#shirley o'hara
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In 1961, criminals pulled off a daring caper by stealing a million dollars worth of gold headed to Fort Knox. Knowing they were going to be wanted men and the gold too hot fence, they had themselves placed in suspended animation in a cave till the year 2061. ("The Rip Van Winkle Caper", The Twilight Zone, TV)
#nerds yearbook#1961#2061#tz#twilight zone#rod serling#cryogenic#suspended animation#thieves#justus addiss#simon oakland#fort knox#oscar beregi jr#lew gallo#john mitchum#wallace rooney#shirley o'hara#rip van winkle caper
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if nobody has got me at least I know my folk ladies have got me đâ
#they are. all I've listened to for a solid six months#tia blake#vashti bunyan#jean ritchie#shirley collins#mary o'hara#molly drake#connie converse#my beloveds :')
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#house md#james wilson#greg house#hilson#psych tv#shassie#shawn spencer#carlton lassiter#community tv#jeff winger#dean craig pelton#shirley bennet#shirley x jeff#jeff x craig#burton guster#juliet o'hara#poll
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Meditations in an Emergency Part 1
Reader/Simon "Ghost" Riley/John "Soap" MacTavish
âLike it feels so good to get and give a compliment and we should normalize doing it more often. Strangers reaching out across the great abyss for a moment of connection,â you say, leaning back and gesturing broadly. âShips passing in the night with naught but a toot-toot of mutual appreciation.â
âI donât think thatâs how the shipping industry works.â Or: How to live well and get railed through the power of compliments.
Part 1 of 3, 5,857 words, mature, cw: alcohol, cannabis
Read on A03 I Read part two
"I am the least difficult of men. All I want is boundless love. "
Frank O'Hara, "Meditations in an Emergency"
âI just think people should compliment each other more, thatâs all,â you declare, biting the cherry off plastic sword that Kat, the bartender, had stuck in your Dirty Shirley. âLike we think these things all the time. Her scarf is pretty, or that guyâs got a cool haircut or whatever. We notice them, we think about them, but so rarely do we say it, you know? Even though being complimented is the best,â you say emphatically, using the tiny sword to punctuate your words.
Kat nods and gives you a second cherry, because Kat is good people. Kat serves you doubles while charging for singles and listens to you ramble and lets you spread your notebooks and laptop on the bar when itâs slow, like tonight.
Itâs early on a Friday evening which means youâre supposed to be writing. You pay the bills as a ghostwriter during the week and you like it, you do. The flexibility to work strange hours typing late into the night, remote so you write wherever you want like coffee shops and cocktail bars and anywhere loud enough to drown out the more distracting of your thoughts.Â
The problem is you spend so much time devoted to other peopleâs work that youâd promised to set weekends aside for your own ideas. Easier said than done, when there isnât an irate publisher on the other end setting deadlines and demanding pages. The other problem with your ideas is that you just have so many of them; sometimes find it hard to devote yourself to one without getting distracted by another, your hard-drive a graveyard of drafts in various states of decomposition.
But routine helped, so there youâve sat every Friday night for almost two monthsâeven if youâve spent proportionally less time writing than people-watching and sweet-talking Kat into making you interesting drinks off-menu (âThis is a dive bar,â sheâs told you more than once. âWe donât even a menu to be off of.â)
Itâs not not part of your writing process, you reason. Youâre a firm believer that life is stranger than fiction, and many of your most delightful ideas have come from observations and unusual interactionsâthe very reason youâd been thinking about the importance of compliments.Â
âI just think we should be more intentional about finding joy in each other. For example, what would you say, darling Kat,â you begin, batting your eyes at her sweetly, âif I told you that you look fucking incredible now and always, youâre so hot it gives me hives if I look at you straight on, and more specifically that little curl thatâs coming out of your ponytail is particularly fetching and I like it a lot?â
Kat rolls her eyes, which is as good as a smile for her. âI would say you should slow down on the Shirleys.â
You wouldnât say the two of you were friends, not really, but there was a familiarity and ease in the relationship now that warmed you. Youâd met her your very first night while on your usual ramble to learn a new place, begin to make sense of its curves and corners and spirit. The neighborhood youâd found an apartment in wasnât the best, but it was furnished and month-to-month and good enough for you. Best of all, youâd only needed to wander in the snow a couple blocks before youâd struck gold: drawn like a moth where a plain, unmarked door had opened, spilling warm light and the sounds of overlapping laughter into the night.Â
Inside it really was a dive, all sticky floors and old dollar bills pinned to the ceiling, a jukebox that took dimes and a blonde bombshell behind the counter who served with a decided lack of smile. But a week of you showing up and chattering at her had cracked that icy shell enough to get a name and a few raised eyebrows instead of complete silence. By the time youâd earned your discount as a regular around the third week, sheâd occasionally comment on your more interesting trains of thought, offer some piercing observations and insights of her own if she was in a good mood.
A couple more weeks, and you know her well enough to bring a second iced coffee when you arrive for the evening, Kat pulling a bottle of Irish cream from the well as you remove the lids in a dance that has become comforting in its routine.
Yours is now slowly melting beside you, momentarily abandoned in favor of the syrupy-sweet mess that was waiting for you. Katâs sipping the last of her own as she considers her verdict on your compliment, hip propped against the side of the bar.
âI donât know if Iâd particularly appreciate a stranger saying that to me. Donât want strangers saying anything to me, really,â she frowns, âbut particularly the bit about the hives.â
âAlright, I might have gone too hard out the gate with that one,â you admit. âBut more importantly, I think you might be in the wrong profession for strangers not talking to you.â
She flips you the bird, heading to greet the two regulars that had slipped into place at the end of the bar. It was still early enough in the night that the place was mostly empty, only a few singles and two-tops stopping for an after-shift drink, giving you and Kat plenty of time to talk. Itâd get rowdy enough later on, the voices louder, the jukebox queue a little more violentâbut youâd found that among the chaos was often when you did your best writing.
âHives aside, you know what I mean though, right?â you continue when Kat returns. âLike it feels so good to get and give a compliment and we should normalize doing it more often. Strangers reaching out across the great abyss for a moment of connection,â you say, leaning back and gesturing broadly. âShips passing in the night with naught but a toot-toot of mutual appreciation.â
âI donât think thatâs how the shipping industry works.â
You ignore this, already imagining renting a sailboat somewhere sunny, tropical. âI always thought itâd be fun to be a sailor,â you say dreamily. âKerouac was a Merchant Marine, did you know?"
Kat makes a face.
âWhat, you didnât like the book?â Youâd loaned her a copy of The Dharma Bums the week before, slim and beloved enough that you carried it with you instead of borrowing from the local library, like you usually did. You had a collection of library cards now, rattling around in an old Altoid tinâthe only souvenirs you kept from all the various cities youâd visited in your travels.
âIt was fine. Good, even, if youâre into that sort of thing,â she say, swirling her coffee around. âHeâs just so fucking mopey. I wanted to shake him, like câmon man, you need to stop thinking about your life and actually fucking live it.â Katâs the most animated she ever gets. Which, admittedly, is just slightly more expressive than usual: eyes narrowed a little further, three degrees more derision in her tone.
Kat prefers nonfiction. History. Facts. Still reads everything you recommend, but rarely finishes one without getting frustrated with protagonists making dumb decisions and whining about their life choices. And while some of the books she recommends to you are a little dry at times, theyâre certainly illuminatingâand the last one about organ harvesting was surprisingly catalytic for story ideas.
You shrug, acknowledging the point. Sheâs not wrong, but you live most of your life in your own head and your own worlds, so it doesnât bother you in quite the same way. Although, now that she mentions itâŠ
âYou know, all of this is kind of to my earlier point. Giving someone a compliment is like the ultimate shortcut to living outside your head. Youâre not all wrapped up in your own issues and thoughts, but appreciating the world and the people around you. Even if you donât say itâwhich you shouldâit means youâre paying attention. Noticing.â
You drain the last of your Shirley, swapping it out for the iced coffee and swirling around the diluted ice. âProposal: we make a game of it, tonight. We notice.â It wouldnât be that different from what you and Kat normally did; share little observations on other patrons, trade theories on this personâs job or that personâs backstory. Theyâd just be a little moreâŠintentional about it. "Keep your eye out for any interesting hats or weird pins or extremely sexy noses and come and tell me. That way we can both enjoy it,â you entreat, clasping your hands together in anticipatory delight. You know better than to suggest Kat actually compliment anyone. Youâre optimistic, not delusional.   Â
âWhat constitutes an extremely sexy nose?â she asks, frowning at you.
âOh Kat, thatâs something you feel in your heart,â you say with a pitying shake of the head.
She rolls her eyes and heads to the other end of the bar, where a nicely-dressed couple sink onto the cracked vinyl stools. Looking around like they might be feeling just a wee bit out of place. You catch the eye of one the women and smile. âI love your dress,â you tell her, and feel the joy of her answering blush bubble sweet and bright in your veins.
âŠ
You pride yourself on having excellent ideas, but this is easily one of your best. You get a tremendous amount of writing done, unusually productive while riding the high of giving out compliments left and right. Not so many that it feels insincere and never any you donât mean. But BaaderâMeinhof is a real sonofabitch because itâs true that the more you look, the more you see to appreciate.Â
Like Bobby, the union electrician with his first name embroidered on the pocket of his work-shirt. It catches your eye because itâs not machine-printed but carefully done by hand, illuminated when he leans over to order a beer. His wifeâs work, he shares when you comment on it. âSheâs paid special for her embroidery but still makes time to do every last one of my shirts. So I can carry her love around all day,â he says proudly, unabashed even when his friends tease him good-naturedly.Â
Then thereâs the lady whose cheetah-print nails match her furry coat, who winks at you when she catches you looking admiringly from across the bar. Right after her is the burly biker who reveals an entire themed photoshoot of their toy poodle when you compliment the photo on their lockscreen. Others in between, some you speak to, some you donâtâbut all you appreciate in a way you vow to do more in the future.
Inevitably, little pieces of what you observe trickle onto the page, fleshing out bits of characters and sparking ideas you jot down in bursts of inspiration. You wonât know until later if youâll end up keeping any of it, but you like the thought that that youâll always have some part of this momentâthe people, the place, the timeâwoven into your writing. A little souvenir in-and-of-itself.
Though the night gets progressively busier, Kat swings by from time to time to share her observations: money fished from strange locations, custom bank cards, funny pins she read when customers leaned close to shout their orders over the musicâpartially your fault, after you compliment an old geezerâs song choice and spend twenty minutes with him combing through the catalogue and cackling as you feed dime after dime and queue enough dad-rock to last a fair few hours.
All told, youâre feeling fucking incredible as it nears midnight and the synth solo from Totoâs âRosanna,â has you wriggling in your seat. Youâve a few thousand words under your belt and the high off all those little moments of kinship is making you feel sparkling and happy and well, which, historically speaking, is sometimes a challenge for you.
You grin at Kat when she slumps next to you, enjoying a brief reprieve from new customers.
âWhatcha got for me, killer?â you ask, fishing in your bag for a granola bar. She takes it with a grateful look, shoving half of it in her mouth and talking as she chews.
âYouâre gonna fucking love this. A mohawk, dude. In 2024.â
You perk up, looking around the room. Itâs pretty packed now, but you canât believe you missed a cut that attention-getting. âLiberty spikes?â you ask hopefully. You adored the punks of your acquaintance; always had interesting thoughts and insider tips on the local music scene.
Kat shakes her head. âNah, it was cut short. Gym rat type, I think. Good tip, nice accent. Scottish,â she clarifies around the last of the granola bar. âTalked some shit about the ânatural superiority of whisky over bourbonâ when he ordered a Makerâs for his friend.â
You hum, still craning your head. âSee where they sat?â
She shakes her head. âAsked about smoking though, so probably on the patio.â
Calling it a patio was generousâa small bit of grass with a couple white lawn chairs and an ashtray, mostly. But there was a heat-lamp that worked roughly sixty percent of the time, which made the bar very popular with those in the know on cold nights like this.
âSpeaking of, âbout time to take your break?â
If it wasnât too busy Frank, the bouncer, would watch the bar while you and Kat split a joint in the back, sitting in companionable silence and pointing out shooting stars and passing satellitesâclear skies a benefit of the cityâs frigid nights. Kat knew a startling amount about astronomy but absolutely nothing about astrology; could tell you the history of the universe up to the surface of last scattering but blinked at you when youâd asked if she was a Scorpio or a Capricorn.
Kat checks the clock then whistles to get Frankâs attention. You shove your laptop into your bag but donât bother with a coatâyour cheeks are flushed from the warmth of the crowd and you donât mind the cold, not really.Â
The patio initially looks abandoned, silent but for the wet sound of car tires moving through the snow-choked alley. Not totally surprising; most balk at below-zero temps even with the lamp. Snow clumps heavy and wet on top of the plastic chairs and the overturned garbage pail that serves as a footrest, but the sky is clear, a thousand tiny pinpricks of light visible in the heavens. You breathe in until the night air fills your lungs and you feel fresh and clean and cracked open wide, just pouring out love into the world.
Movement in your periphery catches your eye and oh, Kat was right, not a punk at all.
Youâre not quite sure what to make of the two men standing half-shadowed near the lamp. Big is the first word that comes to mind and perhaps thatâs sufficient for now, since you canât seem to stop ogling the breadth of their shoulders and mouthwatering thighs long enough to notice anything else.
Kat had thought gym-rat but youâd put money on those bodies not just being for showâthereâs too much power, too much potential for carnage disguised in that plush softness that comes from muscles in repose.
âWhy hullo there, barkeep,â the one with the shaggy, soft-looking mohawk greets Kat jovially, his accent just as charming as promised. âAnd barkeepâs friend,â he adds, nodding to you as you come close enough to get a good look at his face. To latch on to details like the too-blue shade of his eyes and the too-sharp canines in his smile, the silvery-white starburst of a scar across his stubbled chin.
âChrist youâre pretty,â you hear yourself say. This happens sometimes, your mouth just venturing off on its own to get you into trouble.
Kat groans overlap with the manâs chuckle. âFunny, I was just thinking the same thing,â he purrs, propping the lit cigarette between his lips and sticking out a hand. His palm is warm and callused against your own as you properly introduce Kat and yourself.
âIâm Soap, this hereâs Ghost,â he offers in turn, nodding towards his friend who steps forward, murmurs a quiet greeting. Heâs enough in the light now to reveal dark eyes shadowed under a hood, skeleton gloves and a matching skull-print balaclava pushed up far enough to accommodate a lit cigarette.
âFuck me, thatâs cool as shit,â you grin at him, immediately charmed by the weirdness of it all.
âWell, since you asked so nicely,â the man says affably, his voice a rumble deep in his chest. He doesnât smile but thereâs a little twist of his mouth that could be amused, if you squint.
âJesus Christ,â Kat mutters, eyes shutting briefly in second-hand embarrassment. âSheâs on a mission about compliments tonight, noticing people,â she tells them with bemused emphasis, turning to clear off the chairs and kick snow off the garbage can.
âI just think itâs important to be more open with our affection, even with strangers. Especially with strangers,â you argue, dropping into one of the seats and pulling out the battered Altoid tin that holds your stash and a few pre-rolled joints. âWill this bother you?â you ask the men, holding up one.
They shake their heads, amused.
âGood, because itâs my fucking bar,â Kat snorts, grabbing it from your fingers and dropping into the chair next to you.
âWhat, you own this place?â you say, flabbergasted. âWhy didnât you tell me?â
Kat holds the joint in her mouth and cups a hand around her lighter flame, coaxing it to life despite the wind. She takes a deep drag, tilting her head up before releasing a thick cloud of smoke into the air.
It looks wicked cool right up until she folds in half, coughing desperately on the tail end of the exhale. You canât fucking blame her; youâd bought it off your teenage neighbor, a science prodigy who claimed to have developed the perfect strain. Ivy League, he called it, since it had paid for his entire college fund.
Kat straightens up, red face feigning composure as she passes you the joint. âYou never asked,â she finally says.
And that was justâŠwell, fair, actually.
âHuh,â you say brilliantly, struggling not to cough on your own exhale and bidding adieu to any dreams of looking cool in front of all the fucking fashion models around you. âYou know, I did wonder when youâd get in trouble with your boss about the free drinks thing. And the drinking on the job thing. And the this on the job thing,â you say, frowning as you contemplate the joint.
You offer it up to the men and Soap takes it, your hands brushing long enough to send a little fizz through your blood.
âYouâve known each other long, then?â he asks, taking a puff. Turning a vibrant shade of red as he heroicallyâand futilelyâtries to hold in a cough.
âOh, we go way back,â you say very sincerely. âI helped her bury the body of her ex-husband years ago, a mafioso named Jimmy the Janitor because he cleaned up, if you know what I mean.â
âI met you two months ago. And Iâm a lesbian,â Kat contradicts blandly.
âI didnât know that, either!â you exclaim, smacking her in the shoulder. âWhat the fuck, dude, I would have tried flirting with you ages ago.â
âYouâre not my type,â she says devastating, and Ghost snorts when you dramatically mime a dagger to the heart. The joint glows red between his full lips, crossed with scars that shine silvery in the moonlight and trail up beyond his mask. Exhales in one long, smooth breath and looks suitably smug about it, the fucker.
âI do seem to remember you saying something earlier about me being âso hot I give you hives.ââ Kat reminds you. âYou telling me that wasnât flirting?â
âNah, thatâs just being neighborly,â you beam at her.
âI shudder to think what your flirting does look like.â
âThatâs the appropriate response, honestly.â
Ghost barks out a laugh and you shoot him a cheeky wink before turning back to Kat. âAlright then killer, gimmie the goods. What is your type?â you prod, hooking your ankle around her own. âIs it a black cat, golden retriever thing? I can bark, babe, just say the word.â Â
Soap damn near chokes on his drink but Kat only sighs, more fond than exasperated. She takes the joint and leans in, bringing your faces only a few inches apart. You watch, riveted, as she brings it to her cherry-red lips and inhales deeply. Holds your gaze and leans ever so slightly closer, the moment stretching into eternity as she releases a slow, deliberate cloud of smoke directly into your face. You bring a hand to your mouth, think you might actually be drooling.
âMILFs,â she answers finally, devastatingly. She tucks the joint between your fingers before patting your hand and heading back insideâas good as a kiss on the mouth from anyone else.
âSteaminâ bloody Jesus,â Soap's voice is rough as the door closes behind her. Â
âYouâre telling me, pal,â you sink comically in your chair. âI think she broke me.â Youâd already been drunk off the nightâs joy but now you feel lightheaded with desire, literally dizzy with it.
This is not an uncommon response to Kat, you suppose. Nor, you expect, to the pretty lads that remain.
You summon your forces and sit back upright, kicking over the newly empty chair in offering. Ghost takes it, the plastic frame creaking under his bulk while Soap drops down on the garbage pail, resting his elbows on jean-clad knees. You pass around the rest of the joint in companionable silence, and itâs justâŠnice, all of it. The cold at your back and the heat of the lamp on your face, the fading alcohol buzz replaced by the sweeter, steadier high of the weed, always better at gentling your nerves and clearing your head. The easy camaraderie of smokers cast out into the cold, the same thing in almost every city and country youâd ever seen. You smile, thinking back on all those shared lighters and bummed cigarettes over the years. All those ships passing in the night.
âGettinâ us a refill,â Soap finally says, standing up and snagging Ghostâs empty glass, hooking their pinkies together briefly in the action. You note it and immediately drop the thought, scalded. Know you will literally, actually combust if let your brain run-rabbit imagining the two of them together. All that muscle, all that strength, curved around each other, curved around youâŠ
âWhatâll it be, bonnie?â Soapâs warm voice snaps you out of your reverie and you flush, sure from his smirk that he can read the direction of your thoughts. You were legendarily bad at pokerâcouldnât keep a neutral expression if they paid you to.
âDealerâs choice, please and thank you,â you grin at him despite your embarrassment; turning down a free drink is against your moral code. Â
He gives you that shark-like smile and Ghost tsks as he heads inside. âYouâll probably regret that, birdie. Johnnyâs got atrocious taste.â
âAye can fucking hear you, you Manc twat,â Soap calls from the door, a little extra Scottish in his snark. Ghost chuckles lowly, stretching his feet out into your space.
âItâs Manchester then, our kid?â you tease, kicking your foot playfully against his boot. Leaving it there when he lets you. âWhose your fighter then, Liam or Noel?â
He considers for a moment. âLiam. I like his spunk.â
ââA man with a fork in a world of soup,ââ you quote, nodding approvingly. âI get that.â
You toy with the Altoids tin and debate lighting up another one.
Ghost fishes a pouch of rolling tobacco out of the kangaroo pocket of his hoodie and holds it up questioningly. âClever boy,â you praise, and he leans forward to pass it to you, big hands dwarfing your own. When he settles back in his chair, he tangles his feet with yours properly and you feel a little flutter low in your belly.
You prep the blunt in a practiced motion, balancing the tin on your knees as you sprinkle the peaty tobacco overtop the flower evenly. âIâve always been more of a Blur than Oasis fella, myself,â you finally offer to distract from the weight of his gaze. âDamon Alburn, the man you are,â you joke, putting a fervent hand to your heart.
âOi, we talking about the Gorillaz then?â Soap calls out, juggling glasses as the door shuts behind him, muffling the chatter from inside. âFucking choon after choon, them,â he declares, dropping back onto the pail.
He passes Ghost a rocks glass filled with an inch of amber that matches his own, his eyes tracking where your tongue runs across the filter paper, wetting it. He trades you the finished smoke for a glass with something alarmingly orange in it, another plastic sword stuck with three cherries laid across the top.
You sniff skeptically, all sweet and citrusy and strong. âThis must be off-menu.â
âDive bar innit, no menu to be off of,â Soap points out, and you smile at the familiar response.
You take a curious sip, looking up in surprise when you taste a bright splash of orange and vanilla across your tongue. âThatâs fucking incredible,â you say, eyes wide. âWhat is it and why havenât I been having it all night?â
Soap grins at you, looking suspiciously pleased with himself. âHad a feeling you were a lass thatâd enjoy a slow, comfortable screw against the wall.â
Ghost groans, and you squint skeptically at Soap. âWho doesnât, whatâs that got to do with my drink?â
Soap laughs, delighted. âThatâs the name of the drink, bonnie. A Slow Comfortable Screw Against The Wall,â he says with emphasis.
Ah. Well. Thatâsâoh, motherfucker. âDoes Kat know that?â Sheâs probably laughing her ass off inside, the sadist.
âOh, aye. She seemed amused. Though she made an unnerving amount of eye contact while stabbing the wee cherries,â he says, eying the garnish. âScariest fucking thing Iâve seen in a minute. Put me in mind of someone we know, actually,â he says, giving Ghost a wry look as he takes a sip and sets the glass down.
He pulls out his own lighter to coax the blunt to life, a battered Bic with SOAP scrawled in thick, Sharpied letters. He lets out a pleased sigh as the opaque smoke curls through the cold air, then leans forward to rest his elbows back on his knees.
âNow, as for why you werenât getting it slow, comfortable, or otherwise before now, I couldnât say,â he tells you, blue eyes glinting with mischief. âBut I think I speak for both of us when I say weâre more than happy to provide for the rest of the night. Isnât that right L.T.?â Â
âRight enough there, Johnny.â Ghostâs voice is closer to a growl, setting off a delightful curl of heat in your belly.
You nibble on your straw and pretend their attention isnât going straight to your head, twice as good as the drink or the drugs. âYou know what they say about variety and spice of life. Might get bored with just a screw against the wall. Got any thoughts on horizontal surfaces?â you tease, enjoying the way Ghost smirks around the blunt.
But oh, is that a dimple you suddenly see carving out of one scarred cheek? Before youâre even conscious of it youâre leaning in for a closer look, balancing with one hand on his thigh. âI adore your dimple,â you tell him sincerely, undoing any hope you had of appearing cool and hard-to-get. âIt is very cute.â
You give him a businesslike pat on the thigh and start to pull away, but he catches you gently before you get too far.
âOh, sweet girl,â he purrs, petting over the soft skin of your wrist with one gloved thumb. âWeâll keep you entertained, donât you worry. Bored is the last thing youâll be, right Johnny?â Ghost says, squeezing gently once before letting go. You try to play your delighted shiver off as one of chill, but you suspect your violent blush isnât selling it.
âOh, I fuckinâ swear to it, L.T.,â Soap answers, winking at Ghost before unfolding his big bulk from the garbage can. âWeâll give you what need, bonnie, promise. Starting with this.â Then his arm is around your waist and youâre in the fucking air andâ
Oh, thatâs not so bad, actually.
Soap sinks into the lawn chair and settles you across his lap, surrounding you with delicious warmth and a scent like whisky and salt air. Your brain goes a bit soft and cottony for a moment and you latch on to the gentle pressure of his arms. Manhandling has always been a shortcut to your most devastated self, the kind of stupid and sweet and sated that youâve only found once or twice through chemistry or luck or sheer fucking determination, and it bodes very well for the night to come.
Besides, for all he wears only a bomber jacket, the Scotsman is radiating heat like a furnace and itâs the perfect sensory foil to the plummeting temperatures, a few clouds coming to fleck the sky.
âSaw you shiver. Couldnât let our girl be cold now can I?â Soap says, chucking you under the chin like a kid. Should be stupid but you fucking like it, canât help but smile up at him. Canât remember the last time someone treated you so sweet, like you were something to protect. To indulge.
Ghostâs eyes are fond on the pair of you, reaching out to trap Soapâs feet the same way he had yours a few moments before. One of his hands reaches to splay possessively over your thigh, resting it there and turning your insides liquid.
Thereâs no reason it should be as easy as it is, getting all wrapped up in each other as the night stretches on and the clouds continue to gather, chatting quietly and smoking through the rest of the blunt and finishing your drinks just as the first fat, fluffy flakes of snow begin to fall.
You watch, delighted, as the storm kicks up in a sudden flurry; a magical, glimmering coat that turns the world into one whole thing. Untouched and perfect and silent except for the tides of your breath and the slight hum of the heat lamp, small sounds within a vast, quiet night.
You sigh in Soapâs arms, totally and unexpectedly content, luxuriating in the way your blood hums in anticipation of the nightâs inevitable conclusion. Â
People asked if you got lonely, sometimes, travelling the way you did. Never staying anywhere for more than a few months, only occasionally breezing through past towns for a few loved-up reunions before the wind starts pressing at your back. Â
And though itâs true youâve been seeking a place of your own, a place where you could belong, this, too, means something. To have these beautiful, fleeting moments of connection with once-strangers, to lose yourself completely in the headiness of such quick intimacies, no less passionate or kind or devastating for their brief duration. All those countless moments of connectionâromantic, sexual, platonicâcoalescing into a kind of soft sweetness to hold on to long after youâve forgotten a name or had a face grow fuzzy with memory.
All of that sweetness is swirling inside you as you nudge Soapâs chin with your head, drawing his attention from where heâd been conversing softly with Ghost, one hand petting absently at your waist.
âTake me home?â you ask softly, and his eyes melt at the question, his hand coming up to thumb a little desperately at your mouth.
âOh, the Capân would love that,â Ghost drawls. âFall arse-over-tits over a sweet thing like you walking through the door.â
âMy home,â you clarify, though youâre not opposedâespecially if their friend (captain?) looks anything like them. âI live like four blocks that way,â you chuck a thumb vaguely over your shoulder.
âWell why didnât you say so, bonnieâ,â Soap says, standing up and dumping you on your feet. Before you can be too offended, he grabs your chin and presses his mouth against yours, searing hot and leaving you breathless when he pulls away too soon. You look up at him a little dazed and he pets his thumb across your chin, grinning. âGhost is right. Too sweet for your own good, darlinâ. Tâwouldnât be right for us to let you walk home alone, sweet thing like you. Not in a neighborhood like this.â
âAu contraire mon frĂšre, Iâm fast as shit,â you tell him, narrowing your eyes. This occasionally happened when you got crossfaded in particularly the right way, became possessed with the urge to tear off down a darkened street, drunk on the feeling of wind against your face and your heart hammering in your chest. Feeling like you could fucking fly. âNo bad guyâs gonna catch me, no way.â
âThat right, little rabbit?â Ghost moves as silent as his name, a sudden warmth at your back without you even noticing heâd left his chair. He curves that big body around you, nipping at the soft skin at your neck and caging you in against the firmness of Soapâs chest. âGonna let us chase you?â he near growls.
The thought sends goosebumps rising along your arms. To be wanted, to be chased. To be caught. Ghost groans when you lean back against him, tipping your head back to nip at his jaw in return. âHome. Now,â he commands lowly, pulling down his mask.
You canât help your shit-eating grin as you tug them through the door and the thinning crowd to collect your long-abandoned things from the bar.
Kat eyes the three of you suspiciously. âIf I find cum anywhere on that fucking patio I will have your balls in a bear trap,â she threatens.
âNo promises,â you wink at her, laughing when she flips you the bird. You shrug on your coat and pick up your bag, which Ghost immediately appropriates, slinging it over one shoulder. He ignores your amused tug on the strap, looking over your head to plot the swiftest exit.
âDonât wait up, babe!â you say, blowing a kiss to Kat as Ghost tows you and Soap toward the door.
âCall me if you need help burying the bodies,â Kat offers in response, and you cackle at the uncertain looks the late-night crowd shoots you both.
And then itâs just the three of you and the cold and the night, pressed together like youâre one body in the snow-crowned streets.Â
Read part two
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DRUNK WITH DRABBLES stage 1. :âïœĄïŸ. â
REQUEST EVENT âââââââââââââââââââââââââââââââ
Today is my self-care day and I have made it my mission to write as much as possible with each cocktail I drink :)) This is stage one aka the first cocktail (very delicious btw) aka the fluffy stage
You have ca. 2h to submit the fluffy prompts (till 17:00) and then we move to the next stage... :))
STAGE 2
ââââââââââââââââââââââââââââââââââââââââââââ
PROMPTS . :âïœĄïŸ. ââââââââââââââââââââââââââââââââ
PINK GINđThem staring at you from across the room and getting flustered when you meet their eye
COSMOPOLITANđ©"Come here, sweetheart."
SEX ON THE BEACHđ©±"you feel my heart? That's how much you affect me, my love"
STRAWBERRY MOJITOđ"stop being so pretty, it hurts!!"
BLUEBERRY MOJITOđpulling you in by your hips and whispering something you can't quite hear into your ear, hot breath on your neck
WATERMELON PROSSECOđ"I can't stand you!" "Weird way to propose, but yes"
BERRY DAIQUIRIđtickling you from the back before actually hugging you
SHIRLEY TEMPLEđ©°DRUNK DNACING!!!
PINK GIN SPRITZđ"why haven't you worn this before? you look gorgeous"
PINK LADYđĄcustom prompt
CHARACTER LIST . :âïœĄïŸ. âââââââââââââââââââââââââââ
âââââ HARRY POTTER
ïŸâ marauders *:ïœ„ïŸ James Potter *:ïœ„ïŸ Remus Lupin *:ïœ„ïŸ Peter Pettigrew *:ïœ„ïŸ Lily Evans *:ïœ„ïŸ Dorcas Meadowes *:ïœ„ïŸ Pandora Lovegood
ïŸâ slytherin boys *:ïœ„ïŸ Mattheo Riddle *:ïœ„ïŸ Blaise Zabini
âââââ OBX
ïŸâ pogues *:ïœ„ïŸ JJ Maybank *:ïœ„ïŸ Kiara
ïŸâ kooks None yet
âââââ GILMORE GIRLS
ïŸâ gilmore girls *:ïœ„ïŸ Jess *:ïœ„ïŸ Tristan
âââââ PERCY JACKSON
ïŸâ book *:ïœ„ïŸ Percy Jackson *:ïœ„ïŸ Annabeth Chase
ïŸâ show *:ïœ„ïŸ Luke Castellan
âââââ SPIDERMAN
ïŸâ tasm *:ïœ„ïŸ Peter Parker
ïŸâ ATSV/ ITSV *:ïœ„ïŸ Hobie Brown *:ïœ„ïŸ Miguel O'hara
If you wanna be added to the taglist for this event, comment or send a request!!
EVENT STAGE 1 CLOSED
let me drink my next cocktail real quick so that we can move on to some Angst and hurt/comfort :))
#tristan dugray x reader#marauders#writing#x reader#james x reader#james potter#james potter fic#james x you#james potter fanfic#james potter fanfiction#remus lupin#remus lupin x reader#remus lupin x you#remus lupin x y/n#mattheo riddle#mattheo x you#mattheo x y/n#mattheo x reader#luke castellan#peter parker#peter parker x reader#peter parker x you#peter parker x y/n#hobie brown x reader#hobie brown x you#hobie brown fluff#hobie brown x y/n#atsv#miguel o'hara#atsv miguel
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Okay, I sort of did this poll yesterday and I goofed - I set it for one day instead of one week. I am reposting it and have added a few other couples.
#pride and Prejudice#jane eyre#anne of green gables#north and south#wuthering heights#little women#gone with the wind#my brilliant career#the great gatsby#the tenant of wildfell hall#literature#literary couples
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11th March 1932 saw the birth of Binkie Stuart, the child film actress, in Kilmarnock.
Born Elizabeth Alison Fraser in Kilmarnock, to a musician father and actress mother, the blonde youngster was named "London's Most Beautiful Baby" at the age of two. After she won first prize in a Daily Mail competition in 1935, her father became her full-time manager and arranged for her to audition for film director Monty Banks, who wanted a child for his next film, a George Formby vehicle, Keep Your Seats Please.
The child's character was called "Binkie" in the film, and the name was appropriated for the young star, who was billed as "Binkie Stuart" he surname coming from her Scottish ancestry.
The movie's musical highlight was Formby's rendition of his famous hit, "When I'm Cleaning Windows". Stuart did a short table-top version of "I'm on the Tip of my Toes" which was strained and tentative, and all her major lines of dialogue were filmed in isolated close-up. The producer Basil Dean had tried to dissuade Banks from using her, maintaining that she was too young but, despite her obvious inexperience, her winsome personality and cute smile endeared her to audiences. Other minor films followed, but none of note
Until Stuart's biggest role in My Irish Molly, the last film made by Maureen O'Hara before her departure to the United States. As an orphan mistreated (yet again) by a domineering aunt, Stuart stole the film, described by one critic as "a Shirley Temple flick without Temple", but the advent of war prevented a planned trip to Hollywood and her film career came to an abrupt halt. Later there was some friction with her father when she rejected his plans for her to become a variety performer on the music-hall stage, insisting instead that she would become a dramatic actress.
She worked as a dental receptionist and, after a further unsuccessful attempt to become an actress in her mid-twenties, she became an assistant in an electrical store, where she met her husband John Prentice. The couple had three children, and Prentice died in 1980, after which Alison Prentice, as she had become, worked as a telephonist and a nurse.
She died on 15th August 2001, aged 69, itâs a shame there are no pics of her when she was older, and had World War Two not got in the way, who knows how she would have got on in Hollywood?
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Top 10 Things
For some reason, I've decided to compile lists of my various top ten things, a completely pointless venture because I highly doubt anyone will read it, and I already know what they are, but I'm doing it anyway! lol
(I've included: bands; solo artists; albums; books; poems; graphic novels/comics; tv shows; BL series; murder mystery shows; movies; actors; actresses; directors; musicals)
BANDS
The Beatles
ABBA
Belle and Sebastian
Led Zeppelin
The Raveonettes
The Decemberists
Ramones
Blondie
Sparks
Judas Priest
SOLO ARTISTS
John Grant
Rufus Wainwright
Connie Francis
Kylie Minogue
Angel Olsen
Prince
Sufjan Stevens
Kate Bush
David Bowie
Keaton Henson
ALBUMS
Queen of Denmark by John Grant
69 Love Songs by The Magnetic Fields
In the Aeroplane Over the Sea by Neutral Milk Hotel
Rubber Soul by The Beatles
Picaresque by The Decemberists
Houses of the Holy by Led Zeppelin
You Could Have It So Much Better by Franz Ferdinand
Purple Rain by Prince
Transformer by Lou Reed
If You're Feeling Sinister by Belle and Sebastian
BOOKS
The Haunting of Hill House by Shirley Jackson
Grief is the Thing With Feathers by Max Porter
Rebecca by Daphne du Maurier
The Blind Assassin by Margaret Atwood
Sharp Objects by Gillian Flynn
The Murder of Roger Ackroyd by Agatha Christie
The Hobbit by JRR Tolkien
The Bloody Chamber and Other Stories by Angela Carter
The Charioteer by Mary Renault
The Big Sleep by Raymond Chandler
POEMS
Having a Coke With You by Frank O'Hara
Every poem in Crush by Richard Siken
The Second Coming by WB Yeats (alternatively, The Mermaid)
The Love Song of J. Alfred Prufrock by T. S. Eliot
Dulce et Decorum Est by Wilfred Owen
Love Sonnet XI by Pablo Neruda
somewhere i have never travelled, gladly beyond by e.e. cummings
Wild Geese by Mary Oliver
Tired by Langston Hughes
Perhaps the World Ends Here by Joy Harjo
GRAPHIC NOVELS/COMICS
Paper Girls
Ghost World
Persepolis
Bandette series
Delilah Dirk and the Turkish Lieutenant + sequels
The Fade Out
The Case of the Missing Men
The Less Than Epic Adventures of TJ and Amal
It's a Good Life, If You Don't Weaken
Nimona
TV SHOWS (that are not BLs or murder mysteries XD)
Spaced
Supernatural
The Hour
Buffy
Life on Mars/Ashes to Ashes
This is England 86/88/90
I Love Lucy
Pushing Daisies
Dark
In the Flesh OR The Young Ones OR Xena (I was going to choose but meh)
(A full list of my favourite TV shows on Serializd)
BL SERIES (MASTERLIST HERE)
Moonlight Chicken
My Personal Weatherman
KinnPorsche
Cherry Magic (Thailand)
Century of Love
Wandee Goodday
Old Fashion Cupcake
A Tale of Thousand Stars
Only Friends
Jack O'Frost
(I have a feeling Kidnap is going to take the place of one of these though)
MURDER MYSTERY SHOWS
Poirot
Marple
Rosemary and Thyme
Twin Peaks (it counts XD)
Miss Fisher's Murder Mysteries
Endeavour
Beyond Evil
Murder, She Wrote
Jonathan Creek
George Gently
MOVIES
(if I do subcategories for this, we'd be here all day! But ftr my favourite genres are film noir, musicals, rom-coms, horrorâmostly slashers and gialli, 50s/60s sci-fi...)
The Rocky Horror Picture Show
Clue
Strictly Ballroom
Charade
Velvet Goldmine
Hedwig and the Angry Inch
Call Me By Your Name
God's Own Country
Secretary
That Thing You Do!
(A full list of my favourite films on Letterboxd)
ACTORS
Robert Redford
Colin Farrell
James Spader
Keanu Reeves
Danny Kaye
Humphrey Bogart
Dirk Bogarde
Frank Sinatra
Jack Lemmon
Ben Whishaw
ACTRESSES
(only separating by gender to get more in XD)
Doris Day
Audrey Hepburn
Amy Adams
Lucille Ball
Jane Fonda
Kirsten Dunst
Marilyn Monroe
Nicole Kidman
Michelle Williams
Cate Blanchett
DIRECTORS
Gregg Araki
Alfred Hitchcock
John Waters
Sofia Coppola
AgnĂšs Varda
Wes Anderson
Billy Wilder
Pedro AlmodĂłvar
Stanley Donen
Dario Argento
MUSICALS
(only counting ones I've seen productions of myself)
The Rocky Horror Show
Little Shop of Horrors
Aladdin
Matilda
Cats
Chicago
Hairspray
Wicked
Singin' in the Rain
9 to 5 tied with Priscilla: Queen of the Desert
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Miss đ” who are your best written female characters of all time?
o my God this is like asking a mother of thousands to name her favorite child. possible but extremely hard. okay. catherine earnshaw. ("Iâm wearying to escape into that glorious world, and to be always there: not seeing it dimly through tears, and yearning for it through the walls of an aching heart: but really with it, and in it.â) power gap. lady macbeth. esther greenwood. anna karenina. sethe. joan didion's narrative voice. penelope. clarissa dalloway. fermina daza. stella kowalski (nee dubois). jo march. amy march. briony tallis. scarlett o'hara. emma woodhouse. lila cerullo (the neopolitan novels).
bonus "i like these characters very much but probably for reasons not related to literary merit, which is not to say they lack it, but that for them i am wearing heart-shaped rose-tinted glasses and always will be": marianne sheridan, anne shirley, lizzy bennet, sophie hatter, harrowhark nonagesimus, mina harker, cecilia tallis, and that one girl in the social network who gets to deliver this specific line to mark zuckerberg/jesse eisenburg: "You are probably going to be a very successful computer person. But you're going to go through life thinking that girls don't like you because you're a nerd. And I want you to know, from the bottom of my heart, that that won't be true. It'll be because you're an asshole."
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if they got together then, that means tobin was still with shirley technically because shirley reposted tobin's pic when usmnt lost to costa rica and tobin was wearing shirley's jersey and then tobin flew to paris to break up with her before coming back to be honored at unc and chill with kelley o'hara in California and meanwhile christen went to africa for grassroots soccer so they finally reunited in hawaii and bourbon st
i mean the thing about tobin and shirley is that we really know so little and its all speculation so i'm not gonna assume cheating or anything went on when there's even less known about their earlier relationships.
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I'm reading some literary criticism on heroines (not the Kate Zambreno book) so here are my top 10 literary heroines in no particular order:
Scarlett O'Hara (Gone with the Wind)
Cathy Ames (East of Eden)
Cordelia (King Lear)
Cathy Earnshaw (Wuthering Heights)
Anne Shirley (Anne of Green Gables)
Nancy Drew
Stacey McGill (The Babysitters' Club)
Amy Dunne (Gone Girl)
Becky Sharpe (Vanity Fair)
Cersei Lannister (A Song of Ice and Fire)
Bonus points for like, all the evil/complicated women in ancient Greek/Roman texts (Medea, Clytemnestra, Antigone, Cassandra etc.) as well as like, Guinevere and Nimue (the Lady of the Lake) from Arthurian legend
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Didn't see any request or expired poles for these so any and all of the following that haven't appeared or been queued:
Marion Davies, Elizabeth Taylor, Elvis Presley, Dick Van Dyke, Shirley Jones, Robert Preston, Ginger Rogers, Vivien Leigh, Maureen O'Hara, John Wayne, Dale Evans, Roy Rogers, Judy Garland, and William Holden.
Thanks for the fun polls :)
None of them have been posted so far, but they've now been added, and will be posted through the next couple of months.
I'm so glad you enjoy them!
đ
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If 4Kids got Love Live
Ό's
Honoka Kousaka - Holly Kennedy
Eli Ayase - Ellie Andrews
Kotori Minami - Courtney Millard
Umi Sonoda - Amy Sanders
Rin Hoshizora - Lynn Harris
Maki Nishikino - Mackenzie Nicholas
Nozomi Tojo - Nora Thomas
Hanayo Koizumi - Hannah Carters
Nico Yazawa - Nikki Lee
Aqours
Chika Takami - Chelsea Tucker
Riko Sakurauchi - Rachel Scott
Kanan Matsuura - Katie Maddison
Dia Kurosawa - Diana King
You Watanabe - Louise Williams
Yoshiko "Yohane" Tsushima - Joanne Stewart
Hanamaru Kunikida - Hazel Curtis
Mari Ohara - Marie O'Hara
Ruby Kurosawa - Ruby King
Nijigasaki
Yuu Takasaki - Lori Thompson
Ayumu Uehara - Amaya Harrison
Kasumi Nakasu - Cassie Nathans
Shizuku Osaka - Zoey Owens
Karin Asaka - Karen Avery
Ai Miyashita - Ally Michaels
Kanata Konoe - Kayla Kelly
Setsuna Yuki/Nana Nakagawa - Stella York/Nella Norman
Emma Verde - Emma Green
Rina Tennoji - Lina Tenson
Shioriko Mifune - Stephanie Miller
Mia Taylor would stay the same
Lanzhu Zhong - Lindsay Zhong
Liella
Kanon Shibuya - Kaitlyn Stanford
Keke Tang - Coco Tang
Sumire Heanna - Samantha Hill
Chisato Arashi - Charlotte Alan
Ren Hazuki - Lena Harolds
Kinako Sakurakoji - Cindy Simons
Mei Yoneme - Mae Young
Shiki Wakana - Shirley Wilson
Natsumi Onitsuka - Natalie Oscar
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tagged by @clove-pinks, thank you!
Favourite colour: turquoise/teal or anything blue-green
Last song: i've been listening to this song on repeat
Last movie: Jamaica Inn, which is not great. Maureen O'hara is one of the great beauties of cinema though. And I love Charles Laughton.
Currently watching: Lately, I've been watching horror movies on Tubi. Almost all are bad! I like the saw movies but found footage is maybe my favourite genre yet I've seen very few this year that are actually good!
Other stuff I watched this year: According to letterboxd I've watch 356 movies this years -_-
Shows I dropped this year/didn't finish: dont drag me for this... but ... the terror amc. sorry i just can't get into it! i want to so badly but it doesn't grab me đ«
Currently reading: groucho and me (groucho marx's autobiography) and the family upstairs (lisa jewell). I usually have different books going at once as one will be for during daytime and one will be for before bed. Daytime books are always trashy lol
Currently listening to: i have a playlist of music that i always go to! it has: joanna newsom, shirley collins, and vashti bunyan (nothing else). I am big on listening to the same song on repeat until the sounds lose meaning
Currently working on: Knitting hats. I finished a beret yesterday and doing a turban today. Also working on a pattern for fingerless gloves but I've already knit 1.75 pairs (or 3Ÿ gloves) and I am BORED. I need to finish them as they are going to be gifts for people (so I need one pair for myself, one for my partner, and two pairs for my in-laws) but I hate knitting the same thing over and over
Current obsession: The Marx Brothers đ„ș
Tagging: @c0ldbrains, @norashelley, @shelveddoll ummm anyone else who wants to do this too! (i am so bad of keeping track of who to tag)
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Dennis Weaver in Duel (Steven Spielberg, 1971)
Cast: Dennis Weaver, Jacqueline Scott, Eddie Fierstone, Lou Frizzell, Gene Dynarski, Lucille Benson, Tim Herbert, Charles Seel, Shirley O'Hara, Alexander Lockwood, Amy Douglas, Cary Loftin. Screenplay: Richard Matheson. Cinematography: Jack A. Marta. Art direction: Robert A. Smith. Film editing: Frank Morriss. Music: Billy Goldenberg.
Of course the protagonist of Steven Spielberg's Duel is named David Mann. David vs. Goliath, man vs. machine, get it? This entertaining mashup of a road rage fable with a monster movie launched one of the greatest careers in movie history, and it began in that once-maligned medium, the TV movie. After its modest success as an ABC Movie of the Week -- it was only 18th in the rankings of TV movies for 1971, but got good reviews and, more importantly, attracted industry notice -- it was expanded into a theatrical feature that played internationally and had a limited release in the United States. Spielberg added the opening sequence of the car leaving the garage and hitting the road, wittily filmed from the point of view of the car, establishing it as much a character in the film as its driver (Dennis Weaver). Mann's phone call home to his wife (Jacqueline Scott) was added, their unresolved quarrel making his nervousness and irritability more credible. Adding the sequence with the stalled school bus gave Spielberg a chance to heighten the suspense by showing the tanker truck as a malevolent, lurking monster with a single-minded focus on Mann -- after he escapes, the truck gives the bus the push it needed. But even in the original version, the scenes at the gas station and in the diner are enough to establish Mann's isolation and helplessness. Spielberg's insistence on location shooting in rural Los Angeles County and along the Sierra Highway -- the producers wanted to control the budget by faking a lot of the movie in the studio -- adds immeasurably to the sense of Mann's solitary plight. Spielberg often has trouble ending his movies -- viz., the cemetery coda to Saving Private Ryan (1998) and the extended epilogue to Schindler's List (1993), both of which have stirred critical debate -- but he found the right one for Duel, with his victorious David tossing pebbles into the wreckage of the vanquished Goliath.
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Birthdays 1.31
Beer Birthdays
William Hoffmeister (1827)
George Hauck (1832)
William Wenzel (1854)
Five Favorite Birthdays
Connie Booth; actor, "Monty Python" (1944)
Don Hutson; Green Bay Packers WR (1913)
Terry Kath; rock guitarist, "Chicago" (1946)
Grant Morrison; comic book artist (1960)
John O'Hara; writer (1905)
Famous Birthdays
Shirley Babashoff; swimmer (1957)
Tallulah Bankhead; actor (1903)
Ernie Banks; Chicago Cubs 1B (1931)
Eddie Cantor; actor, singer (1892)
Carol Channing; actor, singer (1923)
Vernon Davis; San Francisco 49ers TE (1984)
Minnie Driver; actor (1970)
Joanne Dru; actor (1922)
James Franciscus; actor (1934)
Dick Gephardt; politician (1941)
James Gibbons Huneker; music critic (1860)
Philip Glass; composer (1937)
Zane Grey; writer (1872)
Bobby Hackett; trumpeter, bandleader (1915)
Mario Lanza; singer, actor (1921)
Anthony LaPaglia; actor (1959)
Alan Lomax; musicologist (1915)
Kelly Lynch; actor (1959)
Norman Mailer; writer (1923)
Charley Musselwhite; blues musician (1944)
Phil Manzanera; rock musician (1951)
Robert Morris; signer of the Declaration of Independence (1734)
Anna Pavlova; dancer, choreographer (1882)
Suzanne Pleshette; actor (1937)
Theodore Richards; chemist (1868)
Jackie Robinson; Brooklyn Dodgers 2B (1919)
Portia de Rossi; actor (1973)
Johnny Rotten; punk singer (1956)
Nolan Ryan; New York Mets P (1947)
Franz Schubert; composer (1797)
Jean Simmons; actor (1929)
Justin Timberlake; singer (1981)
Patricia Velasquez; model, actor (1971)
Jessica Walter; actor (1940)
Ken Wiilber; writer (1949)
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