shadow sound good choice for tagging their name. Here’s the list I always mention them whenever I talking with my friends. All their name are based of their family name, Inchara is the only one who got trend nickname in Twitter while other characters haven’t got one (I always get rid out W word from “Shadow” except Kaede and Shuichi, don’t ask me why):

Shuichi - Inchara / Kagehara / Shadowhara / Kiimoihara (Creepyhara)

Kaede - Kagematsu / Shadowmatsu

Kokichi - Kage-ouma / Shadouma / Innocent Ouma (You will see a lot of Innocent Ouma fanarts whenever you see him acting awkward and being nice person)

Himiko - Kagemeno / Shadomeno

Kaito - Kagemota / Shadomota (Displays his bully personality)

Maki - Kagekawa / Kagemaki / Shadokawa / Shadomaki

Kiibo - Kiibo, just Kiibo. Unless you want to call him Human Kiibo or Prologue Kiibo. Sorry Kiibo.

Miu - Kageruma / Shadoruma

Rantarou - Kage-Ami / Shadowami / SUPER STAR AMAMI KUN (It’s a joke that Inchara wants Amami’s autograph, hence Amami is a superstar of two previous games before 53rd season. Before you ask, yes there is a fanart of Inchara buying Amami merchandise).

Tenko - Kageshira / Shadoshira

Gonta - Kage-Gonta / Shadow-Gonta (If Gonta never refer himself as a third person).

Kirumi - Kagejou / Shadorumi / Incharumi / Inrumi (For some reason I always use Inrumi, it’s kinda sounds like sort of youkai’s name)

Korekiyo - Kageshinn / Shadokiyo / Shioguji / Salt-Kiyo’

Angie - Kagenaga / Shadonaga

Ryouma - Kagehoshi / Shadohoshi

Tsumugi - Kageshiro / Shadogane

One more things, it’s very important if the character is wearing school uniform, meaning it’s very easy to identify these “shadow” characters are come from prologue chapter and audition video. If character never show their OOC and same personality (After prologue and before final chapter) while wearing school uniform. meaning you don’t have tag it.

I apologize if my English is kinda mess, I did my best to elaborate easy and simple. Thank you for sending the question!

[kendrixtermina]

Writing Project: The Chertograd Elegies

Known on my Writing Masterlist as “Apocalyptic Palladin Gretchen”, I’ve decided to give this work the somewhat more dignified title “The Chertograd Elegies” 

The title means “Sad Poems of Devil Town”, which informs you that it’s about a town in which there is both devils and sadness.  That’s the basic gist, though it’s not about literal devils or poems. 

Here’s the promotional Data as relevant to Volume One: 

About the Story

Genre: Epic, Endtimes, with Horror, Sci-Fi & Tragedy elements, Get up go to school save the world; I’d call it a “Speculative Fiction Epic” with the occasional slice of life element. 

Format: Tragedy in 9 Acts; Book Series, Volumes à 8 to 10 chapters containing story arcs; I’m aiming for a simultaneous Amazon release in both German and English. 

Aesthetic:  “Sufficiently Analyzed Magic is indistinguishable from Science”, Magitek, Speculative Fiction Kitchen Sink, Kaiju battles, Human tragedies and human will. Also, one main character is somewhat Goth. 

Influences: 90s and early 2000s anime, Chtulhu Tech, German Literature & poetry (Hence the many Allusions down in the character sheet), general miscellaneous nerdery , Long-Running Manga

Synopsis: After the Katastrophe that became known as the Seventh Apocalypse, humanity concentrates its ressources on the Fortress of Certograd, where they are to confront the remaining Monsters that are here to finish the job and claim the Earth for themselves; But Humanity has not been idle, and made huge strides to analyze and counteract the mind-bending threats that assail them and got ready to face them with the full brunt of it’s intellect, adaptability and strenght in numbers. 

But even though they’ve had years to rebuild and prepare, forcing them to use their last secret weapon, which, unfortunately, requires a very specific special ingredient: Human Souls, and not just any old soul either. It’s not precisely a human sacrifice but it has the potential to become one if things go awry - So how far will humanity go on its quest to preserve itself? He who fights monsters etc. 

Volume One is basically a Kaiju movie, in which the protaginists are faced with the first of the monsters and various factions try to figure out how exactly you beat them in the first place. One of the Chief Players is the World Tree Institute and their ‘Project Master’

Character Sheet

Kyle Reeves

As far as Volume One is concerned, he only shows up in the Prologue (which basically consists of his life story tho) as an example of how an ordinary young man would have been affected by the Seventh Apocalypse; But I can promise you that we shall learn what became of him in Volume Three. 

Still unsure about his Nationality tho, I might well keep it ambiguous; The Name is a deliberately obvious alias probably inspired by his childhood love of action movies. Atm I’m thinking of him as part east asian, part angle-saxon caucasian and considerin Japan, England or Suburban America. 

Masha Martinezova

Part Bohemian, part hispanic South American. Our lovely Deuteragonist, though she may well be considered the main Character for Volume One. Leader of the Institute’s Operation and thus the one specifically in charge of defeating the monsters.  Optimist; Creative and bold. Notable Scars from both her Military Past and her involvement with the Seventh Apocalypse. Turbulent past.   Ressourceful and inventive. Gregarious, warm-heatrted and informal.  Work Hard Play Hard. Sometimes conflicted about the means they are forced to resort to.

Knows Reynolds from ther Military- and Faber from their College Days and is close friends with both. Unwillingly Single but doesn’t really find the time to date. Hobbies include reading books and amateur repairs; She particularly enjoys russian Sci-Fi authors.  

Latona Reynolds

African American. Leader of the Institute’s Technical Division. The practical Engineer to Dr. Faber’s Theoretician. A positive Realist, down to Earth & pragmatic but still with a ‘can do’ attitude. Confident but not in an aggressive way. Lowkey Nerd but still quite capable of kicking butt in person if need be. 

Used to be a military mechanic, now happily Married in her private life. 

Yi Seul Gi

Korean.  Agent from the World Government’s Military officially sent to assist the Institute’s Mission, but also there to supervise them, adding the occasional bit of friction. Heavy-grade Cyborg with Military Experience. Highly intelligent and very skilled with technology. Pure condensed “introverted Thinking” in the Jungian sense.  The type to make always extra sure. Usually stoic and analytical at work, but does have her warm, frivolous side. 

Elisabeth Faber

Leader of the Research Division; Responsible for the more obscure, pseudo-magical stuff. Holds multiple degrees in technobbabbleesque subjects.  No military background, but can use a gun if necessary.  Very much the local cynic. Focused Workaholic without much of a private life.   

The Director’s girlfriend, though the relationship is not common knowledge. 

Heinrich Faust

Director of the Institute and therefore it’s overall leader and everyone else’s boss. Expert on the lovecraftian, sort of a futuristic version of your classic ‘dark sorceror’, a man of symbols, shadows and ancient tomes of eldritch lore. Detached and stoic big picture planner, but also brazen. Unfettered. Has a plan, which may not exactly be a good thing. Will do whatever it takes to secure humanity’s survival. 

Konrad Wagner

Faust’s assistant and senior advisor. Similar qualifications to Dr. Faust or Dr. Faber, but more of a pure theoretician. Second-in-Command.  The men have known each other and cooperated for years. Theoretical Vaguely less hard-boiled & more humane than his superior and thus slightly less unpersonable, but not nearly as bold or brave. 

Margarete Faust

The designated human sacrifice for the superweapon, also, conspiciously, Dr. Faust’s estranged daughter.  Did nothing to deserve this besides being a regular angsty teenager.  Bit Goth. Strong introvert. Named for her late mother. A 5 on the Kinsey Scale (”homoflexible”).

Conclusion

The Plot can be said to follow Margarete, Masha and Dr. Faust in Tandem as they navigate it in different Spheres/Scales, though Masha and Margarete are the primary POV characters for most of it. 

Also, as I might actually complete/release this is any significant fashion in the near Future, anything to do with this Project specifically will be tagged as #ChertogradElegies. So, time to finish dat Prologue then.