#ship; reasons to live

[scribz-ag24]

opposing views

[rystiel]

i feel like poolverine easily could’ve been one of those “they’re flirty but it’s mostly unserious” situations, and for most of the movie yeah they were extremely gay, but wade’s been like that with other guys and it was never treated as a serious type of relationship before. they’re willing to die for each other, but even then the romantic aspect of their relationship could be glossed over because it’s a superhero movie, that’s just what they do, and they’re working together to save a whole timeline—it’s not just about them. but then the movie doesn’t end with them saving the day and moving on. i think this’s really the part that sells poolverine as a genuine relationship to me… logan’s leaving, and wade calls for him. he can’t stand to let him go. then he introduces him to his family, and logan stays. he doesn’t really need to stay, but they’ve both decided they’re better off with one another than without

[bacchuschucklefuck]

space sweepers but they're delivery people and are at no point on screen through the entire movie

[essektheylyss]

I think Keyleth should go romance Verin because it would be VERY funny for she and Caleb to be virtually in-laws.

[spaciebabie]

im ill.

[ruporas]

i killed. i murdered. i'm nothing like these sleepy people here… nevertheless, you can actually be grateful? bastard… i’m saying… thank you. because you spilled blood, you saved all of these people’s lives. i couldn’t have done it without you. (ID in alt)

[dykedvonte]

I like to think that Curly and Jimmy had parallel lives on earth.

That Curly was an only child and his parents died shortly after he became a captain. They got to see his biggest accomplishment but he had no one to really celebrate it with after. Jimmy has siblings and his parents and they didn’t care when he got the co-pilot job cause he’s just the back up. Sure they’re happy for him but no reason to celebrate.

They could both barely afford rent. That’s how it is that late in capitalism and the world the live. The difference is Curly could down size, Jimmy would end up down on the curb. Jimmy had flings and Curly had partners. Both fleeting but Curly pulled away and they left Jimmy.

I like to think they lived parallel to each other in a way they both noticed. Curly felt a kinship and Jimmy felt resentful. Curly worked to make a good deal with what he had and Jimmy scorned his dealt cards and wanted the hand he thought Curly had made.

[dollypopup]

one day fans will realize that treating real people like fictional characters and fictional characters like real people is, at the core of things, The Problem

[ale-draws-stuff]

I'm obsessed with them 🥰

[dayurno]

what gets me re: kevin with jean is that kevin is seriously the worst. like we see in-text specifically that kevin used to lean into jean’s space to whisper to him and it seems it was common enough to him that he didn’t think much of it (he did it once for asking jean to teach him french then again to make jean promise not to off himself), he said horrible things like ‘it could be our secret’ and ‘i don’t want to lose you’, he wrote jean memories and notes in postcards, he bought jean silly little magnets, even up to the point of tsc canon he was cradling jean’s face and gently touching his hand. so flirty! no wonder jean was down so horribly. no wonder nora sakavic said kevin was always the problem child

[celtrist]

I may not care for radioapple, but Alastor and Lucifer fighting over decor like an old married couple is something I need

[eddiezpaghetti]

Okay, so my experience with Stranger Things is a weird one.

I didn't care when it first came out, started to watch it out of "might as well" in 2020, wasn't interested in it enough to make it past S2, forgot about it outside of going "oh, hey, cool, there's a lesbian in it now, I guess," in S3, got really annoyed when "Running Up That Hill" got popular from it because it was a song I listened to on fucking loop after one of my best friends died in high school and I fully expected its appearance in the show to ignore the whole survivor's guilt theme of the song (and was very happy to learn later that it did the exact opposite of ignoring the lyrics), saw people drawing Eddie, suddenly got a lot more interested, watched just the fourth season like a fucking psychopath because I was seriously only there for Eddie, then got interested enough to start the show over properly, having mostly forgotten what I did watch of the show before.

And let me tell you something from the perspective of someone who started with the complete fourth season, who wasn't there from the start, who wasn't tainted by ship goggles or this internal battle of hope and despair, who wasn't theorizing about what the painting could be or expecting Mike and Will to kiss when Volume 2 happened or rooting for Mike and Eleven's relationship to go down in flames or whatever the fuck. Just someone who went blind into Season 4.

It's really fucking obvious that Will and Mike are gonna be endgame.

Like holy fuck. It's so fucking blatant I don't even know why people are nervous.

No sane fucking person would shoot this scene this way if they wanted the audience to care about El and Mike as a couple. Despite being all blurry in the background, Will's reaction to what's happening here is smackdab in the fucking middle, clearly showing that the important part is what's going through his head here. What he's feeling. It's like the opposite of that scene from Kingdom Hearts II where Sora and Riku reunite and Kairi just fucking vanishes into the aether while it's happening because, despite the fact that she was standing between them when the scene began, she doesn't matter to the scene, so she's just kind of gone when the camera angle changes. Will could have been behind one of their heads, or so far in the distance he blends in with the background, but he's not. He's so obvious that despite being massively blurred out, he's still the first goddamn thing you look at. What, you think that's an accident? You think he's in the middle of this dramatic fucking scene because of a mistake? He basically has a big flashing neon arrow pointing at him with "THIS IS THE POINT" being screamed through a megaphone.

And then this?

They're paired up like they're taking fucking prom pictures. Each one of these pairs is so fucking close to one another and so fucking far from everyone else. It's not, "Oh, they're standing vaguely near each other in a group shot," it's fucking Noah's Ark out here. Again, there's no way to take this as an accident. It's not just a framing issue. If they wanted to make the shot look balanced while still not hiding anyone else behind El, they would have scattered people around much more naturally. Even if they wanted to keep Nancy with Jonathan and Hopper with Joyce, there's so much room on that hill for three people to stand on El's left and three on her right. But they didn't do that. They put Mike and Will together on purpose in the most obvious way possible.

Like I get that coming up with crackpot theories is fun in and of itself and I'm not blaming anyone for having fun. I totally get the appeal of arguing a point and reaching for every stupid little thing to pull into it because it's like a game, okay? I've done that. But if you're trying to actually convince someone (whether it's someone who wants to believe or someone who's pissed at the very idea that Mike and Will could be in love), stay away from blue and yellow lights, stay away from costume design, stay away from the existence of closets in backgrounds. And don't worry about whether Mike's gay or bi when he's in love with Will either way. I'll give you a little tip about persuasion: You're only as strong as your weakest argument. Even if you've got strong stuff in there, too, the person you're trying to convince is going to dismiss anything you say as complete insanity the second you start going on an entire tangent about the shape of a character's fucking pocket.

Sometimes, clothes are just clothes. Sometimes, there's a closet in the background because it helps establish that a character is in a bedroom. Sometimes, blue and yellow are just a couple of colors that look nice together. And sure, it might be set designers and costume designers and cinematographers smirking and winking at the audience from behind the camera. But if the show was just those things, instead of those things in the context of everything else, they wouldn't be saying anything of note.

But this?

This tells a story all on its own. Someone with no context can look at this and automatically assume that each paired person is standing with someone they care about deeply, seeking comfort as they watch some sort of disaster unfold. And yeah, romantic couples usually come in twos, and we live in an amatonormative society, so that's going to be the first association anyone makes seeing a bunch of people paired off.

It's the same reason you look at this

And go, "Oh..."

"Those two are probably a couple."

And I genuinely don't understand how people could have watched S4 Vol. 2 and gotten scared. Because as someone who went in with no investment whatsoever, I just looked at these two--

--and went, "Oh, those two are a couple. Good for them." And I moved on. Shut up about the trees for five seconds and just see the forest for what it is.

Oh, and if you're still nervous? Little thing from a storyteller here: You don't leave a hanging thread like "Will confessed his romantic feelings for Mike by projecting them onto El, but Mike either didn't understand or at least didn't say he understood," without coming back to that later. That's Chekov's gun hanging on the wall, babes. It's gonna fire at some point. If Mike was going to reject Will's feelings, if they weren't relevant, they would have had that discussion in Argyle's van. There'd be no reason to leave you in suspense.

[kyouka-supremacy]

Yeah having infinite alternative universes where the same two people love each other no matter the world no matter the time is nice but have you considered dedicating your entire existence to find the only universe where your loved one is happy, even if they're going to hate you in that universe, even if you yourself have to die in that universe, because their happiness always came before everything else? Because you never mattered as long as they were happy? Have you considered it??????

[hnbka]

i think the reason i hate childhood best friends to lovers but not when theyre mlm/wlw is because when its a het ship, people expect them to date as children/teens, so most of the movie/show/book is denying romantic feelings, rather than expanding on the once thought to be only platonic feelings in mlm/wlw ships

[flowy-ely]

To be the sunflower for your tulip.

[oceanwithouthermoon]

oh my god i just. remembered this. sorry. one of the things people do in the saiki k fandom (cough cough specifically tiktok cough cough) is that people call every terusai moment "fanservice.." FANSERVICE..? WHATTTTT ?

as if you guys get to make the choices in what the anime SHOULD be like, and which duos get better moments.. thats so funny oh my GOD.

and im saying the anime specifically because none of these people read the manga.. there was this one pretty fucking viral tiktok i saw a few months ago where this person was talking about this and saying that the anime "tried to set up teruhashi and saiki as a couple" when it "wasnt like that in the manga" and then proceeded to talk about scenes that WERE in the manga and did NOT get changed for the anime.. mf why are you just LYING. AND WHY ARE THE MASSES BELIEVING YOU. THATS CRAZY.