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sage-nebula · 2 months ago

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That look into Mimic's psyche was so fascinating, because—despite him being the most obviously unreliable of unreliable narrators—it truly seems that his actions stem from him being a deeply mentally ill man, torn between a desperate need to be loved and rejection sensitivity so powerful it drives him to paranoia and murder.

Few things before I elaborate:

I'm not going to "diagnose" Mimic with anything specifically, aside from what I myself have—namely, rejection sensitive dysphoria. Particularly when it comes to villain characters I think that armchair diagnosis can be really irresponsible, and reading symptoms off a website isn't comparable to living with an illness or disorder. I used to do that kind of thing, but I've since learned not to. So this isn't a "Mimic has x" post, aside from extreme sensitivity to real or perceived rejection, because oh boy.

Mimic being mentally ill is NO EXCUSE for everything he's done, and I don't feel sorry for him in the least bit. This is not an "alas, poor Mimic" post. Again, I have RSD and I don't go around murdering people because of it. But it is fascinating to look at.

He is canonically 32 years old. He is indeed a man, not a boy.

So as I said, Mimic's main thing is that he is torn between two powerful emotions within himself: a desperate need to belong and be loved, but also an intense fear that he'll be rejected by those who might ultimately love him. Mimic being an unreliable narrator, he's a bit all over the place with this, but he does acknowledge his need to be loved in a few places:

But as you can see, he tied it up with "the spotlight" — with validation and appreciation, something he later tries to convince the reader he believes is beneath him (hence—unreliable, because an attentive reader knows he's a lying ho):

He just wants his skills appreciated, and it's childish to yearn for friendship and belonging, so he doesn't and won't. Along with that lie, he also claims he only joined with his other teams out of cold practicality as well, and betrayed them for the same:

It's important to note that his "I mean, in worldwide discord . . ." justification came immediately after "again I felt that nagging ache [. . .] to belong." So yes, he's lying to himself and the reader to cover what really happened.

And what really happened?

Mimic displays a pathological fear of rejection. It's impossible to say what started it. Mimic claims all of his issues stem from the war:

But to quote Phoenix Wright, he's lying, damn it, and I can prove it!

In the very first panels of the flashback, set before the war starts, we're shown a scene of Mimic on set during his actor days. And what happens?

He gets forcibly removed from set after he ruins the scene. Look at how he reacts: wide eyes, reaching back for set . . . he looks panicked. And these were people that he at the least considered colleagues. Instead of just telling him not to do it again, they kicked him out altogether. They rejected him. And at this point, he already had a strong need to be seen and accepted.

While I don't think that this was where it all stems from—I think Mimic faced rejection before this as well, for rejection sensitivity to flare up as bad as it does for him—this incident did stick with him. We know it did.

So no, the war did not fuck Mimic up. Mimic was fucked up long before the war. And exactly how is Mimic fucked up? What is it that he's doing, specifically?

Rejection sensitive dysphoria is when a person experiences an unusually strong, negative emotional reaction to real or perceived rejection. What serves as a rejection trigger varies from person to person. For some people it's things like, everyone suggests a restaurant for an outing but Jessica says she doesn't like your choice, and your RSD brain takes that to mean shs's rejecting you. For me, I've always struggled in situations like group chats where my messages seem to be ignored but everyone else seems to interact and get along really well. It sets my RSD off something fierce. It's really different for everyone.

Just like there are a myriad of triggers, there's also a myriad of reactions. Some people, and especially those who may not realize yet that they have RSD, may lash out and get angry. So Jessica might get blown up at because she said she doesn't really like Chipotle and suggests Five Guys instead. Others may start fawning and clinging, figuring that if they pretend to love Five Guys hard enough (side note: Peridot, that's lying!), Jessica won't reject them anymore / after all. And still others might bail, figuring if THEY leave first, then it'll hurt way less than if they're asked / told to leave later. This has always been my go-to in the past, unhelpful though it is to maintaining relationships when I'm tempted to do it on "perceived" rejections my brain made up.

And Mimic . . . Mimic also perceives rejections that are not there, mostly via catastrophizing (another out of my brain's playbook), and then takes "bail" to a whole new level: "murder." (I personally have never done this.)

Let's look at the meltdown scene, shall we? Here's what triggers it:

Before, he was working with the Diamond Cutters, and they expressed admiration for his skills, yes. That was all fine. But here, they're giving him special masks that essentially make them a real, bonafide unit. Smithy describes them as being one on the battlefield. And he is included in this, absolutely, without any question; a personalized mask was made just for him. Whisper says, despite Mimic's internal narration telling her not to, that she's so glad that he's there to watch their backs and that he makes the team complete. This is the Diamond Cutters truly, unreservedly, letting Mimic know that they accept him, they care about him, he is one of them, he is their friend. He belongs with them.

And that is the rejection trigger for Mimic.

Not because of anything the Diamond Cutters did, per se—but because of what Mimic thinks they could, or will do. He outright says this himself in one of his rare moments of blunt honesty (and I think the tell that he's not fully in control here is the stuttering):

Yes, the Diamond Cutters accept him now. The Diamond Cutters love him now. But Mimic is terrified that the second they learn who he "really" is, they'll turn on and reject him. They'll throw him out like his colleagues at the theater company did. That is why their friendship hurts; because it is, as Mimic himself said, what he wanted. It's what he has always wanted. But the second he gets the love that he desperately craves, his brain immediately starts sounding the rejection sensitive alarms, telling him that there is danger ahead, that this cannot and will not last, that if he lets himself accept this, it will be to his own downfall.

But here's where things go from "Mimic is having an understandable trauma reaction to something that happened in his past" to "Mimic clearly has deep psychological issues that have never been treated or seen the light of any healthy coping mechanisms and he makes this everyone else's problem by murdering them."

If Mimic left it at, "If they saw the real me, they'd reject me" and bailed, then he would be putting the blame on himself. But this is not something that Mimic is truly capable of doing. While Mimic does say at the end of the comic that he is selfish, cruel, and cold, he also says that he's happy and that he likes what he is. That, too, is part of him being an unreliable narrator, I believe; I don't think that this desperation he has inside of him for love and belonging has ever actually gone away. But nonetheless, Mimic isn't really accepting blame for anything by saying that he's cruel, selfish, etc. He's not putting the onus on himself as being the problem. Instead, he's celebrating himself and almost recommending that others do / accept the same thing he has. It's a defense mechanism. A shield. He's reclaiming being a ruthless, remorseless, backstabbing murderer so that such accusations can't hurt him.

And Mimic does something along the same lines in this meltdown. He doesn't—he can't—leave it at, "if they saw the real me, they'd throw me away" because that puts the onus on him. And he also can't just leave these people that have accepted him so earnestly, that he wanted to accept him, that he himself wants to accept. So instead, he twists them. He takes the perceived future rejection (which, reminder, has not happened and he has no proof even would happen!), and takes it several steps farther, deciding that all of this has been a lie and that they're monsters and therefore he's doing the right thing by plotting to kill them:

A few panels ago their love and acceptance was making him hurt from the terror he felt at the idea that they could reject him. Now he's convinced himself (at least on some level), that they are untrustworthy liars that he needs to dispose of, for his own (emotional) safety. As I stated before, Mimic lies not only to the reader, but to himself; and he does it so harshly here, with such fervor, that on some level he makes himself believe it.

So then, we get to this:

(I have to upload this from desktop rather than mobile, and it looks blurry on desktop . . . hopefully it's not blurry when actually posted.)

As I mentioned before, some people with RSD will bail on those they think are rejecting them, a sort of, "I'll abandon you before you have the chance to abandon me." But Mimic is so far gone that his strategy is to go to the farthest extreme imaginable; he has them murdered, because the thought of them still existing in the world without him—the idea of them smiling, laughing, having fun, loving each other, without him there—causes him pain. He can't stand it. Mimic feels—or at least, he tells us that he feels—that the only way that he can be at peace and move on from his time with the Diamond Cutters is if they're dead. If he can't be friends with them, then no one can. They're not even allowed to live.

Of course, the tragic thing is, he could have been friends with them. He was friends with them. But he was too fucked up to see that, and I think accepting that now would destroy him to the point where his psyche won't let him acknowledge it as even a remote possibility. Because if he acknowledges that none of the Diamond Cutters were lying, and that they truly did like him—and, more than that, that they would have kept him even knowing about what he did in the past—then it would mean admitting that he killed them for no reason. And I truly don't think that he would be able to handle that.

Again, I don't feel sorry for him. I'm mentally ill myself and I deal with RSD. One of the several things I'm working on in therapy is my RSD, in fact, because I'm very bad with the whole "perceived rejection, time to bail!" thing, and I don't like how difficult it makes my life. Mimic was a 32 year old man who, instead of recognizing and finding a way to deal with his mental illness, decided instead to murder a bunch of teenagers and one barely adult (Smithy was the next oldest at only 20). And even now, he's still stalking and trying to murder a 16 year old girl who is just trying to move on with her life. I don't feel sorry for this man, and neither should you.

But it is still interesting to look at how he ticks, to see how he created the self-fulfilling prophecy that led to Whisper rejecting him so hard that she would not hesitate to bust a (wisp) cap(sule) in his skull-less head if given the opportunity, all because of deep-rooted psychological issues that I don't think Mimic himself even realizes are there. It's certainly more interesting than "he's just evil" or "he did it out of cowardice."

All my love to the original Diamond Cutters. Mwah.

#sth #idw sonic #idw sonic spoilers #mimic the octopus #whisper the wolf #smithy the lion #slinger the ocelot #claire voyance #the diamond cutters

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