#since these are hot takes that will make people mad

[avaredava]

Can I have your thoughts on sexual tension with jjk men? Like the kind where you both want each other and can't do anything about it?

Kisses ❤️❤️

Yeah of course! If this isn't what you mean by what you want I'll redo it don't worry it's no biggie! I'd rather you say something and I PROMISE i will re-do it! ♥️🫵

Master list

MDNI

Satoru Gojo:

You and Satoru were out shopping for lingerie (he made you), but he wanted to help his girl feel pretty in his defence. You both walk into the store and look around and see a very nice set. Baby blue. You can already tell he's rock hard. "Should I try these on baby?" You ask teasingly. "Yeah." He bluntly says. He wants to drag you into that changing room and fuck the shit out of you while you wear that- until you and him are soaked with sweat cum and tears. But the door is a curtain and there's a worker right beside it. So you really can't get frisky. He groans when you tell him no but you try it on and walk out to show him, since it was just girls out there. He made sure no men were there.

You honestly just gave him a bigger boner and a raging emotion he's never felt. Neediness, wanting, horny... He wants you so bad. You're so getting it when you get home just make sure you have your soul after that. He wants to fuck that out too.

୨୧・・・・୨୧

Megumi Fushiguro

You were sitting beside him listening to Gojo yap to the classroom about reverse technique and blabbering about how awesome and hot he is, which was slightly annoying but everyone learned to tune him out. "He's an idiot." Megumi mumbled like the grump he is. He was mindlessly rubbing your thigh gently under the table. But you were ovulating and this was just getting you fucking wet. And he was hotter than usual, I mean he was always hot- yeah he is. Your mind was squirming with thoughts and you were soaked at this point. He noticed that your face was flushed and he did a small grin. "What's wrong baby." He mumbles into your ear. You take a sharp inhale of breath and he moves his hand higher playing with your panties feeling the wet spot. He randomly pulls hand away and whispers.

"Princess, you're gonna have to wait."

୨୧・・・・୨୧

Nanami Kento

Nanami has the prettiest little secretary. You. He loves those short skirts and tight dress shirts that drive him crazy. When you sit in the corner of the room in his office with that lollipop in your mouth sucking it, he just wishes that it's his cock in your mouth. He swears you do it on purpose sometimes! It drives him absolutely wild. Short tight outfits, sucking and smirking, ain't even the worst thing. It's the fact that you have stripped in his office to change from your clothes to your work outfit. He's never seen you change but he finds the evidence. Your wet pretty pink lacy panties with a bow in the front and a matching bra and he jerks off to your underwear and stuffs the bra in his mouth so he's not loud. He really wishes he was sucking the thing the bra was holding (your tits) not the bra. He thinks he might go mad.

୨୧・・・・୨୧

Toji Fushiguro

You recently got a book. It had a gun scene, where she got gun fucked by her man, and fuck Toji has a gun. And that's for some reason a turn on for you. Your ovulation time makes you extra horny. And just seeing Toji makes you aroused. He is one fine man and god you can stare at him for hours. He comes home holding his gun from his last shoot out and his muscles compressed in that tight shirt of his. God damn. You looked him up and down imagining his gun rubbing your clit rubbing up down your slit going inside, teasing you with it. He sees you checking him out, wanting something. He knows.

He waves his gun in the air.

"You want somethin' doll?"

୨୧・・・・୨୧

Choso Kamo

The air in the crowded space felt stifling, but it had nothing to do with the people around you and everything to do with him. Choso stood close—too close—his body angled just enough that only you could feel the heat radiating off him. His fingers barely skimmed the small of your back, an innocent touch to anyone watching, but the way his knuckles brushed against your skin sent a sharp thrill through you. He didn’t move away. Instead, he leaned in, his lips hovering just beside your ear, his voice low and deliberate.

“You keep pressing into me like that,” he murmured, “Are you testing me… or do you want me to break?” His breath was warm, teasing, as his fingertips traced the faintest pattern against your side before retreating—just enough to make you crave the contact again. The weight of his gaze dragged over your lips before flicking back up to meet your eyes, dark and unreadable, but the tension between you was undeniable. It was a game now—one neither of you seemed willing to lose.

୨୧・・・・୨୧

Suguru Geto

You've been walking around in a bra, all day...

Suguru's fingertips brushed against your jaw, barely there, yet enough to set your skin ablaze. His smirk was lazy, almost amused, but the sharp glint in his eyes told a different story—one of restraint, of something simmering just beneath the surface. "You're making this difficult," he murmured, his voice smooth, dark, laced with amusement and something more dangerous. His breath fanned against your lips, the space between you shrinking with every passing second. "Tell me," he mused, tilting his head ever so slightly, "are you going to keep teasing me, or do you want me to ruin you?"

୨୧・・・・୨୧

Toge Inumaki

One thing for Toge is that he can't talk normally without hurting himself because of his cursed technique. So he uses physical touch. He'll pinch your sides, snuggle you, tickle you, stuff like that.

Right now he's gently kissing your face on his dorm bed running his hands up and down you. You both never went past making out. But the tension between you two is so strong. He decides to use his cursed technique.

"Undress."

୨୧・・・・୨୧

Yuji Itadori

Yuji was playing with Megumi's demon dogs scratching their bellies. You couldn't help but notice how long his fingers are and how nice they curl. You gulp and look away but being the observant man he is, he looked back and noticed your flushed face. "Y/N what's the matter?" He said in a curious but overall cheerful tone.

He notices you zoned out and staring at his fingers before you blink back to reality. "Oh nothing, nothing." He grinned and wiggled is fingers.

"Oh?"

୨୧・・・・୨୧

Comment if you want a longer version of these!

[prettyboysdontlookatexplosions]

medialog august-december 2k24

i was like, should i just abandon this and start fresh in 2025... but no. also i'm putting this behind a cut bc it is long but it's shorter than it sounds bc LOL working 7 days a week is not conducive towards having the brain space to interact with a bunch of new art!!

watched

ponyo - THIS IS THE CUTEST MOVIE IN THE WORLD!!! miyazaki/ghibli is a big blind spot for me bc as a kid i was like "but i want anime to be pretty, like sailor moon..." so i never got into kiki or totoro (very stupid but again i was: A Child) and then as an adult, this is embarrassing, i tried to watch spirited away and just literally didn't get it. i was like, i am so confused about what is happening and what emotions i am supposed to be feelings. and i know that spirited away is a movie for children and this makes me stupid. but i have never pretended not to be stupid. anyway i would die for just about every character in this movie and when i watched it a second time to make nick watch it i was so full of tenderness for how lovingly it captures what it's like to be a small child who has a small creature to take care of that i felt like i could explode!

deadpool & wolverine - i think if i had been in a better mood when i saw this movie i would have disliked it more but as it was i was in a HORRENDOUS mood and, basically, had a good time. funny to watch this, the Superhero Movies Isabel Has Never Watched Cameo Show (literally i had never watched an x-men other than first class, in which wolverine only appears to say fuck off, or either of the two deadpools), and still get to experience the same OMG IT'S HIM rush as everyone else did, but for matthew mcfadyen. the guy next to me was like "i love channing tatum" when channing tatum showed up and like, same.

trap - great movie to see with a group of like 10 people with whom to giggle the whole time. josh hartnett understood the assignment and his dad-vibe era is soooo much hotter to me than his twink years ever were (not always the case for me! but between this and how hot he was in oppenheimer i've really warmed to him...). i think it's nice that m. night shyamalan loves his daughter so much. ladyraven has a ballad with the line "faustian trade-offs" which caused me and no one else in the theater to laugh real loud. her music is pretty bad but tbh in an era when people want to put chappell roan on the A-list i'm not even mad. it was funny trying to figure out her niche though because like the vibes are obviously supposed to be taylorish (the cabin onstage... lmao) but the music was giving... idk, ariana? also it's just inherently funny to make a movie premised on the fact that it would be really easy to narrow down who the serial killer is by identifying the adult men at a pop girl concert + this movie REALLY captures the vibe during the opening act no one gaf about a pop event concert, like i saw 5SOS open for 1D and that's exactly what it felt like

popstar: never stop never stopping - rewatch, duh. is this the funniest movie of all time? it's gotta be up there, right?

josie and the pussycats - also a rewatch, duh. love everything about this but most of all the soundtrack, the songs are legit incredible, no fictional band has ever had better music (rip adam schlesinger who contributed some songwriting!!!). first time rewatching this movie since figuring out some Stuff and understand now that rachel leigh cook needs to be on the Oh Those Were Gay Feelings. That's What That Was list. (rosario dawson too, but i already got there with her.)

vice - really incredible to think it would be possible to fuck up a movie about how dick cheney is basically satan but somehow mckay managed. christian bale is a professional though, i feel like we don't appreciate enough that no matter how bad the movie or how stupid the writing he's out there giving an absolute top tier performance every single time.

aliens - sorta half-watched this one but idk i feel like me and james cameron just don't vibe. not as incredible-looking or cool as the first one.

godzilla minus one - really really cute!!!!!!

jurassic park - rewatch on the big screen, still slaps the hardest of almost any movie ever

twentieth century - this is i guess nominally a screwball comedy (howard hawks, 1934, for those of you for whom that means something) but it's about these two toxic theater people who are horrible for and obsessed with each other and it's... darker... than my experience of that genre has usually been. in a way that sort of works in its favor partly because it just gives it a certain interest and partly because the gender politics of screwballs can be so dark themselves so it's kind of a relief that this one lacks the cognitive dissonance of pretending this all isn't horrible? idk. it's a weird one. but i liked it, on balance. there's a (pretty funny tbh) running gag about suicide threats and a really bananas third act plot that comes out of nowhere... great performances across the board and some real bangers dropped into the screenplay!

the substance - i didn't, like, love this, and i think a lot of common criticisms of it are right, but some are also very silly (guys i think the director knows nothing about the morning exercise show makes sense... i don't think she was going for a realistic depiction of 21st century celebrity...), and i did have a good time for the most part (the last 30 minutes is gross in a way that doesn't do it for me... but i know it does it for some people and those people deserve movies too...) and respected its commitment to its own bit, as well as the fact that it's basically a fairy tale (a woman who lives in a tower makes a bargain with a force she doesn't really understand to regain her beauty...). oh also i liked that the thing that drives the back half of the plot is essentially the idea that you simply cannot have a 22 year old's body without also having to contend with a 22 year old's dumb dumb stupid ass piece of shit idiot brain. haven't seen a lot of people comment on that aspect of it but it was like my favorite part!

female trouble - people throw out the word iconic a lot but like what else is there to say? rude, disgusting, occasionally genuinely offensive, mostly (for me) delightfully so... really great to watch with a crowd that would whoop and cheer for I'M SO GLAD I HAD AN ABORTION and THE WORLD OF THE HETEROSEXUAL IS A SICK AND BORING LIFE... also like it's really key for the way this movie functions that divine is a fat drag queen that most people do not consider the pinnacle of beauty but it's incredibly clear that john waters and this movie does... like divine's constant proclamations of her own gorgeousness are in a kind of inherent tension with the average american's disagreement with that sentiment but in a way where it's like, if you disagree you are an idiot and this movie is not yours. she's so hot in this it's crazy!!

michael clayton - i wanted to watch a talky thriller-ish movie and the men of the ringer podcast network literally never shut up about this one so i gave it a shot and it delivered! clooney predictably great but i had no idea tilda swinton & tom wilkinson were in it and they are both also awesome, as is merrit weaver in a small but very well cast role

venom - you can sort of glimpse the movie this movie would be if it weren't shackled to What A Superhero Movie Is Now / loosely to the MCU even though it pretends it's not, and i bet that movie would be a lot of fun!

black christmas (1974) - perfectly done urban legend horror with an interesting little pro choice streak, great cast, camera work so perfectly spooky and tense even i noticed how well it was done, makes good use of the cinematic potential of christmas lights. i really liked that this movie is short and a slasher but all the characters in it feel very well drawn even though we don't spend much time with almost any of them... reminded me that this is actually possible to do and i should be harder on movies that don't do it!

black christmas (2006) - nowhere near as good as the first one, but it is, uh, absolutely bugfuck crazyass bananapants start to end. my favorite of many deranged writing choices in this movie is that the sorority mother makes them all open their secret santa every year with a gift for the murderer who killed his family years ago in this house and then when one of the girls' townie boyfriend is like "this is the house that used to freak us out when we were kids" the sorority mother is like, "why?" ?????????? ok!!!!!

heretic - hugh grant is a fucking movie star. i love sophie turner and the other girl was good too. sort of loses steam once the "actually" scary stuff happens because horror movie shenanigans are hard to make as scary as the situation of two young and not very experienced girls slowly realizing they are trapped in a house with a man who just keeps pushing the boundaries of the social contract a little further, but i had fun

the apprentice - not a good movie but a great viewing experience for those of us who have reblogged in our lifetimes approx. 1 million combined gifsets of sebstan and jerbear... like yeah those are my guys and my guys did great :) i think my favorite thing about it as a movie (other than the way the "look" of it updates with technology, which is a cooler idea i wish had been used for a... better movie?) is that it really beats home the aspect of trmp wherein he has no social skills at all and has never felt authentically comfortable in a group of people in his entire life, which is something i think we should culturally be meaner to him about

gladiator - dumb (affectionate) movie magic. russell crowe has so much movie star charisma while looking so much like Just Some Guy it's literally crazy. when he kisses the little dolly of his wife who's about to die ;_;

raising arizona - miracle movie, can't believe i'd never watched this before. the coens' control of their tone is so incredible to see so early in their work (still gotta watch barton fink one of these day). incredible cast, gorgeous colors, so funny, so weirdly sweet, when it finished i felt like i'd watched a magic trick

erin brokovich - watched this for the first time since high school and like what else is there to say but Queen Icon Legend Slay? i am speaking of course about steven soderbergh but julia is pretty fucking incredible too.

conclave - i'm gonna be real i feel like the hype got to me a lil with this one because it's not as bitchy and fun as i feel like i was led to believe... also requires more buy-in re: the moral direction of the catholic church than i anticipated. however it does have its moments and it's nice to see some of our best actors being good at their jobs and it looks great!

the philadelphia story - i found this movie so delightful to watch that for a moment i really thought she might run off with jimmy stewart at the end and not get back tamed with her abusive ex..... but such was the power of the hepburn/stewart chemistry in that one drunk garden scene that i found myself totally incapable of actually integrating the gender politics of this one into my feelings towards it... like i just couldn't be mad at a movie that gave me a scene that made me want to scream JUST KISS!!!! the most anything has since the first time i watched "cooler"... do you know what that is? for me to bust out "cooler" as a comp? my god... i understand why my friend has been like that about hepburn our whole lives and am also now fully baby jimmy stewart pilled

gladiator ii - the consensus is right on this one: not as good as the first, paul mescal is no russell crowe, but denzel really ate. my friends and i laughed out loud at almost every single denzel scene. we're so lucky to have him.

wicked - bad movie of a bad musical, fundamentally misunderstands the function of songs in a musical and thus shoots every single musical number abominably, as ugly as you've heard, we are not advanced enough technologically for me to emotionally invest in CGI Goat Voiced By Peter Dinklage, but ariana deserves an oscar. the prettyboy was pretty good too. orivo can really sing but her acting was kinda giving Distressed Pixar Mom for me although i'm happy to add this to john m chu's many crimes.

out of sight - the romantic premise of this movie is CRAZY but george clooney kinds of sells it actually because and not in spite of the fact that he's one of those curious Incredibly Handsome But Not Very Sexy actors... like you believe that she wouldn't really hold a grudge against him locking her in a trunk with him, because, what, clooney's gonna act untoward? no... not him... j. lo joins andie macdowell as an actress out of whom soderbergh somehow coaxes a much better performance than experience would lead you to believe she is capable of. shockingly stacked cast of pros doing great, INCREDIBLE production design - banner movie for characters costumed to match or complement their interiors!!!

burlesque - dr. sam from new girl fucks stanley tucci in this movie... i literally can't stop thinking about that. xtina maybe has the all time highest ratio of vocal chops to charisma, she has the screen presence of a recurring character on a cancelled WB drama and then she opens her mouth and you're like, damn. i would watch an 8 season HBO sitcom of cher and stanley tucci running a failing burlesque club. at one point i said out loud "chekhov's air rights." great time

logan lucky - "what if steven soderbergh made a heist movie but decided to put his coen brothers hat on and, also, cast channing tatum as a divorced dad who wants to support his daughter's dreams but is seriously wigged out by pageant culture?" yes please. absolutely. adam driver almost never acts in movies i actually want to see but he really is one of the real ones.

babygirl - one of those movies where i can understand lots of things that didn't work for people but i, personally, was completely rapturous the entire time because i wanted a movie where i could walk out saying "nicole kidman did that" and i got that AND ALSO (a) a story about a perfectionist who hates herself and (b) sex scenes that are funny and weird and awkward and warm and human. that's so many things i love happening at once, i will happily forgive and overlook any flaws. i really just loved how much the two of them are actively figuring this thing out as they go and how that's embarrassing and goofy and also sweet and fun. plus nicole kidman really did do that, i mean, like, my god... my god....

fantasmas - you have to watch fantasmas... why haven't you watched fantasmas yet... i really struggle to imagine the person who would follow My Dumb Blog but not be into fantasmas... "the gay ones don't draw dicks, they draw eyes"... julio torres is the voice of a generation

the franchise - not quite as much of a banger as i wanted to be but likable enough, & i'm a sucker for showbiz jokes (jokes about insecure actors, etc.), although i think chris ryan had a point on the watch pod when he was like, the thing about the satire elements of this show are that if you know anything about the actual production stuff on superhero/franchise movies it's hard to satirize because like, the real stuff is actually just that crazy... there's a running thread about the overworked VFX guy and it's kinda funny but also like, well this lines up more or less with what those teams have actually said... anyway. i want to say i'm a lil bummed it didn't get renewed nonetheless but also i forgot until i was typing up the list of things to document here that i had never gotten around to the season finale, so i guess i can't really honestly claim to be that bummed lol. (watched it while washing dishes - pretty good!) did love daniel bruhl as a sensitive artiste director being soul-crushed by the studio machine though! that guy's great.

read

r. o. kwon, exhibit - this one's tough. ultimately, there were actually a lot of things i liked about this book. it had some moments that felt really human and well observed (when the protagonist says something about how usually orgasms aren't worth the guilt and then says she knows she's letting us down and her paramour says who's us and the protagonist says all women... that's funny and real and not unrelateable to me for different reasons!). the bones of it were i think ultimately solid - like yeah she's terrible at communicating but ultimately the book is about her running away from the hard fact that her husband wants a baby and she doesn't and the psychology holds water throughout, i think. (also a funny paragraph about how she knows how to cook but mostly subsists on like handfuls of nuts and bread dipped into olive oil or whatever and then she's like "and you thought i could raise a child?"... also relateable...) i REALLY related to the idea of being a person who simultaneously has the memory of experiencing the loss of faith in god as genuinely, actually traumatic and also being like "btw my family might be cursed by vengeful spirit, it's a whole thing, but i gotta try to talk to her before i do this because she kind of gave me the idea," and i really liked that the book didn't spend any effort on reconciling these two things because... i mean iykyk, like i really can't explain beyond "sometimes that's what it's like" - AND i also liked the ultimate reveal of that storyline and how it tied into the core character work of the main plot. plus the whole thing is like the "trying stuff out sexually as a vehicle/metaphor for owning your whole self" thing that i (a) have enjoyed writing in fanfiction and (b) really loved watching in babygirl lmao. unfortunately the writing was the most annoying tryhard I Get It You Have An MFA ass prose i have ever encountered... i complained about this at the time but it's craaazyyyy to use the word "mirific" three times in a ~200 page novel lmao. deranged. calm yourself. i also felt like the dialogue was really bad although i guess i can't totally rule out that this is a book about artists and artists actually are that annoying? idk though... it didn't feel stylized it just felt weird... who says "tippled"... so, ultimately i couldn't say that i "liked" this even though it had elements i admired or enjoyed.

naomi klein, the shock doctrine: the rise of disaster capitalism - as i mentioned at the time, very enamored of its framing device in a very popular nonfiction/thomas friedman lite kinda way, but when it's not doing that (which luckily is most of the time), this is an informative and well explicated accounting of the horrors milton friedman has unleashed upon the world. i liked her fundamental argument that you can't politicize along economic grounds horrors committed under communism but not do that for capitalism, which has sort of seeped into general internet leftist thought (a testament to the success of this book) but which i appreciate more having seen how she builds her case.

the red nation, the red deal: indigenous action to save our earth - read this for a mutual aid book club that never happened lol. at the end of this book they're like "well probably none of this is new in the climate justice conversation but we don't think things have to be new to be valuable" and like... on the one hand true... on the other hand if you're even vaguely aware of climate justice discourse... not a lot here is new. i also, perhaps unpopularly, have become kind of a... idk... i mean when people are like "we can't solve climate collapse without dismantling capitalism" these days my reaction is basically "well one of those things might happen in the next two hundred years and it's not dismantling capitalism." i'm not like a tech-zealot but a... tech-realist? idk. this is not what i want to be true but it is my honest accounting of the situation. so, any argument that's like "step one: dismantle capitalism" is... it's just not where i'm at these days.

patrick radden keefe, say nothing: a true story of murder and memory in northern ireland - there are no doubt quibbles or political issues to be had with this book, a story of the troubles focused largely on a particular group of IRA members operating in west belfast in the early 70s - as an idiot coming into this subject basically cold, i would have appreciated slightly more grounding in the political situation leading up to the swelling of violence in this period - but, damn, this book is fucking mesmerizing. keefe really brings the people involved to life, particularly the young IRA members at the heart of his chronicle, and while it's clear he doesn't condone all their actions, my own sense was that he was more interested in truly understanding and making clear their own understandings of their motivations & understanding of themselves & ethical framework than he was in passing judgment (and i also definitely felt like he had a certain admiration for the integrity of someone like brandon hughes or dolours price, who were always willing to own what they did and why they did it, and a genuine disdain for how fucking crazy it is for gerry adams to rebrand as a peacenik when literally everybody knows he spent the early 70s telling people to plant bombs lmao). (also having read empire of pain... he definitely holds the sacklers in lower esteem than the IRA, lol.) the final chapters of the book also touch on the really fascinating difficult question of how you morally reckon with the revolutionary violence you did if the revolution you did it for never came to pass - this is the heart of why his fellow ex-IRA comrades feel so betrayed by adams, who has left them to shoulder the burden of that guilt alone while pivoting to the compromise they once agreed would not suffice which was part of the reason for all the violence, and it is something i think about a lot as someone who would not self identify as a pacifist and thinks the historical record leaves no doubt that sometimes violence is necessary for change but nonetheless feels very reluctant to endorse specific acts of revolutionary violence in theory. thrilling and thorny, ultimately i would say deserving of all the accolades i learned after reading it has apparently received lol.

patrick radden keefe, the snakehead: an epic tale of the chinatown underworld and the american dream - not quite as tremendous-feeling as say nothing, but that's mostly because that's a crazy high bar; this is a really fascinating look at the human smuggling trade (& other organized-ish crime) in NYC's chinatown in the 80s/90s, including the middle aged woman who was at the heart of much of it. contains: some totally deranged gang warfare stories; a really fascinating look at the weirdness of chinese immigration policy in the 90s, when china's one-child policy pushed normally anti-immigration republicans to switch on this issue for pro-life reasons (the one child policy... maybe the one thing every american politician shares the same view on, for different reasons?); interesting background on fujian, the high-outmigration region of china from whence many of the principles in this story came; an accounting of an insane boat journey gone so wrong that at one point after the would-be migrants have been trapped in a harbor off the coast of africa (i forget which country), when they finally leave, two of them decide to stay because the chinese restaurant they've opened is doing so well. i keep thinking about the fact keefe highlights that of the hundreds of doomed migrants on this hugely traumatic journey who wound up deported after crash-landing, nearly all of them eventually made their way back to the US.

kazuo ishiguro, nocturnes - my first ishiguro since my teen ishiguro phase (a concept that should really be regarded the way that teens getting into heavy metal and grunge is in pop culture e.g. a sign to check in on their mental health lmao). didn't love these but i can't tell if that's because i prefer ishiguro as a novelist or because i'm just bad at reading short stories... also to be fair there were at least 2 ishiguro novels i read back then and was like "the fuck was that" lol. some very funny moments and a lot of like, amusing portraits of unlikable people, and i do love his style, which is like, a pathologically conversational first person that years of reading since has taught me is much more technically difficult than it looks, but ultimately it felt pretty slight.

naomi klein, doppleganger: a trip into the mirror world - klein takes on, like, "the wellness to alt right pipeline" is an oversimplification but topics in that neck of the woods, inspired by the wack ass shit constantly being tweeted by Other Naomi (wolf), with whom klein is frequently confused on twitter. this is an inherently very funny premise for a book and a lot of what klein says is in my view pretty accurate, and some of her literary/theoretical musings on dopplegangers as a Thing are interesting to read, plus the whole thing is on topics of interest to me, aka Alt Right Derangement And Weird Shit People Are Up To Online. however..... so klein says that she herself was very offline until covid happened, basically, and so if you have been online longer, and especially if you have been actively reading stuff about Weird Shit People Are Up To Online, then this book is basically a smart person catching up with topics you yourself already know a lot about. so in a funny way i found this a more enjoyable read than the shock doctrine, because it's less of an unrelenting fucking bummer about human evil and suffering, but it was also less enriching, because she didn't really bring any new insight to topics that, again, are probably in the top 5 of Post Headlines I'm Most Likely To Click On. like yeah, deranged alt right types are using the language of social justice and inequality and bodily autonomy to further their various causes... tru... i mean it is tru... i also think the fact that her default is a Not Online person who only changed her vibe after covid makes her a bit more of an internet doomer bc she doesn't viscerally get the nontoxic value possible to find in Online through diligent curation lol. but i do think it was a solid accounting of the subcultures and and ideologies she explores so like i said i basically liked it and if you're less tuned into weird internet radicalization currents than i am you will probably find it informative!

suzanna clarke, piranesi - i don't even know what to say about this one, probably tied with tender as my favorite book i read last year (strong fantasy year for me i guess). it's so crazy that suzanna clarke wrote jonathan strange & mr. norrell, the most perfect book of all time, and then did this, which is also the most perfect book of all time, in a completely different way. her gift for atmosphere and voice is second to none and in this one she uses it to draw us into caring so deeply for a narrator who can't even remember his own past - the book in some ways is a mystery and the doling out of information is perfectly paced but the reason it works is because we just love this guy because of how much he loves the universe. the final chapter expresses something about survival & upheaval & change (&, sure, trauma, if you want) that, as i said before & will come as no surprise, is so so so precisely keyed into an idea so deeply important to me... ahh! just sublime!

v. c. andrews, flowers in the attic - book club!! this book is CRAZY but there's only two real things i want to say about it: (1) a lot of what's totally deranged about it is that on the one hand, it has the most gothic novel ass set-up ever - horrible incest house of dark secrets and shame, children literally living in an attic, physical decay, etc. etc. - and on the other hand in all other respects its sensibilities are the most american 70s suburban ass thing, so that it's like, a gothic novel where the evil mother goes to secretary school and the kids watch sitcoms and cut construction paper in the secret attic... like, the tonal clash is soooo crazy, it's incredible; and (2) ok so like by the time it happens you 100% want those siblings to fuck. like. you just do.

suzanna clarke, jonathan strange and mr. norrell - counting this as last year even though i read the second half in january lol. ummm best book in the world. third time through and i genuinely think it gets better every time. most purely pleasurable reading experience of all time.

stephanie mccurry, confederate reckoning: power and politics in the civil war south - ditto re timing (technically i have like a couple pages of this one left and a few more quotes to post lol). i picked this back up as a comfort reread after the election and it slaps so hard it's crazy. love to read about how a bunch of war-losing loser traitors lost in no small part because it's hard to wage war as a modern state committed to resisting the tides of modernity!!!! sucks 2 suck!!!!!

listened

maude latour, sugar water - i'm kind of obsessed with maude latour not in terms of being obsessively in love with her music, although i think she's very good, but because she's my go-to example of someone out here doing girlpop toiling away in the spotify minds unremuneratively who i would easily and even gladly swap fame-wise with basically any of the pop girls in our current rising class (thinking of olivia/chappell/sabrina... none of whom are like terrible - well ok i have yet to hear a chappell roan song i think is actually good lol but i guess she can sing and it's nice that she's gay - but also alleged newcomers like tate mcrae? addison whoever? madison beer? these are not real people stop trying to act like they're real people! ladyraven ass pop girls...). she just makes really solid, well written, inventive but still catchy pop. i returned to this short album a lot more than i expected to, often thinking i wanted to hear just the first song (a standout) and then realizing i was happy to let the rest play through. also gay stuff, if you care about that.

sabrina carpenter, short n sweet - like it's all very competent and espresso deserves its flowers but who cares? who could possibly ever care? i've been SUCH an antonoff apologist and please please please is the first song where i felt like i was hearing him as his haters hear him, it sounds like shit. there are better moments and worse moments, some ok lines, she can sing, etc., but where's the vision? where's the personality? nothing to grab on to.

beabadoobee, this is how tomorrow moves - beabadoobee is obviously talented and intelligent and her music sounds enough like a kind of music i like that i always feel like i should like her more... but i think she's a little too stripped down and sophisticated for me. that said "ever seen" was one of my top songs of 2024, total absolute BANGER

charly bliss, forever - doesn't quite live up to the heights of young enough, but given that young enough is a strong contender for my favorite album of the past decade, i'm not really sure it could. this one is pop-punkier and very hooky lots of fun, and i just love eva's taffy-pull voice and wanna listen to her sing anything. also it has a song that sounds so much like a pop punk version of a kesha song it's legit uncanny to me.

pom pom squad, mirror starts moving without me - big step up from their last album, IMO, and i liked that a lot too! ambitious in an interesting way but also lots of fun. this one also has a song that at points sounds so much like a kesha song it's crazy, as does a 2023 album i was recently listening to by underscores... i feel like we're living in a big post-kesha moment and i don't know if anyone is appreciating it enough...

pale waves, smitten - i agree with pale waves that "what if avril lavigne got really into shoegaze and was also gay" is a great idea for an album. really pretty production on this one!

070 shake, petrichor - my friend dave was like "this album might be bad but i'm obsessed with it" and i listened out of solidarity and was like, i don't like this but i can understand why you specifically would. friendship!

charli xcx, brat and it's completely different but it's still brat - i never really listen to enough albums to justify having an album of the year but something about the release of the remix album really opened up the whole project to me and i was completely obsessed with it for a while and still love it. track by track most of the remixes are not quite as good as the original track (although some, like caroline polacheck's gorgeous turn on everything is romantic, are definite upgrades), but something about the spirit of generosity that infuses the project, the way it makes it all feel like a project more than an album, the sense that charli has thrown this party and she's invited up and coming spanish rapper bbtrix alongside ariana grande, the way it's less disciplined than the album proper but more expansive, at some points grimier and clubbier and at other points more emotive and romantic... idk. feels like a whole world. the so i remix alone, like - releasing a sad song about your friend who died, and then releasing a faster song about all the fun shit you used to do, that sounds more like a song your dead friend would have produced, is one of the most loving acts i have ever seen committed through art and it made me cry even though i never connected with SOPHIE's music bc i'm not really cool enough to be into hyperpop. rooting for charli at the grammies even though i know it's not gonna happen lmao.

other

jenny holzer at the guggenheim - there was a jenny holzer installation at the guggenheim!! it was really cool!! i finally understood something @rgr-pop said years ago about how it matters that she is a visual artist and her words (incredible as they often are as words) appear physically in a space. it is in fact Different, to see them in a space. in addition to The Classics (i got so fannishly excited spotting IT IS IN YOUR SELF INTEREST TO FIND A WAY TO BE VERY TENDER lmao), the installation also included a lot of her more recent and more overtly political stuff, some of which engaged specifically with the bush ii administration & iraq/afghanistan, which made for intense viewing given that i happened to go right around the time i read the shock doctrine (as did spotting the one about how mothers who have a reason to cry should do so in public....). jenny holzer is great! so glad i could experience that!

[review-anon]

Since you are the Review Anon, what is your biggest constructive criticism you have of each Danganronpa game (so far)? (Don't tag this post with any of them, just to be safe.)

//Alright you want my thoughts on the biggest issues with every Danganronpa title I've experienced? You got it.

//I will not talk about Eternal Endings since I don't think its fair to judge a work by its Prologue alone. Once a chapter has come out, more accurate thoughts could be detirmented.

//Also not tagging the titles since some of them might be a tad controversial, and I know how people tend to be with opinions on the internet.

//That being said; under the cut we go;

Trigger Happy Havoc: Yasuhiro being a survivor

//When it comes to my general survivors, Trigger Happy is at the bottom of my least favourite survivor group as given the overall message of the franchise and the idea the survivors chose hope, it feels the group in question really doesn't live up to it.

//Makoto of course deserved to survive as he's the protagonist and actually the only clean person as he hasn't committed any acts of dishonesty like the others. The closest you can get is him hiding information about Sakura being the mole, but he wanted to just clear the air and find out the context before he told the others, so he was gonna to eventually, he just wanted everything in the clear.

//Kyoko and Aoi have done some shady acts, Kyoko's actions in Chapter 5 were quite deplorable and Aoi did some shit in Chapter 4 but both of them most importantly, know where they went wrong, admitted they fucked up, and started to work towards hope so they earned their positions as survivors.

//The other three...not so much. Byakuya didn't choose hope because he felt bad about what he did, he only chose to aid the survivors because he felt the game was getting "boring" to him, at no point did he say sorry for what he did in Chapter 2, and him going against Junko seems to be more placed in the fact she destroyed the Towa Group then anything. Toko is just a Yes Woman to Byakuya who agrees with everything he says and again, only chose good because Byakuya did so. However, I WILL admit after Trigger Happy Havoc these two do get better as Byakuya learns compassion and consideration of others as he's more concerned about his fellow survivors and leads a rescue effort for them in Danganronpa 3 plus he was the one who personally tried to save the Towa City hostages. Toko is the deuteragonist of Ultra Despair Girls and this did WONDERS for her character since her interactions with Komaru made her a better person and be willing to side with hope and the future on her own accord.

//And then there is Yasuhiro who is NONE OF THAT. He remains the same slimy cowardly idiotic bastard throughout the whole franchise. He is a complete and utter moron who's survivability is questionable, he did some heinous acts in Chapter 4 he didn't apologise for, he was willing to derail the conversation by some of the most banal and moronic of reasons, like the opening argument in Chapter 5 is if Kyoko is a ghost. No I am serious that is the opening argument for that chapter. He's also so insufferable that even Makoto, the paragon of goodness he is, says he could never become friends with him; with only Byakuya and Genocider Syo having that honour. And as such him being around to the end was really stupid.

//Yes I know he's comic relief, but I don't find Hiro funny, I find him annoying, cowardly, stupid and a hindrance to the group more then anything. And while Byakuya and Toko at the very least get better after Trigger Happy Havoc, Yasuhiro DOESN'T. In Ultra Despair Girls Hagakure, he is such a dead weight that Kanon has to save his arse on more then one occassion and remember the motivation machine from Chapter 3? Komaru got saved before it got too much but Kanon wasn't so lucky and was catatonic by the time Hiro found her and he wasn't considerate to her at all. And he also was excluded from the Final Killing Game because to quote Monokuma "Nobody likes him."

//To make matters worse; Hiro surviving also started the annoying trend that the most moronic character has to survive with Kazuichi and Iroha being prime examples of that. He is by far my least favourite survivor especially as I would have preferred either someone else, or at the very least, there to be 5 survivors instead of 6.

//Rest assured when I do my Trigger Happy Havoc rewrite for my AU, Hiro will not be spared as I will make sure he is sent to the Afterlife Theatre as he deserves.

Goodbye Despair: Mikan pulling off the murder plot

// This one is surprise, surprise, the plot hole that Mikan could have committed the crime.

//I mentioned this before on Creeper's Dangancember countdown, but to recap, Hajime wakes up and goes to the hospital where he sees a live recording of what looks to be Ibuki going to hang herself, so he rushes off down to the music venure to try and save her. However the recording was done by Mikan in the conference room in the hospital and Ibuki was already dead.

//Once Hajime see's Ibuki's body, he then goes down to the motel to find others to bring back. During this time, Mikan got into the music venure and then, glued the door shut, snapped some toothpicks, smashed the transmitter, uncovered Hiyoko's body and then went back to the hospital before Fuyuhiko showed up.

//The problem with ALL of this is timing, it would take Hajime about a few minutes to get to the motel and then 10 minutes to get Chiaki to come with him and another few minutes to get back to the music venure. All in all it would take Hajime 20 minutes to do all of that and somehow Mikan was able to do ALL of this under that time frame.

//Now had this been someone like Peko or Maki, who is very physically active, it would have been difficult, but not too implausible to pull off, but then you have to consider the culprit is Mikan. A character so clumsy that her tripping over was used as DECISIVE EVIDENCE in a previous class trial to expose the culprit not being there as he would have made a comment on her due to his perverted nature.

//And even if you argue the tripping was for attention and Mikan is more nimble then she looks, this isn't known to the player at the time, so it can really take away the willing suspend of disbelief. The Neo World Program might be a VR world but it still has to obey basic physics and this just fails to deliver.

//What makes it worse is there was a simple solution; just make it so Hajime doesn't get back in time, make the distance between the motel and the music venure longer, make it so Hajime has a hard time finding people, maybe have someone panicking since Hiyoko isn't there and they are tearing apart the motel looking for her. Anything to make it so it takes more then 20 minutes to get back to the music venure and thus allow Mikan to pull this all off in a realistic time frame.

//And have the same apply to the distance between the cottages and the hospital so that Fuyuhiko also has to take time getting over there, all of this to help it so that Mikan has enough time to pull it off without looking reality breaking in the process.

Ultra Despair Girls: The overreliance on returning characters

//Ultra Despair Girls was always gonna have Komaru as the main protagonist but her partner wasn't always as clear cut. At one point Haiji Towa was gonna be her partner which was a scary thought in of itself but eventually it settled on Toko Fukawa.

//Now I get why Kodaka did this, Ultra Despair Girls was a massive departure from the main franchise already and he was worried it wouldn't sell so adding old characters would help to boost sales. But just because I know why he did it, doesn't mean I like it.

//Toko was alright but I would have vastly preferred having a another new character alongside Komaru with my preferred pick being Kanon. She was a competent fighter so she would have solved being easy mode, plus with Leon being the first executed, it would have caused tensions between her and Komaru which could make for a great character dynamic between them.

//But the crowning example of characters who didn't need to be there was Nagito fucking Komaeda who I am 100% convinced was ONLY added due to him having such a high popularity and thus gets promotions. But Nagito doesn't HELP the story, if anything he hinders it as he doesn't serve the narrative well, his luck isn't a factor to consider, and all the things that make Nagito well...Nagito aren't there.

//ESPECIALLY as this came at the cost of the Hit List Targets who I would have vastly preferred to be important in the story and you still had connections to the first game being their loved ones and what not. They were the biggest victims and I felt the only reason we didn't see them in story is due to Nagito and Toko taking up too much screentime.

//Again, I know why Ultra Despair Girls is the way it is, but seeing how Kodaka is willing to get himself into bankruptcy for the sake of his creative vision, he could have taken the plunge and just did Ultra Despair Girls with only the new characters and while allude and have cameos of the old ones, be that; cameos.

//Not hijack high bits of the plot.

The End of Hope's Peak Academy: The episode length

//You thought I was gonna say the problem is that it exists, didn't you? Well no that's another title entirely.

//Danganronpa 3 was a good idea but flawed in execution but the more I think about it; all the issues with the anime can be boiled down to a single point; length.

//To put it in context let's talk numbers. The average gameplay length for Trigger Happy Havoc is 25 hours at minimum though most people take 45 hours to experience the whole game.

//Goodbye Despair's length is 33 and a half hours while completing it 100% is 60 hours.

//Even Ultra Despair Girls, the shortest title in the franchise prior to this; clocked in about 16 and a half hours with 100% being 25 and a half hours.

//And then End of Hope's Peak Academy had 12 Future side episodes, 11 Despair side episodes and 1 Hope side all which have a run time of 30 minutes per episode which means Future side has about 6 hours, Despair side has 5 and half hours and the finale is only 30 minutes meaning the entire Danganronpa 3 anime is about 6 hours long.

//That is NOWHERE NEAR ENOUGH TIME to conclude the Hope's Peak saga and this has let to a LOT of the writing issues we've seen since the developers didn't have enough time to conclude the whole thing.

//So in order to fix this we could do the following.

Have Danganronpa 3 be seasons instead of all in one, so Season 1 could be Future side, Season 2 could Despair side and if you don't want Hope side to be a season, have that be an animated movie.

Keep the overall length of each season with the final episode count so each season has 24 episodes, which is enough time to wrap up everything.

Cut out the stupid watch order because that was confusing af and disrupted the flow of the story. This would also improve the writing of each story.

//This means in the end we wind up with about 48 episodes and a feature film with a runtime of about 18 hours, on par with Ultra Despair Girl's and while not perfect, its decent enough to make the writing better.

//Personally I would prefer it if Future Arc was a video game and Despair Side was the anime, but its unlikely to occur so we just have to make do.

//And maybe I won't have to joke about whenever it takes longer to get through this or Kanade's and Syobai's pissing match.

Killing Harmony: The lack of divide between the player and the in-game audience

//This is another low hanging fruit here, but if something is a big problem, then it has to be addressed. I don't need to explain why V3's Chapter 6 is controversal, you already know and have a opinion on why.

//But I think I know WHY its so controversal and its due to something Kodaka has competely missed the mark on and a the solo reason why it was as poorly received as it was.

//And that was he completely and utterly failed to cast a line between the in-game audience and the player.

//All the jokes and comments are very meta based and given how portable Danganronpa is you could play it on the computer, a gaming console or even your phone, and so the game trying to say its wrong to be so obsessed over a franchise is basically attacking the player saying they are a monster for liking Danganronpa.

//Which as you can tell went down well; to the point Kodaka had to announce it was NOT meant to be that, but again it was a critical failure on his part to make it clear that you are not the audience and thus not part of the problem.

//So to fix this you need to make the audience more soulless, have scenes where a character was sad that say Tenko died and they get mercilessy mocked by their peers because she's not "real" and they're stupid to say otherwise. How Kaede's and Kaito's messages were ignored since they aren't real or when Shuichi is telling them off, says he is just a character so he cannot tell them what to do.

//Have them cheer when characters get executed which is something NO PLAYER does, even if its a character you completely despise, you still feel bad that they went out the way they did, make it clear this world has lost its soul and people don't care about each other anymore, and love Danganronpa since its the only joy in their lives anymore.

//By having these changes, you make it very clear the audience are not you as you would never be these scumbags and thus be completely behind Shuichi when he tells them to STFU.

Danganronpa Another: Divine Luck as a concept

//So here's a big hot take; I despise Divine Luck, I think its one of the worst powers you could think of.

//And the reason is simple; since its such a reality bending power where the literal universe is at Utsuro's fingertips, it really weakens and dampens a LOT of what we endure in Danganronpa Another, since its hard to tell if it happened due to character decisions, or because of Divine Luck making it happen.

//Its the whole destiny vs. free will; with Divine Luck leaning heavily towards destiny. Take Chapter 2 and with Kizuna trying to kill Akane but then Ayame stepped in? Its a tragic case...but given Akane has Divine Luck...how can you tell if what both Kizuna and Ayame did was out of choice or Divine Luck pulling their strings.

//Furthermore if Utsuro can do ANYTHING with it, and he wanted a normal life, why didn't it happen? If he wanted anything it should have happened, his parents should have been less cruel to him, especially if he could take their powers away from them. Again if you make a power as infinite as Divine Luck with no limits, you then raise questions when something doesn't happen.

//Finally the biggest issue I have with it, it REALLY screams like a get out of jail free card for LINUJ whenever he writes himself into a corner. And LINUJ often traps himself within his own writing and thus whenever he needs to get out, he just hits the Divine Luck button and hey presto problem solved!

//That says more about your lack of confidence as a writer. I will admit I'm not immune to this, as I often use the fact the Voidship has many variants or Library of Ruina's multiversal concept to justify if I fuck up a character in my writing. But I don't use it as much of a crutch as LINUJ does with Divine Luck, and only when I make mistakes. He does it whenever he has written himself into a tight spot and needs someway to get out of it.

//And this problem gets EVEN worse in SDRA2 where the Voids also have the same BS abilities as Utsuro does and since its not clear if its a percentage or not, you have to assume they could also break the universe and it also cheapens a lot of what occurs in that game.

//Overall, Divine Luck is a walking deux ex machina and not in a good way, and this is the main reason why the power is nerfed massively on the Voidship so while its still a thing, its not so mindbendingly stupid.

Sun of Despair and Moon of Hope: How all the murderers were bad guys

//A key message of Danganronpa is that no matter how good of a person you are, if placed under enough stress and triggers, you could be driven to kill someone. Everyone has a breaking point, some easier to trigger then others but eventually, someone will cave in and commit murder.

//This has been the case for the main series and most of the fangans...with one glaring expection and that is SDRA2.

//None absoulately none of the murders in this game were done because someone broke under pressure or felt they had to murder to get out as every single murder was either Void committed or done by the resident serial killer in the game. Don't believe me? Let's break down all the culprits;

//Chapter 1: Hajime Makunouchi who is a Void.

//Chapter 2: Emma Magorobi who is a Void.

//Chapter 3: While its voted as the Otonokoji twins, most people can say Kanade is the culprit who is a serial killer.

//Chapter 4: It gets a bit confusing since Shinji Kasai unalived himself, but the overall scheme was conducted by Nikei Yomiuri who is a Void.

//Chapter 5: Iroha Nijiue was voted as the culprit who is a Void and the actual culprit was Mikado Sannoji, the leader of the Voids.

//Do you see the problem? Literally every murder was done by a Void, the main villains of the game, and the one non Void murder was done by a psychotic serial killer. And this undermines a core message of Danganronpa right here because the whole point of the Killing Game is you have to be cautious of everyone around you, because you don't know if they are planning to kill or not.

//But if all the culprits are either terrorists or serial killers, then you don't have to question your morals, you don't have to be considerate of others because you can just label someone as a bad guy and be that.

//I would have VASTLY preferred it if one of the Voids got killed by someone, not only to see Mikado epicially break down, but to prove the Voids are not immune to consequences, and that again, anyone can become a murderer.

//Yes having multiple masterminds was an original idea, but just because something is unique doesn't always mean its a good idea and this is a very good example where it doesn't work.

Blowback: It taking place in Hope's Peak Academy

//Considering Blowback ended quite early there isn't a lot for me to talk about it but the one issue I do have is the fact it takes place in Hope's Peak Academy and does nothing with it.

//Yes both Another and The After also take place in Hope's Peak Academy but they try to spice things up with it like Another being a fake Hope's Peak Academy and The After being a old abandoned building from decades ago. Blowback does nothing with this setting and it just feels like baby's first fangan.

//I do wonder why the fangan got cancelled, as I know in-fighting was the cause but part of me guesses the fact Blowback didn't have a lot of good ideas might be a reason why it fell apart.

//If you are gonna keep going back to the same building, at least do SOMETHING with it and not just be what looks like a rom hack of Trigger Happy Havoc.

Rebirth: The nonsensical writing

//Rebirth as I mentioned a bunch of times, is a mess. This is because it wasn't meant to be a serious fangan it was an April Fools joke made by Miwashiba but then he decided to make it into an actual fangan.

//And it SHOWS since the writing is all over the place and no matter if you go for the Japanese or English version of the story, its still just horrible writing all over the place.

//Ayumu's gender being mismanaged by both stories, the setting being different, the Ultimate Spirit Medium being a thing that shouldn't be allowed in a Danganronpa series since it breaks immersion, characters dying pointless deaths for the sake of it, the Masterminds being stupid, the list just goes on and on.

//Part of me is GLAD both versions got cancelled since had these ideas been fleshed out, fans wouldn't have been so accepting towards them. If the ideas sound bad in concept then don't do them, you cannot make a bad idea good with enough greasework, a bad idea will always be a bad idea. Good ideas can get distorted, but if its a flawed concept, then no amount of repairwork is gonna fix it at its core.

Despair Time: The Secrets Motive

//I really need to do the rest of my Despair Time review at some point, but I will say my biggest issue with it is how HORRIBLY IMPLEMENTED the secret motives are.

//Secret Motives aren't new, they are a very common motive to have, and its also so common to give said secrets to someone else, so this is a tried-and-trusted first motive, especially as it could lead to us learning more about the characters and provide interesting character dynamics.

//But Despair Time is by far the worst execution of this by far as all it does is cause character conflicts in Daily Life which are mostly banal and stupid. I know this is meant to be a TV Show where stupid conflicts happen all the time since that's "entertainment" but at least make the conflicts interesting and not be J screaming at Arturo because he's a Mariabella simp.

//Especially when the secrets had NOTHING TO DO WITH THE MURDER. Ace was already planning to kill someone for sometime and while him tormenting Nico did lead to them almost killing him, all it did was just convince him that he needs to kill someone. And again Ace was already a bully to Nico even BEFORE the secrets motive, he didn't bully them due to being a bigot, heck the one thing Ace DOESN'T do is misgender Nico as he does respect their pronouns.

//If a motive has nothing to do with the murder and conflict was occuring even before the motives came along, then its a bad motive. It gets even worse in the Class Trial since 80% of the fucking trial is decoding the motives, and as David points out, it did NOTHING to solve Arei's murder.

//Its just such a bad execution, as there is a right and wrong way to have motives be part of the plot, and the way the secrets motive in Despair Time was handled was the worst example of this.

//As a fix; maybe Ace was insecure about his sexuality as a homosexual...but when Nico is found out to be an enby and everyone accepts them for who they are, and Ace didn't get that in his life, it might cause jealousy and make him lash out at Nico, which then leads to the murder attempt. Then maybe Ace doesn't believe people can change and gets pissed off when Arei tries to do character development and kills her for that, not that he was targeting Eden and only switched when Arei got involved.

//Both of those could have been easy fixes to make how the secrets was handled much better then we got and most importantly don't have it eat up most of the trial time and not amount to anything in the end.

The After: The fact Konoe might be tied to the overall plot of the game

//Now this is about bits I didn't like in a fangan from a writing perspective not from a personal perspective, otherwise this would devolve into another rant why Ryohei Seki deserves to be thrown into the fucking sun and how I will throw a massive party where everyone who was fucked by him is invited when he dies.

//But as much as I hate to admit it, Ryohei IS well written and it is a interesting way to take a rival character, especially how the protagonist Konoe is in general.

//Thus it has to be something else, and I think my gripe has to be with how it seems Konoe is a important person to the Killing Game.

//The whole idea of someone like Konoe or Makoto is that they are average everyday men who via their own traits, Makoto's optisim and Konoe's friendship vibes that make her seem like she came from Equestria, but they build people up, make them the best versions of themselves and when the Mastermind, who thinks humanity is the worst tries to oppose them and they fight back, they fail as a result.

//And while Junko did acknowledge Makoto was a threat in Danganronpa 3, her own idealogy let him live and plus its Danganronpa 3. It needs no explanation.

//But if Konoe is a key person then what is the point? Is she the mastermind? The traitor? A reason why the Mastermind is doing this? I don't know in all fairness and this is a lot weaker then the others since I can't really find anything else I don't like from a writing perspective, plus I'm sure the fangan will answer this.

//I don't like it because I don't like it when masterminds see someone as a threat and don't snipe them at the first opportunity as it really does underscore everything the heroes do.

//The After is a very solid fangan after all and sorely underrated.

Tetro Pink: The implication the masterminds will be Karma Houdinis

//Tetro Pink as in large doesn't have as many writing problems as the others as for as emotionally devastating as it its, its a very solid fangan.

//But there is a nagging feeling I do have about it, and if I'm right will majorly piss me off and that's the fact the scientists will get away with everything.

//This does have some evidence, Vonbabbit has confirmed there is a Season 2 which means we can't lock up all the scientists at the end of Tetro Pink because how else would another Killing Game occur?

//I know the Bad Guys winning is a unique concept but again just because something is unique doesn't make it good. A big selling point of Danganronpa is that the survivors can band around a ideal and use it to tell the Masterminds to get lost and they survive on their own terms.

//But if the survivors get their memories wiped, have false ones added and no consequence happens to the masterminds, then that's gonna piss a lot of people off that justice has missed its mark. It would also make Season 2 less impactful because we know as long as there's another season, nothing is gonna happen to the masterminds and nothing will change.

//The best case scenario is Biology Head gets some consequences since he's the most antagonistic of the masterminds and the main driving point for a lot of the grief the characters have; both students and staff. And maybe the Head Scientist also gets consequences as well.

//But a lot of them probably would be able to go back and do another killing game, and if Biology Head is not punished and if anything winds up in a stronger position then before, then its not gonna end well as I can see a lot of outcry over this.

//But don't worry...they might escape justice canonically...but they won't escape me...I will ensure consequences come to them...

Project Eden's Garden: Eva's Motive

//And now that certain people have played PEG, I can update this with my current biggest writing issue with Project Eden's Garden.

//Again this is from a writing and story perspective and not a gameplay one, otherwise you all know what my biggest gripe with this game is, as I've been very vocal about it.

//And it has to be how unneccessarily complicated Eva's motives are. As when she's unmasked as the killer, Eva didn't just kill Wolfgang because she was pissed at him for excluding her and wanted revenge, there's also the fact she discovered the traitor's perk with her mathatic skills and Tozu told her if someone would kill before her, she would also be killed. And she also did it because she hated her talent and the Ultimate system that much. And she also feared she would be a easy target in the killing game also explaining why she targeted Diana as her fall girl.

//The problem I have is this is very unneccessaily complicated. Bear in mind this is Chapter 1 where the motives are usually "self-defence" "tricked into killing" and "framed by the mastermind" not six different reasons to kill Wolfgang like Eva did. She could just killed him because she was pissed at being excluded and that would be easy enough for anyone to understand.

//To make matters worse, since this first murder had about 20 reasons behind it, now I think that all future culprits will need a book of reasons to kill. That's not a good precident.

//Having said that, PEG is still only Chapter 1 so there is a lot more room for it to improve and who knows, I find something something writing wise which pisses me off more then Eva's COMPLEX MOTIVES. But its the biggest gripe I've got.

//Either way that's my thoughts on what I think are the biggest issues I have with each of the titles and possible future points for developing ones I am not happy with.

EDIT 30-01-25: Edited this to included Project Eden's Garden.

[nerevar-quote-and-star]

Okay, here are my current notes on the Markarth Incident. This is more of an evolution of thought rather than a final product, 'kay? 'kay. XOXO

4E 174 – The Empire recalls all Legions from the far corners of the Empire to participate in the final assault against the Aldmeri-held Imperial City. Every town and city not on the frontlines is left with a skeleton garrison. 

The Reachmen of Western Skyrim chooses to capitalize on this movement. The Reachmen populate an area of Western Skyrim, Eastern High Rock, and Northern Hammerfell. Although they appear similar to the Bretons of High Rock, they are wholly distinct, worshipping gods completely detached from those of Breton culture. During the Second Era, they once ruled Cyrodiil as the Longhouse Emperors; in recent history, they have lived subject to other races, primarily the Nords, who rule much of the Reach. More often than not, Reachmen are second-class citizens, though very rarely have they received decent though not preferential treatment from a Nordic Jarl.

When the Empire recalls their Legions, the capital of the Reach, Markarth, is left functionally undefended. A Reachman leader, Madanach, takes this opportunity to seize the city and install a Reachmen government in place of the Nords. Madanach declares himself King of the Reach and succeeds the Reach from Skyrim. Contemporary Imperial documents show that Madanach sent emissaries to Emperor Titus Mede II in an attempt to have the Reach recognized as its own Imperial Province wholly separate from Skyrim. Titus Mede appeared to have taken this into serious consideration, though he was unable to give it his full attention as the Empire was planning their attack on the Imperial City. 

Conflicting reports on the time frame of the Reachman takeover exist. Reports vary between the takeover beginning in Fourth Era 174 and 177 when the conflict was over. Contemporary Imperial and Forsworn documentation claim that Madanach’s rule was relatively stable, saying he was fair to the Nords, his people ousted from power, and allowed them to remain in the city so long as they recognized his government. It is said that live around Markarth continued in the same way as before, though under the Reachmen rather than the Nords. It may be important to note that Nord landholders who “mistreated” their Reachmen servants were put to death. 

The Nordic perspective (as shared by Jarl Igmund in Fourth Era 201) claims that the Reachmen takeover was violent, leading to a chaotic period in which Nords were heavily discriminated against and no civil cooperation between races. 

[Madanach’s version of events MAY be closer to the truth. N.B: During his rule, he seems willing to help a group of dissident Blades in exchange for a favor.]

The White-Gold Concordat is signed 11th of Sun’s Dusk, Fourth Era 175; Surviving veterans of the Battle of the Red Ring return to their homes, including large populations of Nordic legionnaires. Talos worship is outlawed. Talos temples are closed, though many continue to worship him in private. Ulfric Stormcloak takes offense to the banning of Talos worship, viewing it as a central aspect of Nord culture. His father, Hoag, the Jarl of Windhelm and Bear of Eastmarch, does not legalize Talos worship despite Ulfric’s religiosity. It may be that he wishes to avoid a conflict with the Empire. Jarl Hrolfdir of Markath, in exile by Madanach’s government, promises Ulfric and his supporters religious freedom should they take back the Reach from the Reachmen. This is in blatant disregard of the White-Gold Concordat. 

Ulfric leads a militia across Skyrim to the Reach where they took back Markarth. A few Reachmen leaders were imprisoned, though others were killed, along with most of their warriors, though some were driven off into the surrounding wilds. The survivors in exile began to call themselves the Forsworn. They attack Nords and the Empire indiscriminately due to anger and feelings of betrayal.

Most of the Reachmen leaders are killed. However, allegedly at the request of the Silver-Blood family, Madanach is taken prisoner and held in the depths of Cidhna Mine. The Forsworn claim that the Nords, under Jarl Hrolfdir and Ulfric Stormcloak, took back the city through an excess of unnecessary violence, putting to death or imprisoning anyone who had even spoken to Madanach or said his name. It is also said that the family members of those who were deemed to be against the Nords’ rule were imprisoned or killed, even down to young children. Purported Imperial propaganda puts forth that Ulfric himself killed everyone in Markarth who would not join his cause. 

It is true that there was bloodshed and death of innocents during the retaking of Markarth. The factuality of this claim can be traced to those Reachmen who survived the incident, sharing their experiences twenty-five years afterward. 

Jarl Hrolfdir was assassinated during attempted peace talks with the Forsworn after the retaking of Markarth. It may be that the incident only grew violent after this point due to Nordic retaliation. 

Why would Ulfric and Jarl Hrolfdir use that much unnecessary violence and brutality against the Reachmen if they intended to negotiate with them afterward?

Perhaps Igmund instigates the brunt of the violence against the Reachmen following his father’s death.

Jarl Hrolfdir was marked for death by the Dark Brotherhood. It is unknown who performed the Black Sacrament on the Jarl. It is possible someone from outside the conflict placed the contract on Jarl Hrolfdir’s head as a means of sewing chaos between the opposing sides (it could have been Igmund or Raerek [crack theory; maybe the brother was trying to Lion King his way into power and failed miserably? Or one of them opposed making peace with the Reachmen], or perhaps it was the Aldmeri Dominion?). Regardless, the Jarl’s death is the probable instigator for the deaths of many of the Reachman remaining in Markarth. 

The Imperial Legion shows up not long after the city is retaken. They are seemingly thankful that Ulfric’s militia took back the Reach. When Ulfric lets them into the city, he asks that they recognize the free worship of Talos that Jarl Hrolfdir had legalized in the Reach; otherwise, the Legion would be fought off. The Imperial Legate (or general?) present at the time okays Ulfric’s request, effectively breaking the White-Gold Concordat. Again. Not long after, the Thalmor discovered this and took issue with this breach of treaty. They give the Empire an ultimatum: disband Talos worship in the Reach or prepare for the Great War to be renewed. 

Ulfric and his followers are arrested and imprisoned by the Empire as Talos worship is again banned. The Empire must crack down on cases of Talos worship across the province. In consequence of the incident, the Thalmor gain access to Skyrim for their Justiciars through an Embassy. This is allegedly to enforce the terms of the White-Gold Concordat after it had been broken by the Nords in Fourth Era 176/7, but on an underground level, this allows the Thalmor to hunt, capture, and torture suspected Talos worshippers. The coming of the Thalmor Justiciars to Skyrim is technically a domino effect caused by Ulfric’s demand for free and open Talos worship.

Jarl Hrolfdir’s assassination happens during Ulfric and his supporters imprisonment. It may be possible that it was Ulfric OR one of his men who performed the Black Sacrament (though how could they do this while in an Imperial prison? Ulfric had to smuggle out his eulogy for his father’s funeral – what is the Imperial prison smuggling system like? Could any of them have had access to a dead body? Smuggled in or that of a fellow prisoner?). Whoever performed the Black Sacrament on Jarl Hrolfdir is the root cause for the retribution killings of the Reachmen. (Perhaps it was Thonar Silver-Blood?)

Ulfric is an uncooperative asset to the Thalmor, not because he ever cooperated with them in the first place, but because he is the (unintended) reason they have such a strong foothold in Skyrim now. 

[jam-d33r]

Hot take but sometimes I wish “relatable” songs didn’t always have that air of hopelessness like no offense to anyone but sometimes we need something to keep us going in songs

[r1elle]

desperate male lead syndrome is making a strong comeback in 2024 and i’m here for it!! so i wrote about this annoying loser (your honour i love him so much)

husband atsumu drabble because this is what the people want ^^ (i’m people)

“baby, don’t go looking at yer’ poor husband like that..” atsumu pouts, poking your cheeks at the sight of your evidently disdained face.

okay. you could go do that. you could also just forget the broken ceramic on the floor, still not cleaned up because atsumu would rather make amends with you first than cleaning up the potential risk that was right infront of you both.

honestly, you couldn’t tell whether you should be glad, or concerned.

“i’m not mad at you,’ you say, the expression on your face clearly betraying your words. “don’t worry about it, atsumu.”

you thought that maybe your words would ease the blonde man’s resolve, however it seemed to have only made it worse for him.

“atsumu?! no baby, no love, no ‘tsumu?!” he stresses, hands going up to his mouth.

you stare at his rather dramatic delivery,—and was that the life in his eyes flying away?? he looks like a modern rendition of casper the ghost.

“i’ll do the dishes for a week, no,—a month! i’ll buy ya’ those heels ya’ told me not to buy at the mall!!” atsumu frantically spouts, saying anything he could think of as he continues to cling onto your figure, his face mushing onto your neck and shoulder area.

you shut your eyes. just.. how could you stay annoyed? look at his pouty face, how his ears seemed to be more red than the rest of his skins current complexion. he practically made it impossible for you to even be the least bit mad, and you would’ve felt as guilty as a convict for even attempting to do so. that’s the kind of effect he had on you.

in response, you merely sigh. but there wasn’t any bark to it. “or, you could clean up the shattered pot on the floor.” you say, making sure to bring your tone to a more gentle and reassuring one.

atsumu turns to at you once again, his blonde locks tickling your skin as he moves.

“yer’ not mad anymore?” he beams. “i mean, we could always make another pot, right? how ‘bout it?” he says, hopeful eyes staring directly to your orbs.

in all realness, you genuinely weren’t mad at him, —(as much as he would sulk and say you definitely were), no. you were just sad at the fact that you and atsumu’s ceramic that you both had worked so hard to sculpt and paint on your first date was now shattered on the floor, all but beyond repair.

“i was never mad at you, promise.” you say. “just a bit disappointed. i liked that pot a lot, you know.” your hand reaches for atsumu’s cheek, pinching it slightly. physical touch always seemed to reassure him more than anything else.

atsumu mentally notes that he should make you breakfast in bed the following morning as he stares at your affirming expression. he plants various of pecks on your face after doing so.

“i’m sorry, princess.” atsumu coo’s, his hand pushing away the little hairs on your forehead as he plants a kiss on it.

“i’ll make it up to ya’, i promise.”

— • —

now, you know that you most definitely shouldn’t be all too surprised, considering that, well, —this was miya atsumu we were talking about,

but seriously….

you stare at the little bundle of fur politely sitting on your lap as you rub your eyes, just having come out of your nights sleep. you also happen to notice the smell of pancakes and hot chocolate coming from the bedside table.

“ ‘tsumu, where—?..no, when did you get this dog?”

“i have my ways.” he proudly grins. “but look, it’s yer’ favourite breed!”

“….yes, i know. but where did you—“

“we have a daughter now, hehe.”

“since when did i agre—“

“so adorable, definitely takes after her mommy and daddy. look at the bow on her head!”

“ ‘tsum-“

“i love you.”

“dont change the subject!”

——————————————————————————

atsumu brainrot is real and clocking me out (kageyama i can explain)

update: TYSM for 1k+ notes omg ??!! thank u all for loving this loserboy with me i feel so heard 😢😢🙏🏽

[wttcsms]

⋆౨ৎ˚⟡˖࣪ when they act this way (i know i got 'em) !!

ᝰ.ᐟ kiyoomi sakusa is used to getting what he wants, and what he wants most right now is you. too bad you’re the biggest fucking tease in the world. fine by him, though. because when he gets his hands on you — and he will — you’re going to see what exactly all your thirst traps did for him. ( fem!reader )

pairing kiyoomi sakusa x reader word count 3.6k content contains angry sex/rough sex, overstimulation, semi-public location, pop star!reader, cheeky/bratty to sub!reader 😭, he manhandles you a bit, creampie kinktober masterlist

“What’s his fuckin’ problem?” Atsumu grumbles, tossing his sweaty practice jersey onto one of the benches, mindful of avoiding the bench Sakusa is currently occupying. He takes this extra precaution since he doesn’t want to get yelled at again by Sakusa, who did snap at Atsumu five seconds prior for almost getting his dirty jersey thrown on top of him. 

“Maybe you just stink, ‘Tsumu.” Bokuto’s grinning, but Hinata shakes his head, gesturing for both of his teammates to come closer so he can whisper to them.

“I think Omi’s in a bad mood because he’s mad.” 

“No shit, Ginger!” Atsumu groans. “People who are in bad moods are usually mad. We didn’t need you to spell it out for us.” 

“You didn’t let me finish!” Hinata whisper-shouts. “He’s been looking at [Name] [Surname]’s Instagram since before practice ended.” 

“Who the hell is that?” Atsumu hisses, and Bokuto hits him on the shoulder. 

“Bro! That singer!”

“Yeah, that clears shit up.” Atsumu rolls his eyes, yanking open his locker to find a clean shirt to wear. “Why would Omi be mad at lookin’ at some girl’s Instagram?”

The trio is silent for a moment before a lightbulb practically appears over Bokuto’s head.

“Hey! Maybe she got a boyfriend, and he’s jealous!”

The group ponders this hypothetical. 

“Why would Kiyoomi get jealous, though?” Hinata asks. “It’s not like he’s dating her or anything.”

“Unless they had some weird situationship shit goin’ on.” Atsumu suggests. “Should we ask? Shoyo, go ask him.”

“Why do I have to ask?” 

“Nope. She didn’t post anything with a boyfriend…” Bokuto mumbles, scrolling through your feed. 

“Lemme see.” Atsumu snatches the phone from Bokuto’s hands and lets out a wolf whistle. “She’s hot. No wonder Omi-Omi’s pissed off.” 

“Huh?” Hinata whines. “Let me see, too!”

Atsumu faces the screen towards Hinata. “She’s the type of pretty that makes you mad just ‘cause ya can’t have her.” 

The girl on the screen is you. Posted not even an hour ago but already generating over six hundred thousand likes, Hinata understands what Atsumu means. Your back is turned towards the stage you’re on, but you’re looking back, giving the camera a coy smirk. You’ve got a rhinestone bedazzled microphone in one hand, and you’re wearing the shortest baby-blue minidress in existence; so short, in fact, that because your knees are bent just a bit, the current pose you’re sporting causes the fabric of your dress to rise, giving everyone viewing the image an unfiltered view of the built-in panties of the dress. The caption speaks volumes: too much for you to handle?. 

“You realize I could hear you idiots the whole entire time, right?” Sakusa doesn’t sound very happy, and Atsumu is quick to shove the phone back into Bokuto’s hands. “I’m not in a bad mood, and I’m not mad, and I don’t care about [Name] [Surname].” He grabs his gym bag, making a face at the trio, before storming out of the locker room. 

Sakusa’s upset, and his bad mood only sours more whenever he realizes that his idiotic teammates are more perceptive than he would like. Yes, he was mad at practice the minute he saw your latest post. And why wouldn’t he be? It’s clear that you’re fucking sub-posting him. You would’ve been better off just DM’ing him yourself and asking that stupid question.

Too much for you to handle? 

Fuck you, he thinks bitterly. Before realizing that, yes, that’s exactly what he wants to do to you. 

Everyone knows it, including you, which makes the whole situation even worse. Your mutual friends keep trying to persuade the two of you to finally ease the tension and just get a room, but Sakusa’s always been a touch too prideful. 

The two of you have always been constantly warring with each other; you’ve got the coy, flirty, cocky personality that doesn’t mesh well with his own stoic, cold, perpetually unimpressed one. You always flirt with him, but he’s seen you flirt with everyone — it’s basically your whole brand. It’s precisely what your popstar image is built upon — the fun, flirty idol who’s carefree and the poster girl for no-strings-attached. 

And Sakusa, for what it’s worth, is a very strings-and-all type of man. 

The reason why he won’t pursue you is because you’re the first person to catch him off guard. He can’t get a good read on you. He has no clue what your intentions actually are, and he’s not about to make a fool of himself by asking you if you’re serious when you told him you were.

That stupid fucking party — he knew he shoudn’t have attended. It was another teammate’s birthday, and he was hosting it at his place, and since it wasn’t a nightclub or anything, Sakusa assumed it was safe enough to attend. Too bad he forgot that his teammate was dating some other singer, someone who happens to be one of your friends. 

Everyone there kept pushing the two of you together, and as the night progressed and everyone was getting drunker and drunker, there was intoxicated, slurred commentary on how the two of you just needed to fuck once and get each other out of your systems. 

“It’s true.” Even with heels, you’re still shorter than Sakusa, and you have to get on the tips of your toes to whisper in his ear. “You wanna know the reason why we haven’t had sex yet?” 

“Because I’m not interested.” He tells you flatly. He’s lying, and you know it. 

You pout, your plush bottom lip on display. “It’s because I don’t want you out of my system, and I’m hoping you don’t want to get rid of me either.” 

He snorts, even though his heart jumps at the thought. He wants to tell you to quit playing these games and be serious, but he doesn’t. Instead, he keeps himself guarded. “Like I said. Not interested.” 

“Why won’t you just give in?” You tilt your head. “You scared? Or maybe…” The dress you’re wearing makes your legs look even longer. Every centimeter of bare skin you expose has him spiraling into overdrive. He maintains his facade of nonchalance and looks you in the eyes, looking entirely unimpressed with your antics. “I’m too much for you to handle? Wouldn’t want to go around breaking Japan’s favorite outside hitter, after all.” 

You smile at him, giving a tiny giggle. “Yeah. I think that’s exactly the reason.” 

Sakusa is many things, and you somehow negate everything. He’s blunt; you either leave him speechless or determined to lie to save face. He’s generally unaffected by most people; you get under his skin. He doesn’t like being made out to be a fool; you make him feel like the biggest idiot, and other people know it too. He likes to have everything in his life sorted out properly; you and him have nothing but unfinished business. 

Let it be known that Kiyoomi Sakusa only came to your concert rehearsal purely because he wanted to get closure. When he walked into the stadium, hands in his pockets, watching you dance on the stage, he did not intend for you to immediately halt practice. He did not intend for you to gesture for him to follow you, and he did not intend to be taken backstage. There’s surprisingly less people back here than he thought, and you explain to him that it’s because rehearsal technically starts two hours later. You just wanted to run through it beforehand, to warm up. 

(Sakusa admires that about you; no one ever seems to acknowledge the hard work you put in, and it’s your work ethic, really, that slowly started to endear you to him.) 

Let it be known that Kiyoomi Sakusa had absolutely no intention of fucking you backstage. Because, in his defense, you have a way of making him act entirely out of character.

The constant teasing, the back and forth, your coy smiles and flirtatious remarks that he can never truly decipher. And here you are, standing all pretty in your sparkly minidress, and you just keep taunting him. Even when he’s trying to have a serious conversation with you, all you do is skate around his questions. It’s like your default mode is set to toying with men. 

“Seriously,” he grits his teeth, backing you into one of the walls. You’re completely cornered by him now. It’s easy to forget how much bigger Sakusa truly is. He towers over you, makes you feel like a little kitten backed into an alleyway by a big dog. “You can’t take me seriously for one fucking second?”

His brows are furrowed, and he’s frowning. Somehow, the sight of him angry only gets you more excited. You like Sakusa. You like him much more than you originally anticipated, and this whole cat-and-mouse charade is just that: a charade. Of course you meant it when you kept flirting with him. But you’re not used to being the one who has to chase after someone, and you refuse to give in now. With both of you having too much of an ego to give in, it’s a battle of individual pride now. 

A battle that you think you might lose once you and him both realize that you’re pressing your thighs together to apply some pressure to the growing need between your legs. 

“Are you—?” He lets out a short, sharp laugh. “Fucking slut. You really did want me to fuck you this whole entire time.” He takes another step towards you; there’s no more space for you to back into. You’re already pressed against the wall, and now he’s looming over you, an impossible obstacle to get over. Somehow, you don’t mind being trapped, as long as it’s Kiyoomi Sakusa that’s holding you down. 

“You wish.” You try to sound snarky, but it’s hard when Sakusa is looking down at you like that. Dark eyes, strands of hair hanging down his forehead, a cold, calculating smile on his face as he watches the subtle rise and fall of your chest as you struggle to breathe normally. If you didn’t know any better, you would think he’s capable of hearing how fast your heart is beating. 

“So you don’t want me to fuck you?” It should be illegal for his voice to get this low, to sound this husky. He’s leaning down far enough to where he can whisper this question in your ear, and your breath hitches as you feel thick fingers toying with the waistband of your panties. 

Right now, you are backstage, and your employees and team could be coming in any second now, and you don’t care. You don’t care, because all you care about is the fact that Kiyoomi Sakusa has you pressed against the wall, and his hand is up your dress, and he’s about to make his way into your panties. 

You gasp as you feel two of his fingers press directly against your clit, before traveling downwards and toying with your folds. There’s no actual penetration, just the tantalizing touch of his fingers rubbing against you, gathering up your slick. 

You make a tiny noise, and Sakusa chuckles softly. “You’re so wet, it feels like you want me, though.” The tips of his fingers prod at your entrance, only for him to abruptly remove his hand altogether, leaving your needy hole clenching and grasping at nothing. You whine as he examines his fingers, separating his index and middle fingers, allowing the both of you to watch closely as viscous strands of your juices coat his digits. He shrugs nonchalantly, leaning away from you. “I’ll let you get back to your rehearsal.” 

“No!” You shut your eyes, cheeks burning with a mixture of embarrassment and excitement. You bite down on your lip before opening your eyes, peering up at him through thick lashes. “I-I do want you.” You’re mumbling, but it’s clear Sakusa’s heard you, loud and clear. 

“Sorry, what was that?” 

You’re wet, unsatisfied, and absolutely down bad for Kiyoomi. You’ve wanted him for months now, and he has you right where he wants you: so needy that you’re willing to let him do whatever he wants to you backstage. The thrill of potentially being caught, the excitement of finally just giving in to your desires… 

“I want you, Sakusa. Please.” You beg him, rubbing your thighs together to try and get some sort of friction. “I need you.”

“Yeah, I know.” Sakusa might sound cocky, but there’s something equally needy in his touch. He’s back to pressing you against the wall, leaving practically no space between the two of you. He plants his hand right back into your panties, stroking your folds a few times, gathering the slick only to insert two fingers right where you need him most. He watches your expression, the way you try to tilt your head back, your little moans of pleasure as he starts to thrust his fingers in and out. 

“You could’ve had me sooner if you weren’t busy playing coy all the damn time.” Sakusa frowns, as if the memory of how long you’ve had him chasing after you has suddenly been brought back to his attention. When he says this, he picks up speed, pistoning his digits. You’re getting even wetter now, the lewd sound of him toying with your cunt the only noise in this empty backstage. He’s adding a third finger into the mix, now, and your cunt tries to resist, fails to adapt to the thickness of three of his fingers. 

“Mmph — ‘Kusa, slow — fuck!” You whine out, unable to speak properly as your walls clamp down on his digits. He presses his thumb against your clit, rubbing rough, unforgiving circles on the nub, never slowing down the pace of his fingers, even when you beg him to take it easy. “I’m gonna— I’m gonna cum!” You wail out, legs almost failing you from the force of your orgasm. 

The only thing keeping you upright is Sakusa himself. He wraps an arm around your waist, keeping you steady, but even after watching you fall apart from just his fingers, Sakusa isn’t satisfied. You little brat — you’ve been depriving him of seeing your precious, pretty face you make when you cum, and as a result, you’ve also been depriving yourself of all the pleasure that could’ve been yours, that’s rightfully yours, all because you wanted him to chase after you. 

Well, he’s got you now. 

And he’s going to want to give you both what the two of you have been missing out on, plus interest. 

You’re still recovering from your climax, legs feeling like jelly, vision blurry as you try to blink out the haze of pleasure from your vision, when you feel him shove the fabric of the skirt of your dress into your open mouth. 

“Bite down on this.” He grunts out, and you follow his command as if it’s simply second nature to. “Be a good girl, and keep holding it up, okay?” 

You nod weakly, but it’s easier said than done when you almost let out a gasp as you feel the tip of his cock prodding at your soaked entrance. Your eyes go wide, and he smirks at the sight of the country’s most beloved pop star reduced to nothing but his little slut. Your mouth is shoved with the fabric of your dress, keeping it up so he can continue to admire the sight of your wrecked pussy, still sensitive from when he banged you with his fingers. Your panties are pulled down, a crumpled mess around your ankles, and there’s drool gathering ‘round the corners of your mouth, your lipgloss staining the fabric of your dress. Messy girl. His messy girl.

It’s easy for him to slide into your needy hole, and he hisses when he feels the way your walls clench around his cock, squeezing him. There’s no better feeling, he decides, than the feel of your pretty, needy pussy yielding to him with absolutely no resistance. Even your cunt knows who owns it now. 

A soft whine, muffled by the dress occupying your mouth, slips from your lips. Sakusa’s cock is thick. Thicker than anyone else’s you’ve ever taken. It sinks into your snug cunt with a push forward that you feel entirely unprepared for, even though you’re so wet, it’s easy work for him to make himself at home in your pussy. 

His pace is unforgiving. He gives you no time to adjust, and he doesn’t seem to care about the way your pussy is still recovering from his fingers. He wastes no time in pounding into you, and even he’s panting at the exertion he’s exercising. Some tiny strands of his black curls are stuck on his forehead from the sweat, and you can’t help but think that Sakusa is beautiful, even when he’s scowling and fucking into you with a fervor that feels like he’s treating this like the only time he’s going to fuck you. 

You hope that isn’t true. You knew that the minute you’d get a taste of Sakusa, you’d never want to let him go. 

“Fuck.” He hisses, never slowing down his pace. He’s being rough, almost brutal. It’s like he’s chasing after his own pleasure, forcing you to find your release all on your own. But the thing is, it’s so easy to come apart. It’s so easy to come apart when you think about how this is Sakusa’s cock battering into you, how it’s Sakusa that’s panting and groaning from pleasure, how it’s Sakusa that is making your pussy his. You keep clenching down on his length, making it harder for him to continuously thrust in and out of you. “Fuck.” He repeats. “It’s like you don’t want to let me go.” 

You can’t speak, can’t tell him that it’s the truth, that you want him here forever. 

The echoing sound of the entrance of the building opening and then slamming close has your eyes going wide with fear. Someone has just entered. 

You’re now acutely aware of how loud the noises the two of you are making. The constant wet, slapping noises of his skin against yours, your messy pussy making a mess between your thighs and on his dick, his groans, your weak whimpers. All of it is now suddenly amplified as you listen in fear — and excitement — as footsteps echo around the hall. 

“[Name]?” Someone calls out. Your assistant. Fuck. 

You look up at Sakusa, curious as to why he’s still not stopping, but he only holds a finger to his lips, telling you to be quiet. “I haven’t finished yet.” He whispers into your ear, and you shake your head, panicking. 

“No? You want me to stop?” He buries his cock to the fucking hilt, shoving himself so deeply inside of you, you let out a surprised, pleasured squeal. “I’ll stop if you cum on my cock. For a slut like you, that should be easy.” 

You want to protest, you want to snap back that you are not a slut, but it’s hard to prove him wrong when his words, his cock, only have you tightening around him. He chuckles as he feels the pressure of your pussy clamping down on his dick, and he resumes fucking into you. 

Your hips start to buck needily against his, the pleasure making you feel delirious and reckless. You seem to have ditched all common sense, and as the footsteps continue to echo throughout the building, sounding closer and closer to where the two of you are currently fucking like rabbits in heat, you only succumb to the delirious, delicious heat of pleasure. Legs wrapping around his tight waist, you succumb hopelessly and happily to the pleasure he seems to effortlessly wring out of you, your body needily twisting and pushing against him, needing more of him. Your moan is long and would’ve been drawn out had he not pressed a calloused palm against your mouth. The dress fabric falls from your lips, and your moan is silenced as you stare up at him. He doesn’t look angry, just pleased. 

He’s turned you into such a little fucked out mess that he made you cum on his cock, despite the fact that there is someone else roaming this place, calling out for you. 

If only he got here sooner; then, he could’ve played with you for a bit longer, toy with you the way you’ve been toying with him. You’re lucky that he doesn’t plan on getting caught being balls deep in you, even though the idea of announcing to the world that you’re his gets him off. 

Muffling his own moan of pleasure by biting down on the soft skin between your neck and shoulder, Sakusa finishes deep into your wrecked cunt, letting out ropes and ropes of hot, white spurts of cum. He’s panting, removing his mouth from your skin, licking at the bite he left on your soft skin, as if to apologize. 

Both of your chests are rising and falling, the two of you greedily gulping for more air. He pulls out, a few drops of his cum already leaking out of your cunt. 

“This isn’t over.” He mutters, pulling up your panties, a puddle of his cum starting to pool into the seat of your underwear. He fixes your dress, smooths the fabric, and plants a surprisingly chaste kiss on your spit-slick lips. “Unless this really was a one time thing?” 

“As if this was ever going to be a one time thing.” You’re too tired to roll your eyes, but when he smiles, you find enough energy to smile back. “There’s a backdoor over there that you can leave. No one will see you.” 

“I’ll text you later.” He tells you, straightening his back and walking to the exit you just directed him to. “Like I said, this isn’t over.” 

Everyone on your team is worried when, during rehearsals, you complain that your legs are too sore to do the choreography.

[caelivir]

synopsis. you’ve been deliberately dodging atsumu miya. he wants to know why.

pairing. atsumu miya x fem!reader | wc. 2.0k (it wasn’t even supposed to be this long) | genres. (implied) university au, tbh i don’t even know what this dynamic is, he calls us princess, reader’s kinda bad emotionally, rain confessions

notes. for my birthday (not gojo’s eff him (/j)) i decided why not take one of my favorite tropes of all time and pair it w the loml. you’re so welcome. this is very dialogue heavy, barely proofread, and a hot mess, but i hope you enjoy regardless.

"(y/n)." the very familiar, sultry yet aggravating voice says the moment you step out of the cafe.

"oh my god!" you jump, clutching a hand over your heart that skipped a beat. it's immediately followed with a glare towards atsumu. "what the fuck, miya? you don't just come up to people like that."

"sorry." atsumu apologizes but his nose scrunches at the word. "nah, not really. didn't know how else to get to ya."

"so you had to find me at my job?" you raise an eyebrow in disbelief.

he shrugs. "yer really not leavin' me with any other choice."

"what are you on about?" you roll your eyes as you take a sharp left, carefully exhaling out. the street is nearly deserted now that the sun sunk past the horizon, leaving only the street lights and the moon to illuminate what would be a pitch black scene. puddles of water are scattered along the walkways, remnants of the downpour that occurred earlier in the day. you had clocked out later than usual, and the next flash of rain is predicted to fall within the next few minutes. you want to get back to your dorm before the worst of it happens.

"ya know what i'm talking about." atsumu huffs. "yer clearly avoiding me."

your shoulders tense when he brings it up, and you pray that atsumu doesn't catch it. "i'm not." you lie, your heart speeding up.

"yer a shit liar. i hope ya know that." atsumu shuts you down right then and there. the fact he's able to makes you wince. that's one of the many bones you have to pick with him. he can always see right through you, and it allows him to get under your skin easily since he knows exactly what to say if he wants to get a reaction out of you.

it's because of that reason that you've been avoiding him. you know yourself well enough that if you were to stand face to face with atsumu miya as you are now, he'd figure out the secret that you've been hiding for two weeks.

atsumu presses his lips together, sighing once he realizes that all he'll get from you from this point forward is silence, but he tries his luck anywayy. "can we talk?"

you let his question fizzle out in the air, continuing down the sidewalk as atsumu follows by your side. the first drops of drizzle fall onto your hand and cheek. atsumu feels them too.

"look, it's gonna rain soon. could ya at least let me take ya home? yer gonna get soaked." atsumu gently reaches out for your hand. the sudden contact and its spark of heat makes you jump. instinctively, you yank your hand away from him. your widened eyes snap towards him, and shame washes over you. maybe the street lights are playing tricks on you, but you swear there's a flicker of hurt in his gaze. you turn away from him because you can't bear the sight of it.

"are ya mad at me? did i do somethin' to upset ya?" atsumu continues.

no, you answer in your head. you can't trust yourself to say it out loud without betraying anything else. it's not that.

"(y/n), please. talk to me." atsumu pleads. you don't think you've ever heard such desperation in his voice before. you've never seen him so raw. it's almost enough to break you, but you refuse to let go the threads of your resolve. the rain is picking up; it's cold as it soaks the threads of your clothes.

"princess." atsumu throws in as a last ditch effort. you know it is because it's the one nickname that gets you riled up the most. it sparks a reaction that atsumu knows will get you talking, but unbeknownst to him it's not for the reason he expects. he wants you to snap with anger, but all your heart does is ache. all it does is melt you into putty in his hands.

"don't call me that." you finally come to a stop, turning so that you can face him, defeat in your gaze. atsumu's blond locks are beginning to lose volume; they stick to his forehead as droplets continue to fall. his hoodie is littered with small, dark stains, a physical consequence of the rain.

"oh now i got yer attention." atsumu scoffs, poking his tongue into the inside of his cheek.

"miya." you warn, voice shaking. he ignores it.

"yer not being yerself, and ya haven't been for the last two weeks." he tells you as if you don't already recognize it yourself. "what's goin' on with ya?"

"nothing!" you deny. "i'm fine!"

atsumu rolls his eyes. "cut the crap, princess."

"seriously, stop calling me that!" you spit back at him.

you're shivering. you can't tell if it's because of your cold, wet clothes or your frustration that keeps reaching new levels. you can sense it; you can sense that your heart is about to claw itself out of chest and dump itself onto the feet of atsumu miya. your hand fists the fabric of your soaked shirt as if to keep it in.

"then tell me what's wrong!" the blond in front of you demands, running a hand through his hair. his voice projects over the brutal force of the rain.

you grimace. that's the one thing you can't do, especially since it involves him. you bite your tongue, hiding your face so that atsumu doesn't see the glassiness of your eyes. "miya... please drop it." you ask him pathetically.

"why?" he pries. this is the other issue with him. he's so damn stubborn to the point that it's infuriating. atsumu miya never backs down until he gets what he wants.

"because it's you!" the first wave of tears break free. they cascade down your cheeks, mixing in the stream of rain on your cheeks; all while your hand remains pointed at atsumu. "because i fell for you!"

atsumu shuts his mouth, going completely silent. you shake your head, laughing bitterly. "i bet you didn't expect that, did you? believe me, i didn't either. day in and day out all we've ever done was argue so i don't know how this happened. i don't know why i have these feelings for you."

wiping your face is a futile attempt yet you still do it anyway. a sob gets caught in your throat, and you choke on it. "i can't stop thinking about you. i can't be near you without my heart attempting to leap out of chest. and so yeah, i've been avoiding you miya, and it's because you've made me so damn weak."

your stare finds atsumu's. you can't get a read on him, but you don't have to second guess that he can see the pain swirling in your eyes. it's so humiliating that even now the first thing that crosses your mind is how good he looks even as you feel your heart being torn apart. his hair is completely stuck to his forehead. his blond ends that are soaked through and through drip their excess water onto his face. you want nothing more than to brush them out of his line of sight, but you can't. you fight that desire by balling up your fists.

"so please just leave me alone. stop trying to find me because i can't take this anymore." you beg through hiccups.

you wait for a response. you wait to see if atsumu will kick your heart aside. in an even better scenario, which is far from likely, he accepts it. you'll take either or.

but he does neither, and that's fine too. you leave atsumu by himself on the sidewalk, and your lack of presence pulls him out of his trance. he jogs to catch up to you, reaching from behind to clasp your hand in his.

"miya, let go-"

"no." he says firmly, a newfound fire burning behind his eyes, one that exceeds the one you feel on your hand. the sight makes you gulp. "ya can't just confess yer feelings for me and leave."

you chuckle weakly, trying to pull yourself free from his grasp. "i think i can."

"no, ya can't. ya didn't even give me a chance to say anythin'." atsumu argues. he doesn't relinquish the hold he has on you.

"what more do you have to say? you don't feel the same, and that's fine-"

"could ya stop assuming things?! i never even said that." atsumu squeezes your hand ever so lightly in frustration. "and by the way, i'm not gonna leave ya alone. i'll follow ya to the edge of the earth if i have to."

you're still crying at this point, and atsumu's words are only making you more upset. "why?! why are you so fixated on me?! why can't you just-"

"because i'm in love with ya!"

in that moment, you swear the rain stops in its place, suspended in the air. surely, you must've been hearing things wrong. atsumu miya, the guy who has everyone dancing to the tune of his hand, is- no that doesn't even sound right. how could he possibly-

"god, i've been in love with ya for so long." atsumu laughs, like it's a relief to finally get it off his chest. "but ya nearly ripped my heart to shreds over these past two weeks."

atsumu squeezes your hand before letting it fall to your side. his own flex by his side as if to hold himself back. "(y/n), ya can insult me to yer heart's content if that's what makes ya happy, but don't dodge me like i'm the damn plague. i hate it. i really do."

atsumu picks up his tear-filled eyes; it makes your own fall even faster because you realize that this hurts him. you want to apologize, but the words are backed up in your throat. your cries steal away your ability to speak.

so you pull him in, yanking him by the drenched fabric of his hoodie and closing the distance between you two. your lips crash onto his, praying that this action is enough for him to understand. it takes a moment for atsumu to react, he's unmoving against you, and once he realizes what's happening, he relaxes. his hands fly to your neck, resting one on either side as he kisses you back.

it's carnivorous. he kisses you like he's been deprived of you. you feel how badly atsumu's been wanting this, how long he's been waiting for this day. you can barely keep up with his hunger. it's hot enough to overpower the chill that comes with the rain beating down on both of you. you'd kiss him forever if you could, but your lungs are begging for air.

when you pull away, atsumu's eyes reveal that he's in a daze, a happy one, like he just came back from soaring through the clouds. his damp hair presses onto your forehead as you both catch your breaths.

he pulls back. atsumu wears a soft grin as he admires you, even though you probably look like a wet dog. one of his hands find their way up to your cheek. you look at him expectantly. "(y/n), i want all of ya. i want yer stubborn ass attitude and yer insults. i want ya to be the only person who can bring me back down to earth. i want yer smiles and all yer laughs. i want to continue lovin' ya." he professes with complete certainty. his flowery words make you beam so brightly that it makes your cheeks hurt.

"i'll give you all of that and more." you swear. "but miya, i need you to kiss me again."

"oh? it seems like i got myself a needy princess." atsumu smirks, but he's already leaning in.

"shut up."

"gladly." atsumu agrees, pressing his lips to yours, smiles on both your faces.

you catch the flu the day after, and so does atsumu. but man, it is so, so worth it.

[bruisedboys]

jealous finnick?

jealous finnick will be the death of me!!!!!!

finnick odair x fem!reader

Breakfast in District 13 is an unusual affair. Nothing like you’re used to, being from District 4. It’s the same every morning — boring grey oatmeal with either honey or berries, depending on the day. It’s only as you take your seat next to Finnick that you realise you’ve forgotten the very crucial toppings.

“Oh no, I forgot to get berries,” you bemoan. They’re definitely all gone by now, seeing as they’re in popular demand — the oatmeal served in 13 tastes like cardboard without them.

“Here, have mine,” Gale says from across the table. You open your mouth to protest but he’s already spooning a big heap of berries into your bowl. They bleed red and purple into your otherwise plain oatmeal. “I don’t like ‘em, anyway. Too sour.”

“Oh.” You smile at him, flattered. Gale’s been nothing but kind to you since you arrived in District 13. You haven’t put it down to anything other than friendliness. Though it’s possible you’re too enamoured with the blonde next to you that you’re completely oblivious to other men’s advances. “Thanks, Gale.”

Gales smiles back and shrugs. “No problem, Y/N.”

Next to you and unbeknownst to you, Finnick scowls. He hates that Gale’s so nice to you. Loathes it. He knows it’s because you’re a ray of sunshine who draws even the coldest of people in (believe him, he’s experienced it), but the fact that Gale gave you his berries before Finnick could even offer his makes his blood boil. 

Who does he think he is? Everyone knows you’re Finnick’s girl, he’s made it very clear. It’s the whole reason you’re here, after all — Finnick specifically requested you be picked up from home before the Quarter Quell ended, to prevent anything from happening to you.

Breakfast passes without further incident. If you notice Finnick’s sour mood, you don’t mention it. You’re leaving the canteen with everyone else when Finnick grabs your waist and pulls you to the side, into an empty hallway. He peers over your shoulder to make sure Gale’s good and gone, watching the back of his head with a glare that could kill, before turning his attention to you.

“Finnick,” you say, clearly confused at his sudden manhandling. “What’s the matter with you? Are you okay?”

“I’m fine,” Finnick says shortly.

“You look mad.”

“I’m not.”

You squint at him. “You’re definitely mad. Why are you—?”

Finnick forgoes restraint and yanks you forward, pressing his mouth to yours before you can say anything else. His chest burns with molten hot jealousy, it climbs up his throat and pours into the kiss, hot and sticky. The heat ebbs though, when you kiss him back just as fervently, replaced by a fuzzy warmth only you can make him feel. It buzzes in his chest and down his arms, flares out his palm as he takes your face into one hot hand.

He pulls back just as suddenly as he’d drawn in. “You know Gale’s flirting with you, right?” He says abruptly, thumb pressed to your cheekbone.

You blink up at him, still dazed from his kissing. “What?” You ask, half laughing. “No, he’s not.”

“He is. He gave you his berries. I was going to give you mine.”

You raise both eyebrows. “He was just being nice to me.”

“Yeah, well, that’s my job.”

Finnick supposes he sounds quite pathetic. He doesn’t really care, not when your eyes go all gooey and you reach up on your tiptoes to push a curl from his forehead.

“Are you jealous?” You ask him softly, tucking his hair behind his ear. Your breath fans over his mouth and your hand lingers at his throat. “You sound jealous.”

Finnick rolls his eyes. “So what if I am? Just— have mine next time, okay?”

You smile at him, pretty as starlight. “Okay. But you don’t have to be jealous, you know? I only want you.”

Woah, Finnick thinks. “I know,” he says, too quick, his voice a notch too high.

You raise your eyebrows at him. “Do you though?” You ask, definitely teasing now. He supposes he got off lucky, you could’ve done much worse finding out he’s so sickeningly jealous over Gale, of all people.

Still, Finnick narrows his eyes at you. “Alright, that’s enough.”

Your answering giggle is smothered as Finnick swoops in to kiss you again.

-

thank you for reading! please consider reblogging if u enjoyed 🤍

[eowynstwin]

Ghoap x reader. Autistic reader. Christmas angst. Allusions to Ghost’s backstory. Salacious use of ribbon. Soap being inappropriate. NSFW.

Soap fidgets on the train the whole way over to the light show. You don’t notice, of course, your earplugs are in, but Ghost, hypervigilant for the season, cocks an eyebrow.

“Itches like mad,” Soap grouses. He tugs at the collar of his sweater, a ghastly thing in fuzzy green, red, and gold, with LED bulbs embroidered down the front.

Ghost scowls at him. Soap purses his lips, not chastened. You sit between them, oblivious, fingering the zipper of your purse.

There’s enough cheer on the train to make up for their collective lack. More than one person wears a dumb Santa hat, and at least every other has on something colorful and festive. It seems like everyone feels some sort of Christmas spirit but Ghost, and it makes his hackles tense up.

Your hand slips into his then, smooth like silk settling over his palm. He looks at you; your gaze is fixed steadily ahead, unfocused. He��s not sure whether you reached for him to find comfort or offer it, but he closes his fingers around yours anyway.

He looks over—Soap has your other hand. Reaching to find, then. He squeezes.

The three of you wait until the very last moment to disembark when you arrive, letting the crowd out first. Ghost’s choice. The absolute last thing he wants is to lose either you or Soap in the stream of people flowing from the train—Soap will get distracted, and you hate it when strangers crowd you. This is going to be a trial as it is.

Ghost has to admit—once they reach the grounds, the displays are something to see. Together, you walk through a tunnel of lights leading you to the beginning of the walk, rings of warm white gently shining overhead, and Ghost, despite himself, can’t help but admire how it makes both of his partners look like they’re glowing.

Then Soap tugs at his sweater again, and Ghost bites down a growl.

“Oh, hot chocolate,” you say at the end of the tunnel, looking over at a cart laden with a few big steel samovars. “I’m going to get some, either of you want any?”

“Cider,” Ghost says, softening the curtness of his tone with the tenner he hands you. “If they’ve got any.”

“Coffee for me, hen, if you don’t mind,” Soap adds with a smile. You nod, and scurry toward the drinks.

Soap eyes him. Ghost knows what he sees—his back has been ramrod straight since the bloody month started. He holds his shoulders the same way he might if he had his rifle across his chest. His jaw has been hard as a cinder block any time the market clerk tossed “happy holidays” at him when he did his best to get away as fast as he could.

“Don’t,” Ghost says.

Soap says nothing.

This is not their first Christmas together, but it is their first with you. The sergeant already knows how Ghost feels about the holiday; you do not, and Ghost wants to keep it that way for a little while longer.

Divining your feelings about anything takes a little longer than it might with anyone else, but he’s pretty sure you’re excited, in your way. Soap, for whom pine trees and glitter and the smell of snow in the air seem to activate a sleeper agent in his brain that orgasms at the mere sight of tinsel, already has a Wellington resting in their shared fridge, and artfully wrapped presents crammed under their pre-lit tree. The two of you together have flooded the flat with lights, candy-cane frippery, crocheted snowflake doilies, and ski-lodge scented candles.

Ghost, for his part, has scrolled various travel websites to figure out if assassinating Santa Claus is something actually feasible. Maybe if he defeats the final boss of Christmas he can actually sleep through the night at least once this month.

It isn’t that he hates it, exactly. It’s just that Christmas, to him, began as a hazy game of roulette, wondering if the wild animal of his father would appear to ruin the exchange of charity-shop gifts wrapped in reused paper, and then solidified as an image reflected in pools of spreading blood.

The last happy Christmas, he had to burn down. That’s no reason that he has to ruin it for everyone else, though.

You return with three paper cups held awkwardly in your two hands, and Ghost and Soap relieve you of your burden. Your cup has a peppermint stick jutting up out of it, and you use it to stir your steaming drink periodically as the three of you proceed.

The path leads through an army of glowing snowmen in mismatched sizes, life-size gingerbread houses, past multicolor balls tossed across the top of a frozen pond. Trees banded with so many strings they look like branches of lightning reaching up from the earth. Electric snowflakes dangling above your heads from netting stretched between lampposts.

Ghost keeps clenching and unclenching his fist. His cider goes rapidly cold in his other hand, untouched. He probably can’t get his money back for it, but he’s agitated enough to start a fight and try.

Meanwhile—it’s obvious, you’re enjoying yourself immensely. You don’t say much as you flit between installations, running a hand over the glowing bulbs, tilting your head this way and that like a curious little bird. You take your phone out more than once to open your camera, and Ghost knows you’re saving pictures to put together a slideshow later on.

More than once, you look back at him and Soap, and grin wide at some novelty or another. Ghost manages to nod his head at you—go on, little birdie, keep having fun.

“Jesus,” Soap mutters, trying to scratch at a spot on his back for the third time.

“Fuck’s sake, Soap, just take the fucking thing off,” Ghost snaps.

“Canna,” Soap says.

“Why the fuck not?”

Soap’s mouth slants sideways. He looks around for spectators, and, finding none within eyeshot, lifts the bottom of the sweater.

Bright, shiny, very red ribbon runs in two lines along the naked cut of his obliques—down past the waistband of his trousers.

Ghost tosses the cider out of his cup and grips Soap by the back of the neck, throws, “OY! Duckie! Bathroom!” at you, and drags his boyfriend to the nearby public loo.

It’s empty, thank god, so Ghost wastes no time yanking the closure of Soap’s trousers open. The ribbon continues downward, downward, the V narrowing and narrowing until—

It converges in a (somewhat lopsided) bow tied right around the base of Soap’s dick.

“Soap, what the fuck,” Ghost says.

The sergeant backs up, and pulls the sweater fully off. It reveals a latticework of satiny red crisscrossing his chiseled torso: lines of ribbon accenting the curves of his pectorals, his toned abdomen, highlighting the small indent of his trim waist.

Soap’s cheeks flush pink.

“Goes further down,” he mutters, not meeting Ghost’s eye.

“What the fuck,” Ghost repeats.

“Was gonna do a big reveal when we got home,” Soap says. “Start stripping when we got the door closed. That rubbish.”

Ghost, incredulously, snorts, and Soap smiles at him.

“First time you’ve laughed this month,” he says quietly. “S’ why I did it.”

Ghost steps up to him and takes Soap’s chin between thumb and forefinger. “You fucking idiot,” he says, and kisses him.

The bathroom door opens, letting in a gust of wind, and Ghost and Soap jump back from each other momentarily, before relaxing when your voice reaches them.

“There better not be a handjob happening in here without me—oh,” you say, stopping short.

Shoving the waist of his pants down further, Soap turns around to show off to you the full extent of what he’s done. It gives Ghost a good look at the pretty intersections happening overtop of the muscles of Soap’s back, and the dip of the ribbon down between the two perfect globes of Soap’s arse.

You blink several times. “There isn’t a lock on this door, Soap. If I get down to suck you off, someone is going to come in.”

Impossibly, Ghost snorts again, and then laughs for real, a full-belly guffaw that comes out a little more harsh than it should. But you grin at him, and the line of Soap’s shoulders, which Ghost suddenly realizes has been as tense as his this whole time, relaxes.

He pecks the bare swell of Soap’s bicep, and then the crown of your head as he passes you by.

“I’ll hold it closed, duckie,” he says. “Do whatever you want.”

He only leaves the door once when he hears you shriek suddenly with laughter—to find that Soap has decorated his cock with a peppermint-loop of red lipstick, all the way to the tip.

“Fucking idiot,” Ghost repeats, and cancels his trip to the North Pole then and there.

[shouyuus]

Imagine Vi when she gets jealous… 🤭

I’ve seen this theory on tiktok saying that Caitlyn would be the jealous type, and Vi would be the more laid back one. But idk…

Caitlyn grew up as an only child, so she was used to getting everything she wanted, and never had to share. But with Vi, she had a sibling and other people to take care of. So she’s used to sharing everything.

But imagine if her s/o were to make her jealous on purpose. I do not think she would take it too lightly 👀

Idk, what do you think?

mmMMmmm yes good for sure let's talk about it; slight to medium angst ahead (w/ slight suggestiveness at the end), don't say i didn't warn you now !!

bc i think vi would be jealous, but i think it'd be different than cait's specific brand of jealousy, right. bc i think the thing on tiktoks not wrong like, cait's always had stuff belong to her, and vi's always had to share, but like i don't think it's the sharing aspect that would get to vi, it would be like her being deeply afraid that you might leave her (haha i love PAIN). because her whole life, all she's known is loss, and her biggest fear is change, right? but like... you lose people enough times and it's hard to stop from wondering if it's you and not them :( and her insecurities would be that someone else is making you feel xyz, and not her instead

like if someone else were to buy you a drink at a bar, or tell you a joke and make you laugh, she'd get SO jealous that she's not the one doing it, or that you're not smiling at her like that, and she'd wonder if you liked that person better than her. and to a certain degree, i do think that like it would come off in the same way, like jealous gf is do be jealous. but the root of it would be different.

and no, i don't think she'd take it lightly at all if her s/o were doing it on purpose.

she'd make short work of whoever the fuck is with you, either slip an arm around your waist or just tap them on the shoulder and --

"sorry, you're just in the way of me and my girlfriend here --"

and i think it'd manifest at first as anger. bc that's how a lot of vi's feelings manifest LOL and she'd be mad and yank you behind her, pull you somewhere private, be like --

"what was that?"

"what was..." you frown, concern flashing in your eyes as you look over her face. and her expression is so tight, so guarded. it's been so long since you've seen her like this. "vi...? you know that... i wasn't serious about that... right?"

she scoffs, "yeah? seemed like you were having a pretty good time --"

"i -- i was just trying to get us some free drinks! a-and..." you chew on your lips, looking away, "i -- i thought it'd be hot to... i dunno... make you jealous..."

vi sighs, her breath thready as she runs her hands through her hair.

"god, dollface..." she sounds exhausted and wired all at once, and you can't help feeling a sharp spate of guilt twist in your gut.

"vi... i'm so sorry -- i didn't mean --"

she lets out a shaky breath, reaching forward to cup your face with both her hands, her eyes overbright and desperate.

"just... don't -- i'm --"

you curl your fingers around hers, press your cheek into the warmth of her palms.

"i'm not... i'd never leave you, vi..."

she leans forward at your words, presses her forehead against you. a soft, helpless chuckle echoes from her chest to yours.

"yeah? gonna be mine forever, cupcake?"

you laugh, nodding, even as she tugs you forward to graze your lips along hers.

"yeah -- i'm always gonna be yours, vi."

she hums against your lips, her hands trailing down to your neck, pulling you close, and then closer.

"good," she breathes, her voice dipping low as a summer sunset, and nearly just as hot, "now say it again --" she drops her lips to your neck, biting a line down the column of your throat.

you gasp, head tipping back.

"a-always... gonna be y-yours, violet --"

"mm -- again --"

"f-fuck vi -- i'm -- yours -- n-ngh!" she'd look up at you from where she's dropped to her knees in front of you, watching you with those big, baby blue eyes of hers.

she'd flash you a tiny smile that tells you you're forgiven, if only a bit, but the way she nips at your skin just a bit harder than usual and jerks down your pants tells you that she's still feeling vindictive and that you're really, really in for it tonight.

"again," she says, her voice hoarse.

"'m yours, violet -- hah... please..."

your head tips back as her fingers dig into the plush of your thighs and forces them apart.

"again."

[sinning-23]

Hot Tatted Uncles (Uncle!SukunaAu X Teacher!Reader)

I’ve fallen victim to the unkuna/uncle sukuna au so HAVE THIS

PART 2 UP NOW!!! <------- Click the link here!

_____________________________________________________

“My uncle be fighting people.” Yuji hums, your gaze immediately shooting to the toddler.

“O-Oh really?” You gulp, knowing kids say the wildest things but after you’re first encounter with the pink-hair boy's uncle, you would put it past him.

“Yeah, he. He told me uh-um-.” The boy sniffed, wiping his nose with the back of his hand, to which you sigh and directed him to the sink as he continues his story

“Uh- he told me that he beat up this guy and he- uh he won and that the guy lost.”

You fight the urge to laugh, his sentence seeming so long and incomplete. Typical toddler.

“Well we don’t fight our friends right Yuji? You be good and keep your hands to yourself?” You encourage, ruffling the boy's hair as he smiles, one of the fronts missing.

“Yeah! We use nice hands.” Yuji repeats, leaving you with your thoughts as he grabs ahold of a car to play with.

Why would you tell a 2-year-old you beat someone up?! You sigh, scrolling through your contacts, making a note to speak with his father, even though the boy hadn't done anything, it's still concerning that he might feel as if that’s okay since his uncle does it.

It’s quiet for a moment, your other three students Nobara, Megumi, and Mahito playing together….and then it happens.

WHAM!

A still silence falls over the room and soon a roar of cries as Mahito holds the top of his head. In all honestly the child was a problem so whatever he did to get smacked over the head with a wooden block was probably warranted. But the bigger problem was that you biggest fear had come to fruition. Yuji, had hit and essentially started to fight with another child, as Mahito had hit him back. You’d definitely need to speak to his father now.

The rest of the children had gone home now, Yuji being your last child as you closed your classroom down. Your class usually ended around 6:00 and it was pushing 6:15 now. Just as you were about to make your courtesy call, the door opened with the jingle of keys and a throaty chuckle.

"Look at you, giving your teacher a hard time?" The tatted male asks, scooping up a giggling Yuji with a toothy grin. You, however, were far from pleased, giving a tight-lipped smile as he just barely glances your way.

"Hi, I'm Miss Y/n, Yuji's teacher." You announce, taking a tissue to wipe Yuji's nose one last time before he left.

"Uh huh," He responds, grimacing as you wipe the snot away.

"So, Yuji had a pretty good day today, but I did have to have a chat with him about..fighting and hitting other friends." You explain, feeling smaller under his sharp gaze. His face is tatted too, the thick dark lines running along his nose, cheeks, and jawline.

"You in here beatin people up?" He states sharply at the boy who only nods with a smile.

"Yeah! Like how you said you beat everyone up!" Yuji admits ith joy and his Uncle's face falls.

"Yes so, before Yuji hit the other child he told me that you...fight people and I told him that we use our nice hands. But right after that, he had-" "Hit another kid. The parents mad?" He asks, a bit troubled now, most likely mentally cursing himself for kinda causing this whole debacle. \

"W-well I can't really disclose that. The point is, please just chat with him and hopefully, he can learn that's not okay." You explain, feeling a bit more relieved since the convo went smoother than usual. And part of you was a little... flustered with how seriously he was looking at you. You couldn't help but look at his tatted and flexed arm as he moved Yuji to sit on his shoulders.

"Yeah, well, here have my number so if anything else happens and I'm picking up you can just let me know." He hums, pulling his phone skillfully from his sweatpants pocket and

Holy shit...

You think to yourself, seeing the print just faintly. You swallow, taking the divide and inputting yoi contact.

The pair leaves, Your heart trobbbing as you take a breath. Being any type of romantically involved with your students' parents was highly unprofessional...but the rules never said anything about hot tattooed uncles.

-in the car-

Sukuna buckled Yuji into his seat, passing the child a happy meal he'd picked up as payment for a job well done.

"Nice work. How bout next time you mention your Uncles got no girlfriend either." He laughs, backing out of the parking space with your number and a grin.

Authors Note; Ok yes i wrote this on a whim I swear I'm trying to finish the stuff I had listed on my update post lmao

Also might make a part 2 for this cause I freaking love this au

[rubiehart]

INTRODUCING BSF!READER…

her and jj’s friendship is very much black cat and golden retriever, i bet you can guess who’s who. he’s always finding ways to piss her off and get her all irritated, cause he thinks she’s hot when she’s mad.

she really is a sweet girl, but only really shows that side of her around people she really loves, so of course she’s fiercely protective over those people, one of the reasons her and jj are so compatible.

she’s got the best closet, that one girl that all her friends raid her closet for special events because she’s got absolutely everything, for every occasion. if she’s not at the chateau, or down at the break, she’s at a thrift store ransacking the racks.

total stoner just like jj, his favourite smoking buddy as he’s said many a time. when jj mentions to ricky that he’s smoking with her he gets a discount, so he may use that to his advantage..

total adrenaline junkie like jj, always up for trespassing and surfing in storms, because she’s a pogue, that’s how she was raised and she wouldn’t change it for the world.

her parents own a tikki bar on the beach nearest to the cut, so she spends a lot of her time there, serves drinks to all her friends, makes the kooks who somehow stumble onto their side of the island show id, because why should she play fair if they don’t?

she’s the girl in the outer banks that everyone knows, if you don’t want to date her, you want to be her. every girl jj flirts with or gets with at a keg always gets that nagging in the back of their minds about her, because everyone knows how utterly obsessed with her he is, since kindergarten. because everyone knows…

sandbox love never dies.

✬ bsf!jj realising he loves you… 18+!

✬ hooking up with bsf!jj for the first time… 18+!

✬ cockwarming bsf!jj… 18+!

✬ bsf!jj slapping your ass too hard…

✬ scolding bsf!jj for using the word ‘bitch’…

✬ giving bsf!jj a stick n’ poke…

✬ sharing rings with bsf!jj… (pt. 1)

✬ sharing rings with bsf!jj… (pt. 2)

✬ jj being completely whipped for his bestfriend… 18+!

✬ bsf!jj helping you out if your tampon got stuck…

✬ giving bsf!jj a little pamper…

✬ bsf!jj takes ecstasy at a kegger… 18+!

✬ john b and jj convincing you and sarah to come to the chateau for a little smoke n’ smush…

✬ bsf!jj crashing your post-surf shower…

✬ jj taking care of drink bsf!reader after a kegger…

✬ a day at the funfair with bsf!jj… (feat. @weedforjj )

✬ sex in the twinkie with bsf!jj… 18+!

✬ jj seeks out girls with your name so he can moan it shamelessly… 18+!

✬ you accidentally let it slip to the pogues that your boyfriend can’t satisfy you in bed… 18+!

✬ bsf!reader and jj after season 4’s events… 18+!

✬ bsf!reader and jj in poguelandia 2.0….

✬ bsf!reader and jj’s insta posts…

[apricot-blossomss]

Is it okay if I ask what type of s/o would the Gods be into? I find that really interesting and would like to hear your opinion since I really love your writing <3<3

This request came just right, bc I really want to write but I'm mad busy rn, and this was a lot of fun! so I kinda wrote for ... everyone.

If you're conventionally attractive, you are in Zeus' dating pool. You're exceptionally beautiful? I'm so sorry. Once he has set his eyes on you, you are not safe anywhere. There is no other factor that matters, except maybe if you're exceptionally hospitable and kind to guests, which might attract his attention. Which is not a good thing.

Poseidon would love someone unpredictable, someone who never gets boring and never fails to surprise him or catch him off guard. He'd love the excitement of it all and is generally pulled to exciting and outgoing people, but also people who are more introverted but break out of their shell at unexpected times.

If Hades had a type, it would for sure be someone a little more ... alive than him. He's clearly going for that opposites attract thing, just look at Persephone. Also, I reckon he'd like someone who can stand up for themselves, as standing up to his brothers was always very hard for him and he would admire you greatly for it.

Demeter would like someone who is humble, orderly and respectful and appreciative of the beauties of nature. Someone who finds joy in the little things and never fails to call their grandma for her birthday.

To be honest- you don't have a romantic chance with neither Hera nor Athena, Artemis or Hestia. Though I thought it would be fun to make some platonic headcanons for what kind of mortal they would take interest in in a platonic way.

Hera admires loyalty, it doesn't even have to be to a spouse, it can also be your family or friends. Also, she appreciates people who remain strong even in the face of long term hardships or anguish, and it might earn you her favor. It's not that she pities you, but that she admires your strength to keep fighting. Also, she'd love to talk shit about men with you as much as the next goddess...

Artemis isn't about the whole opposites attract thing. As with Orion, she is likely to make friends with someone who shares her interests, as she also surrounds herself with her huntresses. She loves to talk about hunting and the wild and would like someone who isn't afraid to get themselves dirty. If you're a guy, it's pretty hard to get in her good grades though.

Athena is all in for academic weapons. Critical thinkers, challenging the status quo and earning great archivements. Someone she could have an intellectual conversation with, who offers new points of argument and is able to hold their own in an argument, she is the goddess of warfare after all...

I don't think there is anyone Hestia doesn't like, though she would favor people who spend a lot of time with their family and are kind and hospitable to others. Kindness to strangers is something she very much appreciates.

Apollo doesn't really have a type. His mortal lovers are symbolic for his creative inspirations, so he would not settle for a type but be all over the board. The variety of his lovers concludes that Apollo isn't looking for a specific kind of person. He simply watches or spends time with someone and BAM he's completely and utterly in love. He does love himself an artsy spouse though.

Ares needs someone calm and peaceful- it might seem a little contradictory, but Ares needs someone to ground him, to listen to him and provide the calm for his storm. Actually, he's all for domesticity, though a hot love affair doesn't turn him away either. If his spouse had a strong personality and could stand up for themselves, he would really respect that, but he would also be your guard dog if that wasn't the case. Ares just needs someone to love him unconditionally, quite like the next god on the list.

Not to be disrespectful but Hephaestus does not care who you are, he's just happy with someone who treats him with dignity. Be kind to him and he is putty in your hands. After all his family put him through, he'd also appreciate someone to rant about them to, who can also sit in silent understanding with him at other times. But honestly, he isn't setting the bar very high.

Not to call her vain, but you would have to be insanely beautiful to be on Aphrodites radar. She simply considers herself too good to spend her time on anyone who isn't pleasing to her eye- and that really cuts down the pool of potential lovers. Also, she would only stay around for someone who is ready to give their full attention to her at all times, she is a very demanding lover.

I think Hermes would want someone who is able to keep up with him, but also root him when he overdoes it a little. It would take quite a lot for him to actually stick around, because for him to make time in his busy schedule, he'd have to be head over heels in love.

Dionysus would probably not have a specific type either, simply because he wouldn't want to cut short his dating pool. Though he would like someone who is able to let loose at least sometimes and surrender to his pull of madness and ecstasy.

Extra: Eros would mostly go for someone attractive, but he wouldn't let that be the only factor. Just as the unpredictable and surprising nature of his arrows, Eros could fall for anybody, picking out a trait he loves about them and obsessing over it for the day (I'm thinking 'Someone New' by Hozier if you know what I mean).

[yanderefarm]

I need us pretending/threatening Emil with a divorce even after saying we wouldn’t 🙏🙏

this is a part 2 to this story

in your villain arc fr. i know if emil knew how you were manipulating him and playing him like a puppet he wouldn't even be mad he'd be like "thats hot wtf"

cw;; drugging, cheating, non-con (implied), abuse, manipulation

oh your poor husband, he's so pathetic and easy to break.

after your brutal breaking of his body with the cheating scandal you had been oh so generous to help him rebuild his all his lost favour. his ever loving husband who loved him past his worst flaws gave him a better reputation just by staying by his side. all he had to do was give into you, take you places, stop holding you at arms length like he was afraid of you running away and getting close to him at the same time. really all you wanted was more of his love and if that meant you had to break him down to nothing then you guess that's what you would do.

you walked into his office to find him surrounded by people, a familiar sight since his last scandal. you pushed past them to his desk, watching emil flinch away from your presence. you didn't need to yell and get angry this time, you knew exactly how to break him.

"i want a divorce."

you placed the newspaper on the desk to punctuate your sentence, the headline was a young noble woman's testimony of how the king had cornered her at the last royal banquet. another lie you had paid a pretty penny to get out there. you knew emil's head had been fuzzy since the last scandal, all it took was hiring a woman from a family desperate for money to force herself on him and then lie about it. he didn't even remember the night, he couldn't argue with you about it.

you heard his pathetic sob. that sound he would never usually make in front of anyone else. you turned back to see him still surrounded by his advisors and other noblemen but among their shocked faces you could see your husband had tears in his eyes.

"out." you ordered and they very quickly filed out leaving you two in a familiar position.

you walked back to the desk and stared down at him. your husband, already a broken and confused mess, hung his head like a kicked puppy dog so you couldn't see his eyes you could only hear him crying. you let out a heavy sigh.

"what am I supposed to do, emil? you clearly don't love me."

"that's not-"

"how many more women do i have to find out about before you admit it?"

"i don't remember that night... i don't think- i-"

a silence formed between you both only interrupted by his crying.

"i remember that night. i remember you left the party early to get some fresh air and you didn't come back."

he was shaking.

"..... if you had just talked to me we could have come to an agreement about concubines. if you didn't want to be with a man all you had to do was tell me. you don't have to keep humiliating me publicly and then lying about it."

"im not ly-"

you slammed your hands on the table making him flinch.

"you are. you're lying to me. you slept with the maid and then you lied about it and i forgave you. i forgave you because i thought you would learn your lesson."

"please... please punish me again please anything else... kill me, torture me, hate me, anything but leaving me..." he finally looked at you and you could see his pink eyes were cloudy and confused as tears dripped down his face.

".... that's pathetic emil. you want me to beat you but..." you forced your own tears along with your voice cracking. "you can't even say you love me."

emil tried to stand up, stumbling against the desk as his legs wobbled underneath him.

"don't leave me. please." his hand weakly grabbed your wrist

"do you love me?"

"yes."

"how am i supposed to trust that? how am i supposed to trust you? can you even say it? can you tell me you love me?"

"i...i...."

you ripped your hand away from him making him stumble again.

"I'm going to get the divorce papers ready. you're going to sign them."

you turned on your heel and left your husband sobbing in his office.

your plan to make the great emil landorr your mindbroken bitch was going along perfectly. it was going to be harder to drug him when you moved into the queen's palace but you were confident that the separation would drive him just as crazy.

[girlokwhatever]

can you do like reader is mad at paige n paige yk the attitude right outta her?

CERTAINLY I CAN!!!!

⋆·˚ ༘ *𓍢ִ໋₊˚*ੈ♡⸝⸝🪐༘⋆𖡎 are you done yet? ,,

paige bueckers x fem!reader

you’ve been wanting to leave this club for the past hour.

the crowd was large when you got here, but since then it’s only grown. the air is hot and tacky, causing you to stick to each person you pass. it was nasty really, even worse on the dance floor.

your feet were aching and the lace from your top was scratching against your chest, only adding to your discomfort. a sheen layer of sweat covered your skin from head to toe and it seemed everyone else was experiencing the same thing.

you were just leaving the dance floor, jostling around larger bodies to get to the bar where you last saw your girlfriend. she had been talking to some guy about basketball when you’d left, but now she’s replaced her company for a woman around your age. you were slightly jealous and definitely angry. she had barely paid you any mind within the past hour, constantly occupying herself with other people. even after you tugged on her hand and asked her so nicely if the two of you could just go home.

that was an hour ago though. your desire to leave only grew in the time frame, as well as your annoyance.

you walked straight to paige, trying to find your balance among the numerous bodies. there wasn’t really a chair available, so you opted for leaning against her, one hand at the back of her neck and the other adjusting your top.

“hi baby-“

“can we go?” the abruptness of your question shocked paige. her eyebrows raised and she gave you a ‘really?’ look. you’re deadpanning though, attitude written across your face in neon bold lettering. if she wouldn’t take your hints earlier, you’d stop dropping them.

she’s pulling you between her and the bar and onto her lap. though it relieves the aching in your legs and feet, it’s not really what you wanted. she’s leaning up, lips just behind your ear and muttering a quick “don’t be a brat.”

you roll your eyes at that, finding her antics absolutely ridiculous. you’d been here with her all night, letting her enjoy herself while you suffered. you usually didn’t mind going out and having some fun; the club tonight had been too packed for you though. everywhere you went, every time you turned around, there was someone within whispering distance to you.

at this point, you stop considering the consequences of your actions. you grab her car keys out of her pocket and leave the club. paige is absolutely flabbergasted, excusing herself and following behind you with haste. she feels her body grow hot with anger watching you walk away from her without so much as a look back.

why were you so pissed?

her stride is much longer than yours so she’s catching up to you in no time. she grabs your wrist and her keys simultaneously, turning you around and stopping you in your tracks.

“what the hell is your problem? hm?” she emphasizes her point with the tight grip on hour jaw, staring straight at you. you’re both tipsy, you more so than her, and it throws your usual rationality out the window. you push her away from you, watching with satisfaction as she stumbles back a step.

she makes you so angry but fuck does she look good. you’re scoffing right to her face and doing it loudly. as though her feelings are ludicrous, completely irrelevant and wrong.

“my problem?! you know what- whatever. you stay here if you want. i’ll walk home. need a break from you anyway.”

if you had left the last part off, paige wouldn’t have been as mad as she was. in all honesty, she would’ve just taken you home peacefully after giving you a kiss and apologizing for keeping you here so long. but, you did add the last part. you looked your girlfriend in the face and told her you were tired of her.

“say that again, i dare you.” her tone is taunting and you know it’s a trap, but you do it anyway.

“you’re getting on my nerves and i need a break from you.” you’re punctuating every word, but little do you know it’s only fueling your girlfriend.

as soon as you say it you’re being pushed into the backseat of her car. she’s climbing in after you, closing the door as she tries so desperately to fit her frame into the small space. paige pulls her loose hairs into a bun, leaning over you once she’s finished.

“wanna act so fucking tough and mean- gonna get rid of your attitude baby. till all you can say is my name.”

“i bet you couldn’t.”

oh. challenge accepted.

your skirt is hiked up, panties pulled to the side as paige prods you with her fingers. she notices the way the street lamp makes your cunt shine from your wetness, smirking at your situation. she’s knees deep into the backseat, pushing two fingers into you at once.

you cry out at the new and sudden stretch. she doesn’t give you time before her fingers thrust roughly in and out of you at a brutal pace. they’re curling inside of you, already finding the spot that makes your back arch to heaven.

“you like that?” you say nothing, make no motion of acknowledgement. smoke is blowing from her ears at this point, not able to believe how stubborn you’re being right now, even as she plunges her fingers into your sopping wet cunt. your silence only motivates her to speed up, because sure, you didn’t say any words, but your loud moans spoke for you. your body is so responsive to paige, it always has been. every time she touches you, you lean into it. every time she kisses you, you’re chasing her lips when she pulls away.

just like right now. the way your core tightens and she feels it, moving away and watching your hips follow her fingers when she denies you your orgasm. you’re protesting, begging for her to continue and cryimg out her name like a chant. your hair is already a mess and your girlfriend’s heart pounds, using every bit a restraint to stop herself from giving into your pleas.

“are you done being a brat yet?”

“paige-“

“apologize and i’ll let you cum, how does that sound?” she’s rubbing and kissing your thighs, watching the way you squirm at the proposal.

even from her position between your legs she sees the battle you’re having with yourself. she almost thinks for a moment you’ll brave the storm and say no, but deep down she knows there’s only one option for you. she can tell by the way you push your hips into her face.

“i’m sorry paigey. i was.. fuck- i wasn’t being nice. i’m sorry for being mad and giving you attitude.” your voice is weak and it’s turning her on so much to hear you like this, begging for her completely. she doesn’t know how genuine your apology actually is, but she doesn’t care either.

her tongue twirls your clit, gentle and slow to tease you. it’s excruciating, the feeling making you screw your eyes shut as your mouth falls open. you’re moaning her name out too, just like she said you would be.

she’s sucking on your clit now, toying with it and gauging your different reactions to different movements. she knows what you like already (nearly everything from her) but the look of pure ecstasy on your face will never get old. you grind your hips down onto her face, desperate to find your release. you can feel it tightening in your stomach and making your head spin, but just as quickly as it came, it’s being ripped away from you.

paige is sitting upright now, readjusting your clothes and wiping around her chin where she feels the remains of you. she’s licking her fingers and lips clean, staring at your shocked expression, one singular tear rolling down your cheek.

“what’s wrong baby?”

“you said-“

“should’ve thought about it better honey. i’m jus’ giving you space since you’re so tired of me. just like you wanted right?”

you don’t miss her shit-eating grin as she leaves the backseat. she plops into the driver’s seat, glancing back at you momentarily. she places a hand on your thigh and it makes you jolt at the sensitivity, legs aching more now than they were before.

“i hope it’s everything you wished for and more.”

*♡∞:｡.｡˚. ✦.˳·˖✶ ⋆.✧̣̇˚.‧͙⁺˚*･༓☾

paige is sassy and mean but what’s new??!

anyways, hope you enjoyed 😘