#short Stories

[thesobsister]

cf. “Der Sandmann/The Sandman,” by E.T.A. Hoffmann

Cynthia (A Dummy) | Alfred Eisenstaedt, Life, 1937

[canmom]

A Summoning author's notes

this has been out a little while now, let me add some extra background comments...

i released A Summoning with minimal edits from the 2022 version (just adjusting a few lines of Lilith that felt a bit much really). i call it medievalist but it's not really trying for a specific time period, it's in a sort of vague floating time and place peppered with cool things from the past (like most fantasy), but i try to pull on some more unusual threads at least. very loosely you could place it somewhere in the early early modern period, 15th through 17th centuries.

in England, travelling players became more common in the Elizabethan period. the content of what they perform here is very loosely inspired by the tradition of the morality play.

the intercrural sex scene is a now largely forgotten practice, sometimes done in a sex work context (one reason being that it helps with minimising STI transmission). one notable example was Mervyn Tuchet, who was forced to read a rather convoluted statement of Christian belief and then executed for sodomy in 1631. the 'patting about the loins' joke is riffing on Chaucer. a braies is a kind of loose trouser-like clothing.

like any uminekohead would, I used a magic circle from the Key of Solomon on the cover (in this case the Fourth Pentacle of Venus, which is used to summon a person to you and command spirits of venus and thus makes sense for its use in the story, but more importantly it has a cool and intricate design), which goes back to the 14th or 15th centuries. this one includes a few letters from the Celestial Alphabet of Agrippa, which I inevitably appreciate as a Yoko Taro fan.

the wizard tower is a thing of pure fantasy. I wouldn't know where to begin researching it - I found various threads on forums and reddit about the history of the image of a wizard in his tower (for example), and there's some speculation it's inspired by Roman astrologers, but the association of wizards with towers seems to be more of a 20th-century thing, going back mainly to Howard. the sort of comically misogynist philosophy of magic followed by the Master is more inspired by the 20th-century concepts like 'orgone' than anything truly medieval, mixed with some of the wild ideas that Romans had about sexuality.

a friend reasonably pointed out that lilith's conception of transness is very modern - and sure she's a demon from another world and time, but there is a kind of unintentional aspect where it sort of suggests that from the main narrative authority in the story, the modern conception of 'transness' where you are always really a girl is the final correct one, and that seems against the spirit a bit. this feels like a misstep for me, similar to how the final act of Tipping the Velvet pulls in some quite modern lesbian politics to its Victorian setting. if I were to write again - I know as much about the Old English baedlings as anyone who reads @baeddel's blog. but this story is roughly 15th-century-ish as the other references suggest. I believe in that period, gender was understood as being more about what you do than expressing some inner essence, but I would need to research a lot more thoroughly.

nevertheless it has been in the oven for long enough, and I wanna make this a year of releasing things rather than sitting on them for years x3

the next story, The General's Worm, is a really nasty one, just undergoing a final editing pass.

[whereserpentswalk]

There was a cult that worshipped their own self hatred. Like how some people believe souls are created to go to hell, except the members of this cult all believed that they were the ones who deserved hell.

Their rituals would all surround hating themselves. Members would spend weeks hurting themselves, or just wallowing in their own filth. The cult tended to recruit people who were already the type to want to self sabotage that way, but once you believed that your soul was to blame, that you were created to be doomed, then that type of self destruction became much much easier. Tons of people from all walks of life would join in, those who felt like failures, those who thought that they weren't enough, people who made mistakes that they felt they could never fix. And they would be in a community of people who would do nothing but confirm their worst insecurities, and work only to make them worse.

The cult began to grow, as more miserable people joined. You'd see them in subway stations, with signs that say "do you ever feel like you're worthless‽" or "are you worse then everyone else‽" hoping to find those who think the answer is yes. They'd have online groups who'd recruit remotely, and there were even a few small towns upstate that were fully taken over by the cult. Some would go extremely far, mutilating themselves in public rituals in temples made from garbage and abandoned buildings. But most followed a more simple path of self destruction, they stayed in dead end jobs, didn't pursue their dreams, didn’t stand up for themselves, and cut off any friends who were nice to them, or who told them they were worth anything, or who told them they should be happy.

And as the cult got more powerful they began to let the world of magic take them on. They'd let demons and ghosts and other spirits possess them, as they didn't feel they deserved their bodies. They'd let vampires and ghouls feed from them, because they felt their blood was better off not in their cursed veins. And they let the faeries and eldritch things play with their minds and bodies because they thought such things deserved their entertainment more then they deserved their boundaries.

And one day the leader of the cult, the most miserable person of all, chose to begin a ritual to summon a goddess of purity and light. People had summoned gods and goddesses before, but never for the reason that this cult wanted. For they thought that if they were so damned, that surely a creature of light and power would choose to give them only pain and misery, and be their most perfect punisher. And they bled all together, and stood in a circle, and the goddess rose, a glowing naked being with seven arms and seven wings, and a beauty that surpassed the mortal world.

But instead of punishing them, the goddess told them, "you are loved." And she told them "you deserve happiness." And she told them "you deserve kindness." And she told them, "you deserve to live better then this." And instead of cursing them, she blessed them.

And the cult disbanded. Most people left, and tried to live better lives. A few split off forming new sects. But never would a cult of misery be that powerful again.

[bantambookeater]

@becomingsoup, kinda forgot to actually tag you about the coll story bits that I told you I would. There's the bit above and then, in order:

https://www.tumblr.com/outgridwrites/747837282457911296/further-adventures-of-guy-in-a-vat-part-2-the

https://www.tumblr.com/outgridwrites/747942436343529472/the-subject-had-no-memory-of-ever-leaving-the-room

https://www.tumblr.com/outgridwrites/748108196890247168/the-subject-awoke-disoriented-laying-down-was-a?source=share

Having a good time

[torpublishinggroup]

Though it might be tempting, don’t venture into hedge mazes…no matter what

Be mindful of triggering the wrath of revenge ghosts lest you become a ghost yourself

Beware the dangers of underestimating “docile girls”—it could be a killer mistake

Summoning an ancient evil demon is NEVER a good idea. Seriously. 

Trying to steal someone’s home might cost you your soul. It’s never worth it. 

Understand that haunted houses have feelings too—the problem is sometimes they’re evil.

Tips provided by Terry J. Benton-Walker, editor and contributor of The White Guy Dies First: 13 Scary Stories of Fear and Power.

WHAT IT’S ABOUT

Killer clowns, a hungry hedge maze, and rich kids who got bored. Friendly cannibals, impossible slashers, and the dead who don’t stay dead....

A museum curator who despises “diasporic inaccuracies.” A sweet girl and her diary of happy thoughts. An old house that just wants friends forever....

These stories are filled with ancient terrors and modern villains, but go ahead, go into the basement, step onto the old plantation, and open the magician’s mystery box because this time, the white guy dies first.

Edited by Terry J. Benton-Walker, including stories from bestselling, award-winning, and up-and-coming contributors: Adiba Jaigirdar, Alexis Henderson, Chloe Gong, Faridah Àbíké-Íyímídé, H. E. Edgmon, Kalynn Bayron, Karen Strong, Kendare Blake, Lamar Giles, Mark Oshiro, Naseem Jamnia, Tiffany D. Jackson, and Terry J. Benton-Walker.

A collection you’ll be dying to talk about…if you survive it.

[metamorphesque]

"Good morning, Jack. How was your night?", Vardges Petrosyan (translated by metamorphesque)

[ghettogirly]

how do you think armando would react if he is in love with the reader, but she shows no sign of feeling the same way, (he's so devoted when it comes to the reader) And he'd like to know if she feels the same as him, I wish it would end in a passionate way (you know what I mean) 🔥

��𝐑𝐌𝐀𝐍𝐃𝐎 𝐀𝐑𝐄𝐓𝐀𝐒 𝐇𝐄𝐀𝐃𝐂𝐀𝐍𝐎𝐍!

𝐏𝐀𝐈𝐑𝐈𝐍𝐆: 𝐀𝐑𝐌𝐀𝐍𝐃𝐎 𝐀𝐑𝐄𝐓𝐀𝐒 𝐗 𝐑𝐄𝐀𝐃𝐄𝐑

𝐓𝐇𝐄 𝐆𝐈𝐑𝐋 𝐈𝐒 𝐌𝐈𝐍𝐄 .

━━━━━━━━━━━━━━

-> synopsis: Armando was obsessed with everything about you. Yet, you never showed him the same energy back. Until one night.

-> theme: one sided love, smut.

-> format: drabble + story?

-> warning: hardcore smut, slight mention of dacryphillia, armando is a little rough and cocky asf, mature language, mention of guns, mention of alcohol, he does not understand the meaning of personal space, i think if he wants something he’ll go after it!

-> authors note: 2 updates back to backkk! thanks for requesting! Hope you enjoy it! 𝐑𝐄𝐁𝐋𝐎𝐆𝐒 𝐀𝐍𝐃 𝐋𝐈𝐊𝐄𝐒 𝐀𝐑𝐄 𝐋𝐎𝐕𝐄𝐃!

━━━━━━━━━━━━━━

[🕷️] 𝐎𝐍 𝐌𝐈𝐒𝐒𝐈𝐎𝐍𝐒:

᯾ Ever since he first noticed you when meeting the team, it was love at first sight for him.

᯾ He would definitely show how much he’s obsessed with you in implicit ways, not fully going for you as that’s not his personality.

᯾ Would definitely prefer to do things that make you notice him, however, he could chase you if he wanted to.

᯾ He would definitely stare at you in the locker room or on the plane, on the way to whatever location you guys are needed.

᯾ His eyes would start at your legs before slowly glancing up to your lips.

᯾ You already know he’s a playboy just like his dad.

᯾ However, regardless of his obvious interest in you, the feelings wouldn’t be reciprocated.

᯾ Nevertheless, he wouldn’t tease you too much on missions. Not loving you enough to the point where he wants his life to be compromised.

᯾ He always has his eye out for you. Need more ammo? he’s got you.

᯾ Need a cover? He’s got you on that too.

᯾ You couldn’t even hate him, skilled in his fighting he was an excellent addition to the team. The way he effortlessly handled any weapon that was given to him, effectively killing anyone in his path. Giving assistance to anyone within the team, you really couldn’t hate him.

᯾ He knew he was good at what he does too.

᯾ And sooner then later, you’d realise he’s good in bed too.

━━━━━━━━━━━━━━

[🕷️] 𝐏𝐑𝐈𝐕𝐀𝐓𝐄:

᯾ You hardly talked to him, always avoiding his path.

᯾ Celebratory drinks? On the other side of the table.

᯾ Group talks? You’re never next to him.

𝐇𝐄 𝐍𝐎𝐓𝐈𝐂𝐄𝐃 𝐓𝐎𝐎, until you guys saw each other at a club. Neon lights were flashing as people danced and drank excessively. There was you, with two friends, dancing within the crowd. You rolled your hips with the flow of the music, this being an escape from your fast-paced life of being a law enforcement agent.

That was until you saw him, surrounded by men looking like him. Armando’s tan skin and beard being the main thing that stood out. He wore a simple black shirt with tight, slim black jeans. There was a fresh slit in his left eyebrow while his gold cuban chain hung off his neck, slightly longer than shoulder length.

He looked back up, and smirked. Shaking it off, you went back further into the crowd and continued to dance with your friends.

“We’re going to switch it up now, introducing some dancehall! Ladies get ready to whine up yuhself! Men, get ready to catch that whine!!” The DJ shouted over the music before switching up the song.

𝐍𝐎𝐖 𝐏𝐋𝐀𝐘𝐈𝐍𝐆: 𝐖𝐇𝐈𝐍𝐄 & 𝐊𝐎𝐓𝐂𝐇 - 𝐉.𝐂𝐚𝐩𝐫𝐢 & 𝐂𝐇𝐀𝐑𝐋𝐘 𝐁𝐋𝐀𝐂𝐊.

Cheers and woos erupted in the building, more people coming to the dance floor as ladies bent their legs and arched their backs, ready to whine their life away.

Your friends started whining and dancing, screaming the lyrics as their body began to move with the music as if they were in a trance.

You decided to do the same, letting loose, you began to put your hands on your knees. Whining along to the music by anyone who pressed up behind you. That was until you felt those hands.

Looking up , you noticed Armando holding your hips, a suggestive look on his face as he controlled every circle and buck of your whine. You hated to say it but he was really skilled.

He didn’t even say anything, just focused on you and the music. Slowly pushing your hair on the left side of your face, his hand creeped up to your neck while the other one was still rested on your hip. His touch igniting a flame of zeal within you, the air between the two becoming hot and heavy.

This was forbidden, two co workers were not supposed to have any sexual relations with each other. Yet, you both did not care. Too overcome with lust and desire.

“Volver a casa conmigo..” Armando whispered in your ear, causing a tingle to happen down there.

━━━━━━━━━━━━━━

𝐋𝐎𝐔𝐃 𝐒𝐋𝐀𝐏𝐒 𝐂𝐎𝐔𝐋𝐃 𝐁𝐄 𝐇𝐄𝐀𝐑𝐃 𝐓𝐇𝐑𝐎𝐔𝐆𝐇𝐎𝐔𝐓 𝐓𝐇𝐄 𝐑𝐎𝐎𝐌. Symphonies of groans and moans escaping the two lovers’ lips as they engaged in a heated kiss, fighting each other with their tongue, burning passion radiating off them. The white, satin sheets barely covered the male as he was focused on thrusting into the woman below. His cock pistoned in and out of the woman’s leaking pussy as her legs were up in the air, rocking backwards and forwards as she jolted up and down due to the roughness of her lover’s actions. Her wetness causing a thin coating on his dick.

“Te sientes tan bien amor..” Armando whispered, gently biting on the woman’s earlobe as she moaned in his ear, hypnotised by the feeling of his thick clock filling her up.

The male noticed and withdrew from her earlobe, still continuing the same pace as he held onto her hips but instead he could see the pleasure in her face. Tears of pleasure slowly slid down your face, to the point where you tried to push the male back, to no avail. “You got to take it mamí.”

“It feels too good.. i can’t.”

“Oh yes you can.” Armando grunted. Randomly flipping you over, your face was roughly met with the pillow. The man then started pounding with even more passion as you gasped and whined underneath him. “Just like that Armando..”

Your little comments turned him on more, feeling the reach of his peak coming. Your quiet nature before this now contradicting the lewd activity commencing now. And he loved it. He knew you would eventually come around. “Ah.. ¿Así que tu bonita boca puede hablar?”

Too dazed by the pleasure to understand the sarcasm dripping off his voice, you just nodded. Your hand slowly crawling down to your clit as you rubbed it in desperation. The overstimulation forcing your orgasm to come crashing down before you could even warn him. “Oh my god!”

This caused Armando to absolutely lose it. Your own impulsive decision to coming back to bite you caused him to begin chasing after his own orgasm. Still thrusting while you tried coming down from your own, before pulling out and releasing his seed onto your stomach.

“estás loco.”

“Estoy loco por no amarte antes.”

━━━━━━━━━━━━━━

[🕷️] 𝐓𝐑𝐀𝐍𝐒𝐋𝐀𝐓𝐈𝐎𝐍𝐒:

“Volver a casa conmigo” : Come home with me.

“Te sientes tan bien.” You feel so good.

“ ¿Así que tu bonita boca puede hablar?”: So your pretty mouth can speak?

“estás loco.” - You’re crazy.

“Estoy loco por no amarte antes.” - i’m crazy for not loving you sooner.

━━━━━━━━━━━━━━

[🕷️] 𝐓𝐀𝐆𝐋𝐈𝐒𝐓:

@milliumizoomi @thedarkworldofhananerea @5tarlan7 @deadpool15 @wizewhispers @amplifiedmoan @loakswifesworld @sarcasticbitchsblog

[thewriteadviceforwriters]

Creating Compelling Character Arcs: A Guide for Fiction Writers

As writers, one of our most important jobs is to craft characters that feel fully realized and three-dimensional. Great characters aren't just names on a page — they're complex beings with arcs that take them on profound journeys of change and growth. A compelling character arc can make the difference between a forgettable story and one that sticks with readers long after they've turned the final page.

Today, I'm going to walk you through the art of crafting character arcs that are as rich and multi-layered as the people you encounter in real life. Whether you're a first-time novelist or a seasoned storyteller, this guide will give you the tools to create character journeys that are equal parts meaningful and unforgettable.

What Is a Character Arc?

Before we go any further, let's make sure we're all on the same page about what a character arc actually is. In the most basic sense, a character arc refers to the internal journey a character undergoes over the course of a story. It's the path they travel, the obstacles they face, and the ways in which their beliefs, mindsets, and core selves evolve through the events of the narrative.

A character arc isn't just about what happens to a character on the outside. Sure, external conflict and plot developments play a major role — but the real meat of a character arc lies in how those external forces shape the character's internal landscape. Do their ideals get shattered? Is their worldview permanently altered? Do they have to confront harsh truths about themselves in order to grow?

The most resonant character arcs dig deep into these universal human experiences of struggle, self-discovery, and change. They mirror the journeys we all go through in our own lives, making characters feel powerfully relatable even in the most imaginative settings.

The Anatomy of an Effective Character Arc

Now that we understand what character arcs are, how do we actually construct one that feels authentic and impactful? Let's break down the key components:

The Inciting Incident

Every great character arc begins with a spark — something that disrupts the status quo of the character's life and sets them on an unexpected path. This inciting incident can take countless forms, be it the death of a loved one, a sudden loss of power or status, an epic betrayal, or a long-held dream finally becoming attainable.

Whatever shape it takes, the inciting incident needs to really shake the character's foundations and push them in a direction they wouldn't have gone otherwise. It opens up new struggles, questions, and internal conflicts that they'll have to grapple with over the course of the story.

Lies They Believe

Tied closely to the inciting incident are the core lies or limiting beliefs that have been holding your character back. Perhaps they've internalized society's body image expectations and believe they're unlovable. Maybe they grew up in poverty and are convinced that they'll never be able to escape that cyclical struggle.

Whatever these lies are, they'll inform how your character reacts and responds to the inciting incident. Their ingrained perceptions about themselves and the world will directly color their choices and emotional journeys — and the more visceral and specific these lies feel, the more compelling opportunities for growth your character will have.

The Struggle

With the stage set by the inciting incident and their deeply-held lies exposed, your character will then have to navigate a profound inner struggle that stems from this setup. This is where the real meat of the character arc takes place as they encounter obstacles, crises of faith, moral dilemmas, and other pivotal moments that start to reshape their core sense of self.

Importantly, this struggle shouldn't be a straight line from Point A to Point B. Just like in real life, people tend to take a messy, non-linear path when it comes to overcoming their limiting mindsets. They'll make progress, backslide into old habits, gain new awareness, then repeat the cycle. Mirroring this meandering but ever-deepening evolution is what makes a character arc feel authentic and relatable.

Moments of Truth

As your character wrestles with their internal demons and existential questions, you'll want to include potent Moments of Truth that shake them to their core. These are the climactic instances where they're forced to finally confront the lies they believe head-on. It could be a painful conversation that shatters their perception of someone they trusted. Or perhaps they realize the fatal flaw in their own logic after hitting a point of no return.

These Moments of Truth pack a visceral punch that catalyzes profound realizations within your character. They're the litmus tests where your protagonist either rises to the occasion and starts radically changing their mindset — or they fail, downing further into delusion or avoiding the insights they need to undergo a full transformation.

The Resolution

After enduring the long, tangled journey of their character arc, your protagonist will ideally arrive at a resolution that feels deeply cathartic and well-earned. This is where all of their struggle pays off and we see them evolve into a fundamentally different version of themselves, leaving their old limiting beliefs behind.

A successfully crafted resolution in a character arc shouldn't just arrive out of nowhere — it should feel completely organic based on everything they've experienced over the course of their thematic journey. We should be able to look back and see how all of the challenges they surmounted ultimately reshaped their perspective and led them to this new awakening. And while not every character needs to find total fulfillment, for an arc to feel truly complete, there needs to be a definitive sense that their internal struggle has reached a meaningful culmination.

Tips for Crafting Resonant Character Arcs

I know that was a lot of ground to cover, so let's recap a few key pointers to keep in mind as you start mapping out your own character's trajectories:

Get Specific With Backstory

To build a robust character arc, a deep understanding of your protagonist's backstory and psychology is indispensable. What childhood wounds do they carry? What belief systems were instilled in them from a young age? The more thoroughly you flesh out their history and inner workings, the more natural their arc will feel.

Strive For Nuance

One of the biggest pitfalls to avoid with character arcs is resorting to oversimplified clichés or unrealistic "redemption" stories. People are endlessly complex — your character's evolution should reflect that intricate messiness and nuance to feel grounded. Embrace moral grays, contradictions, and partial awakenings that upend expectations.

Make the External Match the Internal

While a character arc hinges on interior experiences, it's also crucial that the external plot events actively play a role in driving this inner journey. The inciting incident, the obstacles they face, the climactic Moments of Truth — all of these exterior occurrences should serve as narrative engines that force your character to continually reckon with themselves.

Dig Into Your Own Experiences

Finally, the best way to instill true authenticity into your character arcs is to draw deeply from the personal transformations you've gone through yourself. We all carry with us the scars, growth, and shattered illusions of our real-life arcs — use that raw honesty as fertile soil to birth characters whose journeys will resonate on a soulful level.

Happy Writing!

[troubledminnesotan]

ITS HERE!!!

My 18 page autobio comic about siblings struggling to communicate but finding common ground in video games is out now!

Check it out on here and I hope you enjoy!

[teslacoils-and-hubris]

We need to be more focused on fucked up short stories as a society. We've all read the yellow wallpaper, the lottery, lamb to the slaughter in middle school but then we never talk about fucked up short stories outside of "haha remember when Ms Johnson made us read that story about the lady killing her husband with a leg of lamb then feeding the murder weapon to the police?"

That ends today!! Appreciation for fucked up short stories time!! Comment your favourite weird story your English teacher made you read that still sticks with you to this day PLEASE I need to read more fucked up short stories

I'll start- the veldt by ray Bradbury, rappachini's garden by nathaniel hawthorne, and this one is a little bit of a cheat because it's a graphic novel but The Nesting Place by Emily Carroll still haunts me (every story in her through the woods collection really, but nesting place especially)

[shorteststory]

STOP OUR DAUGHTER

[marlynnofmany]

It’s back!

If you missed it the first time around, the “human are weird” anthology is back for a second printing. (There’s even a new story included: “Black Box” by Dara Brophy.)

Here’s the blurb:

In science fiction, humans are usually boring compared to other races: small, weak, with no claws or tentacles, and no special abilities to speak of. But what if we were the impressive ones, the unsettling ones, the ones talked about by all the other aliens? What if we're weird?

If you’d like a collection of excellent stories about humans inspiring awe, fear, and utter confusion, it’s available everywhere books are sold!

[whereserpentswalk]

Humans sometimes wonder what separates them from other races like elves and dwarves and orcs, like what makes them unique. Some people say humans are generalists, some people say we're the most adaptable. But actually there is something that stands out about us that all the other races find super weird. Humans are the only sentient creature to reproduce sexually like animals do, and because of that we're the only species with romantic or sexual attraction, and ideas like sex and gender.

Elves and dwarves create new members of their races slowly and methodically, like works of art. Harpies, angels, demons and dragons are all individually and personally created by their gods. Orcs and goblins are spawned from spawning pits on mass. Merfolk come close with how they lay and fertilize eggs, but even then any individual merfolk can both lay eggs and fertilize, and they don't meet when they do it. Vampires and other undead are spawned from other races. Fae just sort of show up.

So the idea of having sexes, and genders constructed around them, and sexual and romantic relationships is all incredibly weird for other races. Most humans don't notice it because they just naturally assign members of other races genders when they meet them.

Diffrent races have diffrent ideas around these constructs. But most of them find it some level of confusing. A lot of them just ignore it. But it's really disturbing for some, romantic relationships seem like weird bonds that can't be explained, like some sort of unexplainable and volatile connection. Sexual attraction seems like some dark animalistic instinct. Gender is incomprehensible, and also seems wrong and immoral to most races. And sex itself seem like the darkest of any reproductive ritual or magic. Because of all of this humans who don't experience some or any of these things often have an easier time connecting with other races.

This has also lead scholars to belive that humans are the only sentient race to evolve naturally. Something often thought impossible before studies on humans occurred.

[torpublishinggroup]

“Changing the horror game one short story at a time.” —Cosmopolitan on The White Guy Dies First

WHAT IT’S ABOUT

The White Guy Dies First includes thirteen scary stories by all-star contributors and this time, the white guy dies first.

Killer clowns, a hungry hedge maze, and rich kids who got bored. Friendly cannibals, impossible slashers, and the dead who don’t stay dead....

A museum curator who despises “diasporic inaccuracies.” A sweet girl and her diary of happy thoughts. An old house that just wants friends forever....

These stories are filled with ancient terrors and modern villains, but go ahead, go into the basement, step onto the old plantation, and open the magician’s mystery box because this time, the white guy dies first.

Edited by Terry J. Benton-Walker, including stories from bestselling, award-winning, and up-and-coming contributors: Adiba Jaigirdar, Alexis Henderson, Chloe Gong, Faridah Àbíké-Íyímídé, H. E. Edgmon, Kalynn Bayron, Karen Strong, Kendare Blake, Lamar Giles, Mark Oshiro, Naseem Jamnia, Tiffany D. Jackson, and Terry J. Benton-Walker.

A collection you’ll be dying to talk about…if you survive it.

[storyshift-sk]

PART 1/2 - Storytime!

Once Upon A Time… Things were great! Until they weren’t. dun, dun, dun

Every great fictional world starts with a history lesson!