#shitty glasses

[beastwars-transformers]

Not to be like that but I do not understand why I get hit on it has to be some kind of joke

[deanpinterester]

i cannot stress this enough: if your reasoning for clowning on the mcu is "they overwork their cg artists and animators" i 1000% guarantee that a show or movie you have been stanning for years also abused their artists and you just haven't heard about it because the production companies aren't in the spotlight like mcu productions are. that cartoon for kids? that incredibly animated movie? that non-marvel superhero movie? i've seen people declare their hatred for the way the mcu treats their workers and then turn around and gush about a show that i know for a fact was hell for the artists attached

and no this is NOT me saying "this means you should stop hating on the mcu uwu" it's me saying you gotta be aware that this shit is an INDUSTRY WIDE PROBLEM. you CANNOT "fix" it by refusing to watch mcu movies and feeling good about it. you have to be aware that it's EVERYWHERE. why do you think so many animation and vfx productions are sourced in canada? in india and the phillipines? we are not unionized.

i know it's hard to face the idea that your favourite show might have been made unethically especially when you've spent so much time hating the mcu for doing the same thing. you don't have to start hating your favourite show. just like...be aware. don't be smarmy about it. don't claim without research that a beautifully animated movie Must mean the animators were not working 16 hour days and weekends. i do think we can fix this 👍 but we can't fix it if 90% of us don't even realize what the problem really is

[twilightakiishi]

ran as that one winnie the pooh pic and rindou being fed up with his annoying ass brother

[trypoed]

as the old adage goes, "Fool me once, shame on you. Fool me twice, shame on me."

[kugisakiss]

au where Shinichi doesn't shrink but still goes through the same character development? Hiro and the gang are alive, Sera still shows up and Shinichi meets Kid as a teen, and bbf relationship with Ran, Sonoko and Shinichi. Gen

the detective boys are integral to Shinichi's development so obviously he's still one of them even as a 17 year old

[hoosbandewan]

Thinkin about Michael Gavey today

[pinacoladamatata]

Dorian is the CVS Target Pharmacist btw....

[archiewantsheetmetal]

hello hershel.

[mistbornthief]

so, to recap Korn's pov:

family business in the shitter

police coming after you blasting Bad Boys Bad Boys etc

parents flee the country and leave you to clean up their mess

hot girlfriend you dont like cuts her losses and leaves you in the dust

younger brother gets shot, nearly dies, currently in coma, refuse to leave him (<3)

can't reach your true love you're currently fighting with

find out said true love murdered a guy and is currently on the run

reunite with true love, no longer on the outs (<3 <3)

go on the run bonnie and clyde style :)

go on the run bonnie and clyde style :(

get confronted by cop. find out 1) your younger brother was involved with your true love's younger brother's death; your true love shot your younger brother in revenge; also cheated on you with the cop (but also you were cheating on him so like this one kinda cancels out)***

fuck this cop. how dare he interfere with your love life. he is the most fixable problem here. go to shoot him.

B A D IDEA

true love takes the bullet, dies in front of you

you've lost everything, when all you wanted deep down was one person

Bonus: act your god damn heart out grieving him

Like that is such an insane clusterfuck of like what, 5, 6, 7 hours? Korn's kinda valid for just being like, you know what. fuck this

[ur-ghostgirl]

:3

[springysprongy]

Clef and Glass :) very personal and self indulgent doodles

[tyttetardis]

Macbeth Q&A 18th Jan 2024 Part 1

Was lucky enough to get a ticket for the Member's Event at the Donmar Warehouse that took place on the 18th...with the price of the patronages I sure never thought I'd have gotten the chance, but luckily, they also let in some non-members 🥹❤️

The brilliant performance of Macbeth was followed by a very quick cleaning of the stage - thought for sure it would've taken them longer to remove the blood than like 5 minutes - followed by a lovely, little Q&A session.

The Q&A was led by Craig Gilbert (Literary manager) who talked to Annie Grace and Alasdair Macrae (Musicians and part of the acting ensemble) as well as Cush Jumbo and David Tennant.

Anyway, just gonna write down some of the stuff they talked about :) sorry if it's a bit messy! Might be spoilery if you haven't seen it yet but are going to!

To begin with Craig remarked that he didn't think he'd ever seen that many people staying behind for a Q&A before (While I was just wondering why some people even left!? Stressful!).

David introduced himself with "My real name is David "Thane of Paisely" Tennant - while Cush introduced herself with "I´m Cush Jumbo - there's only one of me".

First question was Craig asking them what it was that brought them to the Donmar to do Macbeth - to which David pretty much just replied that 1. It's the Donmar! 2. It's Macbeth! One of the greatest plays of all time in an amazingly intimate space - and that the theatre is famous for its quality of work. So he found it quite hard to think of a reason not to do it!

Cush said she'd worked there before and loves the theatre, how it's so intimate but also a great workspace. Followed by her saying she said yes because David asked her. She talked about how important it was for this play to do it together with the right actor playing opposite you.

David says Max Webster asked him about a year ago if he wanted to do the play - he gave him the dates - and since there weren't any obstacles in the way, David didn't have any excuse not to do it.

He then said that he had slightly avoided Macbeth - there sorta being the assumption that if you're Scottish and has done some Shakespeare plays before you have to do Macbeth. Which he joked was a bit odd since it's not like every Italian has to play Romeo. Then he mentioned that Macbeth is probably a bit more of a jock than he is - that it seemed more like a part for big, burly actors.

Max had laid out his initial ideas to David, a lot of which are in the final production, and David thought he seemed lovely, bright and clever and inventive plus it being the Donmar Warehouse! To which joked that he had last worked there 20 years ago - when he was 8 years old! "It's just one of those spaces" - friendly and epic at the same time where it's such a pleasure to be on the stage.

When Craig asked his next question concerning the sound of the play someone asked him to speak louder as she couldn't hear them - to which David joked that they've gotten so used to whispering. But also said sorry, and that they would!

Alasdair explained a bit about the process of the binaural sound - bit I find it a bit difficult to decipher it all correctly, sorry. He did say that a interesting part of it is that it allows them a controlled environment where they can put all the musicians (and even the bagpipes!) behind the soundproof box so "Poor David and Cush" doesn't have to shout over all the racket.

Craig asked David and Cush what their reaction was when they heard about the concept of the binaural soundscape - to which David replied that it didn't quite exist when they first came onboard - Cush joking they were tricked into it. Then she talked about her and David going on a workshop with Max to get a feeling of how it would all work - and get a sense of how it would sound to the audience, as this was one of the few times, they got to hear that side of it. Their experience of the play being completely different to the experience the audience has.

Cush said they can hear some of the sound - like she can hear some of the animal sounds and David can hear some of the stuff from the glass box - but most of their cues and information comes from timing with each other. She said they won't be able to ever hear what the audience hears - to which David joked "We're busy".

It felt like mixing medias - as it all went quite against their natural stagecraft instinct - but Cush found that in the long run it made things very interesting - like they don't have to worry about getting something whispered to each other - as the audience will hear it anyway.

David said the odd thing is that they don't really know what the experience truly is like. He mentioned that to the sides of the stage there's a speaker for them where they will get any cues that they need to hear. Like they can hear the witches - but they can't hear where they are "positioned" - so they have to learn how to place themselves to fit with what the audience hears. They don't hear everything, though. And the audio they hear is quite quiet, so it doesn't disturb what comes through the headphones.

He thinks it's been exciting - that it's a bit like a mix between film and theatre. It's happening live - but it's also like post-production is happening between them and the audience as it's going on. They just have to trust that the audience is hearing what they are supposed to for it all to make sense.

Cush said she thinks in 10 - 20 years, as these technologies has developed, doing theatre like this will feel a lot more normal - not that they will do it ALL the time, but that they will be doing it - whereas now it's still like an experiment. What Cush really like about the concept is that if was done in a much bigger theatre - then people in the cheapest seats would be able to have an experience much more similar to those in the most expensive seats - they'd be a lot more immersed into the action.

David then talks about how it feels extremely counterintuitive to not go on stage and speak loud enough that the people in the back row can also hear you. And usually, if they can't hear you, you aren't doing your job right! But then it felt very liberating. He loves it.

Cush then talked about how it felt odd waiting in the wings for a cue you can't hear - where you traditionally wait backstage and you can hear your cues, you can hear the rythm and know when it's your turn - so it was quite disconcerting to hear silence. So it's basically down to them now knowing the show and each other's timings - like if David is standing at a certain point, she knows how long she has before she needs to say/do something. So you have to watch each other more closely and really focus on what the others are doing.

David asked the musicians if they can hear everything inside the box, to which Annie replied that they get everything except some extra bits in the soundscape. But they can hear the actors on stage. Annie said it's actually a bit of a mystery to all of them what the audience actually experiences - how the big pictures actually look like - they just have to trust that it's there "Is it there?!".

Someone asked if they had had any adverse reactions from audiences to having to wear the headphones. Quite a bit of laughter all around :P then David said "There's the odd person" and something about if someone hadn't gotten the memo before turning up...but not sure how he ended the line. Then once again says that yes, there's the odd person who doesn't like it and that's fair enough.

The same audience member then said he could see the advantage of it in a big theatre where the distance is big, but not in a small place like the Donmar - to which David very quickly, rather passionately replied that it's not about projection, it's about being able to do things you wouldn't normally be able to do live - where they can speak so quietly that they can't even hear each other when standing next to each other. So even in such a small place, people wouldn't be able to hear that. It's about creating a different play - which isn't to everyone's taste and that's fair enough. But for a play that's been done a hundred and seven million times he thinks it's very valid to try and find a new way into the play - even if it's not for everyone.

Part 2

[tentacle-therapissed]

Matilda is a crazy book cause it starts out like ‘this little girl was super smart and loved to read :) and sometimes she used her smarts to play pranks on her shitty family :)’ and you’re like ‘wow good for her!! i hope her life gets easier once she starts going to school’ and then she starts going to school and develops telekinetic superpowers via emotional dysregulation that she subsequently uses to psychologically torment her principal into confessing that she murdered her brother-in-law and made it look like a suicide in order to seize control of her niece’s trust fund. And then Matilda’s entire family has to flee the country because it turns out her dad has been stealing cars and they’re all being hunted by the FBI

[genericpuff]

every now and then i get folks asking me "puff do you have any opinions on hazbin hotel"

and i know why they're asking because if there's any fandom that puts LO to shame, it's hazbin hotel / helluva boss and surely i must have some Very Strong Opinions(tm) about the show

but i seriously have never watched a single episode of that show and despite all the controversy and drama i've seen come from the discussion of both the show and its creator, the only thing that really bugs me out of the blue when i'm reminded HH exists are those exclusive playbills that people pre-ordered months ago and still haven't arrived

that is it, that is literally the extent of my engagement with the HH fandom, there will be no further questions about what i think regarding HH because i literally have no idea, they are best asked to whoever comes close to being the generic-puff equivalent of the HH fandom

[trypoed]

strahm survived the glass coffin room this strahm arrested hoffman that what about they both survived got arrested and went to prison? what about that

[edenfire]

🌅💗 Shuake Week - Day One - Swap 💗🌅

time to kick off shuake week!!! ( > v <)/☆ tho the prompt for today was "roleswap", I decided to go more for a literal outfit swap instead😂💦