#she may be a good mother but she has flaws
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Basic info:
Nicknames: Wennie (close friends), Little Snowflake (Grandfather), Peu de Glace (Rook), Penguin (Floyd), Herbivore (Leona), Child of Man (Malleus)
Class: 2-C
Dorm: Heartslabyul
Birthday: December 21st
Age: 17 years
Height: 1,54 m
Dominant hand: Right
Club: Mountain Lover club
Hobbies: Photography and collage
Best subject: Music
Hometown: Land of Pyroxene (Harveston)
Pet peeveis: Rudeness
Favorite food: Carrot cake
Least favorite food: Coffee
Talent: Gardening
Family: Unnamed father, Unnamed mother, Unnamed grandfather
Unique Magic: Build a Snowman Allows her to create living snowmen that can follow her commands or have a mind of their own. The bigger the snowman, the more magic is consumed and, consequently, more blot is accumulated. She can also control it from any distance, although it requires more focus when controlled from a long distance.
Background:
Before going to NRC, She spent her entire life in her homeland. She loved playing with Epel and helping her family with their business. She was known for being an energetic child who caused trouble, and because of this she got into a lot of trouble when she was little.
She loved listening to the stories her grandfather told about all his adventures around Twisted Wonderland and all diversity, from cultural to natural that you saw before deciding to live in Harveston. Because of these stories, Eirwen began to wish that one day she could visit all the incredible places that her grandfather had known. She also became obsessed with reading about all the different types of plants that exist, especially flowers, because of this, he acquired an affinity for gardening.
Personality:
Eirwen is known as the sunshine of her dorm, always looking cheerful, optimism and lively, She is also quite clumsy, which often results in her receiving a lot of lectures from Riddle. Her outgoing side makes her quick to make friends, which can be a flaw due to her naivety. They also has an ability to lift someone's spirits with jokes and pranks.
She is also very selfless and loving, often helping others without expecting anything in return, even if sometimes your help gets in the way. It may not seem like it, but they is very good at perceiving what others are feeling, and with that she is able to be a good listener and give advice, even if it seems silly at first.
Despite not seeming like it, Eirwen can take things seriously when necessary, refraining from making jokes and jokes about certain subjects. She can also be shown to have a cold temperament when irritated, although it is rare to happen, she is not rude or ill-mannered, but their personality still changes a lot when she is angry.
Trivias:
Eirwen is the Twisted version of Olaf from Frozen
Their name Eirwen, is the combination of the Welsh words, "eir"(snow) and wen (white or pure), which means white snow or pure snow
She is afraid of wolves
She has a nickname for each person related to a flower
She has a pet reindeer named Groff
Their grandfather is a brown bear beastman
She is a big fan of Vil and Neige
She is usually responsible for taking care of the flowers at Heartslabyul
She was born on a winter solstice
They ate grass as a child (she was a stupid child)
Galeria:
Divider by: cafekitsune
#✿! Eirwen ⛄#twisted wonderland#twst#twst oc#disney twisted wonderland#twisted wonderland oc#heartslabyul#twst disney
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In my head, I read that as Blanc punching post-revival Noir, who of course has no idea what his stupid older self has against him! XD
(Oh, don't you worry about it, Noir. It's just the fate of having to watch various versions of your teenage self make slight variations on similarly dumb mistakes over and over again.)
...And yes, the poor Fontaine family. I will try to be careful not to put them through -too- much more random grief in the future! (T-There's gotta be an AU where everything goes right right??)
Though this idea really was too tempting for my angst-powered hands not to draw. Seriously. Poor Rim... Falls in love with humanity, flawed as they are, enough to want to make two little humans of his own with the woman he loves; tearfully happens to outlive her tragic and utterly malicious murder only to have his more-precious-than-life-itself son tell him, "...I wish you'd died instead." ; - ;
(Not pictured, but I think Noir would realize almost -immediately- what an awful thing he'd said. Rim himself would not be mad but, ahh... without Neichel here to inform him that Noir is just showing grief in a reckless and -human- way and that he doesn't really want him dead, it pains Rim to think that it may indeed be true...)
PS: I said I wouldn't spin this off into it's own AU but I can't help but think Noir would be even more susceptible to Dark Matter corruption in a reality like this. Maybe even earlier than normal? He really became strong and stalwart because he had to carry on for Adeleine without their parents... But I'd like to think that Rim -might- notice in time to save his son, and the two could reconnect in the aftermath...?)
...That's a distinct "maybe" on the survival though.
...
P-PS: Over the course of the day, I naturally began to think, "But what about Neichel living while Rim dies?" and I think there's some interesting elements to explore in that as well! Particularly, it feels like the trope is that single-fathers-with-dead-wives tend to become cold and detached. I think that Rim would choose to overcompensate, being as tender as he could to the kids while Neichel would be the one to experience that growing emotional detachment, eventually turning full on misanthrope.
I mean, the beautiful fae alien who was kinder than anyone she'd ever met, who believed in humanity's goodness till the end, is killed by that same humanity...
It would probably make her just as defensively paranoid as her son grew up to be, and I expect she would be even more obsessive about protecting her ("his") children.
...A bit like Wolf Children but with a sawed-off shotgun? (Oops, Noir really does take after his mother? XD)
"I know it's hard to see from the inside, but... humanity is so beautiful Neichel..."
-
And yet... ...why does my heart hurt so...?
-
@sortanonymous made the mistake (/j) of mentioning, "What if only ONE of the shiver sibling's parents survived?" in my hearing so... XD
Only my second time drawing Papa Rim and I'm already putting him through the Dess Trauma Machine (tm) Nooooo! >w>
(Also, posting this immediately after a big ramble on Rim and Neichel just to induce even more suffering in my readers)
#reblog#Dess Art Post#Noir Fontaine#Rim de la Ride#Dess Text Post#Neichel Fontaine#(As for the punching thing the Dess Cut will get into it more but Blanc and Noir have an...interesting (?) relationship.#Though Noir is probably the one who wants to punch Blanc rather than vice versa. Not for any GOOD reason mind you!#Blanc's attitude just reallly rubs him the wrong way.)
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You know what I realize that people underestimate with Pride & Prejudice is the strategic importance of Jane.
Because like, I recently saw Charlotte and Elizabeth contrasted as the former being pragmatic and the latter holding out for a love match, because she's younger and prettier and thinks she can afford it, and that is very much not what's happening.
The Charlotte take is correct, but the Elizabeth is all wrong. Lizzie doesn't insist on a love match. That's serendipitous and rather unexpected. She wants, exactly as Mr. Bennet says, someone she can respect. Contempt won't do. Mr. Bennet puts it in weirdly sexist terms like he's trying to avoid acknowledging what he did to himself by marrying a self-absorbed idiot, but it's still true. That's what Elizabeth is shooting for: a marriage that won't make her unhappy.
She's grown up watching how miserable her parents make one another; she's not willing to sign up for a lifetime of being bitter and lonely in her own home.
I think she is very aware, in refusing Mr. Collins, that it's reasonably unlikely that anyone she actually respects is going to want her, with her few accomplishments and her lack of property. That she is turning down security and the chance keep the house she grew up in, and all she gets in return may be spinsterhood.
But, crucially, she has absolute faith in Jane.
The bit about teaching Jane's daughters to embroider badly? That's a joke, but it's also a serious potential life plan. Jane is the best creature in the world, and a beauty; there's no chance at all she won't get married to someone worthwhile.
(Bingley mucks this up by breaking Jane's heart, but her prospects remain reasonable if their mother would lay off!)
And if Elizabeth can't replicate that feat, then there's also no doubt in her mind that Jane will let her live in her house as a dependent as long as she likes, and never let it be made shameful or awful to be that impoverished spinster aunt. It will be okay never to be married at all, because she has her sister, whom she trusts absolutely to succeed and to protect her.
And if something eventually happens to Jane's family and they can't keep her anymore, she can throw herself upon the mercy of the Gardeners, who have money and like her very much, and are likewise good people. She has a support network--not a perfect or impregnable one, but it exists. It gives her realistic options.
Spinsterhood was a very dangerous choice; there are reasons you would go to considerable lengths not to risk it.
But Elizabeth has Jane, and her pride, and an understanding of what marrying someone who will make you miserable costs.
That's part of the thesis of the book, I would say! Recurring Austen thought. How important it is not to marry someone who will make you, specifically, unhappy.
She would rather be a dependent of people she likes and trusts than of someone she doesn't, even if the latter is formally considered more secure; she would rather live in a happy, reasonable household as an extra than be the mistress of her own home, but that home is full of Mr. Collins and her mother.
This is a calculation she's making consciously! She's not counting on a better marriage coming along. She just feels the most likely bad outcome from refusing Mr. Collins is still much better than the certain outcome of accepting him. Which is being stuck with Mr. Collins forever.
Elizabeth is also being pragmatic. Austen also endorses her choice, for the person she is and the concerns she has. She's just picking different trade-offs than Charlotte.
Elizabeth's flaw is not in her own priorities; she doesn't make a reckless choice and get lucky. But in being unable to accept that Charlotte's are different, and it doesn't mean there's anything wrong with Charlotte.
Because realistically, when your marriage is your whole family and career forever, and you only get to pick the ones that offer themselves to you, when you are legally bound to the status of dependent, you're always going to be making some trade-offs.
😂 Even the unrealistically ideal dream scenario of wealthy handsome clever ethical Mr. Darcy still asks you to undergo personal growth, accommodate someone else's communication style, and eat a little crow.
#hoc est meum#pride and prejudice#elizabeth bennet#charlotte lucas#meta#charlotte is a much less sociable person than lizzie#so avoiding her husband most of the time and not seeking out his company is more viable for her!#she also has more patience for people being wrong#partly i think because she kinds checks out and lets them get on with it which lizzie isn't too great at even with her mother#people have different needs like that's a thing okay#marriage#spinsterhood#pragmatism#like if elizabeth had to listen to collins talk for a few months straight she would be nearly insane with rage#he's not just a low-quality man he's a man designed to be the worst for her specifically#also note that because jane's marriage is elizabeth's fallback plan#darcy screwed her over personally by interfering between her and bingley#she ofc does not bring this up how could she#but it's intensifying the anger during the hunsford rejection i think
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Kabru, impossible mutual understanding & unknowable objects
Despite his concerted and constant efforts to understand other people, it’s established in a few extras that Kabru believes that true mutual understanding between certain different races is impossible. Specifically, between long-lived and short-lived races, and between humans and demi-humans. Partially, we can trace this conviction back to specific hang-ups caused by his life; the trauma of the Utaya disaster, prejudices he carries from his childhood, and his experience of racism among the elves. In this “little” essay, I’m gonna discuss how I think those experiences formed this belief, how it comes out in his actions, and how some of his actions seem to contradict it. The question of whether it’s possible to reach mutual understanding with other living beings despite our differences is one of the core themes of the manga, and I’ll also touch on how this aspect of Kabru’s character links to that.
Seeking understanding
Kabru is a character who devotes a huge amount of time and effort to understanding people, and he is very good at it. In his internal monologue, we can tell how advanced and complex his skills of analysis are. He is able to read a huge amount of information just from looking at people's faces and body language.
People are, to him, what monsters are to Laios. This is something that's been expanded on at length in other, excellent meta. It's the fact that they're foils; it's the fact that Kabru is also very easy to read as autistic, with a special interest which is the opposite and parallel of Laios'. It's something that came out of trauma and alienation, as Laios' special interest in monsters also began as a coping mechanism.
The complicated origin of this "love" for monsters and for people comes through, I think, in the fact that one of the places we see both characters use their fixation is in being very, very good at killing the thing that they love. This also ties into the idea that loving something isn't even remotely mutually exclusive with using it to sustain your own survival; using it for your own purposes; hurting it or killing it. Love can be, and often is, violent, possessive and consumptive. This understanding is part of what makes Kui's depiction of interpersonal relationships so compelling to me.
While Laios fixated on monsters and animals to seek a place of escape, in both his imagination and his self-image, from the humans who he couldn't understand and who couldn't understand him, Kabru seems to have fixated on understanding people in order to navigate the complex, socially marginal places that he has been forced into throughout his life. As an illegitimate child raised by a single mother with an appearance that marked him out as different to the point his father's family wanted to kill him, and a tallman child raised among elves who didn't treat him as fully human and wanted him to perform gratefulness for that treatment – treatment that, after he met Rin at age 9, he certainly always understood could be a lot worse – his ability to work out what people wanted from him, whether they were friendly or hostile or had ulterior motives, wasn’t just an interest. It will have been an essential skill.
Milsiril, I think, was a flawed parent who tried to do her best by Kabru and did a lot of harm to him despite her best intentions. She may have treated him much better than an average elf would have, but like Otta and Marcille's mother, there are other elves with different outlooks on short-lived races. How would they judge her treatment of him? We don’t have any insight on what it could be, but to be honest, the person’s whose opinion of her I’d be most interested in knowing is Rin’s.
But even if she'd been perfect, living as an trans-racial adoptee in a deeply hierarchical nation with a queen who is a 'staunch traditionalist' who wouldn't even acknowledge the existence of a half-elf like Marcille (according to Cithis) is an experience that would deeply impact anyone.
Elves & Impossible mutual understanding
While Kabru was living with Milsiril - in other words, while living in the Northern Central Continent - he came to believe that "there was no way to achieve mutual understanding with the long-lived races."
This is evident in his political project: he wants short-lived races to have ownership over the dungeon's secrets. Despite his dislike of the Lord of the Island, he's a useful bulwark to stop the elves taking over. Despite his doubts about Laios, Laios needs to be the one to defeat the dungeon, because if he doesn't the elves will take over.
Kabru still carries a deep scar from Utaya, one that was exacerbated by the fact that he never got an answer to any of his questions about what happened or why. This, despite the fact that Milsiril knows about the demon and how it works. Do you think Kabru, with his social perceptiveness that borders on the superhuman, wasn't aware that she knew more than she would tell him?
Given that, the fact that he gets to a place where he "doesn't have any particularly negative feelings about [elves/long-lived species]" .... well, to put it bluntly, I believe that he thinks that's the case, but I kind of doubt it. After all, if he did have resentment, of Milsiril (someone who was his primary provider and caretaker since age six, and who despite her flaws, loves him and who I do think he loves) or of elves (who he has had to play nice with for most of his life, in order to survive, and will still have to play nice with in order to achieve his goals, since they hold all the power) what would that do except hurt him and make his life harder? Kabru is Mr. Pragmatic, so I don't think he'd let himself acknowledge any such feelings he did have. Exactly because he can't acknowledge them, they're well placed to get internalised as beliefs about the Fundamental Unchangeable Nature of the World.
However, these stated beliefs seem to contradict his actions. Despite his belief in the impossibility of forming a mutual understanding, he certainly seems to try to understand long-lived people, just as much as he does short-lived people. There's no noticeable difference between his treatment of Daya & Holm versus Mickbell & Rin that isn't clearly down to their relationship with him. His skills of human analysis were honed and developed while living amongst elves, and as soon as he's alone with Mithrun he immediately sets to understanding him - his interests, his motivations, his needs, and his past.
He treats him considerately and without bias, and despite the fact that Mithrun conquering the dungeon for the elves is both a reenactment of a core part of his childhood trauma and a political disaster for his aims, that doesn't seem to colour his perspective on Mithrun negatively at all.
This is something I find extremely laudable about Kabru, and it's another way he parallels Laios. He seems to understand that people, as a rule, (in Laios' case, he understands this about monsters - and eventually, all living beings) will act in their own interests, and if those interests conflict with yours, might harm you. But that's just their nature, and it's not something that should be held against them; you're also doing the same thing, after all. The crux of Laios' arc is precisely that he has to accept the responsibility of hurting someone else in order to achieve what he wants.
Kabru is deeply concerned with his own morals, what he should and shouldn't do, but mostly in the context of responsibility for the consequences - a responsibility he takes onto himself. He isn't scrupulous about what he needs to do in order to create the outcome he wants, but if he fails to create that outcome, then....
He blames himself to the point of thinking he should die. He doesn't blame Laios, or seem at all angry with him, despite concluding he should have killed him to prevent this outcome. That's because in his eyes, ultimately Laios was going to act according to his own nature, and it's Kabru's fault for not understanding that nature well enough. He's extremely confident in his ability to understand and predict others, (including elves and other long-lived people). Then, where does his conviction that mutual understanding is impossible come from?
Partially, it's the "mutual" part. I'm sure Kabru, who isn't able or willing to deny Otta's insinuation that Milsiril saw him more like a pet than a son, has felt that his full interiority, the depth of his feelings and his ability to grow, act, and think as a fully equal being, was something that the elves around him just couldn't grasp. Because that was their excuse for it, he came to understand this as a gulf between short-lived and long-lived beings, an inevitable difference in outlook caused by their different lifespans.
This experience might be part of what leads to his iconic “fake” behaviour. He trusts his ability to understand others, but if they aren’t able to understand him, then there isn’t any benefit to being honest about his feelings and thoughts. If his attempts to reach mutual understanding with his caretakers were never able to be fulfilled, then it isn’t any wonder that he reacts with such surprise and horror at blurting out his desire to be Laios’ friend.
In his experience, making yourself vulnerable in that way only leads to being hurt. Soothing him, hushing him, lying to him, talking to him like a child that isn’t able to use proper judgement – that’s an inadequate and deeply hurtful way to respond to genuine distress, the desire for autonomy, or disagreement. Ultimately, I think that’s why he comes out on the side of being grateful to Milsiril; because she did equip him with the skills and knowledge he’d need to reach his goal, and let him go.
Though he could understand them, they couldn't understand him. To the extent that was true - which I'm sure it was - it wasn't due to anything about lifespan. It was due to the elves’ racism, and the solipsitic mindset & prejudiced attitude that it caused them to approach him with.
Because, if it needs to be said, the idea that there is an unbreachable gap in understanding between the long-lived and short-lived species is not true. Marcille and Laios have a much greater difference in lifespan than any full elf from any short-lived person, and they’re able to understand each other – maybe not perfectly, but better than many other people who are closer in life-span to them.
That doesn’t mean that I think Kabru is wrong about this, however. Because there’s an interpretation of his statement that is reflected in his actions and is true. When he talks about his problem with elves, it’s not just their attitudes: it’s their power, and what they use it to do. They “explain nothing and take everything”. Though it’s presented in the guise of ‘guiding and protecting’, in fact it’s a simple case of a powerful nation using their military power, wealth, access to resources, and historically stolen land – including the island itself – to protect their own interests and advance their own agenda. That’s why they’d be able to show up, seize the dungeon, and forcibly take Kabru’s party and Laios’ party to the West. If Kabru wants to stop that from happening, or change that status quo, persuasion or a bid to be understood would be completely pointless. Between the political blocs formed by long-lived species and the interests of short-lived species, “mutual understanding”, given their current, unequal terms, would be impossible. This is something that we see reflected in Kabru’s actions; before he asks his questions about the dungeon, he grabs Mithrun as leverage. He never really attempts to persuade the canaries to see his point of view, because that would be pointless: they’re agents of the Northern Central Continent’s monarchy, and will act in its interests regardless of any individual relationship with him.
I don’t think Kabru sees the different dimensions of this belief of his in quite such clear terms, however, as is evidenced by the other group who he thinks it’s impossible to communicate with.
Demi-Humans & Unknowable Objects
The other place that we see his conviction about the impossibility of mutual understanding is in the kobold extra.
I'm including the whole thing, because I think it's an excellent and clever piece of world-building. Aside from what it says about Kabru, which I'll expand on shortly, what this extra does is deconstruct and call into question the usual "fantasy ontological biology" present in these sort of DnD-like settings. Essentially, the kind of worldbuilding where a race (such as kobolds) can be described as war-like, and that's establishing something essential about their biological nature. That's common to the point that if Kui didn't include this, some people would probably come away thinking that's the case about, e.g., the orcs.
But here, despite what Kabru is saying, the information the reader actually gets is:
the conflict between short-lived humans and demi-humans such as kobolds is mostly over access to material resources that they need to survive.
These resources are scarce because powerful nations, such as the elves, have monopolised them.
Kabru, who has grown up in a place at the centre of these conflicts, ascribes essential, negative traits to a cultural group which was in direct conflict with his own. Communication with this other group is impossible; they aren't people, they're more like objects.
oh yes! just like this conflict between groups of tall-men, a conflict which the reader will immediately interpret as more clearly analogous to real-life racism. Our other protagonists also carry prejudices from growing up in a place where a marginalised group was in conflict with the dominant group over scarce resources. It's definitely impossible to communicate with these people, and you can only kill them.
Woah, when you say it like that, it sounds pretty bad!
But also, nobody walks away having had a realisation or unlearned their prejudices - because they don't have the tools they need to do that work. Yet. I do think, to an extent, it could happen - especially with Kabru, since it's suggested in the epilogue that Melini might become a safe-haven for demi-humans.
To focus in on Kabru, the key here is his statement that you should think of demi-humans as "unknowable objects". Even his extraordinary powers of understanding have seemingly hit a limit. Part of this is just inherited prejudice, and doesn't need to have a complicated psychological explanation, any more than the elves who were prejudiced against him need one.
But also... this is probably somewhat linked to the way demi-humans seem to be considered "pseudo-monsters". They're the place that the strict delineation between the human and the monstrous is permeated. Laios, who is not interested in humans, remembers and is excited by Kuro. Chilchuck and Laios argue over whether it's OK to eat a mermaid. Kabru's prepared to (pretend to) roll with the idea that Laios ate the orcs.
But these are people, aren't they? Of course, this is a social construction, as we see from the fact that in the Eastern Archipelago, the label of "human" is reserved for tallmen, but in most of the rest of the world it depends on some obviously arbirary classification based on number of bones; "demi-humans" aren't in any essential way monstrous, except to an extent in their appearance, and physical location - due to their marginal social status, they're pushed out to live in unsafe places such as dungeons.
Therefore, Kabru's view of demi-humans as fundamentally "other", unable to be understood - monstrous - could be read as akin to abjection, the psychoanalytical concept described by Julia Kristeva. In order to create a bounded, secure superego, that thing which permeates and calls into question the border between self and other, human and animal, life and death, is rejected and pushed to the margin.
“Not me. Not that. But not nothing, either. A "something" that I do not recognize as a thing.[...] On the edge of nonexistence and hallucination, of a reality that, if I acknowledge it, annihilates me. There, abject and abjection are my safeguards. The primers of my culture.” (Kristeva et al., 1984, p. 11) “It is thus not lack of cleanliness or health that causes abjection but what disturbs identity, system, order. ” (Kristeva et al., 1984, p. 13) “The pure will be that which conforms to an established taxonomy; the impure, that which unsettles it, establishes intermixture and disorder. [...] the impure will be those that do not confine themselves to one element but point to admixture and confusion.” (Kristeva et al., 1984, p. 107) (discussing food prohibitions in Leviticus)
This is both (due to its affinity with food-loathing and disgust) a very fruitful concept to apply to dunmeshi, and a psychoanalytical theory which I wouldn't exactly cosign as True Facts About Human Psychological Development. You may also know the abject from its utilisation in the classic essay "Horror and the Monstrous-Feminine" by Barbara Creed - that's a lot more approachable than Kristeva if anyone's interested.
Key here, though, is that through the symbol of the "demi-human" is embodied a step between "human" and "monster" - and that's a prospect that puts at risk the whole notion of an absolute separation between those two categories in the first place. To Laios, that's something wonderful, and to Kabru, it's terrifying. We can see this principle further embodied in the relationship both characters have with the notion of becoming monstrous.
To Laios, this is transcendent, and represents a renunciation of everything human - in fact, if it didn't, it wouldn't "count".
To Kabru, it's a deeply-held fear, established by his childhood alienation (due to his illegitimacy, his eyes, and perhaps also his neurodivergency), deepened by monster-related trauma and the sense of responsibility and survivors guilt he feels for what happened at Utaya. His identity as a human who is not monstrous is key to his sense of stability and safety; he doesn't want to touch monsters, he doesn't even want to see them.
To acknowledge a kinship, a possibility of similarity between the things he loves (humans) and the things he hates (monsters) would be more than touching them - it would be putting them inside him. We know, quite explicitly, that this notion is triggering to Kabru. He literally has what seems to be a flashback when he's about to eat the harpy omelette.
So he abjects it, classifying the demi-human as fundamentally unlike him - an unknowable object, or an object that he refuses to know. Because in understanding it, he would interject the things he hates and fears into his self, which is already, always under threat by that hated and feared object.
Of course, again, Kabru isn't very good at enacting this refusal in practice. For one, when he chooses between his desires and ingesting the feared object, eating monsters... he eats monsters. Part of this is treating himself badly, the "ends justify the means" mentality. His goal is to destroy all monsters, so if he needs to become monster-like to do that, he will. But part of it is also the other motivation that he didn't even seem to know about until he said it: he wants to become Laios' friend, and to learn from him how a person can like monsters. He wants, at least in some part of him, to reconcile the feared and hated object into something he can understand.
For another:
Kabru can speak the kobold language. In the first place, while this may have been common in Utaya, it also could have been something he chose to learn, an early expression of his interest in understanding and talking to all sorts of people. It isn't the kind of thing you learn if you believe that communication between yourself and the group that speak it is impossible, is it?
It's possible to harbour prejudices against a group while being kind to an individual, and given Kabru has those prejudices regardless of his reasons, that is what he is doing. But also, his treatment of Kuro doesn't reflect a sincerely held belief that he's an "unknowable object" at all. His approach is exactly the same as it is to any other person: an analysis of goal and motive, and an attempt to help if he's sympathetic and their goals align - going out of his way to give language and local knowledge lessons in secret. His conviction that Mickbell and Kuro will truly become friends when they can properly communicate is completely contradictory to any sense of demi-humans as fundamentally different, or impossible to reach mutual understanding with. To me, it seems like this self-protective shield against the corruptive force demi-humans as an idea present to his identity, this abjection, when Kabru is face-to-face with one, just simply can't hold up against his finely honed skill of intellectual empathy. Perhaps because he's autistic, it seems his "empathy" is less an emotional mirror response, and more a set of cognitive skills for analysis of others. That instinctual, emotional empathy might not trigger when presented with a member of an out-group, but if it’s possible for Kabru to turn his cognitive empathy off, we don’t see him do it.
This isn't to say that this prejudice doesn't affect his behaviour. For one, it could negatively impact his judgement of politics and policy, where individual people don't enter into it. For another, I'm not convinced he'd be willing to overlook Mickbell's exploitative relationship with Kuro if Kuro wasn't a kobold. As it is, since both of them are satisfied, he doesn't feel like he needs to intervene, regardless of the fact Mickbell isn't paying Kuro. But if Daya and Holm were in a relationship, and Holm took both Daya's and his own share from their ventures, but only compensated her in living expenses and kept the rest, do you think he'd tolerate it, for example? Even if she said it was OK?
Conclusion
The kelpie chapter establishes that "people can never know what monsters are really thinking." That isn't just true of monsters, though.
True mutual understanding is impossible - between anyone. We can never truly understand another person's heart. This is touched on in, for example, the existence of shapeshifters and dopplegangers. Even a monster that seemed like a perfect copy of a person wouldn’t be that person, and wouldn’t be a satisfactory replacement.
We’re intended, I think, to understand the winged lion's repeated suggestions to just replace people who have been lost with copies as something uncanny, which demonstrates the way that the winged lion never manages to attain a complete understanding of humans. A version of a person who was created to fulfil your memories of them, to be the person who you wanted them to be, would be a terrible, miserable thing.
Disagreeing, coming into conflict, and misunderstanding each other, are essential parts of what it means to be living beings, as fundamental as the need to eat.
The only thing to do is not to take more than you need to eat to survive, and not impose your own desires onto others. To do your best to sincerely communicate your desires, even if they're embarrassing or vulnerable or strange, like Kabru eventually does with Laios; like Laios does, bit by bit, with the people around him; like Marcille does, Chilchuck does, Senshi does... to hope they will accept you, and do your best to understand them in return.
We can re-examine, in that context, Kabru's line about the elves' tendency to "explain nothing and take everything".
They have the power to impose their preferred "menu" onto less powerful groups. And in that context, mutual understanding being impossible just means that they won't give up their power because they're asked nicely. Kabru's goal is to seize the truth that they won't give to him, and to create a situation where they can't take everything. Because he's accurately surmised that nothing about the treatment of short-lived races will change so long as the power imbalance remains. Despite the way he mistakenly ascribes part of that to "long-lived vs short-lived" or "human vs demi-human", the actual gulfs in understanding he identifies are structural, are about power and about access to material resources and safety.
I think he could come to recognise this. Yaad is teaching him political science after all, and while a prince's lessons on political science won't exactly get at much that's radical or invested in the interests and perspectives of the marginalised (Capital is a critique of for a reason after all...) I believe in Kabru's ability to learn critically and get more from a lesson than it was intended to teach.
#og post#kabru of utaya#kabru dungeon meshi#laios touden#dungeon meshi meta#dungeon meshi#dunmeshi#dungeon meshi manga spoilers#dungeon meshi analysis#kuro dungeon meshi#the canaries#milsiril#continuing to develop my kabru theses.#literally sitting and thinking about kabru all day. rotating him.#he's in the microwave. to me.
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Astro Observations 2.0
Thank you all for 222 followers! <3
Take these observations for what they are: personal observations.
Super duper long because I love you all. :)
Aries moons tend to always be on the move. Often times, these natives have something energetically "off" at home which results in them not even wanting to be there. They're the type to always be at work or at their friend's place. May have parents they want to get away from. At least one of their parents leans toward a more masculine energy.
You cannot be in your feelings when you talk to a Virgo moon. Their love language is literally telling you all the ways you can improve yourself. It's not necessarily that they're trying to make you feel some type of way, they genuinely don't think there's anything offensive about it. They're naturally attracted to "fixer-uppers" and they love a good project. Only problem is, people are not your projects and your loved ones are allowed to be flawed.
On the note of Virgo moons, they also have a tendency to be permanently unimpressed. My mom has this placement and my sister and I always wanted grand reactions to the stuff we did as kids, but we never got them. Even to this day, my mom is the queen of giving absolutely nothing extra energetically lol. They literally look like this emoji --->😐. Unless they have fire placements, they tend to be the definition of stoicism.
I've been studying the relationship between Scorpio moons and their mothers for a while now because it is such an interesting dynamic. I noticed in the past, that Scorpio moon natives may experience a rather controlling mother figure, but I've recently noticed that this controlling nature goes both ways. Yes, their mother has control over them and their actions, but they have just as much control over her too. They're almost like puppets to each other. It's an incredibly intriguing dynamic that honestly leaves me speechless. Makes you wonder, in these specific situations, "Is anyone here truly the victim?"
We've talked about how moon signs can manifest and what your mother may have taught you, but what I have yet to touch on is how your moon sign reflects your mother's pregnancy experience. I've studied this a bit and I think my mom is the perfect example! My sister and I have opposing moon signs: Cancer and Capricorn. I've spoken to my mom in-depth about both her pregnancies and here is how she describes them:
-Pregnancy with Cancer moon: she was overweight, gained 50+ lbs during her pregnancy, used food to cope with her abusive relationship, was on bedrest, too depressed to do or go anywhere, spent most of her days in the house crying.
-Pregnancy with Capricorn moon: she was in amazing physical condition, gained less than 20 lbs during pregnancy (10 lbs of that was baby), had endless energy, worked out every day, worked overtime at her job, was broken up from my dad, lived alone, was in her bag.
Opposite moon signs and two completely different pregnancies!! Crazy, right?!
I've heard the theory that Capricorn moons are the eldest child, which is true in many cases. However, in my experience as a Capricorn moon, I'm the youngest and my eldest sister is a Cancer moon. But that doesn't debunk my "big sister" energy lol. My sister has always referred to me as her "big little sister" and when we were younger and my mom left us home alone, she always left me in charge. My Cancer moon sister was known for her big emotions and ability to quickly lose control. This dynamic has always been funny to me. Ex. We had a tornado watch (super rare where I live) and my sister was running around the house screaming and crying. While I was calmly in my bedroom playing dolls keeping it kosher. 🤣
God really did give his toughest battles to Virgo, Scorpio and Capricorn moons. No one else is doing it like us! We came equipped with everything we needed to handle ALL the bs in our families.
Don't scorch me fire moons, but where is the personal accountability? I've seen water signs talk their way out of some situations, but the way a fire moon will dance around the truth really needs to be studied. I made this observation before and a Sag moon came for me which is how you know it's true. 😭
Moon sign compatibility is so real y'all. As an earth moon, I mainly form deep connections and bonds with other earth moons and *some* water moons. The other elements just don't do it for me. Even with my fire placements & degrees, I still struggle to understand fire moons.
I've read before that Leo moons have a tendency to be selfish, which I concur depending on the situation. But I think the reason why some of them act like this is because often times, they are either the only child or the favorite child. So they literally don't know what it means to compromise or not get their way. I've only met 2 Leo moons (that I know of) years apart and they both had the same tendencies and personality. Let me know if you've had a more positive experience with this moon sign!
Fixed moons may have mothers who are very controlling over their lives. Their mothers have a “fixed” idea of what their child’s life should look like. They have a tendency to have a puppet & puppeteer relationship. I’ve noticed that because of this, these natives tend to have one area of their lives that their mother can’t control and they spiral out of control in that area. Kinda like a “look mom, you can’t control me in EVERY way” type thing. The most common areas I’ve noticed this in is their sex lives and drugs/alcohol use.
Of course the above note is based on personal experience. I’ve heard quite a few mothers of fixed moons say to other people: “I made them do this” “there was no way I was gonna let them not do this…” like the kid has no choice in the matter.
Okay, enough about moon signs. For now...
This may not be too popular with the astro girlies buttt I believe we have a tendency to attract the versions of signs we speak into existence. For example, when I first started studying astrology, I was sick to my stomach to see that I was a Sagittarius rising because I had back-to-back experiences with Sagittarius suns stabbing me in the back, so I told myself they were the worst. In time, I wanted to accept all of my chart which included my own Sag placements. I had to heal my understanding and perception of them to see them differently. Now, I attract the funniest and kindest Sag suns! It all started with me. This is your sign to heal your trauma with that placement. 🤍 (yes, this is also a message to myself). What you see won't change until you change what you see!
If there's anything a mutable rising is gonna do it's change their physical appearance.
Earth risings, rising at earth degree, or chart ruler in earth house: these people are less likely to take bold chances and risks with their appearances. Not really the type to dye their hair crazy colors, although they are quick to get visible tattoos.
Virgo in big 6 appears naturally put together. They don't really have to get ready because they stay ready. And they expect the same from you, especially if you're their romantic partner. This is amplified if they have Libra or Leo placements.
I’ve noticed Virgo suns and risings are much less likely to wear makeup. I see them with it maybe once a year and even then it’s like one coat of mascara and some highlighter. One thing I have heard a lot of Virgo women say is that they literally don’t know how to do their makeup which may factor into why they don’t wear it. Virgo moons however do tend to wear makeup.
Aries and Scorpio placements are very protective of their loved ones. One wrong look in their direction and they're ready to pounce.
Gemini-Sagittarius axis: if there's one thing these placements are gonna do it's laugh at absolutely nothing for an extended period of time.
Taurus and Libra placements, do you really need that new blouse? Or that new stationary knowing dang well you have more than enough? No, put it back. Aht! PUT IT BACK. And keep your receipts, so when you get home from that impulsive purchase, you can bring it right back where you got it from.
Something about Virgo, Scorpio, Sagittarius and Capricorn placements in dark academia that really does something to me chile...dark academia was made for us!
Saturn rules teeth. Saturn placements and aspects can describe your teeth’s appearance and health. Saturn aspecting Jupiter may have larger teeth. Aspecting Mercury may result in the native having smaller teeth or possibly getting veneers. Saturn aspecting Venus can manifest as the native receiving many compliments on their teeth/smiles. In the case of harsher aspects, the native can feel their teeth directly hinder their perceived beauty.
I’ve noticed people with prominent Gemini/Virgo/Mercury placements are much more likely to have gaps in between their front teeth. Often times, this is a result of their teeth being on the smaller side.
Virgo placements (esp. moons) can have naturally “perfect” teeth that don’t require braces. But upon closer inspection, you can see their teeth are not perfect, but rather, the imperfections are so minuscule you have to truly look to find them.
Libra Suns typically go for either the relaxed look (very natural appearance, not much makeup) or all the frills (makeup, couture, luxury). I have yet to see an in between. Libras with Scorpio/8th house influence enjoy darker colors and go for a much more relaxed look. More likely to portray a dark feminine embodiment of Venus or a more natural feminine. Especially if they have Virgo placements.
Aries suns (males and females) are the BIGGEST sweethearts and I don’t see enough people praise them for their pure hearts. 🥹
DO NOT under any circumstances copy, paste, reword, rewrite, translate, or repost my work.
All Rights Reserved to astro-enthusiast.
#astrology#astroblr#astro observations#astro notes#astro#aries#taurus#gemini#cancer#Leo#virgo#libra#scorpio#sagittarius#capricorn#Aquarius#pisces
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Before I start, I just want to say thank you to the husbands, brothers, and fathers who voted to support their daughters, sisters, and wives. What I'm about to say doesn't include you.
To the women who voted for Trump, you are a disgrace. Thanks to you, your children and grandchildren will be forced to fight the war that was won by your grandmothers.
You sit content and joyful while others mourn. You laugh in the face of their fears when there's a knife floating above your head poised to fall. You have no idea what's coming, but any woman with half a braincell does.
Let me tell you a story. My great aunt was basically my grandmother. She was born in the 1930s in Spain. Right after their revolution. Right after Spain became a dictatorship. She told me so many stories in her final years that I'll keep with me for the rest of my life. But I'll give one example.
One of her closest friends married young. Her husband claimed she was unfaithful and literally beat her to death. He was never arrested. He was never convinced. He walked away free and remarried in less than a month. Catholicism wouldn't allow divorce back then. He wanted to get remarried and simply got away with it because he was a cop. Franco gave cops full impunity. So does Project 2025.
I know some people reading this are rolling their eyes, and you know what?
Fuck. You. You are trash.
That girl was murdered at 20, and her killer walked free after openingly admitting it. My Tia never told me her name, but she carried her in her heart until the day she died at 98. And so do I.
To my fellow women who are mourning and scared right now, I'll give you the same advice my mother gave me. "Have your cry. Then get up and get things done. You're strong enough not to have this break you."
You are Mary and Esther. You are Caterina Sforza. You are Princess Diana. You are Anna May Wong. You are the living legacy of every woman who has come before you. You carry their strength, their courage, and their determination.
This shit is going to suck. Pure and simple. But we'll do what we've always done. We'll bite and claw our way to a better future. We'll tear down every obstacle so our children and grandchildren will have an easier path to walk.
We are dragons in human form. Steel your heart and give them nothing. Do not give them your affection, your care, or your bodies. Fuck being demure and mindful. When they spew hate, you spit fire. When they ask for your smile, you give them your fangs. Become a walking inferno that they have no choice but to take note of. Do not yield.
You are powerful, and you are not alone. You are a sister in a coven that is millions strong. You are the daughters of the witches they couldn't burn.
To my fellow Millennials. I know you're tired. Our young adult lives were stolen from us, and we've been struggling uphill ever since. But do what the previous generation never did for us. Fight. Fight for the ones that are entering adulthood. Fight for the children who have no idea what they're about to grow into.
They called us snowflakes for pointing out their flaws. Fine. Let's give them a fucking blizzard. If they try to build momentum, we stop them. We are at the age where we need to be both shield and anchor. Let. Nothing. Pass.
We're about to face an orange shitstorm of epic proportions. But we'll do as we've always done. We fight, we endure, and we win. In the words of Samwise Gamgee, "There's good in this world, and it's worth fighting for."
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I will never love any interpretation of Ghost, Hollow and Hornet more than I love the interpretation of them being ultimately good, fighting for peace for everyone around them, caring deeply for Hallownest (or what remains of Hallownest at least) and caring deeply for each other and peace for their family at last.
I love kind Ghost.
Ghost who goes out of the way to gift flowers to lonely bugs.
Ghost who will rescue Zote whenever given the opportunity, without thanks or any form of reward.
Ghost who rescues grubs because they are trapped and crying to be freed.
Ghost who despite having limited ability of expression, will find some way to convey appreciation for others. (Sitting beside them. Listening to them talk or sing. Bowing out of respect.)
Ghost who is excited when in the company of good friends.
Ghost who spares the life of the nailsmith.
Ghost who mourns the loss of those fallen.
Ghost who eventually remembers their past, remembers being abandoned by their sibling, and still chooses to fight, to do everything that it takes, to free the hollow knight. To put an end to their suffering. To take Hollow's place, or to die.
There is no reward for this. There is nothing to gain. Ultimately Ghost is willing to suffer forever or to die in order to give others peace.
Ghost makes many many mistakes, and can make selfish or reckless decisions, but ultimately, Ghost is forgiving and loving.
I love Hollow who genuinely wants the people of Hallownest to be at peace. (Ironically just wanting that alone made it impossible for Hollow to grant them that peace.
But still, Hollow wants that.)
Hollow who loves Hallownest. Who loves their father and who loves his kingdom.
Hollow who is relentless in protecting it. Who would suffer for over a hundred years protecting whatever there is that can possibly be saved.
Hollow who has had the radiance influencing it all that time. The radiance who hates the king, who hates his people. Who tried to convince it to hate them to.
Hollow who loves them regardless.
Who feels empathy for everyone. Who understands their suffering more than anyone and wants nothing more than for them to have peace.
Hollow who, after finally being freed, chooses to live a kind life. To be understanding and gentle.
Who has every right to be bitter and angry and closed off, but who, after finally receiving the opportunity to live, to actually live, chooses to find everything good left in the world that they fought so hard for.
Hollow who learns to love openly and to no longer be afraid.
Hollow who is eventually excited to be able to express love in small ways.
Hollow is stalwart and just. But kind.
Hornet who, despite everything that she went through, despite losing so much, nearly everything, continues to stand and to fight for life because it still matters to her.
Hornet who fights to honor those that she lost, especially her mother.
Hornet who is hesitant to be hopeful, but is hopeful anyway.
Hornet who is hesitant to form any friendships out of fear that she will lose them, But who longs for friendship, for family..
Hornet who is proud of her siblings, who loves them despite not wanting to, who feels guilt knowing that the fate of the kingdom must rely on them.
Hornet who will rush in to assist her siblings in their final battle, knowing that she may very well die.
Hornet who, after given the opportunity to be with her siblings again, wants nothing more than to help them heal. For them all to heal.
Hornet who loves and is loved in return.
Ghost and Hollow who love, and are loved in return.
A little broken family that understands each other, understands that nothing that happened to any of them was fair, and who forgive each other, who love each other because after all this time..
They finally can.
Not one of them is without their (sometimes severe) flaws. Not one of them isn't damaged after everything that has happened.
And still they choose love.
This quote by Mary Shelley captures my interpretations of the siblings perfectly.~
"Life, although it may only be an accumulation of anguish, is dear to me, and I will defend it”
#I wrote this at 3 AM#No joke I woke up at 3 AM and somehow I ended up with this in my notes so I hope it makes sense#lol#I have been seeing a lot of different interpretations of each of these characters lately and I wanted to get mine out there i guess#It's interesting hearing other takes on these three.#But this is them#To me#its all about love for me guys#That's what's it's all about#hollow knight#hk hornet#hk ghost#hk thk#hk the knight#hk little ghost#hk the pure vessel#hk pv#hk thoughts
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Elden Ring, my reading on Marika
Having finished the DLC, I am thinking of this scene. The scene from Ranni's ending, where she replaces Marika as a Goddess and Marika vanishes, finally passing away.
And one of the biggest twists in the game, alongside one of the major unsolved mysteries in the story is the reveal that Marika herself shattered the Elden Ring for some purpose, with the most sympathetic reading being that this was the only way she had to escape from the control of The Greater Will and recover her freedom.
The DLC expands on Marika, giving us an origin for her.
That is, of the horrors her people suffered at the hands of the Hornsent, the same people she would command Messmer to wage War upon them and commit what seems to have been a brutal genocide.
Now, my personal reading is that, after what happened to her people, Marika did a metaphorical deal with the devil. Either The Elden Beast or Metyr arrived to The Lands Between near Marika's village, and she accepted to be a Goddess and a servant of The Greater Will in exchange for her vengeance. and to be perfectly fair to Marika, this was the closest to Justice her people would ever get.
Now, Count Ymir suggests Marika was influenced by flawed advice from Metyr, the Mother of Two-Fingers, who lost contact with The Greater Will. But he also believes the moons are just the closest celestial object to our planet, so he is full of Shit. Because that doesn't yet explain The Elden Beast.
In any case, Marika made that deal and became a Goddess and she got her vengeance. And she fulfilled her duty as accorded, Conquering and expanding and forcing everyone to bow to The Greater Will. Who knows what she felt during this time. If she lusted for power as her empire grew, or if she was horrified and felt trapped by learning what becoming a goddess meant.
Because everything about Marika is always specifically filtered through someone else. Even the closest we get, her very words spoken by her, are filtered through Melina.
The second closest we get is Marika's village, where we see the things she left behind, Specific actions she and she alone did for nobody else but the memory of her village. and I say this because This:
is the closest we ever, ever get to meeting Marika. a broken face of someone who has long stopped being human, he don't see her eyes, we don't hear her voice. Yet you know what I see here?
Marika's Tired. So, so, so, so... Tired.
Was that it? that at the very end, Marika simply grew tired? was she, in her last moments, thinking back and remembering The Grandmother by the tree, and wishing she could be there for one final slumber?
And so maybe, regardless of what The Age of Stars means, on whether it is the "good ending" or not, this is the ending Marika wanted. For someone, any of her children, to hopefully succeed her and let her rest at last.
And what we see is that in the last moments of the Shaman whose entire home village was cruelly massacred (and who delivered blood upon blood onto those responsible and unto the innocent, and whose entire life was now defined to the service of some greater power), she is being cuddled in the arms of her step-daughter (of whom she may be Ranni's biological father), a moment of peace and warm before the end of a long road.
Maybe one of the things the DLC was meant to show us wasn't why Marika did what she did. It was to show us that it was time for Marika to go back home at last
#elden ring#lunar princess ranni#ranni#marika#queen marika#marika the eternal#er#spoiler#spoilers#fromsoft#shadow of the erdtree#sote
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Julieta Madrigal
Ok, I was inspired by a previous post to write a character analysis of Julieta.
So, the deal with Julieta is that she’s not exactly the golden child, at least not at first. It’s more like she’s the Good Girl of the family. The one that Alma doesn’t have to worry about because she’s so mature for her age. She’s quiet, humble, and kind. The one who may have been overlooked in favor of her louder and more boisterous siblings.
She can heal people with the food she makes and the love she carries for everyone in the Encanto. So therefore, no, she’s not the golden child, she’s the Caretaker.
The extra set of hands Alma needed when things were too much for her. If Alma was feeling down or depressed, or too busy, and Julieta’s siblings were anxious or upset, Julieta would take care of it. No need to bother their mother unless it’s an emergency, right?
It’s been said she was born to be a mother and that’s because she’s been mothering her family and half the town since she was five. Those are the sort of expectations she carries around.
I think that’s what allows her to relate to her older daughters and sobrinos who fill a similar role of support within the family. She’s the healer, the caretaker.
She lends a listening ear; she tries to make you smile with food and words of affirmation; she shoulders the family’s burdens; she sees their hurt and tries her best to lighten the load.
She was probably the one Alma was eager to marry off first, because she would make such a good mom and matriarch to the family, kind of like Isabela. So good for the Encanto.
But instead of marrying the perfect guy, like Isa planned to, she married the perfect guy for her, Agustin.
I also think she blames herself for Bruno leaving. He was obviously hurting and she feels she failed him because she couldn’t fix it.
That’s why she parents Mirabel the way she does. She sees a lot of her brother in her daughter and that’s why she tells Mirabel not lose her way in this family the same way her brother did.
She always tries to reassure her daughter that she is perfect, that she’s enough, just the way she is. She doesn’t have to try so hard. She showers them all, with unconditional love and affection. (Something Alma wasn’t very good at doing that much growing up.)
And as great as those things are it wasn’t always what her kids needed. She’s a caretaker, but she’s also very passive. Unlike her siblings, she’s the “unproblematic” one. “Señorita Perfecta” in that she avoids making waves and causing conflict. She tries to be a good daughter, and not give her mother a hard time. That’s what I think she has someone like Agustin for. A husband who stands by her and will firmly stand up for his family, and always support them, no matter what. And that’s exactly what he does. So yeah, I think she’s an amazing mom, and a great role model with her own flaws and problems just like everyone else.
#encanto#julieta madrigal#the madrigals#julieta x agustin#the amazing madrigals#la familia#julieta madrigal is a good mom#you can not convince me otherwise#i will die on this hill#she’s been practicing since she was five#mirabel madrigal#bruno madrigal#agustin madrigal#alma madrigal#julieta#encanto julieta#encanto headcanons#character analysis#movie analysis#encanto meta
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I can't take it anymore. The new Chainsaw Man chapters are so good I have to talk about them. Spoilers for chapters 176-178 below.
Love Yoru here. She undermines the sacrifices Asa has made and describes them as "trifling things" because in Yoru's eyes she has a much bigger goal. She constantly makes fun of Asa because Asa is a child and therefore values things much lesser than the dreams of the War Devil. It's so insane because right in the next panel,
Asa acts like an adult! Would you sacrifice the things you have fought for the sake of your own gain? You say one thing but mean another. Asa is much like Yoru in this regard, she wishes to fulfill Denji's dreams (whatever they may be) and protect him. But in reality, she wants to do these things for the sake of proving she is a "good" person.
This connects back to the church briefly touched on in the previous chapters! What makes a good person? Action or intent? Many people go to church to follow tradition, and follow the values of this religious system because it will secure them in, what they believe to be, heaven. If one does good for the sake of personal gain, can we say that person is "good"?
Yoru and Asa both are willing to destroy what they had wanted to protect in order to gain this "goodness". Asa, without really understanding, is harming Denji while trying to do right by him. And Yoru, who is willing to kill her comrades for...
This! She is willing to give up everything for the sake of proving she is a "more fearsome devil"! She ridicules Asa for the "trifling things" she values, and yet she is sacrificing her own kin for the sake of the most petty bullshit dick measuring contest EVER. One that Chainsaw Man does not even care about. It's not a contest between two of the most "fearsome devils" it's a desperate devil attempting to find any means to remain relevant.
This is some teenager angst coming from a centuries old horseman of the apocalypse.
Armless, mouthless, and with zero agency she comes to realize her pettiness and chooses to steal the freedom of choice from her children. They must serve her as her mouth and her arms. Children then are:
Asa was saved by her mother from the Typhoon Devil. In reality, despite Asa's flaws she is a teenager. She wants go to college, have a home, have friends. Her story reflects Denji's. She wanted a normal life where she was loved and yet, her agency was taken by a devil much more powerful than her and now she must find meaning and power in a position stripped of those things.
In a way she is attempting to find a silver lining, "If I can protect Denji, that means I'm still a good person despite everything". Which is so tragic, because in more ways than one, she was never truly able to make a sound decision due to the lies she was told and the possession of her body.
And come this horrifying sequence of events. Where Asa finds herself as the War Devil, hollowed out of her original heart. Her dream desecrated by war waged for the most petty bullshit dick measuring contest EVER. And isn't that all war? As the Statue of Liberty reveals itself to be a cocooning child of war. True freedom, in the hands of law makers and of devils, is defined by one's ability to wage war and decide who, in the end of mindless violence, is the true victor.
Individuals willing to kill children understood to be a parents' property, or a state's property, are devils through and through.
This is the fundamental horror of being a child, of being poor, of being irrelevant. This is the fate devils and humans similar to Yoru avoid by constantly participating in petty bullshit dick measuring contests.
Denji and Yoru are children who have been hollowed out so devils and humans can wage violent wars that destroy colleges, homes, and families with these children's bodies and hearts.
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Japanese QL Corner
We are back in the flood, with three (!) new Japanese QLs starting this week (we will be patiently waiting for @isaksbestpillow’s excellent subs on the new GL, so I’ll cover that next week), on top of our three ongoing shows. Three of these are streaming weekly on Gaga, with two provided via fansub (feel free to ask if you don’t know where to find them).
Love in the Air Koi
The much anticipated Japanese remake of Love in the Air is here, and it's off to a strong start! I'm a fan of the Thai original despite its flaws, and I am hopeful that a remake can elevate the core of the story while shedding some of the sillier plot aspects and filler. This first episode did exactly that, executing all the important beats of the original first episode in half the time, and establishing our core characters and their dynamics quite well. The casting is good all around, but Nagumo Shoma is perfect as Arashi, and he and Rei have good chemistry. I will look forward to this one every week.
Our Youth
Another strong start right out of the gate! This drama seems to be a second chance romance of sorts. We begin with Minase in present time (narrating about how he and Hirukawa can only communicate via letters, which I suspect may be incarceration-related?) before traveling back six years to high school to see their relationship unfold. Minase is a wealthy but lonely top student who teachers adore, Hirukawa is a poor and abused kid who teachers have already written off as a lost cause, and they are inevitably drawn to each other when Minase witnesses some of the horrible things Hirukawa is dealing with and keeps his mouth shut about it. This drama feels confident about the story it's telling and it's so beautifully shot. Hirukawa already has my heart. I especially like that his characterization feels nuanced and specific rather than archetypal; he is troubled but he's not a bully, and rather than rejecting care, he seeks it out from someone he perceives as trustworthy. I am along for this ride and excited to see where Minase's perspective takes us.
Smells Like Green Spirit
Ow, my heart. This week town gossip spread like wildfire about Mishima and Kirino's supposed romance, and both had a heart to heart with their mothers about it, with wildly different results. While Mishima's wonderful mother affirmed that she knows who he is and wants him to be happy and live his truth, Kirino was shamed and guilted by his homophobic wreck of a mother. We already know how much her grief weighs on him, and her inability to accept him will surely make things hard for him going forward. It was lovely to see he and Mishima escape together to their Shangri-La, however briefly, but I also felt sad that he kept his painful experience to himself rather than confiding in his friend. I just want them both to be okay. Yumeno also had a coming out of sorts, and while I was happy to see another supportive mother, I thought it overcrowded the episode to shove that in, too, especially with lots of time also spent on the villagers. I would have liked the focus to stay more tightly on our besties.
Love is Like a Poison
Welcome to the battle couple era!! Shiba and Haruto are settling into couple life (adorably), and Shiba is defiantly claiming Haruto as his partner for anyone who cares to know. And this week we get what we've been waiting for, as the story sets up the final boss, who appears to be an enemy of both Shiba and Haruto (the former professionally, the latter personally). Haruto is still not telling his Ryo-kun what he's driving after, but we got some helpful hints at the end of this episode about what is ultimately motivating his scamming. I am so excited to see them team up again to take this guy down.
Chaser Game W
I’ll keep this brief. This sequel season had little purpose, with a plot that changed randomly from week to week. They capped it off with a finale that made an insulting mockery of the homophobia real same sex couples in Japan face. This show sticks out like a sore thumb on this list of otherwise excellent Japanese queer media, and I’m very glad it’s over.
#love in the air koi#love in the air japan#our youth#miseinen#smells like green spirit#love is like a poison#doku koi: doku mo sugireba koi to naru#chaser game w#japanese bl#japanese gl#japanese ql corner#shan shouts into the void
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As we see an increase in antisemitism I have reflected on my experiences how many years ago being the token Jew in my eighth grade English class and I have found some aspects about it which lead me to believe are the parts that Holocaust Education in the U.S. goes wrong
Being taught in English Classes
Often such as in my state, the Holocaust is taught as part of English curriculum. English teachers aren't history teachers and they may be lacking in the skills or knowledge required to teach in the necessary depth to discuss the Holocaust.
My mother used to teach English but she had a history degree as well. She would lecture in class about everything leading up to and during WWII. I remember reading handouts she had in her classroom while I was waiting after school about the history of antisemitism. I didn't have any of this in my English class unit, because to put it simply most English teachers aren't my mother who also has the prior knowledge of how to teach history.
Additionally, as it is part of English, there is often more focus on Holocaust literature rather than the topic itself
This is where I think it gets extremely flawed if a person's primary knowledge of a historical period is Anne Frank or the incredibly inaccurate boy in the striped pajamas. A single account or work of complete fiction shouldn't be your main lens to view any topic whether it's the Holocaust, Slavery, Civil Rights movement etc.
You're in short blurring fact and fiction when discussing these things in the context of literature.
Sense of Finality
I feel like in my classes at least there was this idea that was kind of implied that hatred of Jews began and ended with Hitler and the Holocaust. I think this leads to misconceptions about antisemitism.
I feel this is a problem as I remember mistakenly getting that takeaway in school regarding civil rights in America. It was taught that Slavery was a problem, emancipation proclamation, MLK said I have a dream, and the civil rights act was passed and bam no inequality or racism. Later on, I fortunately learned this was flawed for many reasons. But not everyone does.
Not teaching about how the Holocaust happened
If you aren't given the knowledge of how centuries of hatred lead up to the Holocaust, I feel the main takeaway becomes that it was almost a random occurrence.
Many learn the Holocaust is bad without learning the signs of thinking that can lead neighbors to kill neighbors.
So many people don't have the basic facts such as Hitler being elected rather than assuming power.
I think when you learn of an atrocity of such scale without learning the human beliefs that brought about it, you have learned nothing.
I had a girl in my college uni class who was shocked when I said that antisemitism didn't begin and end with Hitler. I can see where she would get this idea if I at ten figured that racism ended with MLK.
Using Simulation
Slavery and the Holocaust should probably not be taught using roleplay. It usually goes poorly and you can find dozens of examples of how this goes wrong.
Sanitizing History
Exactly what it sounds like. But it's a major problem in general with history education in the US. I think we downplay westward expansion, and slavery in the us. When we downplay those it's easy to see how some begin to downplay the Holocaust.
We had a kid faint on the trip to the Holocaust memorial at some of the images. I think it was because they were inadequately prepared to see the horrors in image, my teacher didn't show any pictures in class.
Final notes
I don't blame teachers. Teacher's jobs fucking suck from what I've seen and many don't have the skills or resources or experience. I guess for now I think it's good to recognize those holes in our education and fill them ourselves through self education and life long learning
With the current political atmosphere of education of the unpleasant or difficult to discuss parts of history, i can only see things getting worse if we don't change anything. But like I said in the absence of a solid education which discusses these topics, it's important to educate ourselves and confront our lack of knowledge.
#tw shoah#tw holocaust#jumblr#feel free to add on with your school experiences#especially if you're jewish
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Rick and Morty does an awesome job at highlighting generational trauma cycles. The fact that Beth adopted Rick’s parenting style and approach to marriage (and even IDOLIZED him/the abuse) without realizing that her biggest character flaws come directly from him is super interesting.
I honestly think splitting her into two different versions of herself— one who chooses to be more like her mother and one more like her father; one who stays and one who leaves— was a good choice. As someone who relates a lot to sentiments like ‘my parent idolizes their parents/I’m angry with my parents for what their parents did to them/when I’m angry with my mother, but then I remember she’s just a girl’, the Beths are a powerful representation of not only what I see in myself, but also an experience of motherhood I have little insight into on my own.
With all of their parallels, I like to think Beth has moments where she— like her father— says to herself, ‘Holy shit… I’m a terrible mother.’
I’ve never thought about it before, but Beth truly resents feeling ‘trapped’ in motherhood. She views it as something Jerry did to her instead of something she also partook in. I’m not saying that Jerry didn’t do that intentionally, but I am saying that Beth made choices there, too, and it’s unfair of her to hold contempt for her children (mainly Morty) because of that.
It makes me wonder what her relationship with Diane was like. Diane might have felt like Rick trapped her into motherhood and then took a backseat, too. Did Diane resent Beth for taking away what her life could’ve been? Did Diane blame Beth for her decision to be a mother?
On the other side of the coin, we have Morty. He’s like his dad in a lot of innocent ways, but that concept terrifies him because he’s seen the malice behind that harmless facade.
Part of him hates his mom for never wanting him— for never caring for him or protecting him— but that’s a part of himself he buries. He knows, at the end of the day, his mom is just a girl who desperately wanted her dad to love her.
‘I love Daddy!’
People talk about how much Morty is like Jerry all the time, but I’ve NEVER seen a post about how similar he is to Beth. (Please tag me if you have, so I can hype it up!) He spends all day everyday cripplingly aware of just how little his parents want him. He feels their rejection and neglect. He buries those feelings to protect them; or maybe because he’s so aware of their disdain for him that he believes they just might discard him if he’s too much work.
…Sound familiar?
Sometimes I wonder how much of Morty’s efforts to protect Beth from Rick’s actions and people pleasing to make Beth and Rick’s relationship just a bit easier comes from a certain relatedness he feels to his mother’s experience of rejection/abandonment.
‘Rick, I can handle it if you go, but you’ll break Mom’s heart, and I won’t forgive you for that.’
He loves who some may consider unlovable.
But, holy shit, is that kid angry.
Angry at people he can’t justify holding accountable because… Fuck, they’ve been through a lot, too, haven’t they? How could he possibly justify hating someone he could so easily become?
I can only hope we get some more of Rick’s relationship with his parents. I’m dying to know about it.
#rick and morty#rick sanchez#morty smith#beth smith#sorry i’m having a moment#back on my constant analysis bullshit
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https://www.tumblr.com/attackfish/155865674048?source=share
Thoughts on this pist? The three pillar theory of Azula?
I think it's a shame that it started out as a genuinely good analysis that wasn't neglecting either Azula's "evil" side nor her "good/innocent" side, and was quickly derrailed into nonsense that either lies about or grossly misremembers canon events.
Here are the five mistakes that ruined this analysis (and plenty of others).
1 - Unwillingness to accept that, while Azula is wrong about Ozai, she is 100% right about Ursa
Ozai was an abusive parent towards both of children. Ursa was a better parent - this does not mean she was perfect.
We see her spending time one-on-one with Zuko, and sometimes including Azula in it, and looking happy when her children are seemingly getting along. So far, so good.
But she doesn't spend one-on-one time with Azula, Bryke describe Zuko as Ursa's FAVORITE, and Zuko himself does not defend his mother when Azula says she loved him more. Not so good.
When Zuko throws bread at the turtleducks and hurts one, Ursa is horrified, but only reprimands him a little before hugging him and playfully explaining to him why what he did was bad. Through the rest of the episode, we constantly see her either telling Azula to not speak the way she does or scolding her harshily - without ever explaining the reason why. Zuko, the year-old, is the only person that bothers to explain things to Azula (like Iroh coming home early because he's grieving and how that's not weakness) and question her in an attempt to force her to put herself in someone else's shoes (asking how she'd feel if their cousin wanted their dad to die).
Ursa's 10-year-old son, even when in a fit of rage, did a better job than her at parenting her 8-year-old daughter.
And, finally, this person mentions the comics as "proof" of Azula just "not understanding" that her mom totally was treating her and Zuko the same, unlike their dad.
In the comics, Ursa ignores her daughter, even she's in the room. She wakes Zuko up to say goodbye when she's banished, so he'll know he was loved, but doesn't do the same to Azula, meaning their last interaction was a fight. She then willingly forgets her own children, and then she has her memories back she rarely ever bothers to mention that Azula, who is in the middle of a psychotic episode, is missing. There's no concern for her well-being, only "Oh, I wonder how my OTHER daughter is doing." Can't even say her fucking name.
Ursa played favorites and it damaged her daughter. The mirror scene is quitely literally Azula desperately wanting Ursa to treat her like she used to treat Zuko - explaining what she did wrong, how she can be better, and assuring her that she is loved. The only time Azula is treated fairly by her mother was literally a hallucination.
2 - Bizarre need to make every mundane thing Azula does be connected to/a result of some pathological condition
Azula is a manipulative person, no one in their right mind can deny that - but I gotta laugh when people act like her giving her mom puppy-dog eyes and repeating the line Ursa probably used to make her kids play together is on the same level of her manipulating Long Feng, or that her playing a prank on Zuko and Mai is no different from messing with his head in "Avatar State."
Just because she is villain, doesn't mean everything she does has an evil, hidden motive. We first hear "Azula always lies" when she tells Zuko THE TRUTH about their dad going to murder him.
No one believes someone who is NEVER honest. No one gets attached to someone that is NEVER kind. Not dick move is a result of someone's greatest flaws. A child telling a white lie is not the same as some crazy scheme to manipulate someone.
3 - Not understanding that unhealthy/selfish love is not the same as FAKE love
I don't think I've ever been more mad at a line in an analysis about Azula (which is saying a lot) than I was when I read this person claim that Azula didn't genuinely love Mai and Ty Lee and justified with the absurd sentence "People don’t fall apart the way Azula did because somebody they love leaves them."
Yes, they do. When you have a ton of problems, be it psychological ones or life-problems, having the people you care about turn away from you can absolutely make you spiral out of control. You don't even need some kind of unhealthy, excessive dependence on them for that to be the case. Losing people is very painful, and during low points a great deal of pain can fuck you up.
Azula's dynamic with them is not healthy, but that doesn't mean her love isn't real. And I don't mean it in a "It's real FOR HER", no, it's just 100% real, plain and simple.
If Azula didn't care about them, she would have never done things like not punish Mai for blatanly disregarding her orders in The Drill, or apologize after making Ty Lee cry, admit she was JEALOUS, and then ask advice. She'd sure as hell not have conversation with her "mom" (herself) about how she hurt them and abused their friendship/her authority over them.
She loves her friends, but she was never taught how to have a normal, equal relationship with anyone. She was raised to see things as a matter of who is in charge and who is subordinate. She is the princess, therefore it's her right to put her wants and needs before that of her friends. She even says to "Ursa" that she doesn't have the option to NOT act like that, because "fear is the only reliable way."
That is a key factor of Azula's tragedy, because her relationship with Ozai is the center of her universe, it is the basis of all other relationships in her life - and it is rooted in her never doing anything to displease him because she's terrified not only of the potential punishment, but of also losing that bond. So she uses fears to keep others close to her, not realizing that if she didn't do that they wouldn't WANT to cut ties with her.
(Also, fuck me, I nearly punched my computer when I read "Ty Lee ran away with the circus to be free of Azula." She literally tells us it was about her bad relationship with HER PARENTS AND HER SISTERS. It had nothing to do with Azula - what is it with people and this obsessive need of blaming my girl for things we KNOW weren't her fault?)
4 - Not understanding that Zuko is more than just Azula's rival/the exemple of what happens when you displease Ozai
Azula loves her brother. According to the lead writer of the show, Zuko is the person Azula loves the most (after Ozai, hence all the tension in their relationship).
Azula didn't know Aang had any chance of survival until Zuko let it slip - when they were ALREADY home, meaning the plan to blame him for everything if Aang survived could not possibly exist yet.
In the following episode, she warns him to be careful when visiting Iroh, otherwise people could think they were plotting together. Zuko asks what she's gaining by letting him know, and she says she's just looking out for him - and it never comes back, because she was not lying. She WAS taking care of him.
The Last Agni Kai hits so hard because they COULD have had a good relationship if things were different. If Ozai and Ursa hadn't played favorites. If Ozai wasn't abusive. If Zuko hadn't left after Azula brought him home, or if Azula had understood WHY he left.
Even in "The Spirit Temple", one of the few comics that are actually good, Azula says she wished their mom had let Ozai kill Zuko... yet we see that her ideal, happy life includes her loving, unscarred brother that is super proud of her. She spends the entire comic saying Zuko is weak and a coward who can't face her, yet when she sees "him" (an hallucination) directly confroting her about her own mistakes and the pain she caused, demanding her to apologize, it is Azula herself who runs away to hide from him.
Azula hurt her brother many times, and she knows that - and she is in denial about the guilt she feels over it because feeling guilt over hurting someone who is "lesser" is a weakness and an imperfection, and she needs to be strong and perfect all the time.
If you disregard her conflicting feelings on her brother, you disregard half her character.
5 - Forgetting that Azula is a child soldier under Ozai's orders
This is THE big one, guys. It's astounding how people just forget that Ozai isn't just Azula's abusive parent, he is the absolute monarch that can legally punish her if she displeases him.
Does she repeatedly fight Zuko because of their rivalry? Sure. But half the time she's doing it because Ozai literally gave her the mission to do so.
Does she threaten Ty Lee at the circus because she doesn't like being told "no"? Yes... but also because Ty Lee would be a valluable team member, and she needs a small elite team to properly do the task Ozai gave her.
Even the Last Agni Kai happens in the context of "Ozai just told Azula that he's trusting her to protect defend their throne."
There's a reason why, at "The Beach", she can handle pretending to be regular girl instead of a princess, but is CONSTANTLY on "battle mode", trying to turn a game into a war, praising a guy's outfit by sayind it'd make thousands drown at sea with how sharp it is, and why her flirting game consists of "We'll take over the world together!"
She grew up seeing violence be normalized and glorified every second of the day, to the point that things don't even register to her as being violent at all anymore.
Of course she's toxic and full on hostile in her relationships, no matter how much she cares about the person in question: All she's ever known is war, and Ozai deliberately blurs the lines to make his abuse of her and Zuko seem normal.
You can't disregard "Ozai will punish me if I don't do this" as a factor when talking about Azula.
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"While what Violet said was through a haze of grief and trauma, what Anthony heard, at a very vulnerable moment, was that his mother would rather die for her husband than live for her children. And it’s very hard to not take that sort of thing personally."
YES YES EXACTLY like I have all the empathy in the world for Violet as a mom with postpartum depression and just a depressed person in general when Edmund died but at the same time you just told your oldest flat out you have no reason to live for WHEN YOU HAVE EIGHT FUCKING KIDS AND ONE RIGHT IN FRONT OF YOU. She just told her son they aren't her air and there is NOTHING left for her in this realm like... that SCARS A PERSON.
dont get me wrong I still enjoy Violet as a character no one is all good all bad but... I would assume that even if Anthony and Violet's relationship becomes less fraught Idk if he would ever get over that no matter how fulfilling his life is now
I think it’s super interesting how Violet is a very loving mother who obviously wants the world for her children yet is a flawed parent in many ways. It shows you that flawed mothers are not necessarily just those who are like Portia but also those like Violet, who are “good” people.
Not that I think Portia and Violet are the exact same, but it’s an interesting juxtaposition, because you may think that both of them are on opposite ends of the parenting spectrum but the closer you look, the more you see, that both of their actions are motivated by wanting to do what’s best for their children and that it is this that lies at the core of a lot of their bigger mistakes as mothers.
Also, I think that her relationship with Anthony was fundamentally changed by him witnessing her raw grief. Though I think the other children, besides Gregory, Hyacinth and perhaps Francesca, were aware of her grief and absence from their lives, and it impacted them in different ways, for example, Daphne singing to Eloise over Violet’s cries, none of them truly felt the weight of it like Anthony. And I think this altered the relationship not only from Anthony’s perspective but from Violet’s perspective.
This character study perfectly articulates exactly what I mean. It summarises Anthony’s character and motivations in such a succinct way, I believe everyone should watch it!!
But throughout season 1, we see her treat him as though he’s Edmund’s replacement falling short rather than her son while simultaneously wanting him to treat her like an authority figure. She demands he arrange something for Daphne with a friend like his father would have, then later, berates him to renege when she considers Simon a better match. Yes Anthony does many things wrong, but he is navigating it from a very lonely place of extreme pressure and absolutely no one to turn to for guidance.
She waffles like this throughout season 2 as well, like insisting that she knows what he wants deep down while also accusing him of thrusting his responsibility upon his siblings, which is simply not true, considering Colin doesn’t even seem to understand the importance of balancing accounts. It’s only in the very last episode of season 2 that she seems to realise how much she has hurt Anthony but even then she apologises for the hurting him while she was grieving and not the way she has treated him subsequently.
I’m going to be honest, I don’t think Anthony will ever go back to being Violet’s oldest child rather than the half limbo state that they are in where he’s the head of the household and she’s his mother but also part of his household. And this is not because of a lack of love on either of their parts or because they are too different. Which is the tragedy of their relationship.
Anyways this is already too long, but Anthony’s last experience of unconditional parental love was when his father died, because the moment he did, in certain ways, he lost that from his mother.
I truly believe that the next time he experiences such unconditional love and affection is from Kate, who sees him at his worst, witnesses him make every mistake and still equally matches his feelings, his love and devotion and desire.
#bridgerton#anthony bridgerton#kate sharma#kate sharma x anthony bridgerton#kanthony#violet bridgerton#portia featherington#bridgerton family#bridgerton analysis#bridgerton season one#bridgerton season two#bridgerton season 3#it’s not just Anthony btw in season 3 we see her flawed relationship with Francesca as well#I didn’t mention it here because this one was specifically about Anthony and Violet’s relationship#the portia bit is interesting to me too but I’m not looking to get doxxed so 🫡#let’s just leave it at that#anyways#I have asks???#anon ask#my asks
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Matilda ~ JJ Maybank ✯
Summary: You’ve grown up not being able to show much affection because of your family, but JJ knows just how to heal your wounds.
Pairing: JJ Maybank x Fem!Reader
Warnings: Mention of abuse, a lil suggestive content
A/N: hope y’all enjoy! request r open!
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You've always been rather cautious about accepting hugs from people. Even as a young child, you might have hesitantly accepted a hug or just stood there not really knowing what to do. Likewise, expressing your love has always been difficult for you because it’s not something you would do very often inside your house hold.
Your parents never really said the words ‘I love you’. Sure, they’d sometimes give words of affirmation once in every blue moon, or they might hug you on special occasions but you never really got the feeling of true family love.
As a kid you would always watch family movies, or look at your friends parents and wonder ‘why are they so nice?’ or ‘how come they rarely argue?’
That is when you started realizing this behavior is not normal.
But once you and JJ started dating, things started to change; your displays of affection began to get stronger and more obvious.
He showed you how to love.
Your dreams, your kisses, your hearts, and your love for each other were all shared by the two of you.
You and JJ both know every last detail about one another. You were able to wipe away every tear that came from JJ's memories with kisses since you were aware of JJ's father and his early years. This may be why you two matched so well.
However, your family? You preferred not to bring it up. Naturally, your partner was aware of the awful ways in which your parents treated you, but you would never go into detail because doing so would trigger unpleasant memories.
That is until one sleepless night you couldn’t hold it in anymore.
“Jay” you whispered through your tears trying to wake him up out of his sleep.
“Baby?” He rubbed his eyes and seen the tears pouring down your face “Baby no, come here.” He said with a pout and pulled you in.
“JJ I had a dream about my parents and it brought back everything, and my mom was telling me about how I didn’t deserve you and-”
JJ then placed a soft kiss on your lips to calm you down.
“Calm down baby, i’m right here for you. I’ll be here all night. It was just a dream, i’m forever yours I promise.” He says in a soothing voice while rubbing your back hoping it’ll calm you even a little bit.
Since your mother called you on the phone two days earlier, he was aware that something was wrong. You’ve have been so silent since that phone call, he was skeptical about what was said, but he decided to not push it unless you were ready to tell him.
After a few minutes of crying and back rubs you’ve finally chilled out enough to tell him what was going on.
“When my mother called me two days ago, I thought it would be good and we could just catch up. I thought she'd be happy of me for where I've gone in life, but all she did was yell and tell me how she wishes I were different. I've been having dreams ever since, and I can't handle it any more.” At the end of your sentence, your voice begins to tremble, indicating another sob.
JJ immediately notices this and pulls you in tighter.
“Baby, please don’t ever believe those words. I fell in love with you for who you are, your the most beautiful girl I have ever met. Everything about you is perfect to me, the way you giggle, the way you snore, and even when you upset me I can’t find a single flaw about you.” He says with his hands on both sides of your cheeks.
“I don’t deserve to be loved by someone like you.” you whisper
“Don’t even say that.” JJ says in a serious tone with tears starting to form in his eyes. “I wouldn’t even be able to think without you, much less live without you.”
The look in his eyes was very serious. You were his oxygen, he never wanted to hear something like that from you. Without you, he wouldn't be able to breathe.
JJ finally broke the built up tension and pressed your lips together. Minutes upon minutes of the need to be closer to eachother.
You depended the kiss and pushed JJ back so you were on top of him.
“Jay” you said staring into his eyes while unbuttoning his pants.
He softly pushed you off and buttoned his pants back up. “Not tonight baby, I want to show you my love in a different way.” he breathed out
“Okay.” you said while he laid down and pushed you against him.
That night all you guys did was share little pecks, talk about stupid things, and hold onto eachother tight.
This was it, this is what you’ve been searching for since you were 7. This is what your parents swore would never happen to you, This is true unconditional love.
“I love you J”
“I love you more.”
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‘I can't be who you
want me to be if who that is isn't who I am.
To love me is to accept me.’
- Baggage Reclaim
#jj maybank#outer banks#obx#obxfanfic#jj maybank fanfic#jj maybank fanfiction#jj x reader#jj maybank imagine#jj maybank fluff#jj maybank blurb#jj maybank oneshot#jj maybank angst#angst to fluff#jj maybank x you#jj maybank x reader#jj maybank x fem!reader#jj maybank x y/n#obxjj#jj maybank obx#outerbanks fanfiction#outerbanks fanfic#jj maybank concept#rudy pankow#rudy pankow fanfic
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