#single appreciation day

[purplemoonabove]

Good Time, a Good Omens One-Shot

Pairing: Aziraphale/Crowley

Plot: Aziraphale, instead of enjoying a delicious meal, misses his dear serpent demon.

Number of Chapters: 1

Note from Writer: This wasn’t intended for Valentine’s Day. I just wrote it because I love these supernatural dorks so much.

Expect more stories to come after. Not just on Good Omens, as well

Enjoy this gift anyway to you taken lovers and fellow singleteers. Happy Valentine’s Day/Single Apperciation Day 🥰👍🏾

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The food was always enjoyable. It was the very things humanity had to offer in life that Aziraphale most valued, along with his book collection. But as of now, resting in front of him as the food’s heat began to die out, for the first time in six thousand years Aziraphale made no move to consume.

It was an idea from the start of the ending day. After closing his shop and another well done for accomplishing no buyers to purchase his first editions, the man-formed angel decided to treat himself for a dinner this evening. He has done this before. Plenty of times for centuries. The sight of his curly blond hair made his presence as a regular in every restaurant he’d chosen in Soho, the Ritz being his favorite. Not tonight, though - he had a taste for sushi tonight.

There was no sushi, however, as his mind swapped the cold meal of wrapped rice and vegetables for a wanton soup. Despite not being a common dish to purchase, Aziraphale wouldn’t deny of his approval to its delicacy; a delicious warm broth of colored amber with herbs and spices to capture his senses, while also hiding away the chewable of meats and pastas and vegetables like a liquid blanket, was a treat to behold and understand as another customer’s favorite.

It truly was a delicious dish.

Just not one he was fond to consume at the moment, as the cooling liquid amber gave his mind memory of two smaller sets of liquid amber, one that has temperature rising and falling very quickly at the quickest of emotions.

Along with snake-like pupils to take on his unique nature, physically and spiritually. A styled bundle of short hair with a red exact to a forest fire’s flames. And, of course he wouldn’t forget, the formation of a smirk of mischief that could have archangels cautious on attack but would have Aziraphale warm as receiving his favorite dessert just for the Hell of it, nothing in particular or for occasion.

A sigh escaped his muted lips. The metal spoon stirred at low speed, the slight pressure from the foods inside being brushed at every stir. This was one of the very, very few meals Crowley has consumed throughout the millennia. Hardly would he chew, only swallow down in satisfaction of the burning desire of alcohol in mix with the flavored taste of chosen grapes. Aziraphale would do so, of course; it was a common routine they shared, after all.

But then one evening, Aziraphale was able to convince the stubborn man to try at least one meal when coming to this restaurant together. He brought the particular dish out of random, and for his sake took up at least half of the amount, much to Aziraphale’s gladness.

“Not bad,” the demon commented nonchalantly. Aziraphale was satisfied either way, and gladly finished the rest for him.

As of now, this dish was the permanent signature creation for the serpent demon—or, when the angel stopped fooling himself, was just a reminder of longing for companionship by one: his dearest best friend.

“Is everything to your liking, sir?”

The voice was gentle and careful, as not to not to disturb so rudely, but Aziraphale did jolt from his thoughts, now aware of the curious waitress. He was lucky nothing spilled.

“Oh!” He breathed out, then calmed with a caring smile. “Oh, just fine, dear. Thank you.”

She nodded with a returning smile, then headed off to the vacant table with the dirty dishes to collect and clean afterwards. Rush hour ended about an hour or two ago; the night was out and streetlights were present outside, seeing people walking by as they headed for home or late-night stores. Customers of a low population sat and eat in the restaurant, being acceptable and diminishing behavior as the restaurant’s hours were near.

How long was he present? Steam no longer left from the surface, possibly less than lukewarm at the moment. Although, his mind then came up with, the steam was nothing to compare of the releasing heat of emotions Crowley would come up with. Even though it was usually done at serious times, a grin managed to form on the angel’s face, humor causing a muted laugh to escape with body shakes.

The notice of hisses in his words, releasing the serpent within. A neck straining out from frustration. And sometimes, when those blasted glasses weren’t present, the variety of emotions running over his eyes as fast as the speed of his car.

“You go too fast for me, Crowley.”

The mind was a cruel thing. The smile faded, and he rested back on the booth’s seat. Distractions of the food was no help anyway.

“How I miss you wily serpent.”

Crowley’s presence was as enjoyable as reading a new book of the twenty-first century that managed to grab his attention. Even though he has eaten alone before, it didn’t bothered him this much. Perhaps it wasn’t a good time to do so. Not when nothing - or no one sat opposite from him, to occupy and wait and speak when possible out of hidden respect and kindness.

He sighed in disappointment and shut his eyes.

Crowley…

Knock! Knock!

His eyes darted open. For a moment he thought to be back in his shop, and having to deal with another customer who clearly didn’t see the closed sign - There’s no use in speaking with me if you don’t read what’s in front of you!

But the returning notice of mutters from customers, and the distanced work in the kitchen with clattering dishes and sizzling meals in oil, brought out the reality of his presence still in the restaurant. Although, when glancing at the table, there wasn’t a shadow present before…

Eyes widened, then his head whipped right towards the window.

His heart raced in joy. He knew that smirk anywhere, and gladly returned it with a glowing smile.

“Crowley.”

The man-formed demon straightened from bending towards the window, his nose almost near contact below the text-posted sign. Then with a hand up and near his face, the muffled sound of fingers snapping was done.

No one but the angel took notice of the man, no longer outside and now sitting across from Aziraphale, his body relaxing in a manner close to how he would on his couch.

“Well.” He felt the urge to straighten his clothes out, maybe fix his tie… But what for? It’s Crowley, not of an archangel to impress or show physical respect towards. He settled with his hands on his lap. “Fancy meeting you here,” he finished.

Crowley hummed. “How long was I out?”

“Three days.”

Three days of respectful waiting as the serpent called him one evening that he longed for a nap. When he would awake was the unknown abyss, a mile dive inside being each day of waiting for his return.

His eyebrows jumped to his hairline, then rearranged himself to rest crossed arms at the table. “Short time,” he muttered.

Aziraphale nodded. Thank Someone.

If he acted this way after three days, how would the angel be when waiting for a century? The Apocalypse would be no distraction when already prevented months back.

He then felt of a sharp gaze at him, the sensation he would receive and didn’t mind whenever Aziraphale ate with given silence by him. Realizing he was in thoughts again, he blinked and returned eye contact, snake eyes once more in public shielding of tinted glasses.

But his smirk had returned.

“Missed me?” He teased.

Desperately, his mind answered.

Aziraphale smiled. “A little.”

Crowley chuckled then played with the spoon in the bowl, stirring the now entirely cold meal. And yet, when the demon scooped an amount and brought it over to the angel, Aziraphale made no hesitation to take the amount.

It was warm again.

Just as his smile that never left during and leaving the restaurant, this time not alone.

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Cheers. *lifts up glass of champagne* To the second season 🥂

[unforth]

Gentle reminder that very little fandom labor is automated, because I think people forget that a lot.

That blog with a tagging system you love? A person curates those tags by hand.

That rec blog with a great organization scheme and pretty graphics? Someone designed and implemented that organization scheme and made those graphics.

That network that posts a cool variety of stuff? People track down all that variety and queue it by hand, and other people made all the individual pieces.

That post with umpteen links to helpful resources, and information about them? Someone gathered those links, researched the sources, wrote up the information about them.

That graphic about fandom statistics? Someone compiled those statistics, analyzed them, organized them, figured out a useful way to convey the information to others, and made the post.

That event that you think looks neat? Someone wrote the rules, created the blogs and Discords, designed the graphics, did their best to promo the event so it'd succeed.

None of this was done automatically. None of it just appears whole out of the internet ether.

I think everyone realizes that fic writing and fanart creation are work, and at least some folks have got it through their heads that gif creation and graphics and moodboards take effort, and meta is usually respected for the effort that goes into it, at least as far as I've seen, but I feel like a lot of people don't really get how much labor goes into curation, too.

If people are creating resources, curating content, organizing the creations of others, gathering information, and doing other fandom activities that aren't necessarily the direct action of creation, they're doing a lot of fandom labor, and it's often largely unrecognized.

Celebrate fan work!

To folks doing this kind of labor: I see you, and I thank you. You are the backbones of our fandoms and I love you.

[doctorsiren]

give this angle another tri

[daisyswift3]

A Summary of the 🎃 Messages--The Overarching Story

So I just realized sth abt the 🎃 messages while listening to ttpd—they’re in chronological order!! I am going to try to give a summary of these messages and explain why I believe this. This album has made 99% of her songs, mvs, metaphors, and symbols make perfect sense. There were always some things like getaway car, cruel summer, and the palm trees in rep era that I could never quite figure out but now it's all crystal clear. It's like ttpd is the last piece of the puzzle needed to make everything fall right into place and to see the whole messy complicated story. One thing I want you to take note of as you read this summary is how incredibly consistent Taylor is w her use of metaphors and symbols. This makes solving the puzzle that is her music more like solving a cypher that you can know you solved correctly bc all the symbols will fit together perfectly just like a secret code. Once you understand what one symbol represents you now know what it means every time you see it. Every word or phrase she uses is intentional and there's not a single easter egg that's out of place. You'll notice in ttpd there are several words and phrases that are repeated bc she wants us to know that certain songs are related. 🎃 anon said there would be many connections and foretellings in the messages that we could find if we held them to the light in the coming unfoldings, and boy they were not wrong. So w/out further ado let's get into it (just a warning though this will be pretty lengthy so grab your favorite drink, some snacks, and get comfy).

1st message: The first one starts right before rep era when her rep started going down and she started feuding w her record label. These are the obstacles she didn’t see coming that made her slam on the (getaway bike) brakes (which were cut so she had to use her foot to slow down) and not come out. The "heel damaged" could be a reference to Achilles' heel since this was a weak spot she didn't see or it could be a reference to Jesus' heel being bruised in the 1st ever biblical prophecy (see this post for more on that). This was her first big pivot and change of plans. Many ppl have theorized that TS6 was originally going to be a different album--perhaps lover/daylight--but kimye and BMR got in the way of that. This would explain why she wears an outfit w palm trees on it while cutting the wings off her TS6 jet. She spray paints "reputation" on it which seems to indicate it was a haphazard last minute change of plans (x). Plus the endgame mv has palm trees and shows Miami, Florida (which I think is related to Florida!!! but I'll have to get to that another time) connecting it to "Island breeze and lights down low, no one has to know...In the middle of the night in my dreams I know I'm gonna be with you so I take my time." Miami is the paradise where her endgame happens. This all seems to indicate she was ready for "daylight" or "paradise" during rep era but had to pivot.

The Prophecy: “Hand on the throttle, thought I caught lightning in a bottle, Oh but it’s gone again"

2nd message: This is abt the lover rollout that started in spring of 2019 -> "The time draws near, springtime sunshine causing small drips and fractures." The ice castle likely represents the lover house (her music empire, past eras, and closet) since she burns it down w a match just like she does in the eras tour visuals and midnights -> "You strike a match and blow the smoke toward the structure that shelters and protects you. Suddenly, you hear a crack, a crunch, a whoosh. There is a sudden give beneath you, and you tumble through the broken, melting hole in your palace." The ivy reference (spring breaks loose, the time is near) just solidifies my theory that ivy is a song abt an eventual kaylor reunion that will happen before she burns all the files and deserts all her past lives (eras).

Lover era was her second big pivot. I believe she knew there was a very good chance Scott B would sell her masters all the way back in rep era hence why she says "I'm always waiting for you just to cut to the bone, devils roll the dice" (see this post for more on that). "However, in this suddenness you find yourself still somehow underprepared, kicking yourself for the time you squandered by wallowing in the seeming endlessness of your predicament" -> Her being unprepared to come out along w the mastersheist is what caused her to miss her 2nd opportunity to come out. She was so caught off guard that it made her indecisive. And so she played it safe and stayed in the closet -> "Our coming of age has come and gone, suddenly this summer it's clear I never had the courage of my convictions as long as danger is near." Remember how I said Taylor is very consistent w her use of metaphors? Well I made a post a while back explaining how folkmore represents the seasons bc summer = daylight and winter = closeting and folkmore was Taylor trying to come to terms w her 2nd failed coming out hence the grey and beige ("I'm just a paperweight in shades of greige"); so that means the ice castle = winter = closeting and springtime sunshine = almost daylight = almost being out of the closet (and spring was also the time when the lover rollout started so it has a more literal 2nd meaning to it as well).

The Albatross: "So I crossed my thoughtless heart spread my wings like a parachute, I'm the albatross, I swept in at the rescue." [I think there's a good chance this song is abt Scoots so it makes sense the parachute metaphor, which relates to her masters and failed coming out, would be used in this song]

The Bolter: "By all accounts, she almost drowned when she was 6 in frigid water...It feels like the time she fell through the ice then came out alive." ['Long story short I survived']

3rd message: This is abt the mastersheist (diamond heist) during the summer of 2019. It parallels the I Can See You mv exactly (see this post). In hindsight it now makes perfect sense why 1989 tv didn't have any mvs--bc the Fortnight mv is a direct continuation of the ICSY mv! Before the Fortnight mv, the ICSY mv was the most recent one. She didn't want anything between those 2 mvs so that it was obvious they were directly related. Her losing her masters and her 2nd opportunity at daylight is what drove her to insanity and caused her to end up in the asylum -> "I find the artifacts, cried over a hat...I trace the evidence" // "And so I enter into evidence my tarnished coat of arms, etc" | "Is it okay? Is it you? Or have they come to take me away?"

"Mere feet away from the light of freedom...Your getaway bike begins to leave without you, sparks flying as the tires try and fail to slow down for you. You have frozen in this moment of indecision" // "It was the great escape, the prison break, the light of freedom on my face...he was runnin' after us, I was screamin', 'Go, go, go!'" -> There are 2 getaway car mentions in this message which emphasizes its importance. This is likely for a few reasons: 1) To explain what the song getaway car was actually abt--her feud w BMR, not the beards 2) To show that message 1 and 3 are related; the getaway bike is mentioned in both since both are abt her masters 3) To show that the lover era pivot was actually just history repeating itself; this is what Cassandra and the Prophecy are abt.

Cassandra (notice the piano melody from mad woman): “So they set my life in flames, I regret to say do you believe me now? ['If I'm on fire, you'll be made of ashes too']…They knew, they knew, they knew the whole time that I was onto somethin', [She knew there was a good chance her masters would be sold as shown in cruel summer] The family, the pure greed, the Christian chorus line" ['Now he sits on his thrown in his palace of bones praying to his greed']

Fortnight: "I was supposed to be sent away But they forgot to come and get me I was a functioning alcoholic 'Til nobody noticed my new aesthetic [Her fans didn't notice the shift from rainbows and pastels to black mourning clothes during the lover era] All of this to say I hope you're okay But you're the reason [The you in the song is Taylor; she's the reason she decided to stay in the closet] And no one here's to blame But what about your quiet treason?" [Taylor's indecisiveness is what led her to not come out the 2nd time]

loml (This is from Karlie's pov): "Mr. Steal Your Girl, then make her cry...You shit-talked me under the table talking rings [Paper Rings] and talking cradles, [Lover mv] I wish I could un-recall how we almost had it all, [They were so close to daylight]...It was legendary, It was momentary ['I touch you (daylight/sunshine) for only a fortnight']...Our field of dreams engulfed in fire" ['So they set my life in flames']

Florida!!!: "Little did you know your home's really only a town you're just a guest in, ['I touch you (daylight/sunshine) for only a fortnight'; 'And so a touch that was my birthright became foreign'] So you work your life away just to pay for a timeshare down in Destin" [Taylor did all this masterminding and planning just to end up still stuck in the closet and bearding and only being able to see her lover in stolen private moments]

Fresh Out the Slammer: "Another [cruel] summer, taking cover, rolling thunder, he don't understand me"

The Bolter: "But it always ends up with a town car speeding" [getaway car]

Peter: "Forgive me Peter, my lost fearless leader, in closets like cedar preserved from when we were just kids, Is it something I did?" [Peter is herself; 'I'd be a fearless leader' and the fearless album; 'closets' is obvious]

How Did It End?: "We were blind to unforeseen circumstances, We learned the right steps to different dances, and fell victim to interlopers' glances, Lost the game of chance, what are the chances?...It's happening again" [This is the 2nd time she's lost the opportunity to come out]

I Can Do It With a Broken Heart: "I'm so obsessed with him but he avoids me like the plague" [They're in love w each other but can't be together in public; 'Break my soul in 2 looking for you but you're right here']

Down Bad: "For a moment [a fortnight] I knew cosmic love, now I'm down bad crying at the gym...'Fuck it if I can't have him I might just die it would make no difference'" ['You (Taylor) told Lucy you'd kill yourself if I (Karlie) ever leave']

5th message: Out of all the messages this is the one I'm the most uncertain abt. But I think it is possibly about JA leaving before his contract was up. "You are in a kitchen. Not your kitchen, of course. Your kitchen is soft and cozy and sacred. THIS kitchen is hard and cold and purely functional" -> This is not the sacred kitchen from Cornelia Street that she shares w her lover, this is a PR stunting kitchen that's a false imitation of the real domestic bliss she has. A few yrs ago kaylors were talking abt how Karlie has a kitchen that she only uses for PR/social media purposes so pumpkin anon could've been trying to remind us of that. These 3 messages from flag 🏴󠁧󠁢󠁥󠁮󠁧󠁿 anon make me think the breakup happened sooner than planned.

The July 29 message wasn’t meant to be posted until Oct 8 since it was hinting at the Toe breakup happening 5 months later in mid March, 2023.

The Nov 23 message mentions a “shift of footing” which we all agreed meant Toe 🦶 was over. The Dec 5 message w “the need to flex is sometimes necessary” directly following the Toe breakup message is what really makes me think it wasn’t planned. They had to pivot/flex but “other milestones are resolute” meaning the endgame is still the same—K and T will still reunite and both will be out of the closet at a certain time. Plus there’s the “…” at the end of the Nov 23 message which also indicates the Dec 5 one is a direct continuation of that message.

To add more credibility to this theory, RFI and SIG also have ellipses. RFI always seemed like it was supposed to be a direct continuation of SIG bc SIG sets up the “chess game” w her and her lover doing magic and pulling the wool over everyone's eyes, and RFI is when this chess game officially begins, "baby let the games begin."

Some other kaylors said they thought “the need to flex” meant that she wanted to give anti hero more time on the charts so she was flexing or showing off. But I think it makes more sense for it to be related to London Boy himself and not having him as a beard since that’s the whole purpose of having the 🏴󠁧󠁢󠁥󠁮󠁧󠁿 flag. I could be wrong though.

So Long, London: “Pulled him in tighter each time he was drifting away…Holding tight to your quiet resentment…Every breath feels like rarest air when you’re not sure if he wants to be there” [This may mean that JA kept trying to break free from the contract and Taylor kept trying to convince him to stay but it didn’t work]. "My spine split from carrying us up the hill, Wet through my clothes, weary bones caught the chill" ['They are bowing out, leaving you with double the workload, now half burnt and smoking. Their duties weren’t finished, and yet there is nothing you can do to make them stay. Shaken by this loss, chaos descends upon the team. Most roll up their sleeves to work harder']. "And my friends said it isn't right to be scared, every day of a love affair" [There were several blind items talking abt how JA was hooking up w men in a very unsubtle way; this could be what the 'cheating husband' mentions in ttpd are abt]. “Two graves, one gun” [Makes me think of a smoking gun which could be what the 'smell of smoke' in the message was alluding to. Maybe JA threatened to reveal her secrets if she didn't let him go and he had the smoking gun evidence to do so which was the recipe card. 'This time is different. Because you know this person actually has the means to share the secret menu, and that they have enough proof to make the waiting guests believe them.' -> I mean if anyone could convince the general public it would be the man who was supposed to be her boyfriend for 6 yrs]. “And you say I abandoned the ship but I was going down w it, my white knuckle dying grip” ['But you have never been one to lay your armor down. When you fail, you fail gloriously. When you go, you go kicking and screaming']. "I didn't opt in to be your odd man out" [She didn't want to be his beard just like he didn't want to be hers; and odd man out is a game that's played w 3 ppl where the odd man is the loser who's eliminated bc he didn't have a match]. "I founded the club she's heard great things about" [The Tortured Man Club -> The Tortured Poets Department that she's chairman of]

7th message: This message is all abt the domestic bliss she has away from the public eye. She has worked so hard to make sure her secrets are safe by building a tall impenetrable fence. However, she chooses to intentionally blow a dandelion full of secrets--perhaps ttpd is the dandelion w all the songs being the florets or secrets. There is one floret in particular that she’s worried abt—my guess is it’s Robin since it’s so damning if you know what to look for. Plus the song Robin parallels this message perfectly and evokes the same imagery. And to add even more credibility to this theory, the lyric vid for Robin has dandelion florets in the background. See these posts: (x)(x)(x)(x)(x)(x). "You are walking through your yard. It's one of your favorite places, all sprawling garden rows" -> Betty's garden; "your wife waters flowers," etc. "There are daisies - so many daisies - in every shade of your rainbow"--I don't think I even need to explain this. "Your lover and your fresh baked buns are safe. (The buns, of course, are in the oven turning golden as you speak. It's an old family recipe, jotted lovingly on a recipe card.)" -> The recipe card is perhaps a picture or some other sort of smoking gun evidence of Taylor's family and it connects the 5th and 7th messages together. And the meaning of "buns in the oven" is pretty obvious. "Golden" refers to Karlie.

Robin: "Higher and higher, wilder and lighter" [This may be a double entendre--not only is she encouraging this child to bounce higher on his trampoline or swing higher, she is also encouraging the dandelion floret (the song Robin) to fly higher and go out into the world after she blows on it]

The Albatross: "Wild winds are death to the candle...One bad seed kills the garden" [This may be connected to the dandelion metaphor and I believe there are many layers to these lyrics; wild winds can carry the dandelion seeds into other ppl's yards; if Taylor's secret gets out this can destroy the domestic bliss she has i.e. kill her metaphorical garden or candle; 'love's a fragile little flame it can burn out']

I Hate It Here: "I hate it here so I will go to secret gardens in my mind people need a key to get to, the only one is mine" [There is only one way to get into this garden since a tall impenetrable fence surrounds it; there are other layers in these lyrics as well like the escapism aspect of it]

But Daddy I Love Him: "I'm having his baby, no I'm not but you should see your faces" [Bc it's Karlie that had the babies]

8th message: This entire message parallels the Bolter. I believe this is abt Taylor finally choosing her lover over her reputation and choosing to intentionally destroy it in order to meet her lover down at the bottom like 🌋 anon mentioned. This may be the purpose of the whole Ratty debacle—to tarnish her image (by jumping into shark infested waters) so that when kaylor are together in public again her fans won’t be able to hate on KK w/out being hypocrites bc Taylor has already done all the things she knows they’ll accuse KK of, like being connected to someone who’s quite problematic. I believe this takes place from May 2023-now since this is when MH and her started “dating.” The use of all lowercase in the 🌋 messages may be a reference to the reputation album title to indicate that this is going to be a repeat of rep era but this time the damage to her rep will be intentional. I find it very interesting that the Feb 20th 🌋 message is the only one that has a word capitalized and the word that's capitalized is "Gold." This is in contrast to "fools gold" which is not capitalized or colored.

The self-loathing is palpable in Taylor's music (x) and it is displayed heavily in this message as well. I think it's possible the "enemy" is actually just Taylor herself or her public persona to be more exact. She is her own worst enemy; the Anti Hero mv illustrates this. She's the one that spreads the dandelions in message 7 which is what the enemy does in this message; she's the bear, and in the Bolter she (real Taylor) tames the bear (Taylor the brand). I believe TSMWEL could possibly be abt herself as well. I mean TSMWEL literally has "TS" in the track title. The clean version of the Bolter has the line "Then she'll call him a bore" which parallels TSMWEL, "You said normal girls were boring." It's as if real Taylor is doing an UNO reverse on Taylor the brand by treating her public persona the same way she treated real Taylor for years. This is very reminiscent of the Archer, "I've been the archer I've been the prey." I think TSMWEL, while it is abt herself, is simultaneously abt Scott B. And the reason for this relates back to what I said abt the 2nd and 3rd 🎃 messages--she blames both Scott AND herself for her failed coming out. The mastersheist threw her for a loop, yes, but she could've still come out anyway were it not for her indecisiveness. And I haven't have time to fully analyze MBOBHFT yet but I think it's similar where it can either be read from Karlie's perspective to Taylor after the 2019 failed coming out or from Taylor's perspective to Scott B/the industry.

The Bolter: "But as she was leaving, it felt like breathing, ['When I was drowning that's when I could finally breathe'] All her fuckin' lives flashed before her eyes...He [the 'enemy'] was a cad, wanted her bad just like any good trophy hunter and she liked the way it tastes taming a bear, making him care watching him jump then pulling him under" [This connects to the 10th message: 'You limp over uneven ground, smiling at the pain of the shark bite with each excruciating step - replaying the satisfying splash as you finally chose her over the world. As you grabbed the enemy and dove into the infested waters']

loml: "The coward claimed he was a lion" ['You’re a selfish asshole. So much of your fear is your own. You wince at your cowardice like it is a gaping wound. You so often find yourself unable to meet your own eyes. You scramble into shadows like a black cat. Scared, even, of being scared...You are a coward, but you are not a fool']

I Hate It Here: "I was a debutant in another life but now I seem to be scared to go outside" [In another life she already came out but in this one she's too scared to even leave her house let alone come out]

The Tortured Poets Department (This is from Karlie's pov): "You're in self-sabotage mode throwing spikes down on the road"

9th message: This message is abt her finishing her 11th album, the last chapter of her 11 part story, and then sending it out into the world like a message in a bottle (the Manuscript). So I'm assuming this would take place on April 19, 2024, the release date of ttpd. "You are sitting on a beach, cold and windswept. The sea is dark and angry before you." -> This may be the same beach and sea from the folkmore era. "The sun sets in muted colors." -> Describing the sunset colors as muted is quite interesting since sunsets typically have very vivid colors; this makes me think it's related to the eras tour visuals during the transition from august to illicit affairs (which I explained the meaning of in this post), and the folkmore color palette was mainly muted colors. "You finish scrawling on the parchment. Your pen dries up as you reach the end of a story in 11 parts." // "Feeling like the very last drops of an ink pen," "my veins of pitch black ink." She is sick of having to dilute her truth through metaphors and allegories which is why she is a tortured poet -> "Take me to the lakes where all the poets went to die." Plus there's the "parchment" which she mentioned many times during her eras tour speeches which relates it to the folkmore era (x)(x)(x). "And now it is just a matter of time. The dripping of candle wax. The ticking of a clock." -> (x).

I recommend reading this post which explains how the Manuscript, ATW short film, message in a bottle, the story of us, and 4th, 9th, and 10th 🎃 messages are related. Many ppl pointed out that the Manuscript lyric vid looks like a movie script, and she's been referencing films and books a lot recently which makes me think there's a good chance she's going to release a film and book abt her coming out story. The 9th message and the lyrics in the Manuscript make it clear that Taylor's discography as a whole IS the manuscript i.e. it's the author's (Taylor's) draft of her story that is getting ready to be published. In academia, a manuscript is a draft of your research that you send in to be peer reviewed and if it's accepted it then becomes a published academic article.

The Manuscript: "And the years passed like scenes of a show, the professor said to write what you know, [She's equating her life to a story w the different eras being different scenes or chapters] The only thing that's left is the manuscript, one last souvenir from my trip to your shores, [message in a bottle; 'It may wash up on a sunny beach in Florida, or a rocky shore in the northwest'] Now and then I reread the manuscript but the story isn't mine anymore" ['Once you blow a dandelion, you never get it back. It isn’t yours anymore']

The Bolter: "But she's got the best stories"

10th message: This is a direct continuation of the 8th message and takes place right before she comes out of the closet (the wooden door in the woods). So this would take place after her rep has already been destroyed which I don’t think we’ve gotten to yet. My guess is that things will start ramping up in the next few months. She may start being papped w all her previous beards looking happy w them or sth similar which is all she’d need to do to show that the relationships were all fake and she’s been lying this whole time. This may be the “chaos” that 🫚 anon was referring to (see this post). This lines up with the blood moon glitch vinyl, representing chaos and disruption, being the 2nd quarter of the yr according to the midnights clock (4-6 or April-June, 2024). Plus many ppl think BDILH is abt MH--and Taylor meant for this to happen bc this album is full of red herrings--and in that song she says "He (MH) was chaos" so this might be a hint that the bearding shenanigans are gonna ramp up. Of course things are already plenty chaotic now w everyone thinking ttpd is abt 3 different men, one of which is pretty problematic, so perhaps this is all ginger was referring to. Taylor calling herself "the Bolter" has 2 meanings: 1) She is a coward who often runs away from danger 2) The 2nd more positive interpretation is that she knows "when it's time to go." I think it's very telling that ITTG is the last track on the deluxe edition of evermore and comes right after RWYLM, a song abt being stuck in the closet after the 2019 failed coming out. She's saying that she's not going to stay there forever(more).

The Bolter: "But none of it is changing that the chariot is waiting, ['The story of 2 princesses. No place for a prince'; the Cinderella metaphor (x)] Hearts are hers for the breaking, There's escape in escaping...Ended with the slam of a [closet] door but she's got the best stories, You can be sure that as she was leaving it felt like freedom" [The 6/21/2020 ♠️ riddle spells out 'They Are Free']

11th message: This message takes place after midnight at 3am on Nov 1 after she’s gone through the wooden door. In this post I explain how 3am connects to the witching hr or devil's hr. The fact that this takes place right after Halloween is quite significant since it is a day dedicated to remembering the dead, and death and ghosts are a big theme in ttpd. This symbolizes how after Taylor kills her old self (by dragging her into shark infested waters), she will resurrect as a new version of herself and leave the past behind her. And in doing these things, she will finally be able to go back to her figurative home, her cabin, that she was exiled from. -> "I think I've seen this film before so I'm leaving out the side door," "And I was catching my breath, floors of a cabin creaking under my step...I had a feeling so peculiar this pain wouldn't be for evermore." "The flame🕯️ finally🕯️flickers🌬️OUT" -> The match that started the "goddamn blaze in the dark" is no longer needed now that the lover house (her closet) has burned down, so the flame flickers out. This metaphor shows up in Peter as well, "But the woman who sits by the window has turned out the light," where the light dying represents the woman losing hope that a coming out will happen. Notice in this message from present anon that "Goodbye" has a capital letter G which I believe links it to "Gold" in the volcano message that was mentioned earlier. This may indicate that Karlie is the woman/neighbor holding the light and waiting for Taylor's return home. The Dec 26th 🌋 message is likely from Karlie's pov in this case.

Fresh Out the Slammer: "Now pretty baby I'm runnin back home to you, Fresh out the slammer I know who my first call will be to...But it's gonna be alright I did my time...Get the matches, toss the ashes off the ledge, [the burning of the lover house] As I said in my letters [the anon messages this corner of the internet has been receiving? Could also just represent her songs] now that I know better I will never lose my baby again...Swirled you into all of my poems ['My mind turns your life into folklore (literally and figuratively)']...To the house where you still wait up and that porch light [jack-o-lantern] gleams" [see this post abt the porch]

The Alchemy (This is from Karlie's pov): "What if I told you I'm back?...I haven't come around in so long, but I'm coming back so strong, ['But I come back stronger than a 90's trend'] Cause the sign on your heart said it's still reserved for me"

imgonnagetyouback: "Push the reset button we're becoming something new...Even if it's handcuffed I'm leaving here with you, Bygones will be bygone eras fading into gray, We broke all the pieces but still want to play the game...I'm gonna get you back"

[royalarchivist]

Pac: [Sighs] I'm trying to find someone, a person who's– a good person, a good person, a partner–

JV: No no! You only want bad people, Pac. Sorry, sorry.

Pac: No, I get it. And actually, I– I actually– I want someone to harm me, Fun. I want someone to hurt me– I want to have regrets, you know? I want it.

Fun: Wait, wait– A "she" or "he" or "whatever"? Hold on, I'll put whatever–

Pac: Whoever, whatever. ❤️💜💙

[ Full Subtitle Transcript ↓ ]

—

Fun: What's this?

Pac: This is it! Let's see- let's see if I stop being single, right guys? I'm trying, right? The party brings new opportunities to appear and everything, right?

Fun: Ah, you're trying to stop being single?* What's your type? Let me– let me be Tinder, dude.

Pac: I am–

Fun: Your type.

Pac: [Sighs] I'm trying to find someone, a person who's– a good person, a good person, a partner–

JV: No no!

Pac: What?

JV: You only want bad people, Pac. Sorry, sorry.

Pac: No, I get it. And actually, I– I actually– I want someone to harm me, Fun. I want someone to hurt me– I want to have regrets, you know? I want it.

Fun: Wait, wait– A "she" or "he" or "whatever"? Hold on, I'll put whatever–

Pac: Whoever, whatever.

Fun: "Whoever," then. Freaky or crazy, a vibe like that?

Pac: Yeah, exactly. You get it?

GuhZera: I like that vibe, I like that "crazy" vibe.

Translation notes:

* Fun uses the verb "encalhar" here, which is colloquially used to mean "to stay single," especially for women.

[emblazons]

"This is only the beginning— the beginning of the end."

STRANGER THINGS SANS VISAGES S04E09 - The Piggyback (Part II of II)

[wyrmswears]

REQUESTS???? AUGHA AUAGSHSBX X

UH UHHH LIBBER!!! MAYBE HER RAIJŪ FORM? (IS THAT HOW YOU SPELL IT?)

(if you are new here, this is the au)

you won me over with this one

[flowercrowngods]

man some of y’all are really out here doing fandom events like #SteddieLoveMonth and writing fic every day just busting out that quality content for free and providing us with love and care and safety and spice and just a free load of emotions while life is genuinely crazy out there like fuck me some of y’all are really out here writing thousands of words and preserving a little humanity in your creations of love it’s so awe inspiring and i think more of y’all need to feel (and share!!) some of this insane gratitude and awe

[abirddogmoment]

wow I'm the luckiest person in the world

[beyondourstars]

it occurred to me that I've never drawn KH4 Sora

[elitadream]

For this Thanksgiving, I wanted to say how grateful I am for this community and all the lovely friends I have in it. Ever since I've reappeared on Tumblr a little over a year ago, everyone has been nothing but kind and supportive to me, and I can't thank you guys enough for the interest and enthusiasm you show towards my art and ideas. 🥹💐

Sometimes I regret that I can't be as active as I'd want to be, or that I can't comment on all of my friends' awesome work. There are posts that I will inevitably miss, and people that I won't have the chance to properly interact with... But just so you guys know, I'm always awed by the wonderful, inspiring, fantastic and beautiful stuff you put out there, and all these mentions, discussions and exchanges are the reason I make fanart. 🙏🎨

Thank you for being there and for being such lovely peeps. I love you all. ☺️💞✨️

[bayleavesfromthevine]

Kafka knowing he done goofed for real this time and being too afraid to see how angry Mother is dkghkjfhg

[severus-snaps]

Snapetober 2024 | Cosy

For @redabeline who writes a lot of chubby Snape, for @dreamshopesfantasies who once asked for a cuddly Snape and I think this version is better than the first one I did, and for my boyfriend, who is the cosiest.

[satorisoup]

people will think im ordinary until they say one (1) thing about tmnt and all of a sudden im explaining the entire lore starting from the 1990’s movie & why donatello is the best turtle i fear… T^T

tag limit fights me… i must yap… please listen… SOB </3

[nebuladreamz]

Birthday time :D

I doodled this on the 18th, figured it’d be nice to save for today.

This past year has been the most wildest year of my life. To everyone I’ve come to known, old and new.

You mean the fucking world to me. Here’s for an even better rest of our year, together.

@f0rtunesfuture @amberluvsbugs @garbagechocolate @darkxsoulzyx @kandidandi @just-a-drawing-bean @cacaocheri @bunmuffin @sleepykas @xitsensunmoon @justaduckarts @skizabaa @starsketchez @fernzwing @smoljeanius @ilsole @tuzesdays @magicclownjuice @ohno-the-sun

(If I haven’t tagged you there is a Very(tm) high chance I am either unsure if you’d want to be tagged or too much of a coward to do it anyways but that does not mean you’d mean less <3)

[tikattu]

listen if you dislike some of my headcanons, consider that they're indeed just headcanons. make your own if something does not match your vision. think this character should be taller when i made them short? make them tall! i don't care, i don't make the rules. destroy canon with me