#simoneleigh

[harvardfineartslib]

“In order to tell the truth, you need to invent what might be missing from the archive, to collapse time . . . to formally move things around in a way that reveals something more true than fact.”

Simone Leigh (b. 1967) is an American artist whose work focuses on explorations of community, Black feminism, and the traditions and material culture of the African diaspora. Over the past two decades, Leigh has created artwork that situates questions of Black femme-identified subjectivity at the center of contemporary artistic discourse. Her sculpture, video, installation, and social practice explore ideas of race, beauty, and community in visual and material culture. Leigh often draws her concepts and inspirations from anthropological, historical, and colonial archives that represent stereotypical views of black women through a European lens. She creates new forms incorporating her research on these archives with African aesthetics and Black feminist concepts.

In 2022, Leigh was the first black woman to represent the United States in the Venice Biennale.

Image 1: A large head sculpture that is work-in-progress in her studio

Image 2: Untitled, 2022, stoneware

Image 3: Brick House, 2019, bronze

Image 4: Last Garment, detail, 2022, bronze, steel, metal, filtration water pump, water

Simone Leigh Edited by Eva Respini. Boston : Institute of Contemporary Art/Boston ; New York : DelMonico Books, [2023] HOLLIS number: 99157252441903941

[trascapades]

🎨 #ArtIsAWeapon

**swoon**

SIMONE LEIGH #exhibit on view at @matthewmarksgallery now through December 21, 2024.

📍Matthew Marks Gallery

522 & 525 West 22nd Street, #NYC

Image reposted from @simoneyvetteleigh

Untitled 2023–24

Earthenware, stoneware, and steel armature

90 × 73 × 75 inches

VIA https://matthewmarks.com/exhibitions/simone-leigh-11-2024/

Matthew Marks is pleased to announce Simone Leigh, the next exhibition in his galleries at 522 and 526 West 22nd Street. The exhibition, her first with the gallery, includes eleven new sculptures in ceramic and bronze.

Over the past twenty years, Simone Leigh has created a multi-faceted body of work dedicated to her ongoing exploration of Black female-identified subjectivity. Leigh is best known for her sculptures that incorporate forms associated with African diasporic traditions. In the artist’s own words, “It makes something new. Sometimes, it collapses time. Sometimes, it makes similarities that may have happened over a millennium more obvious.”

Each of Leigh’s new sculptures presents an image of a partially abstracted female body. By “abstracting the figure,” Leigh explains, “I imagine a kind of experience, a state of being, rather than one person.”

#SimoneLeigh #BlackGirlArtGeeks #NYCExhibit #BlackWomen #BlackWomenArtists

[baylornonwovenstructures]

Artist of Inspiration: Simone Leigh

As I reflect about racism and representation within the academic space this week inspired by the new statues dedicated on campus on Tuesday and imagine the challenges that individuals faced then, and continue to face now when embodying otherness, I am immediately reminded of the powerful work of contemporary artist Simone Leigh and I felt compelled to share her work with you here.

Matthew Marks Gallery, one of several galleries that represent the work of Simone Leigh, describes it like this:

"Over the last twenty years Simone Leigh has created a multi-faceted body of work incorporating sculpture, video, and installation, all informed by her ongoing exploration of Black female-identified subjectivity. Leigh describes her work as auto-ethnographic, and her salt-glazed ceramic and bronze sculptures often employ forms traditionally associated with African art. Her performance-influenced installations create spaces where historical precedent and self-determination commingle. “I am charting a history of change and adaptation,” the artist has written, “through objects and gesture and the unstoppable forward movement of Black women.”

Video/Images above, from top:

Simone Leigh was the winner of the 2018 Hugo Boss Prize. On the occasion of that important honor, she created an exhibition and this video was produced of her speaking about the work she was making for that show. Maybe you too will feel inspired hearing the artist talk about sculpture in her studio? Check it out!

Sphinx

Brick House, 2019, bronze, 196" x 114" (Learn more about this incredible project here.)

Hortense, 2016, Terracotta, India ink, porcelain, glass beads, 14-karat gold luster, epoxy, 26 × 16 × 16 inches

[damecuratedgoods]

#pensieri #damecuratedgoods #riflessioni su #opposizioni e #contrasti in occasione dell' #arte di #simoneleigh 🙌⚫️🧡 (στην τοποθεσία Italia, Venezia) https://www.instagram.com/p/Cp2LxQ6Isda/?igshid=NGJjMDIxMWI=

[jsigharas]

Miscellaneous moments, Oct. ‘22, part 4. #venicebiennale #simoneleigh #inbetweenartfilm #dixitalgorizmi #gabrielchaile #aiweiwei #diplomatijzaastuta #fondazioneprada #contemporaryart #venizia #venice #italia #italy #europe https://www.instagram.com/p/Cmdfbm8uY7m/?igshid=NGJjMDIxMWI=

[vtvten]

VernissageTV’s most popular videos in 2022

[afroartnerd]

NEXT THURSDAY!: I will be presenting “Troubled Domesticities” at a Virtual Symposium, Picturing Women at Work in the 19th Century. Follow the link to get your ticket: https://www.clevelandart.org/events/lectures/picturing-women-work-nineteenth-century-virtual-symposium

[abwwia]

Simone Leigh, Lorna Simpson

and Amy Sherald

Photo by ADRIENNE RAQUEL @adrienneraquel

Simone Leigh

www.hauserwirth.com/artists/28363-simone-leigh

instagram.com/simoneyvetteleigh

Simone Leigh (born 1967) is an USAmerican artist. She works in various media including sculpture, installations, video, performance, and social practice.

Leigh has described her work as auto-ethnographic, and her interests include #Africanart and vernacular objects, performance, and feminism. Her work is concerned with the marginalization of #womenofcolor and reframes their experience as central to society.

Leigh has often said that her work is focused on “Black female subjectivity,” with an interest in complex interplays between various strands of history. Via Wikipedia

Lorna Simpson www.lsimpsonstudio.com

www.instagram.com/lornasimpson/

Lorna Simpson (1960) is an USAmerican photographer and multimedia artist. She came to prominence in the 1980s and 1990s with artworks such as Guarded Conditions and Square Deal.

Simpson is most well-known for her work in conceptual photography. Her works have been included in numerous exhibitions both nationally and internationally. She is best known for her photo-text installations, photo-collages, and films. Her early work raised questions about the nature of representation, identity, gender, race and history.

Amy Sherald www.amysherald.com

www.instagram.com/asherald

Amy Sherald (1973) is an USAmerican painter. She works mostly as a portraitist depicting #AfricanAmericans in everyday settings.

Her style is simplified realism, involving staged photographs of her subjects.

Since 2012, her work has used grisaille to portray skin tones, a choice she describes as intended to challenge conventions about skin color and race.

#SimoneLeigh #simoneyvetteleigh #AmySherald #LornaSimpson #womensart #artbyblackwomen #blackwomensart #blackherstory #palianshow #blackartherstory #contemporaryartists

[nixmachiavellian]

#simoneleigh

[barbarapicci]

#VeniceArtBiennale2022 – #USAPavilion by #SimoneLeigh More pics at: https://barbarapicci.com/2022/06/29/venice-art-biennale-2022-usa-pavilion-by-simone-leigh/ #venicebiennale #BiennaleArte2022 #biennaledivenezia #sculpture #scultura #cultureisfreedom #artisfreedom #curiositykilledtheblogger #artblogging #photooftheday #artaddict #artistsoninstagram #amazing #artwork #instacool #instaart #followart #artlover #contemporaryart #artecontemporanea #artmuseum #artcurator #artwatchers #artcollectors #artdealer #arthistory https://www.instagram.com/p/CfcLVkPrEFg/?igshid=NGJjMDIxMWI=

[harvardfineartslib]

February is Black History Month, and we’re showcasing just a few examples from our collections on contemporary American Black artists. More to come throughout this month, so stay tuned!

I'm Roberts, Deborah, 1962- [artist, interviewee] [2021] HOLLIS number: 99156414672603941

Dawoud Bey in dialogue Carrie Mae Weems Platt, Ron, 1959- [author] [2022] HOLLIS number: 99156378937603941

Hank Willis Thomas : all things being equal ... Hank Willis Thomas (Aperture Foundation) 2018 HOLLIS number: 99153724906803941

Spiritualità e femminismo nero nell'arte pubblica di Simone Leigh Salgó, Eszter [author] [2020] HOLLIS number: 99155201738303941

[trascapades]

🌟#ArtIsAWeapon Happy B'earthday to the brilliant, beautiful, gifted, generous @sunrara, born January 17! I am forever grateful to you for masterfully curating @loopholeofretreatvenice, one of the most inspirational and affirming experiences of my life. May your next revolution around the sun be as magical as you are, my dear.

🎨 Artist @simoneyvetteleigh Simone Leigh: Sovereignty, @labiennale 2022 (International Art Exhibition of La Biennale di Venezia.)

#RashidaBumbray #SimoneLeigh

[neverheardof-her]

i’ve been performing my whole life...

BREAKDOWN. Simone Leigh and Liz Magic Laser. 2011.

[mujerdearmablanca]

Simone Leigh (1967, Chicago, Illinois). "I came to my artistic practice via the study of philosophy, cultural studies, and a strong interest in African and African American art, which has imbued my object and performance-based work with a concern for the ethnographic, especially the way it records and describes objects." #blm #blacklivesmatter #takeaknee #blackouttuesday #simoneleigh https://www.instagram.com/p/CA8A9pVj1qF/?igshid=1c98pgwmmh885

[shar1129]

#HighLine #SimoneLeigh #SimoneLeighStudio (at High Line Spur) https://www.instagram.com/p/B6dGlAfht25/?igshid=i7ro50br0ob5

[themomentthat]

Scrap the rectilinear grid at the Highline @highlinenyc @simoneyvetteleigh #highline #simoneleigh #photooftheday #sculpture #modernitynomore (at Nyc Highline) https://www.instagram.com/p/B1rzt_3FId0/?igshid=kjns84xod8qg