#site specific installation
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Richard Long, A Circle in Scotland, 1986
#richard long#terrains#landscape#land art#art#contemporary art#site specific installation#scotland#green#circle
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Larry Bell. Pacific Red II, 2017.
laminated glass, 12 panels
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Conversation on the Corner
Mixed Media installation. 2023. Omaha, Nebraska.
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Recent conservation work completed, looking to place this beautiful triptych in the vicinity from where the ground was unearthed...
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Sexypink - Barbadian Artist | Annalee Davis on her Pray to Flowers – A Plot of Disalienation, my site-specific installation produced by the Sharjah Art Foundation for the SB15.“Pray to Flowers – A Plot of Disalienation, my site-specific installation produced by the Sharjah Art Foundation for the SB15 runs till June 11.
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Barbadian Artist Annalee Davis working on one of her pieces in the exhibition
This post focuses on the attached interior space mirroring the densely layered garden.These embroidered panels acknowledge British sewing traditions Barbadian women inherited over centuries. Practiced across races & classes, their habitual utilization of the needle & thread instilled notions of what it meant to be feminine. Pre-approved imagery, stitches, & colours replicated across samplers trained middle- and upper-class women into becoming submissive housewives abiding by the church’s teachings & moral codes of respectability. Conversely, Pray to Flowers disregards the restricted range of carefully taught stitches, colour combinations, & sanctioned subject matter.
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Rather, these works interweave crochet, applique, & embroidery addressing more indelicate discourse such as the impact of mono-crop farming & the plantation on today’s climate crisis. Amalgamating time-honoured stitches with fabricated ones, 100-year-old cutwork embroidery intermingles with contemporary so-called ‘African’ print fabrics worn at Barbados’ Crop Over festival. Merging pale pink crochet pieces & machine-made lace, this mash-up of fabrics, threads, & traditions acknowledges the creolization inherent in the formation of post-independent Barbados.
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Instead of producing decorative works for the living room or dressing tables, – prescribed domains of women – these tapestries link the plantation with the 6th extinction. Cyanotypes of local botanicals growing in my garden acknowledge native flora rather than bluebells and cockleshells found in the embroidered tablecloths of my mother’s generation, fashioned on prescribed patterns they were fabricated. Satin-stitched phrases” advocate the worship of flowers, and our need to unlearn the plantation & defend nature.”- Annalee Davis
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#sexypink/Annalee Davis#sexypink/Barbadian Artist#sexypink/Sharjah Art Foundation#sexypink/embroidery#tumblr/Sharjah Biennale 2023#tumblr/Annalee Davis#tumblr/Barbadian Artist abroad#Sharjah Art Foundation#embroidery#soft materials#site specific installation#SB15#handmade#intimate#texture#colour#deeper meaning
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In ‘Fictional Nature,’ Fabian Knecht Encloses Live Trees and Craggy Stones in a White Cube Gallery
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“Black tide” (2023), broken laminated glass from vitroplus , black lacquer, nails, wood, medium, silicone, and tape, 3.5 x 10 x 9 meters. Installed in Maison Hazeur for Passages Insolites in Quebec, Canada.
Tons of Broken Glass Flood Architectural Spaces in Captivating Site-Specific Installations by Baptiste Debombourg
All images © Baptiste Debombourg
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“(R)evolve” (2017), windshields, wood, nails, screws, and paint, 8 x 8 x 4.5 meters. Installed at Eduardo Secci Gallery in Florence, Italy
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“Aerial” (2012), 33/2 laminated glass from Glas König, wood, nails, and white paint, 3 x 12 x 4.5 meters, two ons of glass. Installed at Brauweiler Abbey in Pulheim, Germany
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“Acceleration field” (2015), white laminated glass, wooden structure, screws, nails, paint, silicone3D, 11 x 7 x 1.8 meters, 250 meters2 glass at four tons. Installed at Fondation Antoine de Galbert in Paris, France, with technical assistance from Léa Marchalwith the support of Wellmade and Saint-Gobain
#baptiste debombourg#artist#art#broken laminated glass from vitroplus#black lacquer#nails#wood#medium#silicone#tape#site-specific art installations#architectural spaces#paint#large-scale art installations#laminated glass from glas konig
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Hm. I am like... actively getting severely distressed and worked up about this assignment and I think the reason why is Significantly deeper than just "there aren't enough instructions". Like so much deeper I almost don't even wanna post about it. We live in a society bottom text
#like. the whole point of public art is engaging a community and bringing it together#and the whole point of it being site-specific is that it's special to the people from That Community#and the problem with that is that I don't feel like I actually have a community I can call my own.#I don't know anything abt the history of this city. I don't know anyone up here. it's just another place I don't fully fit in.#but my home city's community has always been actively hostile to me and I'm in a different city to get a break from my abusers so I#don't have any pull to want to contribute something to that community either.#im just here. with noone and nowhere to call home.#how am I supposed to design an art installation for a group of people who I know nothing about and who don't even know I exist?#like it's just really hammering home out Out Of Place I am. how much I don't belong anywhere. how unimportant I am to the world around me#idk if im articulating this properly. but I'm just like. it's a lot. and it's a lot more than I was expecting#armchair speaks
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vimeo
Bangs and Whimpers:
Site-specific installation at Poriginal Gallery in Pori 2023.
Paper, projection, UV-light, carpet, cyanotype and natural dye on cotton. 4k video, 32 min.
#art#artists on tumblr#installation#site-specific#animation#magnus#strandberg#photography#visualart#uv-light#Vimeo
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Jenny Holzer, Black Garden, 1994
#jenny holzer#memorial#war#violence#anti-memorial#installation#site specific installation#garden#black#black garden#discounted lives#florals like carrion birds#florals#landscape design#landscape#and still a world begins its furious erasure#discounted personhood#art#contemporary art
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Peim van der Sloot. Anarchy on the horizon, 2024.
stickers
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heard someone say archive of our own should install a "dislike" button and I thought I should say this: no, there's absolutely no need for archive of our own to install a "dislike" button.
why? because archive of our own isn't tiktok or youtube or twitter/x where users can monetize their content. archive of our own is a nonprofit site run by fans for fans, which means every content — every fanfic — you see on archive of our own was made out of pure love and passion from the artists/authors.
ao3 authors write because writing about these characters is their happiness and passion. they write for themselves, but they were generous enough to share with you their creations.
they're not "content creators" the way tiktokers or youtubers or instagram models are. they don't "make content" for views and engagements that can be monetized.
so no, you don't get to "grade their works" unless they specifically and directly ask you to.
you don't get to "say what you dislike about their works" unless they specifically and directly ask you to.
you don't get to "dislike" works that are not made specifically to please you in the first place. you're just a guest in someone's house, a house in which they let you in because they were kind, you don't get to roam around their house and say what you dislike about their furniture. you don't get to roam around their house and say you "dislike their house".
of course, you can have your opinion about the house its host invites you in. but if it's a negative one and you find yourself not liking the house, the polite things for you to do is excuse yourself and leave without telling them you dislike their house.
and just because you personally dislike the house doesn't mean the house is "ugly" either. the house you dislike could be a favorite, most luxurious place to many others.
my point is, don't be entitled by wanting the rights to voice your disapproval of things that you get to enjoy for free. don't be entitled by wanting the rights to voice your disapproval of things that were made out of love and passion — things the artists made for themselves for fun.
it makes you look like an entitled jerk with main character syndrome. the universe does not revolve around you.
now repeat after me: don't like don't read. no one forces you to continue reading a fic you don't like. quietly leave instead of being rude to authors who write for free because writing is their source of comfort.
people are so used to contents that were made because it's a trend / contents like tiktok that were made with the main purpose of reaching high engagement and making profits that they forget sometimes things can be made out of love and be made just for fun. sometimes things are supposed to just be for people to enjoy, and if some people don't enjoy them, then they can simply leave without being unnecessary unkind.
#ao3#archive of our own#writers#writer#writing#writeblr#fanfic#fanfiction#fandom#fandoms#aritst#artists#blorbo#comfort character#fictional characters#blorbos
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365 Days of Art 2024 Week 53 Because 2024 is a LEAP YEAR, bonus artwork! Please consider supporting WyldeWood Studios with a hot chocolate: https://ko-fi.com/wyldewoodstudios
#wyldewood studios#natural#branches#mixed media#bark#installations#site-specific#sigils#magic#leap year
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A Sprawling Nest of Vintage Wooden Chairs Perches on Liaigre’s Facade in Paris
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