#she's such a tragic figure you don't understand

[askshivanulegacy]

Yeah, seriously.

The thing that I've never understood is how no one on either side who talks about America seems capable of understanding what America IS.

The people who glorify it don't understand it. The people who whine and cry and hate on it don't understand it.

America is an idea. It's the idea of a place where you can live without persecution. It's the idea of America that we should be working toward. That's literally why we exist.

And like every other country ever on the planet, it has a bloody and violent past. And the past has great and inspiring stories on every side. And every figure on every side was a real human being with flaws and contradictions. They were good and they were bad, and they had complex reasons for doing things. History is all of it. History is fascinating. It's great stories! It's Remember the Alamo and all the great things the founding fathers did. And it's also that they fought for the wrong thing, and they owned slaves and never freed them.

You all love flawed characters and tragic stories and watching trainwrecks happen in your media. We all just watched terrible person, murderer, and war criminal Jinx in Arcane and people cheered for her. It was a great story! And also she was a selfish little bastard who murdered people for no reason and other characters rightfully wanted her dead. Well, that's what history is.

We all have the capacity to enjoy stories - and history as stories - and also to analyze the flaws and context and situations behind them. You can find the Alamo an inspiring moment in time because any life and death struggle can be. And you can also criticize it. Both can be true because people are capable of holding opposing concepts in their minds at the same time.

History isn't either/or, it's all of the above is true. And it's water under the bridge.

I think if more people understood that, they'd be able to celebrate historic moments without taking things personally when people decide they don't want to repeat that moment. And they'd also be able to recognize that you can't condemn for history either - it's over and now you take what you have and move it forward.

What I struggle with, as a public historian and a US American leftist, is how right wing US Americans can say they love history and call themselves “history buffs,” but get so righteously indignant when it is suggested that we can learn from history, and that it is normal and healthy to discuss the flaws and dark sides of various historical figures.

It’s like a wall which I, speaking as a public historian, wish I knew how to dismantle. Like when someone’s all REMEMBER THE ALAMO, I think the natural response is something along the lines of “certainly, but it’s important remember that one of the things the revolutionaries were fighting for was the freedom to continue their enslavement of other human beings.”

For me, that’s not a political statement. It’s a commitment to view historical events and figures for what they were in all their good and their bad and their complexity. But you say that to someone with right wing US American politics, and it’s like you spat on their mother and pooped on the flag.

I do make political posts here as an angry, frustrated progressive citizen of the USA who is also a historian. But right now, I’m posting as a historian, who happens to be a left wing US American. I don’t want to talk shit, I want to figure out how to fix it.

But then, knowing what I do of MAGA Americans, I don’t think there is a fixing it? Unambiguously valorizing the American past in order to maintain the illusion that this country was at some point Great is kind of their whole Thing.

Idk. Just some stray thoughts.

[turbolezgooo]

Why ya'll hate on Cait and call her a dictator?

Well-written characters often have a story deeper than what you explicitly see them do or hear them say. Just because everything is set in a fantasy world, doesn't mean that characters are not affected by tragic events and the human condition.

First of all, Cait wasn't the one who made a police state. Ambessa and the council did that. Ambessa orchestrated the whole thing. Cait went along with it because she was turned around by grief. That shit messes with your judgment, but she was still trying to do what she and Vi agreed on. To focus on the real problem and prevent hurting innocent people.

Cait tried to control an unraveling situation AND literal warlord WHILE being inexperienced in how to deal with it, having a big ol' lesbian break up, AND dying inside.

You could see that when Cait argued to Ambessa that there are innocent people and there MUST be justifiable cause to arrest anyone. In Cait and Ambessa's interactions it's implied that Cait was getting in the way of Ambessa's agenda off-screen. She tried to keep something worse from happening because she does acknowledge the historical and current oppression of Zaunites.

This mirrors the way she offered Vi the badge to give her a voice in what happens to her sister if the enforcers caught her. The enforcers coming after Jinx was going to happen regardless of Cait. She took control by volunteering and taking precautions. See- While they did use gas, Vi would never agree to something that would permanently hurt the people of Zaun. The tactic gave them fewer chances of having to physically fight Zaunites who were just trying to defend themselves. Believe it or not, it was a controlled operation until grief got the better of Cait and things looked worse than it actually was.

The way that Cait deeply believes in equality in spite of a personal vendetta is why Ambessa sent Maddie to try and control her by 'filling' her hole (no pun intended). When Maddie attempted to have Cait stop the police state situation and withdraw, she did focus on Jinx at first but the second part of not wanting to make things worse was something she had a lot more to say about before Maddie interrupted. And Cait was right. What would have happened if she hadn't taken the role and played along? A puppet councillor or Ambessa herself would have been the figure head and do so much worse. Those people don't have the same perspective and understanding as Cait.

When Cait and Vi argue about listening to a war pig oink poison in her ear, she yells "I know!" as she throws a piece of war ship used in strategizing. You can tell her role was a strategic choice to have some control over the events that unfolded. That's why Vi didn't villinize her. Vi understood that Cait never really accepted anything Ambessa said. That's why she helped Vi at the commune. Cait was a double agent taking shit from all sides to stop worse things from happening.

She had grief and really crap options, but she always chose the lesser of the evils to try and stay true to who she really was. She even resigns in her argument with Vi, that she didn't put Jinx, her own mother's killer, in jail or punish her in any way. It's another example of her faltering in decision-making when overwhelming or unexpected things happen and it also tells us what she is. She's human. She doesn't make excuses for taking on an objectively bad role and making mistakes. When she said "We can't erase our mistakes.", she's also talking about herself. She takes responsibility and tries to do good. In the end, all she wanted was closure for her grief by having Jinx accept responsibility NOT by killing or abusing her or innocent Zaunites for that matter.

Imo there's a lot in Arcane that shows Cait as a flawed but inherently good person, and Vi absolutely knows it. They see each other warts and all. If you think CaitVi's lex scene was poorly written read this: https://www.tumblr.com/turbolezgooo/768190482340773888/bro-this-outrage-about-caitvi-relationship-in-s2?source=share

[clownfire]

I HAD A REALISATION

The moment where Shilo sees the queen crying in her study? That's her learning that Emizel has been turned.

[malaierba]

Maizuru is great BECAUSE she's flawed and unaware, well-meaning but insane about it, coincidentally all the best female characters are

[astronomalyy]

Thinking about the lifespans of Dungeon Meshi elves... The fact that they're completely unnatural alters my brain chemistry, because you can tell just how haphazardly the demon implemented their wish. They live five times the length of tall-men, so they age at a fifth of their rate. It's simple maths and the implications are terrifying. No wonder their birth rate and population are declining - their early development is so slow that at the age of two, they're still unable to stand.

They don't reach adulthood until their eighties. What does the infant mortality look like? How many elves succumb to illness or injury before they're fully mature? It only takes one accident to lose the child you've been raising for decades - and could you bring yourself to care for another? Add to that the implication elf culture has no idea how to process grief... just look at the way the Canaries treat Rin after the death of her parents. They're callous and insensitive and detached - part of that's racism, but there's also an element of pure cold ignorance. They don't even recognise the emotion on her face.

And that's just scratching the surface... does elven memory accommodate their extended lifespan? Once you reach two hundred or so, do the years start blurring together? Kabru mentions that their temporal awareness is remarkably poor.

Two years feel like a few months. Their lives are longer but not fuller. They're older but not wiser than the short-lived races, and most refuse to understand this. Those that do grasp it are interesting - namely Otta, who's ostracised for pursuing half-foot women.

A 30-year old elf is a young child; a 30-year old half-foot has entered middle age. Otta is in the equivalent of her late twenties. She knows that her elven lifespan makes her no more mature than a half-foot - but she also acknowledges that it creates a rift between herself and her partners, and not just in the eyes of society. 'She dumps them as soon as they pass 30', but probably not for the reasons Lycion assumes. For this to be a pattern, decades must have passed - it's possible Otta doesn't want to watch them die as she herself barely ages. No doubt some of her previous lovers have already passed away. In the end, all living 400 years accomplishes is leaving them out of sync with the rest of humanity.

Marcille's perhaps the best example. As a half-elf, she's got 95% of her life ahead and the thought terrifies her. She's going to lose everyone she loves, over and over and over again, and this cycle has barely even started. She runs at a different pace. This context adds so much to her dynamic with Falin in earlier chapters.

Marcille loves her! She's scared for her! Maybe even of her! She's grown attached to a short-lived girl who she met as a kid when Marcille was a teaching assistant! Biologically and developmentally, they're the same age, but chronologically she's twice as old as Falin! Considering what happened to her mother, is history repeating itself? Her feelings towards Falin are tangled and messy and fascinating. They're also more than a little homoerotic, which makes Marcille's infantilization of her friend all the more interesting. It feels like her way of resolving their power imbalance, of remaining a responsible (former!) authority figure... but it's also a coping mechanism. She's frightened by the ways Falin is maturing and changing - aging - and keeping her mental image of her friend as young as possible is her way of denying the march of time that's destined to sever their bond.

Marcille's dream of lifespan extension would remove the need for this obfuscation, render them equal... only, they already are! This desire is imposed onto Falin, but it's primarily for Marcille's benefit. Watching her fight for a world nobody wants, for reasons both selfish and altruistic... it's as tragic as it is understandable. I love this manga.

[blackpearlblast]

[ID: drawings of a golem animated by a palestinian flag painted on its forehead. it is seen: holding out its arms protectively in front of a crowd of children, the children also hold each other supportively; catching an air strike missile from the air and throwing it away or crushing it in its fist; turning its back so that a child can warm her hands by the earth oven built into its back, food in a pot is cooking on the fire and a boy holds a cup of steaming tea to his face and enjoys the aroma; clearing away rubble so a man can help up his wife who was buried underneath, she is clutching a baby to her chest; stooping down to look at a kitten a young boy is holding up to show it; and dissolving small flakes of clay from its finger into a glass of water, purifying it. end ID]

@fairuzfan asked people to create and share art for the strike. i wrote an artist statement and then set about trying to draw what i envisioned. artist statement below.

This golem is a protector that I wish I could gift to the children and adults in Gaza. The flag on its forehead is to show that love for the Palestinian people is an animating force for people fighting for a free Palestine all over the world, especially for those in Palestine who are trying to free themselves and their people. Love is the motivation for the call for a free Palestine, not hatred like people try to claim. It is very strong and fast and can catch air strikes out of midair and crush them to dust or throw them back in the direction they came from. It can lift all the rubble of a collapsed building very quickly so nobody can get trapped underneath. It has an earth oven in its back with an ever-burning flame that people can use to warm themselves and cook food and heat water to use to bathe themselves or make tea. Pieces of its clay can be crumbled up and mixed into water to make even the most brackish and unclean water pure and safe to drink.

The golem is always a bit of a tragic figure so I don't imagine it staying around forever once Palestine is free and it is no longer needed. I think it would use its great strength to help rebuild the destroyed houses, churches, schools, universities, hospitals, and mosques and then dive into the Jordan river and dissolve. It would clean the river of all pollution and make the water splash up over all the newly replanted fruit trees, causing them to grow big and strong. Its love for Palestine and its people can be tasted in the fruit they grow for generations.

I choose a specifically Jewish icon of protection because of how it feels to witness such horrors done in the supposed name of Judaism and the Jewish people. For many anti-zionist Jews, we feel like we are acting directly within the teachings of our stories and communities by opposing this genocide. It is difficult to understand how the very people and institutions who taught us these values now fight against them so fiercely. While obviously I would still oppose Israel were I not Jewish, the way I oppose Israel is directly informed by my Jewishness. I hope that someday, somehow, Judaism can bring as much joy and support to the Palestinian people as it has brought grief and destruction. That Jewish symbols used in the name of love and justice will bear more significance than the ones used in shows of hatred. Knowing the depth of the harm caused, I do not know if this is possible. But this artwork and everything I have dedicated myself to these past few months and continue to dedicate myself to in the future is born from this hope. I love you. Thank you for being on this planet with me. From the river to the sea, Palestine will be free! And it will be beautiful.

[barrenclan]

Now that we're talking about Nightberry and her daughters - I find it fascinating how Cootstorm was clearly shaped partially by Night's visions/not knowing about oracles. Like! Your mothers never talk about it, but you know one of them knows things no one else can, and the other always takes those things seriously. You know you weren't entirely unwelcome but neither were you particularly wanted. You and your siblings grow up in the desert, to parents that loved you but only had you out of obligation, in a clan that was rebuilt on idea of repentance. Maybe you want to be like your mother, even if you don't quite know what it means because it's something you don't talk about, maybe you want to make her proud, maybe you want her to look at you. You don't know what makes your mother special, so you try to imitate what you think she's doing. You're playing a losing game and you don't even know why. Coot you could never make me hate you, even if you deserved a few good slaps every now and then.

Also she has a new fun petty reasons to resent Pinewing! He has: 1) the same powers as Night; 2) her mother's attention/solidarity; 3) from her point of view her sister is betraying her and their other mom and is on Pinewing's side; 5) Night not telling anything about oracles to her kits for years and probably choosing not to tell any of it were Pinewing not one too.

I do think she won't take the news about oracles well at all if she learns of them!

Cootstorm's a complicated character who I ultimately consider to be a tragic figure, and I'm really glad people have responded to her in equal measures of anger and sympathy. Let's always have more women who get to be wretched but still understandable!

Yep, correct! Cootstorm sees Dustfeather as someone that Pinewing should have been more like, or perhaps she thinks he would've been a better and more cooperative apprentice if Dustfeather had been around to help raise him.

[axel-ambassador]

Every now and then I think about how tragic a character Vaggie is

Like most people don't understand the suffering she most likely went through for as long as she was in Heaven under Adam as her mentor and main authority figure and probably the closest thing she ever had to a parent. And Lute, competing with her, maybe having feelings for her, being betrayed by what was probably the closest thing she had to a friend.

What most people don't get is the heavy weight of expectation that's placed on you for having a singular purpose and needing to perform it well. They don't get how seriously that fucks up your self worth.

I am so sick of people saying she's "underdeveloped" and "only exists to be Charlie's girlfriend". I will say, I'd love to get more insight to her backstory. I'd like to see her on her own, bonding with other people, but what we have right now doesn't take away from her core character.

Vaggie doesn't understand how to work for herself, how to live for herself, because she was probably never taught. She's been taught to only perform the task she was given, and is conditioned into believing that the services she can provide defines her and her worth as a person. That's why she acts the way she does when things don't go as planned, because she messed up, and she can't handle it because she's been raised to believe that she can't mess up. Charlie simply doesn't understand that yet.

Charlie is the one thing that holds her together, that reminds her that it's okay to be imperfect, but positive reinforcements like that can be so easy to forget in moments of vulnerability. It's why Vaggie lies. It's why she's so mortified of Charlie finding out the truth. Because she knows that everything she's ever brought herself to love after her entire life got ripped away from her, could disappear, and she'd be back to having nothing.

Now, obviously, that's not true. But when you've lost everything in the past because of one wrongdoing, of course you'd be afraid of it happening again. Of course when you think the worst of yourself, you expect the worst to happen.

I hope in the future she gets the chance to have her own arc and realize how damaging her toxic mentality is to both her and her relationship with Charlie. I hope they both get to grow and learn as people and form an even stronger bond because of it. I hope Vaggie gets to finally heal and get the closure and development she deserves.

[tritoch]

I wish people were willing to have a slightly broader or more expansive understanding of FFXIV's women because I think there's so much there in terms of easily-unearthed subtext that no one really thinks about! And I don't mean this in a "people need to re-evaluate their response to the women of Stormblood" way (though I do think that's largely true), I mean I think fandom's understanding even of the women it mostly likes is pretty weak. And you can say that's because the women are underwritten, and I won't argue that they couldn't use more attention from the writing, but that doesn't prevent you from analyzing them the way you can any character in fiction.

Like everyone's always like, oh, Y'shtola and Krile are like your snarky wine aunts, haha. But...Sharlayan is a pretty ossified and patriarchal society from what we see of it in Endwalker and places like the AST quests. Can we open ourselves to the possibility that it means something that almost every young Sharlayan woman we meet, almost all young women in academia, tends to be a little sharp and quick on the retort? The arch and snarky ways in which those two carry themselves reflect in some sense the facts that Krile is almost literally a nepo baby woman in STEM who is barely older than her students, while Y'shtola learned her behaviors from her much older female mentor, a woman who hated Sharlayan academic culture so much she literally abandoned it to go live in a cave.

Or like, Alisaie! Fan jokes and meta frequently buy into her tendency to characterize the dynamic between her and Alphinaud as a jock/nerd, street savvy extrovert vs book smart introvert thing. Except, tragically, Alphinaud's highest stat is 100% Charisma and he absolutely pulled in his student days. All his greatest achievements are diplomatic, and he very easily develops strong friendships with people in every culture you learn about. Alisaie is the determined, sensitive genius who revolutionizes Eorzea by proving the tempered can be healed. She's just permanently carrying a chip on her shoulder that while she and her brother are remembered as the youngest students in Studium history, actually he got in six months before her, a fact pretty much no one else ever brings up once. She's constantly fuming over the fact that he was marginally better than her in certain specific ways in high school, and looking to differentiate them in ways that actually fail to credit her own obvious strengths and accomplishments. I think that's so fun! It's so juicy, and it's equally good for comedy or serious character studies.

Venat is a genuinely benevolent hero who has no compunction sacrificing lives for the greater good. Minfilia is kind and compassionate and clearly on some level actually buys into the narrative of her own unique moral authority. Ysayle is a revolutionary firebrand with almost no concern for the common man, whose death reflects her Javert-like inability to reconcile her own romantic belief in justice with the tragic ways her blinkered worldview (born largely of trauma) let her be easily co-opted by a violent system. But even people who like these characters rarely move past surface-level reads (people who think Venat is just an all-loving mommy figure make me want to fucking die). The fandom is allergic to drawing connections the game doesn't draw, and fails to recognize that FFXIV is a game where characters voice understandings of themselves and others that are wrong about as often as they're right.

You can already see the ways that women like Wuk Lamat and Cahciua and Sphene are getting flattened or losing their shading in fan reception and it's boring. Like I'm not even saying this because you should take female characters more seriously or something (though you should), I'm literally just bored to tears sometimes and if you guys turn Wuk Lamat into another Hot Dumb Jock Lady, I will combust.

[ro-rogue]

the tragic thing about john doe is that he was doomed from the start.

he was likely born in a low- or mid-tier district: new bostin high's old king, zirian, was the only one john had trouble beating, before he figured out how to amplify abilities, and at the time he beat zirian, zirian was a 3.7. zirian, pre-john, was considered incredibly powerful, nigh unbeatable. in new bostin, someone who was barely an elite was considered incredibly powerful.

god-tiers are already incredibly rare. they're even more rare than high-tiers, and whenever remi, blyke, and isen visit a low-tier district as vigilantes, everyone regards them almost as royalty - unbelievably powerful, unreachable, divinity on earth. they are with dozens, and they’re terrified of a single, non-hostile girl. also, some of the background characters say: “what’s a high-tier doing in branish?” “yeah, they would never come to a place like this.” most low-tiers likely have never even seen a high-tier in the flesh, let alone a god-tier.

add to that that wellston is supposed to be the most powerful school in the province, at least, and before john, there were only two god-tiers in attendance: an 8.0 and a 6.3. and before arlo became king, rei was, and rei was a 5.8. the king of the strongest school in the province was a 5.8.

jane doe was raised in a god-tier family. she knows, presumably, what it means to be a god-tier, when everyone around you is weaker than you, and not by a little bit. but jane has been gone since john was a toddler - and the only person left to raise him was his father. his cripple father, who has lived his whole life being spat on, disregarded, considered less than.

and then you have john. john first discovered his ability in his last year of middle school. unordinary doesn't give us an exact timeframe, but it is mentioned that he first uses his ability towards the end of the school year. if we assume that the education system in unordinary is comparable to the us education system, then that makes john about fourteen years old. it is never mentioned when most kids discover their abilities, but sera mentioned that she got martial arts lessons for a few years when she was a young child, but stopped when her ability came in. assuming sera's development is normal and abilities usually come in at the same age regardless of level, that would place the average age well before ten. another thing: everyone around john seemed to assume he would never get an ability. they considered him a cripple. which either means that late-bloomers are so incredibly rare that it isn't even considered a possibility, or john was so far past the age of ability manifestation that no one thought it was possible.

of course, his dad was also a cripple, and since genetics are a thing in uno, it would make sense for people to assume john would be a cripple even before he passed the manifestation age. (and treat him accordingly)

john got expelled in his second year in high school. when, exactly, doesn't really matter. once again assuming that the uno education system works like the us education system, that would place john at 15-16 years old.

so you have this kid, sixteen years old, who's had his ability for about two years. he spent most of his life being considered the lowest of the low - spat on, disregarded, less than. his dad, his only parental figure, has had those exact same experiences, and the only thing he can tell his child is that that is just the way the world works. it's unfair, but that's life.

but then he gets an ability. and within two years, he is almost twice as strong as the second strongest kid around. none of the adults have ever met someone as strong as him. him, the former cripple, with the cripple father. former lowest of the low, now a god amongst men. the kids, though, his classmates, his peers, they don't really understand his power. how much stronger he is than them. to tell the truth, he doesn't either, not fully. he's never met someone as strong as he is, at sixteen. but his classmates, they just remember when they used to walk all over him. when they would beat him bloody and then complain about getting his disgusting cripple blood on their shoes. and now he dares to stand above them?

they don't like him. of course they don't. cripples aren't able to become gods. they can't comprehend that john did.

and john, obviously, lashes out at his former bullies. he finally has a chance to pay them back, for all the cuts, bruises, broken bones he'd received from them over the years. he's stronger than them, and it's his turn to make them hurt. he goes farther than they did - their abilities are useless against the might of his power - but he doesn't really care. (they never held back, so he doesn't either, and the damage he does is much, much worse. the adults are mad, and he doesn't get why. he's only doing what everyone else does.)

the adults have no idea how to handle him. he's out of control. but they've never seen an ability this powerful before, except on tv, or in stories. high-rankers are supposed to keep order. (but no one listens to john. why would they? he's just a cripple, the lowest of the low, who managed to cheat the system.) his dad, kind-hearted william doe the cripple, has no idea how to help him. he can't relate to his problems at all. (is there even a problem? who wouldn't want to be powerful? for william, for adrian, for claire, it'd be a dream come true. it used to be, for john.) there is no one around who even vaguely knows what it's like to be a god-tier, or even a high-tier, or even just a high-ranker in general, except for zirian, who's barely a high-ranker at all, and who hates john for dethroning him. there is no one who understands him.

so then you have john. sixteen years old. god-tier. angry at the world, and the world is angry at him. how was he ever supposed to win?

[deathbxnny]

Hey! May i request some abyss princess lumine, Skirk and Arlecchino x Jingliu! Reader? The reader used to be from the fallen nation of khaenriah, they were a legendary figure as they were known as the strongest swordman/swordswoman of all time. Their strengh and skilled with the blade could even rivals those of gods. However after the fall of their nation they were corrupted with the abyss. However it took a different effect on them, instead of rotting their flesh. It made them unhinged and unstable as they are ruthless and merciless. However they usually keep a blindfold as a way to surpress their bloodlust. However despite all of this they are kind and respectful until they are provoke.

I really loved writing this, Anon, so thank you for the requested and I hope you'll like this!<3

Content: Angst, mentions of death, reader is unhinged, can be read as either platonic or romantic, sfw

Reader has no set pronouns.

((Not fully proofread))

》LUMINE

She pitied you, she really did. In a way, she even felt guilty and responsible for the state you were in. Lumine had met and seen you in your prime, back when you were revered as a powerful figure that reigned over battlefields with you sheer strength alone. And now, only a shell of that remains. A fragile one that's at risk of falling apart at any moment. It was tragic and yet another reminder as to why she was doing the things she did. It was important for her to prevail with her plans, if not just for you.

Your mental state was extremely unpredictable, something she learned to deal with over time. You were an even match, and that kept her bloodlust from attempting to kill her. For now, that is. She knows that she can never let her guard down around you, as much as she hates it. On most days, however, you simply calmly reminisce on a long gone past with her, perhaps out of necessity to hold onto something familiar.

Your relationship is filled with turbulent ups and downs that she always handles with ease. You may not be seeking a cure anymore to your deteriorating mental state, but she forever will look for one if it means to bring you back to your former glory.

》SKIRK

You knew each other. It's the first thing she claimed when meeting you, whilst you tried confirming it through a violent battle. It was a tie. And so, you began traveling through the Abyss together, wondering what it was that led your paths to cross. You apologized for your previous transgressions as well, something that piqued her interest greatly and hinted at your irreversible mental state.

She was careful with this fragility of yours and kept you away from the bloodlust by helping you train for it. It was natural to her to teach others, and surprisingly, you kindly accept her offer. Your condition may be incurable, but that doesn't mean that you don't understand the importance of discipline. You begin to learn that you two are strong-willed and very similar through it, a fact you enjoy deeply.

Once you open up about your past and your previous glorious life plagued by victorious battles and unparalleled power, you find yourself reflecting on Skirk's starting words to you. Was it perhaps the connection through the Abyss that made you familiar to one another? Or have you truly met before the fall of your home and nation? There was still so much to learn and experience at her side, that's for sure.

》ARLECCHINO

She has stern control over your chaotic state of mind. To some, this may be concerning, but to the both of you, this was a kind mercy. She helped you regulate the bloodlust and keep it away when it got unbearable. And you appreciated her deeply for it, especially as you knew each other for a long time.

Before your nation fell, she had heard and seen you in all your glory, fight against God's and mortals alike, making you a legend. Your stories had been lost to time by now, but that doesn't mean that she ever could forget them. You are a part of the home now, and the children are trained to deal with your unpredictability as well. They enjoy how kind and respectful you are and strive to be the same.

But alas, the pain and agony the curse had left you in made her secretly look for a cure. She was lucky not to be corroded by it in such a terrible way. And so she used her luck to help you out as well. She figured that she owed you at least that for sticking around with her here.

[wilcze-kudly]

The Gaang being 'bad parents' didn't ruin their characters.

I've seen this argument tossed around a couple times and it's honestly one of my least favourite criticisms of lok.

Katara (and Sokka but we have no confirmed kids for him, which seems unrealistic with how much game he had) lost their mother as children and their father was forced to abandon them when they were barely starting their teens. They were raised by their grandmother with little to no peers of their own age.

Aang did not know his parents and a huge chunk of his childhood was him being groomed into taking up the mantle of the avatar and mastering airbending. He also was isolated from other kids his age. His closest parental figure was Gyatso who was more of a teacher than a father. Also the Air Nomads were literally wiped out so that adds to the trauma pile.

I really don't think i have to talk about Zuko's family life here, but at least he had relatively positive parental figures in the form of Ursa (though i do have a burning personal dislike of ursa) and Iroh. Despite this his struggle around the subject of his family and his trauma relating to his upbringing was a focal point of his character arc.

Toph was raised in isolation by her asshole abelist parents who did not listen to her, sent people to capture and bring her back and then disowned her. (If my cursory understanding of 'the rift' is correct, I need to actually read it because i am unreasonably obsessed with the Beifong family.)

Where, pray tell, were they supposed to learn proper parenting skills? On their brief stint as child soldiers? While fighting a war as literal children?

There is the argument that they must've matured later in their lives, of course. But you can only recover so much from copious amounts of childhood trauma.

Being a bad parent doesn't necessarily make you a bad person. Sure it makes you a failure in an incredibly delicate and important aspect of human life but it doesn't make you a bad person. And saying that it does takes a lot of nuance out of the conversation.

Like, do you know how easy it is to fuck up a child?

Especially that the ways the members of the Gaang 'fucked up' as parents feel mostly in character.

Bumi was going to face some struggles with self worth due to being the firstborn child of the Avatar and arguably one of the most powerful waterbenders in history, while being a nonbender himself. That much was unavoidable, no matter how his parents approached the issue.

And Aang was obviously going to be over the moon when Tenzin was born. Think about it. He's literally the last of his people. He has no one else 'like him'. No one else to pass down the traditions, the teachings that Gyatso and everyone else he cared about and who were horrifically murdered to. Aang is getting older and he feels like his culture and history and his entire life before he got trapped in that damned iceberg will die along with him. And then Tenzin is born and Tenzin can take up the mantle that had been thrust upon Aang.

I'm going to withhold my judgement on Izumi and Zuko, since we barely know anything about them. She seems well adjusted but that's all i can say right now. But Zuko has also been shown to be extremely, painfully aware of how fucked up his family is and has clearly been putting in a lot of work to unscrew what his ancestors have screwed up.

Toph situation feels very tragic to me,because it's obvious that she thought she thought she was doing better than her parents. She gave her daughters the freedom to do what they want, to not feel opressed and trapped like she had. How was she supposed to know that she was making her girls feel like she didn't love them? (Here's another post of mine about the Beifong family and how they just feel like they're cursed or something at this point.)

TLDR; I get annoyed by people saying that the Gaang being 'bad parents' ruined their characters, because to me it felt like it actually enhanced them.

Neither Aang nor Toph acted out of malice or a lack of love. On the contrary, Toph was trying not to repeat her parents mistakes, accidentally committing a bunch of her own. While Aang probably didn't even realise that he was neglecting Kya and Bumi.

But just loving your children doesn't always make you a good parent.

I think these flaws only add to them as characters. It makes them feel more real.

It's unrealistic and, frankly, just plain boring to go 'oh the Gaang were all good people so they would be good parents too.'

The Gaang were a gaggle of traumatised children forced into saving the world, because the adults around them failed them, that then grew into traumatised adults who have no idea how to be good parents.

[starry-bi-sky]

Clone^2 Damian

If you really think about, Damian's situation in the clone^2 au is... kinda tragic? Especially in the early months of his arrival. Like,,, think about it. Damian has always known he was a clone of Damian Wayne, that he was a copy of the blood son. There was nothing 'original' about him, not even his name (of which at least Danny has that). He was just... a replacement. A disposable one, to boot.

And he knew that, to an extent, by the time he was six years old. he might not have been actively acknowledging it -- he's six years old -- but deep down he knew. And like, he's six years old. Every small child craves the love and affection of an adult, especially their parents, and even though he knew he was clone, I imagine he still considered - and still does consider, somewhat - Talia and Bruce as his mother and father. And I really doubt he was... getting it?

Now, I know Talia loves Damian, her son. At least in some interpretations she does, and in this au she does. But... a clone of her son? I'm not so certain if she would have the same affection for baby Dames as she would for Damian. I don't think she would treat him badly, but I don't think Talia would treat him warmly either. Kinda just, distant. Colder than she would have been with OG Damian.

And, I know I've mentioned Damian's arrival from Danny's point of view, and its kind of comical kind of insane from his perspective -- a little boy clone of Damian Wayne falls through a portal and immediately attacks him. That sounds like a bad joke.

But, if you think of this from Damian's point of view? It's like he just got dropped into a scary movie. Like, think about it. You're six years old, and suddenly a portal, as green and as swirling as your grandfather's pools, opens up beneath your feet and sucks you through.

After an intense bout of vertigo, you end up in a massive, urban city -- completely different from the rural mountain palace that you lived in for the last six years of your life, and in this city, you don't know any of the language. You don't know what anyone is saying, you can't read any of the signs - you are completely stranded, away from home.

And then, to make things worse, you're facing a figure with a terrifying mask and eyes as burning green as the portal you fell through. Of course Damian's first instinct, six years old, is to attack. He's terrified.

And this figure, he's not a good fighter, but he's fast, and he dodges you quickly. He grabs your sword with his hands, and tries to restrain you, saying something in a language you don't know. Naturally, Damian is just scared. He's six! He'd just be learning how to read if he was normal child going to school.

This figure halfway through the fight yanks off his mask -- he realizes you're scared -- and looking at you now, is a youthful version of your father. This is a clone of your dad, someone you have never met but, six years old, still wants to. Damian gets defensive. This is an imposter.

But this imposter eventually gets you home with him - and he's using his little box, his phone, to communicate with you through a mechanical voice speaking in arabic. and it's frustrating. The boy, the imposter, can say whatever to you just fine, but trying to talk back is a hassle and a half. He's six, he doesn't have that much patience.

He wants to go home.

And so he keeps trying to run away. He keeps trying to find out of this hellish concrete jungle, and he keeps getting lost. It's loud, and busy, and there are people talking to you and you don't understand them, and there are rules and signs you don't understand - Damian tries to cross the street and nearly gets hit by a car. He doesn't know how the road signs work, he was never taught. They didn't get to that.

And he gets lost. And it gets dark, and Damian is brave, but he is six, and this is the worst stress he's been under in all his six years of life. He wants, desperately more than anything, to go home. Why wouldn't he? The only stable... semi-stable environment he was in just got ripped out from under his feet, literally! He wants his mother.

And it's not happening.

But there's something good to be said, at least. The imposter that looks like his father always comes and finds him, no matter what. He could have left that morning, and he will find Damian at midnight, frazzled and worried, and carrying an extra jacket with him because it is cold in Amity Park and Damian is six years old.

And sometimes Damian attacks him - he's scared and stressed and he doesn't want to be here. And every time he catches the sword. Even though Damian can see it cut into his hand and pearls of blood well up and stains his fingers. Even though Damian can see him wince in pain and bite his lip, he still catches it.

But with that little box, he coaxes Damian to come back with him. It's cold, it's dark, Amity Park is unsafe at night. They can figure something out tomorrow, please. And every time, he agrees, reluctantly. And the imposter takes the extra jacket he brought with -- a flannel, a hoodie, a jacket -- and he wraps it around him. It's warm, Damian's clothes are not that thick, and even though he thinks he might hate this imposter, he still sticks close to his legs as he leads him down the street.

And sometimes the imposter carries him, because Damian's shoes are not that thick, and he cuts his foot on broken glass while they're walking home. The imposter sits in the bathroom with him and carefully cleans the cut out, and makes sure it doesn't get infected.

There's hope you know, he still has it. His mother will be looking for him. She'll be worried. He's important to them. Damian may not be the original, but he is still a blood son. He is still her son. She will come find him. This nightmare will end soon. He can go home.

And then weeks pass, and nothing. Then months, and nothing. His family is not coming for him, and it hurts. Hurts more than anything. And yet while that happens, the boy he's attacked, and hurt, teaches himself arabic in order to speak to him. He takes Damian out of the house one afternoon and buys him new clothes, or tries to. And then he keeps buying him new clothes. He gives him blankets and gives up his bed to him until they can get him one himself, and steadily he teaches Damian english.

This boy is kind. Kinder than Damian's ever experienced, and he doesn't know what to do with it. He's devastated by the fact that he is not as important to his family as his family is to him. What do you do when you're six years old and you learn something like that? When a random stranger who looks like your father is kinder to you, and cares more about you than your family did?

And then Damian tells him he's a clone. He's Damian Wayne's clone, and he tells him his purpose - that their grandfather made him to kill him. And the boy, the imposter, Damian thinks he probably already knows that he's a clone. But he doesn't say that. He just nods, and asks him if he wants to tell his original about him.

Damian says no. He doesn't want to. He's tired of living in the shadow of his original. He wants to keep this to himself. This is his. For once, all of this is his.

And to his surprise, the imposter doesn't try and convince him otherwise. He just nods, and says okay. And when Damian asks why, the imposter - his brother - looks at him and says.

"I don't care about Damian Wayne. I care about you." And in Damian's gobsmacked silence, his brother continues. He tells him that if Damian doesn't want to tell his original that he exists, then they don't need to. They don't need to worry about the LoA going after him, because clearly if his 'grandfather' needs to make a clone of Damian in order to take him out, then whatever it was that Damian Wayne was doing to keep himself safe, was working.

"Wayne already has people in his corner, he's got Gotham's army of vigilantes to keep himself safe." his brother says with his eyes as blue as moonlight. "You, however. Do not." And he continues, and says that if Damian Wayne has the same training as Damian does, then he will be fine. He doesn't need to be aware of his clone. Because if DW doesn't know about Damian, then the LoA doesn't either.

And here's the thing. Damian would not have survived in the LoA for long. Not as a clone. No matter what, he was going to die no matter what he did, and sooner rather than later. The sword of Damocles was always hanging above his head in the League of Assassins.

That portal, and meeting Danny, saved his life. There's no way around it. And to an extent Damian knows this even at six years old. He may not be aware that he would've died, but he knows that meeting Danny was the best thing to happen to him.

It's no wonder after that, that Damian is as clingy to Danny as he is. Danny is the first person he's met to offer him unconditional love, with no strings attached, only pure affection.

[babyrdie]

ALERT OF HADES II SPOILER

Okaaaayyy....seeing a considerable number of people act shocked at how Odysseus is in Hades II and think it's something against Odysseus, and now I'm wondering if they actually paid attention in the first game…I know everyone talks a lot about Hades' art, but I didn't think that was because it was the only thing you guys were really paying attention to.

It makes sense to be disappointed that the characters weren't treated the way a fan would have liked (for example, I'm not a fan of Hades, but I don't really like the idea of him in the game although I understand why he's the way he is), but I think it's weird to be that surprised by it or treat it like it's personal. Hades never fully followed the myths. They didn't do this because they haven't read Homer or because they don't like Penelope or hate Odysseus…it's simply because they don't follow the myths authentically. They don't specifically have anything against Odysseus or Penelope, it's just the way they do things. If this were the first game, I would understand this being unexpected… but it's the second game, we already know that they won't faithfully follow the myths because they didn't do that in Hades I.

I'll admit that I also didn't expect what was done with Penelope and Odysseus, but it's not really such a "wow! I could never imagine!" when it comes to Supergiant (I'm playing the technical test, for context). And I hoped they would already be together without relationship conflicts, because I really wasn't looking forward to a repeat of Nyx and Chaos, Patroclus and Achilles, Orpheus and Eurydice. I know most people wanted this, but I think it would be lazy to repeat this and I'm still hoping to not have this quest, whether with Odypen or other characters. And yet, even if I didn't expect it, I don't think it's as unexpected for Supergiant as some are making it seem.

Examples:

Melinoe and Zagreus are children of Persephone and Hades, and in mythology they aren't children of Hades.

Zagreus and Dionysus aren't the same person. The game makes humans believe that they're because the two played a prank on Orpheus, which made him invent a song with that story. Clearly a joke on the Orphic hymns.

Theseus is proud to be a demigod, but Poseidon denies that he's his father. Clearly a joke with the different versions of Theseus' birth, in which some he is Poseidon's demigod and others he's mortal.

Persephone is the daughter of Demeter and a mortal, not Zeus. For that reason, she and her children bleed red rather than gold.

Persephone isn't actually kidnapped by Hades. The kidnapping was an act that went wrong. Yeah, Odysseus wasn't the first character to have his non-con and dub-con aspect erased.

Achilles has a different personality than in myths. The game explains this as him maturing in the afterlife.

Patroclus is distant instead of communicative as in the myths, also explained by post-death events.

Asterius (Minotaur) is much more humanized than in the myths and he and Theseus are best friends.

There is a character heavily implied to be Medusa (Dusa) and she definitely doesn't behave like a monster.

Sisyphus is a kind and helpful guy, which is explained in the game with him having regretted his actions after his years of punishment.

Artemis and Callisto are on good terms even though they ended tragically in mythology.

Hades has a much more difficult personality to deal with than in mythology.

Thanatos, Megaera (one of the furies) and Zagreus are in a romantic relationship, which definitely doesn't exist in the myths.

The last aspects of the weapons to be unlocked do not even make reference to Greece, but to other figures. For example, the Twin Fists have the "aspect of Gilgamesh", a figure who is definitely not Greek.

Aphrodite says "You do know that I'm married, don't you love? I forgive you if you didn't. For my husband, he's always... busy with his work. I'm grateful that you are there for me to talk to" about Hephaesthus...her husband, she says. Hephaestus and Aphrodite are often divorced in mythology, including in Homer. And it's not because it wasn't yet at the time they got divorced, after all the Trojan War had already happened and they were already divorced at that time.

Also, they clearly don't use Homer as their only guide, so I don't know why you guys are saying "but Homer!" Patrochilles is there and not really canon in the Homeric tradition, but in Classical Greece they were considered a couple in certain sources (Aeschylus mainly). They use the name Asterius for the Minotaur (something Pausanias mentions, for example) although it wasn't the most common, they play with the various versions of Theseus' lineage, they reference Orphic hymns, etc. Like…it's really VERY obvious they took inspiration of more than one source.

On the Supergiant website, part of the Hades presentation is "Greek myth comes from stories of ancient gods and heroes filtered through new points of view; we’re excited to share ours." This already makes it more than evident that certain aspects were purposefully changed. It wasn't a surprise even before Hades I was released, for anyone who bothered to read it.

On Twitter, Kasavin (Creative Director) has already said that "it is a concerted effort over time, although Hesiod and Homer were very significant among the many authors we explored", which makes it clear that they don't focus on a specific source, although he recognizes that Homer and Hesiod are very influential.

In an interview available at Rock Paper Shotgun, he even said that he read more than one translation of the Odyssey and cites other sources like Diodorus Siculus.

Also, Odysseus cheating Penelope isn't even a modern invention, there were already versions of this in the Bibliotheca of Pseudo-Apollodorus (I'm talking about Callidice). And giving an unpopular opinion here: while I agree that Calypso in The Odyssey is undeniably an SA situation, Circe is more debatable than you guys like to make it out to be, it isn't undeniably. Both the interpretation that there was SA and the interpretation that there was no SA are valid, because the text itself doesn't make it explicit as it does with Calypso. In Circe's case, not necessarily not making it a relationship with SA makes it something that deviant from the myths.

Again because I don't want to be misinterpreted: what I'm taking issue with here isn't the disappointment in how Odysseus was portrayed. This is valid! I'm questioning the idea that this was done because they don't know about the myths or that it was something specific to Odysseus and Penelope. They know the myths, they just purposefully choose not to be completely authentic. They have nothing specific to Odysseus and Penelope, which is precisely why they aren't exempt from the changes they also made to other characters. They are no more special than Persephone, Hades, Zagreus, Melinoe (to name a few who had changes), that's why they receive the same treatment (that is, being changed).

I would never recommend Hades to someone who wanted complete authenticity to the myths. I wouldn't do that because I KNOW that's not the game's purpose. I thought everyone else knew too. You don't go to a vegetarian restaurant that you knew was vegetarian because you had eaten there before and be surprised because they don't have real meat dishes, be serious.

Edit (01/05): guys, you're talking about Epic, but I admit that I've never even heard that musical and I'm not part of the fandom. So I don't really know if Epic has an influence on that mindset 🤔and also my reblog develops a little more what I think based on Hades I if anyone is interested in theories for the narrative.

[helvegen-s]

Rage, rage | five

index

Pairing: Azriel x Hybern!Princess!OC

Summary: Nimue was a gift for the King of Hybern. His shining jewel, the perfect heir. However, she is clear about who the villain of the story is. When she saves her father's enemies from a tragic end, she realizes that now it's the Cauldron who has a gift for her: a mate.

Warnings: nothing that I can think of, just some fluff and nimue and azriel bantering

Two days had passed since Nimue had been there, in that house, in that city.

She spent the day inside her room, in silence, talking to herself or to The Voice, when that entity deigned to honor her with its presence. She wondered how it was able to overcome the magical guards that surrounded the entire house, how it got there without alerting Rhysand or any of the others.

Food simply materialized on a small desk in the room assigned to her. Clothing too.

Sometimes she heard the others talking through the walls: she heard them gathered in the living room discussing strategies or plans; she heard Feyre crying at night, lamenting the fate of her sisters and the guilt that consumed her; she heard Cassian and the blonde female, Morrigan, talking in the living room about trivial matters.

What she didn't hear was that dull noise on the other side of the bond. She hadn't heard the voice or the steps of this Azriel fellow. She hadn't smelled his scent, of cedar and mist, the same scent she had smelled on the dead spies her father had sent to Prythian.

In her head, she had begun to imagine stories about each of them. Her own observant nature had told her that Cassian must be some kind of warrior, a commander or general in Rhysand's army; Morrigan, on the other hand, must be involved in politics, as her contributions in those small meetings she heard on the other side of the house were purely rational and theoretical observations, worthy of a brilliant mind; Azriel, she assumed, would be a spy, hence that distinctive aura surrounding him, and the fact that her father's dead spies were imbued in his scent and that of his pretty dagger.

She spends her days like this, locked in with her own thoughts.

Until the third day, when someone knocks on her door. Sitting in a small armchair, Nimue simply waits for whoever it is to decide to come in: it's not her house, she has no right to prohibit anyone from entering.

When the door opens, the petite figure of Feyre slips into the room, closing the door behind her. They both look at each other, in silence, Feyre standing by the door and Nimue sitting in front of her.

Nimue knows she has nothing to say, however, Feyre seems to be struggling to find the right words.

"You're not our prisoner, you know that, right?" Nimue nods, but says nothing more. "You're free to roam the house, go out, and do whatever you do in your free time. We're not your jailers."

"I know, this is what I do in my free time," and with her hand, she simply gestures around, towards nothing. Because that's what she does in her free time: nothing. It's either train or wait for something to happen, nothing more. "I've considered it would be best to stay here. My presence is not welcomed in this house, and I don't want to make anyone uncomfortable. I know it's not a good time."

Nimue didn't want to tell her that she heard her cry at night, but nevertheless, Feyre's gaze was filled with understanding.

"It's not a good time, you're right, but you've helped us to make it not even worse. Don't judge them by how they treat you, they're a bit short-sighted. That's what happens when you've been living the same life for five hundred years," a small laugh escaped Feyre's lips, and Nimue couldn't help but smile herself. There was something about that woman that softened her heart, like Ferlan, the old cook who told her stories. "They'll accept you, sooner or later. Give them time."

Feyre directed her a smile so warm and friendly that for a moment, Nimue felt breathless.

How sad it was, to shrink in her place at such a small act of kindness, because in her life she had never known such a thing.

Nimue nodded, trying to return the woman's smile.

"Come with me."

She was surprised, but she obeyed and stood up. The brunette woman walked through the halls of the house, with Nimue trailing behind. She pointed out each room; to the right, a beautiful office; to the left, a smaller second living room; downstairs the kitchen and the living room where she had already been, and a little further down the hall, a huge library.

Nimue couldn't wipe the constant look of amazement off her face: yes, she had seen libraries, offices, kitchens, living rooms. But nowhere had she felt that warmth emanating from the walls, that sweet smell, a mixture of all the scents of those who inhabited it.

She felt Feyre's eyes on her, with an amused expression on her face.

"You have the same look as a child who has tried candies for the first time."

Nimue frowned, tearing her gaze away from the shelves full of books to look at the brunette, puzzled.

"What is a candies?"

Feyre placed a hand on her chest, letting out a small cry of indignation. With her hands outstretched, she loudly asked for some candy and they immediately materialized in her palms.

Nimue looked at them as if she were looking at a six-legged horse: balls of all colors, with shiny wrappers and all kinds of scents. She took one and opened it, imitating Feyre, who popped one into her mouth without hesitation.

When the princess put it in her mouth, she could swear she had never tasted anything so delicious in her life. Yes, the food at her Palace was good, but that... That was a whole new world.

As she savored it and let it roll around in her mouth, she reached out her hands into the air.

"More," she said aloud. Feyre let out a genuine laugh that, once again, softened her heart. "More, please. I've never tasted anything so delicious in my life, I want more."

Candies began to sprout from the palms of her own hands, overflowing and falling to the ground. Before she knew it, a small pile of candies and many more things had formed at her feet: there were lollipops, spiral-shaped candies, candy canes. There were even small buns appearing at her feet and in her hands.

Feyre couldn't stop laughing. The innocence and naturalness of the princess had fallen upon her like sunlight, after being immersed in her own shadows for the past few days.

"The house really likes you, it's not willing to please everyone like this."

"I know," said Nimue, "sometimes I feel like it's trying to talk to me. It's such ancient magic, it must be a very special spirit."

A last and enormous bun appeared in her hands, as if the house itself were appreciating Nimue's acknowledgment.

She looked up at Feyre, with a silly smile she couldn't wipe off her face. It even hurt her face, as she couldn't remember if she had ever smiled so much in her life.

"Come, let's go outside."

Feyre took her hand, and while Nimue took one last bite of the bun, they left behind that small pile of sweets. She glanced back, and in a low voice, she thanked the house again.

Before she knew it, Feyre had pushed her out into the same courtyard where they had landed days ago, just after escaping from Hybern.

The sun was high in the sky, and Nimue had to squint to see anything. She found herself in the same situation as three days ago, completely overwhelmed by the light, the sounds, the smells, the vastness of the sky above her.

She took in as much air as her lungs would allow, and allowed herself to enjoy it all: the blue sky, the cool breeze coming from the mountains, the smell of the sea and salt that reminded her so much of home, when the sea breeze would sneak through her windows.

Twenty years locked away. And now, she felt that not even a whole lifetime would be enough to see it all, to feel it all.

She still held Feyre's hand, who couldn't stop watching her by her side.

"I believe you. I see in you a scared child who has managed to escape the clutches of an evil man," she said, carefully and in a low voice. Nimue felt a breath of fresh air, which tangled in her hair and danced around her face. "I choose to trust you because I see goodness and light in you, fighting to do something good."

Nimue brought a hand to her face: she found that, once again, she was crying.

"Thank you," she whispered. "Thank you, for your trust. I understand what it's like to be in your place, I would also be suspicious of me. But I will prove to you that I can be useful to win this war."

Feyre nodded and smiled.

"I hope you'll be useful to us for much more than just the war."

And then Nimue felt it.

After three days of dead silence, something in her chest began to vibrate again.

She looked up at the sky to see two winged shadows approaching them. Instinctively, she covered Feyre with her body, prepared for anything.

Azriel and Cassian landed carefully on the courtyard, under Nimue's watchful gaze. Those wings were something impressive.

"What are you doing here alone with her, Feyre?" Azriel asked. He walked threateningly towards the two females, and Nimue felt the hairs on the back of her neck stand up, like a cat ready to attack. "It's not safe, she should be under surveillance."

"Azriel-"

"I'm right here, don't talk about me like a dog," Nimue interrupted, taking a step forward. Azriel was tall, yes, but so was she. Face to face, she didn't feel the least bit intimidated by him, and she even realized how surprised the male was by the indifference she felt towards his intimidation. Nimue smiled. "That thing of spreading your wings like a bird and seeming bigger might work with others, not with me."

She didn't know what prompted her to act like that with the winged male. Perhaps it was his anger, which through the bond infected her with that anger and rage that left her seeing red.

Azriel growled.

"Give me one reason to trust you. Then, I'll let you roam freely around my house and my city."

"I saved your life. Shall I remind you?" Nimue takes another step forward, getting so close to him that she can see the tiny specks of dark brown in his amber eyes. "If I hadn't taken you out of there, who knows what my father would have done to you. I also remind you that it was me who pulled the arrow out of your chest without poisoning you."

"But something tells me you're doing that to win our favor and trust. Who says you're not a spy for your father? Only a fool would trust you."

"Hey, I trust her," Feyre says. She and Cassian look at each other, not knowing what to do.

They don't fully understand the situation either. Azriel had always been cautious and foresighted, slow to trust people and always suspicious of others' intentions. However, there was something about Nimue... They couldn't quite put their finger on it, but it was a kind of blind trust.

Azriel ignores Feyre and continues accusing and accusing.

"What I really can't wrap my head around is how we've never known anything about you. My spies have been in the Court of the King of Hybern for years and I've never heard a whisper about a princess. If you're so powerful and important, explain to me how not a single person on the other side of the sea knows of your existence."

"Maybe you're not as good at your job as you claim to be."

Azriel feels like he's about to explode, now more than ever.

He has to fight against all his impulses not to kill her on the spot. But at the same time, there's something in him that dies just imagining her bleeding.

His own mind contradicts him, and he feels like he's going to split in two. So before any of that happens, he lets out one last growl and leaves, flapping his wings and causing a gust of wind that tousles Nimue's hair.

There they stand, Feyre, Cassian, and Nimue, watching Azriel enter the house.

They look at each other, not knowing what to say, and the princess feels her heart racing.

It was so complicated, dealing with all those pure and unfiltered emotions that came to her from the other side of the bond...

Cassian snorts and then smiles at the two females.

"Would you like some tea?"

Nimue furrows her brows and looks at Feyre, then at Cassian.

"What is a tea?”

Taglist:

@lilah-asteria @agentsofsheilds @leptitlu @just-here-reading @glitterypirateduck @saltedcoffeescotch @krowiathemythologynerd @annblvd @annamariereads16

[reythenerdypisces]

things that I overlooked in PJO the first time / small, funny things I noticed during my reread

Part 3: The Titan's Curse

The truth was I was kind of disappointed to hear that she liked her new school so much. It was the first time she'd gone to school in New York. I'd been hoping to see her more often.

I tried to concentrate on little things, like the crepe-paper streamers and the punch bowl - anything but that fact that Annabeth was taller than me, and my hands were sweaty and probably gross, and I kept stepping on her toes.

"The General?" I asked. Then I realised I'd said it in a French accent. "I mean... who's the General?" I want this part to be in the show

"Sweet! Let's go! [to CHB]" said Nico. this breaks my heart. he was so excited in this book

Tyson thought Annabeth was just about the coolest thing since peanut butter (and he seriously loved peanut butter).

"How would you kidnap an immortal goddess? Is that even possible?" "Well, yeah. I mean, it happened to Persephone." "But she was like, the goddess of flowers." Grover looked offended. "Springtime." you tell him grover

"That's some serious danger you're facing." Connor Stoll said. (I liked how he said you and not we.) I'm just imagining the rest of the campers not bothering to go on quests cause it's always the same few demigods and they don't care, they're just chilling safe at CHB while Percy and Annabeth do their things

The creature looked at me sadly. "Moooo!" But I couldn't understand his thoughts. I only speak horse. Percy Jackson speaks two languages: English and Horse

With a shiver, I realised that five hundred or a thousand years from now, Bianca di Angelo would look exactly the same as she did today. She might be having a conversation like this with some other half blood long after I was dead but Bianca would still look twelve years old. ouch

"It wants to kill us!" Thalia said. "Of course." Grover said. "It's wild!" "So how is that a blessing?" Bianca asked.

"That's us," he said. "Those five nuts right there." "Which one is me?" I asked. "The little deformed one," Zoe suggested.

When she smiled at me, just for a moment she looked a little like Annabeth. I know everyone talks about this part but I can't help but bring it up again, they are so cute

"Woah, first of all, I never said anything about love. And second, what's up with tragic!" little does he know. also, Percy is so incredibly insightful in this book but he's also so jealous of Annabeth and Luke and so upset about the idea of her joining the hunters yet still can't figure out that he likes her

"Seven hundred feet tall," I said. "Built in the 1930s." "Five million cubic acres of water," Thalia said. Grover sighed. "Largest construction project in the United States." Zoe stared at us. "How do you know all that?" "Annabeth," I said. "She liked architecture." I cannot explain how much this little bit means to me.

The girl I'd just tried to slice in half yelped and dropped her Kleenex. "Oh my god." she shouted. "Do you always kill people when they blow their nose?" Rachel's here!!! I love her

Five minutes later, Zoe had me outfitted in a ragged flannel shirt and jeans three sizes too big, bright red sneakers, and a floppy rainbow hat. someone draw this and tag me. what an outfit

Suddenly it occurred to me: this had happened to her before. She had been cornered on Half-Blood Hill. She'd willingly given her life for her friends. But this time, she couldn't save us. How could I let that happen to her? he is the most empathetic, wholesome guy, I love Percy

"Can't this go any faster?" Thalia demanded. Zoe glared at her. "I cannot control traffic." You both sound like my mother." I said. "Shut up!" they said in unison. I kind of wish we got more Thalia and Zoe interactions... they would've made such a great enemies to lovers dynamic, if Zoe didn't die

"Get away from my daughter!" Dr Chase called down, and his machine gun burst to life, peppering the ground with bullet holes and startling the whole group of monsters into scattering. "Dad?" yelled Annabeth in disbelief.

Grover went off with his satyr friends to spread the word about our strange encounter with the magic of Pan. Within an hour, the satyrs were all running around agitated, asking where the nearest espresso bar was.

"No," I said. "I choose the prophecy. It will be about me." "Why are you saying that?" she cried. "You want to be responsible for the whole world?" It was the last thing I wanted, but I didn't say that. I knew I had to step up and claim it. "I can't let Nico be in any more danger." I said. might I remind you this boy is 13/14 and has the whole world on his shoulders (both literally at some point and figuratively)

I feel like these are just getting longer and longer but again, I will be back for part 4!