#shellbacks

[artifacts-and-arthropods]

Shellback Crabs: these crabs create their own shields out of clamshells; they have semi-membranous bodies that can be pressed into the contours of a shell, producing a suction mechanism that holds the shell in place

The members of this genus (Hypoconcha) have a series of unique adaptations that facilitate this kind of camouflage behavior. Many of the Dromiidae crabs (e.g. hermit crabs, sponge crabs, shellback crabs, etc.) are equipped with a specialized pair of legs that enables the crab to hold a shell, sea sponge, and/or ascidian against their body, but shellback crabs also have a flexible, semi-membranous body that can be tucked more firmly into the contours of a bivalve shell, producing a suction mechanism that keeps the shell firmly locked in place.

The body of the shellback crab is also covered in a very fine layer of hair-like structures called setae, and when the crab presses itself against the shell, these membranous "hairs" can take on an almost translucent appearance, particularly around the margins of the crab's body.

I recently posted some photos/info about some of the crabs in the genus Lamarckdromia (which belongs to the same family) and as I was doing the background research for that post, I was just kind of mesmerized by all of these weirdly adorable crabs that seem to exist within the Dromiidae family tree. Each genus has its own unique adaptations that allow the crabs to use specific materials for camouflage -- some of them use living sponges, clamshells, ascidians, etc.

And I could not stop laughing at the little faces on these crabs. They've all got the same bemused/indignant expression...as if some random asshole has just walked up to them, shoved them over, and announced to the entire ocean that there's a crab hiding beneath that disguise; as if that actually happens to them quite a lot, and they're getting really sick of it.

Sources & More Info:

Crustaceana Monographs: Comparison of the Shell-Carrying Behaviors of Desmodromia, Conchoecetes, and Hypoconcha (the relevant info is on page 191)

South Carolina Department of Natural Resources: Shellback Crabs and their Larval Stages (PDF)

South Carolina Public Radio: Shellback Crabs

Again, I don't normally feature crustaceans on my blog...but I really couldn't resist this one.

[officialrailscales]

MCX Monday

RSBM-P | Black

3-Slot G10 XOS-H | Black FR4 | Matrix Texture

2-Slot G10 RailScales | Black FR4 | Matrix Texture

3-Slot G10 RailScales | Black FR4 | Matrix Texture

QDX Sling Mount | Carbon Black

MCX CSMR Button | Carbon Black

Night Patch Medallion | AOR1 / IR

Night Patch Medallion | Black / IR

- RS

[fr-familiar-bracket]

[comicwaren]

From Sentinels #001, “Necessary Monsters”

Art by Justin Mason and Federico Blee

Written by Alex Paknadel

[foxes-that-run]

WDBHG: 7.12.13 | Delicate: 16.01.16

[petruchio]

max martin once again proving he is irreplaceable like idk what he put in the original 1989 songs but these are just like. yeah they’re the same but they’re not the same they just don’t have that same sparkle

[publicacionesdeunachica]

Now we got problems.

And I don't think we can solve 'em.

You made a really deep cut.

And, baby, now we got bad blood.

[heckcareoxytwit]

A preview of Sentinels #1

SENTINELS #1

WHO ARE THE NEW SENTINELS? The original Sentinel Program was human supremacy and fear coded into circuitry. But now their legacy falls into the hands of mutantkind! Powered by cutting-edge nanotech, this new generation of Sentinels protects a fragile peace between mutants and humans. But when being a Sentinel is your job — your life — is it possible to stay human? Mount up as Alex Paknadel (CARNAGE) and Justin Mason (SPIDER-PUNK) bring you a brand-new team of heroes that will take on the most heinous mutants! Their first mission: Capture Omega Red!

Written by: Alex Paknadel Art by: Justin Mason Cover by: Justin Mason Page Count: 40 Pages Release Date: October 9, 2024

[itspileofgoodthings]

Taylor bringing blank space into the record studio pretty much entirely melodically formed and then recording it for all to hear was a FLEX

[thegentlesurvive]

Who is "the professor"?

I’ve read discussions on the professor in “The Manuscript,” but haven’t seen the 2021 NMPA Songwriting Icon acceptance speech mentioned yet (though I’m sure it has been!) where Taylor thanks “my professors and teachers,” some of them by name.

Transcript (emphasis mine):

“Thank you, David, for that beautiful introduction. I’m really, really honored to be receiving this award because it honors the part of my job that is so magical and mystifying to me still. I love songwriting so much, because there's an element to it that's still really mysterious. Like, I think any songwriter will tell you, when you get an idea, you're not quite sure where it floated down from, um, but if you can grab onto that idea and turn it into something – a piece of music – that's where craftsmanship comes in, and that's where you have the opportunity to learn and to nurture that craft, and I, I want to take a moment to thank the people who were my professors, my teachers of the craft of songwriting. First of all anyone who wrote with me in Nashville when I was in like 8th or 9th grade, that is insane insane that you did that; I am so lucky that I got to learn from some of the best writers um on Music Row. Liz Rose is someone who spent hours and hours and hours with me when there was absolutely no sign that anything would happen in my career. Um, my dance card was not full, I was fourteen, and she wrote with me so many times and taught me how to edit my, my ideas down to something more concise that packed an emotional punch. Then I got to work later on in my career with Max Martin and Johann Shellback who I learned so much from, just about, you know, from a melodic sense, and i will carry those lessons with me for the rest of my life – I will learn more lessons from them next time we work together – and i just feel really lucky that they've been a part of my life. Jack Antonoff is such a wonderful creator and such a nurturing um presence with any artists, with his own art, with with other artists, he’s just so versatile, and, um, and such a wonderful friend. Um, Aaron Dessner came into my life recently, and he's such a prolific creator. All of these people changed my writing and helped shape it. There are so many others, though and so if you've ever sat in a room and co-written with me, thank you so much. Um anybody who's ever wanted to produce one of my songs, any collaborator I've ever had, I've learned from all of you. I want to say thank you to Troy Tomlinson for always being excited to hear new songs of mine, and um Jody Gerson for being such a champion of female songwriters throughout the industry. This is something that I am so proud to receive and um, you know the fans who are out there who care about my lyrics—you have no idea how much that means to me that you dissect them, and and and copy them into your journals, and, and care about the things that I write, the words that I write. Um, there are amazing songwriters that came before me, who deserve this. There are incredible songwriters coming up now who are just so impressive and amazing i have such an affinity and respect for all of you, and I am honored to receive this. Thank you so much.

For the record, I don’t think it matters who specifically Taylor refers to in “The Manuscript” as the professor, or if it is even one person, a composite, or just a way to put that quote in. Still, it is fun that she has referred to certain people as her professors of the craft of songwriting before.

[mcxcuseme13]

Can't wait until people find out Rep and 1989 were mainly done by Max Martin and Shellback (some of if not the greatest pop producers of all time) and Jack only did 3 or 4 tracks for 1989. So no, I (nor anyone) didn't fall in love with Jack's records actually

[churchofsatannews]

Infernal Legion Podcast #043

On this episode of the Infernal Legion podcast, we are joined by one of our newest #WickedWarriors, Citizen Kimberly Campos! Kim recounts her 14-year career in the U.S. Navy, battling Somali pirates, becoming a Golden Shellback, breaking away from herd conformity, and discovering Satanism in the digital age—after being fooled by pretenders to the throne. Stream Episode #043. Download Episode #043.

[taylorsredversion]

I'd kill to have Max Martin and Shellback return for reputation tv and produce Dancing With Our Hands Tied again

[fr-familiar-bracket]

[evermoredeluxe]

this is not a criticism but i feel a muzz around the drums

[baby-girl-aaron-dessner]

antonOFF <<<<<<<< Shellback, Martin, Dessner no contest

Oml I’m crying at this nickname for Jack.

Although I think all of these producers are talented, my personal favourite is The Baby Girl Aaron Dessner.

Side note: I miss the days when tay would collaborate with Max Martin and Shellback.