#show off some of the poetry I don't really post

[sergeantnarwhalwrites]

My Characters as Excerpts from poems I wrote/started

Note: A lot of my poetry is shit I write to vent and to get my thoughts down really quick. So a lot of them are intense and very scattered in thoughts. XD Also some of these excerpts are from the same poem. And the second one under Digits is the whole thing I think? I forgot I wrote it. 

Cosma

Or did that sound a little to manly?

A bit overconfident.

Arrogant?

Who cares about that preconceived notion.

Social constructs are so boring and toxic.

I'm trying to live my life without getting kicked to the side in silence.

I ain't whimpering under some notion

That denies every positive motion

And takes a shit on people's emotions.

Drowning a bitch like it's a bottomless ocean.

and 

I'm like a beat drop

Aggressive and ear shattering

Not everyone's cup of tea

But I fall hard and unexpectedly

Arc

I

I

I

I

Well

I

I'm just a facet to be manipulated and utilized regardless of the will of the land.

Cause everybody else deciding what the land want.

Maybe the land is desiring my demise.

and 

You know that parent thing where they lie to you for years.

Build that lie for years so they can stack that hypocrisy.

Stacking like a mason stacks bricks.

Exceptionally!

Tharion

Make America Great Again

It makes me want to recoil beneath my own skin

Cause those words breathing down my neck

And touching me without consent.

Every time I see a red hat I feel myself shivering at the thought that

That some fool really believe they the hero in this story.

Thinking they a vigilante as they walk over the corpses that defied their warped reality.

Greeter

We could all get into that insta baddie business.

So post all your business.

We seriously mean that shit.

Talking like I'm right beside the vibrating speaker

Filled with base.

Like damn I'm screaming over the longest beat drop I've come to face.

I have to leave them lying there in distaste

Force them to remember my face.

and 

I'm so tired

Tired of trying.

A warmth covers me.

A bit too much to be comforting

It covers me.

I cave.

It was so easy too.

I'm exhausted.

Digits

My clothes have absorbed too many tears

Soaked and dragging me.

Pulling me down gradually.

My knee hit the ground

Then the other.

My stomach reaches my soul that's been lying on the ground since forever.

And my head finally taps the ground.

Bro I've K.O-ed

A little further would've been a fatality.

and 

You in your feelings?

You... 

In your feelings?

Ha been kicking those bitches to the curb

Since they started piling on.

Your a fool for letting them cling on so long.

But go on player.

You get paid to carry this out.

How can you allow such a thing to happen

Without some green on the side.

Makes the job worthwhile.

Damn player

Getting played by your emotions.

Donnie

I sold my soul today

Because I couldn't afford that all too high price of living another day.

I've been settling for far too long

Need to stick my hand into the boiling water and stir the pot.

Because my hand is the best utensil I got.

and 

Getting beat down like Rocky's dumbass in a match.

One two bop.

One two bop bop.

Three four badap.

And bitch I'm collapsing.

Hitting the ground so fucking hard

I've bounced a bit

My body reverberating cause it's a broken machine.

Rumbling and tumbling cause that shit can't keep going.

Hollis

Pull up the social media.

Spread the fucking word.

Even I know social media is absurd.

Spread the fucking word.

I see y'all typing.

Go ahead and get to writing.

We ain't hiding.

We ain't shying away.

I want to be all over your social media page.

Green

I'm one wrong word away from losing it all.

But if another motherfucker tells me to take a deep breath I'll risk it all.

Cock back a fist like every white radical cocks back a gun

Let that bitch go and don't let a motherfucker run.

and 

Guess I've been doing a Rocky.

Letting my head get beat in

Till I go brain dead

Can't tell you what my plan is

Struggling to speak over my incompetence

That's got the speaker on full blast

So strong the windows rattling

And after a while, I take to aggressive actions.

Taking my fucking body and slamming it against.

All those opposing things that discredit.  

Peace

I know my throat is bleeding

But shit!

I'm still going to scream.

A bitch needs a victory!

and 

We

Don't

Think

You

Deserve

The

Things

You're

Asking

For.

Shut up and listen.

Who told you to put your thoughts and feelings into this?

Absolutely disgusting.

You're not good enough to get the full cut!

You're not rich enough

Sorry, I meant valuable enough!

Crap did it again!

Not worthy enough!

Bleeep enough!

Elliot

Fill the silence.

Your voice is stronger than mine.

My voice is feeble

After years of idling

Idling is this weird abyss.

Scream out your feelings little man.

They can't always be forced within.

and 

But you've proven unworthy

Dumb, deaf, and you don't care to listen

I'm--

You're not even good enough to be an honorary mention.

Saz

You ever look into his unblinking eyes?

The purple dinosaur out to steal your kids.

Trying to give the affection their momma wouldn't give.

Run from the big purple dinosaur.

That man gonna steal your kids.

Won't resist giving these kids an unhealthy squeeze.

As he seizes the product of your unwanted accident.

Julie

So I opened my arms wide and screamed up to the sky

"I regret being here. I regret being alive."

Now I'm here.

Soulless, never truly knowing if the breath I'm breathing is mine.

But I kinda like the absence of mind

Cause now all the bad thoughts ain't even mine.

and 

I remember being unabashedly myself and being mocked by family members.

Mocked by strangers.

Mocked by students dragging themselves through the day with superficial grins and words that burned like a snake's venom.  

Mocked enough to take a step back and watch from the outside.

Cause getting mocked enough will twist the mind.

And I hate to admit it but it twisted mine

Ian

I'm tired of diving so deep into my thoughts.

The pressure of the water crushing my bones.

Sending my organs oozing out of orifices I've never even thought of.

I can imagine myself sinking.

Sinking so damn deep there ain't no more light.

And my corpse is a snack to the mysteries beneath.

I'm exhausted.

Damn I'm exhausted.

and 

But I joke about it now.

And like the seagulls that swarm the bay they all laugh with me.

Not acknowledging that they were the same ones laughing at me.

Mocking and excluding me.

Because I only fit one thing in their teen perspectives, far to shallow to conceal my body.

[thevioletcaptain]

was just making my morning cup of tea when my brain inexplicably dished up a long forgotten memory of what must be the most poorly thought out and cartoonishly offensive reality show ever produced (yes, even worse than milf island manor or whatever it’s called) and i had to google it to make sure it was actually real because frankly it seems like it should only be a wildly problematic fever dream.

but no, it was real.

it was called black. white. and it followed two real american families™ supposedly "swapping races" using hyper-realistic "makeup effects" and then going off to interact with society looking like rdj in tropic thunder and the wayans brothers in white chicks in order to "understand" racism and privilege (i mean presumably that was the point but yikes)

and this was not a show made in the 80's when you might expect some coked up executive to have thought it was a good idea, either. it was in fact made in 2006. and wikipedia is telling me that ice cube was one of the producers??

genuinely what were they thinking with this mess??????

[headspace-hotel]

i'm...thinking about writing a book?

I mean. I feel really silly at the thought because i'm not like a scientist or anything, i'm barely at the beginning of my knowledge journey, but...being a writer was what I always wanted to do. It's what I've been doing ever since I could remember. And I'm constantly, constantly just so full of things that I want to tell the whole world. I will have a realization or idea and think, oh my god. Everyone needs to know this. But I can't tell everyone. I'm not good at talking.

I'm good at writing. But I will sit down to write a post on my silly little blog and get so overwhelmed by the SCALE of everything I want to say.

I think I've already started to write a book. I think the space for these ideas to fill is already the size of a book and it will never have any smaller of a size, and no one else will come along to write the book, and no one else CAN write the book, and IT HAS TO BE WRITTEN.

I want to write about the ways of the plants, of course. I want to teach how to transplant and how to gather seeds and the properties of keystone species...but more importantly, I want to write about how to learn the ways of the plants. I want to promote the habit of insatiable curiosity and intense observation. I want to show everyone that everything everywhere is infinitely interesting and mysterious, and if you pay attention to the plants, they will teach you.

I want to write about Symbiosis. I want to write about how we are connected to every other thing, how we have our own ecological niche as Caretakers, and our own special adaptations of curiosity and love. I want to write about how the ecosystem needs us to participate in it, not to cut ourselves off from it, and how our powerful influence on ecosystems can be for good or for bad. We are not a disease. We are a Keystone Species.

I want to discourage this Euro-centric idea that sees humans as separate, and recommend more reading from indigenous points of view that understands ecosystems better and sees humans as participants in nature, engaging in a reciprocal symbiotic relationship. I want to speak against all this talk about removing humans from half of the Earth or reducing the human population, and show other people that despair and fear make you paralyzed and powerless, but hope is powerful.

The most important and powerful thing you can do for your ecosystem is to love it. It is necessary to have hope for the future—to learn to imagine a future of restoration and renewal, and to build community with other people working toward that future.

If we don't imagine a future for our ecosystems, imagine them boldly and audaciously in ways that feel crazy and impossible, those futures will not happen. But just the act of saying, "This WILL happen. We WILL be okay." gives you the strength and energy to fight and it gives you the creativity to come up with solutions you never could have thought of before.

And I feel I have to explain, how did I end up listening to plants? And how did the teachings become so important that I had to write about them? There's this black, swallowing abyss underpinning all of who I am, some intimation of a reality so terrible the human spirit breaks beneath it. I had a mental health crisis back in 2021 where I was pulled deep into that abyss, and when I started rescuing little plants and caring for them, I was basically re-learning how to be human.

I feel like I was seeking answers to "How am I supposed to live in this world?" in the natural world because the human world of poetry and books and articles and think-pieces had utterly failed me in that regard. I had taken multiple poetry classes where I had read all the best contemporary poems, and all the poets just wrote flat, plodding, blunt descriptions of their trauma and despair. Nothing is wrong with these topics, but the worst part was how these authors didn't even take themselves seriously; they had to be detached and ironic about their own pain, like a snarky dystopian novel hero who jokes casually about the horrific reality they live in so the reader knows that this reality is normal and unremarkable to them—and even more importantly, that the hero is ironic and cool instead of responding in a vulnerable, human way.

And speaking of dystopian novels...there were a lot of those! It was like all the visions of the future I had read were dystopian. Even I had been writing a dystopian novel. But I realized that I wasn't wise enough to tell that story yet. I didn't know why at first. But then, as I was reading everything people were writing about climate change, I began to realize.

I saw a lot of patterns between the way people wrote about climate change and the tendencies of self-harm and self-defeat that gnawed inside me. Suicide was something that I had never struggled against, but I understood that suicide was only the most striking manifestation of a self-annihilating way. Sometimes you feel like by hurting yourself, you are being transgressive, exercising autonomy against an absolute, crushing reality. It doesn't have to be physical hurt; it can just be deciding no one will like you and denying yourself love, or thinking "Well, there's no use hoping for anything good to happen."

This is how people talk about climate change. They fantasize about extreme, horrific scenarios and talk as if the Earth is already dead and destroyed, and they talk about humans hatefully and as if they were a disease, and then congratulate themselves for seeing how bad it REALLY is instead of being in denial. It is easy for people to get attached to this and even get mad when someone suggests there might be hope, simply because self-harm can be very psychologically reinforcing.

It is common to call these responses "climate grief." But as I came into this very simple and quiet yet profound encounter with Nature, she had an answer to this philosophy that was perfectly gentle and placid and yet caustic enough to strip paint:

"HOW CAN YOU WISH FOR THE STRENGTH TO GRIEVE THE EARTH, WHEN YOU WERE NEVER STRONG ENOUGH TO LOVE IT?"

I realized, with a breaking heart, that I had always hated and resented my back yard and my home town, because it was an ugly place that seemed to me "Already destroyed," and my soul ached for woods and wilderness.

It had taken me 20 years to fully admit my love of nature, because I felt like there was no point in acting upon it—everything would get destroyed anyway.

I had not been brave enough to love the woods across the road, the creeks and the hills, because they were so fragile in a world that didn't respect them, they could be destroyed by some housing development at any time. So I just accepted that it was already a lost cause.

But it was time to be brave enough—not to accept despair, but to choose hope.

To grow up, first we had to become strong and get rid of silly beliefs like hope and fairness and love. But now, we have to become even stronger and start believing in those things again.

[sivyera]

DATING MALE CELEBRITIES WOULD INCLUDE...

ft. tyler hoechlin, jacob elordi, tom cruise, jeremy sumpter, robert pattinson, cillian murphy, henry cavill, tom hardy, sam worthington, tom felton, rupert grint

a/n: i was focused on actors that doesn't get much attention but if you have any other celebrity in mind, please let me know in the comments! also i don't know if this is good because i included their favourite things, hobbies etc (with you ofc) just to make it more detailed and not boring... so i hope you guys like it:) if you want more detailed fic or just about one celebrity, let me know!

༻♛༺

⤷ Tyler Hoechlin

-Tyler writes you love letters. Pretty often. When he cannot be with you or is busy with his job, he'll sit down at night when he's alone and write you a letter about how much he misses you, how he's doing and about his job.

-Tyler loves sports, mostly baseball. So he'll take you with him to play baseball; he doesn't care if you don't know how, he will be happy when you just throw a ball to him. He'll take you to hockey matching or ice skating, if you don't know how to ice skate, don't worry he'll gladly teach you.

-He can talk a bit Spanish so he'll sometimes call you by Spanish pet names like cariño, mi amor or querida. And he'll be all cheesy about it which makes you laugh but it's also really sweet when he does that.

-Tyler loves his family so he was a bit nervous when he first introduced you to them, because their opinion mattered to him but he also loved you. But his nervousness disappear right after you and his family clicked. His family loves you which makes Tyler so happy.

-He plays guitar so he often plays to you. He loves how your eyes light up when he plays, he just loves making you happy and if he's making you happy by playing on his guitar, he'll gladly play all day.

-Tyler also loves traveling so when he has a week off, he takes you somewhere to the forest camping or to the ocean to relax, depends where you wanna go.

⤷ Jacob Elordi

-Jacob would post you on his instagram like ALL THE TIME. On his stories or just regular post because he loves to show you of. He will also post the most random photos of you that you didn't even know he took. But he loves every single one of them.

-Because of his role on 'the kissing booth' he learned how to drive a motorcycle so sometimes he takes you for a ride, it makes the both of you feel so free and you are with each other.

-No surprise that Jacob loves sports. His most favourite are basketball and surfing. Which means he takes you to play basketball with him or watch him how he plays with his friends, cheering for him ofc. When it comes to surfing he'll gladly teach you but again he prefers when you cheer for him or just watch him after that you two will have a playful fight in water.

-Jacob is a huge cuddle bug and he just loves when you lay on his chest so he can wrap his big arms around your tiny figure. When he cannot cuddle with you he will have one of his arms on your shoulder or around your waist.

-Jacob is actually a fan of poetry so you often find him reading it, but he will be over the moon if you read him his favourite poetries. You two will also have deep conversations about the true meanings of the poetries.

-He's a huge dog lover so it will be no surprise of you two get a dog, maybe two.

-He will get your name tattooed on his chest close to his heart. And you two will get matching tattooes.

⤷ Tom Cruise

-Tom loves skydiving which makes you a bit worried all the time since it's a extreme sport but if you are also a fan of extreme sports than he'll take you with him.

-Tom likes junk food like chips, fries, coca-cola etc. so you two have almost everything that comes to your mind at home. When you two watch a movie and cuddle on the sofa, he always has some chips or popcorn.

-He loves when you read to him and he really appreciate it because he loves hearing your voice and he has dyslexia which makes it hard for him to read. He usually lays on your chest while you read to him and play with his hair.

-He's a pilot and he own several aircraft so when you need to relax and he needs to take a break from his job, you just get into one of them and fly wherever you two wants.

-Tom loves under water scenes, which makes him love water. Like I said when you two needs to take a break from work and the fame, you fly in is aircraft somewhere and the 'somewhere' it's mostly somewhere where is hot weather or beach or ocean/sea.

-Tom is famous for doing all of his stunts because he's a adrenaline junky but it makes you sometimes worried because it can be dangerous. He always make sure that after a stunt he goes to you, tells you he's okay and kiss you.

⤷ Jeremy Sumpter

-Jeremy loves traveling and his favourite color is green, which leads you two take a trip to the forest, pretty often. Just walking around, listening to the singing birds, holding each others hands and having silly or deep conversation, depends on the day and mood.

-Jeremy is a dog lover. He has a dog named Bear and he takes him on the trips to the forest you two go. Bear absolutely loves you which makes Jeremy happy.

-He loves your cooking but he himself is a bad cook so he either helps you, but you have to give him detailed informations or he just hugs you from behind and watch you cook. If you make his favourite food he will be the happiest man alive, his favourite food are spaghetti.

-Jeremy also loves sport and to his favourite ones belongs baseball and soccer. He used to play them when he was a kid so his mom shows you some of his photos where he is in a dress or something. He also takes you on matches and explains you all the rules.

-He also loves water and swimming, so when you two goes on some vacation is usually somewhere to the ocean.

-Jeremy loves the movie called 'The Deer Hunter' so you two watch it like all the time while cuddling on the sofa or bed. His face in your neck, his arms around your waist and your hand playing with his blond curls.

⤷ Robert Pattinson

-Robert is a music lover, he wrote few songs and he can also sing pretty well so it was no surprise when he wrote a song about you, then sing it to you while playing on the piano.

-He's fluent in French so when he's feeling extra romantic or just in a playful mood, he will talk to you in French or call you by some French pet names like Mon amour or Mon chéri, otherwise he calls you darling, my love or baby.

-Robert loves cooking and when is it with you, he's even more happy to do it. Sometimes when you are exhausted from job, he'll prepare you a nice dinner and visa verse.

-You two watch war, drama or horror movies together. For example 'The Exorcist' or 'Come and See' are the type of movies you two watch together, because he's a fan of paranormal same as you, which leads to deep conversations. Rob is hugging you from behind while still laying down on your shared bed. Him kissing the back of your head once in a while.

-Robert is a dog lover, he always helps the homeless dogs but he can never keep them. You two will soon get a dog and it will be one of the best decisions Rob could ever make (the first, best one was to start dating you).

-Rob is literature fan which means picnic dates. You two somewhere private, laying on a picnic blanket with some homemade food, reading books and then having deep conversations about them.

⤷ Cillian Murphy

-Cillian also loves music so it will be no surprise if he will made a song about you and he'll gladly sing it to you. He didn't write you just a one song, you have a full album of his songs that he gave you.

-At nights were you have a trouble to fall asleep, he will read to you. He will read you another chapter of your favourite book or poems he wrote (they are often about you). After he's done reading, he'll hug you tight with your head placed on his chest, rubbing small circles on your back with kiss on your forehead.

-Cillian is also a big fan of literature and he loves when you give him recommendations. He doesn't care what genre the book is (detective, romance, horror,...) if you recommended it to him, he will read it.

-You two end up getting a dog or a cat, maybe both. Because Cillian is an animal lover, you will do most of the job around the dog/cat because Cillian is often really busy but he'll always make a time for you.. and the dog/cat.

-He's big fan of a Liverpool football club so you two will often be seen on their games with matching t-shirts and caps.

-His favourite part of the day will be night (or every day time he can spend with you) because he can read to you, have you in his arms, cuddled up to his chest while placing soft kisses on your forehead, cheek, lips, neck (any part he can reach)

⤷ Henry Cavill

-Henry, to your surprise, loves playing games on his PC. When he plays he'll have you sat on his lap with his arms idly wrapped around you while still having his hands on the controller/mouse. From time to time he'll kiss any part of your skin he can reach (cheek, neck,..).

-He rides a motorcycle and he loves when you wanna ride with him. Your arms wrapped around his waist while just riding around with no care in the world.

-Henry can speak a bit of Italian, French and Spanish and if you will help him to get better in those languages, he'll be so grateful. But this 'learning dates' you two have never goes as you planned, because he is always distracted by your beauty.

-He also loves cooking so if you had a bad day, Henry is already waiting at your house with dinner and fresh flowers.And for dessert, a warm bath with soft kisses all over your face.

-Henry can ride a horse so one of his ideas for date is a picnic at beautiful meadow but getting there on horses. If you can't ride a horse that's fine, you will sat behind him, if you can ride a horse maybe you two will even race who's gonna be there first.

-He loves cuddling you, because you feel so small in his big arms. He loves having his arms wrapped around you because it makes him feel like he's protecting you but when you stroke his hair he absolutely melts into you.

⤷ Tom Hardy

-Tom LOVES motorcycles. And he LOVES you, which means that you and him are often seen by paparazzi on his motorcycle either just for a simple ride or with packed things ready to sleep somewhere in the woods in tent or something similar.

-Tom loves challenges, so on these trips on his motorcycle, he makes sure there are some adrenaline, challenging stuff like jumping off of a cliff to clear cold water.

-Going into the gym together, watching him workout OR workout with him, but if you do work out with him he'll make sure to have easier workout with you because he's much stronger than you and he doesn't want you to hurt yourself.

-Tom loves reading comic books and he has one special comic book with Venom placed in the living room.

-He has a dog named Woody and when he's busy with acting, you will watch after him. Taking him out for walks, cuddling with him, playing with him and when he comes back and makes time for you and Woody, he'll make it up to the both of you.

-Tom has many tattoos all over his body so it's no surprise when one night when you two were making out you find out that he had you name tattooed on his lower belly near to his dick.

⤷ Sam Worthington

-Sam loves rock climbing for two main reasons, it's a excellent way how to relieve stress (besides spending time with you) and he can show off his back muscles, because he knows you love it.

-He's a lover of extreme sports so you can often be a bit worried that something can happen to him, but he always calms you down a bit with a kiss on your forehead. If you wanna try some of extreme sports with him, he'll be so happy.

-He's also a nature lover so trips are usually somewhere quiet and in nature, forest, meadow,... he loves going on trips with you because you two can be alone in peace and he can have you all to himself.

-He's an australian so it's no surprise he loves surfing. If you never tried it he will teach you but he won't be much focused on teaching, he's focused more on you and your beauty.

-Sam loves music AND he can play on the guitar and drums. He will take the guitar on the trips you two have, playing some songs you love on the guitar to you at the campfire.

-He also draws a lot. Many of his drawings are you or for you or of your favourite things. Please don't mind him, he just loves everything about you.

⤷ Tom Felton

-Everyone knows that Tom never left the Harry Potter fandom and you love Harry Potter as well, so it wasn't surprise when Tom posted you and him in a Harry Potter merch (him in Slytherin colors and you in your own house colors) on his instagram.

-He has a dog named Willow so his wallpaper is you holding Willow in your arms with Harry Potter merch on you (Willow has his Slytherin scarf and you have his Slytherin sweatsthirt)

-Again Tom as many other actors, loves music. He writes songs, sings, plays on a guitar. Many of his songs includes you and Willow, your relationship or his emotions.

-He will have your name tattooed near to his collarbone with a little heart next to it.

-Tom will show off his skills on his skateboard. He can skate pretty well and he's always so smiley and happy when you compliment him. If you ask, he'll also teach you few basic tricks but prepare for some bruises from all the falls, he'll kiss you as many times as much bruises you will have.

-Tom loves when you give him back massages, doesn't matter if you massage him with some fancy oils and with you palms stroking up and down on his back with some gentle rubbs or he can lay on your chest and you can scratch his back with you nails.

⤷ Rupert Grint

-Rupert loves ice cream and at one time he bought a ice cream van and gave ice cream to all the actors from Harry Potter with you helping him. He'll often take you on a ice cream date or will cuddle you while watching movies and eating ice cream.

-One of his favourite actors is Jim Carrey, which means you two often watch movies where he played and you somehow managed to get him a autograph form Jim, which made him incredibly happy you can't even imagine.

-If you two are not watching movies with Jim Carrey then definitely MCU movies, because he's a fan of marvel.

-Rupert love Artic Monkeys so when you two bake together there is always one of their songs playing softly in the background. He will often mumble the lyrics without realizing and if you point it out, he'll blush.

-Rupert is a dog lover so you two often visit nearest shelters and play with the dogs there. Rupert and you fell in love with one of the dogs, dalmatian named Teddy, so you adopted him. After a year you bought another dog but this time not from a shelter but from a verified seller.

-He loves photographing and his favourite things to photograph is you and your dogs, no wonder that there are so many pictures of you two or the dogs around the house, but he keeps his favourite besides him on his night table.

[dovesndecay]

It's June! It's Pride! It's (my) Birthday!

The Introduction Spiel:

Hi, I'm Reyah! (any pronouns! no really, go for it!) On June 21st, I'm turning 32, an exciting and mysterious age to be!! (So I've heard)

Warning: This is a post asking for financial help, and if there's one thing I would ask is that if you read the whole thing: please reblog.

I'm a multiply-disabled queer person of color, a writer, artist, and photographer. I live with three of my best-good-pal-friends, (@renthony, @kryptidkhaos, and @natalieironside) and our collective army of pets.

We all know it's damned hard to be all these things at the same time under the capitalistic hellscape we're living under, and we/I am always in need of a lot of help with the existing.

I ended the month of May with some smaller bills left still to pay, but am thankful to say that June already had fewer bills than usual due, and the amount I need to start the summer off right is actually less than I was afraid it would be! Woohoo!

What I Make

I mentioned my artistic endeavors, let me show you them!!

Writing

I write less often than I'd like, but I share poetry and shorts, when I have them, on my Patreon!

You must be over 18 to pledge, as I have, can, and will again share Adult Content occasionally. Patrons pledging at least $1/month get access to all content. But most posts becomes free to access eventually. :)

When I do longer form content, I primarily write fantasy with a focus on queer brown characters with disabilities, mental illnesses, and disordered attachments. Because therapy is expensive, and writing is free.

Photography

I do wildlife and landscape photography, primarily, but you can also check out my portrait and event work on my website! You can purchase PRINTS HERE.

And because it's my birthday, I'm offering a 32% discount code for all my prints! The code is good from June 1st to July 1st!

A Note, if you purchase a print: first off: thank you. (please feel free to send a photo of wherever you display it!!!) secondly: this will not go towards the received totals on my financial need because Pixels doesn't pay out until nearly 2 months after the purchase. Funds made from sales will go towards future needs.

CODE: PDHHTR

Artwork

I've been exploring art, both analog and digital, a lot more lately, and have shared both process photos and final drafts on Patreon! Here are just a few examples:

I admittedly don't post on patreon as much as I wish I had the energy to, but I try to make at least one thing a month, provided I have the spoons and time.

Creativity is, like, a level 5 spell slot when you're disabled and impoverished, and I appear to have exactly One (1) of those available at any given time.

The Needs:

The Bills: $1,100

Yeah, we had to get here eventually. Since this post is already pretty long, I'm putting the rest under a cut.

More than half of this, as always, is just for the car payment and insurance that keeps the regular day-job-haver getting to said job, and all our medical appointments, errands, etc.

I still owe around $13,000 total on Johnny Car, but I think we all know that's just not a real number.

The rest of the funds would go toward paying the small subscriptions, for my various medications, and the regular attempts to whittle away slowly at the $4,300 worth of other debt.

($2,200 of back taxes, and $2,100 of credit card debt, and gods, do I mean slowly. Interest piles up so much faster than I can seem to whittle.)

If you're able and willing to help with paying the bills, direct donations can be made here:

PayPal | (link)

Venmo | (dovesndecay)

Cashapp | ($dovesndecay)

If you can, and only if you can.

The It Would Be Cools:

Since every dime that comes in goes primarily towards food and bills, there's little left afterward to be put towards other life necessities like clothes, toiletries, let alone things I just think would be nice/neat/nifty to have.

I have a High Priority wishlist. It's mostly art supplies, bulk toiletries, etc.

I'm woefully low on clothes, being short, fat, and trans, so very little of what I own actually feels good to wear so much as it simply covers my body. I have a wishlist of clothes that would be nice to have.

For everything that firmly lands under the "I just want it" category, I have an Enrichment list. It's mostly stuffies, but also games, room decor, hobby supplies, books, and stim toys.

Our household keeps a big wishlist for things we need, want, groceries, accessibility products, and everything in-between.

Okay, now what?

Well, now, I'm gonna ask that if you got to this point, and if you can't/don't want to do any of the things listed above, then please reblog this post.

The more people that reblog it, the more likely I'm able to pay my bills for one more month this year.

But if you don't, it's not like anyone's gonna know. I'm not omniscient, I swear.

Anyway, I don't expect anyone to do anything if you can't or even if you just don't wanna, but if you can and you're willing to, it means the world.

I didn't think this is where I'd be at 32. But I never really expected to get here at all in the end, and it's a lot nicer than I thought it would be. Mostly because I am surrounded by amazing people who have the capacity to be so much kinder than I will ever have the words to describe.

Thank you, and to all, a happy pride!

🧡💛💚💙💜🤎🖤

[prettyboypistol]

merc Valentine headcanons if you're up for it?

TF2 VALENTINES HEADCANONS!

no art for this post because I've posted 3 times todayyyy

Scout

ridiculously corny and a tryhard- you're getting the whole shebang with him! Flowers, dinner(?), a teddy bear!

gets really frustrated/anxious when things don't go exactly as planned

you thought his planned pick up lines were cheesy? just wait til you put him on the spot. You could probably quote them all from specific books of pick up lines.

Soldier

He'd make an honest effort to try and romance you- but nothing would really turn out as you would expect traditionally. With your luck, the date will be fighting a pack of bears for more of his honey stash!

In the end though, you can tell through Jane's actions that he loved you with all his heart. Even if the romance was a bust, he's still going to be your ride or die forever!

The day would end with you two covered in various ratios of blood and honey staring at the setting sun. So I guess that's a win?

Pyro

Doesn't really have a concept of Valentine's Day, but once explained to them, they are so on board with pampering you the entire day!

Of course, the way to make their day is to just relax by a bonfire and snuggle up next to a radio.

They give you one of your shirts back as a gift- only to see that they embroidered little rings of fire around the cuffs! (who let them touch needles????)

Engineer

definitely a lot more relaxed about valentines than most of the other more "passionate" mercs, but he's still earnestly sweet nonetheless.

His gift to you is a little music box he made and a rose he welded together out of sheet metal.

Dell probably had your gifts done ahead of time then subsequently forgot what day it was (you had to remind him of the dinner date that you two planned earlier that week)

Heavy

Mikhail lust loves kissing and loving on you, he will play coy about valentine's day until the evening, where he spoils you senseless.

Dinner and drinks get shared over a movie and cuddles. Nothing feels better than your big teddybear of a boyfriend and the smell of mulled wine as you laugh at some stupid movie you two are barely paying attention to.

Once you fall asleep in his arms he murmurs poetry to you in Russian, all of them written just for you.

Demoman

He... well, honestly, he kinda blows it.

He remembered the special day, but he's really just lackluster. Valentine's day is just another day to him and he thinks he doesn't need a specific day. When he realizes that you are hurt, he overhauls it in the next few days. He shows off the multimillions that he actually does make and pampers you rotten.

Apologies and kisses and wonderful dinners aside, Tavish holds you close and murmurs just about how much he loves you.

Medic

He trained his doves to do little tricks just for youuuuu awww

Remember that shitty ex you had? Yeah, that's their heart. Mhm. Yep. Go ahead. Stab it. :) (Gift giving, act of service, quality time)

Puts a record on and dances you around the medical room with little kisses and flirtatious lines of how cute you look when you're flustered and trying not to step on his feet.

Spy

Romance KING! The fright of commitment is still there and paralyzing at times, but he powered through it for you! After all, you see him at his worst every day and to see him, he is slightly more comfortable to be honest with you.

Roses and a bottle of wine are in your room, along with a card signed by "Your handsome rogue"

You two go to dinner and then to his smoking room to really relax, those parfaits were perfectly handmade just for you two.

Sniper

He invites you out to camp with you and hunt, but he really liked showing off his survival skills in front of you. You ever had gator?

Mick loves cooking in front of you and really putting on a show. It feels like the one time he can really accept praise is when you look in awe.

Everything is done for you whenever you try to do something. Making coffee? "Nah love, I'll get it." Your back hurt? "Lay down, chickadee, I'll give you a massage."

[neptuneiris]

could you pretend to be in love? (06/10)

The Connection

pairing: modern!aemond × fem!reader (fake dating)

summary: an unexpected person from the past shows up and there is a family dinner to attend, resulting in disastrous thoughts and difficult decisions.

word count: 8.9k

previous part • next chapter • series masterlist

the chapter is finally here!

sorry it took me so long, if you didn't see my last post go do it and you'll know why👀 but we can put it behind us now and I'm excited to tell you that the next chapter will finally give us that next level we've been waiting for so long!

I really hope it won't take me that long but for now, let's enjoy this new chapter and as always, I'll be very anxious to read your comments🥰

enjoy!

The day of the dinner is slowly approaching.

And you still don't feel completely sure about it. However, despite your doubts and worries, you haven't backed out.

Mostly you think about what you're going to tell Aemond's mother by way of ruining things out of nervousness. Of course he should have already given her information about the relationship, but you're worried that she'll ask you questions and you won't know how to answer.

But that's not the reason she wants to get to know you… is it?

You think she probably just wants to know more about you, your likings, your non likings, your aspirations in life, your dreams, your family and things related to that.

Right?

You just hope so.

You've never done this before, meeting a guy's parents, ever. And you just get more nervous and feel more pressure knowing that Aegon and Helaena will be there too.

As well as you also feel guilty about the fact that they all think that you and Aemond are for real and you're just going to go there and convince them and assure them that you and Aemond are crazy about each other… when it's not true.

Now it's Thursday, tomorrow is dinner and Aemond doesn't seem at all concerned about it, when your thoughts are being completely tormented with it.

Still, you listen attentively to his words as you put away some books in your locker and he's standing next to you, leaning against the lockers, with the Romeo and Juliet book in his hands.

"Why did you make me read this shit? It's too hard to read and I don't like it," he says longingly.

You look away from your books to him and place a small amused smile on your lips at the sight of his face.

"It's like poetry and I don't like poetry, I don't understand it," he says frustrated, "I don't understand any of the weird rhyming they say."

"Well, Shakespeare has a unique way of expressing himself."

"Yeah, but what does he mean by 'My lips, two humble blazons, are ready to seal with a kiss softly'?" he recites reading the phrase with his brows furrowed and you let out a small laugh.

"Shakespeare loved beauty in words, even if it meant complicating things a bit."

"Yeah but why can't he just kiss her and be done with it without saying these weird words that give me cringe?"

"Come on," you give him an incredulous look, "It's romantic. The whole book is romantic with a tragic ending."

"This is definitely not romantic," he says incredulously and shaking his head, "It's weird, boring and makes me want to puke."

You look at him with a pout.

"You're not romantic at all."

"Excuse me?"

He immediately comes to defend himself, staring at you incredulously and completely indignant.

"I can be extremely romantic, thank you very much."

You raise your hands in a gesture of surrender, with a small smile as you see the spark of amusement in his gaze.

"You of all people should know that, you've witnessed it and you're the reason I do it mostly," he adds.

"But that's not… you know," you give him an expectant, knowing look.

"It's still romantic."

"No, it's not," you say with a laugh.

At your playful response, still busy at your locker, you don't notice and Aemond suddenly approaches. He takes your chin with one of his hands gently but firmly enough, causing you to look up at him, catching you off guard.

"What did you just say, my love?" he asks with a mischievous smile and amusement in his gaze, appearing serious and warning.

He brings his face closer to yours with a demanding gaze and your heart begins to pound as you let yourself be carried away by his proximity.

It is clear that he is going to kiss you, what does this mean if not kiss you? So you watch him expectantly and with your face lifted towards him, really looking forward to the sweet contact, your lips inches from his.

But first Aemond looks around briefly, wanting to make sure that some students in the hallway are watching you. When then, you see that he is overlooking a specific spot in the hallway.

You see how there is a slight glint in his eye and then he no longer moves.

You frown slightly, waiting. And before you can say or do anything, Aemond suddenly pulls away.

Confusion overtakes you and he clears his throat by averting his gaze, then smiles softly at you as if he wasn't about to kiss you seconds ago.

"Then I'll be more romantic next time," he says, taking his distance from you, as if trying to minimize the tense moment you've just shared.

Was he going to kiss you or not?

You can't just tell him to kiss you either, that he was going to, since this isn't real but… the change in his behavior confuses you, you don't quite understand what just happened and you don't know what to say.

"I have to go to the field now," he tells you, averting his gaze for a moment before looking at you again, "I'll see you in class, okay?"

"Hum… yeah, yeah, okay," you nod, still confused.

He gives you one last smile and before leaving, he gives your shoulder a light squeeze with his hand, another gesture that catches you off guard. Without a kiss on your forehead or cheek, as he usually does, he walks away.

You stand in the hallway, watching him go, with a mix of emotions you can't help but feel confused, uncertain and... disappointed.

Questions swirl around in your mind, but you don't have any answers. So shaking your head to clear your thoughts, you close your locker door and head to your next class.

Eventually you continue to run into him and he acts normal, as usual. He sits next to you in class, does the teacher's requested activities with you, and walks with you through the halls to the next class.

And everything is…normal, in a way.

Although he's still being kind and attentive, he's not being as affectionate as usual.

You can see how he's distracted, deep in thought from time to time, something is on his mind, something that you have no idea what it is but that keeps you alert, confused and makes you feel completely different from previous days.

You sense that the dynamic between you today has changed somehow, leaving you feeling bewildered.

And you don't know why.

Although it's not until break time that you find yourself sitting at a table alone, still feeling this awkwardness, when Alysanne comes in and drops the big bombshell on you that makes all the sense in the world.

"Why are you here eating so casually when I just saw your boyfriend catching up with his other ex-girlfriend?"

You raise your gaze to her almost instantly, with a mixture of surprise and confusion, a knot forming in your stomach as the weight of her words settle on your shoulders.

"What?"

"Yeah, Floris Baratheon," she says, then looks at you slightly confused, "How did you not know this?"

"What?" you repeat, not understanding.

"Floris Baratheon," she repeats to you slowly and clearly, "Dark hair, not as tall and certainly not as bitchy as Alys but still she falls into the category of girls who are superficial and think they are better than other girls," she explains to you.

Confusion lingers in your gaze, for despite the explanation, you still don't remember anything about a girl named Floris Baratheon at school.

"You really don't know who she is? Aemond didn't tell you about her?" asks Alysanne incredulously and your face answers her questions, "She transferred schools for a semester and just returned this morning. She and Aemond weren't actually dating but they had a thing when he and Alys broke up for like the twelfth time."

Your mind whirls as you process the information.

Honestly you had no idea about Floris' existence back in your invisibility days at school. Therefore, you also had no idea that she and Aemond had ever had any kind of relationship.

However… there is something you have an idea of at the moment.

This is why Aemond acted weird with you this morning, because of her. He must have seen her in the hallway and his demeanor changed completely.

"I-I didn't know that," you admit in a soft, low voice, trying to hide the uneasiness that is starting to creep up on you.

"Well, it's weird that Aemond didn't tell you anything, especially since I saw the two of them so comfortable and happy talking," she lets you know, "And I'm not telling you this with any malice or to make you feel bad, it's just that I think you should know, even though I thought you already knew."

You bite the inside of your cheek, feeling a surge of emotions wash over you that you can't quite explain, nor can you avoid.

You're not sure what to think or how to react to this, but one thing is for sure; things between you and Aemond are likely to get complicated.

But what can you really do?

You and he aren't really dating. What's the point of asking him about it when it's really none of your business? Besides if he didn't talk to you about it before, when he saw her, it must be for this very reason.

You have no right here, even if you feel this.

"Do you want to get out of here?" asks you Alysanne later, noticing your face and probably everything that is invading your mind.

And soon enough, she takes you to the rooftop of the school, outdoors, where you just sit and watch the sky and listen to her while she smokes a cigarette, talking to you about Cregan being around her lately.

But as much as you want to give her your full attention and corroborate what she is telling you, you can't.

The rest of the classes are without Aemond, since you don't share them with him, and when the school day ends, still not knowing exactly whether to wait for him to drive you home or not, you head for the exit of the building, deep in thought.

"Hey."

You feel a hand grab your shoulder and when you turn your head without stopping moving forward, you find Aemond standing next to you.

"Hi," you reply softly, turning your gaze back to the front.

And he at your side gives you an attentive, curious and slightly confused look.

"Are you okay? I didn't see you at break," he says softly, "I also texted you and you didn't respond."

"Oh," your mind goes blank for a moment, "I was with Alysanne on the roof. She was talking to me about some things."

"Hmm," he nods, still watching you between a mixture of attentive and curious.

Then the two of you say nothing more, with the silence loud between the two of you and that tension emanating from your body, when you speak again.

"Are you going to drive me home today?" you decide to ask him, watching him, with that hesitation in your tone of voice and look.

And he frowns, watching you blankly.

"I always drive you."

You are about to speak but a third voice does it for you, stopping your steps and also Aemond's.

"Aem!"

The two turn their heads and there she is, Floris Baratheon.

Black hair, brown eyes, slender and absolutely beautiful features. She approaches with a smile, showing off her perfect, aligned teeth.

Everything about her screams money, as well as elegance, from her perfectly coiffed hair to her impeccable designer clothes and accessories.

And the moment she catches both your attention and Aemond's, you notice how he beside you tenses slightly.

"Hey," she gives him a charming smile and her full attention, placing herself in front of him, "The guys are going to get something to eat, I was just told. Do you want to join us? We can take off in your car and catch up some more."

"Hum…" he is silent for a moment, shooting you a nervous glance, scratching the back of his neck.

And throwing you another glance, this finally catches Floris' attention and she notices your presence as well.

"Oh… hi," she smiles softly at you.

Despite your nerves and how uncomfortable you're starting to feel, you force yourself to smile as kindly and genuinely as possible.

"Hi."

"I'm sorry, I don't think I know you," she tells you in an exaggeratedly kind tone of voice.

And this too finally gets Aemond to react.

"Yeah, right, that's my fault," he says trying to act nonchalant and completely relaxed, "Floris, this is Y/N, m-my girlfriend."

You watch as she parts her lips and her surprise is evident as she looks at Aemond and then turns her attention back to you.

"I-I didn't find the moment to tell you."

You instantly observe Aemond, with a look that even you can't explain and he suddenly can't control his nervous gestures anymore, giving a wary glance to you and then to Floris.

"Oh."

She turns her gaze back to you and though she tries to hide her surprise, the strength of her smile seems a bit forced as she holds out her hand to you.

"I'm Floris, nice to meet you."

And within everything you're feeling right now, like awkwardness and feeling out of place, you still shake your hand with hers.

"Nice to meet you."

Tension is in the air and Aemond looks hesitant for a moment. And you continue to feel like an intruder between them, getting in between the interaction of two people sharing a history you don't fully know about.

When Aemond speaks again.

"Floris is my…

He tries to tell you, but his words are left floating in the air.

Suddenly you see how he struggles and searches his mind for a way to introduce you to the girl he had a thing with in the past, only according to him, you don't know that, when certainly Alysanne already took care of it.

And just like you, you too feel Floris' anticipation, waiting for him to introduce her.

"An old friend," he finally says.

Floris arches an eyebrow slightly at Aemond's introduction, her lips curving into a smile that seems to contain more than just politeness.

"Yes, that," she punctuates, with a knowing look that to you does not go unnoticed, "Well, I just wanted to know if you were free for this afternoon. Although if you want you can bring your girlfriend with us," she proposes.

Aemond takes a moment to respond, averting his gaze as he scratches the back of his neck in a nervous gesture.

And that's when you decide to speak.

"You can go with them," you tell him and that immediately gets his attention and hers, "I can just take the bus or something and I'll see you later," you say to start walking away from both of them.

His attention and slight surprise is most visible on his face, but before you can move too far away, he grabs your hand and advances towards you.

"What? No" he immediately inquires, "No, I'll take you home."

The determination in his tone of voice and in his gaze makes you feel a little more comforted, but still, you can't shake this uneasiness in you about Floris' presence.

And that's when Aemond turns to her again without letting go of your hand.

"Sorry Floris, another time," he tells her in his firmer, slightly strained voice.

And she nods with a sympathetic look, though you can't help but sense there's something else behind her expression.

"Of course, I understand, it'll be for next time then," she says, before turning to you, "It was nice meeting you, Y/N."

And finally she is the first to walk away.

You exchange a look you can't quite describe with Aemond and feel the awkwardness and seriousness linger between the two of you, even as the two of you leave the building and make your way to his car.

And once in the passenger seat and with Aemond driving through the city streets, you find yourself fiddling with your fingers in your lap, still feeling the awkwardness in the air.

You don't understand exactly what's got you right now but you can't even see Aemond out of the corner of your eye, so you keep your gaze focused straight ahead and on the side where the window is.

"Are you okay?"

You suddenly hear his voice speak softly to you, feeling his gaze on you from time to time and you squirm a little in your seat before you speak, swallowing hard.

"Yeah, all good," you say, trying to sound convincing.

He exhales deeply, noticing your distance again.

"I'm sorry if the Floris thing made you uncomfortable. S-she…" he sighs, "She's truly a childhood friend. We had something in the past but it was very brief and it's no longer relevant."

And although there is nothing wrong with his words, you still can't help but feel a slight knot in your stomach. And you act completely unconcerned.

"I understand," you say simply, in a soft voice and still without looking at him.

But this is not convincing to Aemond, who licks his lips and can't help but worry about the situation.

"I mean it."

"Aemond," you call him softly, finally looking at him, "I understand, I really do," you assure him, "I also meant it when I said you should go eat with her and your friends. You seemed very uncomfortable and there was no problem from me."

He nods slowly, but still looks a little uneasy.

"I just didn't expect I was going to see her again."

And you don't know if that's worse.

"Are you ready?"

Oh God, are you?

"I don't know," you answer honestly, nervously, looking at your outfit.

For this occasion you chose a pair of pants, ankle boots and a white tank top with a black jacket over it. You don't look overdressed but decent for the occasion, along with your makeup and hairstyle.

"Hey, easy," he says softly, placing both hands on your shoulders, "It's going to be okay. Besides we won't be alone, Aegon and Hel will be with us."

"Yeah but that's not what I'm worried about," you clarify, playing with your fingers, "What if I ruin everything?" you ask watching him fearfully, "What if everyone realizes that we're not really dating because of me?"

"I'll take care of that, don't worry," he assures you, with his soft gaze, "You just have to corroborate everything I say and stick to the main story. Other than that, my mother will just ask you questions about you to get to know you better."

"Are you sure?" you ask, not entirely convinced.

"Very," he affirms you, conveying calmness and assurance in his voice.

"You've done this before?" you can't help but ask, still with some hesitation, "I mean…" you lick your lips, nervous, "You've brought a girl before to dinner with your family?"

He is silent for a moment, as if considering how to answer, as the implication is clear because that's not the real question, you know that too.

Rather it is: have you ever brought Alys to dinner with your family before?

"Yes," he finally admits in a murmur, sincerely, "Yes, I have."

You stare at him silently, without the two of you saying anything else, only to look away and nod, again trying to look unconcerned, trying to calm your nerves further.

"My mother never liked her," he says later, again attracting your attention, "You know, Alys."

Again, you say nothing for a few moments, just lick your lips and nod.

"I understand."

Aemond lets out a heavy breath and takes a step towards you, lowering one of his hands to take one of yours, gently rubbing his thumb against the back of yours, this also immediately catching your attention, as you see him looking at you for a moment thoughtfully.

"Are you ready now?" he asks you softly, raising his gaze to you, "We can stay here a while longer if you want."

"No," you reply immediately, "No, I don't want to make everyone wait for us," you release a long breath, calming your nerves, "I'm ready now."

He places a small comforting smile on his lips.

"You'll do fine, trust me," he assures you then moves closer to you and leaves a soft kiss on your forehead, just like at school.

His action definitely catches you off guard and you look at him slightly surprised, but Aemond doesn't give it that much importance, as if it was already a natural and routine thing between both of you, like a gesture of encouragement, to then take you by the hand together with him to the entrance of his house.

His house is nice and big, with a beautiful garden, so when you open the door, you see a huge and cozy living room with the dining room visible in the background, where you can make out Aegon's figure and his short silver hair.

Aemond closes the door behind you and you briefly look around, seeing the decorations of the elegant house, such as mirrors, flowers vases and also family photos.

Mostly, you see pictures of young children, which you recognize as Helaena, Aemond, Aegon and his other brother, Daeron.

There are also photos of what you assume is their mother and also a man, who you assume is the father, with Aemond and his siblings as children. But it strikes you that none of the four are smiling, just the mom a little.

There are more current pictures, only of Aemond, Helaena and Aegon smiling next to their mother, with no trace of their father and Daeron.

"He's my younger brother," he takes a single photo of a boy, standing next to you and handing it to you, "Daeron."

And just as you imagined, he's a boy of about fifteen with striking blue eyes and short silver hair, smiling at the camera with a bright face and looking in the background like he's standing in a lake at Honeyholt.

"Helaena was right," you say with a small smile, still inspecting the photo, "He really is the handsomest of the three of you."

"That's not true," he tells you immediately, taking the photo out of your hands and putting it back in its place with a quick, automatic gesture, making you laugh.

"What's up, bro?"

You both hear Aegon's voice and turn around, with the silver-haired man already walking towards you with a bottle of beer in his hand and a huge grin on his face.

"Are you drinking already?" Aemond inquires, "Mom's going to kill you."

"Oh, you know how persuasive I can be," he tells him without wiping off his smile, "Besides, I've already set the table," he points to the dining room, "It's dinner, bro."

"Careful," he warns you but he deliberately ignores him, heading in your direction.

"Y/N!" he exclaims your name smiling, coming over to embrace you, "Welcome to our home."

"Hi Aegon," you smile back at him.

He envelops you in a hug and you reciprocate cordially, instantly the strong smell of beer reaching your nostrils.

"Want one?" he points to the beer in his hand as he pulls away from you.

"I don't think so," Aemond answers him, again intertwining his hand with yours, "Where's mom?"

"In the kitchen with Hel" he points out, "Tell them to hurry, I'm starving," he says in a tone of voice that catches your attention.

But Aemond pulls you forward, starting to leave him behind, with a serious and disapproving look at his brother's attitude.

"It's the beer," he explains to you quietly, "I hate it when he drinks at home. I just hope it doesn't get unbearable later."

"Why?" you ask him, curious.

He shakes his head.

"Aegon is… complicated."

He doesn't say anything else and neither do you, mostly because he leads you toward the kitchen, but curiosity still lingers on that subject.

He gives your hand a gentle squeeze in a supportive gesture that comforts you as you both cross the threshold into the kitchen, where instantly the smell of delicious freshly baked food hits your nostrils.

And the first thing you notice is a silver hair along with a darker one, who you assume must be Aemond's mother.

And immediately your nerves again explode and you feel your heart pounding hard in your chest.

"Hey, Y/N!"

A friendly voice says to you, being Helaena, who is wiping her hands with a clean dish towel and wearing a beautiful blue dress, instantly heading towards you with open arms.

"Hi Hel," you smile back happily, hugging her enthusiastically.

"Oh I'm so happy you're in our home," she says excitedly and warmly without letting go of you, "We've prepared turkey, I hope you like it," she says as she pulls away from you.

"Oh I'm sure it will," you nod at her with a sincere smile, feeling welcomed by the warmth of her welcome.

"Mom."

Aemond's voice momentarily pulls you out of your conversation with Helaena and you turn your head to meet the gaze of Alicent, Aemond's mother.

Instantly you try to control your nerves and keep your composure, remembering his comforting words.

And when Alicent's gaze meets yours, a warm smile forms on his lips, which makes you feel less nervous and conveys a sense of calm. Although the nervousness lingers, you feel a little more secure with his kindness.

Aemond places a comforting hand on your shoulder and steps forward to introduce you.

"This is my girlfriend, Y/N," he points to you with his small smile, "And Y/N, this is my mom, Alicent."

She is a very beautiful woman.

It's the first thing that comes to your mind, noting the dimples in her cheeks and that warm look she has, not being intimidating at all and being rather kind.

Besides the dark green dress she wears is completely beautiful, as well as her accessories. Everything about her radiates elegance and poise.

"A pleasure to finally meet you, my dear," she says, turning to you, "Gosh, I was so excited to meet you. It's so nice of you to come."

And without expecting it, just like Helaena, she too greets you with a hug, taking you completely off guard, causing you to let out a nervous little laugh as you hug her back.

"The pleasure is mine, Mrs. Hightower," you say softly, feeling slightly overwhelmed by her kindness and warmth.

"Please call me Alicent," she says as she pulls away from you.

Before all this you asked Aemond what to call her, just for the heck of it and to feel less nervous and he told you 'Hightower', the last name of her father.

So you assume that Aemond's father is not someone who gets mentioned much around here. In the family photos he is present in only one picture. And Aemond doesn't talk about him either.

And he watches with a small smile at the interaction between you and his mother, feeling relieved that things are going well so far.

"Please go and take your seats. Dinner will be served soon," she says to Aemond and you.

"Do you need help?" he asks her.

"I'm already doing it myself," Hel says, "Don't worry, little brother."

"Can you help me with your brother, please," Alicent tells him, with a look of slight concern.

"Of course," he assures her in a gentle tone.

Soon the two of you return to the dining room, the two of you take a seat together with Aegon and Aemond tries to tell him not to overdo it with his drinks, that you are here to enjoy a nice dinner with his family.

But he just makes nonchalant gestures and tells him that everything is fine, to continue drinking, looking at the screen of his phone, waiting for dinner.

Then you don't know how much time passes exactly but Alicent returns very soon along with Helaena with the food, placing the dishes in the center of the table, indicating that all this will start soon.

Aemond places his hand on top of yours underneath the table, giving you every supportive gesture possible, reassuring you at every turn that he can that all will be fine.

Every brush of his fingers against yours conveys reassurance and comfort.

You feel a slight relief as you feel his touch, reminding you that you are not alone at this moment and his presence gives you strength to face any nervousness that may arise during dinner.

And with the food finally served, the silverware begins to clink against the plate glass as everyone begins to enjoy the delicious dinner.

Aemond, like the supposed boyfriend in love with you, is totally attentive to you, asking if you're served this or that, wanting to make sure you're well received and comfortable to make this more bearable.

And you thank him all the way, feeling his mother's gaze on both of you from time to time, without wiping away her warm smile.

"Did you like the food, dears?" she asks generally.

"Oh yes," Helaena says with a look of total complicity, delighting in the food.

"It's delicious, Mom," Aemond tells her later.

"Totally," you corraborate politely, nodding in her direction.

Alicent smiles in satisfaction and then turns her attention to Aegon, who hasn't said anything since everyone started eating.

"How about you, son?" she asks him softly.

"It's fine," he says curtly, taking a huge swig from his bottle of beer.

This definitely gets your attention but Alicent as well as Aemond and Helaena decide not to give it enough attention, as if they're already used to it and don't want to ruin the moment by his behavior.

But you do notice the disapproval in each of their looks, especially the disappointment in Alicent. Though she almost instantly turns her attention away from Aegon to Aemond and you.

"So, how long have you two been dating exactly?" she asks curiously and without losing the kindness in her gaze and tone.

"A month," Aemond replies without hesitation at your side, resting one of his arms on the back of your chair.

And Alicent shakes his head with a small smile on his lips.

"And I still can't believe he kept you hidden from me, Y/N."

You smile in his direction, trying not to let your nerves give you away, as Aemond again interjects, with a soft look.

"We didn't want to rush things."

"I told him not to take too long to tell you," Helaena says as well, pointing at Aemond as she watches her mother.

"But he didn't tell me anything, Aegon did," Alicent says in amusement.

"Oh come on, I was going to tell you anyway," Aemond tries to justify himself.

"Oh you were going to?" Hel questions him.

"You want to turn her against me."

"I'm just telling the truth, little brother."

This causes Alicent to laugh softly and his gaze meets yours, where you laugh softly too, as the fight between Aemond and Hel continues. But this causes you to begin to feel comfortable and more at ease with the whole situation.

The only thing at the table that is completely serious is Aegon, who continues to concentrate on his drink and the food in front of him.

His reserved attitude contrasts with the energy you have with Aemond, his mother and sister, but they don't really give him much attention and everyone continues to enjoy the delicious food and create topics of conversation.

"So…" Alicent begins to speak, watching you with her warm gaze, "What are your college plans, sweetie?"

Oh my God.

Okay, it's happening.

You think as you slowly start to panic, but quickly get yourself under control, settling back in your seat.

"You're all graduating soon," she points to her kids with a small smile.

And you're about to speak but someone else does first.

"Which wouldn't be the case if Aegon hadn't repeated year… twice," Hel says condescendingly, pouring herself more food in a casual gesture.

"Helaena," Alicent reprimands her in a soft tone.

"Don't start with me."

Aegon's voice finally makes itself heard in a long time, speaking in a cold, curt tone, not even observing his sister, focused on his food.

"Just saying," Helaena says also with a pout in his direction.

"Then speak for yourself. You're a year behind too."

"Ugh," she sighs, "You talk like you don't know what happened."

"That's enough," Alicent says calmly, watching you both with a look of silent warning.

The atmosphere tenses slightly and all is silent for a moment, as you notice how Aemond next to you only runs a hand over his chin and you only hear the clink of silverware clattering against glass plates.

Alicent then turns his gaze to you and there you decide to speak, hoping to restore comfort to the atmosphere.

"Well, actually, I've applied to Oldtown University," you say with a soft smile, controlling your nerves, "I'm planning on getting into law school."

Surprise flashes across Alicent's face, as you briefly feel Aemond watching you beside you.

"Oh, wow," she nods slowly, her expression one of amazement, "What a coincidence, that's the same college Aemond wants to go to."

Aemond nods with a small smile, completely keeping up appearances.

"Yes," he confirms, "In fact it's perfect for us to go to the same place after graduation."

And just to show more affection with you, he places his hand and yours intertwined on top of the table, watching you with that 'love' he seeks to convey in these moments in front of his mother.

And Alicent watches you both with her soft smile, but is still intrigued by you.

"And why that choice? Law is something you always wanted to study?" she asks you, with genuine interest in her voice.

You try not to focus too much on the way Aemond's thumb begins to gently caress the skin on the back of your hand, which at the same time also reassures you.

And you nod in Alicent's direction.

"Yes, it's something I've always been interested in. It's a very heavy degree with very dense material, but it's very interesting and it's long been what I've decided for myself."

Alicent nods in your direction, listening to you intently and looking completely interested.

"And I guess at Oldtown it's a great opportunity to want to study law."

"Oh yes," you say eagerly, "Oldtown has one of the best faculties with very capable professors and all the material you need. It's certainly a great opportunity."

"But I also think that getting to study at such an in-demand university with few places in that major can be difficult," she tells you corroborating in conversation.

"Yeah, that's the bad thing, but…" you shrug, "I'm hopeful."

You watch subtly beside you, focusing for a moment on Aemond, speaking with that complicit tone, as of course he doesn't forget that the reason you're here doing this is precisely because of Oldtown.

He knows that all too well too.

"And your parents are supportive of your decision to study law?"

Slight surprise passes across your face, definitely not expecting that question, but you quickly manage to soften your face, though you still remain silent for a moment.

You try to hide any trace of bewilderment as you search for a suitable answer. And it is Alicent's same warm gaze that encourages you to respond.

"Uh… yes, my father is just as excited as I am about this possible opportunity," you reply with a small smile, being honest, "He has always supported me in all my decisions."

You respond without saying anything else and with sincerity, not mentioning anything about your mother.

"Well, I'm glad to hear that," he nods at you and smiles warmly, "And what about your mother, dear?" she asks with genuine curiosity.

Inevitably your whole body tenses at that moment. And an uncomfortable feeling settles in the pit of your stomach as you think again about how to respond.

You honestly didn't expect the conversation to get to this point, about how even after talking only about your father, you're still being asked about your mother.

And for a moment, you don't know what to say or what to do, but you finally decide to react after everything falls into an awkward silence and they begin to look at you slightly confused by your lack of response.

Until you decide to be honest.

"Well, I-I…" you bite your lips, "I don't actually live with her," you admit in a soft voice, avoiding eye contact for a moment, "And I haven't seen her since I was six."

Slight concern crosses Alicent's face, instantly watching you in regret.

"Oh, I'm so sorry, sweetie," she says sincerely, embarrassed to have caused you discomfort, "I had no idea. I apologize."

You're about to tell her it's okay, that it's no problem because she didn't know, that it's no big deal, but you don't even get a chance to speak when sudden laughter is heard throughout the dining room.

The tension in the air dissipates in that instant as everyone turns to the source of the laughter, Aegon.

He is visibly drunk, but still conscious enough to know what is going on around him and that is what is alarming.

Alicent, Helaena and Aegon's faces fill with bewilderment and disapproval, except for yours, as you watch Aegon in confusion, not quite understanding what is going on.

"Aegon," Alicent calls to him now truly annoyed, watching him seriously and reproachfully.

But Aegon barely manages to contain his laughter as he apologizes between laughs.

"Sorry, I couldn't help it," he mutters, his tone full of amusement and insolence.

Then Aemond at your side watches him completely serious, his jaw clenched and his gaze dark, holding back his fury at his reaction after you shared a very intimate and sensitive piece of information to you.

And Aegon laughs at it because of his own stupidity? Of course he's not going to allow that.

"What's so funny?" he inquires, expectant and about to explode.

Aegon straightens in his chair, a smirk on his face.

"Oh, nothing," he replies mockingly, "I just think she and you are perfect for each other. Apparently, we're not the only ones who have parental issues, are we?"

He asks watching his mother and sister, which makes Alicent feel even more tense, watching you worried and apologetic about the little show her eldest son is putting on.

"That's enough," she reprimands him firmly.

But Aegon seems determined to move on and turns to you again with a gesture of camaraderie, ignoring his mother's words and his brother's attitude.

"Don't worry, Y/N," he tells you with a crooked smile, "You can talk about it here and no one will judge you. All of us would understand, wouldn't we? We who wouldn't know about the subject of fucking neglectful parents with their kids."

Aemond's gaze becomes even more intense and his jaw tighter, watching his brother as if he could throw daggers at him with his eye.

"Shut the fuck up," he orders him, controlling himself as much as he can at that moment.

"Aemond," Alicent calls out to him worriedly.

"Or what?" Aegon challenges him, "She better know what she's getting herself into once and for all. With our fucking family traumatized by her own father who never cared about us."

"I said shut the fuck up," Aemond demands of him rising from his chair, causing everyone at the table to become alarmed.

Alicent rises at about the same time he does, and Helaena rises next, alert and worried, while you and Aegon continue to sit, he still unconcerned and you… because you don't even know how to feel about it.

The tension is too much, this is all unexpected and it's all happening too fast. And as if things couldn't get any worse, Aegon continues to talk and drink more.

"I'm just saying you two are the perfect match," he continues, his tone increasingly amused, "She doesn't have a mom and you don't have a dad, bro. Awesome, isn't it?"

Then it all happens too fast.

Aemond advances towards Aegon with a furious determination on his face that puts everyone at the table on alert, reaches towards him and grabs him hard by the collar of his shirt, forcing him to get up.

"Aemond!"

Alicent and Helaena immediately intervene, rushing towards them to stop them, but Aegon doesn't even have time to react before he finds himself on his feet, with Aemond holding him tightly.

"Stop it, Aemond!" exclaims Alicent, his tone full of authority and concern.

You finally rise from your seat as well, alert and worried, not knowing exactly what to do or what to say, feeling your pulse racing.

Then Aegon reacts as well, his face transforming into one of rage, placing his hands on top of his brother's.

"Get your fucking hands off me," he manages to say with difficulty.

"I told you to shut the fuck up or didn't I?"

"Oh and now you're going to hit me? Huh?" he asks, punching him in the chest with his hands, "You're going to hit me? And for what? For telling the truth?"

"What the fuck is wrong with you huh!? You fucking cunt," Aemond hits him back in the chest.

"Let go of me, you fucking asshole!"

"That's enough!" Alicent intervenes again, her voice firm and full of authority, "Aemond, let go right now!" she orders, furious, implying that she won't repeat it a fourth time.

The tension in the room seems to increase with each passing moment, as you hold your breath, watching Aemond worriedly, as does Helaena.

Aemond hesitates for a moment, glaring at his brother with determination, until he finally releases him with a tug, pulling away from him still watching him in warning and utter annoyance.

Aegon straightens, rubbing his neck as he glares at his brother resentfully.

"I don't need this shit. Enjoy your fucking dinner," he says grumpily, grabbing his bottle of beer and heading for the stairs, not giving anyone a glance.

At least your pulse starts to calm down when you see how it's finally all over, but you still watch Aemond worriedly.

"I'm so sorry, sweetheart," Alicent turns to you sorrowfully, averting your gaze to her, "What a shame."

"No, no, don't worry…

You start to say in a soft tone when Aemond's serious but definitely kinder voice makes itself heard in your direction.

"I'll wait outside."

The three of you watch him silently and watch as with nonchalant gestures he takes his car keys from his front pocket and with his face still contained in fury, heads out of the house.

With a lump in your throat, you turn to Alicent and Helaena, feeling the weight of tension still hanging in the air even so.

"Thank you so much for dinner. It was nice to meet you," you say to Alicent, trying to sound as calm, gentle and kind as possible.

Alicent smiles sadly back at you, still with her saddened and troubled face.

"It was lovely to meet you and have you come, honey," she tells you sincerely, "Still I'm so sorry. It wasn't my plan for dinner to end like this."

"I totally understand, don't worry," you say with a small smile, "We can always do it again."

You say and immediately regret it, but manage to soften your face in time.

This was supposed to be the only time you would do this, but you feel you owe it to her, to Alicent, as she prepared a delicious dinner with great care. She seemed so excited and happy about everything, especially about you coming that it is such a shame that this happened.

More than anything else that's why you say so.

"Of course," she nods to you, kindly and cordially.

You bid her goodbye with a gentle hug, then embrace Helaena as well, conveying your silent support through the simple gesture.

"If you need to talk, we can do it at school," she murmurs in your ear before releasing you.

"Sure," you promise, returning the hug gratefully.

You take one last look at both of them and head out of the house. And once outside, you feel a shiver run down your spine as you face the cool night air.

And there you see him, in the middle of the night silence and at the edge of the street, leaning against his car, smoking a cigarette with an almost absent gesture, looking thoughtful but also still a little upset about what happened.

You watch as he lets the smoke go between his parted lips and you, letting out a long breath, head towards him.

When he looks back at you, you too just watch him silently and he wordlessly opens the driver's door with a soft squeak and gets in the car, so you follow after him, feeling the weight of silence between you.

You too slide into the passenger seat and close the door, where soon the two of you find yourselves moving through the quiet streets of the city, the music on the radio playing at a low volume in the background.

And that's the only sound between you, the music, and even then it's a little uncomfortable.

You bite the inside of your cheek, struggling to find the right words as the tension lingers, but you don't even know what to say. What are you supposed to say when that happened?

But finally it's Aemond who breaks the silence.

"I hope you enjoyed the show," he murmurs, not taking his eye off the road.

You are momentarily speechless, not knowing what to say at that, not even finding the right words in your mind. Then you let out a low sigh, understanding how he must be feeling.

You mean… you went to meet his mother, it was a family dinner, everything was going well and to suddenly have it all end like that with very personal confessions that you had no idea about… it must be completely frustrating for him that you witnessed that.

"Are you okay?" you ask him in a low, soft tone, watching him intently, concerned and understanding.

He lets out a long breath, pursing his lips as he considers your answer, saying nothing for a moment. But when he finally does, he says it in a voice laden with weariness, regret and seriousness.

"I'm not even upset that Aegon said all that… he… he's right," he says resentfully, "I'm upset that you had to witness it."

The weight of his words falls on you, sensing Aemond's seriousness and frustration in his words. You watch his serious and weary face, the fury he is still holding back.

And for a moment, you look like you're not going to say anything, but after biting your lips, you finally speak.

"You don't have to worry about me," you tell him in a soft voice, "After all, he was right about what he said about my mother too," you add, seeking to offer some comfort, "I don't even remember her, you know? And honestly… it doesn't affect me nor do I care."

If your words caused anything in him, he doesn't show it, as he continues with his eye focused on the road.

But inside, he can't help but feel a little surprised and amazed at your ability to accept those circumstances with such calm and determination compared to him.

And finally he nods, understanding the truth of your words.

"I'm sorry," he murmurs, his voice barely a whisper.

You watch him with a soft and… slightly thoughtful gaze, feeling the tension between the two of you finally begin to fade, resulting in a warm and pleasant atmosphere for the two of you, as usual.

And unexpectedly for him, you take his free hand gently and intertwine your fingers with his, offering a small gesture of support amidst still the frustration he is feeling.

"I don't," you confess softly.

You don't say anything else and neither does he, hoping you can put this behind you. And all along the way, he keeps gently stroking the back of your hand with his thumb.

You wait anxiously, moving your foot repeatedly up and down, glancing from time to time at your surroundings and also at the screen of your phone, wanting to keep the time very much in mind.

The gentle morning breeze caresses your face, with the sun painting golden hues in the morning sky and listening in the background to the birds singing, but also all the movement of the soccer team training early at this hour from the field.

Everything seems to be calm, except for your racing heartbeat, where you avoid biting your nails and simply bite your lips in a nervous gesture, as well as the inside of your cheek.

Then you finally see Aemond approaching with his backpack on his shoulder and his face soft.

"Hey," he says softly, taking a seat in front of you, taking off his backpack and watching you carefully, "What's up? Is everything okay?"

Out of nerves, your whole body tenses and you avoid stuttering as you speak, stirring in your seat.

"Yeah, yeah, just…" you lower your gaze, playing with your fingers, "I just want to talk to you about something."

Aemond nods, giving you his full attention.

"Well? What is it?" he asks you warmly, not wanting to put pressure on you as he notices all the tension that is invading you at the moment.

But he honestly starts to worry seeing you that way.

And you swallow hard, with your gaze lowered, feeling the need to just let it out and nothing more, having that urge so you don't keep torturing yourself with your destructive thoughts.

"I was thinking that… maybe…" you let out a sigh, "Maybe we should stop this," you mutter, your voice barely a whisper.

And Aemond only watches you more intently, beginning to look alert, furrowing his brows in confusion.

"Stop what?"

You bite the inside of your cheek hard, completely flustered.

"Our fake relationship," you reply cautiously, watching him intently and with some concern.

"What?" he immediately queries you, "I-I don't-I don't understand."

"I think we've both accomplished what we wanted to… oh well, almost everything," you tell him knowingly, "But we've already put on a good show in front of the whole school, Alys is upset enough, and the cheating thing is behind us. We should stop."

You explain but in the middle of all your explanation, Aemond only frowns more, listening to you completely attentive, watching you surprised and incredulous.

"And the trip to Dragonstone?" he inquires you, with a serious and alert look, "That trip is key, it would be great for both of us to go together, as a couple."

You try to remain calm, but your heart is pounding and your nerves are getting the better of you.

"Yes, I know, but… do we really need to keep pretending?" you ask, "You've already saved your reputation, remember?"

Aemond shakes his head firmly, his jaw tense with mounting frustration.

"It's still not enough," he tells you seriously, "At least wait until after the trip."

"Aemond, I don't see why we should wait until then," you mutter, unsure, "We can finish everything now."

Aemond's expression hardens, his jaw tense with frustration as he tries to understand you.

"Y/N, the trip is in the contract," he tells you firmly, "And we agreed to finish everything until graduation."

You exhale, feeling the overwhelming weight of the situation that you didn't expect was going to get this bad the moment you decided to do this.

"I know, but I don't see the point of this anymore."

He becomes more confused, shaking his head, looking at you confused and now completely frustrated.

"What-what's wrong?" he asks you in a soft but urgent voice, attentive, "Did something happen?" he asks you concerned and interested, "Did something happen that I still don't know about?"

Oh God.

Fear grips you as you struggle to keep your composure and not let your nerves get the better of you.

"Or is this because of the dinner thing? And because of Alys' pranks?" he asks you worriedly, "If it's that, tell me. I-I'll find a way to fix it. You won't have to go to dinner at my house again and I'm sure I can talk to Alys."

"No, no… I-I…" you sigh, "It's not that-

He shrugs, looking at you confused and frustrated.

"Then what is it?"

Your heart pounds as you struggle to keep your composure in front of him.

Your words get stuck in your throat, enduring Aemond's still serious, worried and frustrated look on you, waiting for an explanation. But the feeling of panic grows in your chest and you resign yourself completely.

"Nothing, forget it," you say in a whisper, lowering your gaze.

You stand up and gather your things, slinging your backpack over your shoulder, just as Aemond sighs and looks more frustrated.

"Y/N," he calls your name in a tired gesture.

But you don't heed him, just focus on getting away from him,

"Y/N, please stop," he says to you in a soft but urgent voice.

But you don't stop, you can't.

How could you do it and how could you tell him that the real reason you decided to bring this up to your fake boyfriend is because maybe you are actually falling in love with him and the feeling is getting more and more intense, and you can't help it?

You just can't.

general taglist:

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[kiefbowl]

so I just made a couple posts about this post, and rereading it I am going to try to be charitable as possible to everyone involved, but the vibe of this post really bothers me. but op deleted the post so I'm blocking out all the names out of respect for that, but I want to talk about this post

I think this is a very normal ask. It's literally just "hey, what are your opinions" and I don't see why that shouldn't be welcomed in a supposed feminist space. questions drive conversation, and not everyone is of the same opinion, life experiences, or knowledge, you know?

To be charitable to the green poster, they're just answering. I do think the "is literally the most anti-punk and anti-feminist thing you can do without genuinely hurting other people" is a bit much, and I also think she's misreading the op. I read Op as asking "if you're a feminist, what are some of your general opinions on subversive make up, and here's a list of examples: goth punk emo" and green is saying "conforming to patriarchy is never punk, and make up is patriarchal."

So I think the next response from Op shows that she took it a little personal as if being called out for doing the most "anti-feminist thing you can do without genuinely hurting people," which to be fair I'd probably be a little miffed too on a first read. And I think she's trying to pull out her question a little bit more, trying to re-contextualize it so that green gets what she actually meant. But this is a casual social media site so she's being casual and social. She's saying "okay, sure, but I'm asking about make up trends that are outside of what's commercialized" but I guess the big no-no is that she said "not male fantasy." Because yes, I ultimately agree, just because it's a more subversive culture, doesn't mean it's specifically feminist, or that the trends with-in aren't dictated to some degree by male fantasy. And then of course she asks: "If a woman wants to, isn't it regressive to say she can't?" So, to be fair to Op, she never specifically asked if make-up was specifically feminist or punk. But to be fair to green, green never specifically said a woman can't wear make-up.

But this is when it goes a little sideways, because frankly neither of them were being rude-rude. But green's next response is pretty rude imo. I think the subtext is "you're a big dummy." Op is not, and Op's first ask is what actually could be a very interesting jumping off point to discuss a variety of intersecting interests for feminists. Because I'm going to be real with you, there is no "The Answer" to make-up. Just because make-up and consumerism is never specifically feminist, doesn't mean it's always specifically anti-feminist. Sub cultures like Goth can be multiple things at once - subversive, and conforming. They also don't exist solely in one way. Copse make-up isn't feminist not because it's make-up, but because it's just make-up. But, like, yeah there's an element of subversiveness within western culture. There's also an element of acceptance, as long as it stays in the agreed on designated zones. A tee-shirt can't be feminist, either. Even if the tee-shirt says something feminist-y and subversive, like idk "I hate men and I love to abort their children" or w/e. Like okay, it's just a tee-shirt. And if you didn't make it yourself, it was probably made with slave labor, anyway. So you can wear it to the feminist poetry open mic at the local coffee shop, and you can wear it to a conservative's house, and the reactions in either place don't prove much about it's effectiveness. But it is a form of self expression, it's a form of participating in our culture(s) one way or another, and women are people they do participate. They can't not. So participating with some level of intention is better than her letting life passively happen around her. It's just not one thing, which makes it interesting.

So with all that being said, I think op's response is a sassy response to feeling like they're being spoken to rudely, which I think is fair enough.

This is not fair enough, and I find it bizarre. Maybe I missed something in another comment or post, but Op didn't 1. talk down to anyone and 2. didn't insult anyone who disagreed with them. But, to be charitable to pink - I understand why some women are on edge with the proliferation of troll accounts. But my ultimate advice to any women, young or old, trying to participate in a feminist space is to know that feminism is not a "solved" thing. Women have a variety of ways to think and approach a problem, and just because two ideas are conflicting doesn't mean they can't both have some merit. And since I think Op is a genuine person, this comes across as ostracizing a woman for asking a good natured, good willed question towards feminists to incite some discussion. A thing that should be welcomed if anything.

And then this response tries to be fair to Op, but also seems completely tone deaf to what she ever said. When in any of this exchange did Op ask for validation on anything? She admitted she is in a sub culture that both men and women use make up in, didn't specify what the subculture was, and then asked "hey, what are your opinions on this situation a little outside the norm of how we normally criticism make up." Then reacted to what one person's responses were, which the first response was simply direct but the second one was dismissive and rude.

So my point is, in order to be a successful feminist, I think you need to be able to navigate conversations with women that involve thinking outside the bun without devolving into sassiness when they aren't in complete lock step with you and have a predictable amount of curiosity. Feminism is a living discipline, and this could have been a moment of a meeting of the minds and a moment of cooperation to consider multiple sides of a question. That should be the ultimate goal.

And, to circle back to complete fairness of green's first response: when women are being direct with you, and maybe even misreading you a bit, it's worth taking a beat and thinking "can I read this in a kind tone at all? and if yes I'm going to assume that was the intention" because it can help get these conversations moving in the direction of cooperation rather than fighting.

And ultimately, have fun out there :)

[valentine-cafe]

Hi! I'm sorry for the possibly silly question but, when au zhào talisen ( 781 ) recites poetry to townsfolk, they don't know what he is, right? Cause I'm imagining a reader going up to him all excitedly talking about his poetry, not knowing what a danger he might pose!

we're so so sorry, this post accidentally got deleted in the draft :(( we really hope the anon who requested sees it

. ˚◞♡ vampire prince x gn reader◞ ₊˚

⊹ ۪ ࣪ ᥫ᭡ vampire au zhào talisen

. ˚◞꒰ 🍪 ꒱ vampire prince x reader ⊹ ۪ ࣪

‧꒰ character sheet . legendarium . prompt page ꒱‧

“what brings you to me, delicate flower?”

you giggle in fluster when the talented and honestly attractive poet takes your hand into his. a kiss placed to your knuckles and his smile against your skin. all the while - his maroon eyes remain on yours.

“your poetry is some of the most enthralling I have ever heard.” you chime. hands bringing your notebook to your chest so earnestly as you give a little bow of greeting. “my young lord, you simply must show me more. if it is well with your heart?”

the tall man tilts his head. smile only widening as his long, dark hair falls off of his shoulder. his eyes trail along your figure. And for a moment you perceive it as him gazing at your leather-covered notebook.

“oh,” bashful, you become. foot lightly kicking at the ground. “I am a bit of a poet myself.”

“is that so? might you bless me with your own writing?”

the melodic lilt in his voice is far too charming to deny. it outweighs your spurt of nervousness and you shyly hold the book out.

talisen’s fingers flick over the pages and he gazes along dozens of your handwritten stanzas. crafted with the essence of love from the depths of your heart.

his smile curls further. swiping his line of vision to you over the book as he so softly croons.

“why, these are beautiful, my dear. and you dare call mine the most enthralling?”

he clasps your book yet holds it at his side. free hand held out for you once more. “might you join me for a mild walk along the town? I know of quite the the teashop. I would simply love to read more.”

how can you resist? you take his hand with glee as he leads you through the town. alas, you do not see the gleam of fangs from below his own grin.

[violetasteracademic]

What does it take for regifted jewelry to be romantic?

Rambling crap post that will literally only make sense of you have seen the movie The Family Stone but let's do it.

Sometimes I genuinely try to understand other ships. I actually really mean that, in a deeply authentic and non sarcastic way. If this shipwar wasn't so nasty, I'd engage with other people the way I do with my real, human, offline friends- some of whom are E/lucien's and G/wynriels. They are genuinely wonderful people who are not chronically online like we are (and we are, there's no point throwing that around as an insult) and they don't actually care that much. They are just going off vibes - but would be absolutely disgusted to see the violent misogyny and bullying that takes place here. We enjoy talking to each other about the ships, even when we don't agree.

Typically, when I am trying to understand something, I seek out more of it. I've asked my friends for fated mate book recommendations that match E/Lucien's story (meeting your mate, then genuinely falling for another person that is absolutely right for you in every way except for the fact that he is not your mate, and somehow the plot leads to falling in love with your mate that you don't like anyways because fate is always right and never makes mistakes, even if everyone is questioning it because you have feelings for someone else) and I haven't been able to find anything. The closest I can get is meeting your mate when you are possibly already in love/engaged/what have you to someone else and then you find out that person you are already with is actually the worst (aka Graysen) and then you wind up falling in love naturally and authentically with your mate. This is what makes it work. The person who isn't your mate showing his true colors and realizing you were wrong about them.

I think this is why Azriel's character has been rewritten to create a moment of the male Elain is actually into showing his true colors. Otherwise, her moving on to her mate that she isn't interested in just because the guy she likes rejected her literally doesn't make any sense. It can't be political machinations and the threat of violence and exterior motives and interference keeping Azriel and Elain apart. It has to be Azriel's personality and personhood, or the fated mates typical structure that I assume everyone is basing their thought process on falls apart.

I've actually been wracking my brain for years to find a piece of art or story that represents a piece of jewelry being regifted symbolizing the transference of a relationship and I FINALLY realized- my favorite holiday movie- The Family Stone! My God, the movie is literally named for the piece of jewelry, his mother's ring.

Finally having a piece to work with and pick apart allowed me to understand what elements are required to really pull off "regifting" to show that the gift is symbolically landing where it needs to go in a moving and romantic way.

1: The jewelry must not have been picked out and purchased for a specific woman, with deep and thoughtful insights as to why the man saw this piece of jewelry and thought of the woman he loves. In The Family Stone, the ring is an heirloom. It is no one's ring but his mother's. And the journey of this stone landing on the hand of the woman that is right for Emmet is deep, complicated, and heart breaking.

This is not the case for Azriel, who saw the rose necklace (very widely agreed to symbolically represent Elain on all sides) and saw something that the full depth and color was revealed when held to the light, a thing of secret, lovely beauty. And he knew it was meant for Elain. My God. Jfc. That's poetry.

2: The original recipient of the gift must actively show displeasure or disappointment in the jewelry- further revealing that this is the wrong woman.

In The Family Stone, Meredith (Sarah Jessica Parker), the "first" and "wrong" woman sees the ring on her little sister Julie's finger (Claire Danes) and while there is some drama (the ring symbolically gets stuck on Julie's finger lolol) Meredith looks at the ring and hilariously goes- "That's it?" because the diamond is so small. She doesn't like it. She wouldn't want to wear it. Meanwhile Julie was stunned. She lost her breath over its beauty and was overwhelmed.

Elain was also stunned and breathless at how beautiful her gift was. She wants to wear it immediately, and she wants him to put it on her. The act of this beautiful, thoughtful gift emboldens Elain to do something she has never done before: Blatant, unrestricted touching. Even while the man she is supposed to be with, the man whose gifts do disappoint her, sleeps upstairs. So the classic holiday romance trope of one gift is right and one gift is wrong is already playing out. From Elain's perspective, the woman who will demand a say in who she chooses and is the only confirmed FMC, she's been getting disappointing gifts from her mate for years. When she finally sees a gift that steals the air from her lungs and lights up her eyes, a gift she wants to wear and use immediately after years of lukewarm responses to the man she is "meant" to be with, it's romantic as fuck. Unless you don't like her and don't want her with Azriel, in which case it isn't romantic to you personally. However, personal opinion on Elain doesn't actually change the fact that after years of many of us already assuming Az and Elain were into each other, they had an extremely classic holiday romance reveal.

4: The act of changing your mind about who will receive this gift, in order for it to be romantic, must be an act of hope. An act of joy and dreams and revelation. Realizing that there is more out there for you, and after years of playing it safe, of trying to make it work for the wrong reasons with the wrong woman, you are ready to be brave and break your character patterns to act on that dream of happiness.

Near the climax of The Family Stone, we discover that Emmet's mother, the keeper of this ring, has had her breast cancer return. It is already clear she is not going to make it this time.

We learn that Emmet has been acting out of trauma, grief, and loss. He cannot wrap his mind around the thought of getting married without his mother being there. In a heart breaking scene, Sybil finally gives Emmet the ring she has been refusing the entire movie and lets him know it is his decision. But she also frees him from the horrible pressure he has placed on himself to get married while she is still alive. She wishes passion, joy, and happiness for him. She helps him cope with the loss of her, helps him heal the wound and burdens he carries of trying to be the Perfect Son and do everything right. All she wants for him is happiness and love. But ultimately, the decision is his.

In a rush of hope and healing, Emmet asks Julie to try the ring on. He wants to see it on her. It is a culmination. It is powerful, emotional, and restorative. In this story of brothers and sisters coping with the loss of their mother and trying to find their personal happiness, they all wind up together in the end. Meredith winds up telling Emmet she can't marry him, before he even reveals he decided not to ask her, because they both knew it wasn't right. It was so clear that they weren't in love with each other, but just trying to fit this ideal picture for reasons that had nothing to do with love. Still, Meredith isn't a villain, and winds up falling in love with his brother. The next year, everyone but Sybil gathers as a family, the first Christmas without her. The grief is palpable, but so is the love. The image of Sybil smiling at her gathered family through last year's gifted photograph of her ends the movie.

Azriel's regifting of Elaine's necklace was not a culmination. It was not an act of hope, it was not Azriel releasing Elain because he realized his love for her was not genuine and there was real and true happiness to be found in G/wyn. He did not even care to give it to her directly. He gave it to Clotho, who absolutely read the vibes and noted his sadness. He didn't even care if it wound up with Gwyn or literally any other priestess. He needed to relieve himself of the necklace because of the pain of not being able to be with Elain, just like Cassian yeeted his first Solstice gift to Nesta into the Sidra after her rejection. Regifted or getting rid of gifts as an act of pain is not romance. It is not even symbolic of a change. It only reflects a man who is hurting because he has nowhere to channel his love and longing.

What I find odd is that most people do agree that Az regifting the necklace via Clotho is absolutely not romantic, thus Azriel incel fuckboy (which literally makes no sense) was born. For the necklace regift to hold the symbolism that G/wynriels want it to hold (a sort of passing of the torch of Azriel's affection and attention) they agree that this is icky and gross behavior but G/wyn will fix him and he'll stop being icky and gross. I'd ask for recommendations on romances like that to try to understand that thought process as well, but frankly I am not interested.

Azriel getting rid of the necklace was not an act of hope, it was an act of pain. It was lot an act of love, it was an act of loss.

A change in who a gift belongs to can be romantic, with the right elements. The great ACOSF bonus chapter necklacegate has none of them. And yet somehow, even though everyone agrees it wasn't romantic, people are still out here arguing that it clearly symbolizes a new romance.

I assure you, romance symbolizes romance. It shouldn't be tricky or leave you feeling icky or like the MMC is flaky and entitled. I cannot think of a single romance author who thinks it's a good idea to sit down and write toxic fuckbois as MMC's. Even if they were toxic fuckbois in the past, they IMMEDIATELY simp for their women. As of now, Azriel still hasn't noticed G/wyn, his supposed mate, and is hurting and heartbroken over another woman that he would kill for if asked to. He is not coping with it by raking about town and looking for a new girl to fall in love with since he was ordered away from the one he wanted. He's just training, not sleeping, and putting rocks in snowballs.

When trying to determine what is being foreshadowed as romance, if we have to stretch beyond asking the simple question what is romantic, I fear we have lost the plot.

[dean-winchester-is-a-warrior]

The Dangers of Hope Ch. 5

Series Summary: When Y/N shows up at Camp Chitaqua with her little girl in tow, her bloodshot eyes leave no doubt that she's infected. Or is she? Everything Dean has come to know for certain over the last five hellish years, is about to be challenged.

Pairings/Characters in the series: Endverse!Dean x Reader, Emma (OFC), Castiel, Sam Winchester, Lucifer, Michael, Zachariah, Risa, Johnston (OMC), Patrick (OMC), Theresa (OFC), other survivors and soldiers.

Series Explicit 18 +/Warnings: Show level violence, some gore, angst, smut, fluff all the usual for a series of mine. ❤️ Endverse!Dean (that's a warning for his anger and callousness as well as his extreme hotness. 😁) Each chapter will have their own specific warnings.

Chapter Warnings: Nothing major.

Word Count: 5,402

A/N: So, I've had this idea for quite a while. Basically since I watched The Last of Us. I loved Pedro in the role of Joel, but I kept thinking how incredible Jensen would have been. Which then made me think of how amazing he was as Endverse!Dean which then led me to this idea. Lol! I've stolen the premise of Ellie's storyline from TLOU, but made her a grown up, a reader insert, and a love interest for Dean.

If you've never seen TLOU, don't worry - you don't need to have seen it to understand this story. 😊

I've taken some liberties with the Endverse in my story, changed a few things from canon, but kept lots of things too.

I sincerely hope you enjoy the story. It will be ten chapters and I will do my very best to post one chapter every weekend. ❤️

A/N 2: Sorry, this chapter is a bit longer than usual, but I hope you enjoy it anyway. 😘

Series Master List || Main Master List || Tag Lists

The dividers below were created by @saradika

Over the next two weeks, Dean did whatever he could to avoid being around Y/N.  He was determined that the morning at the river was simply going to be a weird one off. It was some kind of reaction to Y/N’s unfamiliar presence. Her emotions and her rose-colored outlook on the world had contaminated him somehow. 

He didn’t know why, but there was something about her that always made him question his decisions, constantly rework his plans. She just brought something out in him, so he stayed the hell away from her as much as possible.

He knew she’d set up the school and begun teaching. But there again, she’d made him change his plans. The plan had been to use the sheds behind the cabin for storage; that was the whole reason for building them! 

But apparently Y/N had worked her magic with Brandy and before he knew it the sensible, practical woman had him convinced to let Y/N and the kids take up one of their very limited storage spaces, just to sit around doing algebra and reading poetry - or whatever she was teaching them. 

It was ridiculous. 

But even though he avoided her during the day, there was no turning off his brain at night, when he closed his eyes and visions of her soft curves and the memory of her silky skin beneath his fingers plagued his thoughts. He told himself to smarten up, that he had so many more important things to be thinking about. 

He decided he just needed sex; it had been too long. So one night he showed up in Risa’s tent after midnight and she opened her arms to him the way she always did. 

But as he kissed her and moved his hands over her body, her gentle sighs and soft moans weren’t doing what he needed them to, and he realized he was being an asshole trying to replace one woman with another. Risa was a good soldier and she’d been a soft place for him to land too many times to just use her as a distraction. 

So he got up and left, giving her a lame excuse, “I forgot I have to be up early tomorrow to…go over things with Johnston.” He tried not to notice Risa’s frown. He couldn't tell if she was mad or sad, and he didn't really want to stick around to find out. 

As the days moved on, he realized it was next to impossible to completely avoid Y/N, whether day or night. Because no matter how he tried to ignore her, he saw her influence everywhere. He could sense a shift in the air, he swore people were smiling more and every once in a while, he could hear kids laughing loudly.

That was a foreign sound nowadays, and it unnerved him. And smiling seemed foolish. What was there to smile about? Being happy just invited tragedy. He knew in the old days he would have been called a pessimist. But he was simply being a realist as he'd always been. He called things as they were, and he wasn't about to let a pretty smile and a bouncy attitude change that.

One evening, about a month after Y/N arrived at the camp, Dean was headed to the storage shed to take a thorough inventory before they left the next day on a raid - one of their last before the snows came in mid November. He knew they were gonna need more propane than what they had stored in order to run the generator over the winter. The generator ran the fridge and freezer where they kept their food stored. 

It could also power the electricity in the big cabin for a little while if needed. There had been nearly a week last winter that had been so piercingly cold that they’d all needed to jam themselves into the cabin and run the electric heat as much as possible. It had simply been too cold for the little camp stoves in the tents; the wood-burning stoves just couldn’t generate enough heat to combat the intense cold that seeped through the thick canvas walls. 

So their generator had saved them, and it ran on propane, which meant they needed more than enough to last through another possible cold snap.

Dean had deliberately waited to start the task until it was nearly sundown since the school would be empty by then and he could avoid running into the teacher that worked there. 

But as he approached the small building he could see a wavering light in the window - a lamp moving towards him. Before he could turn and leave (he wasn’t going to call it running away) Y/N stepped out into the semi-darkness and gasped as she saw him standing there.

She put the hand not holding the kerosene lamp to her chest. “Oh my lord!” She breathed out raggedly. “You scared me half to death.” But she was chuckling as she said it and walked closer to him.

He cleared his throat. “Yeah, I uh…I thought you’d be gone.” He knew he sounded slightly accusatory. “Why are you still here? Haven’t the kids been gone for hours?”

Y/N nodded. “Yeah. I came back to put up the gift we got from Tom Richardson.” She waved him towards the building behind her. “You should come see the school.”

Dean shook his head. “No, I’ve got…I have to -”

She cut him off with wide, pleading eyes. “Please?” She added a bright, imploring smile and Dean shook his head. Why was he even bothering to say no to her at this point? He gestured for her to lead the way into the little building and he followed at a distance. 

They walked in and she set the lamp on the small table in the corner and turned it up full so that it completely lit up the tiny room. She held her arms out to the sides, showing off her little schoolroom with pride.

“What do you think?”

He shook his head. “It’s uh…pretty empty.” He said looking around. 

Y/N shrugged and seemed a little deflated. “It’s a work in progress.”

Dean grunted his acknowledgement and continued his sweep of the room. On the floor against the back, Northern, wall were a couple of piles of wool blankets, and right above them was a mural of multicolored leaves stuck to the wall. 

When she saw him looking at it and frowning, Y/N explained. “I got the kids to find a bunch of pretty, fallen leaves, and then we used some tree sap as glue to stick them up. I got to teach them a little bit about trees and ecosystems, and we also made something pretty to hang on the wall.”

He nodded at the blankets. “Is that where the kids sit?”

“Yeah.” She said with another shrug. “We’re a little packed in, but it keeps us warm. The blankets just take the chill out of the floor and make it a bit softer to sit on.”

Dean nodded absently and looked left, his eye catching on the only other object in the room. It was a paper map hanging on the western wall, held in place by two small nails. 

Dean frowned again. “Is that a map of America?”

Y/N nodded excitedly. “Yeah, that was the gift from Tom Richardson. It was so kind of him. His son, Jonah is a sweet little guy, but I guess he’s been pretty quiet over the last year or so. He lost his mom just before he and Tom got to Chitaqua?” She said, clearly using the words as a question to see if he knew who she was talking about.

Dean nodded, a vague recollection coming to his mind of a big burly guy and a scrawny little kid. He remembered thinking the guy would be a hard worker, and the kid probably wasn’t gonna make it. He’d looked pretty sick.

Y/N continued. “Well, I guess since he started school he’s been talking more in the evenings, even asking Tom questions about The Knights of the Round Table. I’ve been sharing some of the legends with them this week. So, Tom was grateful and as a thank you, he gave us this map that he’d kept tucked away in his backpack all this time. Said it made him feel peaceful to look at it and remember better times. But he thought we could use it more.”

She smiled wistfully and gazed at the slightly ratty map.

“Why?” Dean asked with a slight jolt in his gut. He waved at the map. “It’s not like this anymore.”

Y/N nodded and lowered her gaze to the ground. “Yeah, I know, but the general shape of the country is still the same, and I can use it as half geography, half history.”

When she looked back up at him, her face was set in lines of disappointment. She waved her hand to encompass the whole hundred and fifty square feet. “You don’t like it?” She asked with a weak chuckle.

Dean shrugged. “No it's, I mean, it’s fine. You know, work in progress, like you said.”

Y/N nodded and smiled, looking a little bolstered. “Yeah, slow but sure. And you know,” her smile turned shy, “I’ve really wanted to thank you for giving up the space for the school, I know this wasn’t what the shed was earmarked for.”

Dean cleared his throat. “Yeah, well, Brandy made sense. Can’t have the kids wandering around outside after the cold comes.”

Y/N frowned. “I’ve wanted to thank you, but every time I’ve looked for you, I seem to have just missed you.”

Dean scowled defensively. “Just busy.” 

Y/N nodded.

“Well look,” Dean said, backing away, “I gotta get to…stuff.” He shook his head. “I mean, we’re leaving on a raid tomorrow and I gotta prepare for it.”

“Oh, be careful.” Y/N said, biting her lip in concern.

It was far too hard for Dean to rip his eyes away from where her teeth sunk into the satiny sweep of her bottom lip. But he jerked his head up and then spun away as he answered her. “Always am.”

***

The raid was successful; in fact it was one of the most successful ones they’d ever had. They’d traveled all the way to St. Louis, hoping to find some gas stations there that hadn’t been picked clean. But they had no luck. Since going home empty-handed wasn’t an option, they went North to Springfield and hit the jackpot. 

They found an old Costco on the outskirts of the city that had barely been hit. They filled and loaded up enough propane tanks to see them through the winter and then some. 

They also loaded up as much food as they could, and even found some usable meds left in the pharmacy there. They grabbed clothes and kitchen things like plates and pots, utensils, also managing to find a few things that had become rare and quite precious, like eyeglasses and sunglasses. They also found spare tires and car parts, and a few simple pieces of practical furniture. They took as much as they could load into the back of two trucks and a Jeep. 

Dean packed up one more big box, setting it on top of the others; it was just something he thought might come in handy. He refused to think too long about why he’d gathered together the things in the box.

They made it back to camp less than two days after they left, a record for a raid. They usually took a week or more because they had to scavenge through a bunch of different cities, and fight off masses of Croats. But this time, they didn't see any Croats at all, and they'd scored an incredible haul quickly, which meant that, barring some kind of catastrophe, they wouldn't have to go out again until the snow melted. 

They pulled into the camp around noon and Dean spent a few hours helping to unload the trucks and organize where everything went. When the campers saw the piles of booty in the trucks, people actually started clapping. An air of joviality pervaded as they all worked together to put things away until the next day. At which point they'd begin accounting for it all, sharing what was needed immediately, and then safely storing away the rest. 

Y/N and her students left their little schoolroom to come help as well and the kid’s eyes were wide and excited, looking at everything that had been brought back as though it was Christmas Eve. 

When everything was unloaded, Dean grabbed the box he’d put aside and brought it to Y/N who’d returned to the school to drop off the two folding chairs she’d claimed for the classroom.

He knocked on the open door, grateful for the hard wood beneath his knuckles this time. Y/N turned to face him and her eyes were almost as bright and excited as the kids’.

“Hi!” She said enthusiastically. “Wow, you guys sure brought home the bacon on this raid!”

Dean shook his head. “No bacon. It was fairly rancid.”

Y/N chuckled lightly and scrunched up her nose. “Yeah, wise decision to leave that behind.”

Dean nodded and set the big box on the plywood floor with a heavy thump. “This is for you. For the school.” He amended.

Y/N looked a bit dumbfounded for a moment and her eyes got even rounder before she dropped to her knees and pulled open the flaps of the box. 

When she saw what was inside her gasp was deep and her hands flew to her mouth. She looked up at him in complete shock before reaching reverently into the box to take out one of the books that sat inside.

“Books.” She whispered, as she stared at the paperback in her hands. She reached into the box again and pulled out another book and then another and another until her arms were full of them.

She looked up at him, tears falling and her gaze rapturous. “Oh my god, Dean.”

Dean felt his face flush and he looked away, crossing his arms over his chest. “Just figured the classroom could use ‘em and they were just sitting there on the shelves. There’s a bunch of kids books underneath,” he said pointing inside the box. “And paper and pencils and some crayons, a few coloring books. There weren’t many of them so-”

He was interrupted as Y/N dropped the books back into the box and launched herself at him. She wrapped her arms around his neck and squeezed tight. He stood stock still for a minute before he patted her back awkwardly and dropped his arms back to his side.

She pulled back and brushed away her happy tears, sniffling loudly. “Sorry. I just…” She knelt down again and picked up another book, holding it tight to her chest. She shook her head. “You have no idea how much I’ve missed books. It’s been years since I’ve even seen one let alone had the chance to read one.”

She reached in for one of the children’s books and laughed. “Oh my gosh, the kids are gonna be ecstatic.”

Dean shrugged, thoroughly embarrassed by Y/N’s joy and gratitude. He cleared his throat before speaking. “There’s a limited supply of paper and pencils, and I have no idea how long it will be before we find more, if we ever do, so…”

He trailed off and Y/N put the books back into the box and folded the flaps closed again. “So, we’ll be sure to write very tiny, erase a lot, and wear the pencils down to little nubs.” She said as she stood and bent to heft the box up from the floor. Dean stepped forward to grab it from her as she staggered slightly beneath its weight.

“You’ll break your back.” Dean barked at her as he reached for the box. 

But she just shook her head and turned away with the box still in her arms. “N’ah I’m stronger than I look.” She said, huffing and puffing as she dropped it onto the table. 

Dean shook his head. Yeah, I bet you are. He thought.

After a moment Y/N turned and walked slowly back towards him. “So, I can’t exactly buy you dinner as a thank you. But if you bring your rations over to our tent, I can cook them all up for us.”

She smiled at him, friendly and sweet, but Dean was backing away. “No, that’s not necessary.”

“I know it isn’t, but it will make me feel good to do this one small favor for you in return for this amazingness.” She said with a wave towards the box.

Dean planned to say no, had it on the tip of his tongue but when he opened his mouth what came out was, “Okay.”

So barely an hour later he found himself sitting at her table with dinner laid out in front of him. It was a sufficiently celebratory meal of salted venison from an eight point buck the camp hunters had taken down in early summer, boiled potatoes, and a can of green beans that was older than Emma.

It was the best meal Dean had eaten in a long time.  

After the food was finished and the dishes were washed, Y/N made them a cup of coffee and he sat drinking it as she settled Emma into bed with a kiss. His stomach was full of decent food, the coffee smelled old but still strong, and the sound of Y/N’s soft voice as she tucked her daughter in, was incredibly soothing. He found himself relaxing into his chair in a way he hadn’t in a very long time. His muscles lost some of their rigidity and he breathed out a long sigh, as though he’d been holding his breath for too long.

After a few minutes Y/N came back to the table and sat down with her own soft exhale. She took a sip of her coffee and then looked at Dean over the rim of her tin cup. “You know, I don’t think you really understand what you’ve done here.”

Dean cocked his head and raised an eyebrow, questioning her. She smiled and set down her cup, shifting slightly in her chair.

“Since all of this started, we’ve been on the move, Emma and I. In the beginning, when Emma was still a baby, I’d come across different groups of people and we’d travel together for a while or we’d manage to hole up somewhere for the winter and wait out the cold together. But inevitably the groups always fell away; sometimes we’d just decide to go in separate directions, but sometimes animosity or greed would take over and violence would erupt. People would fight over who was in charge and they’d fight over resources.” Y/N shook her head. “It almost always ended up a disaster.”

She shrugged. “So after a while, I just lit out on my own with Emma. It was scary as hell, of course - no back up, no partners, all on my own with a four year old. But it also meant no one stealing my stuff, or throwing me to the wolves at the first sign of trouble.” 

She took another sip of coffee and Dean wondered at the shadows in her usually bright eyes. What stories in her past had created them?

Her voice was soft when she continued. “It’s been incredibly hard and there’s been,” her eyelashes fluttered and closed, “there's been a lot of bad.” 

She set down her cup and sat back in her chair, rubbing at her eyes with her fingers like she was scratching out the images behind her eyelids.

When she looked at him again, her eyes were soft and warm. “So, to come here, to see what you’ve accomplished in just a few years?” Her voice was full of wonder. “Dean, it’s like a miracle. I mean you’ve made it safe here, at least a hell of a lot safer than anywhere else out there - there are guards protecting us! People work together, contribute their skills and strengths for the benefit of the group as well as themselves.”

She shook her head. “I haven’t seen anything like it in a very long time. What you’ve created here is an oasis.”

Dean snorted at that. “Oasis?” He asked incredulously. Her praise and wonderment made him feel an itchy kind of awkwardness. He didn’t deserve it.

But Y/N was nodding solemnly. “Yes. It’s a safe haven in a world filled with evil. What would you call it?”

Dean took a gulp of coffee and then licked his lips, looking at her for a moment before speaking. “Y/N this is only an oasis in the sense that it’s a mirage in a desert; it’s an illusion. We’re managing to get by through lucky choices and good timing. We push through from day to day, but I’m telling you this whole place could fall apart in an instant. One long, bad, winter, or one coordinated attack from another camp or a pack of Croats, and we’re done.”

He paused to try and let that sink in before continuing. “And the survivors here work together because it’s beneficial to them. But if things get desperate again,” he looked at her pointedly, “don’t think for one second that they'll hesitate to throw you to the wolves like all the others.” He shrugged. “It’s human nature, survival of the fittest, and anyone who thinks otherwise is gonna get trampled.”

He said it as a warning, still determined to dislodge the Pollyanna ideal of good and virtuous humanity from her mind.

But Y/N just smiled and leaned across the table to squeeze his hand. “Guess we’ll see. But in the meantime, you should be proud. No matter what happens, you’ve done good.”

Dean swallowed down the rest of his coffee in one gulp and stood up, pulling his hand away from her warm touch. He was desperate to get away from the softness and understanding in her gaze. He thanked her for cooking dinner and left quickly, promising himself as he walked back to his tent that he wasn’t going to do that again.

But as with most things to do with Y/N that decision didn’t last long, and soon enough that one evening turned into a bit of a ritual. Every few days or so Dean would show up with some of his rations and Y/N would combine them with what they had, and they’d all eat together at their tiny table.

Every time he left her tent, he told himself he’d had his last meal there with Y/N and Emma. Yet within a few days, he’d be back again. He told himself it was just something to break the monotony of camp life, just something a little different from the ordinary.

But the truth was he was beginning to crave the evenings spent across from Y/N, listening to her rattle on about her students and their achievements, or else answering her seemingly endless questions about the camp and how it had come to be. He even enjoyed listening to her talk to Emma, telling her stories before she tucked her in for the night. 

Once the little girl was asleep, Dean usually hightailed it out of there, because without the kid as a buffer it became much harder to ignore Y/N’s inviting lips and tempting curves.

But one night, three weeks after returning home from the raid, Y/N followed him outside as he abruptly left the tent. 

“Dean.” She called after him. 

The sun had set almost an hour before and the night was dark and cold; Dean returned to her side and admonished her. “It’s freezing out here, go back inside.”

Y/N just rubbed her hands up and down her arms and shrugged. “I’m fine.”

He shook his head at her stubbornness, and then waited silently. When she didn’t say anything right away he spread his arms wide.

“What?” He asked impatiently. 

“I just…” Y/N stuttered for a moment. “I just wanted to say that I really like when you come for dinner.”

Dean clenched his jaw as she looked up at him with heat in her gaze, an invitation in her eyes, plain as day. He told himself to walk away but instead, he raised his hand to trail his fingers down her cheek. 

“You should go inside.” He warned her again, even as he lowered his head towards her. “S’cold.”

Y/N shook her head. “I’m very warm.” She smiled and licked her lips and it was his undoing.

He yanked her up against him and crushed her lips with his own. He plundered her mouth with his tongue, inhaling her sweet scent and hardening at the way she clutched the front of his jacket and whimpered softly. He moved his hands so that one clutched at her waist and the other one grabbed hold of the back of her head so he could keep her pressed to him tightly.

He didn't know how long he would have continued kissing her, or whether he might have taken things even further. But luckily there was a loud noise of something crashing somewhere in camp, followed by laughter. 

The sound was like a bucket of cold water being poured on him and Dean ripped himself away from Y/N's mouth. They were both breathing heavily, panting really.

“Fuck.” Dean swore roughly before he turned abruptly and left. He fully admitted to himself that this time, he was definitely running away.

***

Dean barely slept and woke up the next day berating himself for the night before. For fuck’s sake he’d been making out with Y/N with her kid just on the other side of a canvas wall - kissing her in the wide open, where any other camper might have walked by. He didn’t need things to be more complicated than they were already. 

As the morning wore on, he made up his mind to talk to Y/N that very afternoon. He'd just tell her straight out that what happened between them just couldn't happen again. It was only going to confuse things and make everything harder than it needed to be. 

He nodded; he could do this. He was practical and he didn't hem and haw or tiptoe around things. He'd just tell her straight out how things were going to be. 

He knew she'd be in the big cabin as the school day ended, so he walked over and stepped inside the door, hoping she'd be almost done for the day.

Ever since he brought her the books, she'd been reading to the kids at the end of every school day. Parents had started swinging by the school, ostensibly to meet their kids, but really, they wanted to watch their kids' faces and listen to their giggles as Y/N read the stories in funny voices and occasionally got the kids to join her in acting out silliness from the books. 

But the crowd of parents and kids had gotten a bit too big for the tiny schoolroom, so on the last day of every week, Y/N had taken to reading to the kids and parents together in the big cabin. The adults usually sat on the floor behind the kids, keeping their hands busy with mending clothes or knitting, or else they stood at a table and worked on something like repairing holes in tents or making snares for the hunters. The work allowed them to justify their enjoyment of the stories. 

As Dean walked inside now, Y/N was finishing up the storybook in her hand. He could see it was The Paper Bag Princess and Y/N was on the last page.

“‘Ronald���, said Elizabeth, ‘your clothes are really pretty and your hair is very neat.” Y/N read aloud in Elizabeth’s decisive voice. 

“You look like a real prince. But you,” Y/N paused for effect, “are a bum.’”

All the kids were giggling as she read the last line. 

“They didn't get married after all.”

The kids clapped and even the parents were chuckling at the way the paper bag princess had put the snooty prince in his place.

“I love that story!!” A little redheaded girl in the front gushed. 

“It's my mommy's favorite story.” Emma said loudly. “Right Mommy?”

Y/N nodded. “When I was your age for sure.”

Dean pushed away from the wall he was leaning on, trying to signal Y/N so she'd hurry up and finish. But the little girl in the front demanded her full attention as she bounced up to lean against Y/N's knees where she sat in the chair.

“Cause your mommy read it to you?”

Dean was seriously considering ordering everyone out. He wanted to get this over with.

But Y/N's next words stopped him dead in his tracks. 

She was shaking her head as she tucked the little girl's red hair behind her ear. “No, my mommy passed away a long time ago when I was just a baby. So she never really got to read me stories.”

Y/N kept talking, but Dean only heard a hot, pulsing, rushing sound in his ears. A million thoughts were slamming through his mind at once as he felt a cold shiver run through him.

He yelled over the sound of the people around him beginning to chatter and get ready to leave.

“How?”

Y/N looked up at his bellow, her face shocked. “What?”

Dean was aware of his surroundings only just enough to brusquely order everyone out of the cabin.

“Now!” He barked and the mood in the room shifted quickly as parents grabbed up their children and gave The Boss a wide berth as his eyes burned at Y/N like green fire.

Everyone disappeared and it was just Y/N, Dean and Emma left. 

Dean felt his heart hammering in his chest as he took a step back from where she stood. 

Y/N's face was completely confused and clearly perplexed. “Dean what-”

He cut her off. “How?” He bellowed again before swallowing and asking in a slightly quieter tone. “How did your mother die when you were a baby?”

Y/N shook her head. “Why? What are you-”

“Answer me.” Dean's voice wasn't loud, but his words were clipped and he could hear the steel behind his words, feel the cold seeping into his bones as the tumblers in his mind fell into place, opening the lock concealing the reason behind Y/N’s miraculous survival of the virus.

Y/N blinked rapidly for a moment before exhaling slowly. “It was a - a fire. Some kind of electrical short or something.”

“In your nursery.” Dean said softly.

Y/N shrugged, her face scrunched up in confusion. “I'm not sure. My dad didn't really like to talk about it.”

As he stood staring at the woman with the bloodshot eyes, a moment from so long ago, once again from that first time they'd faced the Croatoan virus, materialized in his memory.

Again his brother's face bloomed in his mind, and he heard his own voice speaking.

“I swear I'm gonna lose sleep over this one. I mean why here, why now?”

And Sam's bewildered reply. “And why was I immune?”

Well now he knew why his brother had been immune. Because Yellow Eyes had wanted him to be, to make him a better soldier, a better, more powerful psychic to lead his demon army. And of course, he’d needed to be sure Lucifer's true vessel was strong and able enough to withstand the demon germ warfare he planned to release upon the world as a way to kickstart the apocalypse.

Dean stared at Y/N, angry beyond belief. Angry at her and what she really was, angry at himself for taking so long to figure it out and for falling for her game, and unbelievably angry at the universe for proving once again that it was laughing at him. 

His voice was ice when he spoke. “What kind of psychic are you? What can you do?” He shook his head. “What have you done already?"

Jensen RPF and Any/All Characters:

@lyarr24

@lacilou

@deans-spinster-witch

@globetrotter28

@suckitands33

@akshi8278

@evznackles

@jackles010378

@impala67rollingthroughtown

@krazykelly

@candy-coated-misery0731

@envyaurora95

@spnwoman

@deans-baby-momma

Dean Fics Only:

@roonthelittlespoon920

@slamminmine

@zepskies

Any/All Fics Regardless of Character or Fandom:

@kazsrm67

@slut-for-evans-stan

@sexyvixen7

@nancymcl

@waywardcheshire

Everything Incl. Fan Edits:

@k-slla

@leigh70

@eevvvaa

@kickingitwithkirk

@foxyjwls007

@notinthislife50

@roseblue373

@mishkatelwarriorgoddess

@avanatural

@mrsjenniferwinchester

@all-alone-he-turns-to-stone

@deangirl96

@hobby27

[vee-crytraps]

Kiss Me More {Themes/TW's Masterlist}

Pairings: Dick Grayson/Reader, Jason Todd/Reader, Tim Drake/Reader, Damian Wayne/Reader Trigger Warnings: 18+, light yandere, graphic descriptions of sex, Fan-non personalities, reverse harem, unhealthy relationships, unhealthy pining, teenage hormones, (legal) age differences, fem!reader, violence, drug use, polyandry. General Themes: Sex positivity, sexual curiosity, sexual promiscuity, sexy sex sex sex, struggling with growing up, struggling with Naughty Feelings, trying to become a person, general feeling of being misunderstood, possibility of light angst in future, family death (mentioned).

Chapters: 1 | GROAN (Jason/Reader 🔞) 2 | BURNING DOWN THE HOUSE 3 | EAU D'BEDROOM DANCING (Dick/Reader 🔞) 4 | ORNAMENT 1 | 2 | 3 | 4 | 5 5 | KRIMSON (Tim/Reader 🔞) 6 | TO YOU (Damian/Reader 🔞)

Reference:

Ages: Dick 29 | Jason 23 | Tim 20 | Damian 18 | Reader 18 DICK is the ‘no man will compare to your charming big brother’ type. He is your knight in shining armor, always eager to put you first. He believes no one will be able to take care of you the way that he can, but doesn't view other men as competition- preferring to show you that he’s better. He's your childhood friend, your 'boy-(in-the-room-) next-door'. Dick's love language is...kind of all of them? But he loves spending time with you, lounging about your room while you choose outfits and recount high school drama. JASON is one of your more estranged siblings. He gets off knowing that Bruce views you as an innocent, and that your involvement with him in particular is taboo in all sorts of ways. Part of him is getting over the fact that you really aren’t as delicate as you used to be, far from the annoying brat he believed too weak for their nightly family adventures. He wants to protect you but also feels like he’s missed too many formative years to really boss you around like an older brother. Whenever he tries, it always comes out a little awkward. He’s the care-free fun sibling, letting you get away with whatever you want while simultaneously encouraging it. He is a pleasure seeker and an enabler, but will also recite some poetry after he finishes boning you on his couch. TIM is like a best friend. This relationship is more casual than truly lusty or romantic, at least at the start. Even your intimacy is playful and spontaneous. There's no pressure to be anything but yourself, in and out of the bedroom. Tim mostly adores your curiosity, a trait which you both share. You often go down wikipedia rabbit holes together, or people watch at the park outside of WayneTech during his lunch breaks. You've also started a snapchat series of him falling asleep in strange places. DAMIAN is a total dominant personality, if somewhat socially awkward. In some ways, he believes you belong to him. He views you as a pet or a toy sometimes, wishing to take care of you in his own way. His role in your life is essentially a sexual and romantic version of how Bruce sees you. Damian dresses you, enjoys bathing you and would rather watch you get off than be able to get himself off. Like Bruce, it's as much of a control thing as it is a 'I don't know how to interact with people in a genuine way' thing. He doesn’t always know what to do with reciprocation as he’s never had it, but he doesn’t need it with you. Much like the relationship between a pet and it’s human, it’s one sided care. This is important because Damian cherishes pets over humans, so the fact that he cares for you like a dog means that you’re highly valued in his mind.

Lil Notes: Feel free to suggest/request little scenarios! If they don't inspire anything for Kiss Me More, they might make a nice little one shot! No guarantee that I can get around to them, but I will try my best! I'll be re-posting my work from Ao3 onto Tumblr slowly so I don't flood the tags.

[headspace-hotel]

Just spent a couple hours digging into this book. I'm not even sure what has worse environmental impacts, the paper the book is made of or the opinions printed within.

Is "post-colonial" literary theory a joke? It's distressing that a book printed in 2021 by a reputable academic press can be so painfully Eurocentric, and I mean PAINFULLY. The philosophical and literary frameworks drawn upon in most chapters are like what some British guy in 1802 would come up with. In most of the chapters, every framework, terminology, and example is inseparably fused to Latin, Greek, and/or Christian philosophers, myths and texts, even down to the specific turns of phrase. You would think only Europeans had history or ideas until the 20th century.

Don't get me wrong, non-european and even specifically anti-colonial sources are used, and I don't think all the writers are white people, but...that's what's so weird and off-putting about it, most of the book as a whole utterly fails to absorb anything from non-European and in particular anti-colonial points of view. The chapters will quote those points of view but not incorporate them or really give their ideas the time of day, just go right back to acting like Plato and Aristotle and Romantic poets are the gold standard for defining what it means to be human.

In brief, the book is trying to examine how literature can shed light on the climate crisis, which is funny because it completely fails to demonstrate that literature is good or helpful for the climate crisis. Like that is for sure one major issue with it, it shows that people *have* written stuff about climate change, but it sure doesn't convince you that this stuff is good.

Most of the works quoted are rather doomerist, and a lot of the narrative works specifically are apocalypse tales where most of Earth's population dies. The most coherent function the authors can propose that literature fulfills is to essentially help people understand how bad things are. One of the essays even argues that poetry and other creative work that simply appreciates nature is basically outdated, because:

“One could no longer imagine wandering lonely as a cloud, because clouds now jostle in our imaginations with an awareness of atmospheric concentrations of carbon dioxide and other atmospheric pollutants” (Mandy Bloomfield, pg. 72)

Skill issue, Mandy.

The menace of doomerism in fiction and poetry is addressed, by Byron Caminero-Santangelo, on page 127 when he references,

the literary non-fiction of a growing number of authors who explicitly assert, some might even say embrace, the equation between fatalistic apocalyptic narrative and enlightenment…they are authoritative in their rejection of any hope and in their representation of mitigatory action as the cliched moving of deckchairs on a sinking ship

He quotes an essay “Elegy for a country’s seasons” by Zadie Smith, who says: “The fatalists have the luxury of focusing on an eschatological apocalyptic narrative and on the nostalgia of elegy, as well as of escape from uncertainty and responsibility to act." Which is spot-on and accurate, but these observations aren't recognized as a menace to positive action, nor is the parallel to Christian thought that eagerly looks forward to Earth's destruction as a cathartic release from its pain made fully explicit and analyzed. Most of the creative works referenced and quoted in the book ARE this exact type of fatalistic, elegiac performance of mourning.

I basically quit reading after Chapter 11, "Animals," by Eileen Crist, which begins:

The humanization of the world began unfolding when agricultural humans separated themselves from wild nature, and started to tame landscapes, subjugate and domesticate animals and plants, treat wild animals as enemies of flocks and fields, engineer freshwater ecologies, and open their psyches to the meme of the ‘the human’ as world conquerer, ruler and owner.

This is what I'm talking about when I say it's dripping Eurocentrism; these ideas are NOT universal, and it's adding nothing to the world to write them because they fall perfectly in line with what the European colonizing culture already believes, complete with the lingering ghost of a reference to the Fall of Man and banishment from the Garden of Eden. It keeps going:

“Over time, the new human elaborated a view of the animal that ruptured from the totemic, shamanic and relational past.”

Okay so now she's introducing the idea of progression from shamanic nature-worshipping religions of our primitive past...hmm I'm sure this isn't going anywhere bad

“While humanity has largely rejected the colonizing project with respect to fellow humans, the occupation of non-human nature constitutes civilization’s last bastion of ‘normal’ colonialism. A new humanity is bound sooner or later to recognize and overthrow a colonialism of ‘nature,’ embracing a universal norm of interspecies justice.” (pg. 206) 

OKAY????

Not only denying that colonialism still exists, but also saying that humans' relationship with nature constitutes colonialism??

Embracing limitations means scaling down the human presence on demographic and economic fronts…(pg.207)

ope, there's the "we have to reduce the human population"

Embracing limitations further mandates pulling back from vast expanses of the natural world, thus letting the lavishness of wild (free) nature rule Earth again” (pg. 207) 

aaaaaaand there's the "we have to remove humans from wild nature so it can be freeeeeee"

don't get me wrong like I am a random white person with no particular expertise in anti-colonialist thought but I think this is an easy one. I'm pretty sure if your view of nature is that colonialism involving subjugating humans doesn't exist any more and actually humans existing in and altering nature is the real colonialism so we should remove humans from vast tracts of earth, your opinion is just bad.

Anyways y'all know I have an axe to grind against doomerism so it was probably obvious where this was going but good grief.

[fluff-n-cookies]

HEY OMG?? SAW UR AIZAWA X AUTISTIC READER IT WAS REALLY GOOD OMG!! I SAW THE LITTLE MESSAGE AT THE END ABOUT OVERHAULLL..

I HAVENT TOUCHED THE MHA FANDOM IN A MINUTE BUT YOUR WRITING IS SO EEE

COULD YOU DO THE SAME PROMPT BUT WITH OVERHAUL? ^^ IF NOT THATS TOTALLY OKAY, REMEMBER TO TAKE CARE OF YOURSELF!! 💗

OMG OMG OMG HIIIIII OFC ILL DO IT!!!

once again based off this comment cuz' I have no other reference point

BRO THIS MAN HAS A WHOLEASS HAREM OF DOCTORS OVER YOU AT ALL TIMES (translation : tries his best to get you to take your meds)

He also threatens everyone else to be quiet so you can focus, and if they don't he's probably gonna take them apart and have you feed them to stray cats and dogs. of course you don't know that! so don't worry your little head over that it's nothing :)

He will moniter what Audiobooks you listen to weather you like it or not. he mostly has you listen to topics that you are interested in. like poetry? here's a book of poetry about birds! want to learn how to write a book? here's an audiobook just about that!

however he tries to restrict you from podcasts and radio shows since they tend to talk about, society and everyday life

once again, he does get you a bird mask if the smells are too much, but he'll settle for a medical mask if you claim that it's too bulky for you.

AND WE ALL KNOW HES NOT LETTING HIS BABY GO SHOPPING AND GET ALL THOSE ICKY GERMS AND THOSE CLOTHING TAGS THAT CAUSE YOU DISCOMFORT

because in overhauls mind: causes you discomfort = LET IT BURN.

okay it's short, but this made my day, thank you for requesting, I hope to hear from you again soon!

oh and @lostsleepiebirb

I hope this is what you wanted, I'll post some more overhaul content soon!

[nateconnolly]

Hozier Reading List of Free Texts You Can Finish in Less Than A Week

Another Hozier reading list is floating around the Internet, and it’s very thorough. Huge respect to @notmysophie for putting that together, they put in a lot of effort and research and it really shows. This is an alternative reading list for people who are too busy or tired to read all the entries on a complete list of Hozier’s literary influences. This list is incomplete—even after finishing it, there will be some very prominent literary references in Hozier’s music that might go over your head. But this will definitely help you appreciate the depth of thought in his songs, and if you read just five pages a night, you’ll be able to finish this reading list in less than one week. 

ONE: ICARUS

Hozier puts the myth of Icarus to song in I, Carrion. You could very easily argue that Sunlight is also a response to Icarus. Many classical writers have told or mentioned his story, but I’ll let my own personal tastes shape this list, and recommend Ovid’s Metamorphoses. He tells the story of Icarus in Chapter 8 Lines 183–235. If you can afford it, I love the Charles Martin translation. You could consult the free Brookes More translation, or the one by A. S. Kline. Remember, you don't have to read the whole chapter--just find the part named "Daedalus and Icarus"

TWO: DOOMSDAY CLOCK

The title track Wasteland, Baby! is such a gentle love ballad, I almost have trouble remembering it’s about the apocalypse. Wasteland, Baby! finds hope and love in the face of annihilation. Hozier wrote this song as a direct response to the Doomsday Clock moving two minutes in 2018, one year before the album was released. 

THREE: GENESIS 1-3

I also recommend reading Genesis Chapters 1-3. You’re probably familiar with the plot, but I think From Eden is such an ingenious twist on the familiar story that you’ll appreciate it even more after consulting the original. Hozier takes the symbols of Genesis 1-3 and uses them to make his own radically different point. The stories of Eden also come up in Be. 

My favorite translation is by Robert Alter, but it’s currently not free online, so you might want to check out the Sefaria translation or the New King James Version (NKJV), both of which manage to capture the beauty of Genesis without becoming difficult for the average English reader. The King James Version (KJV) is also roughly the same level of difficulty as a Shakespeare play. I definitely think the KJV is beautiful, but at the end of a long hard day, you might be better off with the Sefaria, the NKJV, the NIV, or the NRSV. You can Google “Genesis 1” followed by any of those names/abbreviations, and you’ll find it right away. 

FOUR: A MODEST PROPOSAL

Jonathan Swift’s A Modest Proposal, written in 1729, might be the most gutting satire in history. UCLA students put together a very thorough explanation of the economic suffering and the proposed “solutions” that inspired Swift. References to A Modest Proposal form the skeleton of Hozier’s Eat Your Young. 

FIVE: SEAMUS HEANEY

Before learning about Seamus Heaney, you’ll need some background information on the Troubles. I recommend this National Geographic article. I also recommend looking through these Chris Steele Perkins photographs of life during the Troubles.

During the Troubles, Heaney wrote a series of poems about bog bodies. His poetry directly inspired the corpse imagery in Work Song, Like Real People Do, and In a Week. 

Disclaimer: I cannot read Hebrew or Latin. I am evaluating these translations solely by 1) how difficult they are to read and 2) how beautiful they sound. I cannot independently review them for accuracy. Just know that all the translations I’ve listed are widely respected among academics and/or religious leaders.

Anyways if you liked reading this go check out my Substack where I originally posted it. 

[bookshelfmonkey]

Thanks for the tag @storkmuffin :)

Are you named after anyone? Not my first name, which I just chose because I liked it, but one of my middle names is Bowie (as in David Bowie).

When was the last time you cried? A couple of weeks ago, when I was feeling completely overwhelmed by the state of trans rights globally and especially in the UK (where I live) and the ongoing tragedies happening as a result. (Sidenote: it's weird to me how little I've cried since starting T, I used to cry multiple times a week and now it's every few months)

Do you have kids? No.

What sports do you play/have you played? I swam for about 6-8 years as a kid but always kinda hated it, and eventually quit when the dysphoria became too much. I did football and badminton on and off too, but was never really good at anything (asthma & possible dyspraxia & hypermobility etc.). Now I'm trying to run and work out mostly just to stay healthy. I'd like to get back into swimming but can't really afford to go to a pool regularly and I'm scared to go by myself. I also go to a lgbtq+ football club weekly when I'm in my hometown (my friend started an under-18s one which I used to do too and it was pretty much my only positive experience of sports).

Do you use sarcasm? Rarely, and only with close friends where we mutually joke like that with each other.

What's the first thing you notice about people? I actually don't know. I think most of the time I'm too caught up in the anxiety of meeting someone new that I'm more focussed on myself.

What's your eye colour? Bluey grey.

Scary movies or happy endings? Happy endings. I'll watch some scary movies but sometimes they just make me too anxious to enjoy them.

Any talents? I can read pretty quickly with good comprehension (I like to take my time when reading for fun, but as an english lit student who always has a fuck ton of essays and shit to read, it's handy), I can bake really good gingerbread, and I'm weirdly good at immitating people's walks (the same way some people can do voice impressions).

Where were you born? A small city in south west england (not saying more than that for safety/privacy).

What are your hobbies? I read (a lot); I write fiction, poetry, book reviews & TV show reviews (see pinned post on where to find some of these); I embroider and sew; I enjoy baking and cooking but don't do it much atm because I don't like my flatmates so I spend as little time as possible in our kitchen where I might see them; I like going for walks but it can be difficult to get out into nature without a car (ironically) and sometimes I just solve number puzzles/do maths for fun.

Do you have any pets? Yes, this idiot (affectionate). Technically she lives with my parents, but still. Her name's Pepper and she's a generic black cat (it's hard to work out breeds of cats and she's an adopted former stray so there's no breeding history or whatever).

How tall are you? 1.72m

Favourite subject in school? It alternated between english literature and maths.

Dream job? Author/forest wizard/please don't make me enter the workforce (I'm a uni student atm)/I don't know what I want to do with my life.

@yourlocalcorvidcryptid @autisticfordprefect @feral-enfield-with-wifi sorry if any of y'all have already done this and I missed it.