#skyward supremacy

[x-xxoxox-x]

Skyward fans get in

(I’m driving)

[not-zuri]

Skyward fans hear me out rn

As a poly couple.

[obsidianpegasus]

I just can’t leave this unsaid—Spensa and Jorgen are everything I love in a ship—opposites who grow together, challenge each other, and somehow manage to fall in love without ever softening who they are. Bonus points for the slow burn enemies-to-lovers. I’m not exactly a romance reader, but watching them go from rivals to friends to lovers over the course of four books was like accidentally stumbling into uninvited emotional quicksand—and honestly? I didn’t even try to escape. I just sat there, reading, thinking about character development.

They’re not perfect—but they try. And that’s why I love this ship. It’s not some flawless love story. It’s an *earned* one. It’s never about sudden love because from my perspective—it’s about understanding, about seeing the worst of each other and still choosing to stay. Or maybe I’m just overanalyzing two space pilots from a YA Science Fiction novel because that’s just what I do when I get passionate about something—like, who needs therapy when you have Jorgen and Spensa’s relationship to dissect at 2 a.m.?

[tenebriism]

// I have nothing else to give you all this Munday, so you're just gonna have to accept Goofy-him.

[hoshidensha]

Looptober / Melotober Day 3: Monthlies + Potion

Over at Nintendo Loop, we have monthly gaming challenges with themed teams. One of my fave themes was Console vs. Handheld (I'm pretty sure I was Team Handheld lol)

[moonchildcovenxx]

Overstimulating Violet

a/n: Vi brain rot hit hard and all of a sudden i felt like writing a blurb :) anyhoo this isn’t proofread or anything so yeah please don’t tell me if you hate it sub!Vi supremacy

“Violet.” The coo of her name—her full name, sends shivers down her spine. Not that it would make much of a difference with how much she was already shaking. Vi opens her mouth to answer your teasing remarks, but as her lips wobble, only a small, breathy whine fights past.  “ffuckk—fuckkk” Baby blue eyes glaze over with each time you addictively circle her clit with the same purple dildo you use on yourself.  You’re sloppily fucking her stupid with your own dildo. What a power trip. “Baby—please it’s so—so much.” Violet slurs out cutely, her bottom lip is bitten and shining with how much she’s been drooling.

Her pussy is greedy, taking your torturously fast pace in stride. Every time you near the tip of the dildo Violet whimpers, Abs flexing as she clenches around it, until it’s settled back inside her. “You seem to be enjoying yourself.” You tease, but you’re almost forgetting how to breathe with how much your honing into every reaction your pretty girl gives you. You giggle as Violet’s eyes roll, thighs shaking, as you grind the creamy dildo into her.  “Yea I am—I am—God baby you’re so good” Vi’s tits bounce as she fucks herself back into you. The sounds that are leaving her are nearly delirious with how high pitched and wanton they are. 

Her eyelids flutter open, while her back arches. You’ve brought your middle and ring finger to toy delicate little circles into her over sensitive clit. Vi’s whole body visibly quakes as she moans out your name in drawn out syllables. Her face is blushed pink to tips of her ears nearly matching her hair color in tone. “M-more please-I-mmfh!” You indulge her before she even gets the full sentence out, how could you not? As Violet is looking up at you with watery eyes and a jutted out pouted lip. You’d love to bite into that same pouty lip and see what noise it drags out of her.

The keens she’s letting out are going straight to your own cunt and you resist the temptation to grind down onto the bed.

The squelching noises that are leaving Vi’s pussy have her throwing her hands up to her face in embarrassment. In contrast, her legs seem to spread further to offer you more access. “I’m so close.” Violet’s looking at you with furrowed brow, eyes nearly closed, as she looses herself in the agonizing pleasure you’re forcing into her. She chants your name hopelessly once more, hand clawing forward to encourage your thrusts into her. 

 “Cum for me Violet.”  You murmur softly, her body obeys. She tenses, limbs flailing as devastated mewls rip from her throat. Pierced nipples pointing skyward as her back arches for the nth time of the night. “Good girl.” You praise, earning a stupefied smile from the ruined woman beneath you. Violet’s breath is still choppy and uneven as you lay next to her, rubbing small nameless shapes into her tattooed skin. Violet nuzzles into your neck kissing any skin she can reach, as you both grin widely at each other giggling at nothing and everything all at once.

[cosmicsproutcake]

what do u mean by u havent been a fan of the artstyle since skyward sword?

I mean exactly that. I haven't liked the art style of a non-Toon Zelda game since Twilight Princess. And if their new toon style is whatever they've been using to remake games, then I officially hate the toon style as well (Windwaker supremacy).

Non-toon games Skyward Sword onward, which is admittedly not many games, all try to merge the more realistic character models of the non-toon games with the colouring style of the toon games, and I'm sorry, but it's fucking hideous.

They look like halfway through rendering the characters, the team just gave up, and decided to release it in that half-finished state, and I'm not joking.

Twilight Princess worked lighting in a way Nintendo has failed to grasp since.

[shalini-yadav45]

Exploring the Mythical Origins of Arunachalam Temple: A Journey into Hindu Mythology

Deep within the heart of Tamil Nadu, nestled amidst the picturesque landscape of Thiruvannamalai, lies the majestic Arunachalam Temple, a revered site of Hindu pilgrimage. This ancient temple, also known as the Annamalaiyar Temple, is not just a place of worship; it is a living testament to the rich tapestry of Hindu mythology and spirituality.

The story of Arunachalam Temple is intricately woven into the fabric of Hindu lore, tracing its roots to the legendary dispute between the divine triumvirate – Brahma, Vishnu, and Shiva. According to ancient scriptures, this tale begins with a cosmic challenge that would forever change the course of history.

In the celestial realm, Brahma, the creator, and Vishnu, the preserver, found themselves locked in a debate over their supremacy. As their egos clashed, the heavens trembled with the intensity of their disagreement. Seeking to resolve the conflict, Lord Shiva, the supreme deity of the Hindu pantheon, intervened in a remarkable display of his divine power.

Manifesting as a towering pillar of fire, Shiva dared Brahma and Vishnu to discover its origins and endpoints, promising to bestow divine favor upon the victor. Eager to prove their prowess, Brahma and Vishnu embarked on separate quests to unravel the mystery of the fiery column.

Brahma, assuming the form of a majestic swan, soared skyward in search of the pinnacle, while Vishnu transformed into a mighty boar and delved deep into the earth to find its base. Ages passed as the two deities traversed the cosmos in pursuit of their elusive goal, but neither could claim success.

In a dramatic turn of events, Brahma resorted to deceit, fabricating evidence of his triumph by presenting a Ketaki flower as proof of reaching the apex. Unveiling Brahma's deception, Shiva castigated the errant deity, decreeing that no temples would be erected in his honor. Thus, Brahma's pride was humbled, and the sanctity of truth upheld in the divine realm.

Meanwhile, Shiva transformed himself into the sacred hill of Arunachala, a tangible embodiment of his omnipresence and eternal nature. It is atop this hallowed peak that the Arunachalam Temple stands today, a beacon of spiritual enlightenment and divine grace.

Every year, millions of devotees undertake the arduous pilgrimage to Arunachalam Temple, drawn by the allure of its ancient sanctity and the promise of communion with the divine. Ascending the steps of faith, they offer prayers and rituals to Lord Shiva, seeking solace, redemption, and transcendence.

The Arunachalam Temple is more than just a physical edifice; it is a living testament to the enduring power of myth and the timeless wisdom of Hindu spirituality. Through its sacred halls and holy precincts, devotees are invited to embark on a journey of self-discovery, guided by the timeless teachings of the Vedas and the Upanishads.

In the shadow of Mount Arunachala, the boundaries between the material and the divine blur, revealing the eternal truth that lies at the heart of existence. As the sun sets over the horizon, casting its golden rays upon the temple spires, one cannot help but marvel at the majesty of creation and the ineffable mystery of the cosmos.

In the sacred precincts of Arunachalam Temple, the echoes of ancient legend mingle with the whispers of the present, beckoning pilgrims to heed the call of the divine and embrace the eternal journey of the soul.

[foreststarflaime]

STAR HELLOOOOOOO asking u 🧃🍉🎲

FAEEEEE HI

Fav cold drink: ROOT BEER SUPREMACY

Fav fruit: aghhh hardddd I love so manyyyy hm well I could snack on grapes all day, or watermelon. Or honeycrisp apples

Fav game: too many good choicessssss well it used to be Zelda (tie between Skyward Sword and Twilight Princess) but now I think ff7 (crisis core especially) mayyy have it beaten out

[seoportorchard]

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[x-xxoxox-x]

The first picture is from September 2023 the second is from 2 days ago

[not-zuri]

Random skyward hc that probably goes against the canon

Sadie (sentry) is Bims younger sister the reason she dyed her hair blue was to remember him

[1001pagesofsummerreading]

Liminality The best way to get to heaven is to take it with you -- Henry Drummond Our headlights snake across the west Texas highway. Out here, they've only got tow kinds of music on the radio: Country and Western. Her hair touches my shoulder in the wind. The road signs say turn ahead. We sing along to songs our parents taught us. Turn ahead. Steep cliff. Her finger is curled around my belt loop. Steep cliff. Pay attention. The road curves away from me, my voice crumples as we clip the guardrail, our back wheels lift skyward, the car spins, flips, the sky and the river bed fight for supremacy, our headlights kick into space. All of our clothes float around us. Her blouse blossoms like a supernova, the change her cup holders forms constellations glittering in front of our eyes. We are astronauts coming back to earth. When the nickel stars settle in the dust, we hang upside-down, dangling like marionettes from our seatbelts. We unbuckle the, fall to the ceiling that was never meant to be a f loop. Her collarbone is broken, the same one she fractured at six years old. The glass is flung around the car in a perfect halo orbit, we're freezing in our own solar system. As I'm blinking in and out of consciousness, she speaks to me in a voice that comes from just behind my ear, she says: "All that has ever mattered is volume and if you turn up the speakers past the point of sound, to deafening silence, you will hear me again, I will whisper your name from the cracks in the canyon rocks and you will know that this is heaven knowing that someone will always remember your irises and where you hid your love letters and why you could never speak in anything but short sentences. It's not a golden escalator or a glowing choir conveying you into the sky. The hand of God does not reach down and pluck you from your earthly shell, no, the way to heaven is here, in your last moments, these last half-seconds before your soul shivers our of your bones. You will see the candle on your first birthday cake, the brush of your mother's braids, smell your father's shaving cream on the day he taught you there is a tornado in your throat. You will hear our whispered phone calls, our entwined I love you's and their softness will weigh down on you. Heaven is an exhausted horse laying down to die, it's you and your ceiling fan conversing in whispers, Heaven is floating to earth in this already-shattered car. I will lie here forever and sing to you all the things I stopped myself from saying when we were alive."

-- Neil Hilborn, Our Numbered Days

[navii-playthroughs]

things are definitely happening

crusty g

finished up crisis at hyrule caste and fought phantom ganondorf(s) for the first time

yes i have been avoiding gloom hands

pretty sure I have all the memories of the past sages, still disappointed about lack of gerudo lore in the flash backs

how many times have I asked myself "why is a monarchy even needed?" for both rauru and sonia, and zelda

not a big fan of the implications that zelda got her powers from rauru and sonia...

this isn't me being a hylia stan, just more about zelda's entire character growth about her rejecting hylia for not being there for her in a time of need and finally unlocking her power at the last possible moment because she wanted to save link

ww ganondorf continues to regien supremacy as best ganondorf

let's do the time warp againnnnnn

near the beginning of the game I was assuming that the imprisoning war that's been shown was the one from skyward sword

def rethinking that now

I don't think botw/aoc/totk even exists in the previously established canon tbh

i used to have a theory that botw was the end result of every timeline, existing after the events of twilight princess/fsa, the new kingdom many eras after spirit tracks, and after hyrule's reconstruction in the downfall timeline

where the events of botw would actually have some very slight differences between each timeline, but the end result is similar enough where it can be condensed into one game

but now I feel like I'm doing ww and st a disservice by incorporating the cycle back into their timeline

botk/aoc/totk exist entirely outside of the timeline in my opinion

now I'm thinking about age of calamity again...

[zoras-river]

Oh I don't think it's unfair to hold ALttP against OoT at all -- I didn't read OoT that way pre-SkSw, but it's always been a coherent reading of the game. My gripe with Skyward Sword boils down to that, prior to the game's additions to canon, readings less bound up in the divine right of kings and chosen people were viable and after SkSw they were not.

Which again isn't to say OoT critiqued either the monarchy or ALttP. It absolutely chickened out of any of that, but I do think OoT read by itself at least whistled past some graveyards and de-emphasized the importance of bloodlines compared to what came before and what came after, which left an opening to treat ALttP's chosen people ubi sunt bullshit as the sort of self-flattering nostalgia that lots of people have historically believed but not as something that was factually true of Hyrule. This might also be the product of playing OoT first and then coming to ALttP later -- which maybe made it easier to take OoT's vision of the past, of which Hylians were one part but not even close to all of it, as authoritative and read ALttP as never-truly-accurate mythologizing, and maybe if I had played ALttP then OoT would look more like confirmation of a glorious Hylian past instead?

I also agree earlier installments of the series than Skyward Sword are equally deserving of critique. I've said OoT chickened out of distancing itself from ALttP above, but I do think that for a while -- even if they weren't engaing with the problems in prior installments, or explicitly disclaiming them -- the games were inching toward a mythology less enmeshed in the supremacy of Hylians and the divine right of kings. Not apologizing or openly examining what prior canon had been, but drifting away from it and not paying it attention. It's extremely reasonable to ask for more from the OoT to TP games given how bad some of the prior mythos was,* but even that neglect left room for re-interpretation of old canon and engagement with the series in ways that minimized its worse elements of lore.

But that's all moot, because whatever ambiguity there was before, Skyward Sword went and removed it. Like you say, the parallels between Ameterasu and the Imperial family of Japan on the one hand and Hylia and the Hylian Royal family on the other are striking. To the extent there is a difference between the two, Skyward Sword takes an even more pro-monarchist line. Zelda isn't just the descendant of a goddess as the Imperial family are, she's the goddess' reincarnation and is one herself. All of the worst tendencies in ALttP are confirmed again, and substantially more Divine Right is piled on top of it. I agree with you Skyward Sword is not where those problems start, but I do think it represents a massive regression after twenty-ish years of improvement.

*And again TP's inclusion here is...shaky. We see the re-emergence of themes of Hyrule as a chosen land (though, notably, not a chosen people) And we do see direct magical evidence that the goddesses pick sides on questions of who should rule (Midna, not Zant) but a strongly emphasized theme of Midna's character arc is coming to understand royal obligations extend past seeking the good of just her people to all of the world. It's a weird hodge-podge.

The thing about Skyward Sword's story is that I basically agree with a lot of the criticisms levelled against it, but simultaneously feel that people are wildly overestimating its impact on the series.

My biggest issue with Skyward Sword's story is that it's an incredibly boring, safe take on a Legend of Zelda prequel game (which Skyward Sword actively tries to position itself as). Skyward Sword follows the typical Zelda formula beat-for-beat, with little reflection or deconstruction of it. As a result, Skyward Sword does very little to reframe the rest of the series. Which is why, in a way, it's kind of baffling to me to see how many people got mad at it for 'ruining the Zelda lore'. Frankly, Skyward Sword isn't interesting enough for that. You can't ruin anything if you refuse to innovate.

Skyward Sword added exactly three things to the overarchiving Zelda lore that affect previous entries: Hylia, Demise, and Fi. Of the three, Fi is in my opinion by far the most interesting, and also the one that was handled the worst. I consider the writing for Fi's character to be one of my personal biggest issues with the game, and I genuinely struggle to find a single good narrative decision they made for her. Fi's existence ultimately has little impact on the series for me because her character had little impact on me. Your mileage may vary.

Fi's not really the addition people take issue with though: that would be Hylia and Demise. And I get where people are coming from. Largely I don't even disagree. I also think that having a flat good/evil dichotomy represented by gods is boring as hell. I just think it's weird when people get mad at Skyward Sword for introducing this to the series, because. Like. All Skyward Sword did was add gods to the flat good/evil dichotomy already present in the series.

Establishing that Zelda, and therefore the Hyrulean royal family, is descended from a literal god absolutely has a ton of unfortunate implications. Like, y'know, in general you should probably think twice about canonizing the literal divine right of kings. But here's the thing: the series was already operating under the divine right of kings. That doesn't mean the choice to make it an explicit in-universe correct belief is now exempt from criticism, but, well. What does it actually change?

LOZ never meaningfully critiques the Hyrulean royal family; even when it acknowledges them as having done bad things (rare in its own right), the narrative will still ultimately position them as the good guys against the evil Ganon/Ganondorf/[insert villain here]. In at least the seven games I've played to completion, their right to rule is never questioned, and neither is Hyrule's dominance over other peoples, for that matter. The Hyrulean royal family's rule is treated as a self-evident fact of reality, as fate and destiny, the correct order of things. What is that if not the divine right of kings?

The divine right of kings was already the logic the series was operating under. What does Hylia's addition change about the framing of the previous games? Were there protests from non-Hylian peoples against the royal family's rule that have now been invalidated by canon? No. Because anyone who challenged the Hyrulean family's right to rule was already the bad guy. Skyward Sword did not introduce the unquestionable divine right of kings to the series; it merely agreed with it. That warrants criticism, but blaming it for 'ruining the lore' is strange when all it does is fall in line with the previous games and their framing.

I can't argue against the critiques regarding Demise as much, since they mostly center around what it does to Ganondorf's character, and the only game I've played with him as of yet is Ocarina of Time. Until I've played Wind Waker, which apparently does a lot to deepen him as a character, I'm not comfortable making statements on his character (that don't strictly pertain to Ocarina of Time). I will say, however: Demise is not out of character for the series' treatment of evil either. The vast majority of villains in the series I've encountered so far are evil for the sake of being evil. The flat good/evil dichotomy that Hylia and Demise represent changes nothing about the rest of the games I've played, because that dichotomy was already part of the fabric of the universe. Whether or not there is an Evil God causing it materially changes nothing about the series.

Also, I've seen people blaming Skyward Sword's introduction of Hylia for Breath of the Wild's Fantasy Christianity and monotheism, which is just blatantly unfair. Breath of the Wild very obviously wanted to create a world even more in line with typical Western-style fantasy than Hyrule already was in previous games. That's why they added Monotheistic Fantasy Christianity and did away with (or at least ignored) the Golden Three and other gods established over the course of the series. Skyward Sword did not do that. Din/Farore/Nayru are canon and heavily implied to be far more powerful than Hylia and Demise ever were. If Hylia hadn't existed Breath of the Wild would've picked another god to be monotheistic about, or invented one. Blaming Skyward Sword for Breath of the Wild's narrative decisions is simply unfair and unfounded.

Lastly: the Zelda series does not care about what previous games in the series have canonized. Skyward Sword is actually probably the game I've seen that is most careful about not contradicting previous lore, even if it did obviously go ahead and make a bunch of stuff up. Pretty much every Zelda game I've played so far has blatantly contradicted previously established characters or lore in some way. The games use whatever canon and lore they want to use, and discard the rest. Skyward Sword hardly ruined the possibility of the series ever challenging the Hyrulean family's divine right of kings or the good/evil dichotomy, because if a Zelda game wants to do that, it can simply ignore Skyward Sword's very existence, or radically retcon its lore. The lore established in Skyward Sword is not any more binding than the lore established in the rest of the series, and it's silly to pretend otherwise. If the series ever wants to take on the daunting task of confronting the unfortunate implications baked into the very fabric of its reality, Skyward Sword's lore is hardly going to stop it. Like, TOTK completely retconned the entire game's plot pretty much, come on now.

(And if the LOZ series itself is perfectly content ignoring or retconning parts of its lore, I don't see why fans can't do so either. Skyward Sword does not stop you from forming your own interpretations.)

There are a lot of rightful criticisms to be made about Skyward Sword and the lore it established, but they're largely extensions of criticisms that apply to the series as a whole. Skyward Sword did not invent these issues, nor did it remove the possibility of confronting them. Its lore is the product of the series' unquestioned acceptance of the good/evil dichotomy and the divine right of kings, not its cause. It's a symptom, not the problem. The worst you can accuse it of is being a particularly blatant symptom.

I agree that Hylia and Demise are uninteresting additions to the series' lore, and I think it's fair to be pissed at the way they give an explicit in-universe validation to the games' framing. But ultimately, all Skyward Sword did was fall in line with logic the series has long since operated under: that Hyrule and its royal family is good and all who oppose them are evil. Singling it out as uniquely problematic does nothing except let the other games off the hook.

Skyward Sword's story operates under some very concerning logic and has some extremely unfortunate implications, and criticism for that is warranted, but saying it 'ruined the lore' is disproportionate. The lore sucked to begin with.

[telemna-hyelle]

So back when I first was playing Skyward Sword, I was having a devil of a time with the first Ghirahim fight. I think it took me about six, seven tries?  Well eventually I decided to ask Fi for help. 

And this is what happened