#she will probably agree

[mynameisbillandimaheadcase]

.

[lafaiette]

When Solas says

"I was trying to determine some way to show you what you mean to me."

and

"For now, the best gift I can offer is the truth."

it makes me cry SO MUCH because that "for now" really implies he was planning ahead, that he was hoping Lavellan would accept his full identity, and they would stay together.

That "for now" means he already had more gifts in mind, more ways to show her what she meant to him. In that moment, in that glade, under those circumstances, he could only give her the truth she deserved - so words, knowledge, love and respect in the form of a spoken revelation -, but what about later? What was his next gift to her going to be? Something tangible, like a love memento, something precious to wear and show everyone? More knowledge and wisdom to share with her? Memories and scenes from his old life?

Weekes said Solas was ready to tell her the truth, forget about his duty, and lose himself in Lavellan, but chickened out at the last second. So I'm really curious to know what kind of future he envisioned in those blissful last moments before he lost his courage - what other presents and displays of love he was ready to give to her.

[equill]

I never seen this man in my life

Extra: (you did this to yourself.)

[vigilskeep]

came to the realisation that i simply don’t personally believe in a successful cure to the calling pre-veilguard, meaning my warden, if alive, is imo probably looking pretty close to it and visibly deterioriating right now. even if whatever the hell happened to the blight at the end of veilguard then changed things at all

[bixels]

I've been seeing some discussion about Overwatch's new characters and Kiriko on Twitter following the MHA crossover event and, as someone who's not totally in the loop of OW lore anymore, what does Kiriko... do. Like, what does she contribute to the story of Overwatch and Talon and the Omnic Crisis, how is she involved. I know she trained with the Shimada brothers when she was a wee embryo, but what's her connection to... Overwatch. Girl, what are you doing here.

[wardensantoineandevka]

this is their entire dynamic in a screenshot

[savanir]

DP x DC prompt [19]

A couple days ago, or maybe it’s been a week now, there had been a horrid storm.

It had been bad enough on the surface but underwater it had caused extremely powerful currents that have dragged a very young Garth away and into the unknown.

He really should have listened to Atlan and stayed put…

Lost and alone, a Little Garth has found himself a lot closer to the surface than usual, the sea currents are still churning pretty bad and he simply can’t navigate his way back to anything remotely familiar.

At this point he’s quite hungry and tired, and he’s found that catching something is somewhat easier nearer to the surface.

However, now something entirely different has caught his attention.

still safely tucked away under the waves. Garth is watching two surface dwellers. judging by size they should be even younger than Garth is, which probably means their caretaker(s) are nearby.

Garth is about to leave them to it and go his own way when he catches on to the erratic kicking movements of the smallest one.

oh, he’s pretty sure surface dwellers aren’t supposed to stay underwater that long, that is if Atlan’s stories are correct.

And even though he’s somewhat terrified, he finds he can’t just… though he probably should…

Well, he ends up saving Danny from drowning.

Jazz and Danny’s parents are busy with a supposed haunted shipwreck and not paying attention.

But by saving Danny Garth found by Maddie and Jack. Who are worried that Garth is there all alone which is like... kinda hypocritical but whatever.

No ghost, but they got a sea boy!

and that quickly has them reassessing their disappointing conclusion that the wreck isn’t haunted, clearly the ghosts are somewhere underwater! After all, the ship was lost at sea and simply washed ashore.

Garth can’t really communicate that great with the Fenton’s. He doesn’t know english, and they do not have telepathy, the only thing he can catch from them is impressions of their emotions, which does make figuring out “yes” and “no” a bit easier.

At first he decides to accept their offer of shelter and food simply because he’s tired and hungry, and they seem like good people even if they are from the surface.

Then Garth makes the mistake of getting attached. All of a sudden he’s put in a eldest brother role. Jazz is determined to teach him english with her kid books and Danny has been attached to him like a barnacle ever since Garth got him out of the water.

And Garth’s needs aren’t even remotely treated as some sort of annoyance, they make note of his need for lots of water and adapt easily.

Everything is extremely overwhelming but thankfully for Garth they don't make the offer to take him with them to Amity Park right away.

They are on a family trip so they stick to the sea for another week and a half or so. After that they ask if he wants to just come with, Danny basically begs him, having an older brother seems like the best thing ever to him.

And Garth ends up taking the offer cause the last week was better than most of his lonely life so far, even if everything is weird and difficult and he can't communicate right.

[jasperthejester]

me: finally accepting theres a good chance im autistic and starting to work up the courage to ask my parents to see if i could get a diagnoses but being scared to

my mom: do you ever think you have adhd? if you want to do a screening for add next time your at the doctors you can

me:

[hallowshumour]

Doodle of my edgy ass rainbow dash kinsona, Storm Chase. 🌈🌩💥🎠

[yazzy-khan]

if twelveclara and thasmin had met I know clara would’ve seen the way yaz was being treated by thirteen, gently taken yaz’s hands in her own, and said “I think it’s time you level the playing field and traumatise her back.”

[caligvlasaqvarivm]

hi! i saw on your shipping chart you had meenah and cronus as moirails and noted 'would have prevented all problems' and ive never really seen that take before. id love to hear your thoughts on that if you wanted to talk about them, your analysis in general is always amazing

Sure! I know this one's going to be controversial, but TBH I'm kind of fascinated by their dynamic. So please bear with me here and come into it with an open mind; I was also really surprised when I noticed what was going on.

Also, standard disclaimer that nobody has to agree with me or ship my ships, I literally don't care, HCs are valid, death of the author, etc. etc. This is just a canon discussion blog, and there's kind of a weird amount to read into in the canon between these two.

Okay, so, first of all, quick refresher on moirallegiance: it's not necessarily about being BFFs, it's very specifically about pacifying each other, keeping each other calm and stable, and preventing each other from causing harm to oneself or to others.

Ergo, the marker of moirallegiance rests not on "do these two get along as BFFs?" and instead on "do these two keep each other calm and/or mitigate each others' harm".

So with that out of the way, Cronus and Meenah. We know that Cronus has a redcrush on her, echoing Eridan's redcrush on Feferi, and that Meenah is not interested at all. Cronus shoots his shot with her, she's like ick, no & leaves, and that's that on that. Cronus then rounds on Mituna and says some unbelievably cruel and shitty stuff, but here's Point #1 - Meenah shows up again, and Cronus stops immediately, and then is noticeably calmer and friendlier to Mituna. Compare:

CRONUS: you are a brain damaged reject on a team full of rejects. a rejects reject. i vwould havwe culled you myself if that vword meant vwhat it should havwe on our planet.

-

CRONUS: vwell, this is clearly absurd, but nyeh, vwhat the heck. CRONUS: mituna, i just cant take it anymore. i think my ghost is going to kill itself. MITUNA: WH0W4H L375 FUCK!!!!! CRONUS: vwait... CRONUS: really? MITUNA: N0 0Y0 P135H3 0FF 1ND107 FUGG1NG G4R484G3  #FUCKY0UFUCKY0UFUCKY0UFUCKY0UFUCKY0U CRONUS: oh.

So at the very least, SOMETHING conciliatory seems to be happening here, whether that's pale or ashen. But I'm going with pale, because it continues.

Their second conversation together is really interesting - not only has Cronus stopped redflirting with her, but he no longer even seems interested. Compare this to the section with Mituna above:

CRONUS: oh sure. no grub sauce on your hands! MEENAH: wow you did it MEENAH: ampora you totally changed my mind about you lets start makin out immediately  #not CRONUS: just admit it. you havwe it vwithin you to be just as harsh to our behelmeted buddy as i am, if not more

Like, he doesn't even ACKNOWLEDGE the "let's make out #not". Not even in an indignant "see, you keep playing with my collapsing and expanding bladder based vwascular system" kind of way. Literally just breezes right by it, which says to me that he isn't even really that into her concupiscently.

But more interesting are the actual contents of the conversation. Cronus is the only person on the entire team who's able to make Meenah have misgivings about how awesome the Condy is.

MEENAH: man MEENAH: a girls gotta have fuel for her pimp ride know what im sayin MEENAH: like MEENAH: i probably took care of him good MEENAH: you know how it is someones gotta take care of the guy anyways MEENAH: and... yeah #38(

This is the first and only time that Meenah even acknowledges that the Condy - herself at her worst - is kind of shitty. This is the first and only time she's ever expressed any emotion for the Condy other than fangirlish admiration or rage against Caluborn for enslaving her. For whatever reason, she actually listens to Cronus when Cronus takes her to task, and he's actually able to make her genuinely reflect on her worst tendencies.

But maybe more damning is the fact that in their first real conversation together for nearly an eon, she almost fixes him:

MEENAH: i heard a rumor you think youre a human now MEENAH: that true CRONUS: its a privwate matter. i dont see vwhy i should havwe to talk about it vwith you, and open myself up to more of your judgmental scorn. MEENAH: sounds like another desperate cry for attention imo

[...]

CRONUS: to be honest, she might be right. sometimes i think i might only be saying im a human to get attention. maybe i should givwe it up.

Cronus's fundamental emotional problem is a sense of purposelesness and ennui. Born into a caste of high privilege, with his identity overshadowed by said position, he's been handed an unpleasant cocktail of entitlement, lack of true emotional support or connection, and lack of a real, authentic personal identity - especially because the thing he DID seem to derive a sense of identity and purpose from - his little Harry Potter wizard backstory - was driven out of him. In other words, he's kind of a shitty rich kid that doesn't really know who he is outside of that, and his humankin stuff is an attempt to fill the wizard hole without addressing his real underlying issues. It's a Bad Thing for him to be doing, and something he should drop in order to start addressing his genuine insecurities, feelings of emptiness, and lack of identity or purpose. In other words, it's harm he's performing on himself, and a single conversation with Meenah being enough to make him reconsider it? Hmmmmmm.

In fact, I'm not the only one picking up on the pale vibes. The specific way that Kankri interrupts the two reads as incredibly pick-me in pale:

KANKRI: Listen, I was d9ing y9u a fav9r. Y9u d9n't need t9 6e dating any9ne wh9 can't appreciate y9u f9r wh9 y9u really are, 9r m9re imp9rtantly, which fantasy versi9n 9f y9urself y9u m9st str9ngly identify with.

[...]

I just wanted y9u t9 kn9w that I'm here f9r y9u, and am prepared t9 lecture t9 y9u extensively, I mean, listen t9 y9u extensively, a69ut y9ur ultra-imp9rtant pr96lem.

"Don't take Meenah's advice about your problems! Take mine instead, I care about you sooo much more than she does!" lol. I have a whole essay on how Kankri and Cronus are actually super toxic for each other, in an interesting foil to Karkat and Eridan, which I'll link here in a bit (I'm on mobile RN and it's hard enough C/Ping my sources).

In any case, Kankri slides in at exactly the moment where Meenah's about to fix Cronus, and proceeds to make Cronus worse. The details are in the Cronus and Kankri essay, but TL;DR it's kind of implied that Kankri is the one who talked Cronus out of the wizard stuff in the first place, which pretty much disqualifies the two's relationship from pale, given how harmful that was. This whole thing is pretty reminiscent of Gamzee coming between Karkat and Eridan when Eridan is trying to comfort Karkat about Sollux dying, because it's implied Gamzee has a palecrush on the guy. That might be subjective, though.

What isn't subjective is the fact that Meenah unironically defends Cronus's wizard beliefs when Aranea starts shitting on them.

ARANEA: Whatever the case, it was pro8a8ly for the 8est, since pretty much everyone who had half a think pan thought [Cronus's wizard beliefs were] all a 8unch of ridiculous nonsense. MEENAH: serket why do you got to hate on other peoples religions MEENAH: dont you kno they just as much a load of crackpotty bunk as all your spiritual bullfuck ARANEA: 8ut I........ ARANEA: Yes, I guess I was out of line.

She doesn't do this for anybody else. Not long after, it turns out she's absolutely joking about defending Kurloz:

MEENAH: wow serket MEENAH: just wow so rude MEENAH: poor clown ARANEA: Don't give me that! I seem to remem8er you having more than a few unkind words for him 8ehind his 8ack. MEENAH: yeah im messin witchu he sux

And even proceeds to shit on HIS spiritual bullfuck:

MEENAH: )(ONK ARANEA: Honk honk! ::::) MEENAH: lol im glad we can both agree that clowny fuckin soda cult is the dumbest shit ever

So... weird, huh? Seems like she gives Cronus special treatment for some reason.

That's it for the diegetic stuff to go over, which, yes, means that there's a bit of non-diegetic stuff to discuss. It's not much, but here's Hussie's commentary from the Act 5 Act 2 book, on Mindfang's journal entries about Dualscar leading up to the 3x showdown (emphasis mine):

In the end, even though violets are the ruling class, she doesn't care much about them either. All she cares about is keeping her stranglehold on power with this complex, staggered, oppression-based sort of pyramid scheme. Note how it says the Condesce doesn't even know who Dualscar is. That's how insignificant he is, ultimately. Similarly, all Eridan was to Feferi after a while was a tiresome pest. The way that situation played out could also be seen as long-delayed karmic backlash for Dualscar's irrelevance to her, at least from a very Amporan point of view.

Now, while the specific context here is about how, from the point of view of a shitty entitled guy, Eridan killing Feferi is kind of a retribution for the Condy not giving a shit about Dualscar, all of Hussie's commentary is meant to be interrogated just as much as the base text, and it just makes me wonder. The dancestors very much treat their Alternian counterparts as alternate versions of themselves, consistent throughout their interactions, meaning we ought to consider Duascar and the Condesce to be versions of Cronus and Meenah.

If it is, in fact, the case that Cronus and Meenah would've made for excellent, harm-reducing moirails for each other, then murderstuck being a karmic backlash for their ultimate irrelevance to each other takes on a much greater implication - one that traces back to Cronus's classpect.

Bards start off massive karmic chain reactions, resulting in improbable victory or abject defeat, sometimes both; Hope is an aspect whose main application is making fake things real.

So I'm not saying that Cronus believing that an evil wizard attacked him when he was younger but was inadvertently sealed away and that Cronus was therefore karmically destined to defeat this wizard, but then having his beliefs shattered halfway through, led to him karmically contributing to the eventual creation of LE via his Hope abilities "inviting destruction" by making only the first half of his fake prophecy true, but - oh, no, wait, I am saying that. Man, that really sucks for everybody. If only Cronus had a friend who was, for whatever reason, willing to stick up for his dumbass wizard faith.

If only.

[monstersinthecosmos]

I read your answer, where did you say "Pandora is his actual type and Armand was his pet"

But how could Armand be just a pet for him? He is one of only three of his turned children. Marius speaks of him as the greatest love (along with Pandora). Although I see some hypocrisy in this. Marius loves no one as much as Pandora. But certainly more than just a pet

Well !

Babe the thing is that, I said what I said and it’s okay if you don’t agree!!! And I’m gonna take this opportunity to double down. (Assuming that you’re asking in good faith and not to pick on me for my analysis lmao please this fandom has traumatized me too much.)

(((TLDR the text never treats Armand like he’s Marius’s equal but also I never said that being a pet was a bad thing.)))

I want to start by talking about the concept of MAKER in VC and how canon tells us that vampires exist outside of human social constructs, including traditional family roles right? Like for example, the moment Gabrielle is turned, she ceases to be Lestat’s mother. 

But with Marius I think a lot about how he’s crafted a persona for himself, and tries to operate in a very rigid set of rules. And part of this is like, how determined he is to live by stoicism even when he’s a mess on the inside, but I also think about in TVL when he says that thing about how it’s easier to just knock a glass on the floor, and how he goes out of his way to appear more human and retain human gestures. 

So like, in the way a MAKER is kinda like, a parent/lover/companion/something too big for our tiny human minds to comprehend. We still get a Marius who is determined to be a father & mentor, and I think a lot about how his need for stoicism and humanity is probably also expressed with his need to be the paterfamilias. 

I’ve been also thinking a lot lately about Bad Fathers in Media—specifically people like Tony Soprano, Logan Roy, Roderick Usher—and how the toxic patriarchy affects their relationships with their sons. Tony Soprano in particular is one who resonates with me a lot when I think about Marius—Tony often indulges in anger because he enjoys being feared (he thinks it’s respect but it’s usually fear), and that’s a bit different on a material level from Marius “anger is too pathetic” de Romanus but they’re both sort of obsessed with the idea of stoicism and trying to be a ~ strong silent type ~ on the outside, even when they’re actually quite messy and emotional underneath.

But wait — put a pin in this for a second. We’ll come back to this, and the concept of fathers and sons. I want to pause real quick to swerve to clarify:

Armand being a pet isn’t a bad thing.

It wasn’t “pet (derogatory) 😒” —  it’s “pet (adorable creature that I care for) 🥰”.

Here’s the thing about MARIMAND if you will (I hate all the VC ship names oh my god theyre all hideous lmao) but like OKAY OKAY. THE THING IS. WHAT ARE WE HERE FOR IF WE’RE NOT INTO THE FUCKEDUPEDNESS ? 

Like I’m not telling anyone how to enjoy a ship, please have fun ! Do you! But to ME? That inter-species friction and 1,517 year age gap is like WHAT THE DYNAMIC IS ABOUT, THAT’S THE FLAVOR BABY!!! Anne Rice herself even said the book was about “a boy’s love for a monster” !!

WHAT’S THE POINT OF MONSTERFUCKER EROTICA IF HE’S NOT A MONSTER LOL

And YEAH I get that not everyone wants to read TVA as a monsterfucker story. That’s okay! It also reads as a savior fantasy. But I enjoy the messiness of it—I LIKE that Marius is an apex predator & ghoulish ancient thing. I like that it’s problematic. I LOVE that Marius really does love him, though, amidst all these other themes. I find it SO compelling.

But I never once said that Marius doesn’t love him. Of course Marius loves him. What I said is that he loves Armand the way we love a pet. I would fucking die for my cats. I regularly burst into tears looking at my cats because I love them so much. But they’re fucking cats lmao.

I never for one minute forget that Marius isn’t human. He’s operating on a whole different wavelength with different points of references and ethics and life experiences. Like, people get so hung up on Armand being 17 and IT WOULD BE JUST AS BAD IF HE WAS 18 OR 25 OR 30 LOL. A frail little human cannot comprehend !!!!!

What’s interesting with Marius’s fledglings though is that he tends not to treat them as equals. Like I think you could read TVA thinking: Once Marius turns him, they’ll be real partners. But no, they stick to their mentor/mentee, dom/sub, father/son roles. We don’t have tons of examples in canon of other maker/fledgling relationships but it’s not a coincidence that Roman Patriarch Marius maintains status over his fledglings. Even once Armand is a vampire, he’s still not Marius’s equal, and Marius’s age and power are still held over him. 

BUT LIKE.

That’s weird, right?

I MEAN THE DARK GIFT IS DIFFERENT FOR EVERYONE but it’s interesting to me that Lestat & Gabrielle’s relationship completely dissolves once she’s a vampire, but Marius & Armand’s doesn’t.

(Sidebar that like, I think there’s also ways to acknowledge that if we think their relationship is good that it’s OKAY for them to maintain these roles because Armand WANTS to be his sub but let me focus on my point here. We should also make time to talk about diegetic BDSM and whether or not it’s appropriate to use a D/s framework for this discussion if the roles are baked into the text and not a choice for the characters and not a game they are agreeing to but that’s for another post.)

So back to the thing about fathers.

I’ve been thinking a lot about bad father characters, specifically Logan Roy and Tony Soprano (also bad mother Margaret Chenowith) and the impossible standards they give their children. Logan and Tony are both men who are disappointed in their sons for being soft, because they were able to provide better lives for their children. They both spoil their sons with all the material wealth that they did not have in their own lives. For Logan we see how badly he resents his kids—Kendall even accuses him of being jealous of what they have—and for Tony he seems to be at a loss on how to parse his feelings. Part of him literally hates AJ for being such a whimsical little fuckup, and at the same time he wants to protect that part of AJ and doesn’t even WANT AJ to follow in his footsteps. Still, he hates to see that AJ is spoiled with no work ethic, and doesn’t know how to set an example for him.

Everything in Venice is designed to spoil Armand with all the things Marius didn’t get—it’s such a specific & deliberate opposite of how Marius was turned. And I think him seeing Armand as a pet puts a little bit of distance between the hurt he’d feel if he thought of Armand as a true son, or even an equal. He doesn’t have to resent Armand for having it easier than he did, but also doesn’t have to feel extremely betrayed by Armand fitting in with the cult. Like, let’s never 4get that by the time Marius catches up with Armand, Armand is right at home and thriving with them. A CULT? THE THING THAT KILLED ME????? Marius has no idea what the fuck they did to him, he just knows that Armand settled in just fine and has discarded everything that Marius tried to teach him. 

I think these roles are appropriately all muddled because it’s VC—like we said, the No Social Constructs series—so like, how do we compare the words SON and PET and FLEDGLING and SUB, I’m not sure. But my point is that he’s never seen or treated Armand as an equal, and perhaps never even a full adult person. 

ARE THESE IDEAS CONFLICTING? A little. But that’s okay. Am I incoherent and ill-equipped to tackle this analysis or is it because Marius is not a consistent person and never quite lives up to the ideal he’s trying to be? Does he want Armand to be his pet but secretly has feelings? Does he fail at being a father figure? Is he brushing off his Big Big Emotions so that he doesn’t have to admit how wrecked and destroyed he is and how badly his feelings were hurt? Idk man. I’m sure you can send me another anon to tell me I’m wrong. 

I wonder sometimes if like, keeping Armand at this lower status (like a pet) actually protects Armand from Marius’s ire and disappointment. Marius is sort of a father, but sort of not. He’s crafted a role for himself that is never all the way sincere, and it allows him some space to protect his own feelings of betrayal and disappointment when it comes to Armand. Marius is also classically bad at following his own rules, and never quite sticks the landing on the people he’s trying to be. 

I can imagine a version of events where Armand does gain some ground with Marius, maybe pays his dues and matures into someone that Marius trusts and respects, but that’s not the version of events we get in canon. Marius turns Armand, Armand remains his pupil, they visit Kiev and Marius is jealous of Armand’s father, they make it all the way to the raid without Marius ever confiding about The Parents. Even in the present day, during a dispute, Marius tells Armand he has the savage & ignorant soul of a child. Even in the present day, Marius won’t stop calling him Amadeo!!!! 

And like!!!!! It feels like Marius is more upset about Santino wronging him by ruining his home and taking his toys than he is about what Santino did to ARMAND. It’s more about Marius’s own feelings and possessions than it is about Armand’s own feelings and experience of what happened. AN ARMAND FRIDGING, IF YOU WILL. 

Anyway.

By never seeing Armand as a complete person, Marius never has to feel threatened by him. We see this in toxic parents a lot. Like, I want you to be good, but I’m insecure if you’re better than me. Or I can never fully respect your feelings because I always see you as a child and not a fully grown adult. And the truth is that Marius is actually quite threatened by Armand, on the inside. He is very hurt. He cares what Armand thinks of him. He’s relieved at the end of BCtu when he assumes that Armand wants to open his heart again. 

So idk like. I think the books end with a little bit of a hope for them; we see a lot of growth and self-acceptance from Marius in the last book and it’s reasonable to assume that he and Armand might have a long chat and nice long cry and work it out. I don’t think it’s completely set in stone, but it’s nice to think about! A nice happy ending. And I wonder if this is when Marius finally takes Armand seriously and listens to what he has to say without demeaning him! 

Am I gonna add 2000 more words to this point by tying it what the whole like “I fear him because I could love him again” thing in TVA means? No I’m not. But like. Again! It’s okay to be a pet, I think Armand liked being his pet. :) 

[matchalovertrait]

Noemí really did try to like Dulce's boyfriend. The truth is that she already had a bad impression of him as soon as she laid eyes on him, but she was determined to stay positive throughout the night. Then, her patience ran out and she learned that Erick and Ángel agreed with her. Noemí's always had a difficult time standing up for herself, but she refuses to let anyone hurt her children! Caruso is not the one for Dulce. He will only hold her back. On the other hand, Dulce believes Noemí is being her usual old-fashioned self. Her mom doesn't understand and she is being totally unfair. Like, get with the times! Take some risks, woman. And honestly? It feels odd trying to be parented this late in life, especially since Ángel was the one who mostly took care of her. However, she loves her family and wants to show them what a good guy Caruso is. He is the way to move forward.

dang that's crazzzzyyyyy:

Transcript

Dulce: Where’s the fish?

Ángel: Girl... there’s no fish.

Dulce: Oh.

Noemí: Mija, are you serious? Why did you bring that idiot to my house? Where’s the respect for your parents?

Dulce: Oh, I see what’s happening. Yeah, it also took time for me to warm up to him, but you’ll end up liking him too! He’s a fun guy.

Erick: [Laughs nervously] I think what we’re more concerned about is... well, he’s not your boyfriend boyfriend, right?

Noemí: He doesn’t seem like the kind of person you should spend a lot of time with. If you’re only using him for funsies, just tell us that. We don’t mind. Don’t let him infiltrate your personal life.

Noemí: Not to mention that he’s an awful influence! He made you get a tattoo.

Ángel: Well that’s a bit dramatic...

Erick: ...I don’t think that’s related whatsoever...

Dulce: [Laughs] Mami! You’re blowing everything out of proportion. It’s just ink, and I chose to get the tattoo. It’s cute.

Dulce: Look, he is my boyfriend boyfriend. He makes me happy and I think we make a good team, just like you and Dad.

Noemí: Is that so?

Dulce: Yeah! I know we can make things right with you guys. I’ll talk to him.

Noemí: Fine. One more chance. That’s all he gets.

Dulce: I understand.

[island-in-the-shadows]

Truly, my sympathies to people watching IWTV and are getting tired/bored of different perspectives. I'm not bored or even remotely tired.

Interviews by their very nature are perspective based. The story has this specific framing. As did the first book. They added to it with Armand now being an active participant and Daniel being more seasoned at interviewing. I understand how Armand's very edited and hyperbolic take on events that Book Lestat describes in The Vampire Lestat rubs people the wrong way. I do think that one could argue the way Lestat writes his own autobiography is the objective truth (note Armand in his book does not contradict Lestat). However, sorry to say, there is never an objective truth. The truth is always subjective.

I was raised by a whole family of lawyers and if I learned anything is that you can spin things in any way, but an objective truth will never exist. Not in crime, not in person to person storytelling, not in fictional storytelling. Hell, viewers seeing the SAME show CANNOT come to a consensus. Why? Because we all put our thoughts, experiences, and feelings to it. That's all perspective.

We see Louis give Armand a kiss in bed. Some think aw domestic and cute. Some think Louis is deliberately withholding and rewarding Armand for good behaviour. Some saw the act they put on in E2 as some version of truth and domesticity and some think it's only an act. Some think Dreamstat is actual Lestat out there somewhere and some think it's Louis' conscience.

Yes, the narrative will confirm one thought or another on some things but not all of them. They're deliberately left up to interpretation. Something btw, Lestat urges the reader to do in TVL when he does not go into details about his time with Louis and Claudia. And part of that has to do with perspective.

We could have a straightforward narrative with no corrections and no perspectives. But would that be as interesting as seeing how minds that far exceed our own twist and bend and interpret events? Would it be as interesting as seeing a vampire who tells himself a story so that he can carry on living despite being miserable? Would it be as interesting as this vampire who tells himself a story get pushback on what he's saying by someone who notices errors and inconsistencies? Would it be an interview at all? Or would it be, as Daniel put it in the very first episode, "a fever dream told to an idiot."

If you want a straightforward non-challenging version of the story, the 1994 movie exists. It's not perfect and a lot of details are missing, but there's only one, unchallenged perspective to it. And even then...how many people didn't (want to) see the queerness in it?

TL;DR I get being frustrated or tired or bored by the way the show is trying to tell the story, but at least it's doing something a little different and not word for word.

[secretsimpleness]

Fan service.

Shepard (custom), Liara / Mass Effect (c) Bioware

[edains]

Ashley Williams's Andromeda Armory (LE3)

Ashley Williams's Andromeda Armory (LE3)

Ashley Consistency Project (MELE3)

Ashley LE1 Complexion for LE3

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