#she's the one who sacrifices herself and starts the entire plot of hp

[seriousbrat]

actually Lily is the main character of the marauders era

[phoenixdnasty]

The Problem with Season Five

this is already going to have a lot of you in the replies yelling at me. obviously, massive SPOILERS for s5 of she ra and the princesses of power if you haven't already seen it.

okay, so She Ra is definitely a kids' show, but it has a lot of themes aimed towards an older audience: abuse, war, found family, destiny and knowing who you are. I loved She Ra because it made me feel empowered, made me feel seen. after this last season, however, I don't feel the same. I will, however, talk about what it did well.

What She-Ra s5 did RIGHT

I very much enjoyed seeing the character development for most characters come to the forefront here. For example, SW returned to her original motivations. When she lived in Mystacor with the other sorcerers, her thirst for power was borne of a desire to fight the Horde. When she was rejected, then she chose to do what she did. We see a return to that in s5, where she takes a stand against Prime by enlisting Castaspella to stop her if she tries to take any power for herself. She ends up just wanting to help, to do what she can, which was excellent. Glimmer, Bow and a bunch of other characters are given some love here as well. I especially enjoyed seeing Bow and Mermista take on leadership positions in the absence of Adora; it was an excellent look into another facet of their personalities.

Character interactions in non-serious moments were, for the most part, good. Swift Wind and Scorpia being bros was not something I knew I needed but something I want more of. Netossa basically being Batman and knowing the weaknesses of everyone around her was great and an iconic scene. Bow thinking Catra was super adorable was also an excellent moment in the season and I could watch 9 more seasons worth of that. Something that surprised me was Entrapta's "not good with people"-ness being talked about and addressed by the other characters and explained by her; I wasn't sure if that was ever gonna be talked about in the show.

Side note: thank you Crew-Ra for giving Scorpia her own musical number, it was great.

Prime was also a fascinating enemy. He's this sort of religious figure, this world destroyer who's been around for seemingly centuries, maybe much longer. He's cold, calm and calculated. I've seen it pointed out that he's everything Hordak is not. He's manipulative, knows body language and facial expressions, and has a perfect grasp on how to get exactly what we wants. My favorite aspect of this season was the hive mind control. This was a very interesting plotline to me, and I thoroughly enjoyed HiveMind!Catra as well as Wrong Hordak. I loved the idea of pitting allies against each other and the angst and emotional weight that carried.

Going to use that point to segue into one of this season's strengths: Netossa and Spinnerella. Wow! We get a chance to see what a healthy queer/wlw relationship looks like, and two background characters get major upgrades in relevance. Two diversity points for one being a big girl and for the couple being interracial (in our world anyway), but diversity is the norm is SPOP and we might have to stan forever. It was extremely heartwarming and resulted in one of my favorite scenes to ever show up in animated media (one which I'll be stealing to add to my vows if I ever get married):

It was beautiful and I will absolutely never shut up about it.

There were some beautiful moments this season!! Absolutely gorgeous. A highlight for me cinematically was episode 5, which will probably bother some people when I say what I will below. I will be honest, the new transformation sequence and the scene of Adora holding Catra as She-Ra was powerful and had my heart pounding with excitement. It was awesome.

On the other hand...

What She-Ra s5 did WRONG

I'm going to break my issues with the final season down one by one, starting with the narrative of abuse.

From the very beginning, abuse is the most prevalent theme in the show. Prime (HP) abuses Hordak, Hordak abuses SW, SW abuses both Adora and Catra, and Catra abuses Adora. I liked the Crew-Ra tackling this issue. Abused people abuse people, right?

Why was everyone redeemed in s5? (Well, except for Prime, he was blasted away by She-Ra.) Hordak was given a blank slate to start over, even though he was the reason Etheria was war torn for at least a few decades; SW was given a hero's sacrifice, where at the end of her life she finally decides to do some good; and Catra is immediately forgiven for doing one good thing and all trust in placed in her simultaneously.

Hordak and H. Prime as abusers are pretty cut and dry; at no point are they ever remorseful for their actions, except for Hordak in the case of being abusive to Entrapta. SW is much more of an interesting character to analyze, because her motivations are geared directly towards herself. This seems to change in the final season, when she returns to her original motivations from back when she was in Mystacor. Defending her home. In her pursuit of the power needed to defend Etheria from the Horde, she fell into darkness. She began to abuse Adora and Catra.

One could argue that the hero's sacrifice she was given for redemption was unneeded. SW was an individual addicted to power. She was manipulative, using fake affection as a means to control. She didn't deserve a redemption. The only evidence we have of this supposed change of heart is a line to Castaspella: "...and stop me if I try to take the power for myself." Okay... so, SW, um... what changed your mind? Was it Micah? Because at no point has he forgiven you. In fact, there should've been much more hostility between the two of you (which is a point I'll address in a moment). In all honesty, the relationship between SW and Micah reminds me of what should've happened between Catra and Glimmer, or Catra and Scorpia.

And Catra... My problem with her story is that she was kinda just... forgiven? instantly. no repercussions, no long talks about feelings, no... consequences. Catra got the girl and that was it. A small list of things she did over 4 seasons, in no certain order:

Scratched what was implied were scarring marks down Adora's back

Was the cause of Angella's "death" #angelladeservedbetter

Kidnapped both Glimmer and Bow

Opened a world-ending portal all to ensure Adora failed

Also pushed Adora into what looked like an abyss

Verbally abused Scorpia into leaving

Wanted to pit Corrupted!She-Ra against her friends (dehumanization)

Got Entrapta sent to Beast Island, a deadly place no one ever returns from

And this is just the stuff off the top of my head. We all knew Catra was going to get a redemption, but this one was completely undeserved. She apologized to Adora and Entrapta. Two very short apologies for what canonly was at minimum, months of abuse, manipulation, intent to kill (which is literally mentioned by Adora) and general disregard for anyone or anything but revenge for something that didn't even deserve it. The entire cast should've been outraged. Glimmer in particular had a very big reason not to ever forgive Catra ("I'm not losing another parent!"), but it was all glossed over.

The biggest issue with season 5 was the abuse plotline completely dropped. You can't spend 4 seasons explaining how the cycle of abuse affects you and everyone around you... and shelve it. And we know the reason why it was shelved.

Let me first preface this with the fact that I am super happy we got representation. As a queer nblw who grew up feeling alone, it's so good to see things changing in media. An onscreen wlw kiss on a kids' show is groundbreaking and I'm very happy that She-Ra broke this barrier.

But all representation is not good representation. Catra and Adora is not a good representation of a healthy relationship.

Catra is shown throughout the series to be very unstable. This is even prevalent in season 5, when Adora "chooses SW" over Catra, she runs away. This breaks Adora's heart. The last thing that Catra needs is a relationship when she hasn't even confronted the issues that she has. There's no healing done in season 5, no therapy as the fandom loved to meme about, no long talks about forgiveness and the hurt caused. There's no callback to any of the pain and anguish that Catra put Adora through. Catra may love Adora, but if there is no healing done for the both of them, their relationship will fail. They will fall into the same cycle again. Adora will do something Catra doesn't like, Catra will do what she's done for all of the show, and it will repeat until something breaks.

I'm going to talk about the implications of the ending we have now, and feel free to argue with me.

She-Ra is a kids' show. Abuse is one of the main themes. Catra is shown to be an abuser. Here's what we are teaching younger audiences:

a. if you love someone enough, maybe they'll change

b. everyone deserves a second chance

c. your abuser will change as long as you're loyal and never stop trying to love them

d. things someone does to hurt you mean nothing in the wake of forgiveness

e. if someone who hurt you changes suddenly and wants to be back in your life, you should let them back in

Character interactions for the things that mattered (plot threads from previous seasons, general personality clashes, etc) were absent this season, in the moments where they mattered the most. (The best three in my opinion were Scorpia and Perfuma, the BFS inviting Catra in, and Mermista and Entrapta.) Glimmer and Adora should've had their time to talk. Scorpia should've gotten to say her piece to Catra. SW and Micah should've interacted more. Micah and Glimmer should've gotten more than an introduction!

I'm not going to get into how the entire final season was wrapped around making Catra and Adora get together (a fundamental writing no-no; it never ends up working), or how it was bad writing. I just want everyone to think critically for one moment. There are so many other glaring issues in what was, overall, a stellar show. If there was another season, or some mini episodes where the characters talk out their problems and past transgressions against each other, then I could excuse She-Ra. But I doubt we're going to get any of that. So I won't.

[emma-what-son]

(Echee post) Emma Watson says J.K Rowling's quote about Hermione ending up with Harry was taken out of context and it was a joke

Posted March 6, 2014

From mtv.com/news may 2014, "Watson also seemed somewhat pessimistic about the longevity of the popular pairing, sharing at the time, "I think there are fans out there who know that too and who wonder whether Ron would have really been able to make her happy." But Watson's tune may have changed just a bit, as the starlet took to the red carpet at tonight's Oscars (her first time attending the big show, if you can believe it) and told MTV's own Josh Horowitz, "It was a real shame, because the quote that she gave was completely taken out of context." Emma change her tune? Noooooo way she would never do that!! =)~ MTV left out the part where she said it was just a joke From ohnotheydidnt.livejournal.com March 2014, "It was a real shame, because the quote that she gave was completely taken out of context, and if you read the whole interview it was completely not how it was framed but it was actually kind of a joke." You know the funny part is? This is the Wonderland Magazine that Emma herself guest edited and Emma herself conducted the interview with J.K. Rowling. How could it be possibly taken out of context or even be considered a joke? There is nothing in the writing that suggests it's a joke. Maybe if the interview was conducted by video you could see their facial expressions that would tip you off that they were joking. This is typical Emma changing her tune but only because the HP fandom lost their shit over fictional characters. JK and Emma are back tracking now. I don't really care because to me it's a book made into a movie but this is Emma deceiving others as usual.

Actually I read the entire interview and what is being taken out of context and where is the punch line? Here is the part of the interview with JK about Hermione ending up with harry instead of Ron. From ohnotheydidnt.livejournal.com Feb 2014 Emma: I thought we should discuss Hermione... I'm sure you've heard this a million times but now that you have written the books, do you have a new perspective on how you relate to Hermione and the relationship you have with her or had with her? JK: I know that Hermione is incredibly recognizable to a lot of readers and yet you don't see a lot of Hermione's in film or on TV except to be laughed at. I mean that the intense, clever, in some ways not terribly self-aware, girl is rarely the heroine and I really wanted her to be the heroine. She is part of me, although she is not wholly me. I think that is how I might have appeared to people when I was younger, but that is not really how I was inside. What I will say is that I wrote the Hermione/Ron relationship as a form of wish fulfillment. That's how it was conceived, really. For reasons that have very little to do with literature and far more to do with me clinging to the plot as I first imagined it, Hermione with Ron. Emma: Ah. JK: I know, I'm sorry, I can hear the rage and fury it might cause some fans, but if I'm absolutely honest, distance has given me perspective on that. It was a choice I made for very personal reasons, not for reasons of credibility. Am I breaking people's hearts by saying this? I hope not. Emma: I don't know. I think there are fans out there who know that too and who wonder whether Ron would have really been able to make her happy. JK: Yes exactly. Emma: And vice versa. JK: It was a young relationship. I think the attraction itself is plausible but the combative side of it... I'm not sure you could have got over that in an adult relationship, there was too much fundamental incompatibility. I can't believe we are saying all of this – this is Potter heresy! Emma: I know, it is heresy. JK: In some ways Hermione and Harry are a better fit and I'll tell you something very strange. When I wrote Hallows, I felt this quite strongly when I had Hermione and Harry together in the tent! I hadn't told [Steve] Kloves that and when he wrote the script he felt exactly the same thing at exactly the same point. Emma: That is just so interesting because when I was doing the scene I said to David [Heyman]: "This isn't in the book, she didn't write this". I'm not sure I am comfortable insinuating something however subtle it is! JK: Yes, but David and Steve – they felt what I felt when writing it. Emma: That is so strange. JK: And actually I liked that scene in the film, because it was articulating something I hadn't said but I had felt. I really liked it and I thought that it was right. I think you do feel the ghost of what could have been in that scene. Emma: It's a really haunting scene. It's funny because it really divided people. Some people loved that scene and some people really didn't. JK: Yes, some people utterly hated it. But that is true of so many really good scenes in books and films; they evoke that strong positive/negative feeling. I was fine with it, I liked it. Emma: I remember really loving shooting those scenes that don't have any dialogue, where you are just kind of trying to express a moment in time and a feeling without saying anything. It was just Dan and I spontaneously sort of trying to convey an idea and it was really fun. JK: And you got it perfectly, you got perfectly the sort of mixture of awkwardness and genuine emotion, because it teeters on the edge of "what are we doing? Oh come on let's do it anyway", which I thought was just right for that time. Emma: I think it was just the sense that in the moment they needed to be together and be kids and raise each other's morale. JK: That is just it, you are so right. All this says something very powerful about the character of Hermione as well. Hermione was the one that

stuck with Harry all the way through that last installment, that very last part of the adventure. It wasn't Ron, which also says something very powerful about Ron. He was injured in a way, in his self-esteem, from the start of the series. He always knew he came second to fourth best, and then had to make friends with the hero of it all and that's a hell of a position to be in, eternally overshadowed. So Ron had to act out in that way at some point. But Hermione's always there for Harry. I remember you sent me a note after you read Hallows and before you started shooting, and said something about that, because it was Hermione's journey as much as Harry's at the end. Emma: I completely agree and the fact that they were true equals and the fact that she really said goodbye to her family makes it her sacrifice too. JK: Yes, her sacrifice was massive, completely. A very calculated act of bravery. That is not an 'in the moment' act of bravery where emotion carries you through, that is a deliberate choice. Emma: Exactly. I love Hermione. JK: I love her too. Oh, maybe she and Ron will be alright with a bit of counseling, you know. I wonder what happens at wizard marriage counseling? They'll probably be fine. He needs to work on his self-esteem issues and she needs to work on being a little less critical. Emma: I think it makes sense to me that Ron would make friends with the most famous wizard in the school because I think life presents to you over and over again your biggest and most painful fear – until you conquer it. It just keeps coming up. JK: That is so true, it has happened in my own life. The issue keeps coming up because you are drawn to it and you are putting yourself in front of it all the time. At a certain point you have to choose what to do about it and sometimes conquering it is choosing to say: I don't want that anymore, I'm going to stop walking up to you because there is nothing there for me. But yes, you're so right, that's very insightful! Ron's used to playing second fiddle. I think that's a comfortable role for him, but at a certain point he has to be his own man, doesn't he? Emma: Yes and until he does it is unresolved. It is unfinished business. So maybe life presented this to him enough times until he had to make a choice and become the man that Hermione needs. JK: Just like her creator, she has a real weakness for a funny man. These uptight girls, they do like them funny. Emma: They do like them funny, they need them funny. JK: It's such a relief from being so intense yourself – you need someone who takes life, or appears to take life, a little more light heartedly.

^This post made Ron cry, lol I really don't care who ended up with who because it's a movie. I lost no sleep over it or thought about it much until I read the quote of Emma changing her tune as MTV pointed out. I will say this. In the Half Blood Prince when Ron was in the Hospital after mistakenly consuming a love potion meant for Harry there was an exchange between Hermione and Lavender Brown where Hermione said, "I've always found him interesting" meaning Ron. There was also that scene in DH2 where Hermione said she couldn't destroy the horocrux and it took Ron to coach her up to do it. There was that scene after that where they were looking for Harry using the marauders map and Ron remembered what Hermione told him about the room of requirement not being on the map and she was surprised he remembered. Then there was the Order of the Phoenix when Ron tricked Malfoy and the rest of them (with a spell of which I forget) and they got away while Hermione and Harry lead Umbridge into the Forrest. When Hermione came back she was impressed by him. I think Ron and Hermione would be just fine if they were real. They actually compliment each other by being total opposites. I'm sure true Potter fans have better examples for Ron and Hermione. Btw Emma was about Ron and Hermione for years and years. I'd post the quotes but I think true Potter fans know this to be true so there would be no argument there. It's something me and Emma fans probably agree on. I think hell just froze over. As for what Emma said about Ron making Hermione happy and stuff. In my opinion she's purely speaking from her own taste in men since she goes for the Viktor Krum's (Matt Janney/Tom Ducker) and Cormac McLaggen's (Will Adamowicz/Jay Barrymore). Emma is more of  mix of Sam (Perks) and Nicki (TBR) than she was ever Hermione. Emma would never date a Ron Weasley in real life. It's beneath her and there would be a reality gap between them since Emma lives in her own head and is out of touch with normal people. So really that statement is a full on Emmione moment where she's doing her thinking for a fictional character that is totally different from "the real Emma Watson". I've said this numerous times. If Hermione were real she would not think too kindly of Emma. Shy and introverted post is coming one of these days. I keep on saying that but it is. I put this post together in 15 minutes. I've been working on the other one for two weeks on and off by procrastinating with it mostly. It's not that complicated I'm just being lazy getting all the photos and quotes together I need. And while were on this shipping business

She supposedly interviewed JGL in Wonderland Magazine but it was not formatted like her other Interviews where she talked just as much as the person she was interviewing so this leads to believe she actually didn’t interview JGL. It was a straight Q&A without it reading like a conversation between two people in the same room like the others. And JGL has done Wonderland a few times in the past so I don’t think this was Emma’s request. Then they presented together at the Oscars. Coincidence or more Hollywood smoke and mirrors? Fans are shipping (weirdo movement) these two and it was all for show. Ok I’m going to join this weirdo movement of shipping! JGL and Dan forever!!

[lostlegacyuniverse]

NNK2 Thoughts

So with Ni No Kuni 2 having been out for a year now, as well as having the free adventure DLC that just went live, I can finally sit down and talk about the sequel to the amazing first game.

This is long and there will be spoilers ahead, you have been warned.

Combat! The combat of the second game is wonderful and fluid. Blocking, dodging, being able to even attack with ranged weapons like guns and wands at will. It’s really well done and easy to get into the rhythm of combat. I especially like the idea of recharging your mana by hitting enemies with melee attacks, and then using that mana on an empowered weapon for a massive hit in kind. Putting a pause on combat when using items was a nice feature to have as well. And the party AI! Oh, goodness it’s nice. Sure they do silly things on occasion, but they don’t come close the the AI teammates of Ni No Kuni 1. No Esther running into an enemy attack, no Oliver eating every ounce of mana he can as fast as he can. They’re smart! They build charge, they are cautious with spells, they run into healing zones, they back off when on low hp, THEY DODGE ATTACKS. It’s a wonderfully drastic improvement. However, having a limit on each helpful item type per battle was seriously annoying, especially against one of the Tainted dragon mini bosses which, -even with me being a full 10 levels ahead of him- made the battle draw out for far, far longer than it needed to. It wasn’t fun to get smacked for half my hp for the 40th time, and then realizing that I had no more ways to recover hp through items. This is an RPG, not Dark Souls. I have 99 4 Leafed Soreaways, let me use them, dammit. The only thing I really disliked about the combat was the inability to force the enemy AI to target a specific character on my team with a taunt or spotlight or what have you. Which led to awkward situations where- for example- a Tainted monster would suddenly turn on me -mid attack- after having focused an ally for the entire battle.

Aside from combat and story, I really disliked how damn tedious building my kingdom was. It felt like a glorified mobile game. There was even a point where I had to wait for a specific research to finish, so I could move on. This wasn’t one of those “Oh I want more xp before I keep going” kind of things, I had to actually put down my controller for 30 minutes, and WAIT for this research to finish to PROGRESS THE PLOT OF THE GAME, because the game would not allow me to continue until I had done so. Honestly, that’s one of the reasons I probably won’t be replaying this game from scratch. And it’s not due to lazyness. I’ve replayed the first Ni No Kuni dozens of times, hell I’ve even replayed Persona 5 TWICE, which is a 100 hour run each. I’d have no problem replaying Ni No Kuni 2, it’s just the way you progress the story, and all of the shit it’s locked behind is a complete turn off for starting a new game run.

Story wise, the game was... okay. Nothing terrible, but nothing fantastic either. There were a lot of plot points that were either never really answered, or were done so in a way that felt just unsatisfying and copped out. For example how quickly Evan forgave Mausinger for what he had done not only to his father and him, but to the entire kingdom (who then equally forgave him just as quickly).

I was admittedly thrown for a loop and shocked when it was revealed that Roland and Doloran were “soul mates” (a term from the first game that was CRITICAL TO THE PLOT, that meant that two people from different worlds shared the same soul. What happens to one, happens to the other, death or brokenheartedness for example.) Doloran just monologues for a bit about how they “were the same” and “wanted the same thing” (to resurrect a loved one), and ends up asking Roland to join him, but again, as crucial as a point it was supposed to be, it felt very sudden and copped out. Long story short, Doloran had supposedly been trying to manipulate Roland to do things. What exactly? I don’t know, it’s not explained, let alone important in any way. Did he use him to try and sabotage Evan’s kingdom? No. Did he use him to help him steal the Kingsbonds of other kingdoms? No. Did he use Roland to accomplish his goals at all? No, he didn’t need him for any real reason. There was this sudden pressure of “THIS IS IMPORTANT” but it held no actual merit.

Soul Mates weren’t mentioned at all during the entirety of the story, and the developers themselves said you didn’t need to play the first one to understand the second. So to have this “VERY IMPORTANT PLOT POINT”- seriously I can't stress this enough- just suddenly pop up at literally the final boss in the final chapter, with no prior warning or discussion felt downright lazy. It certainly made no sense to anyone that had never played the first game. What significance was it supposed to hold for them? It’s not like this was a cute little easter egg like the Trial of Kings was, what with the Ni No Kuni 1 crew being there, this was supposed to be a BIG IMPORTANT REVEAL. But knowing about the bond changed absolutely nothing about the fight or the story that followed. There was no danger to Roland, no dramatic fight to the death followed by self sacrifice. Doloran just got thowmped, did his evil hocus pocus anyways, and we flew off into the 9th dimension to go fight Bahamut. The only reason the bond between them exists, is so that Roland had a way into Evan’s world, and later a way back, and that’s about it. Sadly there wasn’t even retribution for Doloran for how many lives he’d taken to fuel his Horned One monster (regardless of the fact they were returned after it was killed), nor the damage he’d caused by taking the Kingsbonds (which weren’t returned, by the way). His love blinded ass even created a death dimension dragon that BROKE THE LITERAL SKY, and all he got was a pat on the shoulder and a talk about how sad it was to lose a loved one, and that he would enjoy this new world if he tried.

I.. what? What? Course you could argue that Shadar and Cassiopia from the first game received similar treatment. However, Shadar and Cass fell into a deep despair (from their respective actions, defying orders and saving Alicia, and using the Manna) that consumed them to the point of wanting to inflict that despair on others. Shadar payed for his actions by separating his soul from Oliver’s so that the boy could keep living while he drifted into Limbo / The Afterlife. He didn’t even see himself as being forgiven for his actions. Cassiopia redeemed herself when she helped fight against the Zodiarchs, the abomination created from her despair, grief, and magic that had utterly consumed her for thousands of years. Doloran? Doloran killed thousands of people and threw the world out of balance to get his beloved back, when in fact she was WAY beyond saving, and then did nothing to help defeat the monster he had unleashed. But it’s okay guys, he was in love, he gets a free pass.  I thought this game was supposed to be “more mature” and ‘more geared towards adults” than the first one. So how is it that the first game handles these messages and themes better than the one that was designed to does?

Don’t even get me started on the lame assed bonus ending of “Oh well Evan only united 4 of the kingdoms, you missed all the smaller ones, so your KID went ahead and took care of that in the future and offscreen, and he’s the one that ACTUALLY united the world. He’s the real hero, not you.” Don't invalidate the efforts of the player like that. Don’t.

Aside from the remarkably disappointing ending, there were a few other gripes I had.

So your Kingmaker is Lofty (who doesn’t compare on any level to Drippy’s character, don’t get me started on that rabbit hole) and he’s supposed to impose this weak and downright worthless appearance compared to Longfang, Oakenheart, Brineskimmer, and Bastion. He’s not supposed to be this majestic, powerful dragon like the other 4. Until of course it’s revealed that he IS, he just can’t transform because his bond isn’t strong enough. Cool idea right?

NOT WHEN THE TWIST IS SPELLED OUT ON THE VERY FIRST CUTSECENE WITH THE DECLARATION.  HE’S LITERALLY AT THE TOP OF THE DOCUMENT. IN FULL EASTERN DRAGON FORM. BEFORE YOU EVEN GET TO THE FIRST KINGDOM.

Not to mention the fact that he’s even on the COVER OF THE GAME. Who did this? Who decided this was a good idea? Who ruins their own twist like that?*coughDisneyandTreasurePlanet,no,I’mnotstillsaltyaboutthat,shutup*

And the characters, ohhhh the characters.

Evan felt surprisingly out of place in his own story. I understand that he’s a young king and his character should reflect that, but his growth felt dry and fake. He didn’t really expand as a character, he didn’t overcome his flaws, or grow in any meaningful way. The people around him did that for him. By the end, I cared more about Leander, Bracken, hell, even the other Kingdom leaders than I did about Evan. Evan stayed this cringey child character that didn’t seem to understand very critical concepts about running a kingdom, and the rest of the supporting party was happy to stand back and let the world tick down to literal annihilation as he figured it out on his own. It definitely felt more like Roland should have been the main character of the game. He had more drive and interesting traits right from the start than Evan had all game to develop. Which is incredibly disappointing. I wanted to hear more about Roland’s backstory of being bullied, how he became President, how the literal atomic BOMB going off moments before he was yanked away to Evan’s world damaged his psyche. I will admit the traitor arc was very interesting and had a lot of promise. I only wish it had lasted longer, or had a larger impact on the other protagonists.

Batu and Tani lost a lot of value throughout the game, which is a damn shame considering they were these rough, authority defying Sky Pirates. About the time Goldpaw ran around (which is very early on, mind you) they started to fade into the background, and they were almost forgotten until Roland’s traitor arc, which is CHAPTER 8. OF 9. Let that sink in.

Leander and Braken had a similar problem of being shoved to the side in favor of Evan, but however stayed relevant throughout the remaining story. Although I would have loved to hear more about Hydropolis before the eruption and subsequent daily magic resets. Or more about Broadleaf as a whole, like for example the GIANT FLYING SUBMARINE THE SIZE OF A CONTINENT SITTING JUST 2 MILES NORTH STUCK IN THE ICE? OR THE GIANT CRACKS IN THE SEA THAT GO INTO THE VOID? NO? WE’RE NOT GONNA TALK ABOUT THAT? Okay.

There was just all this amazing backstory and lore that could have been expanded on, like connections to the first game, places and ideas that changed over time. Where did the Higgledies come from? What happened to the familiars? To Wizards? To Nazcaa? To Cassiopia? The other kingdoms? Anything? At all?

Honestly, this game could have come out as completely unrelated to Ni No Kuni 1, and I would not have noticed a single difference. Not that Ni No Kuni 2 is a bad game, it’s far from it. But if you’re looking for an engaging story and have to choose between the 2, pick the first game. No amount of improved combat can redeem a story so desperate to jump the shark, that it falls in and gets eaten.

[wagingwar-rp]

Welcome to Waging War, Sunshine. The role of Gwenog Jones is now taken.

I was really ecxited when I saw that we had an app for Gwenog because she's a personal favorite of mine. And in your app you captured perfectly what I've been looking for in an app for her. Although she's a strong, independent and competitve person you've still managed to show her softer side in your app and I absolutely loved that. - Admin Carrie Please submit your blog in the next 24 hours and follow all other steps on our checklist

OOC INFORMATION

NAME: sunshine PRONOUNS: she/her AGE: 23 TIMEZONE: pst ACTIVITY-LEVEL: 3-4 - I’m a graduate student and I also have a job. TRIGGERS: removed by the admin ANYTHING ELSE: you guys!!! this is the neatest premise for a harry potter roleplay on tumblr :0 seriously, you put in so much dang work, and it shows! you should be proud of yourselves! 

BASIC INFORMATION

CHARACTER YOU’RE APPLYING FOR: gwenog “don’t touch me, it’s quidditch time” jones  FACECLAIM:  jamie chung  REASON FOR YOUR CHOICE: I’ve always enjoyed the idea of a professional all-women’s sports team that reached the level of fame and success of the holyhead harpies. I have an older HP oc of welsh origin, and I’ve done a decent amount of research on how to incorporate welsh culture and mythology into the HP universe.  writing gwenog is an exciting opportunity to explore this further and provide a more diverse and enriching experience in the group. further, she’s just such a strong-minded, resolute character. and again, she provides color and variety to the world - as much as we love the tension and drama of the order vs the death eaters (and the followers of grindelwald, in this case!) I think it is all the more important to contrast this struggle with the larger magical world, who may not be directly involved but nevertheless affected.

MAGICAL TOOLS

WAND: her first trip to london equipped her with many of her school-year firsts, including her ash wood, dragon core 7″ wand. famously prickly, obstinate, and dedicated, the wand chose gwenog for her like-minded and firm personality, already lively and independent. although a touch temperamental, the wand works consistently and well, for her single-minded focus keeps her magic in line.

PATRONUS: the welsh (northern) goshawk. gwenog would like to say that it represents her competitive streak, agile handling, and notorious speed on the broom that makes her a vicious and efficient beater - but in reality, this bird of prey patronus encapsulates more than basic quidditch tricks. her patronus is the goshawk for the dogged determination and hard work she devotes to her passions. she may like to comment about her talent on the pitch - which goes without saying - but her unyielding determination and perseverance is rather marked of her hufflepuff house affiliation. although often seen as sharp and aggressive, she is nevertheless passionate, skilled, and driven. more sensitively, just as female goshawks are dangerously protective of their fledglings, so, too, is gwenog defensive of herself, her team, and the rare few who have earned her fierce loyalty.

BOGGART: gwenog sees herself. a worthless, beaten down, broken self.  she’s terrified of becoming irrelevant - some footnote in the hogwarts trophy room, to be dusted off every year and forgotten.  and sure, yeah, she’s seen some progress. she may not have excelled in her studies, but enough of her professors have witnessed enough talent and ambition to merit some curiosity. prestigious member of the much-vaunted slug club. a couple of scouts seeking her out after graduation. growing professional plays taking off.she’s been told enough times that slytherin house would have suited her well. despite her rising successes, a part of her always fears the fall - a sports injury sufficient to keep her grounded, off the pitch forever. a more talented player, constantly swooping in to stymie every gain, every potential victory.  and so, she sees a gwenog she knows that failure could make her - and she chases away the image with a broomstick to knock that damn boggart flat on its ass as the broom WHOOSHES past.

A LAYER DEEPER

PERSONALITY TRAITS: 

positive i.  I feel like this has been touched on above, but her aggression can be the terror of her enemies, and the security of her friends and team. when channeled well, she can be a fierce defender - for as much as beaters are known as frightening offense, they play defense as well, and keep a constant eye towards the protection of their team.

positive ii. gwenog knows she’s right when she’s right. she sticks to her guns, and it is a trait that has remarkably helped her career skyrocket - she protects her own interests and won’t let herself be used, fooled, or swayed.

negative i. gwenog knows she’s right, even when she’s wrong. sometimes her self-assurance is acerbic, unyielding, and hostile. she is resistant to advice, and even the most constructive of criticism is harshly received.  she can end up pulling the rug out from under herself when she lets her pride and stubbornness get in the way of better judgment or compromise.

negative ii. she’s so determined and focused on her quidditch career that most other things tend to fall by the wayside - grades, family, relationships, and all the little things that seem so irrelevant when she’s pulling on her robes, tying back her hair, and dashing out to the pitch with her blood racing.  she can be so focused that she becomes myopic and neglectful of everything else in her lfie.

CONNECTIONS: not sure if we’re deciding to make hestia and gwenog relatives, but that’s a potential connection, there !

greta catchlove. sometimes, even gwenog can’t explain how the two girls became such close friends.  she often rolls her eyes at greta’s sweet-tempered nature, but rarely admits that she admires how greta always seems so kind  to all when gwenog can barely summon the patience to deal with the people who only mildly get on her nerves.

demetria eaves. although essentially strangers, something about the grace and dignity with which demetria carries herself stirred something in gwenog.  demetria has her own talent - something whch gwenog can understand, connect to, and admire.  she keeps an eye on her from afar for now - but it might not be long until she sends a free quidditch ticket her way.

reena giroux. while even mentioning the name might elicit a sneer and snort of disgust, along with a few choice words, gwenog secretly thrills at the excitement of their closely paired skills.  while she’d rather die than lose a match, reena is talented, and that makes each game feel that much more alive.  if she ever had to face her off the pitch, however, tempers may flare.

(I went with all of them because I want)

FUTURE PLOT IDEAS: 

plot idea i. I’d be interested in relationships that challenge gwenog. whether if this counts with professional (ok, it’s personal, it’s way personal) rivals, like with reena or james, or even anyone willing to call gwenog out on her bullshit and hot air, it’d be a dynamic kind of plot to interface with the constant clashes she’s bound to face - and how many times she must face them before she’s finally forced to look her stubbornly held truths in the eye.

plot idea ii. interpersonal relationships, part deux, or, ‘when will gwenog ever get a girl?’ while finding a ship is not and will never be the main objective of this blog, the development of the kind of skills and sacrifices necessary in forming  long term commitment is certainly not yet developed in her repertoire of skills.  perhaps she’ll find some characters who cross her path that attract her, but the dedication and hard work involved in creating - and MAINTAINING - a relationship will challenge her in an entirely new and different way, and can even start to nudge her firmly held world views.  as we know, gwenog is dogged once she sets her mind on something - but will this be enough to motivate her? it’d be interesting to find out.

plot idea iii. as her fame and success grow, and she becomes an established figure in international quidditch, how will she cope with the rising unrest in europe?  how does it affect her friends, her family, even the trajectory of her career? will she feel compelled to get involved? even use her growing sports following to influence her fans? what about if old school loyalties, few as they might be, reach out to her?

SEXUALITY & SHIPS:  this girl is gay!! while she’s had her dalliances here and there, and even a couple of relationships that kept her involved for longer than her norm, something has prevented her from quite finding a deeper connection.  she may brush it off and call it all a distraction, or a simple ‘no strings attached’ lifestyle, but gwenog hasn’t yet found - or learned - how to keep a relationship going outside of a passionate, crash-and-burn fling. one of these days, though, she might just find a woman who’ll make her fall hard - maybe just hard enough to figure out what she wants and how to really work for it.

EXTRAS: pinterest link

WRITING: here we go u guys aaahh

A breath in. Out. The crack of leather as she tightens her grip around the neck of her broomstick, her greaves dark against the grain.  It’s not raining - not yet - but the pitch is soaked in a pervasive, foggy mist that beads against her skin and flattens her hair to her scalp.  Her robes absorb the heavy water and she feels the weight pull on the balance of her broom.  She blinks away the condensation clinging to her eyelashes, and the sound of her heartbeat pounds loudly in her ears, willing itself not to be forgotten.  These are the long centuries before match start.  The weighted minutes before the toss of the quaffle, the blur and motion of the game.  Each second ticks.  Each heartbeat sounds, a klaxon in her chest.

They maintain their formation, fixed in space, hovering in a moment of captured time. Her eyes sweep the field, catch another’s.  They look quickly away - she smiles.  It was probably a misfire, an awkward, unintended intimacy with a stranger.  But she likes to think it was because they knew.  Her smile curls like charred paper, turns feral, and fierce, and proud.  

A shout, a flutter and crackle whizzing by.

And the world explodes into color.

She hurtles forward, shoulders rounded and angled aggressively ahead.  Her broomstick fishtails, spinning out as she clips the enemy beater.  She pulls with a hard yank into a controlled sweep, a bold turn that passes her over them - they duck, as she knew they would - and her aim is clear for a savage hit that connects with the hissing bludger in a satisfying crack.  It goes wheeling backwards, chattering wildly, but the chaser she’d aimed for made an impressive roll and kept their pace.  Gwenog clicks her tongue in frustration, but her peripherals notice a speeding smear that registers alarms in her mind an instant later.  She rears, narrowly avoiding the enemy seeker, whistling past. She allows herself a cursory assessment of the field - and her own seeker pulls up from below, jockeying for position. Good.  She’s on it.

Gwenog moves on - it’s out of her hands.  Her fist tightens further around the haft of her beater’s stick, teeth clenched hard until she feels the ache of it smart through the line of her jaw.  She catches sight of a bludger straightlining for one of her own, and rushes to intercept. Her own teammate gets there first, sending a nod her way, and pitches the bludger towards her.  Gwenog grins savagely, prepared, waiting - and swings true, throwing a surprise assault to the enemy as both seekers dive and twirl in a hostile dance.

A muted roar, like the crashing of waves, erupts from the crowd as one of her girls makes a score through the hoop - and then it doubles, deafening,as her shot make devastating contact, throwing the enemy seeker into a spinning freefall.  Her seeker reaches, reaches - and the game is called.  Short, this time, but it leaves her breathless.  Gwenog punches a fist into the air, and as her beater pulls her broom alongside her, she slams their hands together, hands cupped into a jubilant, crushing grip.

“Brilliant, Gwenog.  We were brilliant.”

“Bloody brilliant. Let’s see if we can’t make it last less than five minutes, next time?”