#smootchie

[wise-lizard-wizard]

@mirkwoodvampire Look at this!!! Ahhhh!

[achilleslyre]

if my first (real) kakashi drawing is him without his mask bc he 😗😗 y’all can mind ur business………….

[shou-jpeg]

6 & 18

(I love your KimChay doodles 💖)

(ahh ty Ty ♡)

Your song is Satellites by Enter Shikari!

Sports car smootchies.

Send me two numbers between 1 and 50

[envioussleepy]

I just had the funniest thought I wanna share...

Spoilers for Lesson 18 in Nightbringer Obey Me

Don't read past this point if you don't want any spoilers

Includes: Cursing, Kissing, Poly MC, Etc.

So you know how the MC gets to give kisses or hugs to the demons after finding out about the possibility of a war if they don't return to being an angel? Well I had a funny idea I might turn into a comic strip. MC Kisses everyone except Asmodus.

Imagine how PISSED he would be if all his brothers got kisses except him? Even if he eventually found out that the MC is a polyamorous person? He would be SO MAD. Like-

Asmodus:

How dare this mere human not kiss me, the avatar of lust? The most beautiful person on the planet is not kissed by them but all of my disgusting brothers do?!

He would definitely have a mental breakdown over this shit for real.

(Btw I'm not a fan of asmodus that's why he got no smootchies from me)

[sparxaf]

My s7 MC is a serene peacekeeper. She doesn't believe in competing with other women. She was a child/teen pageant queen and had enough of that shit growing up. Her attitude is, If it's truly mine, nothing can take it, and if it is taken, it was never truly meant to be mine. So if Estelle crossed her (and we know she did), my MC will not whip her ass. Because the blame will be fully on Alex. And I dare him to be a jerk to her and then come back around looking for smootchies. She is a fucking goddess and she is not interested in the affairs of tiny, easily replaceable mortals.

Dude, literally every single guy (and most of the girls) in the villa want MC. She don't need your dusty dick and wack ass treehouse.

Am I posting up all tough right now? Yes. Will I probably cave and love him again if he does a mild to moderate amount of grovelling, because I need romance injected directly into my veins and Fusebox is my current dealer? Also yes.

Sigh. So do I.

[inconstantsearchofperfection]

Smootchie Bootchies

Chaanaah lootchies.

[sigyn-foxyposts]

Logyn smootchies

animation test!

[bluarabian]

Smootchy smoooooch!

Side note: Been playing LoZ Botw and it drives me nuts that Link slaps the reins when you ask the horse to go faster.

[beasanfi1997]

Thrawn:(Seeing baby Ezra) Ah! There's the little Loth-Brat, little smootchie. And here is a sucker for the little sucker, eh? (he weaves a sucker with poison out of thin mist) Here you go. Ya just-- [Ezra squeezes Thrawn' finger, and after some fight he gets away from the baby] Sheesh! Uh, powerful little brat.

Ephraim: Come on, Thrawn, don't be such a rude

[inconstantsearchofperfection]

Smootchie laah bootchies ...

Caanaah lootchies.

[tavolgisvist]

I will

There’s a theory that the most interesting love songs are ones about love gone wrong. I don’t subscribe to it. This is a song about the joy of love. Those are sometimes thought of as being soppy or sweet or saccharine. Yes, I understand that. But love can be the mightiest, strongest force on the planet. … It’s a strong, universal force. It’s not soppy at all. When I sit down to try and write a song, I’m often thinking, ‘Oh, I wish I could capture that feeling of first being in love.’ This song was started in February 1968, when I was in India with Jane Asher. As I recall, the melody had been around for a while, and the music came together quite quickly. It’s still one of my favourites of the melodies I’ve written. The words took a bit longer. That seems strange, I know, because it’s a pretty basic set of ideas.

(Paul McCartney, The Lyrics: 1956 To The Present)

Paul: Who knows how long I've loved you You know I love you still Will I wait a lonely lifetime? If you want me to… I won’t!

John: Yes, you will

Yet again, just because I was involved with Jane at the time doesn’t mean this song is addressed to, or about, Jane. When I’m writing, it’s as if I’m setting words and music to the film I’m watching in my head. It’s a declaration of love, yes, but not always to someone specific. Unless it’s to a person out there who’s listening to the song. And they have to be ready for it. It’s almost definitely not going to be a person who’s said, ‘There he goes again, writing another of those silly love songs.’

(Paul McCartney, The Lyrics: 1956 To The Present)

But you know, I – I tend to think that about them, too. Like I was saying, you know. “Well, I’d rather write without Yoko, thank you.” Just because it’s – that’s the way I write. If I – like, if I was in Tunisia, I’d go up to the bathroom to write a song, and then come back when it was done to show it to you. And to sort of say, “Let’s do a couple more words, now that’s it all there, you know, now that there’s only a little…”

(Paul McCartney, Get Back sessions, 13 January, 1969)

Neil: But when you’re talking to John, you always – these days, anyway – tend to think that you’re talking to Yoko more than you’re talking to John. And that’s when it becomes a drag. Paul: That’s why I say writing a song with him is a bit embarrassing, because I do think it sort of – I mean, I start examining my motives, with Yoko there...  ... Paul: But it’s like, we did ‘I Will’. We tried, we were trying to get the last verse to ‘I Will’, and eventually I just ended up doing it, because it – we couldn’t actually do it. 

(Get Back sessions, 13 January, 1969)

The recording session for ‘I Will’ was prolific in terms of improvisations. Like ‘Down In Havana’ (I Will, Take 30), for example:

Paul: You know how much I love you John: Tell us all about it, Paul

And another one is ‘Can You Take Me Back’:

John: Are you happy here, honey?

Paul: Are you happy living here, honey? Honey, are you happy living here? I ain’t happy living here, baby. Honey, can you take me back?

Can you take me back where I came from? Can you take me back? Can you take me back where I came from? Brother, can you take me back?

Jonathan Gould in "Can't Buy Me Love: The Beatles, Britain and America" (2007) writes about ‘I Will’ as an effective "demure punchline" to the sexual suggestiveness of ‘Why Don't We Do It in the Road?’, and similar in mood and form to McCartney's 1966 song ‘Here, There and Everywhere’.

And ‘cuz on one hand you’ll get something like ‘I Will’ and then you’ll get ‘Why Don’t We Do It In The Road,’ you know. Just completely different things– completely different feelings and… But it’s me singing both of them. It’s the same fella. Uhh, and I’ve wrote both of them, you know. So you can’t explain it. I don’t know why I do ‘Why Don’t We Do It In The Road’ shouting it like that… and then do this sort of smootchy laughing American ‘Girl From Ipenema.’

(Paul McCartney, interview with Radio Luxembourg, 1968)

Well, if Paul notes ‘Girl From Ipenema’ as a reference...

Tall and tan and young and lovely The girl from Ipanema goes walking And when she passes Each one she passes goes "ah"

When she walks, she's like a samba That swings so cool and sways so gentle That when she passes Each one she passes goes "ooh"

But I watch her so sadly How can I tell her I love her Yes, I would give my heart gladly But each day, when she walks to the sea* She looks straight ahead, not at me

Tall and tan and young and lovely The girl from Ipanema goes walking And when she passes I smile but she doesn't see, doesn't see

*Tea isn't going to drink itself, but context around our lads is going to build itself easy, as usual:

But each day, when she walks to the sea She looks straight ahead, not at me vs Ocean child calls me

[cannibalisticshadows]

I took a picture of one of my cats with the flash on and it looks like the image of a romantic flashback 😹😻

[comicbooknooktypeschtuffs]

Smootchie bhootchies chaannaah lootchies.

HOUSE OF THE DRAGON (2022-) Season 02 | Episode 06

[stillsmybeatingheart]

[inhumanfuckingdogman]

Greg is making copies and gives himself a widdle tiny papercut and asks tom for a bandaid to which tom starts immediately mocking him like “awww liddle greggy has a booboo? God greg youre such a fucking pansy. Why are you even talking about this. Is it because you want me to kiss it better?” And gregs like “no but it is bleeding a little and i don’t want to bleed on the rest of the docum —” and toms like “aw you want tommy to kiss it all better dont you? You want big boss tommy to give your little booboo a smootchie and make the owie go away because youre too much of a gangly fuckwit to even copy papers without hurting yourself. FINE greg. Come here” before he sucks him down to the knuckle

[darthschabba]

Smootch.

Smootchie bootchies

Channa lootchies