#baptiste debombourg

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Glass Installation by Baptiste Debombourg.

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“Black tide” (2023), broken laminated glass from vitroplus , black lacquer, nails, wood, medium, silicone, and tape, 3.5 x 10 x 9 meters. Installed in Maison Hazeur for Passages Insolites in Quebec, Canada.

Tons of Broken Glass Flood Architectural Spaces in Captivating Site-Specific Installations by Baptiste Debombourg

All images © Baptiste Debombourg

“(R)evolve” (2017), windshields, wood, nails, screws, and paint, 8 x 8 x 4.5 meters. Installed at Eduardo Secci Gallery in Florence, Italy

“Aerial” (2012), 33/2 laminated glass from Glas König, wood, nails, and white paint, 3 x 12 x 4.5 meters, two ons of glass. Installed at Brauweiler Abbey in Pulheim, Germany

“Acceleration field” (2015), white laminated glass, wooden structure, screws, nails, paint, silicone3D, 11 x 7 x 1.8 meters, 250 meters2 glass at four tons. Installed at Fondation Antoine de Galbert in Paris, France, with technical assistance from Léa Marchalwith the support of Wellmade and Saint-Gobain

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BAPTISTE DEBOMBOURG

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Tons of Broken Glass Flood Architectural Spaces in Captivating Site-Specific Installations by Baptiste Debombourg

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Untitled by Baptiste Debombourg

Artist: Baptiste Debombourg (France) Title: Untitled Year: 2021 USEFUL LINKS: Baptiste Debombourg in this blog | WebsiteUntitled by Baptiste Debombourg

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artist research

Shayna Leib and Baptiste Debombourg

Shayna Leib is a multimedia artist with who works in both sculptural and 2d mediums with 26 years experience focusing on glass and ceramic. I love her wind and water series.

I would love to try like this falling into a big puddle showing the power of water like shayna.

His projects are related in one way or another to an aspect of human relations: our mistakes, our doubts, our desires, our perceptions of certain realities.

I love his work and how they flow. the scale of them is so intriguing too and would see them in real like.

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Tons of Broken Glass Flood Architectural Spaces in Captivating Site-Specific Installations by Baptiste Debombourg

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Artist Research

Baptiste Debombourg

Baptiste is an artist who's work explores our physiological relationship of day to day objects

He takes his inspiration from everyday objects, using things such as furniture, laminated glass and discarded objects. He likes to build from chaos. His pieces can seem slightly violent in this way but goal is not show violence through his work but what comes after

He likes to work with the idea of destruction and construction. Bringing pieces of objects back together to create something beautiful and slightly unrealistic or otherworldly in my opinion.

He says his work highlights the fragile and endearing nature of human beings. His work doesn't tend to be personified but you can see the connection he is making to this idea with his work on day to day objects

As far as I can tell through Baptistes website he has been exhibited from 1999 with some education in between the years. Showing he has worked for a while and both grown as an artist by himself and through education possibly multiple times to reach his level

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Tons of Broken Glass Flood Architectural Spaces in Captivating Site-Specific Installations by Baptiste Debombourg | Colossal

AUGUST 16, 2023 KATE MOTHES “Aerial” (2012), 33/2 laminated glass from Glas König, wood, nails, and white paint, 3 x 12 x 4.5 meters, two ons of glass. Installed at Brauweiler Abbey in Pulheim, Germany Detail of “Aerial” Debombourg’s most recent work combines black lacquer with broken glass, silicone, and other materials to flood a Quebec gallery. “I am interested in individual repeated attempts,…

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Tons of Broken Glass Flood Architectural Spaces in Captivating Site-Specific Installations by Baptiste Debombourg

ArtNews http://dlvr.it/Stl4NL See More at: https://artistmichaelm.tumblr.com

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artists & inspo

I was looking through a book from the library to get a better understanding of using negative space in a sculptural context and found some imagery that I connected with conceptually.

Peter Callesen Impenetrable Castle

as this sculpture is paper it doesn’t really materialistically fit my concepts. However, I really enjoy Callesen’s use of using his net (the 2D form in which is sculpture came from) to exhibit his work. It adds another layer of context for the viewer to understand, and allows room for appreciation at the details By including this ‘object of process’, Callesen is presenting his high skill set by including the piece of paper that should make his sculpture seem less impressive.

Brian Dettmer mound2

Baptiste Debombourg la redout

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Baptiste Debombourg

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BAPTISTE DEBOMBOURG  

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Debombourg Baptiste

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Baptiste DEBOMBOURG “Aggravure” https://www.youtube.com/watch?v=LPtuLHZy510

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