#sheila grant

[divinebeautyrevealed2]

[mariocki]

Play for Today: One Bummer News Day (BBC, 1978)

"Ah, good morning to you. Peter Postgate of the Gazette, anything for us? No factory fires? No house fires? Well, what about your district agents? Not even a moggy up a tree? Wow, all right for some, isn't it. Yeah, and you."

[bluejaysandblackbats]

Ok same deal

Tread Carefully: Bruce and Harvey struggle to hide their romantic relationship from the public during Harvey's campaign to become the new D.A. (batfam; no capes AU, secret relationship AU)

Dead Sons Club: Jason Todd and Grant Wilson walk into a bar... And they're both supposed to be dead. (batfam; canon divergent AU, possibly a oneshot)

After Midnight: While moonlighting as a bartender at a gay bar, Stephanie spots Jason. They cover for each other, keeping their chance meeting a secret and getting to know each other as friends as a result. (batfam; no capes AU)

In This Together: AU where Jason and Stephanie are foster siblings, and they team up to foil their father's heists. (batfam; canon divergent AU)

Little Monte Cristo: AU where Jason isn't adopted by Bruce, and he still becomes a vigilante with a reputation for his decisive and brutal methods. (Jason is 12-19 in this fic probably) (batfam; canon divergent AU)

Cyber Ghosts: Lonnie disappears from the hospital following Jason's return to Gotham. A string of cyber crimes and the distribution of ill-gotten wealth lead the family to believe Jason and Lonnie are working together. (batfam; canon divergent AU)

Bury Me Soon: AU where Jason suffers from Cotard delusion. (batfam; no powers AU)

Star Light, Star Bright: AU where Natalia didn't die or lose custody, and she accompanies Bruce and Jason to Ethiopia. (batfam; canon divergent AU)

[lanitashiddencrackstash]

you guys don’t understand how much i love sheila from shameless

[juniperhillpatient]

yes this character is lying about every single aspect of themselves & their backstory & life & religion & their entire personality is a facade & a mask yes the love interest still gets enough of a glimpse of their soul to fall truly in love but the terrifying thing is what if it doesn’t last once the mask slips away what if the only thing anyone could ever fall in love with is the facade

[gatutor]

Cary Grant-Sheila Terry "Madame Butterfly" 1932, de Marion Gering.

[cinemacentral666]

Matchstick Men (2003)

Movie #1,112 •  THE YEAR OF CAGE, CH. 47

We're right in the middle of the Nicolas Cage filmography review project and, folks, we've got ourselves an interesting one, at least on paper.

This is Cage's only collaboration with Ridley Scott and it's definitely something of a departure for the latter. Like Scorsese's Bringing Out the Dead, which also featured our boy, it turns out Scott wasn't immune to that awful mid-00s aesthetic either...

I liked this one a good deal. It features at least one classic Cage Rage freakout...

...and it's an inspired performance throughout. There's also a slew of strong character actors in the supporting roles.

The non-realistic plot elements all turn out be in service of the Big Twist, which I admittedly did not see coming at all. I chalked them up to bad writing. That everything would work out so neatly is still a stretch but I tip my hat nevertheless.

Also, speaking of inflation, did you know that 8 packs of cigs and 8 cans of tuna cost only $36 total in 2003! That's insane!!

THE VERDICT: 8 CAGES OUT OF 10

CLICK HERE for all 𝔗𝔥𝔢 𝔜𝔢𝔞𝔯 𝔬𝔣 ℭ𝔞𝔤𝔢 Chapters + Ongoing Rankings.

..in 2020 I decided to watch every single Nicolas Cage movie in alphabetical order. This project will take me multiple years to complete. New chapters post every other Thursday…

[the-acid-pear]

I won't go back to the post first and foremost because i don't want to annoy op lmao we already stablished w both have dif opinions and that's ok BUT

Blood just helped me read the whole thing (she just randomly decided to read it and asked me a few questions about it) and man, is op fucking biased lmao

[souliebird]

[[and then I met you || ch. 27]]

Series: Daredevil || Pairing: Matt Murdock x Fem!Reader || Rating: Explicit

Summary:

A one-night stand years ago gave you a daughter and you are now able to put a name to her father – Matthew Murdock. Everything is about to change again as you navigate trying to integrate your life with that of the handsome and charming blind lawyer’s and Matt realizes he needs to not only protect his new family from Hell's Kitchen, but from the world.

chapter masterlist

Words: 4.4k

ao3 link

Police Arrest Three After Mass Protests in LA County

By C. Grant

Three people were arrested in Pasadena, California yesterday after a crowd gathered to protest the death of Sheila Pom. Police say the three individuals, whose names have not yet been released, appeared to be Enhanceds attempting to agitate the crowd. Witnesses claim one of the individuals was creating sparks with their fingers and threatening to start a fire, while the two others encouraged the behavior. Police have made no comment about these arrests and all questions about the incident have been redirected to a now defunct phone number. 

Sheila Pom was killed in an officer-related shooting two weeks ago after neighbors reported her as a Dangerous Individual under the new Sokovia Accords Act. Pom, 23, worked at her uncle’s auto body shop as a mechanic while also attending online classes to get a degree in Engineering. She was also a telekinetic - someone who can move objects with their mind. 

Pom was known to not be shy about her gifts. Pom was seen frequently lifting cars and trucks within garages without the help of equipment and is rumored to have once righted a tipped over semi-truck. Neighbors became concerned when Pom began using her gifts at home.

“We’d come home, and things would be floating up and down the street,” one neighbor said.

Another claimed Pom was unstable, and when she would become upset, things around her would begin to shake.

“I thought it was an earthquake until my TV hit the ceiling,” a source who lived in the same building Pom told GKTV, “I learned the next day her boyfriend broke up with her.”

Officers were called when Pom refused to return a motorcycle to the ground while working on it in a residential neighborhood. After a brief standoff, officers fired two shots, striking Pom in the head, and killing her. 

Pom’s family claims she was unaware of the officer’s presence, as wireless earbuds were found near her body after. Pom was known to listen to music to block the noise of machines. 

Protests began after the officers involved in the incident were cleared of any wrongdoing. 

----

A full-page ad takes over your screen, and instead of continuing to read the depressing article, you close the tab.

There has been a palpable unrest in the news cycle the past week that is starting to leave you with an uneasy feeling in your stomach. You’ve noticed a shift in the general narrative tone and terminology used when discussing people who have superpowers. 

Before Sokovia, before Lagos, before Connecticut, the morning shows would bring on people with amazing gifts and gently joke about them joining the Avengers as they made water fly around the set, but now those same hosts debate if they should be allowed to have the right to privacy. ‘Enhanced Peoples’ has been shortened to just Enhanceds and is now spit out like it is something dirty. 

You don’t know when the conversation stopped centering around heroes and vigilantes and started being about everyday people, but it scares you that the change happened. There seems to be no official power scale about what is deemed ‘dangerous’ and your mind keeps zipping all over the place trying to justify different lines of thinking.

Does Matt fall under the category of Dangerous? 

He is a vigilante, so by default the Accords are directed at him, but is it doubly so? If he was forced to reveal himself to the government, would they require him to wear a tracking device? Or would they try to lock him up?

Could he fight it in court, or would they whisk him away in the middle of the night and you’d never know what happened?

If Matt is deemed Dangerous because of his senses, and not just because he is a vigilante, would Minnie be considered the same?

With how intense and angry everyone is becoming you could see yourself having to take her in to be tested.

To be monitored. 

And she is just a baby. 

You can’t imagine how others must feel - people who are older, who are just trying to live their lives. The girl who was killed was just trying to fix her bike, like millions of other people do every weekend. She wasn’t going to other countries to fight terrorists. She wasn’t trying to use her powers to rule over others. She wasn’t hurting anyone.

But she was different, so they killed her.

“Mommy! Mommy! Mommy! I need help!”

You’re ripped from your spiraling thoughts and look across the room to where Minnie is sprawled out on the floor. Her Starkpad is in front of her, and she’s set up Pig and Scooby so they are also peering down at the device and you know exactly what she is doing.

It is the same thing she has been doing for a week straight - playing a bootleg Muppet’s math game. 

Since meeting Spider-man, all your little Mouse has wanted to do is learn math. She keeps saying she wants to impress him and make him proud, and you are in no way going to discourage her. Every day has been filled with counting and addition and subtraction and you are a bit amazed she has stayed so focused. 

You are not going to complain at all about it - you are getting time to yourself while she has been glued to Elmo and Kermit. 

You leave your phone on the dining table and head towards your daughter.

“You need help?” you confirm as you crouch beside her. The screen shows a Muppet you don’t recognize, along with various numbers floating around them, and up at the top, the equation that has your little Mouse stumped. 

“I need help!” Minnie repeats as she scrambles up off her belly and into sitting. “I don’t have enough fingers!” 

She holds up both her hands to show you all ten of her itty-bitty fingers and you make a sympathetic noise. 

Mouse has been getting pretty good at using her fingers to help her with addition and subtraction, but on only one hand. She uses the index finger on her right hand to help count by pointing at each finger and hasn’t quite worked out she can use her fingers to point and count. That is okay, though, as you are happy to lend yours to her important cause. 

“Okay, how many fingers do you need?”

You hold out your hands and she instantly begins to manipulate them. 

“This one…this one needs three! One, two, three!” She pushes your thumb and index finger down so the other three remain up, then she pushes down the pinky of the other hand. “And this one is four!”

“So, three and four? What are we doing with three and four?” You ask, trying to not laugh at her determined face.

“We adds them!” She chirps, before starting to jab at your fingers, “One, two, three, four, five, six, seven! That’s seven fingers! Mommy, it’s seven! Three plus four is seven!” 

“That’s right, it is seven. Which number is seven?” You direct her back to her game, where she triumphantly picks the correct symbol. The Muppet congratulates her before presenting a new equation. 

Minnie squeals in delight before ripping the device off the ground and shoving it in your face, “I know this one! Mommy! I know this one! It’s three! Mommy! It’s three!” 

You can’t even process what the question is before the screen is out of sight. Your daughter holds her Starkpad above her head, treating it like some war prize as she starts spinning and dancing around the living room. 

“It’s three! It’s three! It’s three!” 

You laugh at her antics, heartwarming at her pureness. How could anyone ever think she’s a danger?

“Are you sure it’s three?” You tease as you watch her. 

She whips around to you, eyes scrunching up into a glare, and barks, “It’s three!”

“Okay, okay, it’s three.”

You push yourself up into standing just as Mouse returns to her spot. She drops her Starkpad to the ground a little harder than you would prefer, but that is why it has a big bulky case. She plops down in front of it and happily smacks the number three that is floating around the screen.

You let yourself watch her for a few seconds, silently bombarding her with all the love you feel for her. You want to wrap her up and live in this bubble forever.

Except, there is one element missing from your perfect moment. You wish there were a pair of arms wrapped around your waist and a chin on your shoulder. You want to lean back against a muscular chest and lose yourself to eternity like that. 

Instead of indulging those thoughts, you tell yourself to stop fantasizing and you make your way back to the kitchen to check on dinner.

Vegetable curry has been simmering on the stove for most of the day. It has been a while since you had the energy to make the dish from scratch, but you had a craving this morning and went all out. You’ve made curry for Minnie before, and she did not complain - though you think that is because her portion was mostly rice and hot dog cuts. You plan to do the same again tonight, and if she wants more sauce, you’ll give it to her. 

You check your seasonings and give everything a stir to make sure nothing gets stuck at the bottom of the pot. The rich aroma tickles your nose, and you are glad you don’t have to wait much longer to treat yourself.

As you debate adding a pinch more salt, you catch Minnie sneaking towards you out of the corner of your eye. Her movements are slow and dramatic, and you pretend you don’t notice her. This ruse works, and you appropriately jump in fear when she suddenly tugs on your shirt.

“Up!” She demands and you oblige, scooping your daughter onto your hip. As soon as she is high enough, she cups her hands around your ear and leans into whisper, “Daddy saids the food smells yummy-yummy.”

She quickly dissolves into giggles, and it is infectious, so you end up smiling. 

Matt hasn’t been over for dinner in a hot minute, and you are hoping to have a nice quiet family night, before he goes out on his Patrol. The plan is to watch a movie after your meal and Minnie has already prepared for this by dragging multiple blankets out to the couch. You just know she is going to demand a cuddle pile, and now that you and Matt are intimate, it isn’t something you are nervous about. 

You just want to have a good time.

“Can you tell Daddy everything is almost ready?” you ask, even though you know Matt can probably hear you just fine. 

Mouse, always eager to be helpful, nods and relays the message directly into your ear. You try to not grimace, and so it won’t happen again, set her down on the ground. 

“Can you plug in your Starkpad so it can sleep for the night?” 

She streaks off to do her newly assigned task, leaving you to start setting the table. When you were at the store, you bought Matt a bottle of beer - a brand you know he likes - and you set it at his designated spot. You’ve grown accustomed to just drinking water and juice, but you don’t want to push that on to him - not when he’s a guest and coming over after a long day of work. 

As you start to make everyone’s plates, you hear the water in the bathroom turn on. You know Minnie knows the routine for getting ready for dinner and you just hope she isn’t trying to wash Scooby’s paws again. You are worried he’ll end up moldy and you aren’t sure what you will do if that happens. You peek into the living room and are relieved to see your daughter’s best friends have been relocated to sitting on the coffee table, facing the television. 

You finish setting everything up just in time, it seems. Minnie runs from the hallway right to the door as you go to wash your own hands, and you rush to get all the soap off so you can help her open the door. 

Matt is standing on the other side, looking handsome as ever in a gray suit. He looks like he’s had a busy day - his hair is windswept, and he is sporting a strong five o’clock shadow. There is a garment bag draped over his arm and his saddle bag looks a little bulkier than usual and you wonder if he ran some errands on his lunch - picking up his dry cleaning and such. 

You barely have time to take in his appearance before Mouse is launching herself at him.

“Daddy!” She shrieks and Matt oh so easily swings her up onto his hip. “Daddy! We’re having vege-tuhble kermies for dinner! I helped make it! I cut up ALL the carrots! By myself!”

“By yourself, huh?” Matt confirms, a bright, warm smile taking up his entire face. “Soon you’ll be making us dinner.”

You step aside so he can come in and help to take his things to hang while Mouse soaks up his attention. 

“No! Mommy makes dinner because…’cause she makes the bestest foods. I just help!”

“You are a very good helper,” you interject, “You keep a very clean workstation. A professional chef would be proud.”

Minnie beams at the praise, then a microsecond later, is wiggling in to be let down. Her feet hit the ground and she takes off running back toward the living room, probably to collect something to show off to her Daddy. 

Matt takes the small break to turn his attention to you. A hand goes to your cheek, and instead of a brief ‘hello’ peck, he kisses you like he wants to turn and pin you to the wall. It catches you off guard, but you easily melt into it. You clutch at the lapel of his suit jacket and try to not moan as he nips at your lips. You open your mouth for him, but being the tease he is, he pulls back just enough to whisper against you.

“Been thinking about that all day.” 

The words send your blood rushing - some north to your cheeks and the rest to your cunt. 

He’d been thinking about you? About wanting to kiss you? Or has he been thinking about more than that - because you must admit, you’ve been thinking about it. You’ve had more than a few thoughts about what you want to do to him the next time you two are alone together and those thoughts were certainly very explicit. 

“Matt…” you totally do not whine out but instead of replying, his grin just turns cocky. He pulls away as Minnie returns to the entryway, and you decide you need a drink of your water. You escape and Mouse starts showing off her latest masterpieces to Matt. 

Food coloring, cotton balls, and popsicle sticks have proven to be a massive hit and Minnie has made a whole collection of things for Matt - there’s butterflies and flowers, a house with clouds, and various abstract pieces. You are sure his office is already filled to the brim with his daughter’s art, and you would not be surprised if he started to hang things from the ceiling when he does run out of room. He seems to treasure every little thing Minnie has given him and it warms your heart so much. You hope that love never runs out. 

Somehow, Matt ushers Minnie back to the dining room while she shoves different papers into his hands and gets her up in her booster seat. 

“I’m going to put all these in my bag, so they don’t get dirty or lost, okay?” He tells Minnie, who nods way too enthusiastically. 

“Keep them clean!”  And then, just like that, she switches from being excited her Daddy is there to being a hungry toddler. She whips around to face you and asks in an almost impatient manner, “Can I has my hot dogs now?”

You give her the go ahead as Matt returns to the table and takes his place. You quickly tell him the placement of everything, including his beer, then quickly add, “If you don’t like it, I have a few different things I could make you. Or we could order something.”

A brief panic runs through you when Matt scoffs. You think you’ve insulted him - having him come all the way to Chelsea to eat a dinner he won’t enjoy and having to find a substitute. 

“I love curry and this smells delicious. I wouldn’t trade it for the world - in fact, I’m hoping some of those leftovers on the stove are for me to take home and lord over Fog tomorrow.”

You flush at his sweetness and mumble out you’ll pack him some to go. This seems to please him, and he starts to dig in. Ever the little parrot, Minnie mimics him by shoveling food into her mouth with a big grin and you can’t help but laugh a little. 

“It’s nummy!” Your little one declares, and even if she’s just eating plain rice right now, you’ll take it as a win. You know well she won’t eat what she doesn’t like.

“Speaking of yummy,” Matt starts, slow and deliberate, with his head angled towards you, “I was hoping we could go somewhere yummy together.”

You blink slowly at the statement, rolling it over in your mind and trying to dissect the meaning. Did he want to go somewhere for dessert? Maybe get ice cream or something? “Somewhere yummy…?” 

“Mhm,” he hums, then his smile becomes a bit more sly. Even though you know it isn’t true, you feel like, behind his glasses, he is hungrily looking you up and down, “Somewhere like Uvas.”

The name doesn’t automatically generate anything for you, but after a moment, it dawns on you. Uvas in a Spanish restaurant near Central Park known to be high end and impossible to get into. It’s been in the local tabloids a few times for turning away minor celebrities who don’t meet the dress code. You’re mouth parts slightly in shock.

“What’s Oo-vuhas?” Minnie asks around her fork, her big eyes looking between you and Matt. “Do theys has yummy foods?”

“Oh, they have yummy food,” Matt teases. He then leans forward a bit in his seat and stage whispers to her, “It’s where I want to take Mommy for a date.”

“A date?” Minnie scrunches up her face at the word while your mind is still spinning. 

Matt wants to take you on a date? To Uvas? You have never been anywhere that fancy or expensive as a date. Hell, you’ve never been somewhere that fancy, period. The nicest date you’ve ever been on was Hard Rock Cafe - which says a lot about your dating life.

“A date,” Matt confirms, smug and knowingly scheming. You can hear it in his voice as he tells Minnie, “That is where Mommy and Daddy go and have dinner together as grown-ups.”

Up goes Minnie’s hand into her mouth, but it stays there only a split second. Her eyes get impossibly bigger and filled with wonder, and she whispers, “Like Lady and Tramp?”

“Exactly like Lady and Tramp.”

“Mommy!” Minnie says a little too loudly, pointing her fork at you. “You gotta go to Oo-vuhas and be Lady and Tramp! You gotta!”

And at that moment you know you can’t say no, and that Matt knows that. You can’t tell your daughter you don’t want to be like Lady and Tramp. Not that you don’t want to go on a date with Matt - the idea gets you giddy and makes your stomach flutter - but you thought if it happened, it would be a coffee or something. Not somewhere where you can’t even afford to look at the building. The idea makes you a little nauseous, because you are sure you’d make an absolute fool of yourself.

But Matt looks determined and sure of himself. You are certain he asked in front of Minnie so that she could help bully you into saying yes to such a lavish date. 

Luckily, your mind is working in overdrive, and you choke out, “I don’t have anything to wear. They have a dress code, don’t they?”

You don’t expect Matt to push his chair out and get up. Your throat instantly tightens up and fear shoots up your spine. Have you offended him? He clearly wants to do something with you and you’re over here hesitating. You must be coming off as a complete bitch. 

You start to stand up yourself as Matt disappears into the entryway. You don’t think he’d just leave without saying goodbye to Minnie.

Maybe you can talk to him - explain that somewhere a little less grand would be ideal to start.

Before you can start to follow him, Matt is coming back to the table, holding up the garment bag he brought with him, still looking like the cat that got the canary. 

“I thought you might say that,” he starts, his voice almost a little musical, “so I got you this.” 

You stare dumbly at him, shock and confusion overtaking your system. 

He got you something to wear? To Uvas? 

No one has ever bought you clothes before - except your parents. Even when you were pregnant, the small amount of gifts you got were all for Minnie. 

You distantly hear Minnie start saying something about presents, but it is all muffled under the sound of blood pumping through your ears. You step forward hesitantly and reach out for the zipper of the bag, your hand shaking slightly.

You expect it to be a joke. You’re going to open the bag and there’s going to be a clown costume inside, or a skimpy dress people like arm candy to wear, or something akin to a Burka. 

You don’t expect a black floor length sheath gown. The silhouette is simple, but you can tell just by looking at it the quality of the dress is top notch. The fabric has a nice weight to it, and it is incredibly soft to the touch that you have the distinct feeling that it did not come from a dress warehouse or a department store. 

This type of dress would come from a boutique uptown and would cost a few hundred dollars. 

You are so caught up in admiring the dress, you don’t notice Minnie come up beside you until she is also touching the dress. Panic that she might have crumbs or curry on her fingers runs through you, but you force it down.

“It’s like a princess dress for Mommy!” Mouse cooes and you feel your face start to heat up.

You’ve never worn something so nice before and certainly nothing that would be fit for a princess, but it seems like Matt and Minnie are on the same page.

“Well, I want Mommy to feel like a princess.” 

You want to hide your face, but you know you can’t, so you cover your mouth instead.

“Matt, this is beautiful. But this is so much, I can’t accept this.” 

You know that while Matt is a lawyer, he’s still struggling a bit financially. If he had his way, you know he wouldn’t charge anyone for his services, and even though Nelson, Murdock, and Page has paying customers, they still have to stagger out their bills. 

He shouldn’t be spending his hard saved money on you. 

Matt sighs your name before gently draping the garment bag over the back of his dining chair and stepping towards you. Both his hands go to your waist, and you freeze up as he steps close enough to press his forehead to yours. Your heart begins to wildly beat when his hands slowly begin to rub your sides. 

“Let me spoil you. To make up for all the dates I’ve missed. Please?” His lips dip into a small frown and you feel like you’ve kicked a puppy. 

He’s gone out of his way for you, and you are being so ungrateful. 

But it is so hard to say yes. Guilt is pooling in your stomach, and you just want to disappear into the shadows and be forgotten about. That is so much easier than Matt holding you, saying such sweet things.

You don’t want to ruin everything. 

You close your eyes as you have a war inside yourself. All you have to say is ‘Yes’ and you’ll make Matt happy, but the monster inside of you keeps dragging your mind into a pit. 

Matt wants to treat you like a princess, but how crushing will it be when he decides that is no longer the case? Can you take that?

The corners of your eyes start to sting and your monster starts to mock you for getting worked up over something as simple as being asked on a date. 

Why can’t you be normal?

Why can’t you accept this?

Why can’t -

The thoughts cease as Matt’s lips press against yours, soft and sweet and tempting. You respond hesitantly.

“Let me take care of you,” he breathes into your mouth, making you shudder. “You deserve it.” 

“You deserve it!” Minnie chirps from beside your knees and you very suddenly remember where you are and what you were doing. You try to pull away from Matt, thinking Minnie hasn’t seen the two of you like this yet, and it might confuse her, but he keeps his hands firmly planted on your hips, not letting you go. You don’t try to fight it, instead, you turn your head away, trying to hide away in your shell. 

You know there is no way you will win this. Matt is determined and he clearly has Minnie on his side, so, very hesitantly, and feeling like you are going to throw up at any moment, you nod into Matt’s shoulder.

“Okay.”

Mouse lets out a deafening cheer and you feel her dart away.

“LADY AND TRAMP! LADY AND TRAMP! LADY AND TRAMP!”

Matt laughs at her excitement over something she doesn’t understand, while you tuck yourself into his hold, wondering how long you have before he ends up shattering your heart into pieces.

---

tags:

@two-unbeatable-beaters @kiwwia-wiwwia @1988-fiend @xblueriddlex @loves0phelia @ninacotte @lovelyygirl8 @littlenosoul @ednaaa-04  @astridstark13

 @lovingkryptonitehideout @moongirlgodness @soocore @bluestuesday

@starry-night-20 @rebeccapineapple @writtenbyred @cherrypie5 @capswife @silvercharacterchaos @resting-confused-face

@Specialagentjackbauer  @yarrystyleeza @ofmusesandsecrets

@midnightreids @cloudroomblog @yeonalie @thychuvaluswife 

@petrovafire39 @ghostindeath @roxytheimmortal 

 @allllium @waywardcrow @thatkindofgurl @waywardxrhea 

@anehkael @akilatwt @lostinthefantasies @reluctanthalfwayoptimism @ethereal-blaze

 @nennia-2000 @seasonofthenerd @abucketofweird  @mattmurdockstateofmind @imagineswritersblog @hazelhavoc @smile-child-13 @allst4rsfall @hashcakes @kezibear @mapleaye @sammanna @gamingfeline @moon-glades @nightwitherspring @phoenix666stuff @dare-devil

@ladyoflynx @hobiebrowns-wife @sarcasm-n-insomnia @lillycore 

@dorothleah @mattmurdocksstarlight @mars-on-vinyl @mywellspringoflife @sleepdeprived-barelyalive @simmilarly @soupyspence @darkened-writer @akila-twt

@murc0ckmurc0ck @groovycass @sumo-b98 @just3rowsing @tongueofcat @zoom1374

@theclassicvinyldragon @aoi-targaryen @lunaticgurly @nikitawolfxo @shireentapestry @snakevyro @yondiii @echos-muses @honeybug-victoria @the-bisaster @ristare 

@mrs-bellingham @eugene-emt-roe @cometenthusiast @stevenknightmarc @yes-im-your-mom @hunnybelha @actorinfluence @capbrie @prowlingforfood @jupitervenusearthmars

@mayp11-blog @danzer8705 @thinking-at-dusk @remuslupinwifee @akila-twt  @nommingonfood @mattmurdocks6thscaleapartment @dil3mma @allllium 

[divinebeautyrevealed2]

[redhoodinternaldialectical]

It's quite important to me that Jason and Bruce's conflict is not a misunderstanding.

I truly believe that if each of them had perfect omniscient knowledge of every detail of what happened surrounding Jason's death, not only would they still have conflict, but they would still have the SAME conflict. Neither the question nor the answer of Under the Red Hood's climax would change.

Sheila's betrayal is often known about in canon (frankly there is no way anyone but Jason should know; it is deeply unclear to me why comics allow others to be aware of this) and it does nothing to change anything.

Bruce's one off attempt to kill the Joker at most changes a few lines during Jason's plea to let him kill him ("Please! I know you wanted to, I know you tried to once, what changed? Did you forget about me? Did you stop caring? Did you fucking well forgive?! You for whom vengeance is your only life?")

Learning about the people Jason saved doesn't do much to assuage Bruce's horror at what Jason has become ("Each life is precious, unique, irreplaceable. It does not absolve him.")

Learning exactly what was done to mourn him modifies the depth and force of Jason's fury some ("You buried and destroyed all trace of me, the actual person, didn't even try to tell Dick, and then blamed my death on my own irresponsibility?!") But otherwise does very little.

Talia's involvement being revealed does nothing, because frankly she didn't do much of anything except stall this confrontation and give him a knife. It's a really cool knife, granted, but it sure as fuck didn't convince Jason this needed to happen!

The exact details of Tim's induction into the role have the largest effect - on an issue that is utterly tertiary to his main conflict with Bruce ("Oh wow, cool, great, the new kid you got to emotionally support you actually volunteered, and has parents so his entire well-being doesn't hinge on your approval. Congrats on approaching the bare fucking minimum! Now, wouldn't you agree that you have a duty to protect him by taking care of the murderer who killed me?! Instead of fucking demanding that he be good enough not to get killed?!")

I have a whole damn post on the can of worms Jason understanding the events of War Games would open! ("YOU LET ANOTHER ONE OF US DIE WHILE I WAS GONE?!?")

I am convinced that the only ways in which their conflict becomes less intense is through a misunderstanding.

And I like it that way. I'm really, really glad it's not a misunderstanding, and that it can't be resolved through better communication. Their issues are real and meaningful and cannot be swept away without one actually conceding to the other's demands.

[bluejaysandblackbats]

I'm Working on the Winners from the Last Round of Ideas (Having a Tough Time Writing Two of Them) SOOOOO...

Hiccup in Time: Upon Meloni's return to the home she built with her husband and sons, she's haunted by echoes in her memories. She believes these echoes are the key to discovering what happened to her missing family. (flashfam; horror/supernatural AU)

Blood Lines: Jade and Roy's pasts come back to haunt them (literally) when their curses collide. (arrowfam; horror/supernatural AU, no capes AU)

The War Inside: Runaway turned military school student, Grant Wilson, risks expulsion when he falls for a troublemaking classmate. (boarding school AU, no capes/no powers AU)

Star Light, Star Bright: AU where Natalia didn't die or lose custody, and she accompanies Bruce and Jason to Ethiopia. (batfam; canon divergent AU)

Bunk Buddies: AU where Alan develops feelings for a friend at his boarding school during wartime. (jsa; boarding school AU/dark academia AU)

Chicken or Fish: Garth and Arthur age swap AU where tiny!Arthur becomes Garth's first friend/brother. (aquafam; ageswap AU)

Alone Together: AU where a freshly emancipated Thad is Bart's estranged older brother who takes him in after their Uncle Max falls ill. (flashfam; ageswap AU, no powers AU)

The Inside Scoop: Promising teen reporter, Linda Park, gets a scholarship to attend boarding school after her friend's sister was murdered. (flashfam; boarding school AU, dark academia AU)

The Outcry: Grant Wilson feels as if he's always lived in his brother, Joseph's shadow in this ageswap AU. (ageswap AU, no powers AU)

Before I Hurt You Too: Orion's deceased friend's brother begins to follow him despite Orion's objections. (fourth world; boarding school AU, dark academia AU)

Broken, Left Unspoken: AU where Thad returns three days after Mercury Falling and Bart and Thad move from Alabama to Kansas together. (flashfam; canon divergent AU)

Until Friday: Bart and Jason run into each other at the physical therapist's office and start to hang out as a result. (flashfam, batfam, yj98; no powers AU)

[shyjusticewarrior]

Jason Todd & Lying: An Analysis

Jason doesn't seem inclined to or particularly skilled at lying.

In BFTC Dick tells him "you're a terrible liar, Jason." Granted in that context Dick didn't want to believe what he was saying, so we can take that with a little grain of salt.

When Isabel remarks their past kiss wasn't very good, Jason says that's because last time he kissed her he was lying.

In Nightwing Annual 2021 Jason claims he didn't do something and Dick says he believes him "because you'd own up to it."

The lies Jason does in Task Force Z #8 are all meant to be very short term.

This could be because of his bad experiences of people lying to him. Bruce is notorious for being dishonest and secretive. Sheila's lies literally lead to Jason's death. One of the last things his birth mother said to him was "I lied."

[punkeropercyjackson]

Reasons Jason Todd is actually a green flag because i'm always dunking on him and now i feel bad about it LOL

As Robin he was a soft sunshine boy who was too shy to talk to girls and a theater lover but also had a strong sense of justice that was so powerful he pushed a guy off a roof for SA'ing a woman and only felt bad about it because Bruce made him cry over it by making him feel like a monster for killing him due to the 'No Kill' rule

Shakespeare nerd and loves classical literature in general and his poetry(narration)is actually pretty good

Cocky ass nigga but not a serial flirt and has demi/romance favorable aroace swag with a canon distaste for amatornormativity that's a running trait of his

It's also canon his type is weirdgirls who match his energy and all of his love interests have woc too boot(Rose who's half cambodian,Artemis who's egyptian and Dana who's black)

And he rejected a normie blonde white girl(Isabel)because she was too corny and forceful with her advances and was grossed out by Kory's deblackification and dehumanization instead of taking advantage of her

Mama's boy to the max(Catherine,Talia,Nocturna and in a tragic way Sheila too)

Was a street kid and grew up to still hate rich people with his whole chest instead of being performative about it(comrade Jason)

Manly but in a trans kinda way

This includes being goth punk and a tough guy not out of fragile masculinity and 2/3 of the girlfriends he's had were butches but as a trauma response

'*Sees the first ever black Robin after not giving a fuck about any of his other brothers*I fuck with him actually,let's go to Batburger manito'

One time he targeted a guy to kill him because he was an elementary school teacher who was sexually abusing one of his student's and stated this as the reason in-text for why he hated him

Also is anti-incest as he said he thinks the thought of kissing his brothers is disgusting and included Duke in it so Jason stays saying Duke is a real Batkid rights

Re him being punk,it's implied he's a straightedge since he almost never drinks alchohol at bars and dosen't smoke either

In his lego movie,they himbofied him and he sounds like a fucking surfer in it.It's so hot.Ignore that last part,

When DC finally let him and Stephanie interact,he was a lot nicer to her than she was treated back in the 90s and 2000s by other male characters(thank you Cass for giving her the appreciation she deserved)and nothing romantic comes out of it and instead they're like siblings

His favorite food is neapolitan.What a fucking dork

Great cook and homemaker in general

There's a thirst trap ass panel of him saying 'You spread your legs for stability' so i mean.He cares(I'm so sorry LMAOOOOOO)

Dad-Shaped but well-written instead of an offputting cornball i.e His dynamics with kids have his trauma and lack of experience in mind and he had to develop into it and he's actually pretty good at it now

The only times he behaved the way the fandom wants him to is in og Rhato,where he was written with complete disrespect to his character and history and that's tells you a lot with the kinda people Grant Morrison and Scott Lobdell turned out to be and how Jayr*ys continue to defend their writing.Love Jason,hate fanon

[kaithonks]

So I’ve had some Thoughts about From the DC Vault: Death in the Family: Robin Lives!

Warning: Spoilers 

My mistake with From the DC Vault: Death in the Family: Robin Lives! was thinking that the story would actually be about Robin. That was on me. I should have known better, but I let my excitement of finally getting more Jason Todd, Robin content get away from me. I set up poor expectations, and it’s not the comic’s fault for not meeting those expectations. 

Everything else is, though. 

I know I’m biased, and I am probably writing this too soon after having finished Robin Lives to really give myself time to think critically about the story. But, I also feel rather offended by the end and feel the need to strike while the iron is hot. Recently, I talked about fans and writers needing to have respect for each other, as they can’t exist without each other. I also mentioned having a respect for the history of the comic. On that, I don’t get the feeling that J. M. DeMatteis has much respect for the history that was Jason’s Robin run. Granted, this isn’t mainline canon. It is more of a ‘What if?’ So DeMatteis wasn’t “entrusted” the same way but, there was still a line of basic respect that feels very lacking. Now, DeMatteis has been writing since the 80s and has written a lot for both DC and Marvel so he is a part of comic history, but this doesn’t really translate into respect for characters. Or for fans.

Both Jason and Dick’s character have a rough time in this 4 issue series. While the series called ��Robin Lives” mostly focuses on Bruce and his regret, by doing that it makes Jason and Dick more like props for Bruce’s guilt than actually characters with their own agency. Bruce outright denies Dick’s choice in becoming a Robin and even later Nightwing. In this guilt, Bruce totally takes away the fact that even as a child, Dick did choose this, and he chose it again when he became Nightwing. So Bruce’s guilt serves no one here. And this problem gets worst with the Robin Lives ending. Dick becoming Batman, is an incredibly weak ending to start. Because most of Dick’s history is him growing out of Robin and then trying to break out of Bruce’s shadow. Yes, Battle for the Cowl happens, but it’s more complex than Dick just becoming Batman. And it’s easy to see how pointless all of Bruce’s guilt was when he decided to leave his role as Batman, only for Dick to take it up again. It really feels like Dick is only a prop for Bruce’s journey. Dick is here for Bruce to feel guilty about, but then to also relieve him of the duty that also makes him feel guilty. 

And it is so much worse with Jason. This does sort of come back to me setting up poor expectations and the fact I thought this would be about Jason’s recover, but it was glossed over. We simply jump to Jason now being okay, which is a choice, if on the unbelievable side. What is worse, though, is how Bruce and the comic, makes Jason’s trauma about Bruce. Because yes, to an extent Bruce holds fault for the events leading up to Death in the Family. But he mainly holds fault in the form of negligence. He didn’t properly check out Sheila Haywood's background before for deciding she was a safe person to leave his son with. I am boiling down the issue of character interaction between Bruce and Jason (and outside influence that puts Jason’s last issues into context), but my point still stands that Bruce and Jason still made choices. For Jason’s part, he chose to trust Shelia to try, and save her. And in reality, Joker and Shelia hold the blame for Jason’s trauma. The fact Shelia was only briefly seen in a hallucination and “saving” Jason, again feels like DeMatteis has a lacking appreciation for the history of Jason’s Robin, and it’s context. Yes, Shelia saving Jason would be something Jason would want, but the event after this takes away everything that would make Jason still want Shelia’s affection in some way. With the ending and Jason becoming the Joker to Dick’s Batman, shows this. It ultimately feels like both Dick and Jason were used as stage props to re-establish some kind of status quo for a series that was only planned for only four issue. The run very well could have ended with the Joker’s death and everyone going to live happy lives but for some reason no. 

Now, one could see that as DeMatteis having a respect for Batman’s history as a whole and a path for a continuation. I would argue, though, that it shouldn’t come at the cost of other character’s agency. The leap in Jason’s “madness” is awkward, and when I say leap I mean a massive leap. This goes back to my problem with the story not focusing on Jason. We spend so much time in Bruce’s grief that when it is about Jason, everything goes sideways and ends up with being a “What the hell did that happen?” Especially since in the context of the story, Jason should have gotten a lot more support from Bruce, now retired, from Dick, now living back in Gotham, and from Dr. Sarawarti Dev, a psychologist. Having Jason still become the Joker after all this, not only feels like all of those people continued to fail him (especially as Bruce and Dr. Sara get married, which was a strange addition), but that he never really had any choice.  The story didn’t take the time to show us this, to show us how or where Jason became the Joker. He even denied becoming like the Joke in early issue 4. A point might be made that killing the Joker made Jason the new Joker, but a counterpoint Why? Jason already had the choice and decided? Why did he go back on that? Jason was Robin, Robin has the role of bringing hope, and being more compassionate, countering the fear Batman brings. We see Jason’s compassion before he died (or was injured in this case), when he still tried to save Shelia after she betrayed him. We see it in this comic with him still wanting her affection in his hallucination. So where did that compassion and care go?  

The answer? It didn’t go anywhere.  It was forgotten for the sake of a convoluted twist to make a reader gasp. Robin Lives spends its whole four issue run taking away the choice and agency of Robin. Robin does not live here. He becomes a puppet of the plot not to move outside of its designated story, he only can become Batman or the Joker. But never his own being. For anyone who’s ever enjoyed Robin, be it Dick Grayson, Jason Todd, Tim Drake, Stephanie Brown, Damian Wayne or any other Robin, past or future, Robin Lives is an insult.

[damianbugs]

Hi!! First I just wanted to say your fics have been an inspo for me to write my own fics and I enjoy them immensely. Second, I’ve been wandering something and I want to ask something about how Jason Todd is portrayed after his death.

I don’t really understand why so many just kind of lie? Or exasperate who Jason Todd is and isn’t. Like the Cass and Bruce scene in front of Jason’s grave, or that scene in Gotham Knights where Alfred tells Bruce “Jason was determined to disobey him.” I know out of universe it just has to do with the mischaracterization of Jason but I’m having a hard time on finding an in universe explanation. Is it out of guilt? Out of misplaced love? It’s confusing me a bit

first of all, thank you!! i'm so glad i could inspire you that is truly the highest complement i could receive <3

secondly, this is a really interesting discussion! you're right about how in a meta way it's the deeply routed classism in jasons writing, as well as many writers (example: grant morrison) just really hating jason for some reason and doing everything they can to make him absolutely insufferable. not even in a cool evil villain way, but in an embarrassment point and laugh kind of way.

for the purpose of this discussion lets (with much difficulty) ignore the writers predispositions and implications and just focus entirely on what this means for the characters. it's good you mention the cass and bruce at jason's grave scene, because i think that example alone is a good way to deconstruct some of character's (for this post: bruce's) perspective of jason's death.

to summarise before dumping a billion paragraphs developing the point; let's not dance around it and accept that much of people's understanding of jason's death falls into the victim blaming variety, but in such way that the characters don't seem to realise that's how they perceive him, which is almost worse than them purposely retelling it in such a way. as well as that, aside from this indenial misunderstanding of jason, i think this shows the sort of flaws the other characters have.

Detective Comics #790

at first glance this seems like a really touching and emotional moment where bruce is sharing his grief with cass (especially when the entirety of #790 is about bruce struggling to do just that), but then you really read it and you're like what the fuck... why are we standing in front of this kids grave slagging him off? not only are we hearing all of bruce's regrets about how he raised jason as opposed to his son's actual death, but we are dragging steph into this too.

to bruce, jason's death is an accumulation of everything he let the boy get away with finally reaching it's tipping point. that jason's ambition to "prove something" lead to his seemingly inevitable demise.

now i do think it's important to note that WE (the readers) know jason died saving sheila. that despite being beaten, betrayed and left for dead, he tried to save someone and paid the price for it. no one else knows that, because the two people that did are dead. as a result, bruce is left with the facts that;

prior to his death, jason was acting uncharacteristically (<- important point) violent and aggressive towards himself, borderline passively suicidal. bruce himself acknowledges this.

that jason ran away from home in search of someone who may or may not be his mother. this is because losing his parents is a hurt jason has still not healed from and a topic bruce has handled badly in the past (example: willis todd). jason does not trust bruce enough to tell him about this.

once they find his mother, jason is instructed to not get involved in the joker related problem. to the extent of bruces knowledge, jason reveals himself as robin, and decides to get involved despite the instruction not to. either because he again, didn't trust bruce to believe he would handle it, or that jason was trying to prove something to bruce, to sheila, or to himself.

sheila dies, jason dies and bruce is the only one alive from the tragedy with only half the story.

All of this can be found in A Death In The Family, but I don't feel comfortable sharing panels of it given where the story takes place right now.

bruce spends the next few years blaming himself at any given point, but the blame is misplaced. bruce feels as though HIS negligence of JASON'S personality and HIS allowance of JASON'S freedom as robin is what allowed JASON to go and die. instead of seeing what he knows to be true about jason (his empathy, his kindness, his grief and loneliness) bruce can now only see how his allowance of all these things played a part in JASON disobeying him (whether maliciously or not) and dying.

in short, bruce is projecting big time onto his dead kid.

bruce is, as per usual, coping with loss by antagonising it. he did the same with babs, with steph and later on with damian. for a character like batman, who upon failing immediately turns these losses into lessons (for himself and all those forced to comply), it's the only way he seems to 'move on'. if he can understand that jason died because of all the things bruce let him do wrong, then he can convince himself that the guilt he feels for it is necessary. that jasons death is on him and that it mattered.

unfortunately, in order to do that, bruce is indenial about what he LITERALLY KNOWS ABOUT JASON! it's not like he was an absent father to jason in the slightest. but hey, if he can vitiate jason's enthusiasm to help people as jason's impulsiveness to fight (two things that can be true but not in accordance to the context he describes them in), then the blame is on jason for being brash, and on bruce for being lenient.

he shoots jason in the foot and himself in the knee to keep them both down. because, well, jason's dead anyway, and bruce unfortunately isn't. this is the closest thing they'll get to sharing the truth bruce knows he's missing and he knows it's his fault for favouring the mission of his son — so at the expense of jason, bruce lets them both be the lesson to learn from.

it is why jason is used as a cautionary tale, and why bruce is so unstable on allowing people (especially children) into his life emotionally. the second robin is a lesson for any young vigilante eager to join the mission, and batman's part in the death is a lesson for bruce wayne to... be even more emotionally untrustworthy? instructions unclear.

the final part of the grave scene is also important, because bruce is admitting that he is not so different to jason. that "for some of us [Bruce and Cass] there is no turning back". he is projecting these flaws about jason not only because that's the only way he can cope with jason's death, but he is projecting these flaws because regardless of what actually happened, he (and cass) are destined to meet the same fate. jason died for a multitude of reason that bruce may or may not have caused knowingly, and these reasons only exist because bruce knows them to be true in himself and anyone else damaged enough to find themselves on his side of the blurry line.

so, now looking a bit less zoomed in, i think it's unfortunate that jason's time as robin is often perversed by the people who should know better (bruce & alfred), and while it is bad writing on jason's character, it is great writing to show the flaws in the characters around him.

especially how it shows that grief is not always something that can become healed. bruce's guilt about his parents death amounts to something hopeful (batman), but his guilt about jason's death makes bruce cruel and childish.

tldr: no one knows the true story, so they compensate from what they do know — but by doing so they project and misinform existing characteristics of jason in order to compartmentalise the gravity of his tragic death. bruce is unable to cope normally and everyone is forced to follow the same fate, because batman's lessons are rarely wrong, even if they cause ten other problems and misunderstandings to understand.