One of the very not well known secrets of castle Dimitrescu is one of the nicknames that belongs to the middle daughter.
Generally speaking Alcina is not a big fan of nicknames. After all, she spent a lot of time picking the perfect names for each one of her daughters and to have the names butchered to shorter versions is not something she partakes in.
Alcina doesn’t use nicknames for her daughters. Pet names? Oh, she has PLENTY for each one of them, but their names remain intact.
And she expresses this.
But when very young Daniela was still getting her grasp on the spoken language. During an attempt to pronounce both her big sister’s name ‘Cassie’ and her title ‘sissy’ the youngest daughter of House Dimitrescu ended up saying CC and it somehow stuck. Cassie Sassy is also another nickname but shhh no one talks about that one
Years later, and it’s only within the castle’s walls that this particular nickname can be heard. Only uttered by those closest to Cassandra, never by anyone else.
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Something I've been thinking about over the past week is that Rachel's expectation over whose death would fuck Jake up the hardest vs. whose death actually fucked Jake up the hardest wasn't right, and how that says so much about their characters and how it also hurts really badly.
Now, don't get me wrong: I'm not saying that Jake wasn't affected by losing Tom, because he very obviously was. Tom was his entire reason for joining the war in the first place and part of him held onto hope until the end that Tom could still be saved. And I'm also not saying that Rachel didn't think Jake didn't care about her at all, because that's not true either. She knows Jake does, but that he's doing what he has to do.
But when you think back to the conversation they have when Jake gives her the assignment, and he tells her that he won't have a way out for her, Rachel's concern for him isn't how her death would affect him, but Tom's. "It won't just be the yeerk. It'll be Tom." And while she acknowledges that of course Jake doesn't want her to die in her opening narration in book #54 and is making this call because he has to, at the same time there isn't a sense that Rachel thinks her death is going to be the one to hit him hardest here. It's Tom's, she's sure of it. Emotionally, Jake could afford to lose her, but Tom? That one gives her pause.
But one year after the war . . . again, Jake does still mourn Tom, obviously. He carries the guilt and grief of everything. But one of the strongest images of #54 that has always stuck with me is Jake sitting at Rachel's grave for several hours at a time, after hours, with regularity. It sticks out to me because you know Tom must have had a grave or memorial as well, I'm sure Jake's parents would've had one set up, but in all of Marco's stalking he doesn't see Jake sit and visit with it. Jake doesn't visit Tom. He visits Rachel.
And it just, to me, speaks to a complete subversion of Rachel's expectations, which were predicated on her own perception of how the rest of the team saw her. They "loved [her] in their way" but she was also a monster, blood thirsty, the garbage disposal, the one to do the dirty work. And she was as fine with that as she wasn't. (It was the biggest point of inner conflict for her—the war between her fear and her need to appear brave, her need to protect her friends from the gruesome vs her revulsion at what her actions said and made her out to be, etc.) Jake cared, sure, but also he saw her as a blood knight who might as well die in battle because that was her role, that was what SHE did, better her than anyone else on the team. Jake knew that, it would help him recover from his correct choice, far more than he could ever recover from losing Tom, who—unlike Rachel—was wholly innocent.
But Jake didn't recover. Because yes, he loved Tom and Tom was a wholly innocent victim from day one. And Rachel was overtly aggressive, and reckless, and part of her scared him, as much for her as anything else. But also, he talked to and fought and bled beside her for three traumatizing, agonizing years. They saw the best and worst of each other. Jake left her in charge when he had to leave on that trip. They talked about leadership after, about hard choices, understood each other on a level that would lead to that final choice in the last battle. Rachel couldn't see it because she couldn't see her value in the team as anything other than the brute and garbage disposal, but she WAS more than that, to Jake. She meant so much more to him than that, and it hurts so bad that she didn't realize it.
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Am currently riding the subway to meet up with my bestie. And sleep over her apartment, sharing a bed with her tonight.
The girl I’ve liked since I was like 14.
The girl who kissed me last week and it was as magical as when we were just curious teenagers.
Living my best damn life this year, apparently 💜
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This might not be anything, but while writing about your fics, the way you have the characters' mannerisms down PERFECTLY got me thinking about mirroring...
There's a lot of it in 7 (Horii is a directorial genius etc etc), most of it more intentional than these probably are, but there's something so interesting about mirroring that takes the tone of a (relatively) fond memory, a familiar gesture, and inverts it in the way shown here.
OH I'M GLAD YOU'VE NOTICED THESE TOO I think I mentioned it months back (or I drafted a post 'bout it but didn't think it was anything noteworthy) but I always really did like how the Arakawa Family mimicked each other's mannerisms (also circling back to how Jo and Masato calling Ichiban 'Ichi' presumably after picking it up from Arakawa)!
Aoki actually does the same sitting gesture too! I went back to double check and skim through the rest of the game's cutscenes, and as far as I could tell unless I skipped a scene, it really is only these three that do this specific pose:
It's such a small detail but I love it immensely and it really does highlight their connections with each other and it drives me insane
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