#sing with the birds
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finally have 3000 words in my new chapter im crying its been so long since i postedÂ
#wip#ao3#i haven't posted a new chp since#*checks calendar*#*keeps flipping*#*flips some more* uhh since March 15#all of my chp have to hit 3000 words for this fic#idk thats just how long my chapters are#im singing at last i see the light from tangled#i do still have more to write tho#but i am finally at my word count#i could cry#sing with the birds#dance in the rain#make a cake#im instoppable#*shows you like its my artwork and im five* is anyone proud of me i wrote 3000 words in a short time of 4 months#im in tears ive written 3000 words in like an hour before#struggle bus express
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Before the Birds Sing
Christophe wakes on the morning of April 7th for the 273rd time.
It is 7:03, as it almost always is, and it is the snooze-delayed alarm that wakes him, as it almost always does. Christophe knows the pattern of bird song before they chirp, and he knows the exact cadence of cars that hum by on the street before they even crawl around the corner. Christophe listens to it, and he dawdles on his phone.
There is no practical reason to check his phone. He knows of course that it is 7:03 and he knows itâs 67 degrees outsideâsunnyâ35% humidityâand he knows the contents of the 2 texts he received overnight. But Christophe makes motions with no practical reason. He does it to not upset anyone who, if paying close attention, could take issue with him knowing things before heâs learned them.
Christophe stows his phone into his pajama pocket at 7:06 and goes downstairs, which is the optimal time to go downstairs. Any earlier and Madelineâs pot of coffee would still be brewing, and sheâd offer him first-cup with a touch of resentment over him getting first cup of the pot sheâd been brewing. But if he refuses it would be a Thing, and Christophe hates starting a Thing.
But it is 7:06, and Madeline is starting to empty the dishwasher, steaming cup of coffee perched on the counter beside the sink. Christophe says, âMorningâ and kisses her head and pours his own cup.
âMorning,â Madeline answers. Her hair is not damp anymore, but it could be in the two cases Christophe woke at 6:45. He hadnât yet figured out what caused that. Heâd never been able to recreate it on purpose.
âOh,â Madeline always says. âMy mom wants to come over for dinner tonight. Kinda late notice but is that okay?â she always asks.
âYeah, sure,â Christophe sometimes answers. Because the sometimes when he sounds too neutral makes Madelineâs mouth tighten with worry. And the sometimes when heâs too enthusiastic makes Madeline stiff like sheâs confused. âI hope sheâs got more stories about Boki,â which is Madelineâs momâs new dog, and is the optimal answer to give about her mom coming over for dinner.
âHeâs gotten so big,â Madeline says with a smile.
This is optimal because Boki is an easy topic to interrupt when Beatrice from across the street slams into Christopheâs car.
âChrist!â Madeline reacts to the SLAM-RRCH, WHEEP WHEEP WHEEP WHEEP of collision and car alarm and woo woo woo of Bucky from the downstairs unit.
(âHush, Bucky,â Peter from the downstairs unit says muffled.) Christophe is in the stairwell, heading out the door. (Peter is making hashbrowns. Christophe stopped at his door one morning, for no real reason. During the mid-100s of his loop, Christophe tried a few things âjust because.â) So he thinks about the hashbrowns abandoned on the stove while Peter pulls Bucky away from the door. Christophe goes outside to Beatrice with her hands on her head.
âI didnât see it!â Beatrice always says while Christophe opens the door. There is lipstick smeared from lip to hairline straight across her cheek. She wears an expression like sheâs run over someoneâs child.
Christophe goes through the motions of looking at his car, which is always identically dented in the fender, with the same red paint tucked in its scratches. âHey hey, these things happen. Do you have your insurance information? We just need to call our insurances, and theyâll sort it out.â
This is the optimal answer. Beatrice calms down, as she takes comfort in being given actionable direction. Christophe knows a lot about Beatrice, who heâd never met before today. She has three sons: Jimmy who knows a mechanic from college, Kevin who is an insurance adjustor, but for a life insurance company, and Mikey, who is Beatriceâs favorite as most of the time, heâs the one she calls.
âYes, yes okay. Itâs in the glove boxâyes, Mikey, yes thatâsâthe guy is here, his car. Mikey, I should get my insurance information, right? Yes,â Beatrice says into her earpiece. Christophe thinks to ask her what Mikey does for a living, but thereâs no reason to detract todayâs path, which so far is optimal.
Beatrice scuttles away, opening her passenger door and half leaning out of it while she finds her papers. There is no good way to prevent Beatrice from hitting his carâas it turns out, no one believes you if you preemptively try to tell them not to hit your car. And getting his own car out of the way doesnât quite work. Getting to it in time requires cutting Madeline short on her question about her mother. And the interruption makes Madeline upset.
If he can figure out how the 6:45 wake-up loop works, maybe Christophe could move his car first, then talk to Madeline, then Beatrice wouldnât hit his carâbut it would be a lot of pressure, to get that lucky, and then try to do the whole day after that perfectly, lest he just wake up all over again, 7:03, hearing the birds before they chirp.
âThis, I think. Itâs this paper?â Beatrice asks.
âYes yes, see this number? Youâll need to call that one.â Christophe just needs to be understanding, but firm. And not say anything like, âSorry, maybe my car was too far out of the driveway!â because that will make Beatrice purse her lips and nod and say âYeah, actually I think your car was too far out.â
Beatrice asksâmaybe to Christophe, and maybe to Mikeyâhow long this whole thing with insurance will take. Christophe tells Beatrice insurance should handle it quickly. Heâs not sure if thatâs true. Heâs never made it to tomorrow.
âŠ
Christopheâs shoulders ease down a fraction once Beatrice is out of sight. The rest of the morning is easier. Madeline only needs to be told âDonât worry, insurance is handling it.â And thereâs no real wrong way to shower, and no real wrong way to get dressed. And as long as he avoids Summer Street on the way to work (someone hit a fire hydrant there) then thereâs not many wrong ways to get to work.
Christophe reads all unread emails, which are memorized at this point. He accepts Frankieâs invite to grab lunch together in the cafeteria. He doesnât start anything important while counting the minutes to 9:43. 9:43 comes, and their boss Bruce calls Christophe, and Frankie, and Arnold into his office.
Bruce wears the same olive shirt every day with the same unmatching plum tieâexcept for one day when he wore an orange tie. He orders everyone to sit the way he always does. And he gives the same rant, which Christophe puts on a face of surprise for, while Bruce reads out the scathing customer email received overnight over a massively delayed shipment. Bruceâs hand flies around in a rage, and there is a different watch on today.
The watch is unusual. Itâs silver. Not the normal gold one, and kind of thinner. Christophe wonders why itâs different. Christophe wonders about the little things that are capable of changing, and whether that means Peter isnât always cooking hashbrowns, or if one of these days Beatrice simply wonât hit his car.
âSo tell me, Mahone, how does this happen?â
Christophe snaps from his thoughts about watches, experiencing the emotion of surprise for the first time in many days.
âIf theyâd gotten us the right shipping address from the start, we wouldnât need to be jumping through all these hoops and taking the blame to fix their fuck-up.â
Bruceâs little eyes get about as big as they can on his red face, and Christophe immediately feels his ribcage drop down to his feet.
Heâd given the optimal response⊠to offer to Frankie in the office space later, when Frankie would be sitting crouched and staring at his knees with an expression like he didnât want to be staring at his knees. This is Frankieâs client, and every time today happens, Frankie shoulders the most blame. And it makes Frankie feel a little better when Christophe directs the blame back onto them.
Bruceâs answer, optimally, is, âItâs an oversight, youâre absolutely correct. I know our team can get this sorted out today. And weâll craft an apology email to them immediately.â Â
âMahone did you just say the word⊠âfuck-upâ, to me?â
Bruce is having an affair. Christophe doesnât technically know this today. But he does if he tries proactively to enter Bruceâs office and read the (quite positive) response email to his apology, and only if he times this between 1:19pm and 1:21pm. Maria from accounting is under the desk for reasons that cannot be explained away. He actually needs to come in at about 1:30pm to read the email, which Bruce will nod to and give a firm clap of approval to Christopheâs shoulder.
âSorry, I completely misspoke. I meant to say âourâ fuck-up, andâŠâ Christophe trails off, tired. He is long-since tired of finding brand new optimal paths off untrodden conversations. He is quickly losing the motivation to try. This is clearly unsalvageable.
Bruce has a wife and a 9-year-old daughter.
âSorry, we'll try that again,â Christophe says, under the gawking stares of Frankie and Arnold.
âNo, you donât get to try that again, Mahone. Not to me,â Bruce says. âYou can pack your desk and get out of here.â
Christophe does not pack his desk.
It is 7:03 am. Christophe hears the note of each bird before it chirps.
âŠ
âOh,â Madeline always says. âMy mom wants to come over for dinner tonight. Kinda late notice but is that okay?â she always asks.
âYeah, sure,â Christophe sometimes answers again. âI hope sheâs got more stories about Boki.â
âHeâs gotten so big,â Madeline says with a smile. SLAM-RRCH âChrist!â WHEEP WHEEP WHEEP WHEEP woo woo woo.
âIâve got it,â Christophe says. He opens their unit door and rounds the stairs. (âBucky, hush.â) He thinks about hashbrowns.
Bruceâs watch is gold again today.
âSo tell me, Mahone, how does this happen?â
âItâs an oversight, youâre absolutely correct. I know our team can get this sorted out today. And weâll craft an apology email to them immediately.â
Christophe is dismissed along with Frankie and Arnold, who bow lower than him and walk like they have tails tucked up. Christophe opens the door back into their office space, and Frankie takes his seat, staring at his knees with an expression like he doesnât want to be staring at his knees.
Christophe squeezes a hand on Frankieâs shoulder. Performatively, he looks over his own shoulder, like heâs checking to ensure Bruce hasnât followed. Bruce never does. âIf theyâd gotten us the right shipping address from the start, we wouldnât need to be jumping through all these hoops and taking the blame to fix their fuck-up.â
Frankie straightens a little, until he only a little bit resembles a shrimp. He smiles a little at Christophe.
Christophe takes his own seat, and he begins crafting the optimal client apology email.
âŠ
Christophe pulls into the grocery store parking lot. He has a text message open from Madeline, performatively.
âHey, sorry I donât think I can make the fish tonight. Thereâs not enough for three people. Can you pick these up on your way home? We can just do a taco night.â
Sometimes Madeline says this aloud to him in the morning, if he comes down at 7:03 and if he doesnât turn the conversation to Boki. Itâs more convenient to have the list as a text message, though it functionally stopped mattering after about the 10th loop when heâd memorized the ingredients.
Christopheâs path through the grocery store is optimized. Though that is another thing that functionally does not matter. It makes no true difference if he doubles back for the avocados, or combs the spice aisle twice, or even if he stands blankly in the produce section thinking about car insurance or workplace affairs. The grocery store doesnât really count for anything. As long as he delivers the one good joke to the cashier, itâs a success.
âA lotta avocados,â Amanda with the nose piercing says. That her name is Amanda and that she has a nose-piercing are technically the only things Christophe knows about her today. But on other todays, heâs asked her about family and about school. She has three sisters and three cats. She goes to community college. Sheâs a Scorpio. There is a faint scar on the middle knuckle of her right hand.
âYeah, Iâm thinking of trying out avocado therapy.â
She gives him a quirked eyebrow. He waits a beat.
âJust start smashing them until Iâm better or until I have guacamole, whichever comes first.â
Amanda snorts, and she scans the last item. Itâs NOT even that funny. But he said the avocado therapy thing one loop for no real reason and, somehow, it was a hit. Heâs tweaked the delivery just a bit, until it felt optimal.
Christophe folds himself back into the car with the avocados and the cilantro and the lime and the onion and the chips. He turns the car on, and the radio crackles to life with Sexyback on the throwback channel. He lets it play in its entirety before moving the car out of park. Itâs easier than counting the minutes needed before heâs allowed to arrive home without Madeline remarking that he got home from the grocery store âreally fast.â Itâs also why optimizing the avocadoes doesnât matter. Getting home from the grocery store too fast is weird, and Christophe optimally does not do anything weird today.
Lucinda is already in the kitchen when Christophe arrives home, smelling faintly of cloves, which Christophe figured out on about the 50th loop. She is parked on the barstool overlooking the island counter, hawkishly observing the bowls of cheese and sour cream and tomatoes and shredded lettuce.
âAh, heâs back. Finally,â Lucinda says, and thereâs never any real avoiding that. Even when Christophe comes home weirdly early, heâs come home late. âYou should be helping Madeline prep. Not me.â
Lucinda takes the whisky glass with the one spherical ice cube and re-parks herself at the kitchen table. Christophe unpacks the guacamole ingredients, and he does not ask about Boki yet, because Boki needs to be the second topic tonight.
Christophe makes guacamole with the exactly ripe avocados, and the exact right proportions of lime and salt and onionâit is, if heâs honest, not enough onionâbut it is optimized for Lucinda, who stopped criticizing his guacamole after about the 100th loop.
He uses the bowl Madeline likes and dumps in the chips that Madeline likes too. He offers her a single chip while sheâs still frying the ground beef, and she takes it with a secret little smile. He gives her a secret little smile in return, which is enough to somehow say Lucinda is a mutual nuisance, but not enough to suggest he hates her.
The taco ingredient bowls all come to the table one by one. Lucinda is slopping a pile of guacamole onto her plate with the guacamole ladle. âEthelâs cancer is back. Poor girl. Lopped off both her breasts already. What more can you do?â
âOh no⊠Mom, thatâs horrible,â Madeline says. Sheâs stopped mid-taco-bite, brow scrunched in worry. âWhen did she find out?â
âToday. She doesnât wanna do chemo again. Poor girl. Probably on her way out at this point.â
Christophe knows from other todays that Ethel is 87. Sheâs a gardening friend of Lucinda. She used to be a world-class chef, when being both a woman and respected in the restaurant world was unheard of. She has 14 great-grandchildren. Sheâs taken a boat across the Atlantic Ocean. She beat cancer at age 75. She is probably going to die to it this time.
This is not the first time Christophe has thought about the fact that, as long as today is April 7th, Ethel will never die of cancer. Heâs thought about all the people who would have died in the months after April 7th who, in some way, are still alive. And if or when the loop breaks, everyone who dies on April 7th does not get to wake up tomorrow.
But these are the sort of thoughts Christophe has had in depth since the very early days of his loop. He thinks, by and large, heâs settled on the answer that, for every person who doesnât die today, there is someone else denied being born tomorrow. And whoever heâs holding to life today is offset by someone else who should get to live tomorrow.
There are people out there who are living the worst day of their lives every single day for the last 273 days, and there are, statistically, just as many people living the best day of their life every single day.
As Christophe figures it, this loop is morally neutral. And if he wakes up on April 8th tomorrow, there is no one heâs doomed, and there is no one heâs saved.
When there is nothing more to be said about Ethel, Christophe asks about Boki. Lucinda lights up, and she fumbles for her phone, squinting at its screen. âI have pictures. Oh I have so many pictures.â Lucinda turns the phone to Christophe. He sweeps until the 19th photo, and pauses there.
âWhat sort of feeder is this? It looks fancy. Nothing like what Pickle had when I was growing up.â Itâs just an automatic feeder, but Lucinda loves the suggestion that itâs fancy. She explains it as if Christophe is learning about electronics for the first time, and it pads time.
Christophe has made sure to clear his plate while Lucinda talks. He does not reach for seconds on anything. He needs a clear path to excuse himself from the table, because he knows what Lucinda will bring up next, like he knows the bird notes before they sing.
âI did want to tell you something else, Madeline. And I didnât want to just âtextâ it to you, okay? I need you to see my face so you know Iâm upset too and so you donât accuse me of mean and hateful things.â
Christophe has no reaction. He sees the confusion, and the fear taking over Madelineâs face.
âJohn and I are getting a divorce.â
Madelineâs face is fully white. âMom, noâŠâ
John is not Madelineâs biological father. Her bio dad left when she was three. Christophe shouldnât even know his name, but he blundered in comforting her one of these loops and she spat it like a curse.
There is John instead. John who came into Madelineâs life when she was four and treated her like his daughter ever since. John who married Madelineâs mother a year later and whoâd been Madelineâs dad ever since. John, who had no blood tie nor name tie to Madeline, and who is about to lose his legal tie as well.
âMom, you said you were doing therapy,â Madeline always says, whenever Christophe gets this far.
âI am! And Iâve realized that I deserve better than what John is doing to me.â
âBetter than John? You deserve better than John, Mom?â
âMadeline this is MY life. Do not do this thing you do where you try to make it ALL about how hurt you are.â
The optimal thing for Christophe to say is nothing, he thinks. The optimal thing to do right now is nothing, he thinks. He guesses, as best he can guess. He doesnât always get this far. He hasnât had the chance to try as many things as heâs been able to try with Beatrice, and Bruce, and Amanda. But when he has tried to speak, it doesnât work. Maybe, optimally, Christophe shouldnât be here, but Lucinda forces it every time.
He lets Madeline speak. He lets Lucinda respond. He fades into a wallflower, until Madeline slams her chair back and throws her napkin down and says, âI think you should go home, Mom.â He lets her storm into the living room, and he gives a performative glance to Lucinda. Sheâs not really his concern anymore. Lucinda always leaves right after this.
Christophe stands at the doorway of the living room, which has gone dark since the sun set. Madeline is sobbing quietly on the couch, one pillow pulled into her lap. Christophe canât see it, but she always has it. He knows itâs there.
He enters, and he sits on the couch with her, and he holds her gently.
He does not know the optimal thing to say.
Heâs tried many things. But he says things that are insensitive, or too sensitive, or too optimistic, or too pessimistic. He says things that he has no business saying. He says hollow things. He says things that are too mean to Lucinda, or too apologetic to John.
So every day, he tries to say something new.
The darkness is resting on Christopheâs eyes. Heâs staring into the darkness of the livingroom. There are plates of tacos in the dining room. There is unfinished guacamole going brown in Madelineâs favorite bowl.
âThat wonât be us,â Christophe says, for the first time.
The pattern of Madelineâs crying breaks. He holds his breath, filing away yet another wrong response, when Madeline reaches her arms out and wraps him tight. Sheâs crying into her shoulder, but the tensing of her fingers against his ribs is so tender.
âI wonât ever do that to you,â she says into his work shirt. âI love you. Thank you for being here. Thank you. I love you.â
He rubs her back, and his heart is beating faster than itâs beat in 100 loops.
âI love you too,â he says, and itâs optimal.
âŠ
Christophe washes plates. He packs away leftovers. He listens to the shhhh of the kitchen faucet nozzle as it blasts the sink basin and gurgles away down the drain.
The cicadas chirp outside. He doesnât know this rhythm.
Christophe showers. He gets in bed. Madeline hugs his arm. He stares at the ceiling, and it is 9:00pm for the first time in the last 274 days.
⊠... ...
274 days ago, Christophe woke up on April 7th for the first time .
He checked his phone. He read the text from his mom asking for money, and he read the text from his dad telling him to ignore his mom. He checked the weather. He got out of bed and carried himself down the stairs at 7:03.
Madeline was standing at the counter, hunched over a coffee pot huffing fragrant steam up to the ceiling. She caught him from the corner of her eye, and with a sort of veiled resentment Christophe recognized, she poured the first cup and handed it to him.
âMy mom wants to come over for dinner tonight. Kinda late notice but is that okay?â
âWhy?â Christophe answered, the word bubbling from the knee-jerk disdain pulling down on his rib cage. Madeline poured the second cup of coffee for herself. âWe had her over last week.â
âI donât know. But she wants to come over,â Madeline answered defensively. She pulled open the dishwasher, stacking plates with a clack, clack, clack.
âWe donât have enough fish.â
âWe can just make tacos.â
âWe had tacos last week.â
âFine,â Madeline said, turning back around and leaving the dishwasher half-unloaded. âIâll tell her no.â
âCome on,â Christophe said. âDonât say that like Iâm being unreasonable.â
âNo no, Iâll just tell her no.â
âSheâs just⊠a lot. Come on.â
âYou donât think I know that? I grew up with her.â
âDonât talk like Iâm the bad guy here.â
âOh, you learned her favorite sentence.â
Christopheâs hands tensed against the hot porcelain of his mug. He had too many words that wanted to pour of out his lips. âYou think youâre the only one who grew up with a difficult mom?â âYou donât see me subjecting YOU to MY mom.â âWhat about maybe a âThank you, Honey, for putting up with my Mom who we both know is a lot.ââ
None of those made it into the air. His whole line of thought was ground to a sudden halt by the SLAM-RRCH outside.
âChrist!â Maddie exclaimed, words drowned under the WHEEP WHEEP WHEEP woo woo woo.
Christophe moved with momentum, with adrenaline. He slammed open their unit door and rounded the hall with bare feet (âHush, Bucky.â)
Outside, some woman was standing just outside her car, lipstick smeared across her cheek and holding her hands against either side of her head.
âWhat did you DO?â Christophe snapped, all but shoving her out of the way while his heart raced and he investigated the dent in his fender.
âI donât know!! I didnât see it! I didnât see it!â the woman echoed in hysterics. She blinked tears that smeared down her mascara. âLet me call Mikey! Heâll know what to do!â
âDonât call anyone, Christ. I have to leave for work soon! Just get your insurance documents out of your car, âŠFucking Christ.â
The woman stood motionless. Sheâd been shocked quiet, but still blubbered mutely while the tears fell from her mascara. Great. Great. Another person making Christophe into the bad guy. He rubbed his finger over the red paint scratched into his fender, and he let out a noise that got Bucky barking again.
âŠ
Christophe took his seat at the office, slinking in fifteen minutes late with the mantra-like hope that Bruce hadnât seen him come in late. It wasnât his fault his idiot neighbor had scraped his car. It wasnât his fault that Summer Street was backed up all the way to Oak Road, which heâd screamed himself hoarse about in the car, leaning on his horn all the while.
âYour mom can come over for dinner. Itâs fine,â Christophe texted to Madeline. He entertained the hope that it didnât come across passive-aggressive, but he also couldnât find the will to include a heart-emoji or an âI love youâ that might have softened the tone.
âOkay. Thanks,â she answered.
Christopheâs blood boiled all over. He read emails and re-read them, again and again, because their contents would not stick in his mind.
âMahone, Charles, Kim, my office. Now.â
Christophe snapped upright, heart stirred to a frenzy for the too-manyâth time today. The ice trickle down his spine said âFuck, you are in trouble for getting in late.â But the inclusion of Frankie and Arnold did not make sense for that. The realization sat like a brick in his stomach while he rose, and met eyes with Frankie and Arnold, and followed Bruce into his office.
Bruce was wearing an ugly olive green shirt with an uglier plum tie when he closed the office door behind them all, and his face was an even uglier scarlet.
âCan any of you three⊠fucking explain to me, why this email was in my inbox this morning?â Bruce shifted into theatrics, reading each scathing note with a pizzazz solely for the purpose of getting under Christopheâs skin, Christophe was sure. Arnold and Frankie seemed to wince in unison with each lunge Bruce made, but Christophe refused to break posture.
âSo tell me, Mahone, how does this happen?â
âYou should ask Kim,â Christophe said. Frankie winced again, and it made Christophe madder the way his mind likened Frankie to a scolded dog. âHe was the one handling the client.â
âNo, I am asking you, Mahone. This is your team. Do not make excuses and do not shift blame. Thatâs what a weak man does.â
(âThen explain what exactly youâre doing right now.â) Christophe thought to himself. But he did not say it out loud, because he too was a scolded dog.
âŠ
Christophe muttered a curse through each blocking cart and each clueless shopper blocking his path. He got avocadoes, and later doubled-back for the onion, and then doubled-back again for the limes. The chips were in the wrong aisle, because some stupid fucking store manager had decided to move everything again. Christophe forgot the jalapenos.
âAh, heâs back. Finally,â Madelineâs mother Lucinda said the moment Christophe opened the front door. She leered over her glass of whisky, which immediately set fire to Christopheâs ever-simmering disdain for her.
âI came from work, Lucinda. Because I have a job,â Christophe bit back.
âYou people always have excuses,â and it is one âyou peopleâ too many, so Christophe set the grocery bag down and disappeared into the living room to throw himself on the couch.
âMom do not speak to him that way,â Madeline said.
âWell did you see the way he talked to me? Called me jobless.â
âMom, weâre not doing this.â
âYou always want to make me the bad guy.â
Twenty minutes passed, with the living room growing dark around Christophe while he seethed into his phone. He marinated in his spite. There was no reason to make him share a room with Lucinda, in his own apartment. It was his, after all. Madeline moved into his apartment.
Soft footsteps broke his train of thought. Someone stood blocking the bit of light leaking in from the dining room.
âChristophe, hey⊠That was really out of line of my mom. Sorry.â
âYou think?â Christophe answered.
âSheâs miserable, and she needs to make everyone else miserable.â
âShe does not âneedâ to. She chooses to. And you let her.â
âI donât âletâ her, Christophe. Donât make her actions my fault.â
âHer being here is your fault.â
âSheâŠâ Madeline breathed hard out of her nose, and she lowered her voice. âShe insisted on it. Absolutely insisted.â
âMy mom insists I send her money. I just donât.â
âItâs different.â
Christophe let out a little snort. He let the silence linger.
ââŠLook, Iâll say thank you once sheâs gone, okay. A really really big thank you. Iâll make you any dinner you want this weekend, as a thank you. Okay? Because⊠sheâs a lot. I know sheâs a lot. So⊠thank you.â
The anger boiling in Christophe ebbed a fraction, and he almost resented this more, because this whole day was so much easier if he let himself fester in it.
âŠ
âEthelâs cancer is back. Poor girl. Lopped off both her breasts already. What more can you do?â
âOh no⊠Mom, thatâs horrible.â
Christophe dipped his chips in the guacamole without jalapeno. He did his best to avoid looking at Lucinda without making it obvious he was avoiding her. He tuned in only long enough to hear âcancerâ, and tuned back out when he was sure Ethel was no one he knew.
Ethel as a topic stuck. Lucinda seemed to revel in it, in that way she loved, to bring up something horrific and make it everyone elseâs burden to indulge her on it. It sickened Christophe, the way she seemed to light up at every opportunity to tell you something horrible.
âEthel has honestly made me realize something. And itâs that life is short. And one day youâre gonna wake up with breast cancer, thinking to yourself, âWhyâd I waste all this life?ââ Lucinda stuffed another bite of taco in her face. Through her food she spoke. âSo I wanted to tell you this myself, Maddie. And I didnât want to just âtextâ it to you, okay? I need you to see my face so you know Iâm upset too and so you donât accuse me of mean and hateful things.â
Christophe stiffened, angry before he even knew what he was angry about, just certain of the fact that Lucinda was about to make something worse for him than it already was.
âJohn and I are getting a divorce.â
Madelineâs face was fully white. âMom, no⊠Mom, you said you were doing therapy.â
âI am! And Iâve realized that I deserve better than what John is doing to me.â
âBetter than John? You deserve better than John, Mom?â
âMadeline this is MY life. Do not do this thing you do where you try to make it ALL about how hurt you are.â
âShut up! Jesus fucking Christ!â Christophe slammed his fork down. âIs this all you do? Show up to make everyone miserable? Come here to make Madeline cry?â
âChristophe, donât," Madeline whispered.
âSheâs a miserable fucking bat and sheâs doing this to cause drama. What a happy day for John to finally be fucking rid of you!!â Christophe turned to Lucinda, his eyes wild, and he broke into emphatic applause. And each clap was for his mom. For his dad. For the woman who hit his car. For Bruce. For the morning traffic. For the brainless idiot blocking the limes in the grocery store. âYAY JOHN! YAY JOHN! FREE OF HIS FUCKING SHACKLES!! HOORAY JOHN!!â
And in front of him, Lucinda crumbled. Into sobs. Into hysterics that seized her whole body and shook it. Blubbering, to the point of wailing. She kicked her chair back, and on unsteady feet she rounded out of the dining room.
âMom! Mom, come back. Christophe did NOT mean that.â Madeline gave him one scathing look before disappearing after her mother, the front door to the unit opening and clicking shut. Feet on the stairs. Below them, Bucky bellowed woo woo woo.
And then it was quiet.
And then Christophe was alone.
With all the makings of tacos scattered around him, with guacamole going brown in a too-small bowl, Christophe was entirely alone.
Alone, he sat. Alone, he thought. Alone, his righteous anger slipped away from him like the tide. He felt naked and cold as it left him. He felt his cheeks burn. He felt his own self-loathing nestle into the shape of where his anger used to be.
He spat a curse. He spat another. He stood. He kicked a chair. He shoved the table, unseating one glass of water which toppled and spilled its stream in a ppttititktikt to the floor. He grabbed his head like the woman who hit his car, and he dropped to a hunch.
And when staying like this felt unreasonable, Christophe unfolded himself. He rubbed his eyes. He stacked dishes, and popped Tupperware containers, and scrubbed down the counter, and set the dishwasher to its 4-hour delay.
He showered. He got in bed alone. He stewed on every kind of apology he thought of texting Madeline, but his pride burned against each one. He stewed until his phone buzzed, and some sick part of him held the hope that maybe it was an apology from Madeline.
âI donât think this is the relationship I want. Iâll be by tomorrow morning to get my things.â
ââŠFuck.â Christophe slammed his phone down. âFuck!â He grabbed his phone back and he sat up, and with all the force he could muster he pitched it against the hardwood floor. Its case exploded off, screen shattering to magnificent spiderwebs. Tinkling bits of glass and plastic scattered unseen across the floor.
Christophe was breathing hard. He was seized by the absolute sheer unfairness of everything. He wanted a do over. He wanted a different today. He wanted one more chance to not let everything go to absolute shit.
Christophe woke up on April 7th for the second time.
⊠... ...
It is 9:10pm on the 274th day of April 7th, and Madeline has fallen asleep against Christopheâs arm.
And this is optimal, surely.
Heâd said the right thing. Hadnât made it about Madelineâs parents or his own. Was it always that simple? That she wanted assurance she wasnât going to end up like John. âThat wonât be us.â That was all?
Christophe should be happy.
He did it right, finally.
This is the escape criteria, surely.
Well, "surely" is a silly word for Christophe to use. As if the criteria were ever a mystery. As is he himself hadn't been activating the loop every single time.
April 7th would last exactly as long as he decided to make it last. That had been the case since his very first loop.
He's found "optimal." He has a reason, finally, to stop activating the loop. He can stop making today perfect. He can let tomorrow be April 8th, for the first time.
And it is about time, isnât it? To let those babies be born. To let those people die. To let the people having the worst day of their lives and the best day of their lives finally move on to just another day.
Heâs been feeling guilty about it lately, every time he feels the day hasnât been optimal, and he made the choice to activate that power that sprung up like a wellspring inside him while heâd screamed and smashed his phone on the ground.
Tomorrow is April 8th.
Tomorrow everything moves forward.
Christopheâs palms are clammy.
He thinks about waking up at a time he doesnât know tomorrow. He thinks about birds singing to a tune he cannot already hear like a rehearsal in his head. Â
He thinks of everything Madeline might say, and he grows colder at the idea he wonât know what to say back.
He thinks about starting fresh, with a whole unoptimized day ahead of him.
It makes him cold. With Madeline snugged tight against him, Christophe feels so cold.
âŠ
Christophe wakes up the next morning to an empty bed. He checks his phone, checks his text messages, checks the weather. He gets out of bed, and he heads down the stairs to the smell of brewed coffee.
âMorning,â he says, planting a kiss on Madelineâs head. She looks up from the dishwasher long enough to give him a âMorning,â back. Christophe pours his own cup of coffee.
âOh,â Madeline says. âMy mom wants to come over for dinner tonight. Kinda late notice but is that okay?â she always asks.
âYeah, sure,â Christophe answers warmly, feeling like heâs fallen in love with life all over. âI hope sheâs got more stories about Boki.â
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It's that time of year (obsessed with The Drawer)
#birds#pet bird#birb#birblr#starling#european starling#sturnus vulgaris#ziggy#singing#mimicry#video#yellow beak season
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Midday walk :3
#there are!!! birds singing. trust#good omens#gomens#ineffable husbands#aziracrow#crowley#aziraphale
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ok hear me out angel, what about reader asking sevika about Ishaâs family? Like wondering if they shouldnât find her family or anything.
Maybe Sevika could open up about her own past with her abusive father and confess that she relates to Isha because she was probably either an orphan or running away from a toxic environment?
idk if you share my vision but I loveee when Sevika is vulnerable.
đ€
god :,) i love this
men and minors dni
as a family, you've all been learning sign language to better communicate with isha.
the girl is young and restless, and she gets frustrated easily when her hands can't keep up with her thoughts. she would rather just use jinx's surprisingly good interpretation of her facial expressions to communicate.
so, none of you are experts yet, but isha is able to tell you all a little bit more about herself the more she learns.
she doesn't know how old she is, but in the mines she was grouped with kids aged 4-6. so she's close to there.
she doesn't have any parents, and she doesn't remember ever having parents.
and when she met jinx, she had made an escape from the mine camps she was raised in, being chased by goons wanting to bring her back. tiny hands are useful in mines. and isha was a for-lifer.
isha explains this all to you slowly, over time, mostly with jinx's encouragement. and living in the undercity, stories like isha's aren't as rare as they should be. so you're all a little numb to the true horror of isha's life before jinx.
it hits you all at different times.
jinx is the first person to shed tears for isha. you wake up in the middle of the night to horrified screams coming from the girls' room, and both you and sevika sprint in, fearing the worst.
it's just isha having a nightmare, but it's still heartwrenching to watch as she sobs and shakes and screams out in her sleep. jinx is the only one who could wake her up, her voice seeming to break through the horrors for poor isha. the girl snaps awake with a gasp, launching into jinx's arms with a relieved cry.
"w-what happened, kiddo?" jinx whispers, her voice shaky.
isha quickly, shakily signs something only jinx can see, and she bursts into tears, wrapping isha up in a hug.
"what was it? what'd she say?" sevika asks.
jinx shakes her head. "'canary went quiet.'" she says, shakily. "she dreamt about the mines suffocating her."
you shiver, and sevika sighs heavily. both of you crawl onto the floor, preparing for a long night of soothing the kids to sleep.
the next person who cries about it is you.
you stumble to the kitchen in the middle of the night in search of a glass of water and catch isha in the fridge, stuffing her face with leftovers from dinner.
"you wan' me to warm that up for you, kiddo?" you ask around a yawn.
isha jumps and stumbles to her feet, her eyes wide and fearful, the food splattering to the floor. sorry, sorry, sorry, sorry-- she signs over and over.
you blink. "no-- what? don't worry about it baby, 's just some spilled rice--"
isha bursts into tears and starts tugging at her hair, worry consuming her, you gasp, darting forward and pulling her in for a hug. she flinches just a bit before she realizes you aren't going to hurt her, and your heart shatters.
"isha, baby, you can eat as much food as you want, whenever you want." you whisper into her blue hair. isha moans against you. "that's a rule here. you'll never be in trouble for taking food. even if it's jinx's 'secret' cookies." isha giggles a little at this, and you start to cry, burying your face against her scruffy head of freshly dyed blue hair.
you both cry until isha's stomach grumbles, and then you burst into giggles.
"c'mon. i'll make you your favorite if you help me." you say, standing from the floor and flicking a light on. isha gasps.
blueberry pancakes? she signs with a grin. when you nod, isha darts forward and hugs your legs. thank you ms. baby. she signs. it makes you start to cry again.
sevika's the last one to crack, but that doesn't surprise you.
what does surprise you is how open she is about it.
isha asks about family one evening over dinner. it's got you all a little emotional, the sweet questions she signs.
is this family? she asks first.
a few forks clatter onto plates, and it's silent. isha's inquisitive gold eyes dart around the table, waiting for one of you to speak. sevika looks at you you look at isha.
jinx speaks. "close enough, yeah." she says.
you grin, and bite your lip. sevika sighs.
is there more? isha asks.
all your smiles immediately fall as the solemn topic of more family, alive and dead, is brought up.
jinx sighs. "you know vi, my sister, the asshole cop." she mutters. isha giggles at the curse. "i... had parents. don't remember much of 'em. mostly, i remember the stories vi would tell me about 'em. felicia and connel. they died when i was young. then i had a few brothers and vander... and they died too..."
isha pouts and darts forward to hug away jinx's far away look.
sevika takes over while jinx starts stroking isha's hair.
"then she had silco. and me, i guess." she says with a shrug. jinx smiles a little.
"do you have any family in zaun, sev?" jinx asks.
you reach out and grab sevika's hand, and she kisses your knuckles before speaking slowly.
"i had a dad. we had a... shaky relationship." she says simply. jinx understands this, and she hums with a nods. isha's blinking at sevika with big eyes, listening intently. "he died hating me, i mean we were always feuding. but then sometimes, we weren't feuding, and..." she shakes her head and huffs. "and after that i kinda thought family was somethin' i just wasn't any good at." a few tears fall down her cheeks, and she looks up at the girls across the table.
but look at you, now, big mama. isha signs with a happy smile.
jinx bursts into laughter at the use of the nickname, and sevika bursts into tears.
you giggle and coo, pulling sevika into your arms to let her cry in your shoulder. "'s okay, big mama." you tease.
"s-shut up!" sevika cries. isha giggles, and sevika lifts her face to smile at the girl, tears streaming down her cheeks. "look at me now, kid. exactly."
taglist!
@fyeahnix @lavendersgirl @half-of-a-gay @thesevi0lentdelights @sexysapphicshopowner
@kissyslut @chuucanchuucan @badbye666 @femme-historian @lia-winther
@sevikaspillowprincess @emiliabby @sevikasbeloved @hellorai @my-taintedheart
@glass-apothecary @macaroni676 @artinvain @k3n-dyll @sevsdollette
@ellieslob @xayn-xd @keikuahh @maneskinwh0re @raphaellearp
@iamastar @sevikitty @mascdom @nhaaauyen @annesunshiner
@mirconreadzztuff22 @veoomvroom @lushh-s3vik4s @katyawooga @lesbodietcoke
@lavandasz @strawberrykidneystone
#the canary went quiet thing is bc they'd take canaries into coal mines b/c the birds would die if there was too much co2#and if they stopped singing-- basically they've died u gotta get the hell outta there#also i made myself cry writing this :( ;asldkjf;al#sevika#sevika arcane#sevika imagine#sevika x reader#sevika x you#soft sevika
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#IF TOMORROW IM GONA NE HAUNTED#TODAY IM GONNA BE FREE!!#I AWOKE TO DAWN CHORUS GLOW#HEARD THE BIRDS SINGING TO THE TREES#TOMORROW I CAN BE HAUNTED#BUT#TODAY#IM GONNA BE FREE#<33333#bears in trees#i dont drink wine#but id dance to this song in my socks with a cup of apple juice
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The news from the woods: water is flowing, plants growing, birds singing. I saw deer too but they chose not to appear here.
#pennsylvania#landscape#woodland#geopsych video#may#last of may#late spring#bird song#wood thrush singing
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My favorite scenes from The Odyssey (books 18 to 21)
Odysseus fighting a random beggar being its own book was not something I expected to enjoy this much when reading The Odyssey, but here we are.
#the odyssey#odysseus#penelope#odypen#telemachus#athena#eurymachus#antinous#irus#aka the beggar#eurycleia#anyway I've read the odyssey three times now (Emily Wilson's translation twice) it's become a hyperfixation#there are so many scenes I like that I'd probably have to draw the entire story#like I have several in book 1 alone#examples being the olympain gods waiting for poseidon to go to some party in ethiopia just so they can make a decision without him#telemachus telling his mom not to stop their bard (aka personal dj) from singing a song about his father's death#keep in mind he says that the bard is free to sing about whatever he wants while in a previously it was mentioned that the bard was forced#in book two (in think) Telemachus calls the nobles for a meeting and then throws the âspeaking staffâ to the floor#and proceeds to trauma dump#back to book one: Athena making some long excuse of how she is totally a human man and immediately transforms into a bird#in front of Telemachus' face#all of this and its not even halfway through the Telemachy
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whom the shadows sing for â (and the thief's echoing hymn)
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a/n: getting to have them be not in constant danger or emotional turmoil for one chapter? crazy. how do these goobers even flirt <3 as always, thank u for your patience and please let me know what you think!
word count: 4.4k
synopsis: Finally accepting Cassian's invitation to breakfast, Rhys offers you a proposal. You take flight for the first time since that fateful night in Exordor.
CHAPTER TWELVE :: SHRIKE (TO YOUR SHY AND GLORIOUS THORN)
As dawn breaks the next morning, rain pours.
Weather has never been a deterrent for Illyrian warriors. Cassian, Azriel, and yourself rise and head to train all the while, welcoming the extra challenge. Blades and boots swing, slicing through a thousand raindrops, sending graceful arcs of water in their wake.
From a distance, the movements so controlled, you think you might almost get mistaken as Summer soldiers, so adept in the water.
Though, as training draws to a close and you all pack inside, wings shivering from the icy sheets of rain, you steal a long glance at the two towering figures.
Their wings, like your own, make a terrifying silhouette and your matching armour glitters in blackness and rain.
With a glimmer of pride, you rapidly reconsiderâthere's no mistaking you for anything but what you are: soldiers of the Night.
âBreakfast?â Cassian offers, as heâs done after every one of your training sessions. He's the first to break the tired silence post-training, pulling the bulkier, unneeded armour off his chest.
It appears, despite your constant declinations, Cassian is not one to be discouraged. He still asks and he never seems put out with your answer.
That fact stirs something in you, a warm glow â his easy attempts to always include you mean more to you than he'll likely ever truly know.
You glance at Azriel beside you, silent. Heâs scrubbing at his wet hair with a towel, same as yourself, and when you meet his eyes, he tilts his head an inch. If you want to, I will too.
Between training and wandering the halls occasionally, you still havenât actually spent much time outside your room.
It's a built-in habit you've yet to shake. Fruitless exploring was an expenditure you couldn't afford to waste energy on back in the mountains.
You steal another glance at Azriel.
Friends. That's what you are now. Friends go to breakfast with one another... at least, you think they do.
Besides, eyes darting to Cassian, you have two of them now. Maybe itâs time to start breaking out of your old routine and start forging a new one.
âAlright.â you say, trying to swallow the timidness in your voice.
âReally?â Cassian goads, brows raised high, even as his eyes gleam happily at the accepted invite. A wicked grin takes over his face.
âIâve been trying to get you to come for weeks and now Azâs here, suddenly youâre in.â
Something in you flusters at his teasing, even if you know his words has no real heat.
Youâre saved from having to sputter through an answer when Cassian, forgoing using a towel, shakes his wet hair out much like a dog would.
Cold rains splatters out and you hiss, flicking a drop off the edge of your wing with distaste.
Brows raised, you say, âIâve wonder why.â
Cassianâs shit-eating grin is his only reply.
You cut a glance to Azriel to find heâs already looking your way, a weary but amused look in his eyes, his shadows lingering around his shoulders, languid and relaxed. Heâs had far more years of Cassian's nonsense than you.
Breakfast, you find, is a lot of the food Azriel had brought with him to Exordor.
Ripe, fat berries, fruits of a multitude of colours, and still warm bread fill the ochre tabletop. Jugs and flagons of different juices and the like group in the middle. You're spoiled for choice.
Back home, it would be a feast. Once upon a time, youâd have probably sneered at the display, as you had once at Azriel.
Now, you think of Rhys' words.
You think about earning and deserving.
This change is one of the harder things for you to face⊠but you know itâs for the best.
The table is set for three. As you sit, you ponder if Cassianâs been setting a place for you each time, never knowing if youâd say yesâand wonder more if he found it aggravating, your constant closedoffness.
A glance at him only reveals his still friendly smile. Thereâs not a hint of annoyance.
Right. Youâre friends.
Cassian takes the seat to your left, Azriel on your right, leaving you in the middle between them. Rhys had explained the uses and limits of the magic of the House to you already and as such, you had become familiar with it fetching meals to your room.
Itâs been a plain affair. Youâre used to at best, tasteless, and at worst, stomach-churning food. As long as itâs nutritional, itâs on the menu.
How are you supposed to know what else there is? Even the foods Azriel had brought with him werenât as decadent as these before you.
You find yourself waiting, watching the plates on either side of you to see what theyâll choose. The rain continues outside, a gentle din on the sides of the House.
Cassianâs plate fills first.
You watch, wide-eyed, as several hot, flat brown discs flop onto his plate, still steaming. A drizzle of something thick and sweet follows, a soft caramel colour dolloping in the middle.
It smells heavenly.
âHave you ever had pancakes?â Azrielâs quiet voice from the other side of you speaks up.
You blink, tearing your eyes off Cassianâs breakfast to Azriel and gingerly shake your head.
Pancakes. You steal another glance at the plate and find the name to be aptly fitted.
Azrielâs plate has filled itself too but with something different. Thereâs some kind of grain, a pottle of something pink, with cubes of different fruit littered over the top.
âWould you like to try some?â
Your eyes dart up from Azrielâs plate to his face, realising heâs still nodding to the pancakes.
Youâll admit the pancakes look far better than whatever youâve been asking of the House. While the bread supplied was fresher than anything youâd had before, youâd hardly had the imagination to conjure up something like pancakes.
Whatever your face looks like, Azriel can seem to read the answer in it.
âCass,â He says, jutting his chin to his friendâs plate. âGive them a pancake, will you?â
Cassian, mouth currently full, turns to Azriel with a furrow between his brow. âButââ He starts, then stops. The furrow on his face softens as he glances down at you and, without swallowing, he says exaggeratedly, âFine. Guess we can share.â
Then he spears two pancakes on his fork and slops them onto your waiting plate.
âYou like syrup?â Cassian asks.
The question means nothing to you. From behind you, Azriel shakes his head no, answering for you. From what he recalls of your meal times together, you had screwed your nose up at the too-sweet fruits, too unused to it.
âButter?â Cassian tries again.
âI suppose.â You answer, confused as to why heâs asking.
Cassian glances up and then a small bowl of softened butter materialises before you. He picks it up and tips it onto your two pancakes with a smile. Then he resumes his eating without another word.
Still hesitant, you shoot one more glance in Azrielâs direction.
Youâve been given food before, by Azriel himself, but not quite like this. Not sharing whatâs already on someoneâs plate. Some smaller, younger part of you almost wants to sniffle at the abject kindness.
Azrielâs already begun eating but the motion of your head draws his eyes. The small upturn of his lips is encouragement enough. Swallowing back the thickness in your throat, you dig in.
Pancakes⊠are pretty life-changing.
Azriel is right, youâre not such a fan of the sickly sweet brown fluid that coats the cakes, sweet enough to make your teeth ache. But the butter, melted and velvety with the fluffy pancakeâ gods.
You take one bite and then quickly stuff in two or three more, just in case Cassian suddenly decides he wants them back. Cassian guffaws at your rapid motions and follows suit, stuffing his mouth full.
He glances at you, catching your eye, both of you chewing through the delicious breakfast. Cassian raises his eyebrows with a pleased, smug smile as if to say I know, right?
You smile at him, without even thinking about it, shovelling the next bite in.
It melts on your tongue. Mother, you're kicking yourself a bit as you chew the mouthful slower this time, turning over every flavour. Turning down Cassianâs invite each morning has been turning down this.
Youâre a moron. Thereâs no doubt youâll be asking the House for this every morningâand night even, if youâre allowed.
It occurs to you then, as youâre on your fifth bite or so, that you couldâve easily summoned your own stack on pancakes. Or either male couldâve done it for you.
But no, instead Cassian had shared from his plate.
The pancakes suddenly taste sweeter than ever.
"Ah, y/n," Rhys' satiny voice tugs your attention up, to the Male himself, standing in the doorway of the kitchen. "Glad to find you here."
An age-old instinct of obeying commanding warriors sends your spine straightening, your chair scraping harshly against the stone floor.
Cassian snickers good-naturedly and you spot a shadow of Azriel's disappear into his earâresulting a loud shriek from the warrior.
"You said you wouldn't do that anymore, you bastard!" He all but hisses, leaning forward on the table to glare past you.
Azriel gives a nonchalant shrug, his hazel eyes dancing to you playfully for a quick moment. Rhys and you both watch with varied levels of amusement and boredom.
"Yes, yes, that's enough now children." Rhys comments, a sly smile teasing at his mouth as he fiddles with the cuff of his sleeve.
Cassian, in his centuries old-age, sticks his tongue out in responseâthen pushes back on his chair so itâs balancing on its back legs, teetering.
Rhys regards him with one bored stare before his attention turns to you, his smile fading, expression turning more serious.
"I have a proposition for you."
Your mouth dries, nerves skittering under your skin. You swallow your mouthful. "A proposition? Like... bad?"
Rhys smiles, feeling your nervousness through your thinning mental wall. He gives it a soft tap to remind you and you inhale sharply, fortifying it instantly.
"Not at all." He assures you calmly. "It's to do with... Let's call it overdue earnings."
Instinctively, your gaze seeks out Azriel to your right.
Shadows swirling his shoulders, you're surprised yet again by how easily you seem to read him with just one quick glimpse of each other. How you can suddenly feel the tangible encouragement forming within you, just behind your ribs.
He smiles, like he knows more than he says, and casts his gaze back to his breakfast.
You glance at Cassian too, maybe your closest friend now, and he simply shrugs, none the wiser.
"What is it?"
Rhys wanders further forward, leaning to rest his forearms atop one of the empty chairs at the table. His violet gaze takes in two of his Inner Circle and decides if you don't mind them hearing, he doesn't either.
Besides, it's not as if it wasn't Azriel's own idea.
"As you know, due to the backward ways in many of Illyrian warcamps, females are not seen as warriors. While many allow them to train, Exordor..."
Rhys jaw clenches tightly over the name. "It had stricter rules that I could not interfere with. Please know, that is not without immense regret."
A glimmer of night ripples across the room as Rhys hard gaze burns into the table, lost in a haze of an angry memory.
Azriel clears his throat and then the night retracts rapidly, gone without a trace after a second. Rhys lifts his head, giving it a slight shake.
"My apologies. This proposition is not about that â this is about The Blood Rite."
Your brows jump, the words out his mouth the very last ones you were expecting to hear. The Blood Rite? The cutlery in your hands suddenly seems heavier. Your wings sink an inch.
As if the mention of it made them darker, the tattoos on the tan skin of each warrior around you seem to glow more prominently.
You swallow to try clear your dry mouth.
âWhat about it?â You croak.
âGiven your circumstances, itâs understandable why partaking in it was not an option.â Rhys begins.
You expect his tone to take on a sympathetic lilt but it does no such thing.
âGiven the level of skill that both Azriel and Cassian have seen from you,â He waves a casual hand between the two warriors. âI donât believe itâs a question of if youâd survive.â
The knowledge that theyâve been discussing you, your skill, between them without you thereânormally such a thing would make you prickly.
But with what Rhys says⊠knowing theyâre vouching for you instead, the prickly feeling washes away to an embarrassed gratitude. Theyâre on your side, you have to remember.
âThe proposition I have for you is to receive The Blood Rite ceremonial tattoos.â
The grip on your fork loosens, the utensil sliding an inch before you catch it again, but not before it hits the edge of the table with a loud bang. You jump at the noise, wings tucking closer on instinct.
âIââ Words die in your mouth, your eyes screwing shut a moment. When you speak, itâs with a bitter resignation. âI have not completed The Blood Rite. Itâsâ that- I would hardly be earning it.â
Azriel makes a quiet noise of disagreement beside you, eyes still on his plate, but says nothing more.
Rhys doesnât look surprised at your rebuttal, merely rolling back his shoulders casually.
âPerhaps, thatâs one way to view it. Perhaps there are others. Regardless, your Highlord is offering it, if itâs something you decide you want.â
Cassian scoffs a laugh at his casually thrown out title and you tense, not expecting such outright disrespect.
Rhys, however, simply rolls his eyes and with a flick of his hand sends Cassianâs still teetering chair backward.
Cassian barely saves himself, jolting forward to grip the edge of the table and delivering his brother a scathing glare. Rhys grins back, feline and taunting.
âStill sure you want to be friends with them?â
Azrielâs voice is just above a whisper, words soft and curling into your ear. You turn and find, with a jolt in your chest, that heâs much closer than youâre expecting, leaning over to be closer to you.
Mother.
Itâs not as if you forget how beautiful Azriel is but this close, it's impossible to ignore.
His eyelashes are dark and long, his hazel eyes, soft and honey-like. The cupids bow of his lips looks plush. You can trace a scar that carries from his chin up his cheek.
You realise youâre staring after a long moment of silence â eyes darting away, you clear your throat.
âTheyâre better company than some, believe me.â You say, thinking back to Exordor with a glance back at Azriel.
Heâs sat back in his seat and he gives a barely noticeable roll of his eyes. âYeah, well, that competition is hardly fierce.â
A laugh titters out of you at that â and Azrielâs shadows spring up, as if in response.
Clearing his throat, Rhys calls your attention back to the conversation at hand (now that Cassian was done attempting to pelt him with bits of pancake, which he was subsequently misting, resulting in a fantastic aroma through the kitchen).
âItâs an offer.â Rhys reiterates kindly. âYou donât have to do anything you donât wish to but⊠I implore you to think it over.â
He tilts his head toward the windows in the mountain side.
âSpend the day down in Velaris and consider it. And try to consider what we talked about too, about the things we feel we deserve.â
Straightening up, he taps the chair with his knuckles, preparing to leave you be.
âWhatever you choose, I hope you know that there is no wrong answer. Tattoos or not, amongst friends you are already considered a true warrior.â
And despite how the two males on either side of you nod, solemn and truthful, it didnât purge the feeling that welled inside youâfamiliar and reminiscent of keeping a secret.
You wonder if youâll ever stop feeling like a fraud.
â
Even with back to back training, only mere hours of slumber between each session, the gleam good sleep has given you is impossible to miss.
By now, Azriel has seen dozens of early mornings with you.
Back in Exordor, you had looked different in more than one way. Beyond the grime of the mountains and your justified, cold defensiveness, it was your eyes that betrayed you. Eyes that carried a tiredness that never left.
Azriel knew the feeling well.
In the Illyrian mountains, sleep is not rest.
Sleep is a sliver of refuge, letting your aching body recharge just enough to lurch back awake after a couple restless hours. Fuel to keep you going and nothing more.
But this morning, stopping at the threshold out to the balcony, you had peered up at the rain bucketing down and frowned.
Then with a silent huff, you had rubbed the sleep from your eyes and yawned into your hand.
Azriel, watching silently from across the courtyard, felt his shadows spin up in a tizzy at the sight â and he nearly blushed scarlet as they directly disobeyed his instructions to rein themselves in, a few shooting across the courtyard to greet you.
It was the first morning heâd seen you not tired, but sleepy. Azriel couldnât even pretend it wasnât adorable either.
He could only hide his smile and warm cheeks with a duck of his head, praying his shadows behaved himself.
But there was no disguising the tug on the mating bond, immeasurably proud and pleased for you.
Whether you noticed it or not, he didnât know. Youâd stepped down, onto the balcony and into rain, and promptly stalked towards the weapons rack, wings held high.
It had been one of the first things Azriel had admired about youâyour drive, steely and unflinching.
Even now, thrown into a new place with unfamiliar faces, tossed into a whole new life, your determination doesnât falter.
Fighting, training, honing yourself into a living weaponâseamlessly using blades as if theyâre an extension of your very selfâyou commit yourself to training fiercely.
But⊠Azriel can tell that without direction, your ambition is beginning to make you listless.
Youâre getting betterâthat there is no doubt about. Even the slight deafness in your left ear youâve mastered well enough that if Azriel wasnât paying attention, he mightâve missed it.
But in Exordor, there had been a goal.
Something to measure up to, to pour your determination towards â and without it in Velaris, Azriel worries about you.
Thereâs unfinished business waiting for you in Exordor. Your valiant mission is not yet abandoned and if you ever deigned to ask, Azriel knows he would take you there, without hesitation.
However, things have shifted whether you seem to realise it or not.
Youâre no longer the only one in your corner. You havenât been for some months.
True, there had been the matter of your⊠concealed identity wedged between you and Azriel and it had been reason enough to keep your plans small. Youâd explained to him once before, the aid of being unnoticeable.
Youâre not anymore. And with the terror of the events in Exordor still fresh enough in his mind, itâs impossible not to fear what might happen when you eventually return.
You arenât used to living, just for yourself. Of that being enough of a reason to live, to thrive. Azriel fears your ambition will drive you to your death, no matter how honourable.
You would fight until you physically canât anymore against the injustices of your home.
A threatening pain splices through his chest at the very thought â of just getting you back, gaining your forgiveness, getting the smallest glimpses of your happinessâ just to have it ripped away from him again.
His mate, his heart warbles terribly.
His head settled resolutely, he trails behind you to the breakfast table, mission solidified. He needs to show you that your home isnât among the mountains anymore.
Exordor may have been your birthplace but Velaris, here â with him, something quiet whispered âwas where you belonged.
He just needed to show you.
â
âHave you flown since leaving Exordor?â
At the edge of a thousand steps, itâs certainly a warranted question.
The intensity of the early morning rain has waned with the day but it still falls softly. It adds a chill to the breeze â but itâs nothing comparable to the Motherâs Kiss.
You're all taking Rhys' plan and heading down into Velaris for the day. The staircase presents itself as one option but, given the knowledge of wards, there's a clearly more favourable one. Flying.
Azrielâs eyes drift up to the tips of your wings. The sight of the puckered, scarred spaces that once held stakes is enough to inspire a jolt of fierce anger. He swallows a shudder, well aware of the sensitivity of such wings.
Noticing his stare, you shift on your feet and tuck your wings in tighter. His gaze, while unjudging, is enough to make you fidget beneath the attention.
Azriel snaps his eyes back to your face.
âI havenât. Madja told me I could, uh,â You answer with a wave of your hand, your gaze averted to the long, winding staircase ahead. âAbout a couple weeks ago butâŠâ
Shrugging, you force yourself to meet Azrielâs gaze. âWell, where would I even go?â
Azrielâs heart wilts in his chest at your words. Nothing without purposeâit's the only way you know how to live.
Youâve had no prying and relentless brothers to push you into doing things as he had. No friends to remind you to live, as well as just survive.
No flying just for the fun of it. Youâve been starved of one of Azrielâs favourite things in the world.
Even him, your first friend, had only encouraged further training. A muscle feathers in Azrielâs jaw. A misgiving heâll make sure to rectify.
Casting his mind back to a memory from some months ago, he recalls the fervent urge he felt upon returning to Velaris â the want to show you his home from the skies.
Focusing his mind back on the present, Azriel smiles down at you, his dark curls collecting drops of waters.
âAnywhere you like.â
Cassian takes his cue, launching himself up into the sky with ease.
Azriel watches him for a moment and then prepares to follow suit, bracing his thighs and shaking out his wings.
A glance at your face reveals the hint of hesitation.
He searches within him, gripping the bond tightly, to feel for your worry. In response, your anxieties skitter along to him, revealing your heartbreaking reservations and giving them to him â unknowingly soothing you in the process.
Still, Azriel pauses and then, heart in his throat, he lays a scarred hand on your shoulder in assurance. Prays you wonât shift away from him or his touch.
You donât. In fact, a newer expression shutters across your face, eyelashes fluttering but you hold his stare.
âYou wonât fall.â
You donât question how he can name your fear so easily.
Instead, in a brave face of vulnerability, you ask, voice smaller than you intend, âHow can you be sure?â
Azriel grips the bond tighter, letting his assurances pool in the form of unwavering confidence in you. He hopes you feel it â feel it, and believe it too.
âBecause youâve never fallen before. And because,â Azriel sighs softly, an ache creeping up his throat. His voice is low, his hazel eyes earnest. "You might've changed since Exordor but they don't get this. They don't get to take it from you. It's yours."
His hands slips from your shoulder and the bond tightens in his chest, as if urging him back. Azriel ignores it and turns back to face the rainy skies ahead.
Then his boots bear down against the stone as he takes flight, cutting through the drizzle of rain to climb up into the sky. The final step, he knows, has to be taken by you alone.
It doesnât stop the uncertain waver in Azrielâs chest at leaving you one step behind.
But his faith in you is steadfast.
And a moment later, heâs proven right to do so as an unimaginable pulse of joy shoots down the bond, molten hot.
Itâs raw, unfiltered relief.
It mingles with a joy so potent that Azrielâs shadows droop against his neck, as if snuggling up to the blazing warm feeling.
He falters, dipping in altitude momentarily, before he remembers to keep his wings moving.
Through the gloom of the day, Azriel feels you before he sees you coming â though the moment youâre in view, the familiar figure of an Illyrian warrior in flight, your radiancy is all he can see.
âYou were right!â You call across the sky, unable to cage the glee in your voice.
Thereâs an unsteadiness to your motions, adjusting to the loss of drag due to your news scars, but it does nothing to tamp your happiness. You soar towards him through the rain, twirling in an elegant barrel roll that boasts your years of flight.
And it dawns on him, the underlying motive you had admitted to that underpinned the lie you had spun.
What heart-wrenching words had you uttered to him? I just wanted to keep my wings.
Azriel thanks the Mother, the Cauldron, and every star in the sky that you get to.
âIâm only sorry itâs not a better day for it.â Azriel says as you drift to his side, raising his voice so you can hear him. Flight is noisy, even if youâre travelling idly as the pair of your are.
You fly a few metres higher and then glide down with an easy precision, grinning, your face misted from the rain.
âI think itâs perfect.â You call back. Azriel can feel it, trickling along the bond like sweetened syrup, you really mean it.
Waiting leisurely further ahead, itâs evident that Cassianâs patience is waning.
Dipping back and joining the line up, he glides alongside you with a smile that promises mischief.
âOh, so she can fly!â He drawls, arms tucking up behind his head lazily. âBut can she race?â
His brows raise in clear competition and Azrielâs about to remind you that you donât have to entertain all of Cassianâs antics â when his brother straightens out, shouting, âGo!â and jetting off forward.
You splutter for just one second. âI donât even know where to go-!â
The end of your sentence blurs as you take off after Cassian, not a clue where youâre going but too competitive to not rise to the challenge. Azriel grins, watching for a moment as you tuck in your wings and dive to pick up speed, nearly disappearing in the fog of the rain.
Your fierce delight streaks along the bond and itâs what Azriel follows as he takes off after you, the invisible string leading his way, glowing like a shooting star.
tags below!
@strangerstilinski @janebirkln @itsswritten @mischiefmanagers @hnyclover
@waytoomanyteenagefeels @idkitsem @illyrianbitch @jeweline16 @fightmedraco
@iamjimintrash @maendering @spideytingley @aneekapaneeka @cassianswh0reeee
@viciane @astarlitsoul @mybestfriendmademe @archiveofcravings @reputaytionn-13
@bionic-donut @chessebookgirl @itseightbeats @littleblackcatinwonderland @twsssmlmaa
@fanworrior @skysayhi @vintageoldfashion @tequilya @fabulouslyflamboyant5
@rhysandorian @laughterafter @brieftriumphnightmare @hirah-yummar @some-person-somewhere
@scooobies @sfhsgrad-blog @cherry-cin @bookloverandalsocats @megscabinetofcurios
@doodlebugsblog @landofpetrichor @acourtofdreamsandshadows @florabelll @tanyaherondale
@aomi-recs @letmejustreadthanks @problemfinder @sevikas-whore @doodlebugg16-blog
@meandmysillywriting @justingnoreme @krowiathemythologynerd @hanatsuki-hime
i'm attempting copying n pasting tags so if you DID receive a notif about this posting please please let me know !
#THE WAY I POSTED WITH NO TAGS FUCKKKK#sloane writes#wtssf#whom the shadows sing for#sloane speaks#whom the shadows sing for (and the thief's echoing hymn)#azriel#azriel x reader#azriel shadowsinger#azriel x you#azriel shadowsinger x reader#acotar#acotar x reader#azriel fanfiction#azriel series#azriel imagine#azriel acotar#acotar x you#ok we're in the tags crisis averted#now the sloane talk: YEEEEEHAWWWW#did i ruin my string of titles just to have a title named after a hozier song ? maybe!#i mean technically ur not longer just matching#azriel is the shrike#you're the thorn#btw <3#tell me it doesn't fit them.... i couldn't utter my love when it counted#but i'm singing like a bird for you now
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not if it's you
#john watson#sherlock & co#sherlock and co#sherlock holmes#johnlock#jonk watson#holmes x watson#jonklonk#âhaha just gonna make a quick doodle based on this cute lineâ#three hours later:#the birds are singing the sun is rising i need to go to sleep but we stay ballin
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Me when it's sunny: I should not be made to work in these conditions, I should be out enjoying the world and maybe having a little treat
Me when it's rainy: I should not be made to work in these conditions, I should be tucked up cosy with a book and maybe having a little treat
#do you see my problem#there are so many birds singing and I'm stuck at my computer#anti work#anti capitalism
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this was a lot of work! i think it might be the prettiest & strangest thing i've made yet. fyi it's felted wool on wire armature. the claws, teeth, and beak are painted modeling foam.
id: pictures of a needlefelted wool creature puppet. this creature is a chimera of flamboyant flamingo and majestic leopard. it's built bizarre and it has no apparent eyes. its torso is made of a leopard's face. the chin is its stomach, with a toothy maw yawning in its midsection. the torso-face's upper lip mimics the pecs of a chest, and attached to that is a set of strong arms with large paws. the cheeks of the torso-face mimic an addition chest, and attached to this is a set of wings. the creature has a second face. from the nose ridge of the torso-face stretches the neck, head, and beak of a flamingo, once again apparently eyeless. its coat is all bright pink with a paler pink undercoat and hundreds of purple spots. on the feathery wings, the spots elongate into rows of streaks. below its knees, its legs are purple with light lavender scales, its feet webbed, three-toed, and clawed. its tail is long, terminating in a feathery bouquet.
#wifeofwolfman art#fiber art#needle felting#soft sculpture#creaturedesign#flamingo#leopard#trypophobia#idk just in case#it dances and sings like a bird#it stalks and pounces like a cat#if i was making a creature feature about this thing it would probably be something like Mothra or Rodan#or Q or The Legend of Boggy Creek#a fantastic thing totally alone in the human world#but then it discovers queer people and makes many friends
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Johnny Mactavish who realizes he likes his girls a little bigger when he visits a museum for the first time â plus-sized!fem!reader x Johnny 'Soap' Mactavish
CW: mid/plus-size reader! this is absolutely far from body neutral, talk of bodies/body image
Some love for my curvy galsđ«¶đ»
Johnny's first encounter with the beauty of the female form is as expected, almost stereotypical â staring at the pictures in the playboy magazine he stole from his older cousin. Usually hidden under his mattress, only coming out in the dead of night with a flashlight in hand. The girls are pretty. Scantily clad, sultry expressions, and Johnny quickly learns that this is what is considered hot. He sees girls like this in films, too â films shown to him by that same cousin, God forbid his ma ever found out he watched it â and he hears his cousin and his friends drone on and on about how sexy Megan Fox is as she bends over the hood of a car. Desperate to impress the cooler, older boys, he joins in too. This is what he should find hot.
It is what he thinks he finds hot. That is, until his final year of secondary school. He's freshly turned eighteen, overeager to enlist (his ma had insisted he at least finished school before he did), and taking what he thought were the easiest electives to try and coast through to graduation. He finds he actually really enjoys art class, unlike most of his mates who had the exact same plan he did (he's particularly talented at drawing anatomy, and tries not to preen too much when the teacher compliments him for it to avoid teasing).
Said mates and him are fucking around during the busride to the school-mandated museum trip, none of them particularly excited to spend the day between what they deem boring paintings and sculptures. Well, Johnny is actually quite curious â his family never really took him on trips like this â but he pretends to be just as annoyed as the others.
Find a work that calls to you, and use it as a drawing exercise in your sketchbook. That was the assignment. Johnny's friends take the easy way out â beelining towards the modern section of the museum, finding the paintings that are simple squares of colours. He's planning on following them, but then his teacher lays a hand on his shoulder and points him towards another hall â classical sculptures. He's torn, not wanting to be left out of his friends' fun, but also not wanting to disappoint his teacher. He decides to follow the direction of his teacher's outstretched finger.
He's surrounded by white marble and plaster. The genuine old-as-fuck sculptures are displayed on a plateau in the middle of the hall, the plaster copies piled along the walls. He wanders, pausing here and there to sketch a hand, or a nose. And then he spots her.
It's like he's hypnotized, body moving of its own volition, bringing him towards his object of fascination until he's face to face with her. His eyes flick down to the plaque on the floor â Venus. She's a goddess of... something (he wasn't paying attention during that class, okay?). It doesn't matter. The first thing he notices is that she looks nothing like the girls in the magazines, or films â no, her body is softer. Well, it's not really, it's plaster, but she looks softer. There's a roundness to her shoulders, a fullness to her thighs, a pudge to her tummy, the skin in rolls where she's bent to the side. Hot, is the first thing that comes to mind, but then he shakes his head at himself. No, hot doesn't do her justice â she's beautiful. Gorgeous, stunning. He scoffs; she's tucked away in a corner, like she isn't the most breathtaking thing he has ever laid eyes upon. He spends the rest of the afternoon taking down every detail in his sketchbook.
â
Johnny's been searching for her. Or, rather, for that pull he had towards her, all those years ago. He knows it's stupid. His Venus was perfection in plaster, she was made, without faults. No woman can measure up to that, not a real one. And yet he searches. He flirts with the curvy girls, the ones that rarely get any attention among their group of friends. He enjoys the way they react; some fluster, some flourish, none of them expecting his undivided attention. He takes home pretty, plump birds from bars, spends a night worshipping them. Nothing about it is not real, per say. He finds them attractive, frothing at the mouth at the way his hands sink into soft flesh and roam wide curves â but they're not her. He searches.
And then he finds.
It's the day you come waltzing into his life. Or, more realistically, you come waltzing onto base. Price was getting a new secretary, courtesy of Laswell. Johnny hears the comments â she's a pretty thing, young, and smart. He doesn't think much of it. There's plenty of those walking around base.
Then he catches sight of you and â bloody Jesus. You are young, and you are smart, but you're not just pretty. You're beautiful. Plush in all the right places, sending Johnny into overdrive, an incessant need to get his hands on you as soon as possible. It's out of his control, the way his legs carry him over to you until he's face to face with you. He's already decided he'll worship you, if you'll let him.
His goddess. His Venus.
#venus devotee soap anyone?#this got way longer than intended but when the muses sing for me i must comply#also this might get a part 2 where soapy draws his bird as venus herself and consequently uses his drawings as jerk-off material#soap x reader#johnny mactavish x reader#soap#johnny mactavish#johnny soap mactavish#johnny soap mactavish x reader#cod smut#cod x reader#cod mw2#cod modern warfare#call of duty#cod imagine#call of duty x reader#soap imagine#johnny mactavish imagine#johnny mctavish x reader#johnny mctavish x you#soap smut
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Thorn: I love how attentive you're being, but you haven't said a word since I came in here. A conversation works better when both people are participating... Fox, in a rasping whisper: I lost my voice... Thorn: Oh wow...Is your throat sore? Fox: Well...it is now...I went into the lower levels and screamed until my voice gave out... Thorn: ...Did it help? Fox: ...Kind of. Thorn: ...Can I have an hour off? Fox, smirking: Granted.
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There is no greater agony than bearing an untold story inside you.Â
- Maya Angelou, I Know Why the Caged Bird Sings
#quotes#books#literature#lit#classics#academia#light academia#dark academia#chaotic academia#book#book quotes#quotation#Maya Angelou#Memoir#Nonfiction#Biography#Autobiography#I Know Why the Caged Bird Sings
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I LOVE Y'ALL
sometimes, i love people so much it feels impossible. unbearable. like if i loved them anymore, heart would just tear apart, would implode. the love is all encompassing. and the thing is, i wouldn't mind. dying does not mean much, i do not fear death, not if it is because of them. if i die loving them - loving you all - i would say that it is the best way to die. if i die loving you guys, my life has been content. to die loving you would be the best way to go. because in the end, loving you all was enoughâit made my life worth living.
i would not mind death. i do not fear it. but then the latter is also true. i fear life. i have grown distasteful of it. how it reduces me to nothing but ash and spite and cobwebs or better times. how the difference between me and a dying person seems smaller by the minute. and sometimes, i love people so much i'll live for them. i'll brush my teeth and spite out toothpaste and not blood. and i'll put moisturizer on my face and leave my chapped lips unbitten. and i'll tug a sweater on myself and i'll compliment someone on their hat even if it isn't the weather for hats. and i'll pet someone's dog even though i'm afraid of dogs. and i'll water the plants and sing off-tune songs and i'll respond to texts even if it takes me a while. and i'll put stickers on the wall and realize their crooked but keep them there anyways because a crooked sticker is better than a half-ripped one and i'll tell my friends i love them everyday because i am not dead yet even if some days i feel like it, even if some days i wish i was.
i love these idiots, these people so much i would live for them. let the oxygen fill my lungs for them. let my veins and arteries carry blood for them. let my body move for them. i will become human for them, even if it destroys me. because loving them is the purest, easiest perhaps only thing that i have ever done.
Tagging all my mutuals because I don't say this nearly as much as I should. Yes, I'm cheesy and emotional, what of it? @undercover-stories, @chipmunkweirdo, @padfootastic, @whatisgrass, @demigodseameg16, @silverbriseis, @dreams-in-words, @mystifiedmess, @xiaokuer-schmetterling, @yuricedes, @afeatherinthewind
#love#to all my friends#to all my mutuals#to everyone i know#the boy who asked me to get his basketball off the roof#and the little girl who asked me who chose the color of flowers#for the old man who told me that i remind him of his daughter#for the pigeons that let me feed them#to the dogs that run to my feet and wait patiently even as i am terrfied#for the cats that let me cross the road before walking#for the birds that sing near my window every morning even as i grumble#for the plants that grow and flowers that bloom in my balcony even as i do not spend a lot of time there#to everyone#i love you and it is the best thing i've ever done.
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