The thing I love about Pearl in the Life series is that she delights in the game of it. Not in the same way others might, but you can see her having fun constantly. She knows it’s all a game, that she’s being watched, and she plays it like a champ. Pearl got the last boogey kill in Last Life, one that was ultimately pointless but it was flashy and she’d planned it for so long that she never regretted it. Pearl effectively gave the group one more enemy and she giggled about it. I mean, even in Double Life where she was very lonely and hurting, she laughed when people were scared of her antics. She played up the “harbinger of doom” thing, you can just hear a big smile on her face when anyone else runs from her in fear. Pearl was in Evo too, she knows about the Watchers, she’s probably somewhat aware they’re behind the Life games, so she makes hers a game worth watching
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The fact is tho that no matter how you look at it, no matter how insufferable she is, no matter how Out Of Touch, regardless of whether she’s doing herself no favours: Eloise is right about society and just about everyone else in the show is wrong.
Like, she’s not got the full picture, she’s blinkered and her political philosophy is not very in depth or well thought out. But she’s right, and I think that’s why a lot of people watching really don’t like her because she’s breaking the illusion. All in all, the 1810s were a shit time to be alive for most people, and you can “well actually” it all you like, but the Luddite movement existed for a reason, the Chartists existed for a reason, Porto-feminist writers like Wollstonecraft and de Gouges wrote what they did for a reason.
So when you keep being reminded that it was a terrible social order for women - in a show targeted mainly towards women for escapist purposes then that character is going to come across as irritating, because she’s ruining the immersion.
Really, her attitude isn’t more anachronistic than the dresses, or the hairdos, or the diamond necklaces (men and women had been advocating women’s right to vote since before Eloise was born, lads), but it’s a problem because people are watching the show for the sweeping romances and the general regency vibe, they don’t want to think about how the regency was for most people. Which inevitably leads to some incredible projection, when watchers of a show with the central conceit of only being interested in the love lives of the top one percent of the one percent of the British aristocracy acting as though Eloise is the only privileged person on the show.
And yeah, she is better off than most of the people who exist in all of Regency Britain (though if you were to take the show as read, Britain is made up of about 70% aristocracy, 1% gentry, 5% urban bourgeoisie and 24% urban workers), but she’s the only one whose privilege is harped on out of her whole family and social circle. 99% of the speaking characters in the show come from a posher background than Beau fucking Brummell.
And! Eloise is literally just about the only main character who ever has to question her privilege! And when she is in season 2 she doesn’t throw a shitfit, she’s willing to learn! She goes out of her way to hear perspectives that she wouldn’t have heard in her social circle! But the narrative punishes her for that, and that’s because for all the criticism she gets about needing her privilege checked, they don’t actually want her to learn, they just want her to shut up and enjoy the trappings of regency decadence as much as they do.
Also - I know it’s really fashionable to rag on “pick-mes” and “Not Like Other Girls” - but actually, no, “traditional femininity” has never been socially unacceptable for women the way being GNC is, and it is in fact ruthlessly socially enforced against GNC women, even more so in the 1810s. Eloise is a teenaged girl in a society that stigmatises her for her wish for more legal autonomy, the idea that she’s somehow the villain for not being able to enjoy “feminine” hobbies without seeing them as just another element of the way women’s education is trivialised as ornamental, is farcical. “Sewing is a valuable and useful skill” so is cooking, but there’s a reason my mam, and not my dad, had home economics lessons, and that reason is still misogyny, despite the fact that it set her up better for being able to operate independently as an adult.
Idk I’m just kind of uncomfortable that in a world of rising reactionary political sentiment towards women, and this seemingly increasingly re-normalised view that women need to be wives and homemakers, people feel that the person on the show who needs to do the most introspection regarding their politics is an eighteen-year-old who is vocal about the fact that she has limited legal rights, and not any of the adult men in the show (a lot of whom probably have seats in the Upper House!!!) who never mention politics at all.
And frankly, given the shower who were Having Political Opinions in the long eighteenth century, Eloise’s brand of semi-anachronistic protofeminism is infinitely preferable to Hannah “I refuse to teach the poor how to write in my schools” More, or Edmund “don’t read my big thesis on revolutions too closely it’s definitely not all lies and junk history” Burke, or even a load of prominent members of the Bluestocking Society.
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I have pronoun headcanons for c!joel for trafficlife i wanna share because i think its funng every season its differenr pronouns
3L - He/Him
LL - They/Them
DL - Xe/Xem
LimLife - She/Her (she was such a Bad boy she became a girl)
SL - It/Its
YOU ARE ACTUALLY SO CORRECT OMG
tje bad boys one is my favourite mainly because you just know she was going ‘i’m such a bad boy i’m a girl’ the whole season KHFKDH
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Dead dashboard confessional parasocial hours: it’s been so nice to see Taylor kind of reclaim her place in the world and work out in real time what does or doesn’t feel good in terms of being out there, and she’s clearly flourishing on a personal level by taking in all these experiences! And idk if it’s just the late hour or the post-livestream hangover or what, but it just kinda feels like something shifted yet again last week — like she and Travis did their goofy little skit because Theatre Kids and it was fun and felt good and she’s like “YES more of that please!”
And I’m not saying that as in “omg she’s going to publish her entire life online now” at all, but more in like, it’s kind of endearing to see her try these new things and figure out her boundaries and be like “yes this sparks joy and I want more of it in my life” (or on the flip side, cutting out the things that don’t and protecting her peace). I know that ET article earlier today was just a fluff piece to keep stoking the fires until they can actually Say It, but there’s something about Tree’s the quote saying they had fun coming up with it and were glad they got to share that moment together and want to keep having fun like that was just really sweet. And again, I don’t think it means they’re going to publicize their lives regularly by any means, I really do feel like it was like, “hey you know what would be funny?” And they took it from there — almost like that skit was for them and we were lucky to be bystanders to the bit lol. They just have so much fun together and it shows. I don’t think they’re trying to capitalize off their relationship, I think it’s just the pop star on a global stage equivalent of that one couple you have in your friend group that always goes all out for Halloween with the elaborate couple costume and commits to the bit every year.
It just seems like they’re really settling into things and figuring out as they go along how they can do the things they want to do within the parameters of what feels safe and joyful and is less scary than it once was. Taylor got to take part in her own way in something meaningful to Travis (e.g. the Super Bowl) and he’s gotten to take part in something meaningful to her (the show) and it’s just really sweet how they embrace each other’s worlds. And maybe it was “new and defining” because Taylor’s never been that overt before on stage on a tour of this scale, and not only did the world not cave in, she had a blast and got to have a chuckle. For someone who said she always wished she had someone by her side to share her successes with and never did even in her longest relationship previously, it’s got to be wild to literally have her partner on stage with her on her record-breaking tour.
No wonder she’s probably gagged at all this. The universe really did shift and it was all for them etc.
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You know that feeling, when you’re listening to someone tell a story, and you can just feel in your gut that what actually happened is SO much darker than how they’re relaying it? And they’ve put a ton of effort in, right, to sand the edges down. They’ve gone over it a hundred times, beating all the wrinkles out, practicing like you’d practice a presentation or a stand-up routine. By the time they tell you the story, it’s perfect. You can’t help but be charmed by it. Can’t help but laugh at all the little silly bits. Can’t help but see it the way they want you to, so you don’t ask questions, you don’t dig in to the open wound just behind the plaster, you don’t let the certainty that it was Bad, Actually sweep you away. It’s just a fun anecdote now. Smile with them. Laugh with them. They’re here now, so it’s fine, right? Right?
I get the feeling that’s just Simone’s entire marriage to Taissa, and I feel so fucking bad for them both.
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(More thoughts and drafting! Some weird formatting I know but it was all one block in my notes)
Emma is doing just fine. Average. It’s really not so bad.
She’s just been dealing with a lot of change. And with too many things not changing.
Which is… an odd thing to struggle with.
Because she likes change. Daunting challenges. The unpredictable. Doing new things every day and never being scared of them. And she likes independence.
She had thought so, at least.
After the show, she had been hit in the face with just how… isolated she was. She had only had two friends before the first season, but she had left them behind. Her mother wasn’t doing the best, and she didn’t have any nearby family.
She found herself laying in her bed in the middle of the day most of the time, scrolling through her contacts and old conversations.
Or scrolling through her comments on TikTok.
A few weeks ago, she had tried some stunt involving a motorcycle and an inflatable pool. She probably wouldn’t have messed it up if her hands weren’t trembling.
(She had forgot to check the breaks, and wasn’t sure if they were working.)
(They were.)
The blood dripping down her face and the gash in her lip didn’t sting as much as it did watching the video.
She looked ridiculous, and she probably always did. It was better when she had someone else to do it with. Maybe she was losing her touch.
She didn’t post the video.
She turned back to dancing instead, which did feel less embarassing, despite the constant mocking feedback. Sure, the jokes were “funny”, but she didn’t care about any of it. She didn’t feel the rush, she wasn’t planning every day, and she wasn’t known or loved for anything.
Except for what she lost.
And, the show, to an extent.
-Ugh, she misses the show. She shouldn’t, but as stupid as it sounds, she really did. She missed doing crazy things and talking to people. Having a chance of winning. Beating everyone. Being cheered on. It wasn’t always great, but at least it was something. She misses doing something.
And she really misses Bowie. She missed Bowie, but she knows better than anyone that she can’t go back to that. They just- have better things to do now. He probably does.
He’s got Raj- which is great! And she’s happy for him! She’s happy for everyone. For Wayne, however he’s doing, for Julia, despite everything.
And Caleb. For having Priya.
Emma is jealous that Bowie gets to have someone.
Emma is jealous that everyone else gets to have someone.
Emma is jealous that, unlike everyone else, winning the show probably wouldn’t have made her any happier.
She isn’t sure what would.
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