#should i have included the murder basement?

[thekickassknitter]

Mr. Kickass and I met at my university*.

* he was not a student. We met at the anime club**.

**while I was on a date with someone else***.

***someone who did NOT really want to be at the anime club****.

**** so I started acting like a smart-ass to make her laugh. She did, but some one from behind me had a better comeback *****.

***** It was Mr. Kickass.

curious. how did u guys start dating

[alien-magnolia]

Tainted Love

Fic description: This is a dark fic. 18+ MINORS DNI. Dom!-coded Billy Loomis + hyperfeminine, sub-coded afab reader: they are married, committing crimes together <3 and having a wonderful domestic life <3 besides all the blood and murder. Smut/horror genre: kinks include service!, blood!, knifeplay!, ropes!, choking!, spanking!, free-use!, SERVICE, d/s mental dynamics, majorrrr daddy!kink, exhibitionism

If you like this post, pls engage, comment, reblog! It means so much to me, Ty <3 WC 2.7k

October 10, 1996.

The dark red, yellow, with tinges of brown leaves tumbled down the secluded suburban street. A tan cottage stood at the end of a cul-de-sac, yard neatly trimmed, wind chimes ringing on the porch where they hung. A dim light inside. A black van pulls into the driveway, scaring away a few neighboring birds. The door shuts — a young man enters the house.

——

You were just about finished with tonight’s dinner when your partner came back from college. You loved Billy dearly, and so you did almost everything for him. It was your dynamic — and he loved it as well. You served him, your Billy, your daddy.

How exactly did you get involved with a serial killer? Involved far enough to be an equal partner in his crimes? Involved enough to be so cautious and excellent at keeping first-degree murder a secret? Involved enough to live with him?

—-

It began last fall. A chilly November morning, fog rolling in on the campus. You walked in your pretty pink outfit, donning lace and frills, kitten heels, and butterfly hair clips. You were only nineteen. Young. Innocent. You were looking for your ‘Introduction to Early Modern Literature’ class, yet happened to wander over on the other, more secluded side of campus. You stumble over a rock on the sidewalk. You fall, beautiful rosy cheek now stained with a gash of bright, red blood.

Your hands, your knees, cut up from the bumpy pavement. You start crying. This was just too embarrassing!! With your social anxiety and shyness, you really hoped nobody had seen this. You did not like to be perceived by people — that is just how you were. You look around — not a soul to be seen.

Except for a man — lean, sitting on a brick bench, cigarette in hand. You couldn’t make out how he looked, yet fear overtook you as he started making his way over. You start to scramble up, hoping to run away from him, yet your bruises were just too intense for you to do so.

His deep voice asks you, “Hey, sweetheart, you okay? You nod. “Yeah jus’ a few scratches. Can’t see too well in the fog,” you sheepishly explain. “Hey, no worries. Here, I’ll help you up, yeah?” You oblige, taking his big calloused hands in yours as he helps you stand. You finally get a good look at him. God — he was handsome. More than handsome. Extremely, extremely, attractive. You got wet just by looking at his deep brown eyes and crooked smile looking down at you.

“Hey. Don’t be too shy, hun. Come. Want me to help you fix those bruises? There’s a bathroom right around the corner, he suggests. You nod silently, agreeing, following him to a door on the left.

He begins wiping your bruises with a wet towel, trying to stop the bleeding. His tongue pokes out of his mouth as he focuses. You see more of him now. He wears all black. Smells like cigarettes and a dusty old basement. “So what brings you to this part of campus?,” he asks, brown eyes focused on your bruises.

“Just got lost. Needed to find one class but couldn’t. Maybe I’ll skip today anyway…,” you trail off. “Aw. Today’s your first day huh?,” he coos at you, with a smile you just couldn’t figure out. “Um. Yes. I don’t really know the campus, so…,” you quietly answer him, afraid to look into his eyes. His voice, his face, it all made you thirst for him even more.

“I could tell. Hey. Maybe you should skip. Been looking for someone to hang out with,” he suggests, finishing up cleaning your bruises, putting a few bandaids on you. “I’m Billy, by the way.” You introduce yourself to him, a little smile forming on your face. You ended up skipping class that day, spending time with him in that secluded courtyard, smoking cigarettes, listening to The Smiths. You ended up fucking in the bathroom a few hours later. You knew that you were indubitably attracted — glued to him and everything that he was. Something did feel a little off about how he treated others — you did not care.

So it was.

——

~Present day ~

You hear the keys jingle in the doorway, heavy boots make their way towards the kitchen, where you were. You currently donned a short little black dress, fishnets, with nothing underneath. You were waiting for him.

“Hey, sweets. Looking good today,” he compliments you, as he takes your small hand in his, moving you closer to him, wrapping a hand around your waist. You giggle as he peppers your cheek with kisses. “Sweetie. Want’a ask you something,” he insists, quietly, yet confidently. Your big eyelashes blink as you wait for his question.

“Wanna play with me tonight?,” a sinister smile adorns his face, his brown eyes filled with a hint of malice, excitement. Your eyes match his. You loved playing with him, your sessions, where you gave over complete control of yourself, to him. You trusted him completely. He led, you followed.

You were his. His prey, his little girl, his accomplice. You were his, devoted completely, mind and body. The two of you even had matching tattoos: a forever symbol of your unique relationship.

“Yes, daddy. What first?” He chuckles lowly. “Glad you asked, princess. We’re going to the van.” You smile back at him, as he gives you a kiss, pulling you closer to him by your neck. You knew what to do, sticking your hands out, as he takes a rope from the nearby drawer.

The rope felt nice around your wrists, you liked to watch him tie it. You didn’t want your freedom when you played with him. “Daddy’s girl, all tied up, huh? Come sweets. Let’s go to the van,” he sneers at you in the best possible way, as he leads you outside. Still, he manages to grab a coat for you, alongside some knives. You suspected that both of you will be using those later.

“Before we leave our house, thought we might have a bit of fun in the van, what’dya say? I think it’ll be nice for my little girl, yeah?,” he croons at you, caressing your cheek, before gripping it harshly, brown eyes boring into yours.

You’re on your knees for him in his dingy van. His waffle knit white t-shirt feels nice on your bound hands, as you see him start to unbuckle his belt, dropping his jeans to the floor of the van. “Give daddy’s cock some love, hun,” you hear, and his strong arms work to push you down to the floor. You look up at him from your back, you see him towering over you, cock in his calloused hand, slowly rubbing it. He lowers his cock and balls onto your face, you love the feeling of his heavy ball sack on your chin. His cock was wide, not too long, yet wide, weeping, with three beautiful veins and a beauty mark <3

It was all red and ready for your wet throat. You took him eagerly, sucking so much pressure, you felt his silky smooth voice moan out in ecstasy. You keep sucking, swirling your tongue around the mushroom tip of his cockhead. He pulls a knife to the side of your cheek. You stop.

“Look what daddy’s got here hun. You don’t like this little toy, do you?,” he taunts. With that, he lowers the knife to your chest, where he makes a gentle cut on it. He liked to cut you with his knife. Another way to possess you, to mark you as HIS.

“Get up, sweets. Daddy’s gonna cum if you keep this shit up.” He chuckles, and helps you up, wiping that little cut he made with a towel. That same towel now goes in your mouth as a makeshift gag.

His hands tightly grip your hips, pushing you down onto the floor of the van again. Hips spread, gagged, hands still tied, you felt his finger swipe across your clit, down your labia, trailing over your wet, wet, pussy. Your hole was clenching around nothing!! He was going to fix that.

“Aww. Look at you , sweetie. Cheeks all rosy, ass up for me, ready to be bred,” he taunts. You only moan in response. “Does daddy’s little girl want to be bred, hmm? Like a little cow?” You moan in response, he tuts, and lifts your neck up gently. “What was that?,” voice low. Shit. You fucked up.

“Yes, daddy,” your voice is muffled through the gag. He smiles again, that dark smile of his. Sinister. Evil. Exactly what you wanted to see. Without warning, you feel him push into you. Wide, throbbing, filling that sweet spot exactly how you wanted. He went slow for just a little, relishing how good his little girl, his breeding cow, dumpster, was for him. Then he went fast. Too fast. You loved hearing the sound of his cock and balls slap against your ass, your squelching pussy <3

You feel so full of him, you saw stars as his wife cock drilled deeper and deeper into you. You felt him twitch inside, your favorite part!! “Take my cum, baby. Fuckin’ take it,” you hear him grunt, as his hands press your body down into a mating press, his stomach now on top of your back. He had you caged in, tied, gagged, absolutely abusing you on his wide cock. You were in heaven. You were his now, in this moment. The both of you came, and of course, he did not let you squeeze his cum out of you.

“Keep it in, hmm? Want our visitors to know that you’re daddy’s girl.” You nod and smile, making grabby hands at him once he unties your wrists, and takes the towel out of your mouth. He lifts you up into his lap, peppering your face with kisses, smiling up at you as you giggle.

He helps you get dressed, gently cooing at you as you show him the carpet burn you got from being on your knees for so long. He kisses it to make it better <3 and even puts on your white frilly socks for you, helping you with your little black kitten heels and your dress.

“Where to next, daddy?,” you giddily await his answer. “Now, we drive. To meet our special guests for tonight,” he replies, your smile now matching his level of sinister. The both of you were about to go have some fun, with some unconventional guests as well.

——-/

It was now almost midnight. After your play session in the van, you couldn’t wait to play in front of your guests!! The both of you listen to heavy metal as Billy speeds down an abandoned road, the rotting leaves blowing towards the sides from the van passing by on the road. He pulls his van up a few meters close to the woods, and parks.

“Coat, baby.” You nod, and he puts your black puffer on. He leads you to the backseat, where a black trunk with a lock is placed. He opens it. His mask. Ghostface. He puts it on his hip, putting on black clothes over his nice ones. He gives you gloves, and a knife. One for himself as well. Binoculars.

“Come, hun. This way.” You follow him up into a tree, where the both of you take turns with your binoculars. He takes out his block of a phone. How you loved the 90’s. He dials the number, telling you to watch their reaction in the windows. “Hi. What’s your favorite scary movie,” Billy's voice drawls out to his unsuspecting victims in the mansion that you were currently hiding outside of.

Billy continued to harass them on the phone, beckoning you down the tree quietly, and closer and closer to the person’s backyard. Billy stays on the phone, pointing at you to stay put, and opens the window on the first floor. You wait outside, as he slips on in.

You knew what to do. You’d wait for his signal, then follow him in. Then, came your favorite part: where Billy shows you off to his victims <3

You see his hand signal through the window. You step on inside, and see the couple tied to each other, this time with metal chains. Billy is wearing his mask. “Just in time for the show, sweetheart. Kneel.”

You do as said, loving the absolutely sadistic smile on his face right now. He puts on your leash ( only for when in front of un-consenting others) and has to crawl to sit at his knees. “You see here, my two pretties, you two are going to watch me fuck my little princess here. After that, I’ll decide if you get to live,” he chuckles in absolute glee.

“By the way, if you two decide to make a sound, or go at my little girl here, I’ll stab ya. Sounds good? My, my, what a perfect, scary movie,” he narrates to himself, to you, to the two victims, who looked like they were about to mentally lose it. <3

He skips with the foreplay, the blowjob, the fingering. He gets right to it. He wants his victims to see his pretty girl, on his own terms. He roughly pushes you down onto the floor, strong hands positioning your hips in place, giving your ass a few harsh spanks <3 you hear the belt buckle slip, and soon enough, you can feel the warmth of his already hard cock near your puffy pussy.

Your eyes are drawn to the couple. You loved being shown off, being watched. They did not want to watch you. But that is okay. Billy is going to make them. :)

They watch in horror as he starts rutting into you like a beast, bloody knife that he used on one of the victims nearing your neck, staying there. The knife soon drops, he gives it to you to hold as he starts losing control. You were too, feeling so full of him, getting an extra serving of his cum :) was your favorite thing to do.

You smiled as the couple looked on in horror. Billy pulled out just the last second before, and came all over your face. “Look so pretty with my cum all over your face, sweet girl. Clean it up f’me, yeah?” You nod.

After you wipe it off, Billy steps back in front of the two victims. “See how nicely I treat my girl? I’m her daddy, after all. Just wanted to show her to you. She’s mine, forever will be. What a nice show the two of you got,” he chuckles, before stabbing one of them, the screams could be heard from down the block.

Billy finished off the other one, not before giving her a good slap and punch. <3 The pool of blood covers the entire kitchen tiling, making it seem red everywhere. It’s on your shoes, on Billy’s. He takes his mask off, and picks you up in his arms.

“Did so good f’me today, sweet girl. So proud of you,” he praises you. “You did good too, Billy. I love how rough you are with them.” He smiles again, giving you a tender kiss. “Let’s leave, huh? Go back home, watch a scary movie?,” he asks. You nod, staying still in his arms as he carries you over the blood, and back out to the woods.

The two of you make it back to the van. They won’t catch you. As long as you’re together, everything was just fine.

[devoted-horror]

giving the new survivor hatch.

a/n: this is my first time writing for dbd in general, so!! i hope i do this game justice bc i play it every day lol

includes: the huntress, the trickster, the ghostface, the artist, the cannibal.

warnings: not proofread, typical dbd stuff like blood, mentions of murder, things like that, gn reader, love at first sight but only if u tilt ur head and squint really hard, inconsistent length, im going to be so delusional over jiwoon im sorry, i can't speak russian or korean so i just used a bunch of translators sorry if i got smth wrong, inaccurate behavior of dbd crows but relatively accurate behavior of irl crows i think, scream reference in danny's part bc i had to, reader injury in jiwoon and danny's parts, written over the course of a few months so sorry if the pacing is weird.

THE HUNTRESS

Anna has been in the fog long enough that every face of everyone she's ever killed has started to merge together into one. She doesn't know their names, and hardly ever reacts whenever she encounters a new survivor.

Mercy is not something she shows during trials. She is a hunter, and anyone who crosses her path, be it man or animal, is her prey. Nothing in the wild is merciful.

And you were nothing more than another person for her to hunt, prey for her to kill. And trust me, she was going to kill you.

Or, at least, she was.

And then you dropped a pallet on her. Now, normally, Anna would get very angry when this happens. Her prey is fighting back, and though it gives her a thrill, it's annoying. And for a brief moment, she did feel angry the moment the pallet hit her.

But then you were apologizing, a look of genuine guilt on your expression. You even asked if she was bleeding. Your survival instincts were lacking, clearly, but Anna found that to be... oddly endearing??

She felt a surge of protectiveness spark within her, something she had never felt during her time here. It was a familiar feeling, yet one so foreign at the same time.

But how could she not feel such a way when you were staring up at her, clearly scared that she was going to hurt you yet brave enough to stand in front of her and apologize for something that, by all means, you should have done.

Anna just stares you down for a long moment, having an internal struggle with herself on what she should do with you. Ultimately, her need to protect overruled her need to hunt, because after breaking the pallet between the two of you, she made a gesture for you to follow her.

And, not wanting to die, you did.

She took you to a shack, something you've heard other survivors refer to as the killer shack. The only reason you knew this is because you were told to stay away from it unless you wanted to get put in the basement.

She just pointed to one of the corners of the building, and looked over at you, "Оставайся здесь." And you didn't immediately understand her, though you were quick to pick up on what she was telling you. It seemed as if she wanted you to stay here.

Your safest bet on surviving was doing what she said, so you just nod and awkwardly place yourself in the corner she had been pointing at. She doesn't spare you another glance as she leaves you alone.

You're not sure how long you stayed there. You could hear the other survivors screams though, and you felt sick to your stomach at the sound of them being hooked and sacrificed to the Entity. They probably won't be too happy about this the next time you see them...

It was only when you were the last one standing that Anna came back to retrieve you. She found you exactly where she had left you, and even though you couldn't see her face due to the rabbit mask, she seemed rather pleased that you had actually listened to her.

If she had it her way, Anna would keep you by her side. Unfortunately, it doesn't work like that. The Entity would probably force the trial to end if you didn't either escape or die.

She begrudgingly brought you to hatch, the black mist pouring from it, silently promising safety if you jumped into it. You stared at it, confused about what it was, and that protectiveness she was feeling only seemed to grow stronger when you looked up at her for an explanation. The only explanation she offered was a slight gesture to you, and then the hatch.

"Иди, кролик." She says, lightly pushing you to the hatch and watching as you hesitantly decide to trust her, jumping into the hatch and leaving her alone as the fog comes and places her back in the Red Forest.

If she's lucky, she'll be in a trial with you again soon.

THE TRICKSTER

He'll immediately recognize you to be new. He prides himself in recognizing every survivor he's encountered, either by their face or by the sound of their screams. Mostly their screams.

And he certainly didn't recognize the scream he heard when one of his throwing knives ricocheted and hit you while he was chasing down another one of the newer survivors; Sable. It was a small, startled scream, nothing worth his attention, but it was new. That was enough to make this trial more exciting, and he found himself keeping his eyes peeled for you.

Which... was a lot easier than he expected it to be, because you just kept running right into him. Seriously. Did you not pay attention to your surroundings? Do you think he's a survivor?? Do you not see the bloodied fucking bat he's holding???

He's not sure if he's annoyed or amused by this. Partially both, to be honest. It's amusing to see you relax for a split second after bumping into him, not recognizing him to be the killer immediately. It's annoying because he'd like to hear you scream, please and thank you.

Jiwoon doesn't necessarily target you during the trial. To be honest, he's trying to weed out the other survivors before focusing his attention on you.

He wanted to take his time with you, to see what sounds he could pull out of you before the Entity forced the trial to end. Just the sound of you gasping whenever you bump into him has his mind racing.

This was honestly enough to keep him motivated throughout the entire trial, a certain bloodlust sparking in him. He relished the sound of everyone else's screams, but they weren't appealing to him right now.

He needed the other survivors out of the way. He needed you alone. And when he finally got rid of the last pesky survivor, the fun began.

And when he corners you in killer shack, he really didn't plan on being merciful. He wanted to hear you scream, and then he wanted to kill you, really. That was his plan.

The only way you'd get out of this alive is if you beg, honestly. And I mean beg. On your knees, crying, pleading, offering something in return for your survival. That sort of begging.

You were new and shiny in comparison to all of the other survivors, and maybe it's because he's a sadistic bastard, but he really does adore the sight of you on your knees, crying as he absently nicks your skin with one of his throwing knives.

This is where Jiwoon feels a bit torn, truth be told. He's never been a patient man, so he wants to get as many screams out of you as he can before the Entity forced the trial to end. But at the same time, he knew he'd see you again in a future trial, sooner or later.

It wouldn't hurt to prolong his time with you, would it?

The entire time he's pondering this, he's dragging the blade across your skin, relishing in the sweet sounds of your gasps and whimpers, and you stutter out a desperate 'please'.

Ultimately, Jiwoon decides to be nice, just this once. He'll mutter a quiet, "짜증나..." before hoisting you over his shoulder and carrying you off.

You struggled, obviously, assuming he was ending your misery and taking you to a hook. He didn't really mind much, having an iron grasp on you that kept you from wiggling free.

He dropped you right next to the hatch once he found it, finding your small pained sound to be adorable as you look at your salvation with a confused expression. But before you can crawl into it and escape, he's grabbing you by the back of your shirt and pulling you back a bit.

For a moment, you think he's going to kill you, and you squeeze your eyes shut, expecting pain. But nothing comes. You feel him tuck something in your shirt, and he lightly pats your cheek, cooing a bit at your terror before he lets you go and leaves you alone.

And when you're back at the campfire, you find a photo of Jiwoon neatly folded and tucked into your shirt, signed with his autograph.

He'll have an encore the next time he sees you, and you can only hope you don't find yourself in a trial with him again any time soon.

THE GHOSTFACE

Would actually never give you hatch under normal circumstances. He's here to kill, so kill he shall. He treated you the same as any other survivor when he first saw you, though it wasn't until he was in chase with you that he realized how interesting you were.

For one, you were... surprisingly good at looping him?? For a newbie, he was rather impressed. That's not enough to get him to let you live, but it's definitely a start.

No, his interest is only truly piqued when you start quoting horror movies during chase.

Honestly, if he didn't know any better, he'd think you to be flirting with him. A person after his heart, truly.

It was only when he had you cornered that you really caught his attention. You weren't scared, and it intrigued him as much as it annoyed him.

He was just itching to dig his knife into you and take a photo of your lifeless corpse once he was finished. But even with your life at risk, you showed no fear.

Hell, you even mocked him.

"No, please don't kill me, Mr. Ghostface, I wanna be in the sequel."

Sure, you weren't the first survivor to mock him, and you certainly won't be the last, but he found you interesting.

Oh, he needed to kill you. He needed your photo in his collection, it would be his favorite.

But he thought it would be more fun to humor you. Danny was a patient man. This isn't the first time he's drawn out a kill.

You were honestly surprised that he had left you alone. You didn't think that would actually work, and you were... a bit concerned, actually. None of the other killers you had ended up in a trial with during your short time here has entertained you the way Danny has, and you're not sure if you should be scared or not.

And, much to your very hesitant relief, you didn't see him for the rest of the trial. You knew he was watching you though. Every once in a while, you just felt... you're not quite sure how to describe it, but it almost felt as if you were being hunted.

You'd see him from the corner of your eye though. Never for long, just quick flashes of his screaming mask. Honestly, you felt less scared when he was actively trying to murder you.

That's how the rest of the trial went for you, at least. Until eventually, you were the only one left standing. You may be new, but the other survivors had given you the rundown of what to do if you were the last one standing before the trial had started.

You had to find hatch. Which was... easier said than done, truthfully. Especially since you weren't sure where the fuck Danny was. There's no way he was letting you go, right? He's probably saving you for last, right?

Whenever you so much as caught a glimpse of something moving, you were scurrying in the other direction.

This is pretty much Danny's way of giving you hatch. There's no way he'd give it to you directly, not yet.

You had honestly thought you had found it all by yourself until you were fucking stabbed, the flash of a camera in your face blinding you.

Truth be told, Danny did plan on killing you. He had wanted to give you a false sense of hope. But your stupid little smile when you saw hatch got to him, okay? So he'll settle for this for now.

"You owe me."

And he doesn't even spare you a glance as he pushes you into the hatch's mist, his gaze intently focused on the photo of you he had just taken.

Unfortunately for you, you've caught his attention.

THE ARTIST

Carmina is one of the more merciful killers you may come across, so she'd be fairly likely to give a new survivor hatch depending on how the trial has gone and whether or not she's consumed by anger.

She only realizes that you're new to the fog when her crows surround you and you don't try shooing them away. When she finds you, you're actually... rather content having a murder of crows surrounding you.

Very very confused. She'll probably just stare at you for a hot second as you go about the trial without a single care for the crows swarming around you. Even the crows are confused.

You distract her long enough with your antics that a good chunk of the gens pop, and she had to force herself to leave you be in order to focus on hunting the other survivors.

She'll ignore you for the entire trial after she leaves you be. Her crows can keep watch for her.

So for the rest of the trial she's only vaguely aware of your location, occasionally stopping once in a while to determine whether or not her crows were still with you. They were.

Even the other survivors seemed confused by your behavior.

On the rare occasion that she bumped into you during the trial, it was always when another survivor was nearby trying to tell you how to get rid of the crows.

You never even tried to shoo away the crows throughout the entire trial, and at some point, they stopped swarming around you. They didn't go away, no. You, somehow, managed to tame Carmina's crows with little trinkets that you found littered across the place.

Honestly, the crows seemed to like you enough that even if Carmina told them to hurt you, they probably wouldn't listen to her. It's hard to believe that you were a new survivor with how calm you were about everything happening.

It's probably that calm nature, coupled with your ability to calm her crows, that solidified in her mind that you were the only one who would make it out alive.

And with a newfound determination, Carmina sacrificed the other three survivors with no issues, and she could hear hatch opening not too far away from her.

With the help of her crows, Carmina was able to easily bring you to hatch, and she could only tilt her head to the side and make a small, croaking sound as you smiled and thanked both her and her crows before jumping into the hatch.

This is one of the many moments Carmina laments no longer being able to create art. She'd love to immortalize the image of you smiling at her, surrounded by her crows.

THE CANNIBAL

Bubba is honestly torn when he spots you, because you look so afraid, cowering in fear at every little sound and struggling to repair a generator like the others had told you to. He understands your fear because it's something he's very familiar with.

And while he has a job to do, not wanting to disappoint the Entity, he can't help but find it hard to hurt you. No matter how hard it was, Bubba had no choice.

But when he approached you, you didn't run. Sure, you let out a startled shout, the generator blowing up in your face as you stared up at him like a scared animal, quietly begging him not to hurt you.

But you didn't run.

How could he hurt you when you weren't running from him? Everyone always ran. But not you. You weren't running from him, and he didn't know what to do about that.

Bubba's trouble was so very evident. He's always been an expressive person, so it wasn't hard to tell that this was stressing him out. His free hand kept clenching and unclenching his apron, and he kept making small noises in the back of his throat.

He doesn't want to disappoint the Entity, he doesn't. But he's not sure if he can hurt someone who's not running from him. You aren't running! He really likes that! The only people who never ran when he was around were his family!

The nail in the coffin is when you, even despite your fear, took a chance and set down the toolbox you were holding. You... you gave him a gift. Not one that he could use, but a gift nonetheless.

There was literally no way he could hurt you now the guilt would eat him alive. So, he just opts to leave you be to instead focus on the other survivors. He wouldn't feel guilty hurting them.

The entire trial, Bubba focuses all of his attention on getting rid of the other survivors. If he sees you, he gets all nervous and can't even look at you for long without babbling incoherently before scurrying away.

Some of the other survivors may pick up on Bubba's strange avoidment of you, and may even use that to their advantage by running by you in chase because Bubba just... he can't hurt you, I'm sorry.

He's swinging his chainsaw, and then suddenly Kate is running by you and he's coming to a full stop out of fear of accidentally hurting you.

It really stresses him out, and even though you're still scared of him, and even though he's supposed to be killing you, you can't help but feel bad. So whenever the other survivors got a little too close when Bubba was chasing them, you always made sure to stay out of his way.

It's okay to be a bad teammate because it's Bubba.

Jokes aside, Bubba takes his job as a killer very seriously. He may avoid hurting you, but he makes quick work of the other survivors.

And when hatch opened right next to Bubba after killing the third survivor, he took it as a sign from the Entity that he was meant to give it to you. Why else would it open next to him?

Bubba was ever the gentleman when he brought you to hatch, guiding you to it carefully and making sure you didn't trip on any debris littered across the area.

He even scared off a few judgmental crows! He knew how off-putting it was to have them watching you all the time, especially when you're new in the fog.

And when you quietly thank him, smiling at him as if he weren't a killer, Bubba was just over the moon.

It's been so long since he's had someone to protect. The fog is a scary place to be but he'll do his best to make it a happy place whenever you two are in a trial together.

Оставайся здесь. - Stay here. Иди, кролик. - Go, rabbit. 짜증나. - How annoying.

[cosmerelists]

Cosmere Characters Read the Kaladin Chapters

As requested by anon. :)

I once did a post about Stormlight Archive characters reading the Stormlight Archive, which you can find here. This post is similar, except characters are only reading the Kaladin chapters.

(But if you're wondering WHERE Hesina & Lirin are, there're in the first post!)

[Stormlight Spoilers through Rhythm of War!]

1. Adolin

Adolin: So, uh, you and Shallan sure...had a time in those chasms, huh? Kaladin: W-We HAD to huddle together for warmth and stuff! Adolin: [eyes narrowing] Uh-huh. Kaladin: Are you mad? Adolin: Of course I'm mad! Adolin: We've been on TONS of adventures and you've NEVER cuddled ME for warmth! Kaladin: ... Kaladin: That's what you're mad about? Adolin: We are cuddling at the FIRST opportunity we get!

2. Shallan

Shallan: I know that you killed my brother. Shallan: But READING about you killing my brother... Shallan: That was a uniquely horrible experience. Kaladin: I-I had to though. He was killing everyone. Shallan (much too brightly): Oh I know! It's not like I haven't killed my own family members! Shallan: Just saying that if I could still successfully suppress memories, I'd be burying that one! [finger guns] Kaladin: ...This post is giving me whiplash.

3. Elhokar

Elhokar: Um, okay. Wow. Elhokar: So multiple of my guards--including Kaladin Stormin' Stormblessed--really did want to kill me! Elhokar: I was SUCH a bad king that even KALADIN STORMBLESSED wanted to kill me! Elhokar: I'd fall over dead if I hadn't already been MURDERED. Kaladin: I did save you, though. Kaladin: ...The first time, anyway. Kaladin: That has to count for something? Elhokar: Yes, and I was invested enough to see you completely lose it after my actual death so... Elhokar: Let bygones be bygones and all of that. Elhokar: But REALLY. Elhokar: So bad at kinging that even KALADIN STORMBLESSED was in the "kill him" party! Elhokar: Not good for my self-esteem, man. Elhokar: Not good.

4. Bridge 4

Teft: So, lad...that Honor Chasm scene, huh? Sigzil: We knew we were all miserable and angry; we did not know you came so close. Moash: Yeah, you idiot! That was the closest you ever came to dying--by your own hand! Probably the only way you COULD die! Lopen: And it would have meant you didn't meet me, the Lopen! That would have been a tragedy on top of a tragedy! Rock: And no stews either! Skar: What we're trying to say is that we're glad Syl stopped you. Drehy: Yeah. You saved all of us. Kaladin: Guys... Rlain: But also...maybe consider some of that therapy you invented. Lyn: Yeah, for real.

5. Thaidakar

Thaidakar: I should definitely recruit this guy for the Ghostbloods. Thaidakar: Always survives... Never gives up... Collects followers wherever he goes... Thaidakar: This guy could DOUBLE recruitment! Thaidakar: I just need a way to make the Ghostbloods seem honorable...

6. Taravangian

Taravangian: Wow, in a different life, you would have been in Kharbranth, studying medicine. Taravangian: Working at my hosptial. Taravangian: Where I killed people in the basement. Taravangian: ... Taravangian: Very glad that didn't happen.

7. Syl

Syl: I was there, of course. But getting to read it made my realize something... Syl: I literally saved you SO MANY times! Syl: Without me, you never would have made it! Syl: Like, repeatedly! Kaladin: It's true. I needed you. Syl: You may address me as "Syl, my lifesaving savior" forever now. Kaladin: I'm not doing that!

8. Dalinar

Dalinar: You never told me the full story. Kaladin: About what, sir? Dalinar: About how my sending Roshone to a "place where he couldn't do any harm" meant sending him to your actual hometown where he tormented your family and sent your brother to the army where he died. Kaladin: Seemed better not to bring it up. Dalinar: I wish that you had. Kaladin: ... Kaladin: I am surprised that this is your takeaway. Not the fact that I, you know, nearly killed your nephew... Dalinar: You did not kill him. You saved him. Dalinar: If we weighed your almost crimes against my actual crimes, there would be no comparison. I am not one to judge someone else's journey. Kaladin: ... Kaladin: This is where we're supposed to add in some humorous joke to end our dialogue, I think. Dalinar: I don't think that's going to happen. Kaladin: No, I guess not.

[inthedayswhenlandswerefew]

1968 [Chapter 8: Demeter, Goddess Of The Harvest]

Series Summary: Aemond is embroiled in a fierce battle to secure the Democratic Party nomination and defeat his archnemesis, Richard Nixon, in the presidential election. You are his wife of two years and wholeheartedly indoctrinated into the Targaryen political dynasty. But you have an archnemesis of your own: Aemond’s chronically delinquent brother Aegon.

Series Warnings: Language, sexual content (18+ readers only), violence, bodily injury, character deaths, New Jersey, age-gap relationships, drinking, smoking, drugs, pregnancy and childbirth, kids with weird Greek names, historical topics including war and discrimination, math.

Word Count: 6.2k

Let me know if you’d like to be tagged! 🥰

💜 All of my writing can be found HERE! 💜

Is it a story worth telling? I think so. It’s better than nothing. It’s better than watching raindrops slither down the cracked concrete walls until the prison guards come back to bloody us again.

Today I’m sending John McCain taps in the shape of the tale of Io. John has a hard time tapping back—they’re doing something to his shoulders, they’re destroying him—but he likes to listen. He’s getting it a lot worse than I am; perhaps even the North Vietnamese fear Aemond’s retribution if I die here. They should be afraid of him. He thinks he owns everything he touches, and he’ll snap bones to keep it.

So anyway, Io was a king’s daughter, a mortal who Zeus saw and wanted and took when her father kicked her out to avoid the god’s wrath. That’s easily half of Greek mythology, right? Zeus appears, irrevocably fucks up someone’s life, vanishes in a plume of clouds and thunder. He leaves human rubble behind him: ribs, nerves, disembodied hearts that leak blood from torn ventricles, minds broken in two. Zeus impregnated Io and then turned her into a cow to hide her from his wife Hera, ever-watchful, ever-vengeful, an aspiring mass murderess. When this disguise failed, Hera condemned Io to wander ceaselessly through the wilderness, tormented by the constant stinging of a gadfly. Eventually, Zeus returns Io to human form and she pops out a few bastard kids, as if Zeus needs any more of those. Then he ditches her and she marries some Egyptian dude. There are other details that I’ve forgotten. I don’t think John McCain will know the difference.

I’m sure you’re wondering how I acquired all this fabled trivia. I don’t seem like the type to lie around under trees reading folklore from religions that died thousands of years ago. You’re right, I’m not. But Aemond is. He would tell the stories, and Helaena would embroider scenes on quilts for us to burrow under in the winter, and I would dramatically act out the best parts (mostly murders), and Aegon would scribble comics in jagged black pen strokes. He has all these notebooks down in the basement filled with his new versions of ancient myths: Poseidon as a horny dolphin, Aphrodite as Marilyn Monroe.

Wait, I remember what I skipped. While Io was roaming across the globe, she bumped into Prometheus—chained to a rock for giving humans the gift of fire—and he cheered her up somehow. I guess meeting a guy who gets his liver continuously chewed out by a giant eagle would make me more appreciative of my circumstances too.

I have a lot of time to myself here in solitary confinement. My social circle is microscopic. I tap to John through the wall, I have dinner dates with Tessarion the rat. And I think about my family. They’re fucked up, but I miss them. I miss going to Monmouth Park with Fosco to bet on horse races, I miss getting hammered with Aegon while he sings Johnny Cash or Beatles songs. I miss my mother and Helaena and Criston. I even miss Aemond’s wife, though I only met her a few times before I deployed. She’s sharp, she’s hilarious. She’s mean as hell to Aegon, and sometimes he deserves it.

At first I wondered why Aemond hasn’t gotten me out yet, but I understand now. It sounds a lot better to have a brother being tortured as a prisoner of war than one who received a Get Out Of Jail Free card. It’s the kind of thing Aemond would consider. He understands which stories are worth telling.

I feel kind of bad for her. Aemond’s wife, I mean.

I don’t think she knows about Alys.

~~~~~~~~~~

On a chilly mid-September morning cloaked in fog, Mimi is laid to rest in the Targaryen family mausoleum at Saint George Greek Orthodox Cemetery in Asbury Park, New Jersey. Most of the golden plaques already have names chiseled into them: Viserys and Alicent, Fosco and Helaena. Aegon will one day be interred beside his wife. You have a spot reserved next to Aemond. All of you have already lived and died and been entombed; all of this was predestined by the stars eons before you had blood or bones.

Ari’s vault—an unnaturally tiny drawer, less than half the size of anyone else’s—is located just above yours. You can’t stop staring at it. You can’t hear anything the bearded priest in his black robes is chanting. Then Cosmo squeezes your hand and you look down at him. Mimi’s other children are somber but seem to be coping well enough—they are used to being raised by consensus, they would probably be more affected if one of the nannies died—but Cosmo always wants to be near you. He gazes up with those vast, wet, murky blue eyes, so much like Aegon’s, and you offer him a sad, reassuring smile. Cosmo smiles back. And you think: Life goes on.

Alicent is sniffling noisily; it echoes off the walls of the mausoleum. Criston—a man with no plaque assigned to him—is trying to console her. Aegon is watching you from across the cold granite chamber, grim and red-eyed in his black suit, the first time you can remember seeing him in one since your wedding. He wears no small gold hoops, only a row of stitches in his right ear. He wants to say something, to do something, but he can’t. Aemond is beside you, a hand heavy on your waist but muttering something to Otto. Back in Omaha, Otto had spent a few hours alone with the medical examiner, and when the death certificate was issued it revealed that Mimi died of a heart defect, a perfectly blameless sort of misfortune, an innate impending disaster. And so that’s what the newspapers printed, and any gossip to the contrary is confined to salacious rumors, untrustworthy and unproven.

When the ceremony is over, journalists are waiting to scavenge for photos and quotes under the guise of expressing their sympathies. It’s a shameless display, though they at least have the decency to wait by the cemetery gates. Aemond and Otto go to meet them. Alicent, Criston, Helaena, and Fosco, protective of the children, keep them far away from the feeding frenzy, hungry-eyed reporters like sharks without fins. Ludwika is reapplying her lipstick. Aegon is smoking a Lucky Strike and talking to his oldest son, Orion, a stilted exchange that holds the promise of turning warm with time.

You sit on a stone bench and Cosmo curls up beside you, rests his head in your lap, dozes off as you thread your fingers through his wavy blonde hair. In the mist there are shadows of gravestones and trees that turn skeletal as they shed their leaves.

“He is okay?” Fosco says as he ambles over, meaning Cosmo. He has his hands in the pockets of his slim black trousers that stop at his ankles. His suit is velvet, his eyeglasses speckled with drizzle from the slate-grey sky.

“He’s alright. He’s resting. Are you okay?”

“Oh,” Fosco sighs mournfully. “I keep thinking someone is missing. We came into this family together, Mimi and I. We got married six months apart. I have never had to do this without her. And I know she had her problems, but she was different when she was younger. She always liked a party, that’s why she and Aegon got along so well at first. But she was so loud and so funny, always telling these long stories, and everyone in the room would be grinning as they waited for the good part. Viserys loved her. Otto loved her. And then she had all those children one after the other, and that was hard, and Aegon self-destructed when he was the mayor of Trenton, and that was worse, and she was supposed to fix him and she couldn’t, the harder she tried the farther he ran from her. She started drinking her Gimlets before dinner, and then after lunch, and by the time you showed up it was never ending. But that wasn’t who she really was. She was like a moon that got smaller and smaller until the only thing left was a sliver.”

This family breaks people. This family kills people. “We’ll make ossi dei morti for Mimi tonight. I’ll help you, and we can teach the kids.”

Fosco smiles, swipes a tear from beneath his glasses, squeezes your shoulder with one wiry hand. “I am very glad you are still here.”

“I’m not trying to race you to that mausoleum.”

Fosco laughs. And then he says as he spies Aegon approaching: “Um…I will go avoid the paparazzi somewhere else.”

“You don’t have to leave, Fosco.”

“It is no trouble. And I suspect you enjoy your very rare privacy.” Fosco gives you a knowing glace and then heads back to where Helaena, Alicent, and Criston are lingering with the rest of the children. Now Ludwika is fluffing her blonde curls with her French tips, a smoldering Camel cigarette tucked between two fingers.

Aegon comes to you through the mist, plops onto the bench, and looks fondly down at Cosmo—now fast asleep, his face smooth and peaceful—before he speaks. “I can’t grasp that she’s really gone. We barely spoke for years, but she was always there, you know? Christ, she deserved better than this. She could have been happy somewhere else.”

“Your children need you.” It’s not the first time you’ve said it, but it’s the first time he believes you. He nods, staring out into the fog. “They have to get away from this whole circus for a while. And you have to learn how to be a real parent.”

“I’ll have time to work on it. I’m staying here. I’ve already been informed.”

You are alarmed. “What? By who?”

“Aemond and Otto.” Aegon says. “When the rest of you fly west, my kids and I will be at Asteria.”

“They’re getting you off the campaign trail,” you realize.

“They’re putting me on house arrest.”

Not seeing Aegon, not being near him? How long can I stand that? “I’m sure you’re relieved. You hate the grandstanding and the media.”

He shakes his head, running his fingers through his hair. “I don’t want to leave you alone.”

“I won’t be alone. I have Fosco and Ludwika.”

“I’ll talk to them.”

“About what?”

“About the fact that they need to look out for you.”

“Aegon, I’ve been doing the political wife thing for over two years.”

“But it’s different now.”

He’s right, it is.

“You’ll call, won’t you?” he asks. “You’ll let me know how the trip is going, you’ll tell me if anything bad happens? Because I can always get on a plane and meet you wherever you are. Otto might pay someone to murder me, but I’d risk it.”

“Of course I’ll call.”

“Hey.” Gently, he turns your face so you can’t hide from him. “Will you be okay without me?”

I have to be. I don’t have a choice. Instead you reply: “I’ll miss the weed.”

The tension breaks and Aegon smiles, and then he pats your cheek twice with his open palm. “Behave yourself.” He waves Ludwika over, interrupting her meditative chain smoking.

“What, what?” Ludwika says. “Are we leaving soon? Yes, it is so sad what happened to Mimi, but us standing around in the rain won’t resurrect her. And I look terrible in black.”

“I can’t be there for the last leg of the campaign.” Aegon points to you. “I need you to pay attention and check in with her at least a few times a day.”

“This is a common request. I should get a degree in it so I can charge people.”

Aegon furrows his brow at her. “What are you talking about?”

Ludwika smirks as she puffs on her Camel. “You are not the first person to ask me to keep an eye on her.” She nods subtly towards Aemond, then sashays off to give a quote to the journalists.

~~~~~~~~~~

In San Diego, Aemond meets with residents of a new public housing complex to hear their concerns about neighborhood jobs and infrastructure. In San Jose, he visits labor activist Caesar Chavez—being treated for debilitating back pain at O’Connor Hospital—and expresses support for the ongoing boycott of all grapes produced in the state. In Sacramento, he attends a Jimi Hendrix concert and receives a standing ovation from the audience; the next day he joins high school students protesting for a more inclusive curriculum. In Oregon, he makes a speech at Portland State University acknowledging the tremendous cost of the Vietnam War—in money, in time, in blood—and pledges to begin dismantling U.S. involvement as soon as he is sworn into office in January. Aemond talks about hope and despair, the bleak reality and the American Dream, and he is so overwhelmed by the crowd that he doesn’t even notice when someone takes his cufflinks as souvenirs. His lack of concern for his own safety exasperates Criston, but Aemond can’t be convinced to increase his security or his distance. If he expects the disaffected masses to carry him to the White House, he has to be real to them.

“What if another Wallace supporter tries to shoot you?” Criston demands. “What if a Nixon stooge stabs you or a crowd tramples you?”

“No one can kill me,” Aemond says, grinning wryly. “I’m not supposed to die yet. I’m supposed to be the president. It is God’s will.” And how can anybody disagree when that appears to be so true?

The earth dies as you drive north, summer withering into autumn. That familiar brisk cuttingness reappears in the air. You shake thousands of hands, smile for countless photographs. Mothers and wives of dead soldiers sob into your shoulder as you embrace them; teenage girls ask how they can get a good man like Aemond. Only one thing is missing from his glorious pilgrimage: something he wants desperately, something he cannot have (though he’ll never know why), you conceiving his child in time to announce it before Election Day. Each morning you sneak a pill and every night you bite the bullet. As often as you can, you duck into Dairy Queens to order lemon-lime Mr. Mistys.

George Wallace is in the South, galvanizing segregationists and accepting the endorsement of the Ku Klux Klan. Richard Nixon is working his way across the Midwest. He has chosen a politically moderate Greek as a running mate, Spiro Agnew; this does not strike you as a coincidence. He even shares a name with Aegon’s second son.

Nixon promises “peace with honor” in Vietnam, which means no immediate end to the draft. He makes speeches about “states’ rights” and “law and order,” ambiguous euphemisms designed to attract Wallace’s white supremacists without alienating too many suburban moderates. He commiserates with those lamenting the proliferation of sex, drugs, and divorce. He says he will return the nation to a more moral time. You wonder what he means. You can’t think of any such refuge in the bloodletting, spine-crushing history of mankind.

A kindergarten teacher tells you in Olympia, Washington, her eyes alight with reverence usually reserved for heroes, saints, gods: “People are voting for Aemond, but they’re voting for you too.”

And you find yourself thinking as a thousand miles roll by beyond the glass of limousine windows: How many people will I condemn if I don’t help Aemond win? How many lives is mine worth?

~~~~~~~~~~

The Hotel Sorrento in Seattle insists on giving you and Aemond the honeymoon suite: a retreat from the breakneck campaign, a romantic oasis for the future president and first lady…according to half the country, anyway. You are in the impractically large pink bathtub, surrounded by snowy dunes of bubbles. The wall to your right is a mirror, foggy around the edges; just a few yards to your left is the king-sized bed. In the top drawer of your nightstand is the card Aegon gave you in July. You aren’t sure where Aemond is, and you don’t especially care. You are relieved to be alone.

There’s a passion-red phone built into the rim of the tub, conveniently located for sudden room service revelations, champagne and chocolate-covered strawberries, steak and lobster. You have a different idea. It’s 7:15 p.m. here, so after 10 on the East Coast. On the steam-slick keypad, you dial the number for the main house at Asteria.

Eudoxia picks up and demands gruffly: “Geiá sou? Ti?”

“Hi, Doxie. Is Aegon around?”

“Where else would he be? Making himself useful somehow? Killing communists, driving a rocket to the moon? No. He is a burden as always.”

“Please be nice to him. His wife just died.”

“And so he cannot put his empty cups in the sink?” Without waiting for a reply, she sets the handset down on the kitchen counter with a clunk. There is distant, muffled shouting in Greek; she seems to back and forth with somebody. Then Eudoxia returns. “Antio sas,” she says, and hangs up just as a phone elsewhere in the house is lifted from its cradle.

Aegon answers with something halfway between a groan and a yawn. “Yeah?”

“Hey, it’s me.”

“Hey!” You can hear it riding the wire like electricity: a rustling as he sits up, a fresh clarity in his skull. His voice is deep, hushed, still husky with sleep. “What’s up, little Io? Any interesting happenings to report from your neighborhood of the solar system?”

“I just left a riveting tea party. Apple cinnamon scones and smoked salmon sandwiches. We talked about what kind of couches I should get for the White House and I wanted to kill myself. Are the kids okay?”

He’s smiling; you can tell. “They’re alright. I could have used you this afternoon. I was trying to help Spiro with his math homework. Trying, not succeeding.”

“Well he’s in middle school and thus beyond your skill.”

“How’s Jupiter?”

You know who he means. “I don’t want to talk about Aemond.”

“Okay.” Aegon says, curious. “So what should we talk about?”

A few seconds tick by, silent and perilous. “Where are you right now?”

“In my lair. Like a beast.”

“Alone?”

A transitory pause. “At the moment.”

“On the shag carpet or your futon?”

Now he’s very intrigued. “Futon. Why?”

“I just want a visual.” Beneath the water, your free hand is resting on the velvety inside of your thigh.

“Where are you?” Aegon asks.

“You wouldn’t believe it.”

“Maybe I want a visual too.”

You chuckle, peeking over at yourself in the mirror. Your skin is dewy with steam; stray wisps of hair stick to your face. “I’m in a gigantic pink bathtub. It’s ridiculous, it’s shaped like a heart and everything. They have a phone installed right here in case I find myself in desperate need of filet mignon.”

“Oh.” And then he hesitates, like he’s afraid to say the wrong thing. “Big enough for two?”

“More like five. You should get a tub like this for your basement, it would delight the campaign staffers.”

“My basement’s been pretty empty recently.”

Softly, vulnerably, glass offered for him to shatter: “You aren’t seeing other girls?”

“Nah, babe. I want something they can’t give me.”

You picture him, messy hair falling over his forehead, drowsy eyes that gleam with clandestine wisdom. You can smell the smoke and rum that bleeds from his skin. “I wish you were here.”

“In Seattle?”

“No. Right here.”

Aegon exhales shakily, swallows, takes a few seconds to collect himself. “How’s the water?”

“Extremely hot and full of bubbles.”

“So I wouldn’t be able to see you.”

“No,” you say, baiting him.

“But I could touch you.”

“You already have.”

“Not enough,” he murmurs. “Nowhere close to enough.”

“Do you remember what I felt like?”

“Oh God,” he whispers, and you envision him closing his eyes, rubbing his face with the open palm of his left hand. “Yeah. Of course I do. I can’t get it out of my head. But I’ve been trying not to…you know…it felt wrong to think about you that way unless you were cool with it. Like I was betraying your trust or taking advantage of you or something.”

“No, I want you to think about me.”

You can hear Aegon moving around on the green futon, repositioning himself, yanking down a zipper. When he speaks again, his breathing is quick and jagged. “Where’s your other hand, huh?”

“Under the water,” you reply coyly.

“You bitch,” he says, laughing. “I miss you so fucking much. The house isn’t right without you in it. You belong here, you belong where I am.”

Beneath the veil of bubbles and steam, there is no scar on your belly, no infidelity, no campaign, no distance of almost 3,000 miles separating you and Aegon. Your fingers slip between your legs, finding slickness the water can’t wash away. It’s a familiar sensation, though you haven’t felt it in a while: rising steadily until you hit a plateau like a jet reaching cruising altitude. From here, it will either glide along smoothly until it dies out, or eventually turn sharp and painful. “Tell me about you,” you pant.

He can hear it in your voice, a needful surrender that sets him on fire. He can’t believe this is happening; he never wants it to end. “I mean, I’m…I’m insanely hard.”

“Stroke yourself, imagine it’s me. I wish it could be me.”

“Oh fuck,” Aegon whimpers. “Okay, okay…I want you. I want you with my fingers, I want you with my tongue, I want you to beg for it, and then…”

Impossibly, incomparably, your own pleasure is climbing faster than you can reconcile yourself to it, no longer a hunger but a violent aching, a crushing gravity you can’t fight against, a ship being dragged to the floor of the ocean. What’s happening? When will it end? You moan into the phone, amazed yet petrified. You can’t get enough air; it feels like drowning, like dying.

“I need to see you,” Aegon says. He’s close to the climax that you know men experience, he has to be; he’s gasping. “I need to be with you, let me give you what you want.”

“I want you to finish inside me.”

“Io…babe…oh my God, you’re gonna kill me…”

There are sounds out in the front room of the suite: a lock clicking, footsteps, keys and a wallet tossed onto the kitchenette counter. You’re so consumed you almost don’t notice. Aemond is back. Aemond is back!! And every ion of your ascending euphoria evaporates. “Gotta go, bye.”

“Wait—!”

You hang up just as Aemond is opening the bedroom door. He walks in—immaculately tailored dark blue suit, polished black leather shoes trampling soft pink carpet—and turns to you. He has already taken his glass eye out and put on his eyepatch. Vaguely, fleetingly, you wonder where he’s been. His gaze darts to the red phone, your fingerprints in the condensation. “Who were you talking to?”

“My parents.”

If Aemond doubts this, he doesn’t show it. He crosses the room, sits on the edge of the bathtub, peers down at you with an omniscient metallic glint in his eye. He’s always been less a man than a force of nature. “I know this year has been hell.”

You envision Persephone being stolen by Hades, Orpheus searching for his dead wife Eurydice, Charon ferrying souls across the River Styx. “You haven’t made it easier.”

There’s a flash of something in his scarred face, blazing and instantaneous like lightning, and then it fades. He reaches out to touch your hair, swept up and neatly bound with clips and pins. “We can’t forget everything we’ve accomplished together,” Aemond says. “I still need you. You’re my Aphrodite.”

He’s going to tell you to get out of the tub, to lie down on the bed, to open yourself so he can fill you. You distract him, forestalling the inevitable. Each morning Prometheus dreads the return of the eagle that pecks out his liver; as every summer ends Demeter mourns the loss of Persephone. “Any luck with Nixon?”

Aemond sighs, furious, brooding. “He still won’t agree to a debate. Wallace is onboard, he’s rabid for it, he’d show up if we held it in the fucking asteroid belt, any opportunity to spew his idiocy. But not Nixon.”

“Because he knows standing on the same stage as you can only hurt him. People thought he looked bad in 1960, can you imagine now? Television has gotten so much clearer. They’ll be able to count his sweat drops from their living room couches.”

“So how do I get him to do it?”

You look up at Aemond. It’s not a hypothetical question; he’s really asking for advice.

“I have to debate Nixon,” Aemond insists. “It’s close in the polls, which means it will be even closer on Election Day. I’ll underperform whatever is projected, my coalition is less likely to show up when it counts. College kids, hippies, transients. That’s just a fact. But the old people vote. The suburban housewives vote. Nixon’s resting on his political experience and accusations that I’m a communist, an agent of chaos. But I could slaughter him in an hour on ABC.”

You think of the mutilated Vietnam veterans waving their signs and screaming at LBJ from the other side of the wrought-iron gates of the White House. “Challenge him in public. Say that the American people deserve to see the candidates debate, and do it where everyone can hear you.”

“What if Nixon still refuses?”

“Then you call him a coward. You say he must have something to hide. You ask how he’s supposed to square up with the Russians and the Chinese if he can’t even face you.”

Aemond grins admiringly. “You’re vicious.” And he lifts your hand from the rim of the tub so he can kiss your knuckles. Once you licked up drops of his approval like Tantalus, cursed with eternal thirst. Now it is poison that turns your veins black.

“If there’s a debate, everyone should go,” you say, seized by sudden inspiration. “We should have a united front, including Aegon. It can be his return to the public eye. A month will have passed since the funeral, the timing is right. He can pose for a few photos with the kids to show the nation that they’re doing well and distract from any lingering rumors about Mimi.”

Aemond isn’t grinning anymore. He’s studying you with his cold blue gaze; no, he’s trying to intimidate you, to overpower you. “Otto and I will decide what to do with him.”

“He’s a Targaryen. He should be with the rest of us.”

Aemond stands and motions for you to follow, a snap of his wrist like a man calling a dog. “It’s late. Let’s go to bed.”

Panic, tension, an iron sinking in your belly. The water is only lukewarm now, but you don’t want to leave it. “I’m not done yet.”

“Yes you are.”

There’s nothing else to say. Legally, a wife’s flesh is one with her husband’s. You slip as you step out of the bathtub, and Aemond grabs your forearm. Not like he’s helping you; like you’re something he owns.

~~~~~~~~~~

Two knocks, swift and forceful. “Hey, it’s me. You ready? Everyone else is downstairs in the lobby waiting for the limos.”

You hurry to open the door, almost twisting your ankle as you stumble in your heels. They’re an inch higher than what you’re used to. Aemond chose them, and your dress too, and your sapphire teardrop earrings, and the silver chains around your wrist and throat, and your future and your past, and your life itself. It’s mid-October, and the night of what will almost certainly be the sole presidential debate of 1968. Aemond’s retinue is staying at the Hotel Saint Louis. It’s harvest time, the fields beyond the city being reaped of their soybeans, wheat, corn, cotton, and rice, the beef cattle culled in mechanical underworlds. Aegon’s flight must have just landed.

As soon as he sees you his eyes drop, wide and bewitched, ensnared everywhere except your face. You say: “Can you help me zip this, please?”

He blinks a few times, then shakes it off. “Sorry, what?”

“The zipper’s stuck. I need you to get it.”

“Yeah. Sure.” He steps into the suite and stands behind you. The gown is a vivid blue like the Greek flag, gorgeous and shimmering but a size too small. It wasn’t tight a week ago, but now it is, and you aren’t pregnant just always gaining and losing weight in new places, first the baby and then the pill, and it wouldn’t bother you if Aemond didn’t seem so confounded by it. Aegon says as he tugs at the zipper: “I don’t think it’s gonna fit, babe.”

“It has to fit.”

“Even if I miraculously get this closed, you won’t be able to breathe.”

“Do whatever you have to. Just…just…” You push every last molecule of air out of your lungs, suck in your belly, and you hear the triumphant squeal of the zipper. “Yes!” Oh, but Aegon was right: you really can’t breathe. “Okay. Let’s go.”

“You’re not gonna last the whole debate in that. You’ll be sweating more than Nixon.”

“I’m fine.”

“Io…”

“I’m fine. Come on.” You snatch your matching purse off the coffee table by the couch, check your makeup one last time, and hobble in your heels as you walk with Aegon out into the hallway.

At the Kiel Auditorium a few blocks away, the Targaryen children—Aegon’s five and Helaena’s three—are presented for photographs before being escorted back to the hotel by the nannies. And even in the few weeks that have passed since you last saw Aegon’s kids, there have been extraordinary changes. They talk to their father, and he talks back, and he ruffles their hair and rests his hands on their shoulders and asks them about what they’re learning from their private tutors. Cosmo tackles you before he leaves—a powerful bear hug, though he can only reach your legs—and he says he hopes you’re coming home to Asteria soon.

“Me too, kiddo,” Aegon tells him, and then smiles at you; but above his gleam of teeth his cloudy blue eyes, like the Atlantic in a storm, are gloomy and troubled.

As the audience takes their seats and the journalists are poised to capture the best images and quotes of the night, the three candidates and their wives (minus Wallace’s dear departed Lurleen) meet briefly backstage to exchange the perfunctory well-wishes. Pat Nixon is introverted and bookish, though she tries to hide it; but Aemond reels her in like swordfish until her eyes are filled with him. George Wallace gets one glimpse of your venomous glare and escapes, claiming to need one last trip to the restroom before the debate begins. But Richard Nixon beckons you to accompany him to a quiet, discrete corner of the room.

“I tried to call,” he says. He’s a remarkably normal man: medium height, receding dark hair, rough voice, weathered skin, not a god but a mortal, and—you have the impression—more aware of his flaws than his fiercest critics will ever be. “But no one at that damned beach house would ever put me through to you.”

You aren’t sure what he means. “Oh?”

“I never got the opportunity to tell you how sorry I was for your loss in July, Mrs. Targaryen,” Nixon says with unglamorous, plain, genuine compassion. “Pat and I, when we heard, we wept for you. We truly did. And for your husband to be clear across the country…I can’t even imagine. It must have been awful for you. A parent never gets over something like that. It stays with you like a scar.”

“It does,” you say softly.

“I lost two brothers. Arthur died when he was seven, tuberculosis killed Harold in his twenties. God, it just about destroyed my mother. You’re a remarkable woman. You’re lightning in a bottle for Aemond, do you know that? You’re like one of those Kennedy gals, but even better. More personable than Jackie. More intelligent than Ethel…although, to be frank, who wouldn’t be? And you’re not afflicted with any ghastly vices like Ted’s wife Joan. What would Aemond do without you? He’d lose, that’s what he’d do.”

Nixon’s smart, but he’s wounded. He’s capable, but he’s so desperate to prove it. Power could ruin a man like this. “You’re very kind, sir. You did some great work under Eisenhower. Self-made like my father was, a devotee of the American Dream. I believe you have an important role to play in this country…” You smirk, a bit mischievously. “Just not as the president.”

Nixon chortles. “No matter what happens tonight, rest assured that I hate Reagan more than I could ever dislike your husband,” he says, meaning the Republican governor of his home state of California. “You know that bastard tried to primary me?”

“Actors don’t belong in politics.”

“I couldn’t agree more,” Nixon says, and then bids you farewell as the lights turn blinding and the curtain begins to rise.

As soon as the adrenaline begins to fade, all you can think about is that you can’t breathe. You take your seat in the audience between Aegon and Ludwika, who won’t stop making jabs about Nixon: “He looks like a troll,” “He looks like a sasquatch,” “Do you think Pat makes him wear a  Creature from the Black Lagoon mask in bed so she is not so repulsed by him?” The most you can offer is an occasional distracted nod in response.

“You alright?” Aegon whispers.

“Yeah.”

“You don’t look alright.”

“I’m great.”

“Sure,” he says, and he acts like he’s teasing, but there’s something tremendously sad underneath. He can’t save you from this. He can’t save you from anything. What must that feel like?

On the debate stage—broadcast to a national audience—Aemond performs brilliantly. Nixon salvages what could have been a bloodbath with a handful of clever retorts that Aemond pretends not to be rattled by. The real loser of the night is Wallace, who is brutally attacked by them both: Nixon because Wallace is commandeering some of his voting bloc, and Aemond because of his near-assassination back in May. After an hour, the contest concludes and the candidates descend to the main floor to pose for photos and get lassoed into brief interviews with various journalists. Everyone in Aemond’s entourage besides you and Aegon flock to his side. By now you’re gasping in shallow gulps, close to tears and in agony from your ribs to your wobbling feet.

“I told you,” Aegon says. And then: “Come on. We’ll take the first limo back.”

In the front room of your hotel suite—one yellowish end table lamp glowing dimly, the rest of the space like twilight—Aegon wrestles with the zipper as you struggle for every breath, trying not to pass out. “Ow,” you whine. “Oh fuck, this was so stupid…”

“Don’t let him make you wear shit you don’t want to wear.”

“I have to do what he says, Aegon.”

“He doesn’t own you.”

“Legally, he does.”

He’s tugging futilely at the jammed zipper. “Are you planning on using this again?”

“I believe that would be wistful thinking.”

“You probably look better out of it anyway.” He grabs his Zippo lighter from the pocket of his emerald green suit jacket and flicks it to life. “Don’t move, okay?”

“Okay.”

“At all.”

“Got it.”

You can feel heat, intense but not painful. Aegon has pulled the edge of the fabric as far away as he can from your skin and is singeing it until it turns black and charred and brittle. Then he tucks the lighter back into his pocket and with both hands rips your dress down to the small of your back. Cool air rushes to meet the ridge of your spine; goosebumps prickle all over. Aegon is marveling at you; you can see it when you glance over your shoulder at him. Then he lays a palm against your bare skin, leans into you, inhales everything you’ve ever been: smoke and sex and starlight, strategies, shadows, secrets.

The others will be pouring into the hallway from the elevator any minute. Aemond. Aemond could find us.

“We can’t,” you whisper, hating yourself for it.

Aegon kisses the nape of your neck—so slow, so kind—and then goes to the doorway. You wait for him to leave, but he doesn’t. He’s looking at you as you hold up the ruined gown so it covers your belly and your chest. You gaze back helplessly, wanting him, needing him, a moon chained to another world’s gravity.

We can’t, we can’t, we can’t.

“I’m so sorry,” you say.

And only then does Aegon vanish.

[awkness]

Serial killer! Platonic! Yandere Older Brother & Genderneutral Teenage Reader (Part 2)

(Part 1) (Part 3)

As reader tries to adjust to their new life without their father, a number of concerning incidents occur, including off-putting behavior from your brother, prevents that from happening. But despite everything, you make a new friend. Surely, this can only mean good things for you, right? Things must be looking up!

Content warnings: implied murder, manipulation, domestic abuse, briefly mentioned alcoholism and child abuse, and general yandere shenanigans. If I missed anything here, please let me know :3

Authors note: lmao I have no excuse for being this late I'm just slow. This was originally supposed to be the last chapter but it got too long so I had to split it up. It feels like a bit of filler but I promise we'll get to the good stuff soon it just needs some set up. Part 3 should be the last part so I'll try not to be too slow uploading (<- lying)

There were very few things about your father you liked, but his house was one of them. It was something he had inherited from his father, who Ben would inherit as soon your father could be pronounced legally dead. It came with a master bedroom, two normal bedrooms, a bathroom, a living room, a kitchen, the basement, and an attic.

The attic was something you had always been fascinated with as a child. It was spacious, fully insulated and even had an openable window. It could have been a bedroom all on its own. As a child, you had often daydreamed of moving your stuff up there, utilizing the bigger space for blanket forts and storing all the toys your little heart could desire. In reality, it was used in the same way the basement was, except it stored much more valuable items. Holiday decorations, clothes, old valuables that had no room to be displayed, and whatever family heirlooms your late father kept were shoved up above your head, taking space that could have been used for you. You had thought you had grown out of this fantasy, content with the room you had, but with your father gone and your brother running the house, the childhood dream had crept its way back into the front of your mind, tempting you with visions of a bigger, cooler room.

So, after working up the courage, you finally asked Ben if you could move up there. It surprised you just how easily he said yes.

And now you're here, Ben helping you sort through trash and treasure alike as you both clear out the room.

You pulled an unlabeled box from the seemingly endless pile, the top covered in dust and cobwebs. You try not to think about how many spiders are in the room with you now. Cleaning them out will be a trouble for another day.

The box opens easily, cardboard weak from age, a musty smell emanating from within. You look inside, only to be left dumbfounded. Why were there women's clothes in here?

"Hey, Ben, do you know whose clothes these are?"

Ben looks up from his own box, a vaguely confused look on his face. As he makes his way towards your box, you watch it drop into a frown.

"Those are moms."

"Oh." Is all you can say.

An awkward moment passes between you two as Ben stares into the box, face strange as he becomes lost in thought. You decide to break the tension.

"Why do you think he kept them?"

He looks away from the box and towards you, his body slowly beginning to relax.

"He was always a sentimental man, I guess that's reason enough for him."

You let out a snort. "What's there to be sentimental over? She cheated on him, divorced him, and then dumped us on him. She's not exactly a woman worth pining over."

"I'm not arguing with you, but you remember how he was. Couldn't ever let anything go."

He began rummaging through it, quickly getting to the bottom before closing it back up.

"Nothing but clothes. We should probably donate this."

You give a nod as you watch him put it in the growing donation pile. That was going to be such a pain to bring down to the car.

Instead of thinking about that, though, you turn your head to the box that Ben was searching through before you called him over.

"Is this one mom's too?"

Before you get an answer, you take a peek inside, only to once again be at a loss for how something like this could be in your home.

Inside was an assortment of strange objects. A broken polaroid camera, a stained photo album, and an array of metal objects like locks, deadbolts, and... were those shackles?

Before you could make out any more objects, Ben had made his way to you and reached over to close the flaps of the box.

"I doubt it, probably just more junk he couldn't throw away."

He turned around to you and smiled, hands holding the flaps shut.

"Want to do me a favor and go start bringing the donation boxes to the car?"

"Ugh, why do I have to bring them down?"

"Because you're the one who wanted to move up here."

You glared at him as his smile turned into an amused smirk, before you finally gave a huff and picked up a box from the pile.

"Jerk."

"Brat." The smile never left his face.

With only moderate trouble, you navigated your way down the stairs and out the door, making your way to the car. Unfortunately, you had only realized you forgot the keys when you tried to open the door to pop the trunk open.

You quietly mumble curses under your breath as you set the box next to the car, ready to make the trip back inside. Instead, you go completely still as you catch a look at the people across the street.

It was a small group of high schoolers your age, maybe older, who go to your school. They were standing the the yard across the street, a few houses down, talking together to throwing glances in your direction. Your ears strain as they try to make out their incoherent babble. They couldn't have known about your situation, could they? Or at least, what the official story was. It had been over a month since that happened, it doesn't make sense that they would be talking about it now. But you were just moving boxes out of the house such a short time after it happened. That looks suspicious, doesn't it? Of course it does. Why did you have to ask to move into the attic now?

You had been standing like a deer in headlights, openly staring for what felt like minutes before one of them seemingly made eye contact with you. You avert your gaze down as you feel your cheeks grow hot and your hands grow sweaty. A chorus of laughter erupts from the group.

Without thinking, you rush up to the door, fling it open, and slam directly into Ben as he was carrying. You hear it hit the floor as you speed walk past him.

"Wha- Hey! (Y/N)! What happened?"

You didn't reply. You barely even heard his words. Panic had fully taken over and kept you moving away from Ben, away from the door, away from the outside world, and all the judgemental people it contained.

You finally make it to your room, shutting the door behind you, and seating yourself on your bed, trying to get your bearings. 

Tears begin stinging your eyes as your shaky hands try and wipe them away. You wonder if they were still laughing at you.

A soft knock comes from your door, and your body shrinks inward, unprepared for the upcoming talk.

"Kid? Can I come in?"

You don't reply. You know Ben is going to come in anyway.

He waits a beat before opening the door, his face the picture of concern. His footsteps are quiet, and his movements gentle as he sits next to you. You find your body leaning away from him.

"Want to tell me what happened?"

You shrug, turning your head away from him. Even if you did want to talk, you couldn't trust your voice right now.

"Alright, that's fine, we can figure it out together. Was it something to do with mom's clothes?"

You don't move. Maybe if you don't answer, he'll leave and let you deal with your embarrassment in peace.

"The attic?"

A pause.

"Something in the box you were carrying...? Or maybe something outside?"

You stiffen, and immediately try to make yourself relax. Maybe he didn't notice?

"Does this have something to do with the neighbors?"

Oh. Nevermind.

Despite your best efforts, your body language must have given you away again. You hear the bed creak as he gets up, the blinds rustling a moment later as he gives a huff.

"It's those kids across the street, isn't it?" His voice takes on an edge of irritation, and you feel yourself curl inwards again.

The bed shifts as he takes his seat next to you again, a comforting hand placed on your shoulder. His voice takes on the softer quality it had before.

"I can't help you if you don't help me, kid. Did they talk to you?"

You shake your head, trying to talk, but finding the words stuck in your throat.

"They-" Your voice falters and you clear your throat, barely able to speak above a whisper.

"They didn't have to. I could see them looking at me and laughing, I knew they were talking about me, just like all the neighbors do whenever they see us. It's like they know. And these-"

You sniff, snot beginning to run and throat burning as you talk. Ben squeezes your shoulder, and you continue.

"These people go to my school, Ben. They know me. When I have to go back, they'll talk and tell everyone and the whole school will know what happened. They'll treat me different, they'll ask questions, and I won't know what to tell them-"

Your quivering voice finally gives out, and you cover your face. Ragged, irregular breaths come out as you try to force back the wave of emotions you've just unleashed. Gently, Ben pulls you to his chest as he rubs your back, murmuring gentle reassurances you couldn't quite hear.

Moments pass until your breathing finally evens out, eyes dry but still red and puffy. You slowly pull back and he lets you, his face full of worry. His hand still remains on your shoulder, an ever-present weight.

"You've had this on your mind for a long time, haven't you?"

You give a feeble nod. The thought of having to return to school had been weighing on you, but you hadn't realized how bad it had been until now. The thought is almost enough to send you spiraling again.

"I don't want to go back."

Ben gives you a smile. "You don't have to."

Your mind freezes for an instant, any and all thought muddled into incohereency.

"What?"

"Why don't I sign you up for online school this year? I remember you talking about wanting to do it a couple of months back, so why not now?"

"I..."

Your brows furrow. You did tell Ben that you wanted to do online school a couple of months ago before summer started. But this wasn't a new wish. You had been dreaming of being homeschooled since you had dreamed of living in the attic. Troubles in finding friends and fitting in had always followed you throughout the years until you realized the futility of it all, and only dreamt of a home where you didn't have to leave, and Ben and you could spend your days in peace. But the reality of your father's abuse had made school a begrudgingly safe haven of yours and you had slowly given up on that dream, too. But now that it was fully within your hands, you found yourself hesitating. Why? There was no monster in your home anymore, you were safe, and there's no reason to say no.

"I don't know."

He smiled.

"It wouldn't have to be permanent, just for this year. And if you don't like it, I can reenroll you back into your old school, so your options are always open. Plus, you're right, (Y/N). I know how cruel kids can be, especially when they're confronted with situations and people they don't understand. I don't want you to face that if you don't have to."

You gnaw on your lip, unsure of what to say. Ben was right on all accounts, the things he was saying made sense, and yet you couldn't find yourself saying yes. Why couldn't you let yourself have this?

"Can I think on it?"

Ironically, it came out of your mouth before you could think at all.

He nodded, his good-humored smile still on his face. You let out a small breath, so glad to still see it there.

"Of course, kid, it's a big decision. Take your time."

He gave your shoulder one last pat before getting up.

"I'm going to move the rest of the boxes in the car and go drop them off. You want me to pick up dinner on the way back?"

"Yeah, I'm fine with whatever."

"Alright. Rest up, I'll be back soon."

Unable to say much else, you nod as he gives you one last smile before he heads out the door, closing it behind him.

You rub your eyes, your body slowly unwinding from the tension just moments prior, until it gives in and you lay down on your bed.

With nothing else left to do, you crawl under your covers, the familiar comfort of the soft and worn fabric soothing your nerves. Distantly, you hear the sound of Ben's footsteps as he makes his way back and forth from the attic, the familiar and comforting sound lulling you into a dreamless sleep.

The next morning was pretty uneventful. Ben was off at work while you continued clearing the attic, sorting out the junk and keepsakes, only occasionally getting scared by the stray spiders that had made their home in the crevices between the boxes.

By noon, everything was sorted, with the only thing left being to take the boxes to be donated or tossed in the trash. But you needed Ben to help you with that, so you found yourself heading down to the kitchen, heating instant noodles in the microbe, wondering what you were going to do until he got home.

Around this time is when you usually went to go check the mail, but since yesterday, the thought of having to leave the house left you with an uneasy feeling, tension building in your spine and shoulders the longer you thought of it. A part of you was ashamed that you couldn't even walk out to the mailbox without it being a big deal, and another, much larger part, found immense relief in the thought of abandoning the task altogether, and not having any more chance encounters like yesterday. The more you considered it, the more you found your body sagging in relief. Yeah, Ben can grab it when he gets home, you're sure he wouldn't mind. It's no big deal.

The microwave beeps and you grab the noodles, all thought of the outside quickly leaving your head.

You had just dumped the flavor packet in when you heard a knock at the door.

Your heart, ashamed you were to admit, skipped a beat, and you froze mid-action, breath catching roughly in your throat. Who could that be? Maybe that was Ben, and he had just forgot his keys? No, that's stupid, he wouldn't be home this early, and he never forgets his keys. With no other answers coming to mind, you quietly set the packet down and got up to the door to peek through the peephole.

On the other side of the door stood one of your neighbors, a kid your age. You see him the most often out of all of your neighbors, often doing yard work and tending to the flowers in his front yard. He was also the guy you caught staring at you the most. Well, maybe staring wasn't completely accurate, but whenever you looked his way, you two would usually make eye contact before one of you shyly looked away. You didn't know why, and it played havoc on your nerves. He wore a hoodie despite the summer heat and had an envelope in his hand. He looked nervous.

You pull away and bring your hand to undo the locks before stopping.

For one glorious, tempting moment, you picture yourself turning around, going back to your noodles, and taking them upstairs and away from the door to eat in peace until Ben comes home.

Instead, you undo the locks and open the door.

Your neighbor looks slightly taken aback like he didn't expect anyone to answer. You try not to notice.

"Hello?" You ask.

"Oh, uh, hi! I'm Alex, your neighbor. I live right next to you, the house to the right, well- uh, my right, your left. The one with the red car and lawn gnomes out front?"

He gestures sheepishly towards his house, face nearing the complexion of a tomato.

"Nice to meet you, Alex. I'm (Y/N)."

The social protocols of politeness take over, unable to fully pay attention as your mind stalls, still in a state of shock from the anxiety of the situation.

"(Y/N)? That's a nice name." He smiles at you before quickly looking at the ground.

He hands the envelope over to you, speaking as you look over it.

"Uh, I just wanted to drop this off. I think our mail got mixed up."

Sure enough, the envelope had your brother's name and address on it.

"Oh, thank you." You say lamely.

For a beat, you wonder if you should say something more. It felt wrong to just leave the conversation as it was and close the door, but what else were you supposed to say? Before you can think about it, he speaks again.

"I, uh, wanted to say that I heard about what happened to your dad, and I'm sorry."

Again, your heartbeat skips, and you stiffen, body alert, eyes wide. You probably look like a deer caught in headlights in front of him if he wasn't still looking at the ground. The thought would embarrass you if it weren't for the sharp spike of adrenaline hitting your veins.

"I... I had a dad like him too."

And just like that, your body pauses its panic response, and you find yourself fully focused on him as he continues.

"I thought it would be easier after me and my mom moved away, and it has been, but those kinds of experiences don't just go away, and I wanted to say that you aren't alone."

You still felt a little wired from the previous scares, you you felt a strange sense of ease slowly pass through you at his words.

You stare at him, as he stares down, no words passing between you two before you finally speak.

"Thank you."

You only hesitate for a moment before continuing.

"It has been rough, but it's been more of a relief than anything. It's nice not having to hide away in my room until he leaves."

He looks up, a small smile gracing his face as he finally relaxes.

"Yeah, it's nice not having to check to see if he passed out in the house again."

You find your lips quirking up. "Or having to check his pulse when he is passed out."

"Not having to worry about him throwing a fit whenever he runs out of beer despite him being the one who drank it all."

"Not having to constantly hide food in your room so you have a supply when he does throw his tantrums"

Alex gave a disbelieving laugh.

"Yours let you get food out of the kitchen? There was a lock on the fridge and pantry when I lived with mine."

Your smile widened into one of disbelief, amusement, and shock. "What the hell? Why?"

"Kept getting upset that the food would go missing. Worst part is, every time he got blackout drunk, he'd binge eat, pass out and get mad at us for eating all the food."

You couldn't help it. You started giggling, and he started giggling, unable to react in any other way to the absurdity of it all.

"Sorry! I really shouldn't laugh-" You began, failing to stifle the laughter.

"Don't be!" He said. "He's a stupid guy, you should laugh at him."

You both share the moment, the laughter slowly dying down as you both take your first good look at each other. In this moment, you see something you can't help but talk about.

"Is that a minecraft necklace?"

He looks surprised, but pleasantly so. He glances down before holding it up with a grin. The pendant was the shape of a creeper head.

"Yeah, I'm a big fan!"

He puts it back down and his demeanor changes back to being sheepish, but not painfully so like he was before.

"I have minecraft for Xbox and a spare controller at my house. If you want, you can come over and play?"

It was your turn to be nervous again.

On one hand, you wanted to say 'absolutely'. You couldn't remember the last time you got invited to hang out, and the thought of something as normal as playing a video game with a friend was something you needed. Well, maybe you couldn't call him a friend yet, but you feel like you could, given enough time. Plus, after being so afraid of your neighbors and leaving your house, having someone come up to you and act so warm and friendly made you feel soft. It was hard to say no to that.

On the other hand, you had the nagging, unnameable feeling that Ben would be, upset, but you couldn't think up any concrete reason as to why. In fact, if you focused on that feeling too long, your mind went blank.

Sure, you were going about out of the house without him knowing, but Ben has always been supportive of you. Sure, he's never really discussed rules about going over to a friend's house because the situations never come up, but he's fairly easygoing. You were sure that if you explained why you went, he would be understanding. Happy, even.

Plus, you were only going next door, you had your phone on you, and you would be back before Ben came home, so it's not like he had to even know what happened. Not that you wanted to lie to him, but something about that option comforted you more than any of the other things you listed.

Discomfort pushed aside, you gave a smile back to Alex.

"Sure thing, let me grab my phone."

It could have been the perfect hangout. Alex's mom was nice, bringing you two snacks and telling stories from Alex's childhood despite his embarrassment, as you two hung out in the living room while he helped you figure out the controls. Soon enough, you two were building a base together, laughing at each other as a creeper or sneaky skeleton would get kills on you both.

You were halfway through making the third story of the base when your phone started ringing. You felt your heart drop to your stomach when you saw Ben's picture on the screen.

"Shit."

You immediately pocketed in and got up.

"What's wrong?" He paused the game and looked up.

"I wasn't supposed to stay so late, my brother's probably home by now."

You went over to the window and peeked through the blinds, and as fate would have it, you saw his car in the driveway.

You hear Alex speak from the couch, voice slightly concerned.

"You're not going to get in trouble, are you?"

That was the question, wasn't it?

"I... don't think so. Maybe? I've never been out late before."

"If you want, I can come with you and explain what happened. I'll take the blame."

Despite your growing worry, you felt a pang of gratitude come through. You gave a small smile.

"That's okay, he'll probably be a little mad, but I don't think it's that serious."

You headed to the door, Alex following behind.

"Hey, on the chance you don't get grounded or whatever, here's my phone number."

You look back and see him scribbling on a piece of paper before he hands it over to you. You take it and look at sloppy, but thankfully still legible writing, and give a bigger, more genuine smile.

"I'll text you later. If I still have my phone, that is." You joke, or at least try to.

He gives a smile and a wave as you turn back and exit the front door.

As it closes behind you, the warmth of the interaction slowly leaches from you and leaves you feeling cold and rattled.

You didn't fully believe the things you said to Alex. You had no real idea what Ben would like because you had never gone against what he said before. The thought alone turned your stomach into knots. It was simply how you two functioned, Ben was the one in charge and made the big decisions, and you listened. Sure, he never had any explicit rules about this, but that didn't mean anything.

As you made the short walk to your home, you began strategizing.

You should do damage control right away, start apologizing straight away, and let him know where you were and what you were doing. Wait, should you mention Alex? At that thought, you shoved the paper with his number deep in your pocket. You didn't want Ben to see it.

Before you could think about it anymore, you were at your front door. Your back tensed, and you hesitated only a moment before opening the door. Waiting would only make it worse.

Before you can fully step in, you see Ben pacing the kitchen, brows furrowed, face strained. As soon as he heard you, his head whipped up, and you felt yourself freeze like a rabbit spotted by a wolf. Frozen, unable to do anything else than stare.

"(Y/N)?"

Just like that, you were broken out of your trance, finally allowed to move again.

You step in all the way and close the door behind you.

"I'm sorry! I didn't think I'd be out that long, I wasn't keeping track of time, I-"

Your voice died the moment you looked back to Ben's face, his features looked so... angry. You've never seen him look at you like that before, never seen him look like that at all. It set off a loud, blaring warning in your brain that something was wrong, and that you needed to leave. But that was crazy. This is Ben, your brother, you were fine.

You tried to start again.

"I was..."

It tapered off as you saw him move towards you, movement swift and robotic as he kept his attention on you. Without thinking, you shrunk back.

"Ben-"

Before you could finish he's in front of you, grabbing your shoulders so tightly it's borderline painful. You grip his arms, weakly trying to push away, knowing better than to seriously try.

"Where were you?"

There was such a dangerous edge to his voice that you couldn't think, couldn't look away. Your breaths came out shallow and your voice so tiny you could barely hear it.

"With the neighbors."

That only made him angrier.

"What neighbors? We don't talk to the neighbors here."

Oh, you were shaking now.

"With- with the neighbors right next to us, the Rogers. I was hanging out with Alex-"

"Who the Hell is Alex?"

His grip got tighter as he shook you, and you could feel the bruises forming. You started pushing at him again, but your arms trembled so badly you might as well not have tried.

"B-Ben, it hurts."

Your voice was so thick with emotion that it was hardly coherent, but Ben understood.

His face blanked for a moment, body shocked to stillness as you continued to try and leave. Then, without warning, he let you go, turned his back and walked a few paces away from you, pinching his nose as he let out a sharp breath.

You listen to him as he takes deep breaths while you rub your sore arms, snot beginning to run as your eyes turn wet. As you step away, you feel your back pressed against the door, and you have the fleeting idea to open it and run away. You realize what you're thinking, and the idea terrifies you so deeply you stay rooted to the spot.

Finally, Ben turns back, face still hardened but not as severely as before.

"Who's Alex?"

You sniff. You really didn't want to do this anymore.

"He's the neighbor's kid. Our mail got mixed up and he brought it over to me, and invited me over to hang out."

You probably should have stopped there, but some scared, hurt part of you needed Ben to understand that you didn't mean this, it wasn't your fault. Your voice cracked as you continued.

"I'm sorry, I'm really, really sorry. It was only supposed for a little bit, I didn't think I would be over for so long, just an hour or two. I- I didn't mean for this to happen, I should- I should of called you."

You stopped, but only because the shaking in your hands had spread to your voice, and you didn't think you could keep going without sounding like a complete mess.

His face didn't soften for a moment, staring blankly as you had gone on. After it ended, he closed his eyes, rubbed his face and gave a sharp sigh.

You couldn't read him when he looked away. Was he calming down? Did that make him more upset? Every second that ticked by frayed your already worn-out nerves. You were only one yell away from bursting into tears.

He looked up again, face the same as it was before.

"Do you know what it's like to come home with the door unlocked and see you missing, with no goddamn clue where you could be? What was I supposed to think? You didn't even pick up your damn phone!"

He stopped, took a breath, and then continued, a dangerously calm edge to his voice.

"And then you tell me you decided to stay over at a stranger's house without calling me? A person you only met today? They could of been anybody, anything could happened to you. I thought you had better sense than that."

It stung.

"I'm sorry."

It sounded small and pathetic, even to your own ears.

He let out a sigh.

"Go to your room. We'll talk about this more later."

You don't think twice. You rush away on shaky legs to your room and quietly close the door behind you, afraid of doing anything else to set him off. The bed lets out a soft creak as you sit down. You gather your quivering hands in your lap and look down on them, not sure what to do with yourself.

Before you can think about it any further, you hear the front door open and slam shut, then the car turning on and driving away.

As it quiets down, you can't help it. Stifled sobs climb their way out of your chest, feeling like they're choking you until you can't resist anymore. You collapse on your bed, openly crying until you exhaust yourself to sleep.

The next morning felt almost surreal. You woke up to hearing Ben walking about the house as he did his morning routine. Usually, you would be out of the room right now doing the same, with you both then sitting down to eat breakfast together until it was time for him to leave. This time, you stayed in bed the entire time, idly scrolling your phone as you listened to his footsteps.

A part of you expected him to knock at your door, and ask you why you weren't out yet. Instead, you heard the sizzle of eggs hitting a hot pan as they cooked, and after a short few moments, the front door opening, closing, and locking behind him. The familiar sounds of the car's engine slowly faded away, and you finally got out of your bed, ready to start your day.

You decided to text Alex. You were hesitant to give the details of what happened, simply saying that Ben was upset and things were tense, and thankfully, Alex never pushed it. Instead, he started sending you memes and talking about his ideas for the minecraft world you both started. It was surprising how easy it was to talk to him, the conversation going for hours before he had to leave to help with dinner.

When it was time for Ben to come home, you scurried back to your room, feeling relieved but guilty when you closed the door. On one hand, you could still feel the fear you had last night, and you had no idea what to do with it. It was perplexing and off-putting, and thinking too hard on it made you feel like your brain was turning to static, so you opted to not think about it at all, which meant avoiding your brother as well.

But the guilt wouldn't let you be. It turned what should have been the comfort of your room into a place of wrongness, that you were doing something awful by keeping yourself here and not going down to see him like you usually did. Your lip began to bleed, and only then you realized you had been chewing on it since you heard Ben's car pull in.

You contemplated texting Alex for a distraction as you heard him make his way into the house. And then, step by step, make his way way to the hallway, and then to your door.

And then, the knock.

"Can I come in?"

You don't know if you want to answer, so you don't.

"I know you're awake, kid. Your lights on."

Thoughts raced through your mind as you tried to figure out what to do. For a moment, your mind latched onto the idea that you could pretend to be asleep, but you immediately shrugged it off. This was going to happen anyway, might as well happen now.

"Come in."

The door opens, and you see Ben, completely exhausted, his gaze nervously flitting towards you and the floor as he carried a fast food bag in his hand.

"I brought dinner."

You instinctively perk up at the mention of food, and he takes that as a sign to step closer and sit on the far side of the bed, bag between you two, as he clasped his hands together. His leg starts to quickly bounce before he stops it.

"Figured I'd pick up something on the way home. Didn't feel like cooking.

You nod, even though there's something in you that compels you to do or say more to try and ease his nerves. Even now, after what he did, you hate to see him upset. You try to push the urge to comfort down as you pointedly look away.

Both of you sit in silence while looking anywhere but at each other. In your peripheral, you can see him fidgeting with his hands.

"I know I scared you last night, I just-"

He nervously shifts in his seat. His voice is halting but sincere.

"It worried me, seeing you gone. You mean so much to me, (Y/N). Ever since you were born, I've been there to take care of you. I can't remember a time without you, and I don't want to. You're a part of me, without you, I... I don't even know who I am."

You look over at him and freeze. You're big brother, the man who protected you and cared for you your whole life, is bunched in on himself, face strained and twitching with barely contained emotion as he doggedly stares directly ahead, like looking at you would hurt him. His eyes are red and dark circles frame them. You swallow, years of experience screaming at you to reach over and comfort him, but instead, you sit, never once looking away as he continues talking.

"I shouldn't have done that to you, kid. I should of known better. Should of contained myself. I try so hard for you, but there's times it feels like it isn't enough, and it keeps me up at night."

He sniffs, and your eyes begin to blur.

"I never wanted to be like that in front of you, you didn't deserve to see that. I-"

He wipes his hands over his face, taking a deep breath as he tries to collect himself. After a beat, he uncovers his face and finally looks at you.

"I'm sorry."

It was like a spell had been broken. You found yourself pushing a food to the side and leaning against his shoulder. He hesitantly wrapped his arm around you, and when you didn't resist, he reached his other arm around you, pulled you into his chest, and began softly rocking you back and forth.

You feel the rise and fall of his chest, and it feels the same as you did as a kid when you would run up to him when something scared you, or when you felt your emotions overwhelm you. He would hold you tight and it felt like you were in the safest place in the world. The relief of that feeling after everything you had been through was like coming home.

Still safely tucked in his arms, you spoke again, voice more quiet and child-like than you meant it to be.

"Promise me you won't do that again."

The mere thought of him acting so uncontrollably and violently towards you was enough to make you nauseous.

He squeezed you tight.

"I promise, kid, never again."

You nodded, unable to reply. The both of you stayed like that for what felt like an eternity before he slowly began letting you go.

After getting fully untangled, you rub your eyes, a feeling of exhaustion settling in as your stomach rumbles.

"I'm hungry."

"Hi hungry, I'm Ben."

His reply is so quick, you think it's automatic for him.

You shoot him a glare, but it's undermined by your smile. He returns it with one of his own.

"You wanna go down and eat? I got you a milkshake too, it's down in the kitchen. But might be a bit melted by now."

You spring up, fast food bag in hand as you make your way towards the door.

"Why didn't you say so, let's go!"

You hear him let out a chuckle, and you let out one reflectively, too.

You both share the meal together, talking and laughing late into the evening, until it was finally time to sleep. You drifted off easily into a deep, restful sleep, finally at peace.

[catholic-character-tournament]

Round 1 - Side B

firestar art by @kudos-si-do

Propaganda below ⬇️

Kirei

He fucked up so many people's lives so badly in just one decade (not on purpose) that the universe put him in the summoning pool of all world influencing souls. He doesnt really have any special powers but he does serve as a vessel for rasputin at one point. He's the guy who says "people die when they are killed"

please please please there's literally a type moon character in the gif on the top of this form so it's typemoonphobic if none of them get in but it shouldn't be her it should be kirei bc he's 50x funnier & more iconic than jeanne. funny lil murder priest who's fucking THE gilgamesh (from the epic of) in the church basement and dies in a knife fight w a 17 year old whose dad he wanted to fuck back in '94 before realizing that he was actually kinda lame and he's been bitter abt it ever since. he has an orphan torture factory in his basement but he's also canonically good at being a priest. he's so funny you should def try his mapo tofu i swear it's totally safe for human consumption and not made with any california reapers. did i mention he's a deadbeat dad.

Priest claims to be Pro Life to make Sakura Matou the most miserable girl on the planet, but he dies anyway.

bro became a catholic because he loves suffering

He’s a priest. Kind of. Not a very good priest obviously. There is something seriously wrong and fucked up with that man. It’s so entertaining.

he's gotta be one of the most insane catholic men ever with a very in-depth and interesting relationship with his religion and his relationship with god also he's the sexiest man ever to be conceptualized in the known universe and all of time

Will never forget the 40+ minute monologue in heavens feel being a thinly veiled metaphor for abortion

he wants to torment churchgoers and make them face their failures and suffering but all he ends up doing is motivate them to improve themselves. cringefail moment for him

he's absolutely insane. the coldhearted mercenary that barely reacts to anything is terrified of kirei. he's super fucked up. his ult in stay night is literally him channeling divine power into something called kyrie eleison. he's the vessel of rasputin (on account of being a priest with a huge....no i shant say) the biblical beast in grand order among other things. he gets drunk with and tops gilgamesh from the epic of gilgamesh in the church basement after gilgamesh from the epic of gilgamesh bats his eyes a little too hard at kirei in some of the horniest shot scenes ive ever seen. he also used to be a heretical "fixer" for the church, cleaning up scenes that would expose shit to the public. uhh what else. he holds cool swords between his fingers like a kid pretending to be wolverine but in my favorite route he just squares the hell up with the protagonist and they fight to the death outside planned parenthood

Firestar

Kitty jesus, he believes in starclan which is the kitty version of heaven/god and yea. All the warrior cats characters except those outside the clans or those that are atheist believe in the kitty heaven and would irl be bri-ish and christian as hell so. The authors are all older british christian women and so the way starclan is written is like undoubtedly that.

The main religion in the series is extremely catholic coded. Most clan cats believe in Starclan and the Dark Forest(or heaven and hell). There is a set of rule they must uphold and follow, where following them leads to heaven and breaking them leads to hell. Their religious leaders are sworn to celibacy, and the punishments that "code breakers"(or cats who break the rules) face are extremely similar to situations people with religious trauma have gone through.

OP notes: apparently converted to avoid getting his balls cut?? Idk. The discord yet wild for firestar so I had to include him because it's hilarious hehehe

[inklore]

🩸 — 𝐇𝐀𝐔𝐍𝐓𝐄𝐃 𝐇𝐎𝐄𝐃𝐎𝐖𝐍!

since the spooky season is fast approaching, and as a little kinktober appetizer, @psychedelic-ink and i have decided to do a little writing challenge to get us all excited and in the mood to be gripping the sheets from the spooky thrills of course.

and to keep this fun we have given you many many options! we have compiled a twelve day prompts list you can go by, or if that's not your thing we have listed twenty three different pick and choose options to create whatever kind of fic you want, even if you want to do half the days daily prompts but switch out this prompt dialogue for that au or trope or kink, you can literally do whatever your heart desires!

THE RULES.

the challenge will go on from the 19th - 30th of this month. you can do as many or as little amount of days as you choose.

any fandoms are welcome, literally any characters, ships, but please no rpf.

no minors should be interacting with let alone posting for this challenge.

dark content, light content, dubcon/noncon, is all welcomed but please tag everything accordingly. grooming, underage, and incest however are not allowed.

there are no word limits but please use that readmore.

tag #hauntedhoedown so we can read and reblog your work!

DAY ONE: taboo au + "i'll be your dirty little secret, if that's what you're into."

DAY TWO: murder plot au (lets kill this person together) + "crawl to me"

DAY THREE: inspired by your favorite lana del rey song (if not a lana fan then any fav song of yours) + stalker / yandere au or love triangle gone wrong

DAY FOUR: artificial intelligence au + "here, you are. you tiny thing."

DAY FIVE: gothic au + “worship me. until i tell you to stop.” + a masquerade au or a good ol' priest au

DAY SIX: animal shapeshifter au + "he's a monster" + "he's perfect"

DAY SEVEN: stranded au or slasher / summer camp au + sex in the woods or somewhere public (added bonus if it includes knife, blood, hunter x prey kink)

DAY EIGHT: cosmic horror au + "you're a fucking nightmare. kiss me."

DAY NINE: “do you like it when i bleed for you?” + the toxic exes trope or cult au

DAY TEN: zombie apocalypse au + "every moment might be our last, let's make the most of it."

DAY ELEVEN: black swan au or inspired by your fav psychological thriller + “they die for love, you kill for it.”

DAY TWELVE: vampire court au + "forever isn't long enough for me to forgive you."

if following the above isn't your thing and you want to pick and choose yourself that's great! we also highly rec this random generator if you wanna live life by the edge, each category has 23 options to pick and choose from so customize the generator accordingly!

AUs:

steampunk / cyber punk

fairytale retelling

revenge

mythology / monster

virtual reality

gothic

taboo (see great options here)

slasher

game gone wrong

witchcraft

addams family

bonnie and clyde

spy / secret agent

assassins

x-files

circus / carnival

hitch hiking

basement wife

time travel

urban legend(s)

american horror story inspired

vampire / supernatural

pirate / mermaid

DIALOGUE PROMPTS:

"do you like when i touch you like this? i can keep going if you want me to."

"i can see how badly you want this, so i'm going to make sure you get it." 

“this fear you feel? it won't last.”

“you are mine, whether you agree or not.”

“why do you keep following me?”

"i can't stop thinking about how perfect we would be together."

"you're not actually scared are you? of me?"

"i'm so close, can you feel it?"

"tell me what you want me to do and i'll do it, no matter the cost."

"you're like a sickness, a disease, and the only way for me to be cured of you is to let you completely consume me until my body has no fight left."

"i want to see you bleed."

"they're dead...because of you."

“i will keep hurting. i will keep killing. anything to protect you.”

“everything i've done.. every horrible atrocity, it's been for you.”

"it's just a little blood."

“don't you know how sick with love i am for you?”

“i would burn the world for you.”

"this is so fucked up." "you like it."

"finders keepers."

"what's your favorite scary movie?"

"tell me you want me back. tell me i'm forgiven."

"you're a monster." "that's never stopped you before."

"i've killed for you, who else can say that?"

TROPES:

mob / mafia

soft!dark

dubcon / noncon

soulmate / fated mates

mind control / telepathy

cheating

final girl

once is not enough

haunted manor

dark academia

enemies to lovers

haunted object

vengeful ghost

coven

ritual / sacrifice / blood magic

unrequited love

creation / creator vs monster

'i'll find you in every universe / century'

reverse harem

cursed / fuck or die

curiosity killed the cat

theatre phantom

fate worse than death

KINKS:

biting

corruption / authoritarian

somnophilia

begging

dacryphilia

breath play

knife play / blood play

jealousy / sharing / possessive

aphrodisiacs

hunter / prey

humiliation / degradation

mirror sex

deprivation / immobilized / bondage

costume

size

orgasm denial / overstimulation / edging

body worship

shotgunning / swallowing / facial

gagging

torture / surrender

hate sex / make up sex / phone sex

magical healing [redacted]

soft!dom / pleasure!dom

ETC PROMPTS:

a summer fling gone horrible wrong, or right

1970s porno filming (turned into a blood bath)

touch her and die except who the hell are you and why are you obsessed with me?

a trip to the circus (or carnival) ends with you stuck there...forever

you just inherited this creepy mansion where people where murdered what could go wrong?

a ritual gone wrong and now i'm bound to a demon

if 'this person' ever found out about this they would kill both of us (literally)

oh no i'm dating the town serial killer

passionate professor tells me to prove my devotion to the craft / class by doing something insane

we're the last people on the planet and you will be mine

daydreaming about being with you is better than actually being with you because i missed all the red flags and now it's too late

i got casted out of my world and ended up wounded and bloodied in your backyard, convince me why i shouldn't destroy your world out of anger

vampire has a taste for specific blood and looks like you have it

the creepy neighbor is too hot to be insane, right?

i keep seeing them in my dreams and i wake up with bruises and marks on my skin, it's definitely just wild dreams, right?

loving you is easier than hating you

got stranded in some little town that seems so cute, until night hits

'this person' ordered me to kill you but i actually think i'm in love with you

my lover is wearing the same costume as you and i can't tell the difference but i'm pretty sure it's them i'm fucking in this closet...pretty sure

confessing to a murder via a silly little ghost story around a campfire (but someone reads through the lies)

how far would you go for love? for the one you love?

in a past life you were the cause of my death so i'm here to exact revenge now that i've found you

we're at a fun little horror movie reenactment except people are really dying

we tried to make this writing challenge as fun and very 'choose your own adventure-like' as much as possible because we know how hard it is to stay motivated when doing these things.

so please feel free to use any and all of the prompts, tropes, kinks, etc as you wish. we're just super excited to see what ya'll come up with!!

so good luck and stay slutty spooky <3

[peachymilkandcream]

Movie! William Afton NSFW Alphabet

(A/N: The NSFW Alphabets are their canon events I cannot stop this I'm sorry T-T Also please read the warnings, I don't care if it's fucked my guy literally stuffed children into suits he's fucked up.)

WARNINGS: noncon, dubcon, manipulation, domestic abuse, yandere themes, forced marriage, forced pregnancy, stockholm syndrome, violence, mind breaking, misogyny, age difference etc.

A = Aftercare (what they’re like after sex) William is surprisingly considerate, when he has the time to be. Most of his life is wrapped up in the chaos of covering up murders and coming up with new machines that sometimes sex just becomes stress relief and he doesn't have time for more. However when he can be convinced to take time away he really does try and care about his wife and make sure she feels clean and comfortable.

B = Body part (their favorite body part of theirs and also their partner’s) Deranged psychos and their hands are a thing I'm telling you. The power in behind them is 100% a secret turn on they won't admit. And when you've made your career the work of your hands, (like child murders and a booming business) you can't help but pick that as the favourite. For her, he's not super partial but he really likes her hair, gripping it, pulling it, is what he daydreams about.

C = Cum (anything to do with cum, basically) Let's just saw how else did they have four kids, cmon now. ;)

D = Dirty secret (pretty self explanatory, a dirty secret of theirs) While it's not inherently sexual William really loves putting fear into others, and he 100% has a r*pe fantasy that he puts her through often. (Although for her he doesn't tell her that's what happening so it's 'authentic') This includes fake home invasions as well when he gets bored of vanilla sex and wants to "spice things up". Poor girl lives in fear daily.

E = Experience (how experienced are they? do they know what they’re doing?) He has some before they met, mostly teenage mistakes when he had the time. After he started his career it was rare he did simply because of time. He knows enough of what he's doing, he knows how to make himself feel good and that's all that matters right?

F = Favorite position (this goes without saying) My guy is a ride or die missionary, reverse cowgirl is the only other he'll consider. Anything else is just uncomfortable in his opinion, and again it's about what feels best for him.

G = Goofy (are they more serious in the moment? are they humorous? etc.) William's very erratic so it really depends on the mood he's in, how his day has gone if this kids annoy him. He has been known to be more humorous on occasion but it's not often.

H = Hair (how well groomed are they? does the carpet match the drapes? etc.) Let's be honest William only gets his hair cut because his wife does it, he doesn't have the time to take care of himself like he should, those are precious moments that could go to his work. So no, he is not well groomed.

I = Intimacy (how are they during the moment? the romantic aspect) This again depends on the occasion, usually it's just stress relief so it's quick and usually not very romantic, but if it's a special occasion like an anniversary or birthday then he'll be way more romantic.

J = Jack off (masturbation headcanon) Same as with his hair, he honestly just never has time XD

K = Kink (one or more of their kinks) Big somnophilia fan, probably a slight breeding kink, lingerie (especially stockings), hair pulling, choking, gagging, knife play 100% (he's a serial killer, I had to).

L = Location (favorite places to do the do) Anywhere in the house really, anywhere he can get a moment alone. He used to enjoy when she distracted him in his workshop in the basement but now those old parts bring back haunting memories...

M = Motivation (what turns them on, gets them going) Her being a mother to his children, it warms his little black heart and gets him going. As well as any new sets of lingerie she buys or he buys for her.

N = No (something they wouldn’t do, turn offs) She wouldn't but if she tried to dominate him, he would nope the fuck out of there. My guy is an S tier misogynist and believes his wife should be beneath him literally and figuratively.

O = Oral (preference in giving or receiving, skill, etc.) He prefers receiving simply because it plays into the whole gagging thing. Her gagging on his dick as he face fucks her is so hot to him.

P = Pace (are they fast and rough? slow and sensual? etc.) As stated before it depends on the occasion, special moments require more slow and sensual whereas annoyance or hurry is fast and rough.

Q = Quickie (their opinions on quickies, how often, etc.) His whole life is about quickies, having just enough time to get himself off is what he usually does.

R = Risk (are they game to experiment? do they take risks? etc.) He takes too many risks, if he's not careful he's going to end up hurting her.

S = Stamina (how many rounds can they go for? how long do they last?) Obviously when he was younger it was more, but now he's a one or two rounds at most guy.

T = Toys (do they own toys? do they use them? on a partner or themselves?) No no never, no matter what it is he's come to not trust machines around his loved ones anymore.

U = Unfair (how much they like to tease) If he's in a goofy mood he will, but most of the time he doesn't have time to sit and tease her.

V = Volume (how loud they are, what sounds they make, etc.) He's actually quite loud, groaning and even soft whimpers are his specialty.

W = Wild card (a random headcanon for the character) William has a thing for stockings because that's the first thing he saw her in and he started fantasizing how her thighs would jiggle in them while he was eating her out.

X = X-ray (let’s see what’s going on under those clothes) I'd say he's above average, not too much but enough, he's slightly thick with a few smaller veins.

Y = Yearning (how high is their sex drive?) His drive has really changed from wanting to have sex to wanted her to relieve stress. So because of all the stress he's under, it's pretty high.

Z = Zzz (how quickly they fall asleep afterwards) William is out like a light after, dreaming about his victims or how he disposed of bodies. Solid sleeper while his wife lays awake plagued by waking nightmares of her own.

[whatlovelybones-if]

DEMO RELEASE!!!

THE DAY IS FINALLY HERE!!! IT’S BEEN QUITE A RIDE Y’ALL, BUT WE’VE CONQUERED BURNOUTS AND OVERTHINKING TOGETHER TO ACTUALLY GET BACK ON TRACK WITH WRITING! I HAVE CHAPTER TWO ON THE WAY ALREADY AND IT’S GONNA BE LONGER THAN THE PROLOGUE AND CHAPTER ONE COMBINED SO LET’S GO!!!

⚠️ CONTENT WARNINGS: insinuation of child abuse ⚠️

create your friendly neighbourhood killer surgeon.

meet a characters that plays a huge role in the MCs life.

live through a childhood filled with sinister figure(s).

meet a new friend and lose them.

get a glimpse of what has shaped the surgeon’s past.

⚠️ CONTENT WARNINGS: murder, violence, gore & body horror ⚠️

a missing report. a murder. a youngblood cop. surely nothing can go wrong, right?

settle into your quite extraordinary life in helmsford.

WHAT IS THAT MELODYYYY?

deal with a pesky voice in your head.

meet vivienne, the kind psychiatrist, who wants nothing but to help you. it’s for you to decide how you feel about that.

what are you hiding, doctor?

what will you do when someone stumbles on the skeletons you hide in your closet, or should i say, basement.

kill.

A/N: a reminder that i have quite a lot of issues to fix in this update so i appreciate all the feedback i’ll get. they will all get fixed and major changes will be implemented with the update of chapter 2, including adding trans options, tattoo options and the touch-averse option.

fair warning that the graphic contents of this story will get worse, the prologue and chapter one were just the tip of the iceberg. if you get easily disturbed by these scenes, i’ll start implementing the auto-skip option from the next update to avoid the gruesome scenes.

acknowledgements: special thanks to fish (any pronouns) for helping me immensely with the coding aspect and @nikkefort (they/them) for providing a great design to all my imaginations. i have huge respect for coders cause i can’t do it properly even if my life depended on it. without these two superstars, this game would take years to complete so a huge shoutout to them!

WITHOUT FURTHER ADO, LET’S GET TO WORK!

[yourheart-inmyhands]

Just had a thought a continue of my archon ask

How about there reaction to reader accidentally killing there attacker

-🌮annon

You can ignore this if it makes you uncomfortable

i didn't really go into detail about the whole murder part, more so the aftermath so no worries :D i hope you enjoy

Warning: this post contains yandere-themes, including mentions of murder, delusional behaviors, implied being held against will, psychological bullying, and other potential topics. Please read at your own risk!

Yandere!Venti would use this to his advantage, helping you dispose of the body and discard all the evidence. This is how he keeps you tied to him, by saying he’ll expose your secret to everyone with no shame. 

He didn’t care how you felt about him, now there was really no leaving him. He had helped you get rid of a body after you accidentally murdered someone, there’s no coming back after that. You can’t even blame him for it because he made sure he that he left no traces behind, but your dna was under the nails of the attacker, your fingerprints were on the murder weapon that he conveniently forgot to burn, and you were the last one seen with the deceased. If anything, the second you act out of line he’s threatening to expose you to everyone. He’d never actually do it, but he’s very good at making you think he will.

Yandere!Zhongli would simply sigh in frustration. Of course he’s more than willing to help cover up your crime, after all he doesn’t wish to see his beloved rotting away in a cell. He never lets you live it down though, using the haunting memory of it to constantly beat you down mentally.

“Don’t go acting all innocent now, you’ve already killed a man, breaking a vase should feel like nothing to you. You’re a murderer after all.” Zhongli’s smile was pleasant and gentle looking, but his tone was anything but. He stood over you as you knelt on the floor, weeping over his reaction to you breaking a prized vase of his. Of course he had expected you to accidentally break it at some point, having replaced all his original artworks with replicas, but he had still found joy in bringing up your haunting little secret every chance he got.

Yandere!Raiden would do nothing personally. She’d instruct some of her faithful servants to handle it, keeping you locked inside Tenshukaku with her for a while. She doesn’t bring it up, but you can tell with the way she looks at you, that she’s upset with you.

Another silent meal, another long hour spent awkwardly eating your food as she sat across the table from you staring you down unblinkingly. It wasn’t that she stared at you, it was something you had actually grown rather used to, but the way she stared at you. Like a mother catching their child sneaking desserts before dinner or a father catching his son playing with his tools. That look of sheer disapproval. You didn’t know how much longer you could stand it.

Yandere!Furina is conflicted. On one hand, she doesn’t want her citizens to think she favors you above justice, but on the other, she knows you’ll be deemed guilty and locked up and she simply can’t bear to be without you. So she calls for a private hearing and keeps the case under tight surveillance. Of course, the family of the victim has no idea that the whole trial is fake, has no idea that the way you cry as you're dragged out of the courtroom to an awaiting prison is all an act, one very carefully constructed by Furina and her closest confidant, Neuvillette. 

Furina feigns heartbreak as she watches you get hauled out of the courtroom. She’s decided to overrule your sentencing and punish you herself in your shared home. In the basement of the lavish manor she had a special cell prepared for you, where you would fulfill your shortened sentence. This is so that you understand the severity of your crimes without her having to give up her time with you. Furina doesn’t think you deserve to spend any time behind bars, considering it was an accident, but she’s the Archon of Justice and the family of the deceased demanded something be done.

[laughhardrunfastbekindsblog]

Hear me out:

It can be super frustrating to watch Emerie be complicit in the imprisonment and experimentation and torture of clones, having a change of heart only when she finds out there are kids in the basement (kids who, frankly, are being treated quite well relative to the other prisoners).

But what I find so fascinating about this plot point is that it is SO REALISTIC.

Even those of us who staunchly assert that there are lines that should never be crossed in how people are treated may find ourselves agreeing with the justifications for the treatment certain people - especially prisoners - receive, depending on what we know their crimes to be.

Imagine Emerie's point of view based on what she had been told of the prisoners. Maybe she only knew them as soldiers who had been court-martialed and sentenced to imprisonment for insubordination. But it's likely she had heard more details - through the lens of the Empire, of course - of what their insubordination entailed: Terrorists took over a planet's government when he disobeyed orders. This other clone betrayed his squad and they all died. That one over there went rogue and children died in the crossfire. He consorted with traitors. He blew up a civilian target. He murdered civilians when they couldn't provide intel. He shot his commanding officer in the face in an unprovoked attack.

We see early on that Emerie was bothered by Hemlock referring to Omega as "property." But I am sure that when it came to the adult, battle-hardened soldiers she saw every day, the atrocities she had likely been told they'd committed provided enough superficial justification for their imprisonment and treatment that she didn't bother thinking more deeply about the moral implications of what she was doing. (And besides, if some of the clones would just cooperate, it would be easier on them - they're just making it harder on themselves.)

But then she's confronted with children. Children who aren't soldiers. Children who hadn't committed any of the crimes that provide "justification" for the other clones being imprisoned on Tantiss. Children who are far too young to have done anything to warrant imprisonment (and lest there be ANY doubt about this - some children have been known to show dangerous tendencies, after all - Cad Bane promptly drops off a baby).

The children are what forcibly open Emerie's eyes to see that the experiments on Tantiss aren't limited to subjects who might "deserve" such treatment. And if some subjects don't deserve it... maybe none of them do. Maybe everything she's been doing - including with the adult prisoners - HAS been wrong.

[lemonhemlock]

The episode where Rhaenys busts through the floor and murders countless smallfolk and it having absolutely no narrative consequences on the story or condemnation of Rhaenys' character, and the episode where Aegon murders the ratcatchers causing Otto to crash out have this whole monlogue about Aegon being The Worst being written by the same writer really tells you all you need to know about HOTD. And before you ask, yes, they were both written by Sara Hess lmao.

Yeah, I know there was discourse a while ago, because this dissatisfaction regressed into racist and misogynistic attacks directed at Sara Hess. Obviously, that's vile and people should, first of all, rid themselves of this despicable framework of viewing the world (because, as always, this is absolutely just another opportunity to dunk on a woman - these people don't care about good storytelling) and, secondly, learn how to actually formulate an argument that doesn't sound like the ramblings of a basement-dweller.

That being said, she is categorically not a good writer, there's no other way to put it. She can come up with some good ideas (or, at least, a glimmer of good ideas - for example, the daemyra argument in S02E02 was good - one of the season's highlights, actually) and her line-level writing is... adequate. But, on the whole, her record on House of the Dragon is littered with inaccuracies and logical fallacies. I haven't seen her other shows, but I decidedly have no desire to and will be actively avoiding if I see her name. And I am including Ryan Condal in this mess, too, because he has the ultimate say-so on how the scripts look. These two together truly are the blind leading the deaf.

I think the ratcatcher pity party was, in a way, a reaction to all the backlash she received for the Meleys dragonpit scene. But, instead of fixing her mistake and making it work in the context of what she had already written, she made some absolutely abysmal storytelling choices that defy common sense and contradict her own text. A very easy fix to this would have been to show the population of King's Landing become very anti- Meleys, Rhaenys and, by extension, Rhaenyra. But, of course, the wider narrative set by her genius colleagues was that KL couldn't possible have any negative feelings towards Rhaenyra, so it's completely swept under the rug and the commoners are made to consider Meleys' death a bad omen.

But, naturally, they had to do something about all the criticisms that they are not focusing on the negative effects this war has on the population. However, instead of showing that in a balanced way, they decided to pile all these evils on the greens again. Rhaenyra faces no backlash from the low-born for any of her actions. She does sacrifice them to Vermithor, essentially, by preventing their exit and it's framed as the beginning of her moral compromises and falling into self-aggrandizing behaviour. Yes. But where are the consequences to this? There are no consequences. These dragonseeds don't seem to have any family who are asking questions about them or blaming Rhaenyra for setting them on fire, basically. Not even one noble person hears of this and goes "hmmm that's kind of fucked up actually". Larys, the literal Master of Spies, who might have reasonably be shown to have found out this inside information via his network of spies, might have had some lines informing the green council about this awful thing Rhaenyra has done. Might have even informed the population, in order to turn them against her. But no, of course not, we can't have anyone actually be anti-Rhaenyra.

Meanwhile, we have close-ups of the fucking dog longing for the ratcatcher who literally kicked it in a previous scene. How do you even qualify the framing decision to invite the audience to feel sorry for a child-murderer? To feel more sorry for him than for the actual mother of said murdered child? We have Otto, of all people, lecturing Aegon about how over-the-top he is acting, because he executed a couple of ratcatchers. Otto, who, by the way, is shown in S01E09 to be executing people because they would not bend the knee to Aegon. Otto does not value commoner lives more than noble-borns (last season, he refuses to outlaw child pit fighting and, even in the previous episode, he gets annoyed by Aegon ruling too much in the smallfolk's favour), but he grows a temporary conscience for the purpose of this one scene, because we have to engineer another situation in which Aegon looks cruel or stupid (or both, preferably). Alicent's entire household was purged by Larys for supposedly being Mysaria's spies, the brothel was even set on fire and she gave zero fucks about that, but Aegon's ratcatcher execution is somehow one step too far.

I have said this before, but just thinking "civilians don't matter" in the ASOIAF universe betrays a fundamental misunderstanding of the themes and message. Can you ultimately be anything other than a "bad" writer if you miss the point to such a degree? And you can tell that's her true opinion about all this, because she can't write a storyline in which civilians do matter to save her life. The suffering of the lower classes only matters in her stories just as far as she can instrumentalize it to demonize the greens. She's not interested in any kind of systemic exploration, because that would also involve the blacks and it would interfere with Rhaenyra's hero framing. Like Ryan Condal, she doesn't have the chops to write beyond the hero-villain binary, hence all the flip-flopping and the retconning and the logical fallacies. And, at the end of the day, I can just watch a Marvel movie for that, you know?

[nicohischierz]

Sister (Luke’s twin) Hughes who plays college hockey and is good but is more focused on her schooling than actually going anywhere with hockey, they’re all at home for sometbing and Ellen and Jim come home from last minute shopping to the four of you playing hockey in the basement, competitive as always, somehow they got you to play goalie and Ellen snaps a couple photos before you guys realise. Later that night you’re all looking through old family photos and she compares the photos of you all playing hockey as kids and now. Just warm fluffy family type stuff! Make my heart melt pls and thx

it wasn’t a shock to others that you were a brilliant hockey player as well. to be fair, it was in your blood.

although you and luke both vouched to play goalie when you were younger, you were the only one that stuck through it.

somewhere down the line, hockey became an extracurricular for you and not your future.

your family was still extremely supportive of your decision to focus on school. you’d been approached by a pwhl coach to know if you were interested but you denied.

school was your main priority and hockey was your second.

whilst your love for hockey wasn’t as strong as your brothers, you were still as competitive as them.

“hold on why do you get an actual goalie and i get luke?” jack whined.

you and quinn had paired up in your mini sticks battle, with jack and luke being the other team. “because i’m the oldest and she’s the youngest. it makes sense,” quinn argued.

jack continued to moan about how unfair the teams were. but you and quinn rolled your eyes whilst luke ignored his brother.

when ellen and jim walked into a silent house they were terrified.

silence in the hughes household either meant murder or you guys were gone. but given that all of your cars were parked outside, ellen concluded it was murder.

the hughes matriarch ran to the basement and was met with the sights of her twenty year old children playing mini sticks.

the hughes trophy up on the mantle as you pushed jack for blocking your view.

“move your fat ass out of my face!” you exclaimed.

“you should count yourself lucky, many girls want to see this ass,” jack quipped.

“no. people want to see crosby’s ass jack, not yours!” you retorted.

ellen shook her head and snapped a couple photos to show her husband before letting you and quinn celebrate your victory.

when the four of you went upstairs you were greeted to the sounds of your parents watching old home videos. all you’d photo albums out on the table.

“having a trip down memory lane?” quinn asked.

ellen smiled at her oldest and gestured for you guys to sit down.

“i saw you guys playing mini sticks and it reminded me of when y/n/n used to cry when jacks pucks went a little too close to her and luke would attack his brother, despite being on the same team,” she recalled.

luke wrapped his arms around your shoulder “we’re twins, we stick together,” he puffed out his chest proudly.

jack rolled his eyes and rubbed your hair.

the rest of the night was spent recalling old memories and watching home videos.

including the one where you taunted a boy, you didn’t know he would be your boyfriend in the future.

[allthebrazilianpolitics]

What do the misogynists who threaten Maria da Penha, the woman after whom Brazil's domestic violence law is named, want?

It even sounds like a movie plot: a woman, after suffering numerous attacks and two murder attempts by her then husband, becomes paraplegic as a result of the crimes, but does not lower her head. She goes to fight. And her battle for justice is so strong and important that she becomes the name of a law that criminalizes domestic violence against women. And it changes women's rights across the country for the better.

I'm talking about Maria da Penha Maia Fernandes, this incredible activist who gives her name to Brazil's Maria da Penha Law. This woman should be celebrated as the hero she is and today, at 79 years old and still fighting at the head of the institute that bears her name, and should receive only our tributes, honours, and respect.

But no. Last week, the Minister of Women, Cida Gonçalves, confirmed that Maria da Penha would be included in the state of Ceará's Program for the Protection of Human Rights Defenders (PPDDH) after receiving online attacks and threats from far-right fanatics, including incels, red pills, and other types of woman haters.

"It is unacceptable that Maria da Penha is going through this process of revictimization even today in Brazil, 18 years after lending her name to one of the most important laws in the world for preventing and combating domestic and family violence against women", stated the minister. And she's right.

Fake news

Attacks don't happen out of nowhere. They follow a very common logic to attacks carried out by digital militias. At the end of last year, Maria da Penha's attacker, Marco Antonio Heredia Viveros, who was sentenced to eight years in prison for trying to kill her and has already served his sentence, filed a request for a review of the case, claiming that he was innocent and victim of a flawed process.

Along with this, there are several theories circulating on social media that Maria da Penha was the victim of a robbery and not a crime committed by Viveros. The Public Ministry of Ceará rejects these statements: "The process took place with all the possibility of contradiction and ample defense, on both sides. Upon analysis of the evidence, the Court determined that Maria da Penha's ex-husband committed a double attempted murder against the victim." I'm talking about serious institutions of law and the rule of law. He was convicted. The Public Prosecutor's Office claims that the trial followed all the rites and was correct. End.

But, in times when the truth is worth so little and hatred is on the rise, websites and channels linked to the extreme right in Brazil have started to raise suspicions about the process. Maria da Penha would be a big liar. And her aggressor, the victim. In the narrative spread throughout the basements of the internet, Maria da Penha became a villain, a horrible woman, who allegedly set up a plot against a "poor man".

This is not a new procedure in times of fake news (and I repeat that I am sticking to court decisions here and not to fanciful stories).

It is also not uncommon for women who are victims of violence and abuse to be "revictimized" in abuse proceedings. From victims, they become evil women who invented things, to crazy women (and many other misogynistic clichés used against women).

The reason for so much hate

The story of Maria da Penha is old. She suffered murder attempts in 1983. But her strength is still enormous. And for that very reason, she is attacked. How dare she fight for justice? Who does she think she is?

Furthermore, there is also, obviously, an attack on the Maria da Penha Law. Calling into question the honesty of the activist who names the law is a clear attempt to discredit the Maria da Penha law.

Other than that, threatening to kill activist Maria da Penha is still a symbolic way of trying to end a law that is so good for women and so bad for its haters.

After all, for those who like to attack women with impunity, this law is quite a problem, isn't it? What do they want? To attack women without paying for their crimes? For women not to have the "privilege" (sic) of defending themselves from their abusive husbands or boyfriends? The return of "in a fight between a husband and wife, no one interferes?" The most radical ones, yes. On X (formerly Twitter) there are several comments to this effect. “F*ck Maria da Penha, I’m going to hit her in the face anyway,” says one guy. Is he talking about the activist or the law? I think both.

In a country where several feminist women are threatened with death, it is not surprising that the same thing happens to Maria da Penha. But how violent is that?

The activist, let's remember, is once again a victim of misogynistic crimes, more than 40 years after surviving two femicide attempts, when she is attacked online (threats and defamation are crimes, although many ignore this fact).

But you can even understand why there is so much hate. Maria da Penha (the activist and the law) mean respect and justice for women. Everything that misogynists hate most and also want to destroy. They won't make it.

Source, translated by the blogger.

[kirisaki-daichi-scenarios]

the boys as bodyguards

dedicated to absolutely no one. sure this is an asks blog - does that mean i have to actually answer them? i know i know bad admins bad admins whatcha gonna do whatcha gonna do when they come for you but i had a dream ages ago now that involved bodyguards, tsunamis, and also a shit ton of murder. don't ask. anyway, it got me pondering. and then it took literal months to write this so i figured i'd post what i've got so far, and maybe i'll update with the rest of the boys later, depending on how well this does/how much time i have

hanamiya makoto

hanamiya’s the package deal

he’s the chief advisor; he’s the doctor; he’s the bodyguard; he’s the sniper. just a right hand man in every way possible.

i mean, he’s not literally your right hand man: he’s the leader of a team, and often it’ll be one of his men there next to you at events, but he’s always supervising or coordinating or collecting intel

ie he’s dedicated to his job. he does like engineering spider’s webs after all.

having said that, he’s also an uncontrollable prick

he’s the best at giving you advice, both in terms of navigating high society and in terms of actual business advice, but is he going to give that advice without slipping in a snide comment about how you should really know all this by now? when you tell him to make sure to take a break some time, is he going to stop himself from saying “maybe if you weren’t so incredibly useless on your own, i’d be able to.”

and sure maybe he’s breaking the universal declaration of human rights with what he does to the people who dare to try harm you, but you don’t know about that

need to know basis type beat

you don’t even have access to the full floor plans of your own property, which includes a basement you’ll never know about, let alone step foot in. hanamiya keeps that information very close to his chest.

gotta make sure his employer has plausable deniability

gotta make double sure that you don’t find out about half the things he does - from the ways he sources his information, to his very dodgy organised crime links, to the number of people that have sadly lost their lives in the name of “fuck it, you’re pissing me off” - because he hates when you bang on about bullshit like “laws” and “morals”

after all, if everyone followed your beloved laws and morals, then you’d have no need for his services

as he always tells you, he’s just your pet necessary evil

yamazaki hiroshi

i reckon he only got into the bodyguard business because he spent his childhood wanting to be a samurai but, well you know, that’s not really a job opportunity anymore

what it does mean though is that he’s all about bushido: mastering his work, bravery, honesty, etc - and above all else loyalty to one’s employer

on a random thursday afternoon, he’ll tell you, completely nonchalantly, straight face, “i would die for you if that’s what it takes. on my life, i’ll always keep you safe.”

you’re staring at him like wtf and/or trying to stop yourself blushing, but he thinks that’s a completely normal thing to say cause he’s just following bushido

of course, late one night, he’ll wake up realise how weird that came across and he’ll spend the next week trying not to blush whenever you talk to him

just like the time he spent a week kicking himself after you walked in on him training, shirtless and rather sweaty, and when you told him he should take a break, he said “but i need to train so my body can be at its best for you”

again, at the time that sounded very reasonable, serious, and totally bushido to him. it’s only later that he’s freaking out in his room like why in god’s name did he say that.

but hey that’s bodyguard!yamazaki for you. a little weird, a little socially inept, but loyal to a fault

haizaki shougo

can you imagine the number of jobs that this man has lost for sleeping on the job?

he’s only got his current gig looking after you because his prices are cheaper and you were getting desperate to find someone in your budget

he’s a ...uhh… unique bodyguard? in the sense that he’ll get you out of harms way eventually, but "eventually" is the key word there

haizaki actively ignores intel that a certain location might be dangerous, because he really just wants to get into fights. sure you might get in the way occasionally, maybe even get some nasty bruises, but hey you get what you pay for.

you want a good bodyguard, save up some money, idiot.

literally the only reason he got into being a bodyguard is so he can beat people up legally (and because he got dishourably discharged from the military); he doesn’t care that much about the whole ‘protecting’ side of things

he’s also the type to ditch you the minute a better paying job comes up (possibly combat work as a mercenary). however he’s not as cold-hearted as he may seem, and he’ll happily spend a day of leave breaking into your penthouse

so that when you return in the evening, he’s there sat on an armchair, grinning smugly, “man your security’s turned to shit since i left.”

shortly followed by, “miss me?”

jason silver

jason’s the quintessential bodyguard, cause, after all, having a very muscular 6’11 man follow you everywhere you go isn’t exactly subtle

but he’s recognisable for other reasons as well.

like the fact that he’ll accompany you to formal balls, and he’ll be the only man there with an undone tie - it’s such a massive argument trying to get him to wear an appropriate suit instead of his usual hoodies and sweatpants, that can anyone blame you for not having the energy to insist he stops undoing his tie as well?

he’s also not exactly one for professionality. like you’ll be minding your business, trying to network, and suddenly you’ll hear a wolf whistle by your ear and a “wouldn’t mind me a bit of that”

“jason, that’s the ambassador to norway. we’re having her over for dinner next week, so, with all due respect, shut the fuck up. and whisper next time, for heaven’s sake! what if someone had heard you?”

“shit, is it a crime to like some nice tits in this economy?”

and when you glare at him, genuinely furious, he grins, puts his hands up, and says, “sorry, sorry. forgot you don’t like me having eyes for anyone else, boss.”

but don’t get me wrong, jason’s not all evil contra to fujimaki’s propaganda

he is an incredibly good bodyguard - those animal instincts really help him out when it comes to getting you out of a sniper’s line of sight, or saving you from a bullet, or just assessing a room for potential entry points. and he packs a mean punch if anyone tries to try something on you, a solid ko.

no one’s getting past him essentially

the only problem is that it’s incredibly difficult to thank jason for saving your life, cause the last thing he needs is an ego boost or feeling like you owe him.

“seriously jason. i don’t know how i can ever repay you.”

“usually the payslip’s enough,” he smirks, “but you know that little lady ambassador-“

unsuprisingly, he’s not invited to the dinner.