Complaining abt Suicide Squad yet again but the fact that they have Waller exposing the alien community to space racist attacks and talking abt how she got to her position through deceit and being a terrible person and stuff is just. Ahsfiwueh JUST SAY YOU DONT KNOW WALLER.
Anyways literally the 3rd mission of the Squad ever (and the first framed as smth Waller picked and not orders from above) was the Squad discrediting and stopping a rogue vigilante who was only arresting POC and funneling white people into white supremacy groups (of which he was the most prominent member) in SUICIDE SQUAD #4. and it's explicitly framed as this mission being personal for Waller that she's hiding from the government bc its illegal like. Guys. Please why are we having her incite (space bc comics) racist attacks now
Also the whole "Amanda got her position through deceit and being a terrible person" NO. she KEPT her position through being shitty and playing complicated political games!!! She wasn't always that way like there is a difference and it is IMPORTANT ppl PLEASEEEE. In Secret Origins #14 we learn Amanda's backstory and she used to be a normal, caring person! Like even after she entered into working in government and politics she wasn't automatically morally bankrupt like please people. She was originally given control of the Squad by Reagan (*sigh* 80s comics...) to distract and get rid of her because she was so successful at pushing progressive social policy in Congress. Acting like she's this static pillar of evil is such a waste of her character and so fucking uninteresting and disrespectful to her arc it drives me MAD.
Like I am NOT saying Waller is all sunshine and rainbows, she fucking SUCKS (said w love <3) but like there's a human being there. It's a progression, she has a character arc like please, DC, please!!! They've fucked up Waller so bad and made her so opaque and uninteresting she can't even be the protagonist of her own story for fucks sake!
Like I don't know how many times I have to scream it until DC hears me or remembers but WALLER IS THE MAIN CHARACTER OF SUICIDE SQUAD. ITS HER BOOK. yet right now she's a cutout to be used as the villain wherever the writers please. Even in her book we get none of her perspective really displayed, no exploration of her thoughts with any kind of understanding of the role she traditionally has played and was made to play in the story.
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So, I recently reblogged a post about the asexual experience and realized that my addition was twice as long as the two other comments combined. This feels a little weird, since of the three posters, I am the one who is not asexual.
However, I am fairly confident that I know why.
The asexual community is regularly shunted to the side in other sex-positivity and queer-positivity movements, which is horrible. One of the side-effects of this, though, is that allosexuals who experience these same types of love and lifestyles - for example, my own bisexual queerplatonic ass - are not only shunted to the side, but basically invisible to the community at large. This isn't just harmful to me. If you read the post, I talk about @why-are-the-allos-like-this and my's shared experience of feeling that our relationship is lesser than any romantic relationship I might be a part of. Which is bullshit. It's not.
Love is love is kind of the slogan of the entire Queer community, but I know I'm not the only one who has had this experience. So I'm telling it to everyone: love is love is a radical idea. Love is love applies to everyone. It applies to me as a bisexual woman who is in love with a man; my love for him does not negate my bisexuality. It applies to me as an allosexual person who is in a queerplatonic relationship; my asllosexuality doesn't destroy that relationship.
When you shunt one part of the community to the side - asexuals, bisexuals, whichever trans identity we're villainizing today (it's always somebody), people who have detransitioned but remain allies, literally anyone - you are erasing a lot more experiences than the ones you have decided are lesser or unimportant. You're also erasing the ones that you literally do not know exist, because you never made a space for them.
To be clear, it is correct and important to give special attention to people who are going through specific extreme challenges. It is also important not to pretend that all of our challenges are the same; I have never faced violence in the way the trans women I know have, for example. Amplifying voices that need amplifying does not need to come with a side dish of invalidating and shouting down the voices that you don't think need amplifying.
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barbarian!bakugo + buying apples. you’ll notice I didn’t put any work into this making it more … fantasy-like. And that’s bc… I still couldn’t figure out how😞
(warning: misogyny, you are described as a maiden / dress wearing, you have a pa, world building sucks, bakugo … doesn’t talk)
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Being the only maiden on one of barbarian!Bakugo’s cross country journeys. I’m not sure yet how or why you’re there, but I’d say he’s traveling and one of his fellow clansmen took you as a prize, or maybe you just hitched a ride on their cart yourself.
But they stop in a small village one day, parking their horses at the edge of a town square of cobblestone and brick, merchant booths surrounding the small shops: of butchers and farmers and fishermen and traders, all rowdy and beaming as they show off their wares.
The men split up (the one with green hair in a leather vest declaring he needs a blacksmith, the lanky one with dark bangs in the direction of new snare wire), though the bulky blonde one (the one in thick furs and pelts who’s never really spoken to you) stays around, picking at the shiny, pink apples of a booth quite close to where the cart you sit on in boredom is parked.
“Five gold for a sack, sir” the man behind the creaky, wooden stand says. He’s stout, thin-haired and wrinkly, all his years in the sun selling fruit showing proudly on his tanned skin. He gestures to the wide array of fruits, each like a piece of candy he wants to show off.
Bakugo (you think his name his, or rather, that’s how he was introduced to you by the redhead with unnaturally sharp teeth, biggest of the group) glances up, frown thin and tense and blood red eyes narrowed. His shoulders shift, the muscles of his exposed stomach rippling as he breathes, the smooth skin of his forehead pinching as if he’s calculating a sale just as he would any other battle or raid.
The sign next to both the men clearly states that apples are two gold a sack. Pears are three, plums are one. “But I’ll give you a deal for four gold,” the man continues.
The blonde ponders, inspecting the apples diligently as if they could be poison, or a waste of a trade. His eyes narrow slightly, lips pursing, and you realize, in his reaching for coin, the intuition he so usually takes pride in (saving the men once from a brutal hound attack, and you, too, another time when a swamp dweller caught the hem of your trousers) is not there… and that they don’t use the same alphabet. Maybe he can’t even… read.
“For two gold,” you call.
Both parties look to you. One set of eyes in an suspicious glare, the other in a tart and angry bitterness. The merchant’s leathery face sinks into a melted frown, his fists clenching as your own hand shields your eyes from the bright sun and hides a protective squint.
“Didn’t your pa ever tell you not to meddle in grown men’s business?” he half-shouts back, the laugh in his voice now tangled with a snarl, downright and plain rude.
“The sign says two,” swinging off your seat, you smooth down your simple frock as you point to the wooden board stained with charcoal that’s hung up next to him. “One sack of apples for two gold.”
Bakugo’s eyebrows raise for the briefest of seconds, then fall in another glare as his hand drops from where he holds his coin (in small, canvas bag tied to his belt with thin, leather cord. It sags against his hip, his pants dipping and uncovering a v-line that descends further into a region you’ve only seen once; at a bathing river in the hills, the bare curve and marks of your own hips exposed—)
“Don’t know where you picked up letters, missy,” the merchant scoffs. “Reading is men’s work.”
You approach the barbarian’s side, his head (messy with hair) tilted towards you as he watches on in silence. From the pocket of your dress, you take out two gold of your own and flick them on the table before you.
“My pa taught me how.”
Then you take Bakugo’s hand (thick and rough and hard to hold) in one of yours and march right back to the horses and cart. Bag of sweet, pink apples in the other.
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Belonging.
Another win for trauma recovery and another fuck you to white supremacy.
Visited abuela, who looked my hair and went "What on earth have you've been doing to your hair, child? It looks like a bird's nest!" And promptly sat me down at her dining table, putting in hair products and combing out the tangles for me while fussing about being more careful to protect and preserve my curls.
I never had that growing up with the white side of my family. They forced me to supress my Mexican identity. I never learned about what my hair means to my culture or how to take care of it.
Ever since the escape, I've been learning bit by bit. My hair is a very important part of who I am and where I come from. Though...according to abuela's reaction, I have a lot to learn.
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Top 5 Tezcatlipoca related drawings in the Florentine Codex
1.
Iconic, it's the Toxcatl Sacrifice and doesn't shy away from the blood. The way its drawn doesn't make it repulsive to me the way a lot of gore is though.
2.
It's him! I'm pretty sure the text above is comparing him to Jupiter, which isn't the worst comparison Tezcatlipoca gets hit with (Jupiter is fine but very much not Tezcatlipoca).
3.
It's him again! Back at Toxcatl to die again. It's definitely not the intention, but to me the face gives off 'I wish I wasn't here right now, not because of the sacrifice but because you're all annoying' vibes, which I find funny.
4.
A prayer to Tezcatlipoca that looks a little silly to me at a glance. "Toot the horn for Tezcatlipoca, now."
5.
Another prayer to Tezcatlipoca where I can't understand what the hell is going on with it and honestly I'm not sure understanding would change the comedic value for me.
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