#shut up this is RUDE

[unnecessarilygrandiose]

'guillermo wanted to stay human all along' and 'nandor knew this before even guillermo did so he turned him into human even when he refused to turn him into a vampire' will ruin my peace at night for weeks

[jorindasfate]

Men need to stop watching tv shows with rude but "genius" protagonists (House, bbc sherlock, etc) because they WILL start believing they are a misunderstood genius instead of just an asshole

[grandwretch]

i so badly want one of those fic examinations of steve's relationship with joyce and hopper but solely through eddie's pov like hear me out

steve and eddie chat a lot in the upside down (and later in the hospital, when they learn hop is alive). steve has taken charge of filling eddie in on the rest of their of-age crew without the kids butting in. he never mentions his own parents, but he talks about the rest of the party's a lot, especially joyce and hopper. eddie knows what it's like to desperately want someone to be your parent and trying to hide it from his own childhood, when he would try to be cool about wayne dropping him off at his dad's house. steve obviously adores joyce and hopper, thinks the world of them and legitimately looks up to them.

eddie isn't sure what he expects from a cop who came back to life and the world's most determined housewife, but he's excited to meet them as someone steve loves.

cue eddie's horror when he realizes that neither of them really feel much for steve rather than annoyance and vague distrust. that joyce trusts will with eddie, an accused murderer, in a heartbeat and still hesitates to leave him with steve. that hopper brushes off every ounce of steve's hero worship and joy.

he tries to broach the topic with steve, gently, and is heartbroken when steve genuinely has no idea what he's talking about. and not because he's oblivious, but because steve thinks that's what he deserves. he thinks that's the parental love that someone who was an asshole in high school needs, because that's what would make him a good person. he needs people to call him out constantly, obviously, because why else would they keep doing it? why would nancy? at least they're here. at least they're not ignoring him. at least they're not forcing him into a box. they just want him to be better.

like, this is the man who thanked a girl for calling him bullshit and telling him she never loved him. he doesn't Know that's not how you're supposed to handle things. no one ever taught him that.

and now eddie's gotta figure out how he can teach steve how to be loved the right way without outing himself and his huge crush on his love-starved dork of a friend.

[hauntingofhouses]

Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.

And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.

And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.

Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.

This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.

And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.

Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.

So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.

It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.

Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.

These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.

Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.

Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.

And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).

But then, for once in both their lives, neither of their usual tactics work.

Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.

On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:

"Under your mask, you're not the killer you pretend to be."

Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.

And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.

Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.

And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.

But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.

So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.

This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.

In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.

To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.

[montygatorguy]

theatre fans that hate on any cast of a show that isn’t the original are the bane of my existence. literally just shut the fuck up do you hate joy magic and fun and seeing different interpretations of characters.

[p4nishers]

the amount of ppl i've seen use she/her for not only muriel but BEELZEBUB too is concerning. also i cant even count how many ppl have called ineffable bureaucracy a straight couple. yall r annoying as fuck

[glyphes]

they added new dialogue in astarions origin for when gale talks about the sunrise and his response is so 😭

[athena-xox]

If you have think that people not following their destiny is unfair to those who want to follow their destinies because their choice is taken away I don’t know if you can be saved cause WHAT THE FUCK

[dykedvonte]

Fallout 4 update that fixes your companions affinity reactions cause I canning catch a break with MacCready’s greedy fucking ass.

“MacCready disliked th-” SHUT THE FUCK UP MacGREEDY!!! I am not keeping this life saving cure from this sick little vault boy for caps like your son is literally going through the same shit. Like this specific thing to me was 100% a mistake on some devs part but at the same time I he lives by “Not my kid why the hell should I care” so I’m smacking him upside the head with this pool stick until he acts right.

[whitehairedanimeboyfriend]

Conversations on here will basically be like

"Hey these new reproductive rights issues are affecting trans men too so let's make sure we include them in the conversation, instead of calling it women's health issues."

"Would you stop complaining? Trans women have it worse than trans men. TERFs want to kill us but only detransition you."

"If living as the gender you are not is so easy why would you transition in the first place? Obviously trans people transition because they can't live with existing as a gender they are not. Obviously "just going back" isn't an option because we often fail to behave the way we're expected to anyway. Forcing any trans person to detransition is a death sentence in and of itself."

"Why are you always speaking over transfems when we talk about transmisogynistic violence???"

[sabertoothwalrus]

do you know PricklyAlpaca on youtube / instagram? they just posted a video where they designed a bunch of cursed circus performers which i thought you might like :) https://youtu.be/WIlfk10YHlE?si=m62T8GCM67gJCMwQ

you didn’t know this so I can’t fault you for it but I feel bad because people send me clown stuff all the time and it’s SO SWEET that people, especially strangers, see things and think of me, but I actually kind of hate edgy clowns 🙈 I’m actually kinda picky about what “clowncore” stuff I like and it’s so frustrating that everything from horror clowns to birthday clowns falls under it even though they’re totally different. If there’s blood or knives or smeared makeup I want that as far away from my clowns as possible. it’s not even that I don’t like horror!! I just don’t want clowns in my horror. clowns should be silly and cheer people up :o)

but it’s not just edgy clowns I’m also not really into like, heavily ornamented lacy beaded embroidered “clowns”. They’re pretty, but they’re barely clowns to me. I tend to like ones that look more like clown plushies made for babies. or troll dolls. or muppets.

like look at these lil guys

[girlfriendpaimonsgirlfriend]

Why is it when people write fanfics about any of the brothers that includes any female characters like succubi or some other random female demons, they always make them complete jealous assholes. Why are the succubi made to be so insufferable? They’re also always written as the jealous, hateful, rival that’s thirsty and desperate for the brothers.

The succubi actually seem really fun to be around. I mean, the brothers obviously love being around them or at least don’t mind being around them. They mention a few times in the story about the brothers going partying and clubbing with them too. So I feel like they’re probably the only demons that would be nice to MC, including the incubi.

There’s incubi and male demons in the Devildom too but for some reason people only make the female demons the rude insufferable jealous bitches who wants to take your man. That shit really rubs me the wrong way.

[deoidesign]

something that makes me sad is when people tell me the healthy communication in my writing is "unrealistic."

like guys this is how me and my partner talk with eachother... I'm writing from personal experience...

[coffeeghoulie]

If it’s possible would you be able to mix 20 and 6 together with Swiss and Phantom? If not you can choose which one you want

Thanks in advance if you come up with anything

I did my best to combine these, though I feel like you had a certain scenario in mind and I tried to follow that but my brain went "oops, Swiss angst" instead. This technically follows both my Swiss and Aeon lore from Eternal Heatstroke, but you don't need to have read that for this. Hope you enjoy!

#20: on a scar and #6: on a falling tear from this prompt list

Aeon hates when Swiss goes still. The multi-ghoul is almost constantly in a state of motion, shifting his weight, tail swaying behind him, tapping his toes or drumming his fingers. Normally, the only time he stops moving is when he's asleep, and even then he doesn't quite lay still. He's only still if he's hurting, upset and lost in thought.

The door to their room creaks, and Aeon knocks on the frame before they enter. The room is dark and they can just barely see his silhouette where he sits on the edge of the bed. "'S just me," they say as their good eye adjusts to the darkness. "Missed you today."

Swiss makes a non-committal noise, a flat hum, to acknowledge they've been heard, but he doesn't move. If it weren't for the shallow rise and fall of his breathing, Aeon could be convinced he's been traded out for one of the statues in the chapel.

Aeon chews nervously at their bottom lip, hand trembling as they start to reach out. "Swiss, can you talk to me?" they ask, voice wavering.

He still doesn't move, head in his hands. Aeon bites their lip harder, carefully making their way to his side. "Sorry bug, thought I'd've pulled myself together by now."

He'd woken up like this, quiet and withdrawn, and Aeon had done their best to cheer him up before they had to rush off to their chores. But it hadn't worked.

Aeon shakes their head, sitting down next to him; close enough that they can feel his body heat against their thigh, but far enough away that they can give him an out if he wants to take it. "If I were feeling bad," they begin softly, each word careful, "Would you want to let me sit there and pull myself together?"

Swiss looks up at that, and Aeon tries to hide their wince at just how puffy his eyes are, the pretty gold of his irises wet with unshed tears. "No, I wouldn't," he says.

"Could you just talk to me?" Aeon asks. "I- I don't like not being able to help, Swiss."

Swiss laughs wetly. "I know, buggy," he says, voice still a little distant. "I know."

Aeon doesn't say anything, just stubbornly holds Swiss's gaze, waiting for one of them to speak.

It takes a few minutes, but eventually Swiss heaves a sigh, drifting just close enough that their thighs are pressed together knee to hip. Aeon leans in, still hesitant, waiting for an adverse reaction, and rests their temple on his shoulder. "Had a weird dream, bug," he says, staring at the wall. Aeon is reminded painfully of that first heart-to-heart, all those months ago. "Pit dream."

"Oh," Aeon breathes, chuffing and trying to comfort him. They know all about Pit dreams; having been plagued with them the first few months they'd been Up Top. "Alone?"

Swiss takes a deep breath, leaning over, carefully avoiding the points of their horns as he rests his head on top of theirs. "Nah, from before I left. Birth pack shit."

Aeon hums, pressing themself closer to him comfortingly.

"It's funny, missing people who hurt you," Swiss says, his words hanging heavy in the air. "Dreamt about my mother, and my sisters, and things were good. Things were really good, and I didn't know it was a dream until I woke up this morning."

His voice cracks, and Aeon looks up, eyes wide, just as a tear races down his cheek, disappearing into his stubble.

"I really miss them," he says, voice small. Aeon shifts, grabbing his waist and turning him so he can embrace their multighoul tight, fingers carding through his braids as they guide his head down. They kiss his cheek, just over that shiny teartrack, the exact spot where, before they had gotten along, Aeon had clawed. It had been healed, leaving no trace except for both of them knowing what had happened. They kiss his cheek again, the corner of his lips, before bringing his head down to the crook of their neck.

"I know," Aeon whispers, because they do know, has been held through this exact same dilemma. Swiss greedily accepts the embrace, holding them tight around their ribs as he cries against theit neck.

"Thank you, bug," Swiss whispers, once he's cried himself out. Aeon chuffs, blunt claws scratching his scalp.

"Any time," Aeon says simply. "You did the same for me."

[hauntingofhouses]

"why would you ship mizu and taigen together they're sooooo toxic ugh taigen is AWFUL and mizu should be with ME instead!!!"

of course they're toxic they're both deranged and terrible and that's why they're perfect for each other.

cuz like omg you think mizu would treat you well? mizu would abandon you. look at how she left ringo multiple times. ringo who treats her so well and is nothing but patient and caring and loyal. if you are insecure she will laugh at you because she has no social tact. look at how mikio said "it's a stupid dream" talking about his ambitions of regaining his honour and mizu straight up chuckles and tells him he's right because it IS a stupid dream. and at this point their relationship was cordial and she was even warming up to him!

like. arguably, taigen would be a better romantic partner (per the ideals of his time and culture of course), or at least he would be on paper. cuz i mean as a husband, as he is now, i think he'd be awful. but i'm talking about if you and him were dating or courting or just seeing each other romantically, he would be good to you. like we saw how he behaved with akemi and he was nothing but sweet and gentle. the very reason akemi wanted to marry him so bad was because she KNOWS without a doubt that he respects women and would treat her well. "oh but he cheated on her with the prostitutes while celebrating his engagement!" yeah but per the norms of the time and place, it was not considered cheating and akemi (as well as any wife or romantic partner of that period) would not have minded or even cared.

and yes taigen IS an asshole and he IS obnoxious but come on. so is mizu, if she is allowed to act like herself around you. mizu will tease you and mock you and challenge you and even poke at your insecurities (see:her goading mikio on even though he clearly did not view her teasing as light-hearted banter and took it all very personally). she would tell you to your face if she thinks you're being annoying (see:mizu rolling her eyes and telling akemi to straight up just "shut up" when she'd believed mizu had killed taigen).

mizu is not merely a hot and talented badass with a sword and the insane hyperfocus on her desire for revenge which literally drives her to withstand like, extreme amounts of damage and survive it. mizu is also flawed and the show does a good job at showcasing this, and showing us that she's not merely a victim but also a multilayered person. we see throughout that mizu is blunt and sarcastic and prideful.

oh what's that? oh right, very similar to taigen, who is also hot and talented with a sword and with insane hyperfocus on his desire to duel mizu and regain his honour. taigen who is also flawed (though, arguably, more so) as he is blunt and sarcastic and prideful.

the only thing that sets mizu and taigen apart is the fact that taigen is a man and is not mixed race, which thus affects their positions in society and how people perceive them. these are external factors. taigen being a boy who is not blue-eyed allowed him to easily mingle with the other kids in the village, all of whom were similarly fed the same prejudiced values which led them to gang up against mizu and bully her.

but take all that away. strip them down to the bare essentials. suddenly it's like they are the same person copy and pasted.

and that's what makes them even more interesting. yes absolutely they would be toxic. whatever souls are made of, mizu's and taigen's are the same (derogatory). and we literally see them fight all the time!!!! but the thing is they are both deranged when it comes to this.

do you get me. they both literally get turned on by sparring. mizu's whole spar with mikio was her way of flirting. just look at how she smirked at him and said "unsheathe it" like it's clear that this is an innuendo of not just unsheathing his weapon but also what's in his pants. then during the chopsticks fight with taigen in the snow, despite mizu literally being injured and taigen trying to attack her, mizu gets attracted to him. meanwhile taigen got a boner after wrestling with her in the forge.

taigen goes around saying he wants to kill mizu to regain his honour but he still literally risks life and limb for her constantly. mizu gives ringo stomach ulcers by going around flinging herself into near-death situations 24/7. she ups and leaves her beloved swordfather with barely a goodbye twice to pursue her batshit far-fetched quest for revenge (against people she doesn't even KNOW btw because she literally starts off with practically No Leads and not even knowing the NAMES of the white men who are her maybe-fathers).

these bitches are crazy and you know what good for them. that shit needs to be contained and quarantined though and that's why in that sense they would be good together.

i want to put them both in a jar and shake it very hard and see what happens. personally i think they will argue and insult each other while working perfectly in sync with each other to break out of the jar and then proceed to kill me and make out sloppy style over my dead body while they're both covered in blood.

like that's it that's the dynamic. send post.

[spaciebabie]

okay guys so heres the thing. if i am having fun and being happy over a post and you come in my inbox and say something rude about how im enjoying something you're getting blocked lol. i have been veeeeeeeery nice so far. i dont know why you're following me if you're gonna make a stink when i reblog/make art/talk abt something i like. why are you here. you know. the blog where i talk/reblog/make art abt the things i like. if you dont like it here instead of telling me. leave. be a decent person, okay?