#shes the only one in waterboy with the range
Explore tagged Tumblr posts
Note
adam sandler? đ
its literally so bad dude. ive seen every movie he features in and i just have to work thru rob s's "comedies" and then the standup and ive seen it all.. ive watched interviews ive read articles i dont even really like the guy? like. hes done some very questionable comedy. but for some reason...
#it actually was useful to me a few weeks ago#i joined my friend at his trivia night#and the final question category was movies#they all look at me. we bet the maximum of 200 points.#and this is after a good night like we maybe got 2? 3? wrong the whole night. and then#the question comes#'fried green tomatoes; the blind side#and The Waterboy'#now my whole body seizes up bc i havent even seen fried green tomatoes#(bad lesbian alert dont tell anyone)#but i know in my heart its kathy bates#shes the only one in waterboy with the range#and i say it#i say Kathy Bates#and the girl who has been writing down all the answers just blinks at me#NOW FOR THE RECORD#earlier in the round when we were Getting To Know Each other#i mentioned my special interest in adam sandler#ok? ok. everyone is on the same page#this girl looks at me and says 'i think its dennis quaid'#MAN??????????? SDKFHBJSDNF#MANS NOT IN ANY OF THE MOVIES????#now i get nervous in social situations ok i immediately doubt mysel#but i KNOW im right. i know it. i KNOW IT.... i know Him [adam]#and the girl to my left is like#'actually tim mcgraw was the husband in the blind side'#and i didnt know that bc who? anyway#im just staring at this girl. shes looking away. the girl across from me is like omg its sooo dennis quaid#im thinking: this is it. maybe i really am a fucking moron.#she writes dennis quaid. i put my head in my hands
14 notes
·
View notes
Text
Saturnalia- Marcus Gallo x OC
Marcus Gallo x Karisa Antila
Description: Karisa invites Marcus and Stylax to Flaviaâs house for her Saturnalia party, and the night ends unexpectedly better than she and Marcus thought.Â
Word Count: 2k
âMorning boys,â Karisa called as she entered Stylax and Marcusâ workroom. Aurelius (the waterboy), who had been talking to the boys about something rather embarrassing, whipped around with a deep blush on his face, nearly splashing the entire pitcher of water on her is Marcus hadnât grabbed her arm from his spot at the table and yanked her to the side.Â
âGods, Aurelius,â she exhaled exasperatedly. âWatch where you swing your pitcher,â she demanded, smacking Stylaxâs arm when he snorted at the double entendre of her words.Â
âSorry Miss Karisa,â Aurelius mumbled, looking down embarrassed. âIâll uh, go fetch some more water.â He left without looking at any of them, and once he was out of hearing range Stylax and Marcus burst out laughing.Â
âMan, that never gets old,â Marcus snickered. Karisa rolled her eyes and crossed her arms.Â
âYou guys are so mean to him,â she muttered with a shake of her head.Â
âYouâre only saying that because you pity him,â Stylax accused in response.Â
âAm not,â the girl responded defensively.Â
âAre too,â he retorted. Marcus didnât let their bickering continue as he looked at the girl.Â
âAnyways Karisa, to what do we owe the pleasure of having you down here for?â He inquired, leaning his head in his palm. Karisa seemed to remember why she had come down there and perked up.Â
âAh, right. Well, Flavia is very busy today, but she wanted me to invite you guys to a party sheâs throwing at her place.âÂ
âParty?â Stylax repeated confusedly.Â
âInvite us?â Marcus added in the same tone.Â
âWell, sheâs inviting all the staff, but she asked me to do it since she has several meetings today that she needed to prepare for,â Karisa explained. âItâs for Saturnalia and there are supposed to be some reputable guests attending that she wants all the staff to meet.âÂ
âI donât know Karisa,â Marcus trailed off slowly, looking down at the table awkwardly. A small, knowing smile settled on the girlâs face and she leaned down a bit.Â
 âCynthia said she may be there,â she mentioned in a sing-song voice. That, of course, caught Marcusâ attention and he brightened a bit.Â
âReally?â He asked. It almost made Karisaâs heart break, knowing how much Marcus fancied Cynthia. Nevertheless, she nodded cheerfully.Â
âAt least she said she would last time we spoke,â she added quickly.Â
âYeah, Iâll be there then,â Marcus finally agreed happily. Karisa giggled then nodded before looking at Stylax for his answer.Â
âYou think sheâd let me bring Helena?â He inquired, to which Karisa shrugged.Â
âI donât see why not. Lotus will be there so I doubt Helena wouldnât be too far behind.âÂ
âThen yeah,â the man shrugged. âWhat time does it start?â
âAround 8:00, but just come whenever you want.â The boys nodded, and Karisa wished them a quick bye before heading back to Flaviaâs office.Â
At nearly midnight the party was still going great. People were laughing, talking, eating and some were even dancing, everyone was having a great time. Karisa could tell by the look on Flaviaâs face that they had at least a few well off customers in the future. The only person she could see that wasnât having fun was Marcus. In fact, she hadnât even seen him since he first arrived. Surely he hadnât decided to leave already? After searching for nearly ten minutes, she finally found him on the edge of the back porch with a drink in his hand. She closed the back door behind her, muffling the music and chatter inside, before walking over to him.Â
âNot to toot my own horn or anything but I decorated the house nicely. Youâre missing a pretty fun party inside,â she informed him with a small smile as she took a seat on his right side. âWhatâre you doing out here by yourself?â The boy sighed and looked at his lap.Â
âCynthia didnât come,â he muttered quietly, shocking Karisa.Â
âWait what?â She questioned with wide eyes. Marcus nodded, still not looking at her.Â
âYeah, Helena stopped by her flat before she and Stylax came here. Cynthia said that parties werenât her thing and she didnât want to go after all,â he explained. Karisaâs heart broke yet again, but this time for a different reason.Â
âOh Marcus, Iâm so sorry,â she muttered genuinely. âI really thought she would have come, sheâd been talking about it ever since I mentioned it.âÂ
âItâs fine Karisa,â he attempted to dismiss her apology.Â
âNo, it isnât,â Karisa shook her head. âI made you come to this party for nothing, what kind of friend am I?â
âA good one either way,â Marcus responded simply. The girl sighed then shook her head.Â
âStill.â After she finished talking, she watched him grab something from his left side.Â
âI was gonna give her this,â he added, holding up a white Lily. âGuess itâs all for naught though.â His hand dropped to his lap, flower still in hand. The girl debated on what to do next, ultimately deciding to pick up the flower and place it in her hair.Â
âHow do I look?â She asked with a playful smile. Marcus looked at her and a smile tugged at his lips.Â
âAmazing,â he responded. Karisa tried not to take his compliment to heart.Â
âThen itâs not all for naught,â she said simply. âThat way it doesnât go to waste and you have someone to give it to. Though I canât say Iâm a good replacement for Cynthia.â At her name, Marcusâs shoulders dropped a bit, so Karisa continued.Â
âMarcus if you donât want to be here, no oneâs forcing you. In fact Iâve already seen people begin to leave. You should probably get home.â Marcus nodded after a moment and sighed before standing.Â
âDo you want me to walk you home?â He inquired. Karisa shot him a thankful smile but shook her head.Â
âFlavia has me on cleanup duty when the partyâs over. Itâs not a long walk home for me anyways,â she responded.Â
âAlright then, goodnight Karisa.âÂ
âGoodnight Marcus, tell Grumio I said hello.â
âWill do,â Marcus replied, watching for a moment as she turned back to the evening sky while her drink swirled in her hand. He left shortly after then walked the thirty or so minutes back to his flat.Â
âHey Grumio,â he greeted upon arriving, looking dejected.Â
âWhatâs wrong?â The servant asked, immediately noticing his friendâs mood.Â
âShe didnât go to the party,â Marcus sighed, plopping down beside Grumio.Â
âReally?â He questioned, sounding genuinely surprised. âShe told me she was gonna tell you about her feelings tonight.â Marcusâ eyes widened and his eyes snapped to his friend.Â
âShe was?â He asked, sounding as alarmed as he looked. Grumio shrugged nonchalantly and nodded.Â
âYou shoulda seen her the past week,â he added before putting on a horrible girly voice. âMarcus likes Cynthia, and if heâs happy Iâm happy. Who am I to get between him and who he wants?â He mimicked before huffing and leaning back in his seat. âI only just convinced her to talk to you two days ago. Guess the pep talk was for nothing in the end then.â Marcusâ eyebrows knit together in confusion. Why would Cynthia refer to herself in third person? No offense to her, but he was pretty sure she wasnât smart enough to even understand that point of view. UnlessâŠunless they werenât talking about her.Â
âGrumio, who do you think weâre talking about?â He questioned slowly.Â
âKarisa,â Grumio answered with a shrug. âWho else?âÂ
âKarisa likes me?â Marcus asked, looking absolutely blown away.Â
âCourse she does, keep up, would ya?â The man responded, none the wiser to Marcusâs discovery.Â
âFor how long?âÂ
âAlmost since you moved here. Why?â Marcus didnât answer, but instead leaned forward with his elbows on his knees. His mind was reeling as he looked back on their relationship. All the compassion, the friendly gestures, the looks she always gave him. It was because Karisa fancied him? It felt like something awakened in Marcus, and he was standing before his mind could catch up.Â
 âIâll be back,â he informed Grumio, already heading to the door.Â
âItâs nearly 2:00 a.m.â his friend pointed out confusedly, but Marcus didnât listen. His mind continued to run as his feet moved on their own accord, seeming as if they already knew where to go. Nearly half an hour later he was on Karisaâs doorstep knocking on her door. He saw a light emit from the living room window, signaling that a candle had been lit. That means sheâs awake, Marcus thought. Just a second later the door opened and Karisa poked her head out, looking confused. Not that he could blame her of course, it was 2:00 a.m. and he was randomly on her doorstep. She still had the flower in her hair, which meant she hadnât gone to bed yet, so he felt a bit better about this.Â
âMarcus? What are you doing here?â She questioned tiredly. âIs something wrong?â Marcus only stood there at first, trying to figure out how to go about this. Ultimately, he threw caution to the wind and stepped closer to her. Before she could question him again his hands grabbed the back of her neck and pushed her towards him in a kiss. It was rather messy at first, since Karisa hadnât expected such a move. Once she melted into the kiss thigh, it was like heaven on earth. Unfortunately, the girl had to pull away just a second later for air.Â
âIâm an idiot,â Marcus mumbled low enough for only her to hear despite them being alone outside, eyes still closed. Â
âWhat are you talking about?â Karisa inquired breathlessly as she stared at him.Â
âFor not realizing what was in front of me all along,â he explained, a bit louder this time. âGrumio told me what you said to him, Iâm an idiot for going after someone when there was an amazing girl by my side the entire time.â Karisa blushed and she had an internal debate on whether to thank Grumio or kill him.Â
"I didnât mind the wait,â she responded softly. His eyes opened once more and he stared into her eyes, an adoring grin painting his lips.Â
âWell now you donât have to wait,â he spoke before kissing her once more. âNot anymore. Now that my eyes are finally open.â Karisa bit her lip and nodded hesitantly, which made Marcus worry.Â
âWhat is it?â He questioned.Â
âI donât want to be a rebound for Cynthia,â she answered quietly, almost as if she didnât want him to hear it.Â
âOh Karisa,â he breathed out softly. âI would never do that to you. Iâm here because I love you and you love me too. Thatâs all that matters: us.â Karisa looked comforted by his words and a smile appeared on her face once more.Â
âOkay,â she muttered. âWould uh, would you like to come in? Itâs late and I know itâs a pretty far walk back to your house.âÂ
âI thought youâd never ask,â Marcus sighed in relief, Karisa giggling afterwards as she led him inside. âAfter pretty much running all the way here my feet are killing me.â Her eyes widened and she faced him after closing the door behind them.Â
âYou ran all the way here at this hour? Why didnât you just come in the morning?â She asked bewildered.Â
âI couldnât wait, and I donât think I can keep you waiting,â he explained coyly, which made the girlâs heart melt.Â
âWell now that youâre here, how about we get some rest?â She inquired, already heading to her bedroom. Marcus followed her immediately and the two settled into bed in a spooning position. Karisa intertwined her hand with Marcusâ that laid over her waist.Â
âDid you have a good Saturnalia?â She inquired after a few minutes of complete silence. Marcus opened his eyes and smiled at the back of her head lovingly.Â
âWith you? Always.â
6 notes
·
View notes
Text
Daybreak Academy: Chapter 34
Good Grief, Girl!
Summary: In which Skuld and April sit through callbacks. Word Count: 1,503 First | Previous | Next â ⏠â ⏠â ⏠â ⏠â ⏠â ⏠â ⏠â ⏠â
Already two days in, and this play was a total disaster. Skuld had been the only volunteered director to show up- she immediately set out to work despite this. No use whining about a bunch of people who couldn't keep a commitment.
To make things worse, the callbacks were possibly the worst planned part of the play. Most of the time, the actors were chosen before the play was even written. This then lead to either a shortage of actors or actors that were less than qualified to act their roles. Not this year. Not with Skuld making sure that the writers of the play started work right after the formal.
The initial scripts had looked pretty good- Skuld was able to get the main characteristics of each role for use during the callbacks. She just hoped that it wouldn't change too much in the writers' second revision. In fact, she even told the script writers that they were not allowed to add any characters, or change their basic descriptions and personalities at all. It would nip that actor shortage problem right in the bud. If you couldn't make a reasonable play with a set list of characters, were you even a good writer?
Skuld shifted through the consistently growing dossier she had complied of notes and reminders for the play. Trying to figure out the script was only the first part. Today the callbacks were being held in the main section of the auditorium. This wasn't the best second step, but it would do.
As Skuld entered the auditorium, Mrs. Tremaine was already setting up a spot to sit at. The musical director noticed Skuld before the girl could notice the teacher.
âIs it just you?â Ms. Tremaine curiously asked. It wasn't unusual for only one director to show up for callbacks, so Skuld found the question as a rhetoric. Regardless, she wasn't going to be rude to a teacher, so the girl gave Ms. Tremaine a nod.
âThere's a lot to do this year.â Skuld grumbled as she took a seat. This answer seemed to assure the musical director as she nodded back.
âEvery year feels like that.â the older teacher agreed as she sat next to Skuld. In curiosity, Ms. Tremaine caught a glimpse of Skuld's dossier. A smirk crossed her face as she looked back at Skuld. âI assume you've got an impressive game plan?â
Skuld gave the teacher a nod as she pulled out a small envelope filled with note cards. âI have character notes.â she absently announced, handing the stack to Ms. Tremaine. The older teacher raised an eyebrow before taking the note cards. Her face soon twisted into an expression boarding both amusement and surprise.
âGood grief, girl,â she remarked- her voice sounding just as conflicted. âThey're color coordinated!â
âAnd alphabetized.â
Ms. Tremaine then shot Skuld an unreadable look. Based off the character notes, all of them had been written in Skuld's handwriting. Another glance over the dossier also gave snippets of Skuld's own writing without any indication of another. Being the teacher she was, Ms. Tremaine was immediately suspicious. Sure, it wasn't unusual for Skuld to take a project by its horns- she wouldn't have been the first or last student to do so, but wasn't she getting help? Ms. Tremaine had looked up at the sign up sheets herself. There was no way that Skuld was the only directorâŠ
âAre we ready to start?â Skuld asked, snapping Ms. Tremaine out of her thoughts. Ah well, she was sure Skuld would say something if anything was wrong.
âYou bet.â Ms. Tremaine agreed, bending down to pick up her megaphone. âFirst up is Hazel Hearn, trying out for a secondary female role.â Then, without warning, Ms. Tremaine belted into the megaphone, âHazel, you're up first!â
Out from the wings came a girl with bright red hair and a mousy face. Skuld took out her note cards on secondary roles as she looked from them and to the girl. As Hazel began the rehearsed one minute speech, Skuld made notes on her performance- anything ranging from voice inflections to how much confidence they gave while up on stage.
The rest of the callbacks followed in a similar manner. Ms. Tremaine would announce the student, what role they intended to fill, and Skuld would watch them while reviewing her notes. It made her job a lot easier when the students actually knew what role they wanted. When they were finished, Skuld and Ms. Tremaine discussed the student's performance and whether they were suited for that particular role. Ms. Tremaine gave Skuld freedom on which students to keep. Some of them were going to incredibly bitter that Skuld had given them a background role instead of a lead.
A whole hour of this cycle wearily droned on. Skuld all but yawned as she questioned, âIs that all?â
âNope. Just two more left.â Ms. Tremaine encouraged. âFirst up is someone I'm sure you're familiar with: Ephemer Ryce. Auditioning for (and I quote) 'any role you deem necessary'.â
Skuld gave a small snort. âSounds like he wants to be cast as the waterboy.â she mumbled to herself.
Ms. Tremaine also afforded a laugh as she brought her megaphone back to her lips.
âAlright Ephemer,â she called out. âGet your chronically late bum out here and impress your best friend!â
âNow how is that fair?â the boy teasingly whined as he came out from the wings. âI'm only late once a month.â
âWatch yourself buddy.â Ms. Tremaine smirked. âYou're treading on thin ice with that line.â
The boy gave the teacher a wide, innocent smile before turning his attention to his friend. His face immediately fell.
âAre you alright, Skuld? You look...â
âNothing I can't handle.â she quickly dismissed. âJust start reciting the speech.â
But he hesitated for a moment before finally giving in. Ephemer took his time with the speech- his voice clear and his voice perfectly reflecting his emotion. When he finished, he looked back at Skuld expectantly- as if he was waiting for her to reveal that she needed help, and not because he wanted a good role.
âThank you Ephemer.â Skuld coldly told him. âYou can leave the stage now.â
Ephemer still hesitated, but eventually did what he was told. With him gone, Ms. Tremaine looked over at Skuld.
âSo, what did you think?â she asked, having full faith in Skuld's choices now. âThink he should come back?â
Skuld tapped her pencil against her lower lip in thought. âHe spoke clearly enough.â she mused out loud. âHis emotional range was pretty decent as well. He also fits the basic physical description for the male lead- spare the hair, but that can easily be fixed.â
âSo we'll pen him down for first choice on the male lead. Sound fair?â
âYes, do that.â Skuld absently replied as she wrote down notes for the costume department. âWho's next?â
âAnora Ravishta.â Ms. Tremaine replied- hearing the name made Skuld look up at her. âLike Ephemer, Anora doesn't have a role in mind.â
Skuld's jaw slacked as Ms. Tremaine called Anora onto the stage. The older girl stared at the other when she recited the speech. A part of Skuld relaxed when it became easy to see that Anora lacked confidence on stage; it made much more sense now. Could there had been a small pang of jealousy? Maybe. But it was incredibly short lived and was easily replaced with sympathy.
When Anora finished, she didn't hesitate to give a formidable bow to Skuld and Ms. Tremaine before quickly dashing off stage.
âShe's so cute.â Ms. Tremaine cooed not a moment after. âShe'd make a great secondary character. What do you think?â
But Skuld shook her head. âUnderstudy.â she determined. âShe doesn't have any confidence in herself. It affected her delivery, her posture, and her overall presence on stage. But if she would go on as an understudy, learn the way theater works, she could gain that confidence. Not that I'm rooting for anyone to get sick so she could step up- but since it is her first year at this school, it would be great to get the experience in.â In the back of her mind, Skuld added, 'Especially since Ephemer is helping her.'
Ms. Tremaine studied Skuld for a moment- she could understand the logic of it. It did seem a bit unfair that a newer student (especially one placed in the later years) would be considered for anything but a background character or understudy. But there was something about Skuld's response that also seemed off. It wasn't something she could quite placeâŠ
âIs that the rest, then?â Skuld questioned, once more bringing Ms. Tremaine from her suspicious thoughts.
âYep.â the teacher affirmed. âGood luck with the rest of the play. Make sure you save some work for the rest of your team, alright?â
To her surprise, Skuld gave a bitter snort as she gathered her things together. In a grumble, she told the teacher, âThat won't be a problem.â
#daybreak academy#chapter 34#kingdom hearts fanfiction#Skuld#April#Ephemer#Anora#Spring Play 2020#Season 1
2 notes
·
View notes
Text
Canary Arrow (Jason Todd x Reader) Part 1
Request: No
Prompt: You come back from the future with Impulse (Bart Allen)
Relationship: Jason Todd x Reader, Father! Green Arrow/Oliver Queen x Daughter! Reader, Mother! Black Canary/Dinah Lance x Daughter! Reader
Warning: Cursing, Death, Mentions of Death, Torture, Mentions of Torture
Word Count: 4212
A/N: I think I may have gone overboard with this one but my fingers wouldnât stop typing, so I had to spilt it into two parts. Anyway enjoy, and please request.
~~~
(Y/N)âs POV
I fired an arrow into the back of the attackerâs skull,
âYou killed him!â Bart exclaimed,
âYouâre welcomeâ I say as I pulled the arrow out, âAdmin, give me the status!â I ordered through the com as I smacked another attacker around the face with my bow,
âItâs at 98%â Admin replied,
âTitan!â I yelled gaining his attention, âYou alright to handle this?â I asked mentioning the remaining attackers,
âGoâ He said as he charged the group of attackers,
âTime to goâ Bart said as he picked me up and ran us down to the basement,
âIâve told you a thousand times not to carry me like that Allen!â I scolded as I pulled myself from his arms,
âItâs the fastest way for us to travel without you getting whiplashâ He explained, I rolled my eyes
âA minute left Canaryâ Admin announced, Red Hood approached me
âKeep them all safe for meâ I say,
âLike theyâre my own familyâ She said before she tackled me with a hug, âStay safe (Y/N)â She whispered,
âYouâre the one in more danger, Lianâ I sighed pulling away from her, she chuckled
âSay hi to younger me, that way Iâll know you got there safeâ She demanded,
âCanary, Allen itâs readyâ Admin said, I approached Admin who had tears in his eyes
âGive them hell amigoâ I say,
âDonât I alwaysâ He smirked, I ruffled his hair earning a groan,
âTime to goâ Bart said as he picked me up and ran us through the machine, we arrived and was met by Kid-flash, Robin, Nightwing and Beast-boy, âWeâre here!â Bart announced, I pulled myself from Bartâs hold and smack him over the head before he began running around the place
âImpulse, I like itâ He said and gushed about how âcrashâ everything was, as KF, Robin and BB were trying to catch him
âNightwing, on your right in three, two, oneâ I say and he barged Bart off his feet and cuffed âDonât even think about coming near me with them thingsâ I say as Robin came towards me with cuffs in his hands,
âItâs precautionâ He stated,
âAnd soâs this arrow thatâs about to go through your skullâ I threatened as I aimed at him,
âKeep a close eye on herâ Nightwing ordered as he left the room, I retracted the bow string and relaxed as Nightwing came back with a glass of water,
âComing from the future must have been thirst work. Would you like a drink?â He offered, Bart accepted
âSuch a Dick Grayson moveâ I smirked,
âYou know?â He asked
âYep. Dick Grayson, aka Nightwing, Tim Drake, aka Robin, Garfield Logan, aka Beast-boy, and Wally West, aka Kid-flashâ I say,
âAnd you are?â Wally asked as he came over to me,
â(Y/N) (L/N), also known as the Canary Arrow. Then weâve got Bartholomew Allen the second-â
âBart Allen!â He yelled cutting me off, I narrowed my eyes at him,
âGrandson of Bartholomew Allen the first, aka the Flashâ I introduced before the system announced someone was coming into the base, so Bart phased out of his cuffs and took off running, he was closely followed by Garfield and Wally chasing him, I sat down and twirled an arrow around in my hand as I watched Dick track Bart, âHeâs heading to Central City to meet Barryâ I state gaining both of their attention,
âHavenât you got someone you want to meet? Parents?â Dick asked,
âMy parents are dead to meâ I scoffed,
âOhâŠâ He trailed off,
âArenât you going to tell Bruce or any other Justice League members of this conundrum?â I asked.
âWe can handle this ourselvesâ Kaldur said as he entered the room,
âHey Waterboyâs joined the partyâ I mocked,
âItâs Aqua-ladâ He stated
âOh, I know. I just like to piss off; the Justice League, Young Justice, Teen Titans, Outlawsâ I point out,
âAnd youâre still alive?â Tim asked,
âNo Iâm a figment of your imaginations, of course Iâm still alive because none of you bums can catch me in the futureâ I bragged, Dick sighed
âWe may have to get Batman involved with this oneâ He said mentioning me, I stopped twirling the arrow and put it away before standing up,
âShall we go?â I asked
âRobin you stay here. Iâll drop her off at the Caveâ Dick ordered as he led me towards the Zeta tube, we went through and arrived in the Bat-cave,
âNightwingâ Alfred greeted,
âShe knows Alfred. This is the Canary Arrow, (Y/N) (L/N), sheâs from the futureâ Dick introduced me as he put me inside the holding cell, âCould you keep an eye on her until Bruce comes back?â Dick asked,
âOf courseâ He answered as Dick went back through the Zeta tube,
âHe doesnât trust me, does he?â I asked,
âNot in the slightest. But I wouldnât blame him since youâre not giving him your real nameâ He answered, I dropped my bow and arrows on the bed,
âI donât know what youâre talking about Alfred. Iâve given him my nameâ I say,
âCanary Arrow? That makes me think that youâre a protĂ©gĂ© of the Black Canary and the Green Arrow. Miss Queenâ He said, I glared at him before kicking the door open,Â
âIâm not a Queen. Not anymoreâ I growled as I stood in front of him, âYou tell a soul who I am, youâll end up with arrows as eyes. Understood?â I threatened,
âYour secret is safe with meâ he said seeming un-phased by my threat,
âYouâre not scaredâ I say tilting my head,
âI havenât been scared of death for a whileâ He stated, I hummed and went back into the cell,
âYou can go back to your duties Alfred, I wonât leaveâ I sighed as I sat on the bed, static filled my ear making me raise an eyebrow
âRed...too manyâŠNo!â Adminâs voice rang through my com, my eyes widened
âAdmin? Red? Can you hear me?â I asked,
âCanary? I thought you went to the past?â Lian asked,
âI am. The comâs still working, whatâs going on?â I reply,
âPress the button on your com, youâll see what Iâm seeingâ Admin said, I did so, and my eyes widened at the scene, they were being swarmed by the attackers,
âSurrender or die!â Someone ordered as Titan was brought forward,
âHavenât you heard who we are? Weâre Misfits, we fight until deathâ Titan said as he broke free of their grip and fought against them, his nape was slice revealing his natural form inside,
âArronâŠâ I whispered,
âIâm sorry Canary. Thanks for giving me a familyâ He said before his throat was sliced,
âNo!â Lian yelled as she fired multiple of bomb arrows at the attackers,
âLian pull back! Thatâs an order!â I yelled as she was getting surrounded, âAdmin, get her out of there!â I ordered as her bow was kicked from her hands and she was restrained and brought in front of the leader, Admin was quick to move as he took down most of the attackers but stopped dead in his tracks and looked down to see a dagger in his chest,
âAdmin!â Lian screamed,
âIâm sorry, Canaryâ He whispered,
âNo, you did your best Alexandro. I couldnât be prouder. Until we meet again amigoâ I smiled, he looked up towards Lian who had a pistol aimed at her head,
âYouâll die like the rest of your pathetic friendsâ The leader growled,
âIâll see you soon, Canaryâ She smiled before the trigger was pulled and she dropped to the floor, I pulled the com out of my ear and smashed it, I stood up and punched the cell wall while letting out a frustrated scream, which amplified to a canary cry shattering the glass,
âDick informed me that we had a guest, I didnât expect them to be a meta though, a strong one at thatâ Bruce said making me turn around to see him and Alfred stood there,
âI didnât hear you come inâ I say picking my arrows and bow up,
âYou were talking to someoneâ He stated,
âMy team from the future. My com was still hooked up to them and wellâŠyeahâ I sighed,
âItâs fine. Are you alright?â Bruce asked, I nodded
âOther than feeling a little pissed off, yeahâ I say as I followed him to the computer,
âSo, your nameâs (Y/N) (L/N)?â He questioned, I sighed
âNo, itâs (Y/N) Queen, daughter of Oliver Queen and Dinah Lance, but go by (Y/N) (L/N) since I disowned themâ I explained, he nodded
â(Y/N) (L/N), it is. And you go by Canary Arrowâ He said as he filled out a file on the computer,
âCorrectâ I comment,
âYou have a Canary cry, any other superpowers or abilities?â He asked,
âSelf-healing abilitiesâ I answered, he raised an eyebrow, so I took a bat-rang off him and cut the palm of my hand, only for it to heal up moments later.
âOne less person I have to stitch upâ Alfred commented making me chuckle before a signal popped up on screen,
âThe Outlaws? I donât have time for theseâ Bruce growled,
âI can deal with themâ I state, the two of them turned to me âYouâre busy, I can deal with them, donât worry, I wonât kill them. It could mess up the future if I doâ I say,
âAlfred guide her through the com, I need to get back to the Justice Leagueâ Bruce ordered as he handed me a com, I placed it in my ear and headed over to the motorcycle,
âSend me the co-ordinatesâ I say before setting off out, I arrived at the location and heard the gunshots and explosions inside,
âAre they there still, Miss?â Alfred asked,
âYeah, they are, and making a lot of noise. Yâknow, you donât have to call me âMissâ, Canaryâs just fine Alfredâ I say as I scaled the building,
âIf you wish, Iâll call you thatâ He replied, I sat on the edge of the building as the Outlaws were finishing up, they all gathered in the middle and began conversating,
âWell, I must say, Iâm impressedâ I called down still hiding in the shadows, they all went into defensive mode making me chuckle.
âShow yourself!â Red Hood yelled,
âNot yet. Now, whoâve we got here; Princess Koriand'r of Tamaran, aka Starfire, Roy Harper aka Speedy-â
âItâs Arsenal!â He yelled cutting me off, I restrained myself from laughing,
âGod, Iâve missed pissing you offâ I smirked as I jumped off of the roof, âAnd finally, Jason Todd, aka Red Hoodâ I say,
âHow do you know us?!â Jason yelled,
âIâm an acquaintance from the futureâ I explained as I stalked them still in the shadows,
âStar, light them upâ Jason ordered and seconds later Kori was shooting her beams into every shadowy place to the eye, I fired an arrow at her and covered her body, minus her head, in ice
âYou, my flaming friend need to chill outâ I say as I came out of the shadows,
âSheâs hotâ Roy commented making me cringe,
âPlease donât say that. Youâre Lianâs dadâ I say which earned him aiming at me,
âHow do you know of her?!â He questioned, I sighed resting a hand on my hip,
âDo you not listen? Iâm from the future, your daughter; Lian Harper, was the closest person I had to a friendâ I say, he shot the arrow that narrowly missed my face, I glared at him as I felt the cut heal, his face dropped
âPlease tell me that someone else saw thatâ He pleaded.
âNo, I did tooâ Jason said,
âWho are you?â Kori asked,
âCanary Arrowâ I introduced as I shattered the ice covering her body,
âCanary! Do you copy?!â Bruce yelled in my ear,
âOw. Was they any need to yell?!â I snap,
âYou werenât answering, plus Impulse told your parents about youâ He said,
âAllen did what?!â I growled as I made my way back towards the bike,
âHey! Where are you going?!â Jason yelled,
âTo kick my cousins ass. Iâll find you again to chatâ I answered as I drove back to the Cave, I got in and was greeted by the Justice league, âWhere is he?â I growled as I walked towards them,
â(Y/N), Iâm sorry. Yâknow how I talk and I donât shut up-â Bart was cut off by me punching him,
âYouâre about to die here Allen, say your goodbyesâ I growled,
â(Y/N) pleaseâ he begged as he used his speed to avoid my attacks, I growled and tripped him up with my bow and held it against his throat,
â(Y/N), thatâs enoughâ Oliver ordered as he placed a hand on my shoulder,
âOliver, bad ideaâ Barry said before I knocked him on to his knees and strangled him with my bow,
âOllieâ Dinah said he cover his ears as she used her canary cry towards me, I retaliated with my own canary cry, the other members held their ears groaning in pain as they fell to their knees, eventually my cry over-powered hers and she fell to the floor, I stopped and kicked Oliver to the ground beside her,
â(Y/N), theyâre your parents!â Bart exclaimed as he scrambled to his feet,
âNo theyâre not!â I snapped turning to him,
âI see she has your cry and styleâ Oliver groaned,
âAnd your fighting styleâ Dinah replied as they all got to their feet,
âTrust me, I can do more than shoot an arrowâ I scoffed,
âShow meâ She demanded,
âHow oldâs Connor?â I asked,
âThreeâ She answered,
âIâm not fighting youâ I state,
âWhy? Scared?â She taunted, I rolled my eyes
âBecause youâre four months pregnant with myselfâ I answered, her eyes widened
âBut I havenât-â
âYou never did experience morning sickness or the mood-swings or me kicking your insidesâ I explained cutting her off,
âIâŠâ She trailed off,
âWhat happened to you for you to hate your parents?â Clark asked, I glared at him
âI trusted them, and they left me to die!â I yelled, all their expressions dropped,
âI thought you didnât like them because you werenât their favouriteâ Bart whispered,
âThat was me sugar-coating it for youâ I replied before making my way out of the cave.
***
I was sat on a ledge of the church tower, I felt someone approaching me making me aim my bow at them,
âOh, itâs youâ I say to Bruce as I relaxed, he sat next to me,
âDo you want to talk about it?â He asked,
âAbout what? How I almost killed my family?â I questioned,
âYour deathâ he answered, I remained silent as I stared out across Gotham,
âDonât you have criminals to put away?â I scoffed,
âYes but I need to make sure that youâre alright as wellâ He replied,
âWhy?â I sighed,
âBecause you need guidanceâ He said, I rolled my eyes
âAnd youâre the one to give it to me?â I say raising an eyebrow,
âPossibly. If you need a place to stay youâre al-â
âAlways welcomed to the Manor. I know, youâve told me before, Uncle Bruceâ I finished off,
âI have?â he asked,
âFuture you hasâ I answered standing up, he gave a small smile,
âIâm going to do patrol then Iâll be home, if you decide to comeâ He announced before jumping off, I sighed and jumped off myself, I walked across rooftops looking through windows of apartments seeing what a typical family looked like, however I stopped when I noticed Roy, Jason and Kori passed out on the couch while a young Lian played in another room, I smiled slightly before jumping over to the ledge outside the room Lian was playing in, I knocked on it gaining her attention, she came over to it with caution and opened it,
âHelloâ She said,
âHello Lianâ I smiled,
âHow do you know my name?â She asked.
âItâs not safe to tell you that while Iâm out here, may I come in?â I asked, she thought about before moving out of the way allowing me to climbing inside, I closed the window and turned to her removing my mask, âMy name is (Y/N) (L/N) and I know your name because I come from the futureâ I introduced, her eyes widened
âReally?â She said, I nodded âWhat am I like?â She asked as she sat me down on her bed and sat cross-legged in front of me,
âYou kick assâ I answered, she smiled brightly at me before I heard the front door open making me raise an eyebrow âWho else knows about this apartment?â I whispered as I stood up,
âJust me, Dad, Uncle Jay and Aunt Koriâ She answered, I put my mask on and prepared an arrow,
âDo me a favour and open your door on the count of 3, okay?â I asked, she nodded and prepared herself, â1. 2. 3â I say, she pulled open the door and scouted the front room finding no one, I hummed as I put the arrow away, âLian. Pack some essentialsâ I ordered,
âOkayâ She replied, I did another sweep over the room and heard beeping, I flipped the couch and found a bomb, my eyes widened as it only had ten seconds left, I ran back into Lianâs room picking her and her bag and jumping out of the window, a second later the bomb exploded, I landed on my back on top of a car with Lian shaking on top of me,
âYou okay?â I asked, she slowly nodded as I sat up groaning, âCome on, I know somewhere safeâ I say as I got off the car and held her hand,
âWhereâs Daddy?â She asked as we made our way down the street,
âYour Dadâs been kidnapped, along with your Uncle Jay and Aunt Koriâ I replied, we arrived at one of Jasonâs many safe-houses, I pick-locked my way in and locked it behind us,
âWhere are we?â Lian asked as I turned on the lights,
âOne of Jasonâs safe-housesâ I answered removing my mask, bow and arrows, âB? You there?â I asked as I held a finger against my com, it was quiet for a few moments,
â(Y/N), are you okay?â Bruce answered, I sighed in relief,
âYeah, Iâm fine. Listen, I need you to come to my current location ASAP. Iâve got a small friend, I need you to look after while I get her Dad backâ I say smiling at Lian as she put on a red cape,
âWho do you need Batman or Bruce?â He asked,
âEither, I donât think itâs going to matterâ I answered, âBatman it is thenâ He replied, I cut off with him and turned to Lian, âHey Lianâ I say crouching down to her level,
âWhatâs up?â She asked,
âBatmanâs going to come over to keep you company while I go get your Dadâ I say,
â(Y/N)â Bruce said, I stood up and faced him
âIâm glad you came. This is my friend, Lianâ I introduced, he nodded
âItâs nice to meet you, Lianâ He said,
âIâm going now. Iâll be back soonâ I say as I picked up my mask, put it on and headed out, I made my way straight into Black Maskâs territory, and was immediately swarmed by his henchmen, I raised an eyebrow
âYou lost little bird?â Mask said as he came out of the shadows
âI donât get lostâ I say folding my arms,
âThen you should know that no vigilantes are allowed in my part of townâ He stated,
âI donât follow rules either, especially when you almost blow me upâ I growled, he chuckled
âAh, youâre a friend of them. Take herâ Mask ordered, and I was hit over the head with something, before I was cuffed and thrown over someoneâs shoulder,
âI hope you know Iâm going to kick your assâ I say, the henchmen grunted before I was thrown on the floor of a room and locked in, âKnulla dig! Jag lovar dig att du kommer att vara död nĂ€r jag kommer ut hĂ€rifrĂ„n! (Fuck you! I promise you will be dead when I get out of here!)â I yelled as I stood up,
âWhat did you just say?â Roy asked making me turn to see him, Kori and Jason chained to the wall,
âOh, hey guysâ I say,
âWhat are you doing here?â Kori asked,
âI told Lian that I was coming to save you. Youâre welcome that I dropped by the apartment when I did otherwise Lian would have blown up with itâ I explained, their jaws dropped
âAnd how do you exactly plan to âsave usâ?â Jason questioned,
âWatch and learnâ I smirked as I went over to the door, âHey, whatâs your name?â I asked, knowing that they were two guards outside,
âJohnnyâ One of them answered,
âShut upâ The other growled,
âWell, Johnny is your mother proud of your occupation?â I questioned,
âI said shut up!â The other snapped, I chuckled
âOh come on. Iâm bored, and I need to be entertainedâ I whined,
âIâll come and give you entertainment if you donât shut up!â He yelled,
âOoo, what kind?â I asked as I backed away from the door,
âYou really want to find out?â He asked,
âPleaseâ I dragged out before the door slammed open revealing Johnny and the other guard, âPerfectâ I smirked as they came to attack me, I avoided one of them, wrapped my legs around the otherâs neck and used the cuffs to strangle the other, they both went limp and dropped to the floor, âNow, where are the keys?â I hummed as I searched their bodies, I got them and unlocked the chains on the other three,
âThanksâ Kori smiled, I nodded.
âAnd of course, they donât have the keys to these cuffsâ I sighed,
âHereâ Jason said as he unlocked them, the cuffs dropped to the floor, I gave a nod of appreciation before leading them out of the building, we were about to leave when we were blocked in by henchmen with AK47s, I sighed rolling my eyes
âHave a plan for this cupcake?â One of the henchmen asked, I raised an eyebrow
âIâve had bazookaâs aimed at me sweetheart, your AKâs arenât going to scare meâ I scoffed, they all laughed âCover your earsâ I whispered to Jason, Roy and Kori, they did and I used my Canary cry and the henchmen dropped to their knees groaning and eventually going unconscious, I stopped and smirked as the three of them uncovered their ears,
âYouâre Di-â
âFinish that statement and your head will no longer be attached to your shoulders. Now letâs goâ I growled cutting Roy off, I lead them through the streets and to Jasonâs safe house,
âHow did you-Never mindâ Jason said as we went inside to find Lian aiming my bow at Bruce who had an apple on top of his head, I took my bow off her,
âYou were aiming in between his eyesâ I state as she stared up at me,
âYou told me you were aiming at the appleâ Bruce said before I shot the apple from his head as he went to grabbed it,
âThanks for keeping an eye on her, youâre more than welcome to leaveâ I say, he nodded
âWill you be coming?â He asked,
âIâll think about itâ I say giving a small smile before he left, I sighed removing my mask,
âCan you teach me?â Lian asked, I raised an eyebrowÂ
âMaybe laterâ I say ruffling her hair before making my way over to the arrow with the apple in the wall and pulled it out, I cleaned my arrow off before putting it away,
âSo, who are your parents?â Kori asked as she came up next to me,
âDoes it matter?â I asked,
âWell to say that we donât know your name, yesâ Jason said,
âMy nameâs (Y/N) Q-(L/N)â I answered,
âYou hesitatedâ Kori commented,
âHonestly guys! She has a canary cry, just like her mother! She also dress like her! She shoots arrows like her father!â Roy yelled, I glared at him,
âCorrection; I prefer shooting arrows, Iâm mastered in most weaponsâ I state,
âWhat are you on about?â Kori asked,
âHer last name is Queen! Sheâs the daughter of Green Arrow and Black Canary!â Roy yelled, I grabbed his collar and pulled him closer,
âIâm not a Queenâ I growled as I glared at him,
âYou are! Whatâs so bad about being one?â He asked, I pushed him away
âBecause I died, and no one searched for me. Not even you, Uncle Royâ I growled,
âWait a minute, Uncle?â Jason asked, I sighed and put my mask on before leaving,
âWhy are you following me?â I asked as I stopped in my tracks and faced Jason,
âIâŠâ He trailed off rubbing the back of his neck,
âWell, if youâre not going to answer me, Iâm goingâ I say turning away from him,
âWait! I was wondering if I can get your number?â He asked stopping me in my tracks,
âYou want my number?â I questioned,
âYeahâŠItâs fine if you-â I cut him off by taking his hand and writing my number on it,
âSee you around Jasonâ I whispered before leaving him.
#batman#dc#DC comics#red hood#Red Hood And The Outlaws#red hood x reader#Red Robin#Arsenal#roy harper#bart allen#lian harper#Young Justice League#green arrow#black canary#oliver queen#dinah lance
268 notes
·
View notes
Audio
Scottish alternative music legend Chris Connelly and vocalist Monica Queen have announced their collaboration for a new album 'The Birthday Poems', a fictionalized account of the romance between Scottish personalities Stella Cartwright and George Mackay Brown and their friendship with Stanley Roger Green.
'Tae The Poets' is the first song to be revealed from this album, to be released on June 15 via Jnana Records. While Stellaâs voice is sung by the incomparable Monica Queen throughout the album, this first taster features vocals by Connelly. The clever video for this song was filmed on location at Chicagoâs GMan Tavern and created by Derick Smith, who also handles photography and Matt Walker.
![Tumblr media](https://64.media.tumblr.com/2c652481fb288b01a80a976985bb39a0/5406195d29cf16e5-80/s540x810/45d8cf4acc5c71134aa4e0907a61723a8134578e.jpg)
âA very shy George would visit the Rose Street bars of Edinburgh and nurse a pint, hoping to meet his poetic heroes. When invited to join the throng one night by Sydney Goodsir Smith, George, cripplingly shy, did not accept the offer. It would take a little time, and a few more pints of McEwanâs Heavy, before George became a part of the group himself,â explains Chris Connelly.
Named for the poems that George would write for Stella every birthday until she died, 'The Birthday Poems' is a song cycle based on the relationship between celebrated Scottish poet and author George Mackay Brown and his muse Stella Cartwright. It also addresses the platonic relationship between Stella and the Edinburgh born poet Stanley Roger Green, spanning three decades (from the mid 1950s until Stellaâs tragic and untimely death in 1985).
With 2021 being the 100th birthday of Orkney-born poet George Mackay Brown, this album represents a sometimes overlooked but very important part of Scottish culture.
Stella started going out with Mackay Brown, with whom she had a deep relationship that turned into a friendship that endured from the 50âs until her death in the â80âs. It was not always a happy one - neither of the pair were particularly happy, and their love of whisky did not help.
"While she had relationships with many of the poets who would haunt the bars of Edinburgh's Rose Street during the â50s and âearly â60s, her love of literature, art and culture was insatiable, she was never given credit or encouraged in her own art and expression. I hope that this album illuminates the beautiful treasure that she was, and how hugely significant she is to Scottish literature of a certain era. As a child and younger man in Edinburgh, I walked the same streets, drank in the same bars and walked the same hills. I was also lucky enough to be close friends with Stanley Roger Greenâs children, who, highly creative in their own ways, greatly informed and inspired my life," says Chris Connelly.
This album was produced by 30-year Connelly collaborator Chris Bruce, a long-time musical partner and band member of Meshell Ndegeocello, who has also worked with Seal, Aaron Neville, Bob Dylan, The Waterboys, My Brightest Diamond, Cheryl Crow and Sam Phillips, amongst others. This album also features strings by Dave Eggar and sax by Levon Henry, as well as contributions by Blake Collins and Phil Faconti.
While Monica Queen ronted early 90s band Thrum and released a couple of mellow, introspective albums under her own name with her partner John Smillie, she has gained a reputation as Glasgow's guest vocalist of choice. Her formidable voice is now widely familiar thanks to her vocal turn on Belle & Sebastian's much-loved 'Lazy Line Painter Jane'.
![Tumblr media](https://64.media.tumblr.com/18f5fcaaae28ce6478f3f4b0894bb77d/5406195d29cf16e5-61/s540x810/5fb64be7eb4c16911c7da9cb45f4313c6cd3d78f.jpg)
For Chris Connelly, art only moves forward. For almost forty years, he has completed creative pieces ranging from the triumphant to the tragic, from the humble to the hilarious - each time promptly moving on to seek his next inspiration.
Since his nascent beginnings with FiniTribe in his native Edinburgh, Connelly has in excess of twenty solo releases, impressing with their beauty, diversity, earnest intent and wit. He is also a frequent and keen collaborator with other musicians, building on long-established projects with Ministry, The Revolting Cocks and Pigface by evolving and contributing to newer collectives such as Cocksure and The Joy Thieves.
As an explorer of art as a broader endeavour has also issued four books, encompassing the realms of poetry, autobiography, and fictional narrative. For Connelly and Queen alike, 'The Birthday Poems' project feels like the beginning in such an exciting way.
Chris Connelly https://chrisconnelly.com https://www.facebook.com/ChrisConnellyOfficial https://twitter.com/Connelly_Chris https://www.instagram.com/connellyofficial https://soundcloud.com/chrisconnellyofficial Monica Queen https://twitter.com/MonicaQueen4 https://www.facebook.com/MonicaQueenandThrum
0 notes
Text
Rhiannon Giddens
Town Hall, Birmingham
Sunday 19th November 2017
![Tumblr media](https://64.media.tumblr.com/d0bad38bed4d7557032af6e280918f86/tumblr_inline_ozu0cqktFn1rcwt71_540.jpg)
Kaia Kater peers nervously out at the audience. Two songs into her short support set and she pulls the banjo that provides her only accompaniment close to her, she feels she needs a barrier between her and the nearly full hall of people who have arrived early to hear her. It has been going well so far, a period of study in the Carolinas has helped this Canadian to become well versed in the American roots music and the precision of her playing is enhanced by the depth and quality of her voice, reminiscent in tone to Gillan Welch. The audience quickly warm to her and the songs have generated an enthusiastic response but she now feels that she has to face that awkward challenge over which so many artists from North America stumble; she has to mention the place she is visiting. She has obviously been warned and each syllable is formed slowly, carefully, deliberately; âBirmâŠâŠingâŠ.â then the final one, make or break time, they will either accept you as one of their own or the rest of the set will be spent winning them back - âhamâ, with the emphasis on the âaâ - damn - rehearsed to the point of tedium but it still wouldnât come out right. She gazes at the faces in front of her; âwas that right?â, silence, she didnât have to ask, she knew it wasnât. She makes another attempt, slower, the sounds being formed even more deliberately but this only served to make that final vowel even more prominent. With the confidence that she had shown so far starting to look increasingly fragile, she seeks reassurance and asks again âwas that right?â It wasnât but we like her and the word âyesâ is heard from different parts of the hall. She smiles, the challenge may not have been met but we were all happy to move on.
![Tumblr media](https://64.media.tumblr.com/f5407a9f6b4be5716c17c50244403a87/tumblr_inline_ozu0gkHf1e1rcwt71_540.jpg)
It is not just about phonetics, there is also the other Birmingham, the metropolis that forms the largest urban area in the state of Alabama, the place with the exaggerated vowel. Founded in the early 19th century, the shared name is no coincidence. Planned as a centre of industry, its founders wrapped up their vision by using the name of one of Britainâs and possibly even Europeâs first industrial centres, home to the furnaces and foundries that had built an empire. Despite this shared name and heritage, however, there is little that connects the two cities to the extent that when Birmingham England was looking to twin with a US city, its namesake was possibly never even considered. Clearly status was important and a provincial backwater would never be considered the equal to a major British city but there was also the problem that the American city along with the state in which is is situated often appears to embody all the worst aspects of the Deep South. Attempts to break down segregation following the war saw rising levels of Klan activity and the racially motivated bombing of the homes of black families in an attempt to force them out of areas of the city. The most callous and shocking of these was the bombing of the 16th Street Baptist Church in 1963 which led to the death of four girls but despite those responsible being known to the police, none were prosecuted until over a decade later. This was because support for the Klan and its activities was to be found throughout the state legislature up to the Governor, George Wallace, who through the 60s and 70s made Alabama his own fiefdom. Ironically he first ran for office as an opponent of the Klan but after losing heavily, he adopted a hard-line segregationist stance which allowed him to remain in office until 1979. In the years that have followed, it is easy to think that little has changed; Trump carried the state comfortably and the current race to be the state Senator could be won by a man facing multiple accusations of predatory sexual behaviour, assault and harassment of women, some of whom were as young as 14 when the incidents occurred. That he is completely unfit for office should be beyond question but whilst being gay or seeking an abortion will result in hellfire and damnation, using a shopping mall to prey on young girls is something bible belt Christians find easy to forgive.
![Tumblr media](https://64.media.tumblr.com/317e435de244dd64ab8fbe9f996f4717/tumblr_inline_ozu0k5hQrg1rcwt71_540.jpg)
All this plays to the stereotype of the bigoted, white supremacism of the the south, a place proud of statues of slave owners and rebel generals where cars carry bumper stickers of the confederate flag, the people mocked by Neil Young in the song âSouthern Manâ. It is part of the story but not the whole one. The greater the suppression, the more determined the attempts to resist and some of the most significant events in the Civil Rights Movement were to take place in the state. It was in Alabama that Rosa Parks refused to give up her seat to a white passenger and also where the Selma to Montgomery marches took place to demand equal voting rights. Whilst politics and structures suppressed their voice, music provided a means through which black people could make themselves heard and tell their stories; the creativity of the southern states being expressed through blues, jazz, gospel, soul and rock ânâ roll. One of the most distinctive of these voices was that of Odetta, a singer of extraordinary range and power born in Birmingham in 1930 who was often referred to as "The Voice of the Civil Rights Movementâ. There were many remarkable things about Odetta, one of which was her operatic training, something she received whilst she was also working as a cleaner at the college she attended. Realising that her opportunities were limited, she found her training was better suited to the folk scene; in the words of Martin Luther King, she was âthe Queen of American Folkâ and in the film âNo Direction Homeâ, Dylan cites her as one of his key influences. Admired as she was, however, there were few who were willing to take on the same songs and invite comparisons between their voice and hers, there would only ever be one winner.
![Tumblr media](https://64.media.tumblr.com/fb90328f5d28b53705e3ff57d17dfc14/tumblr_inline_ozu0nwYBkO1rcwt71_540.jpg)
At about the midpoint of her set, Rhiannon Giddens explains the inspiration Odetta has provided for her own music. Giddens also received a classical training, at the Oberlin Conservatory in Ohio although she was able to take advantage of this without having to also scrub the floors, before finding that she was better able to express herself through folk. Giddens mentions this as she introduces her interpretation of the song âWaterboyâ, a traditional folk song that Odetta frequently included in her live shows and the one she is seen performing in âNo Direction Homeâ. It is quite simply stunning. With the accompaniment limited to a series of thuds on the bass drum and sharply strummed chords, the emphasis is very much on Giddens voice and she is able to unleash the fearsome power that the song demands. To a person, the audience sit in silence, mesmerised by the Giddens absolute mastery of the song, the silence held for a moment at the end before the richly deserved ovation. Inviting comparisons with some of the greatest American voices is something that Giddens is not daunted by, the set also includes an Aretha Franklin song, âDo Right Woman, Do Right Manâ and as an encore she honours Sister Rosetta Tharpe with joyous interpretations of  âLonesome Roadâ and âUp Above My Headâ.
![Tumblr media](https://64.media.tumblr.com/b3b72d6e9c9e65f6d94960e9bc0815a5/tumblr_inline_ozu0qnrc2v1rcwt71_540.jpg)
âWaterboyâ was undoubtedly included as a spectacular tour de force but its subject shows that there is way more there than empty technique. Built around a cry for water from a gang of labouring men working as slaves on the plantations or possibly in a chain gang, its desperation shows how power is maintained through the deprivation of even the most basic human needs. âHistory in my teacherâ, Giddens explains and through traditional songs and her own writing she shows an impeccable grasp of how people hold onto their dignity and spirit in the face of barbaric oppression as well as how they find the strength to fight against it. The harrowing âAt The Purchases Optionâ is based on advert from the 1830s announcing the sale of a âsmart healthy negro wenchâ who had a child of about nine months. When even the youngest children could be sold, the child was advertised as being at the purchases option. Whilst there is no escaping the pain, the song is a fierce cry of defiance, âyou can take my body but not my soulâ; she may have been abused and humiliated but there is still something there that they are unable to touch, regardless of the cruelty. âWe Could Flyâ is a tender song about a mother explaining to her daughter how she uses her imagination to escape the drudgery and degradation of her life and see a better future. Â The traditional âPretty Saroâ is sung completely a cappella whilst the song âBetter Get It Right the First Timeâ takes a more contemporary theme in addressing a gangland killing and also features a burst of rap.
![Tumblr media](https://64.media.tumblr.com/e57846482cdf7215041920f8c549f47f/tumblr_inline_ozu0tujRHD1rcwt71_540.jpg)
For someone who is such a charismatic and engaging performer, Giddens has seemed surprisingly reluctant to front her own band. Her recordings have often been as part of a group, whether with her her sister, who provided occasional backing vocals, in the band the Carolina Chocolate Drops, where she first worked with guitarist Hubby Jenkins, or as part of the âNew Basement Tapesâ that added music to lyrics Dylan had abandoned in the late 60s. Her most recent visits to the UK have been part of the transatlantic sessions that also included those who form her backing band. This, however, is her first solo tour and she seems genuinely surprised that she has sold out a venue the size of the Town Hall. Her set, however, still includes excursions into the roots music covered in the sessions featuring some bluegrass banjo and a cajun waltz. The light jazz swing of âThe Love We Almost Hadâ lightens the tone a little and shows that she can also deal with personal themes in the challenges of trying to share your life with another. The set concludes with a rousing interpretation of the civil rights anthem, âFreedom Highwayâ, the song written by Pops Staples for the Selma to Montgomery marches. The themes covered in have been drawn together in one last moment of defiance.
![Tumblr media](https://64.media.tumblr.com/6c0c9484619aac358e0bb8b0b1bbad0f/tumblr_inline_ozu0zpIfMt1rcwt71_540.jpg)
The subject matter may sound as if this was a worthy but solemn show, stories it may be important to know but hardly the stuff of great entertainment. The civil rights battles of the 50s and 60s should be part of the past but with white supremacism once again on the rise and receiving official endorsement it is important that the stories in these songs are kept alive. What lifts it, however, is Giddens impeccable musical instincts and the contagious sense of joy that she can bring to even the darkest songs. In some way, Giddens may be a custodian and curator of the rich heritage of black folk music from the deep south but she is also a mesmerising and gifted performer who is able to bring this to life. Her voice stands comparison with the greatest and there were several moments where she used it to spine tingling effect. Alongside this is an instinct for arrangement that the band had were able to rise to. It may have taken her a while to step out to the front but now she has, it seems unlikely that she will settle for the anonymity of the collective and her next visit may well be to a venue larger than the Town Hall. It was therefore a privilege to see her at this moment, the intimacy of a small venue but on the verge of something special. She sang, âWe Can Flyâ, perhaps she is about to.
![Tumblr media](https://64.media.tumblr.com/39dd4aa3d7cbba755a70b6933d34a2ba/tumblr_inline_ozu2dur3mR1rcwt71_540.jpg)
![Tumblr media](https://64.media.tumblr.com/2b698663a44265ac13f56944e6b7960a/tumblr_inline_ozu1r0eqfZ1rcwt71_540.jpg)
0 notes