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gb-patch · 3 years ago

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Ask Answers: June 6th, 2021

I’m back with more ask responses! You can also check our Frequently Asked Question sheet if there’s something you’re wondering that’s not answered here.

FAQ �� Also, if you prefer to just see the main posts without all the asks/reblogs, feel free to follow our side account instead: GB Patch Updates Blog

Thank you for the patience with these questions ♡

Hey in very beginning of step 3 in the scene where Mr.Holden had a thought dancing on the tip of his tongue but he kept it to himself after MC and Cove were being cute (idk if it makes a difference but this is when they're dating)... Can we know what he was thinking/ wanted to say? It's been bugging me lol

He would’ve gone into a “look how much you’ve grown”, “your dad is so proud of you”, “I’m so glad things worked out with the MC”, and etc spiel, haha. But he resisted the urge to fawn on his baby boy, at least for that scene.

If we planned to move away for college/future plans in step 3, is it implied that MC and Cove would have a long distance relationship for sure? Could MC have convinced Cove to come with them? How is the dynamic of their relationship going to be addressed in Step 4, if that makes sense?

Cove is willing to follow the MC where they went after everything is settled for them there, and if they’re sure they want him to come! You’ll get to decide how things shook out during those transitional years just by making choices about it during the opening prologue of Step 4.

Hi! First off, how does it feel to have created one of the best games when it comes to inclusion for lbtq+ peeps? I've never felt as validated with my identity and sexuality when playing a game and I'm seemingly not alone ♥ Second, and this might be a little too specific, but what kinds of drinks does Cove like as well as dislike? Thank you, you're the best ♥

Thank you for very much! It’s really nice to hear the game felt inclusive. Cove likes regular water and fruit juices/smoothies most! He dislikes coffee and cola, and he’s not super into most teas either.

Hi, may i ask what gb patch stands for? Specifically the gb part lol

It stands for my old, silly username I used in places like Neopets as a kid, aha. The company name wasn’t super thought out since it was originally just me making VNs as a hobby. Luckily, “GB Patch” kind of seems like it could mean something reasonable, so I didn’t have to rebrand when it did become a more serious, commercial group.

If we chose to not propose to cove in the step 3 dlc would he propose or would the mc propose in step 4 or the wedding dlc?

Yeah, you or Cove can propose in Step 4 if you’re not already engaged! The Wedding DLC takes place after the engagement so the proposal scenes aren’t there.

will you guys announce if the early access for the new game is out on patreon ?

When beta builds of Step 4 or whatever start coming out on the Patreon we will mention it here on social media too.

Heyy I just had a quick question about Baxter if that’s okay :)?

I saw in an ask+answer that it’s possible to casually date Baxter In step 3, but what leads up to that? I have the step 3 dlc and I’ve tried playing them In a different orders and ways but it doesn’t seem to get anywhere ^^;

The Step 3 DLC is Cove-based because he’s the default guy. There’s a separate Baxter romance DLC that’s not out yet. That’s where you can get him to date you. I’m sorry for the confusion!

Will we ever get any LI's or side characters with physical disabilities or deformities? I think your games would be a great place to have them in since they're always so accepting and safe!

Yeah, we do hope to have representation for that in future projects ^^. Thank you for the confidence in us.

Is it possible to get Cove to take the bed and MC to sleep on the floor?

Not in Step 3, I’m afraid.

So, I have played the prologue of Our Life countless times and I haven't gotten the [Your Life] achievement, why is that?

Steam sometimes isn’t connected properly when an achievement unlocks and so it remains locked on your account. If that happens, unfortunately getting the scene again won’t unlock it. The achievement becomes inaccessible because the game thinks you already have it. Playing with the same Steam account on a different device or fully deleting your game data (more than the only the save files) are the only work arounds we’ve found.

Since when you talk with Jeremy in step 3 it's mentioned he goes on dates with someone (which assume is JB because who else would take this boy on dates) that makes him happy, does that sort of make JB and Jeremy the canon relationship in the first game?

The default for XOXO Droplets is that JB casually goes on dates with each of the jerks! Shiloh would’ve been harsher if Jeremy was the only guy getting her attention, haha. But the player can change that default by dating just one person the whole game for their own story and who she ends up with for real has no default.

Hi, hello! Huge OL fan, thank you so much for the wholesome content, it was very much needed during these times. Managed to get several people to join team Cove, so that's very exciting, I always have people to fawn over him with. I have a little question and I'm sorry if it was asked before, but does it ever come up in the game what Cove has told his mom about us? (who knows, with so many options, one can miss it) Or, alternatively, will it come up in the Step 4 DLC?

Thank you very much for sharing the game with people <3. It’s really great to hear people are liking it. Right now that doesn’t come up in game. Kyra is willing to keep her mouth shut and Cove isn’t gonna have that conversation either. At least not when he’s younger, but yes, perhaps when he’s a fully grown big boy in Step 4 you can ask him about it.

I’ve been thinking about this ever since it has been confirmed that there would be two love interests for OL2, would there be the possibility of forming a polyamorous relationship with both love interests? I’m sorry if you answered this previously, I’m just curious.

We are considering it, but it’s not a guarantee yet. It’d be really great to have but it’d add so many extra alterations that’d need to made, aha.

Hello! You mentioned how Cove would be uncomfortable with kids at 23, but how old would he be when he’s comfortable with having/adopting kids? (Same goes for the other LI’s.) btw, love your game!!

He’d want to be at least 25, but even older would be good. Derek would want to have kids when he and his partner could reasonably support them, the age itself wouldn’t matter. If they were doing good at 22 and wanted kids, he’d be up for it. Or they could wait until their 30s or whatever. Baxter is also more of a “when it feels right” guy rather than having a specific age requirement. Cove is just especially wary of being a young parent because of his own parents. I’m happy you like the game!

does step 4 immediately play after you press "end summer" in step 3? or is there another button/transition (like the story text thingy) before the epilogue begins? what happens after the epilogue? roll credits? 😂

Step 4 will have transition section always and there will be an extra button, if you own the Derek or Baxter DLC. By default the Cove-based version of Step 4 just plays once Step 3 is over. However, having the other guys’ storylines will mean you get to pick which version of Step 4 plays; Cove Step 4 (the basic one), Derek Step 4, or Baxter Step 4.

Happy pride, thank you for all you do for us🥰

I have a quick question though, I recently got a MacBook after my old windows computer broke, and now steam says I cannot download it, but it has no issues with other games, what can I do to download it?? I’m sorry if my English is bad

Happy pride month! Unfortunately, Our Life isn’t available for Mac on Steam right now. To be an approval application Apple requires having special notarization and we as a small group haven’t gotten that. Itch doesn’t care and lets us release the game for Mac there anyway, Steam does care so we’re locked out of putting the Mac build up on their storefront. Feel free to email us and we can try to help the situation out further!

[email protected]

Hello! I was jus wondering if the Baxter and Derek DLCs are still happening? I haven’t heard anything about them on here or patreon in a while so I just wanted to make sure ^^

They’re still coming and we just released a new sprite sketch on the Patreon for the Derek DLC c:. But right now Step 4 is still much more of a priority. Once that’s closer to being done we’ll focus way more on sharing previews for the other guys.

is it possible to tell cove you love him (platonically) at step 3 fondness/selecting him as basically family? i just love the mc and liz sibling interactions and it got me wondering about it (especially if you've selected that option)

You and Cove can be as close as family, but there’s not a specific scene in Step 3 where you say “I love you” in a family context. But there’s always Step 4~

do you intend on ever adding a collectors mode to Our Life? Like a way to collect achievements and CGs for the gallery without it effecting any save files?

We weren’t considering it before. But if a lot of players would find that helpful, we could start thinking on that!

Sorry if it's a silly question haha, but (in crush/love) is Cove really aware of how cute and cuddly he seems to MC? If so, what does he think or do about it? Or does he just ignore it?

He isn’t particular aware. Cove never truly stops being surprised that the MC is interested in/attracted to him, haha.

Would you say that the alone ending of xoxo droplets is worth playing again to get?

Nope, haha. The goal is to make friends/get a boyfriend and so the alone ending is kind of the bad ending for the game. Though there is a consolation prize if you get it by accident.

Is there any possible situation which would ever prompt Pran to bake for his girlfriend? Like I know it's unlikely I mean even if JB broke her leg somehow I'm pretty sure he'd still be like "I considered baking you a cake and doing the frosting the way I think looks interesting but you don't deserve a cake, no one does." right but also ahhh it would be super nice if some day he just surprised her with baked goods one day out of nowhere. JB would be so shocked it would be cute. So is there any possible situation where that could/would be a thing that he would do?

He might bake out of spite, like if he felt he had to prove her wrong on something. Or if JB used some good reverse psychology on him. Or he might do it in a relatively nice way if he could make his GF so shocked by the kind gesture that his amusement with that overrode his insistence on not being sweet. Pran is very difficult in high school, aha.

Is the "one route (where) it can be seen that Everett will drop his seemingly eternal waging with Jeremy pretty easily and can start getting along without thinking much on it" the Lucas route? I'm curious!

Yep! Everett will side with Jeremy if it’s between him and Lucas.

Hi I hope you guys are having a great day :) I just had to ask how Cliff would feel about Cove's partner/fiancé Mc calling them dad whether it be accidental or otherwise and secondly I also wanted to ask how he would feel about being asked to be the one to give the mc away at their wedding.

He would be very touched and excited! I hope you have a good day too :D

Hello! I saw an ask relating to whether Cliff "moves on" after Cove's grown up and stuff (and he stays single), but what about Kyra? Will she be with anyone else or will she stay single?

She does start dating again, but she takes it slow.

Hi! I absolutely love the art for characters in OL and I wonder is this fine to draw my MC in same drawing style and upload online later? Is this something artists would be okay with? Thank you!

Yeah, you can certainly do that C:

Hey there!

I wonder if I'm just being stupid here.. Is Step 4 a DLC? And if so, where can I find it? I can't seem to find it on Steam :< Thank you!

Step 4 is a free epilogue! It’s not done yet, but once it is finished you’ll just update your game file and Step 4 will be there after Step 3 ends.

hi! are step 4 and the wedding dlc two different things?

They are. Step 4 is a free epilogue that’ll be a default part of the game once it’s done, the wedding DLC is an optional paid expansion that takes place after Step 4.

Why did Baxter not receive a step 2 sprite seeing how he shows up later

Sprites are time consuming to draw and take money out of the budget that could’ve gone to other things. His tiny appearance in Step 2 wasn’t worth all the effort to make a sprite, aha.

I just realized, what happens if if you get the patreon exclusive moment but at a later date, when you don't have the membership anymore, it's updated (like a bugs fix update for example)? Would you have to get the membership again?

You would have to get the membership again to redownload the build. But there’s very little chance there’s going to be an update once it’s been out for over a month. If a build gets released with errors, players catch/report them within the first few days. So by the time the first subscription period ends, any problems that were noticeable would already have been fixed. And we’re certainly not gonna be adding new content to it once it’s been released for a long time. There’s no need to worry about missing out on something worthwhile in the future if you cancel your membership. It’s being made with the idea in mind that many players are gonna be getting it and then going.

Hello! Wanted to ask about gaming choice in step 3? Once upon a playthorugh I got the option to buy Cove a bracelet for his graduation present. I played the same basic character again and that option wasn't there anymore. I'm not sure where I went wrong. My Cove wears a bracelet on each hand and my MC is into fashion and jewelry. Do I need to put an earring on him or? Sorry, love your game so much.

He also needs to have liked bracelets in Step 2 for that to be considered a good gift option for him. Sorry for the confusion! I’m happy you love the game :)

Is Step 4 being released at the same time as the Wedding DLC or will the first come before the latter? Thank you!

I’m not sure. Ideally they’ll come out at the same time, but the wedding DLC has a lot of art to get done and we may have to release it after Step 4.

Can mc still get confession from Cove at the end of step 3 even if mc casually dates Baxter in step 3? Such as in crush mode?

I don’t think so. Maybe that’ll change, but generally there’s differences to the Step 3 ending if you were dating Baxter and those differences likely will conflict with getting the Cove confession.

For the patreon moments/dlcs, will it be available for all tiers?

It’ll be available for tier 2 (Fans) and up!

#our life #xoxo droplets #gb patch #ask #gb patch games #Our Life Beginnings & Always

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aquagirl1978 · 3 years ago

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Join @aliboo, @aquagirl1978 and @violettduchess this week as they discuss their thoughts and opinions on Antares Season 1 Episodes 4-6.

#1 - Favorite line in set

aliboo: "My name from his mouth is a weapon and it's leveled at my throat." Good metaphor. Nicely done!

aqua: "I clicked my heels together three times and wished on a star to personally inconvenience you as much as I possibly could." I love all of her comebacks, but this is perhaps her best one so far.

violet: The "Fake it til you make it -- or die trying." line was brilliant.

#2 - Favorite scene/moment

aliboo: I think the last scene is my favourite, but I'm gonna use that as 'Most OMG Scene' so a shout to a few other fav moments: Keda: "Have you considered just asking the man out for a drink?" / MC eavesdropping on Antares accounts of their previous run ins / MC imagining what it would like to be in Antares' power - in fact the entire interrogation scene. This is just one of those routes where there's no filler so it's really hard to pick out fav moments.

aqua: There is a short bit (maybe like 3 or 4 screenshots) where MC thinks about being in Antares' power. Just...wow. I think my head went somewhere else during that part. A very small, miniscule glimpse into what the future holds for these two.

violet: The scene where she is in the closet watching him. It was done so well that you were holding your breath along with MC.

#3 - Did you buy hearts? Which scene(s)? Worth it?

aliboo: I bought all the hearts scenes and they were all worth it. I don't expect my answer to be any different next week or the week after. His route is SO GOOD it is worth using hearts for the extra content.

aqua: I purchased all of them, and all are so worth it. The heart scenes are a decent length, and I don't ever feel like any of them have been filler.

violet: I got them all and they were all really great. I think my favorite was in episode 6

#4 - Standout character

aliboo: Antares' magnificent face making its first full appearance. Outstanding.

aqua: Antares - and I'm sure this will be my answer each week. He has such a presence, that even with MC dominating much of the screen time, you can't help but focus on him. And those intense blue eyes.

violet: MC really stood out to me this time. She is so intelligent and fearless and tough in the face of all the challenges she faced this time around.

#5 - Thoughts on the CG?

aliboo: I do like it a lot though I think his face is more magnificent than they've managed to capture this time. I'll put that down to his brooding look.

aqua: I was a bit surprised when I saw the cg preview and saw him without his helmet so soon. But the scene leading up to the cg was executed beautifully. And now I too want to know - who is the man behind the mask?

violet: Beautiful concept. I am not entirely sold on the execution of his face but the rest of it is lovely.

#6 - Fave screenshot

aliboo: (for obvious reasons, and the line did make me chuckle)

aqua: Finally revealing his face (even tho I think we all knew what he looked like) and comparing him to royalty.

violet: Mini CG!

#7 - Secondary character shining moment.

aliboo: Oh MC had a ton of shining moments this week. She's so fearless with her snark but her inner monologue moments are hilarious too. "What cosmic force did I personally offend to deserve having Antares Fairchild put into my way, looking like that?!"

aqua: Antares' helmet...for finally removing itself and showing the world the beautiful face that hid behind it.

violet: Keda really comes through for MC. She's so resourceful!! I like their friendship. She's someone MC can count on

#8 - Thought on the villain.

aliboo: No villain. Not yet.

aqua: Nope, no villain yet. Union, perhaps?

violet: What villain? So far we don't really have one...although the Union is shaping up to be a common enemy.

#9 - Most OMG scene?

aliboo: The last scene with MC hiding in the closet in ANTARES BEDROOM. Of all the hideouts she could have picked! The conflicting feelings of 'Oh Shit I am going to be caught' and 'Hey nice view'

aqua: Hiding in the closet and watching Antares get undressed. Need I say more?

violet: The interrogation. When he placed his hands on that chair and got so close..... whew

#10 - Any predictions for next week?

aliboo: We're going to see Omia next week, which is described as being full of luxuries for the ultra-rich and influential. Or a "A world of wasteful excess" as Antares' puts it. Although MC and Antares' are working together 'temporarily', I get the feeling they are gonna be forced into a situation where they have to work together A LOT MORE CLOSELY.

aqua: We will land on Omia...and maybe there will be a betrayal, like the one at the end of episode 3? Please let MC cause some shenanigans.

violet: Hopefully MC makes it to Omia in one piece and we will get to see how she and Antares continue their dance planetside.

#route reviews #lovestruck #starship promise #antares fairchild #click to animate #antares x alien!mc #antares x sp alien mc

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recentanimenews · 4 years ago

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SPOILER-FILLED REVIEW: Talking About That Evangelion 3.0+1.0 Ending

A note on safety: The following movie review undertook the strictest of safety procedures to watch the anime film in cinemas in Japan, including washing hands with disinfectant before and after, sitting in seats apart from others, going to a cinema outside of the busy metro area, and wearing a mask during the entire runtime of the movie. We strongly urge everyone to follow the recommended safety protocol in your country and always wear a mask when in public — not just for your sake, but everyone else’s as well.

For those who are outside of Japan and want to know how the latest (and final) Evangelion film stacks up, we have already published our completely spoiler-free review. For those that want to know more, please read on.

After the airing of the NHK documentary which followed Hideaki Anno and the four-year production of Evangelion: 3.0+1.0 Thrice Upon a Time, the unofficial “spoiler ban” was lifted by Studio Khara on March 22. This means, as much as Khara is concerned, we are free to discuss anything and everything Evangelion: 3.0+1.0, like how [omitted for spoilers] kills [spoilers] and LCL [spoilers].

Seriously though, if you don’t want to read any spoilers for Evangelion: 3.0+1.0, then leave. Immediately. Close the tab, don’t scroll down.

This is a warning.

I’m not kidding.

I’m putting an image here as a buffer. It's sweet right?

If you scroll past the next image you will be spoiled for everything in the film. This is your last warning.

"Asuka" as a kid

Welcome to Evangelion: 3.0+1.0 Thrice Upon a Time where I may have lied in my previous review, cause things go tumbling down — but in a good way. You’ll have to forgive me if I don’t recall the exact right terminology here on out: between the Doors of Guf, the hundreds of Evangelion models and ships we see, and that ending, it’s hard to keep it all in one head. That’s why this film has four directors.

If you’re already here, you’ve probably read the synopsis going around the internet right now. Yes, it explains what happens on screen, but experiencing it is a different story. Evangelion 3.0+1.0 takes a lot of cues from The End of Evangelion in its final act, but prior to that it is mostly a story of growth for Shinji, where he rejects being depressed (after a heart to heart with black-suit Rei, who then turns into LCL), learns that things aren’t 100% his fault. Shinji goes on to tackle his source of depression head-on; owning up to his past mistakes and taking down his father, who is now literally just a vessel of his own desires.

Unholy Gendo

Something truly missing from Evangelion 3.0, and one of the reasons I loved Evangelion 2.22, was just the gang hanging out together and interacting with the — very scarred — world around them. That scar has vastly grown throughout the 14 years Shinji was missing from the actual 3rd impact (the one at the end of 2.22 was a “near-impact event”) which saw the world covered in the red haze we saw in 3.0. Luckily, WILLE has purification pods that keep the core-ification of the world at bay. We saw that being used in the 12-minute preview, but throughout the film, they’re used extensively to keep the Evangelion wandering the landscapes on the red earth away from the villages that are helping the WILLE cause. They need to get food from somewhere.

This is where we spend a lot of time learning how the characters from Shinji’s class all survived, got paired off, and that Asuka is staying (and is probably in love) with Kensuke. She confesses to Shinji that she loved him when they were kids, but 28-year-old Asuka can’t keep loving someone who hasn’t changed in 14 years. Shinji does accept the confession, saying to her that he loved her too, and she turns into LCL — though that’s in the Anti-Universe and after Asuka meets the “original” Asuka (I’ll get into that). As I said, it’s The End of Evangelion 2.0.

Rei discovering herself in the village

One of the nicest parts of the film is black-suit Rei discovering human emotion and society in the village. Being a clone that likely spent all of her time locked in her room (and without the love of the now inhuman Gendo, which original Rei got), it was unlikely that she learned anything that makes humans human. The concept of “hello” and babies from Toji and Hikari confuses her as she finds a place herself in this village. Admittedly, it was sad to see her go and turn into LCL (from a lack of LCL exposure), but serving as the catalyst for Shinji to get over himself and face his demons was worth it … I guess?

After this, Shinji grows up. Even Mari on a re-introductory sniff claims as much. During his time in the village, he discovers how the settlement stays afloat and that the 14-year-old son of Misato and Kaji (the latter perished in the real 3rd impact) helps keep the village alive. A picture of Shinji and Kaji Jr. helps warm Misato’s chilled heart and gives her the confidence to let Shinji pilot Unit 01 again, much to the disdain of multiple members of the WILLE crew.

All of this is nice. Unlike the despair and hopelessness felt in 3.0, the entire first three parts of the film are uplifting and bring moments of joy. Seeing black-suit Rei smile as she came to terms with herself was just utterly beautiful.

Then Shinji decides to get in the robot.

This is where I’m going to get into the Hideaki Anno talk, because this film, as well as the rest of the anime versions of the Evangelion franchise up to this point, is basically just a self-examination of the man’s mental state. In the spoiler-free review, I called Evangelion: 3.0+1.0 the antithesis of Evangelion: 3.0. And that’s true, but it is also an antithesis to The End of Evangelion: A rejection of the depression Anno felt while creating the 20-plus-year-old film. There’s no doubt in my mind that the journey of Shinji through these Rebuild films is the journey of Anno creating Evangelion, with 3.0 being the lowest point.

But this isn’t just felt in the story of 3.0+1.0, it’s also felt in the way it was presented. The entire final act of the film is basically a happier version of the “tumbling down” scene from The End of Evangelion, just with some more interesting aspects to it along with some inventive filmmaking — including making Lillith’s face live-action. That was haunting.

This includes the above scene, which got a lot of flak on social media for being very poorly animated when it appeared in a trailer. Even I was confused over the inclusion of such poor animation in what is one of the most hyped anime films of all time. Funnily enough, it was Anno trolling. The scene comes from the ending, where the two Eva’s fight through the history of Evangelion, with this scene either representing a testing stage for CGI or one of the many Evangelion video games. The poor animation makes sense in the film … mostly.

Over multiple film-like sets, the two Evangelions duke it out — one with Shinji, the other Gendo — over their ideals. This takes them to Misato’s apartment, the school, and even where Pen-Pen (or his offspring, I don’t know how long Penguins live) resides in 3.0+1.0. Before cutting to each of the different scenes, an Eva smashes through the set wall and onto a production stage.

I also said in the spoiler-free review that Anno “takes everything he knows about animation and filmmaking to deliver the perfect end to Evangelion,” and it shows when you see the (animated) production stage filled with props, miniature cities, and controls that you’d probably see on a production stage for a live-action Evangelion. Again though, this part is animated.

Mari at the End

The surrealness doesn’t end here. When Shinji “wins” and chooses to reset the world without Evangelion, the animation breaks. Shinji devolves into key animation, then layouts, then into a storyboard, which is then broken by Mari bringing color back into Shinji’s world on that beach. No “how disgusting” here, only happiness.

The film ends with an adult Mari and an adult Shinji at Ube Station. As the music of Hikaru Utada’s “One Last Kiss” swelled up through the speakers, the animated backgrounds slowly transitioned into a live-action drone shot of the area surrounding the hometown of Hideaki Anno.

A poster for Evangelion: 3.0+1.0 showing Shinji on the tracks outside Ube Station, which I discussed when the poster was first released.

This is how I know Hideaki Anno is done with Evangelion. While yes, he has said he is done and feels no personal connection to the franchise anymore, the end of the film is a deeply personal one that clearly shows the anime creator cares about his creation and is now happy enough to see leave home and become its own thing — if anyone else chooses to pick it up.

Shin Evangelion (the Japanese name for the film) is the true form of Evangelion that Anno set out to create over 25 years ago. While it wouldn’t have looked anything like it does now, the emotion poured into one of the longest animated films ever made makes that point as clear as the bright blue sea.

Some other various interesting spoiler points:

I’m not sure if character designer Yoshiyuki Sadamoto was lying about him not knowing Mari’s story and just making that one-shot chapter of the Evangelion manga on a whim or whether Anno took what Sadamoto wrote and expanded on it, cause Mari was right there in school with Gendo and Yui exactly as the chapter laid it out. Unless she’s also a clone...

There’s a really good shot of CG Asuka trying to force-feed Shinji, which was a direct evolution from this test footage back in 2018.

On the topic of Asuka, she had a small version of a purification pod in her eye that, when opened, unleashed an angel, and in turn let her meet her “original.” It’s not explained whether the original is Langley Soryu from the TV anime series or not.

Also, she’s a clone, like Rei and Kaworu as part of the “Shikinami” series. Interestingly, Mari Makinami also has “nami” in her name...

Ritsuko did nothing but shoot Gendo, mimicking the scene from The End of Evangelion. The shot was as useless as her character arc in the Rebuild films.

This film has to be set in at least the third continuity of Evangelion, as the TV series is directly referenced in the production stage and thrice does mean three...

Sakura is one of the most grounded characters in the film, with her asking the true question of “why the heck are you letting him in ANOTHER Evangelion?!” Let’s hope the live-action world she is now in is good to her.

Evangelion: 3.0+1.0 Thrice Upon a Time is currently showing in theaters across Japan, there’s no word on an international release at this stage.

Daryl Harding is a Japan Correspondent for Crunchyroll News. He also runs a YouTube channel about Japan stuff called TheDoctorDazza, tweets at @DoctorDazza, and posts photos of his travels on Instagram.

Do you love writing? Do you love anime? If you have an idea for a features story, pitch it to Crunchyroll Features.

By: Daryl Harding

#Anime #News #Latest in Anime News by Crunchyroll!

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voltage-vixen · 4 years ago

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Are any of the newer forgotten titles worth the coins? Some of them are tempting but have reviews that are hit or miss.

Hey there!

I’m assuming you are referring to the titles that were already in the JP app but more recently translated for our app? Working off of that assumption, my short answer is that overall I’ve enjoyed reading a majority of them!

(There will be some spoilers mentioned below the cut, so please proceed at your own caution.)

Exclusively Yours: An Office Affair

Arata & Taizo

I actually ended up really enjoying both of their stories a lot more than I thought I would! You sent in this ask before I had read Taizo, but he was such a sweetheart! Arata was a fun read as well.

The basis for their stories is that the MC is posing in as an executive assistant for her twin sister. This title is nice if you’re looking for something that’s not as heavy in the drama department, but still provided enough plot to keep the story moving and for the read to be an enjoyable one.

Forget Me Not, My Love

Sohei

I’ve only read Sohei’s stories from this title, but oh my goodness, do I adore him! However, I do need to mention that his Main Story felt a bit incomplete at times. His story starts off very strong and promising, but towards the end there seem to be a few parts of the plot that they fail to share a resolution for, or they’re never mentioned again. In fairness, his PoV story does an exceptional job of putting together the missing pieces, but I would strongly recommend you plan on reading the PoV in addition to his Main Story in order to get the full picture. Overall, I actually ended up really liking him, and his other stories are too precious for words!

My Lady Juliet

Keiji

I LOVE HIM! I’ll admit I’m a sucker for the childhood friend to lover trope, but I really love his character to the point where I ended up buying his icon in the app. If you’re looking for a playful character that teases the MC, yet always is watching over them, then he’s a great contender!

This is only a personal quip, but his Main Story was a tad difficult for me to continue on with at first because the MC did go along with the whims of her parents a bit too much for my taste. However, she does eventually overcome that and her and Keiji end up being such a good pairing together and the MC’s dad does end up redeeming himself. His epilogue is very cute as well.

Haruto

I liked him and his personality. He’s very open and teases the MC a lot. However, I can’t recall much about his Main Story since it didn’t feel as exciting to me? I’m not sure how to explain it. It was a decent read, but probably not one I’m racing back to reread anytime soon.

Wanted: Romance Renegades:

Mikiya

*Trigger warning mentioned below*

Where to start with this one? I guess for starters, Mikiya himself as a character was not the issue I took with his Main Story. He is sweet and kind, and also must have the patience of a saint to put up with the MC for as long as he did. Seriously, this MC easily made my personal list of Kristen’s Top 5 Worst MCs, to the point where had I been Mikiya I would have let the authorities taken her away so I didn’t have to deal with her anymore. 😅

(TW) There also is a scene where the MC does try to walk into the ocean and Mikiya stops her. If that type of situation is something you may find triggering, it would probably be best to avoid this one then.

I can’t tell you if the MC ended up getting any better, since I was so turned off I couldn’t even continue on with his other stories. (And believe me as a story completionism that kills me, which should tell you how strongly I felt about it.)

Keigo

GIVE ME MORE KEIGO!!!! I had almost given up on this title after the less than ideal opening with Mikiya, but I’m so happy I didn’t because of this man right here! The MC actually has a brain in this story, and I felt like her and Keigo were a partnership during the story, rather than she needed to rely on him for saving. Keigo is also a sweetie in all of his stories, and I love his cgs! He’s especially precious in his Epilogue story, so don’t sleep on him, all!

Codename: Cupid

I’m not the best person to talk about this title. For the life of me, I could not get into it. The prologue didn’t do much to snag my attention, and neither did any of the preview chapters from the Main Stories themselves. This is likely a me thing though, because I’ve heard some decent things about it.

I believe this is all of them, and I hope this breakdown helps you out a bit! If you do end up giving any of them a try, let me know which one(s) you end up reading!

Thanks for the ask! 💞

#ask vv #exclusively yours: an office affair #my lady juliet #forget me not my love #wanted: romance renegades #voltage inc #spoilers

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inknerdblog · 4 years ago

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Is Spinel 4 Dimensional?

https://my-little-universe.fandom.com/wiki/Spinel

Finally, after hours of research, analysis, and a ridiculous amount of editing all with only 5 hours of sleep I have completed my masterpiece! The idea I found in the two previous posts was interesting, to say the least. So, I just had to run this idea into the ground with the power of the Internet!

WARNING: EXTREMELY NERDY CONTENT BELOW

Side effects of content consumption may include second-hand knowledge on physics and geometry, rant-induced headaches, accidental consumption of glorified nerd spaghetti, and unintentional theory crafting.

READER’S DISCRETION IS ADVISED.

Definition of 4th Dimension:

Before determining if Spinel is 4 dimensional, we need to define the 4th dimension. From a math perspective, it’s just another coordinate. Just like the x-, y-, and z-coordinates or length, height, and width on a 3-dimensional coordinate plane, adding a fourth coordinate gives you a fourth dimension to move along.

Of course, that doesn’t exactly explain what the 4th-dimension IS. In simplest terms, a 4D shape is just a bunch of 3D shapes fused together (which is very fitting for Steven Universe). Take a cube for example.

https://www.transparentpng.com/cats/lines-1247.html (edited)

A 1-dimensional cube is just a line.

https://www.vexels.com/png-svg/preview/139342/basic-square-outline (edited)

Fuse 4 lines and you make a 2D cube or a square.

https://www.vexels.com/png-svg/preview/155839/stroke-cube-icon (edited)

Fuse 6 squares and you make a 3D cube which is obviously just a cube.

http://centerofmathematics.blogspot.com/2015/03/throwback-fact-magic-squares.html (edited)

By this logic, a 4D cube, known a tesseract, is a fusion of 8 cubes. These are many ways to draw a tesseract including a view from one of its axes like seen above.

A full view of a tesseract can be very hard to see in a diagram. A fusion of 8 cubes means there are...a square has 4 lines...multiply by 6 squares per cube...times 8 cubes per tesseract… THAT’S LIKE ALMOST 200 LINES (192 to be exact). Luckily there’s a way to kind of see what a 4D cube would look like.

https://www.pitt.edu/~jdnorton/teaching/HPS_0410/chapters/four_dimensions/index.html (edited)

You essentially just have to cross your eyes to “fuse” these figures together. If you have trouble, just try to look slightly over it.

Another way to interpret the tesseract is with a “beach ball” cube.

https://researchblog.duke.edu/2017/04/26/visualizing-the-fourth-dimension/

This is just a cube that has been printed along the sides of a sphere to give it a bloated appearance.

https://researchblog.duke.edu/2017/04/26/visualizing-the-fourth-dimension/

When shining a light on its north pole, the cube creates a 2D plane.

https://researchblog.duke.edu/2017/04/26/visualizing-the-fourth-dimension/

This can then be converted into a 3D object and connected with circular faces.

4 Dimensional Being Abilities:

The easiest way to explain the abilities of a being that is 4-dimensional is to consider how a 2-dimensional being would interpret us as 3-dimensional beings. In a 2-dimensional world, 3D beings would only be cross-sections. This would make us appear to only be blobs of shapes floating in mid-air.

https://store.steampowered.com/app/619210/4D_Toys/

Moving into the 3rd dimension (i.e. a different z-coordinate than the one the 2D world is in) would make us “disappear.”

With this in mind, a 4D being would essentially be extremely powerful. They would be able to see everything in the 3rd dimension at once. They could “disappear” by moving into the 4th dimension. Heck, they could remove your heart without cutting you open, much like a 3D being could remove a dot from a circle without cutting it.

So Could Spinel Be 4-Dimensional?

Short answer: no. With what we’ve seen from the Movie and Future, Spinel could not be 4-dimensional.

Spinel would be super OP. She would have no problem defeating all the Diamonds AT ONCE let alone Steven without any of his powers except the power to stick to smooth surfaces, apparently...

https://makutas-chronicle.tumblr.com/post/187538461056/spinel-garnet-and-true-kinda-love (You should check out this post. It brings up some really good points about the song “True Kind of Love”.)

Her whole reason for attacking Earth would be completely pointless! As a 4D being, she would have SEEN what happened to Pink Diamond and left the Garden before the show even started.

Even if gems had the technology and the massive amount of resources to create a being beyond their comprehension, what would be the point? Spinel was only meant to be a playmate. If they wanted Spinel to also have surveillance on Pink that could MAYBE justify creating a gem as complex as her. However, that still gives Spinel enough power to overthrow the Diamond Authority BY HERSELF.

The only way the events of the movie could take place AND Spinel could be this powerful is if she spent her time in the Garden suppressing her ability to avoid peaking while playing the “game” with Pink.

https://www.youtube.com/watch?v=GBTN4ewBPQc

Maybe after thousands of years of suppressing her power, she lost the ability to use it? But then how did she get the Injector if not by walking into the 4th dimension? When she reset, wouldn’t she regain the ability without the memory of suppressing it? Wouldn’t she constantly morph and contort whenever she moved as her ability becomes goes haywire!?

https://www.youtube.com/watch?v=dyhqb1ciB2s

I think it’s more likely that she can only infer the 4th dimension. Kind of like how we infer the 3rd dimension.

Yeah, apparently humans can’t actually see into the 3rd dimension. We only see the 2nd projections of 3D shapes and use light, shadows, and our position relative to objects around us to interpret depth.

https://researchblog.duke.edu/2017/04/26/visualizing-the-fourth-dimension/

Maybe Spinel just has advanced retinas. Maybe she can see into the 3rd dimension and infer the 4th.

https://researchblog.duke.edu/2017/04/26/visualizing-the-fourth-dimension/

Yes, she wouldn’t be able to flatten her gem or be the next dictator of all gem-kind, but it could explain what we see her do. She could walk around without half her head being gone one second and her leg the next. She could have seen where the Injector and the Rejuvenator were through the 4th dimension. She maybe could have even navigated into the 4th dimension with her advanced vision and some effort.

The only thing this theory can’t explain is where that Rejuvenator came from and why it was so close to the Garden...Did Pink have a backup plan in case Spinel tried to follow her!?

https://vocal.media/geeks/everything-you-need-to-know-for-steven-universe-the-movie-part-2

And that’s it! If you made it this far, you’re just as hopelessly nerdy as I am! Only you didn’t spend hours of your life writing a 10-page paper on whether a fictional character could take over the universe...

Special thanks to a-second-chance-su-au for inspiration. I never would have made this nerd spaghetti if you hadn’t handed me the ingredients! Check them out if you like SU AUs featuring CG Spinel.

Do you have any suggestions? Criticisms? Ideas you want me to obsess over explore? Did I miss something? Do you have a counter-theory? Then just send in an ask! I’ll try my best to respond. Have a nice day and drink your energy beans!

References (Order of Appearance I think... I may have messed up the order):

http://eusebeia.dyndns.org/4d/vis/01-intro (Humans Only See in 2D)

https://plus.maths.org/content/richard-elwes (4D math perspective)

https://www.pitt.edu/~jdnorton/teaching/HPS_0410/chapters/four_dimensions/index.html (Shape Fusion)

https://researchblog.duke.edu/2017/04/26/visualizing-the-fourth-dimension/ (“Beach Ball” Tesseract)

http://sprott.physics.wisc.edu/pickover/fourth.html (3D Beings to 2D Beings = 4D Beings to 3D Beings)

#nerd post #spinel #steven universe #physics #geometry #4th dimension #can you tell spinel is my favorite gem...#SHE'S JUST SO CUTE #this post is really long...#i may have exaggerated the length a bit...#without the images it's only like 4 pages long #i still worked hard on it though!#this theory only continues to cement my hate for pink diamond #she was extremely selfish #even as rose quartz #ok imma go now #i need to hibernate...

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wingedweasel · 4 years ago

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My thoughts on Disney Remakes

Get ready for a loooooooooong post. Sorry.

So let me start by saying I don’t have Disney+ and haven’t seen Mulan yet, so I’m only going off of what I’ve seen in trailers and the reviews of other people - both who liked it and those who didn’t. Warning, spoilers if you haven’t seen the animated or remakes of Beauty and the Beast, The Lion King, or Mulan.

My opinion is that it seems like Disney really doesn't understand what to do with these remakes.

With Beauty and the Beast, they tried something different and added/changed some things hoping that it would make the story more enjoyable but kept it generally the same, and people didn't react as positively as Disney wanted. In The Lion King, they went the exact opposite and made it a shot for shot remake, and people still didn't react as positively as Disney was hoping. Now with Mulan, it's a completely different story and people are still not happy with the end product.

I don't think it's an issue with the audience being unsatisfied with everything no matter what. There is a little bit of that, make no mistake. There are people who will be unhappy no matter Disney did. However, I think it's more of an issue of Disney not realizing what people liked about the originals and enhancing that and failing to commit.

Beauty and the Beast tried to be more ‘real’ in bringing in PTDS and references to war, death, illness, and grief over losing a loved one, ramping up the sexism, and making Gaston more of a douche, but I think it would have been a better story if they made it more real/dark. One of the easiest things would be to make Gaston more of a threat and his followers either more blind in worshiping him - more cult like if you will - or having him have to work harder to get them on his side. The animates version had the almost cult like mentality of how the people of the village treated Gaston. If he said jump, they would have started jumping before asking how high. It was easy for him to get blind followers into charging the castle to kill the beast.

In the remake, there were times where, while Gaston was able to talk his way out of a problem, his anger or manipulative actions were kind of just waved away or people were only accepting of him and his desires due to peer pressure - which makes a good foil to the Beast before he was cursed. It could have been something the Beast could have recognized and wanted to changed because he sees that acting this way is really bad, wont get the girl, and doesn’t want to be like Gaston (or making it a teaching moment for Gaston if you want to give the villain a possibility of redemption, either works). Another thing would have been to capitalize on the fact Belle is just as much as an inventor as her father and/or she is secretly the one who makes gadgets the village uses and likes or what her father is going to sell. That way it shows she is smart, resourceful, and would be respected if only she just wasn't a gosh darn woman. At the end, when it’s revealed that Gaston is a bad guy and that Belle is the one who created everything, she would be able to get the respect and acceptance of the village she should have had all along. Instead she gets belittled for being able to read and is a senseless romantic because she like Romeo and Juliet? What? Honestly, I don’t think if she ever returned to the village and tried to encourage and teach the little girl to read again, she would have been just as dismissed as she was at the beginning. Her life wouldn’t have changed in any way if she did go back to her ‘provincial life.’

People know this story, as I said, so changing it up a bit with the background things but still making it about the message of it's the personality that makes a good person and how you overcome people not believing in you the focus would have made it better than just Gaston having PTSD, Belle wants to teach girls to read, and a potentially hidden gay character. In short, they could have made this a completely different movie and I think people would have been happy with that. Instead, they started to make changes, doubled back, and we got some lackluster kinda pro-feminism...thing. Also, get a singer for musicals. The singing wasn’t terrible, but still actual singers should be used in musicals more often.

The Lion King suffered for opposite reasons. It seems as if Disney saw that people didn’t like the changes they made to Beauty and the Beast, and went “Okay, not changes at all!” A shot for shot remake should only be done if you can make it interesting. You get bonus points for getting original actors, settings, and crew. Update the technology and it usually becomes better. This should have been an easy A+ since The Lion King did all this. However, it didn’t because it was too real - in a bad way. I haven’t seen the remake of the Jungle Book, but I have heard good things about it because of the way the characters were designed. They were interesting to look at even if they looked more realistic and not as cartoony as they could have done. The Lion King should have gone this root. The characters here were a bit bland looking. They’re just lions, which cool. They hyper realism of the CG was an interesting thing to do - in theory. The hyperrealism in something like Beowolf made it eye catching and was almost a character itself. In The Lion King, there wasn’t a whole lot of variance between everyone. All the animals all looked the same as one another. Sure in nature animals tend to have little variance within their species, but in movies 0 especially a kid’s movie - characters need to stand out from one another to be easily identifiable. Some of the quirks of the animated version could have been used to do this. Make Simba’s mane more reddish-orange, Scar’s mane should have been black. Some of my favorite characters were the lead hyenas. They all had a unique look - it didn’t hurt that Whoppi Goldberg was Shenzi. Now everyone is the same. Also, the mouth and facial emotes didn’t really work with the hyper realism. If they had made the facial features ‘looser’ and a bit more animated, it would have helped convey the expressions so much more and when they started singing, it would have looked more ‘natural’ for them to be doing so.

Nothing was really changes story-wise; they did add some dialogue and minor things like that, but not a whole lot else. It probably could have gotten away with making more alterations to the story - either by adding scenes or changing backstories or things like that - and people wouldn’t have been as mad as with other movies (as long as the changes made sense and added to the plot and weren’t changes just to be changes).

Now Mulan, on the other hand, seems to be split 50/50 sor far. It’s only been out for a short time, so not a whole bunch of people have seen it - myself included - but looking at reviews, it looks like Disney say the hate The Lion King got for being a shot for shot remake and went, “Fine, we’ll change everything!” And they did. I mean, they kept the general idea of a young woman taking her father’s place in the army to fend off an invading force and she somehow defeats the big bad (I think? I heard something about the Emperor fighting the big bad? I mean, it is Jet Li, so he has to have at least one fight scene, so...). I will say that from the previews that I have seen and all the reviewers agree that the movie is very pretty. It has gorgeous cinematography and the set design looks amazing. There were some other positives that a lot of people toted like even though Mulan has a love interest, it really isn’t that big a thing, and the fight scenes were very well choreographed, and some character interactions that were quite funny - things like that. Important things to be sure, but some of the biggest complaints were that Mulan in the animated version was shown to be resourceful, cunning, and proved that a woman could save the day just a s successfully - if not better - than a man (although why she had a fan when she went back to being a woman, I don’t know, but whatever). In the remake, it seems like strength and fighting prowess is all that is needed to be a hero.

Apparently, Qi is a thing in the movie and if you have more of it, it allows people - men - to be good fighters and do more athletic things better than those without it (I guess?) Women who have it are apparently shunned, which is part of one of the Witch’s backstory. She has Qi and uses it for dark magic...okay? Do some men not use it for evil? Is every woman who has it eventually turn evil? Speaking of the Witch, she is super more powerful than the main baddie. She is physically more powerful, has Qi, uses magic - some of which she uses to shapeshift? Like, why do we need another baddie? She should be the main villain. One reviewer said it would have been a great twist if she was just pretending to be the main guy using her shapeshifting powers and we only find out right at the end. Now that would have been cool. We get a strong female villain who plays off of the gender restrictions of the society and turns everything on its head by going, “I was a woman the whole time! All those things you said a woman couldn’t do, well, I was doing them and you didn’t have any complaints then!” Instead, we get another movie where the villainous woman is second to the villainous man simply because of gender stereotypes. Hell, even if the man was just pretending to be the main baddie and acting as her puppet would have been better.

I guess because she really isn’t the main villain, she gets to have a redemption scene and save the hero, but was that really necessary? Couldn’t she be bad and stay bad until the very end? Why not? Anyway, she sacrifices herself to save Mulan, and it’s supposed to be an emotional scene which causes Mulan to find her inner strength and gives her a power boost to defeat the baddie.

Mulan also doesn’t have a lot of cunning in this remake, apparently. She’s more physical than the animated version, but...wasn’t the point of Mulan to show that you needed more than physicality to save the day? The thing that I’ve seen most people complain about is this. In the animated version, Mulan and the other soldiers are given the task to climb a pole wearing heavy weights (I’ll Make a Man Out of You is one of the best songs ever, fight me). After a montage of her failing physical tasks, she is only able to succeed climbing the pole through her smarts. Not because she suddenly got supper buff and could lift herself up the pole. Yes, she gets physically stronger and becomes the best at everything during the finale of the song, but that just a result of training. You start off really bad and then become good. I believe what made this scene so powerful was that she was held back by the belief that she wasn’t ‘cut out’ for the army. She had to overcome her own mentality before she could start to be a better soldier. She does that by using her brain to find a different way to climb the pole.

In the remake, the task is to climb steps up a mountain carrying buckets of water. It’s not an easy task, as everyone fails, but apparently, she just keeps at it until she is physically strong enough to do it? No more effective way of carrying the buckets than just T-pose while holding them out to the side. Like I said, training makes you stringer. Practice makes you better. This is obvious. You get stronger the longer you work your muscles. There’s nothing special about that. Yes, the men were probably comparatively physically stronger than her, but they all struggled too. What’s the lesson here? Just keep at it and one day you will be big and strong? Okay, cool I guess. That’s something that is helpful, don’t get me wrong. Dedication and hard work are important. Being physically strong is one aspect of being a soldier - especially during the time period the movie is set in, but it’s not the be all end all. That’s what made Mulan stand out: she was at such a disadvantage she had to find a different way of doing things to succeed. Then the training kicked in and she became physically stronger.

It’s also good to note that in the animated version, she never relies on her physical strength to do something. Sure she is super awesome at the end of the training montage, but that’s all we see of her being physical. She uses smarts to defeat the army, the previous method of climbing the pole to get inside the palace, and deception to knock out the guards. No epic parkour, no breaking down walls, just her brain. In the remake, it seems as if strength is the be all end all. Mulan is supposed to be a role model for young girls and an example of why you shouldn’t listen to stereotypes. At least, she is supposed to be. And she is - in the animated version. Here, it seems as if the message is forget about being intelligent. All that really matters is that you be physically strong. I mean, even that hot mess of a movie Hercules taught us that this is wrong. You need more than just muscles to be a hero. Being able to fight isn’t what makes you a hero (it’s certainly part of it, obviously). You need a good heart and a good head, not a six pack.

With all that said, it looks like the Mulan remake suffered from trying to not be Mulan. It went too far in changing things. It added things that it didn’t need to add, and took out things that helped make the animated version well liked. The love story that wasn’t? They took out Shang, but added another love interest? Just keep Shang. Looking back, and even at the time I first saw it, it’s amazing to see the hero is a woman and she doesn’t need to rely on a relationship to reach her goals. The added bonus of having Shang was that he os believed to be the first LGBT Disney character. He respected Ping and thought him a friend before the big reveal and no one can convince me otherwise the looks Shang gave Ping during the training montage and after Ping gives Shang some encouragement right before they march out to the meet the main army are anything other than Shang thinking “Damn, I want some of that.” Add in the fact that he starts to act all flustered when he returned the helmet just shows that he had feelings for Ping, but now that Ping is actually a girl he can act on those feelings (this is both Ancient China we are talking about, not 2020...where being LGBT is still not always accepted...).

Okay, so what does all that mean for the Mulan remake? Beauty and the Beast wasn’t the best because it didn’t go far enough with its changes, The Lion King didn’t have enough changes, and Mulan had too many changes? Not exactly. Mulan, as a story, can work with being completely different from the original animated version. It probably mostly does. It’s more than like going to be a success on Disney+. But if any movie could have been a shot for shot remake, it should have been Mulan. Hell, making it not be a musical and adapting the story to account for that could work. It was the lessons that made the animated version so well liked. Also the humor, Eddie Murphy makes a great side kick. You have the yearning for ‘more’ and the feeling of not fitting in that Beauty and the Beast has combined with the self-doubt and acceptance despite origins of The Lion King. You have a kickass female hero who breaks all the gender rules of her society and saves the day by using her brain and not a sword. No magic to save the day - the ancestor spirts being the only mystical thing about the movie. Mushu isn’t overtly magical and he doesn’t really help do anything except be a convenient Zippo light two times in the movie - it could be argued that he, and magic in general, is a source of conflict since the other spirits all want to bring Mulan home. Also no stupidly forced romance subplot - or worse a love triangle. The remake just doesn’t have any of that, really. It’s basically just another action movie with the added flavor of a woman pretending to be a man in the army. It’s almost a ‘chosen one’ narrative since the aspect of Qi looks to be a major plot point - and source of conflict. There’s magic - and oh by the way, there’s a phoenix attached to Mulan for some reason...? - and what looks like a romance subplot (one where the guy isn’t Bi boooooooo). Mulan could have been shot for shot and would be successful. It can also be successful by making changes, but not many. We like Mulan the way it was. If you need to make changes or updates to it, fine, but don’t make the story so unrecognizable that it becomes a different movie. Mulan doing a whole bunch of fancy martial arts before literally beating the big bad and an evil Witch who turns into a bird are things we don’t want and the story doesn’t need.

Disney needs to stop messing with the original stories. We liked the old animated versions for a reason. Beauty and the Beast and The Lion King were two of the biggest box office hits and two of the most popular Disney movies today. The were huge successes and are still talked about 20+ years later. These remakes are just meh.

If Disney does change the story, change it in a way that emphasizes what was liked about the original. Otherwise, make it into a different movie and - more importantly - call it something else.

#Disney #Mulan #Lion King #Beauty and the Beast #remake #rant #film review

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haddocktree · 5 years ago

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Dean DeBlois Talks the Care and Feeding of Flying Reptiles

The writer-director of DreamWorks Animation’s Oscar-nominated ‘How to Train Your Dragon: The Hidden World’ reflects on his long and loving journey creating the epic animated trilogy.

By Jon Hofferman and Dan Sarto | Tuesday, January 28, 2020 at 11:29am

In 3D, Awards, CG, Films, People, Virtual Reality, Visual Effects | ANIMATIONWorld | Geographic Region: All

Oscar and Annie Award-nominated ‘How to Train Your Dragon: The Hidden World,’ the final chapter in DreamWorks Animation’s epic animated feature trilogy, written and directed by Dean DeBlois. Images © 2019 DreamWorks Animation LLC. All Rights Reserved.

At this point, neither the How to Train Your Dragon animated feature film franchise, nor its longtime writer-director Dean DeBlois, needs much of an introduction. The epic adventure series, which debuted in 2010, has been both commercially successful and critically acclaimed, with the first two installments garnering an immense number of Annie Award nominations and wins, as well as being Oscar, BAFTA and Golden Globe nominees for Best Animated Feature. (How to Train Your Dragon 2 won the Golden Globe in that category in 2015.)

This time is no different: How to Train Your Dragon: The Hidden World has been nominated for an Academy Award and eight Annie Awards, including Best Animated Feature, and has won accolades from the National Board of Review, the Society of Voice Arts & Sciences, and the Hollywood Music in Media Awards, among others. Produced by Brad Lewis and Bonnie Arnold, The Hidden World delivers a heartwarming message about overcoming intolerance wrapped inside a tale about growing up, facing the unknown, and learning to let go. It also answers the burning question of what happened to the dragons that once populated the earth and lived in cooperation with humans.

So, as awards season rounds into the home stretch, and DeBlois faces his third round of Dragon-mania, it seemed like a good time to talk with him about this reptilian saga that’s become such a central part of his life.

AWN: In a presentation that you gave at the VIEW conference in October, you said that in general, you’re not very enthusiastic about sequels because, if you've done a good job, your story is told, and a follow-up can feel like an unnecessary add-on. What about How to Train Your Dragon made you feel that it provided an opportunity to do sequels the way they should be done?

Dean DeBlois: Well, I think it was a combination of three things. One is that I was a Star Wars kid and I loved the expansiveness of The Empire Strikes Back and Return of the Jedi. I felt they took characters that I loved, expanded their worlds and increased the adventure, the peril. The characters were kind of maturing and growing up, and it had a big impact on me. And I saw in the Dragon world and its cast of characters the potential to do something similar. The world could be expansive, and we could grow up with the characters. In the time that it takes to make an animated movie, our fan base could be aging with the characters, which wasn't really something that I'd seen done before – where you take a cast of friends and then grow up with them. We would leap five years into the future and find a new organic problem that felt important and universal. So, that was part of it.

Then, I think it's also the conversation that I had with [Dragon books author] Cressida Cowell. Even though the narratives are quite different in the films and the books, I loved the idea that she was taking on this challenge of explaining what happened to dragons and why they aren't here anymore. I thought that was really intriguing, but also kind of gripping and emotional. The opening line of her very first book is, "There were dragons when I was a boy." That suggests they're gone. What happened to them? So, I loved taking on that challenge.

Finally, just being able to explain certain mysteries that were inherent in the first film. What happened to Hiccup’s mother? Is Toothless the last of his kind? If so, why? Just the idea that we might be able to take organic questions that we didn't have time to explain in the first movie, or didn't feel the need to, and make them into important questions in the context of the trilogy. As if we'd gone back in time and planted them there.

AWN: The emotional center of the storytelling in the films is the growth of the characters, their becoming adults and taking on adult responsibilities, even though they're still young. That’s really the best part of the films.

DeBlois: Yeah, it felt organic to me because I was thinking about what problem I could graft onto 15-year-old Hiccup that felt important. He now has his father’s love and admiration, he has the respect of the town, he has the attention of the girl he was secretly pining for, he has an amazing dragon that he could fly around on, and he ended an age-old war. It doesn't feel like a character who could have a problem until something really eventful enters his life. We needed to go to another rite of passage, which just naturally led to a 19-year-old in search of himself, when you've got two domineering parents of contrasting philosophies. A character who's on the run from his destiny at home, only to return to it with a renewed sense of self, was an appealing tale to me.

AWN: There's a large number of characters in the films, and they play pretty central roles. How do you ensure that you give them enough screen time and develop them enough so it feels that they really belong and have a reason for being there?

DeBlois: It's really tough and I don't know that we did, to be honest. I think that a lot of our characters are underserved. If we had a longer movie, if we could make a 120-minute movie instead of a 90-minute movie, we might be able to explore them more. But oftentimes the characters do become support characters. We do our best to give them moments, give them a laugh here and there, or give them a starring turn. But when you have an unwieldy group of characters, it’s really tough because you're always fighting the ticking clock of budget and time.

AWN: Speaking of characters, what makes a good villain and how do you determine how villainous to make your villain?

DeBlois: That is a very good question and I don't know that I have a very good answer. I struggle with villains. I find them boring if they just want power or money. Unless there's a bit of empathy in their desire, it just falls flat for me. Drago was meant to be a really interesting villain in How to Train Your Dragon 2. There was going to be a sea story that followed his survival and how he became marooned on an island that was home to a very aggressive dragon. He had to befriend this thing in order to fly off the island and get back to his armada. It was a very touch-and-go relationship because they were both very headstrong, but in the end, they established a mutual trust, and it changed him. Even with all of his heinous crimes, when he arrived in the third-act battle, he took the side of the dragon riders, fighting his own former cohorts. I liked that idea because it took what was admittedly a one-dimensional character and gave him complexity. But we didn't get to do that because, again, taking the time to do that story properly would have compromised Hiccup’s story. I regret it since I really wanted to do something interesting with that character.

We channeled some of that frustration into the development of Grimmel [in The Hidden World] and making him a villain for the times – an intolerant elitist who’s trying to crush blossoming ideas of peaceful coexistence. But he’s also a character who’s fun to watch onscreen – he has a kind of playful sensibility and likes the sound of his own voice. Enjoys the hunt, enjoys cornering his prey and forcing it to make desperate decisions. He’s a character without empathy, but he has a sense of humor.

Dean DeBlois.

AWN: To turn to the production side, did you use any virtual camera work or any tools that helped you visualize how you wanted to shoot this?

DeBlois: Yes, [cinematographer] Gil Zimmerman and his team – the layout team who provided us all the previs and the final layout of the movie – would go down to our mocap stage and pull up rough versions of our sets and don the outfits with the little ping-pong balls and actually work out a lot of their own choreography. So, if it wasn't a flight scene, if it was something that had a physical space where they could really block for action, they would come up with ideas that way. It's always dispensed with when it gets to animation, but the ideas are there and then the animators start from scratch.

AWN: How extensive was the previs? Were you using it more for storytelling or was it used more for camera and layout?

DeBlois: On this film, we started to invite the layout department into the storytelling. In other words, if there was a sequence that depended on visceral, kinetic movement – something that's hard to suggest on drawn storyboards – we would talk out the beats of the script pages with Gil Zimmerman and the assigned previs artists, and they would go off and develop it. If we knew there was going to be flight involved or some kind of complex set, we would either hand the sequence entirely to the previs artists or involve them really early.

I found I really liked this step and how far it has come in recent years, where so much of the finished idea can be represented quite clearly and closely in the previs. It used to be awkward to look at – characters that would slide across floors, and blank expressions, and robotic movements. It’s come such a long way that it’s something you can include in test previews with audiences, because it's full of color and it has lighting… it’s a very exciting new tool to use.

AWN: Like many top animation directors, you're going to be moving over into the live-action world. Have you always wanted to go this route? You've been directing animated films for a long time.

DeBlois: Yeah, after Lilo and Stitch, I took a look at my personal hopper of ideas that I was working on and I would say three-quarters of them were live-action. They felt like live-action films. I decided to go out there and just see if anyone was interested. I sold three of them. It got close with a start date on one of them, but they all kind of went on ice when there were administrative changes both at Disney and Universal. It was an exciting and frustrating period and it just feels like an itch that I didn't scratch. So now I have that opportunity to return to the world of live-action and hopefully get a movie going. I do so with caution because I know that so many things can fall apart very quickly in live-action, whereas in animation we tend to commit to the idea of making the movie, even if you have to change out people in the process.

AWN: Do you feel that your experience in animation gives you specific skills that you can apply in live-action production?

DeBlois: I think my storyboarding background definitely gives me the ability to communicate ideas clearly and visually represent them. Having spent so much time on the story side of things, writing as well, I feel as though I can clearly communicate the story we're telling and engage other people in contributing ideas and making it better. I think in any sort of filmmaking enterprise you need somebody who's going to be the guardian of the story, but still be open to great ideas, and I feel like I've been honing that skill over the years.

AWN: Last question. How does it feel to say goodbye to dragon world – after three really well-done, well-received, expansive, beautifully animated features? You completed the trilogy, you told the story as well as it could be told. What are your thoughts looking back on this huge body of work?

DeBlois: I'm very proud that we were able to reach the goal that we had set for ourselves, that we didn't have to creatively compromise much, and that we did it with largely the same team over the course of a decade. It's bittersweet because not only have we come to love the characters and the world, but we really like working together. We don't know if we're ever going to be arranged as that crew again. People have gone on to different shows, some have left the studio. It was a bit of a gamble to dedicate so much time to a trilogy, especially in the ever-changing landscape of studios. There were five changes in leadership on Dragon 3 alone. With every person that comes in, they have their own sensibility and their own tastes. And so, learning to work with each person and also giving them ownership can be tricky. Luckily, we were able to keep our North Star in sight and deliver the ending that we wanted.

#dean deblois #AWN #q&a time #q&a #httyd #httyd 3

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venus-says · 5 years ago

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Aikatsu on Parade! Episode 23

Honestly, nothing can beat the gleam of the moon. Or moons, in this case.

Today it was supposed to be precure day, but because of personal reasons, I couldn't finish watching all episodes in time so I had to postpone it to Friday and move this up on schedule. But hey it's not all that bad, it fits a lot better to be talking about the moon on my birthday rather than be talking about roses. XD

Sadly, this may be a very short one because not a lot happened, it was enjoyable but I didn't sense like there was a very urgent conflict so, for the most part, I was just sitting around, having a good time, up until the very end when my entire soul was blown. I'll have to admit, I was way happier and excited about this episode Friday night (that's when the episodes air to me) from just seeing screenshots on twitter.

I have two major points that make me not like this episode as much as I could/should. The first one is the incongruences like I know on Parade has a very loose logic, but you can't be so keen on Raki doing all by herself in one episode and then in the next one have everyone's help to get the event running, I know this is more of a problem of the past episode rather than this one with the way they were hitting the nail so hard in this point, but come on. Also, Elza there saying "oh no, I changed" when her period in On Parade showed that she clearly didn't change, I mean just look at the way she interacted with this show's protagonist. lol

The second point is maybe a little too nitpicky but I can't deny I still didn't like that the second live of this day was The Feeling of Justice. Don't get me wrong, I like the song, the performance is one of the coolest original CGs we got this season, but come on, if the big final stage of the night is a collaboration stage shouldn't they've used another performance that was made solely by Four Star Students? Like, thrown one of Yuzu's songs, or maybe one of Lily's, heck if you wanted to put two collabs in this episode wouldn't it be better to have Checkmate perform? Like, if we consider the ending a part of the show, Lily was the only Four Stars character that didn't sing this week, if Yume could call her friends Lily could do it too. Aine and Mio already got a collab and they'll probably perform twice next week there was no need for them to be here, they're not even the main characters anymore they can't even use that as an excuse. I'm sorry.

Definitely, the high point of this episode was Hime and Mizuki's stage. That came out of nowhere, no one was expecting it, I missed being surprised by the Aikatsu anime so much, so when I knew this was a thing it was just marvelous. I want to call a little bit of a bs in using this as a conflict for this week, but I just can't. This was the type of collab I was wanting from On Parade, something new and unexpected but that also made sense for the characters that were a part of it. And holy cow, this was so beautiful. Ruka and Risuko voices matched so well together, this is one of my favorite songs and I'm so glad this version of the song came out this amazing. And the dresses, oh god, Hime's moon dress is the better looking of all sun dresses, and Mizuki's legend premium is one of the most gorgeous coords Aikatsu has ever made and I love this coord with a passion that I don't even know how to describe my feelings for it. I thought on Parade had peaked with Mizuki, Elza, and Hibiki's Take me higher, but this was definitely the peak, the biggest highlight of this show. Thank you On Parade, you suck buy when you get things right, you actually DO them right.

Speaking on doing things right, another thing that really brings me joy was the preview for the final episode, or at least what I think will be the final episode before Dream Story starts. I admit the preview didn't show a lot, but they corrected Friends' biggest mistake AND FINALLY GAVE HONEY CAT AND REFLECT MOON THEIR JEWELING DRESSES! AND THEY LOOK FREAKING AWESOME!!!!!! Honestly, I may like them more than I like the 9 that were officially released while Friends was still a thing. I know it's very minor, we probably won't ever see these in a CG performance, but I'm so happy, this was one of the things I wanted the most out of Brilliant Jewel. It's sad the next episode looks like shit. Honestly, how did they let this happen? I know on Parade is technically still going after the next episode, but that'll still be a climax episode you shouldn't be making it that cheap, dear god. At least they didn't forget Baby Pirates exists and they'll be there (wish they could get jewels too, but deep down I know they won't ever get new coords again *cries*).

And well, that's it for on Parade! I ended up writing way more than I expected, I'm glad I managed to do it despite how tired I am. Do you have any comments? Please share your thoughts with. I'll see you all around. Bye-bi~

#Aikatsu on Parade!#aikatsu

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painted-starlight · 5 years ago

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It's an interesting contrast how the recent princesses needed to be of royal origins while the first ever black princess needed to be poor. It's a tendedcy where some characters just need to get a short end somewhere while other favorables don't. Also I do kind of think Gothel would posses every trait of a strong competent heroine but we live in a bizarre world were a status like that is shifted on a meakly passive female characters. Also shows recently p.often exploit the anti-parentalism, they

(Continued)

need not be one for children to readily pin against their parents. Barbie Gothel was someone of a mentor I guess. And mother figures are never considered to be worthy in stories, any other mom was bland at best, or murdered for overdone selfless reasons. Also there was a part in Beauty and the beast where there's beautiful sweet Belle swings around in town wanting more in life whilethere is that brief scene of an exhausted pathetic mother carrying theirchildren. Don'tbe mom kids they kinda suck. and unattractive.

Warning: Long Post, Anti-T//angled, Anti-Frozen, Talking about sexism and racism in Disney Princess Movies

White Disney Princess Movie’s Don’t Have to Be Good. They Just Have to Be There

The discrepancy between the first black disney princess and the rest of the white princesses is that a lot of princesses of color tend to be representations of their culture, while white princesses often are not. Tiana’s movie tries to encompass the black experience, but it has a lot of problems mostly because of white filmmakers trying to not hold their white audiences accountable (I severely dislike Lottie and wish they focused on Tiana only instead of letting Lottie steal the show).

The next time we get a black disney princess might not be for a very, very long time. But Elsa and Anna and R//apunzel get to have spinoffs, their settings get to be vague, because they are allowed chance after chance to be good. Well, next time.

It wasn’t good the first time? Your white princess movie sucked mighty ass? Well, we’ll just give them a spinoff no one wanted. And a sequel to fix the problems of the first movie.

The Bar is Very Low For White Princesses

White Princesses and their movies t are often boring and uninteresting. The bar for their movies is actually very low. Movies like Frozen and T//angled don’t even have to be good. They just have to be there. They can be barely finished with the weakest writing possible. There to be projected upon, make cute toys, and to fill up space for princess merchandise. But they have to be there so white disney customers can feel superior for having even more princesses that look like them.

But princesses of color, despite being more compelling characters who interact with their culture, are exoticised, fetishized or rely on outdated stereotypes to fill in the gaps.

A majority of these movies are mostly made by white filmmakers. If Tiana’s movie was handled by a majority black staff, the movie would definitely be a much better representation of the black community.

However, Disney only allows movies through the perspective of white people looking in on a culture, and they often impose a lot of stereotypes in the process because of their unwillingness to give nonwhite staff a chance.

Mother Gothel’s Role in T//angled

As for Mother Gothel, her role in T*angled personally always came across as a shallow character, though that is my own interpretation and more a frustration with the filmmakers lack of introspection on her character’s real motivations. Why does she want to stay young? How is it beneficial for her? What makes youth so important that she resorts to abusing a child?

I haven’t seen Barbie’s Rapunzel other than a few previews (but knowing how much Disney liked to lifted from it’s aesthetic I definitely know they wanted in some way to compete with it) but maybe they did the main villain better? Maybe I should check it out.

Important answers about Mother Gothel cannot be guessed by her behavior like other disney villains and is unfortunately left up in the air. I can speculate Scar’s, Maleficent’s, and Ursula’s backstory without supplemental material because it is shown in their dialogue and character. But we know NOTHING about Mother Gothel’s story. When they did this, it robbed the audience of true tension in the main conflict.

But it’s important to note that this is only because of bad writing. The male filmmakers completely devote her characterization to her looks and condemen Gothel for aging while having the audacity to deliver a “don’t judge people by their looks” message.

Female Characters and the “Acceptable Female Protagonist”

It is true that female characters who possess ambition and confidence--such as Ursula-- are often placed in villainous roles as opposed to heroic ones. They are in direct contrast with the female main characters. The only exception I can really think of is Sleeping Beauty’s fairy caretakers, but even then they still have a degree of femininity that is considered socially acceptable (aesthetic wise).

This is mostly due to male filmmakers deciding which kind of women they consider “acceptable.” Passive, cute, fiesty but no too fiesty. I think in a twisted way, a lot of male filmmakers think mother characters are supposed to be self sacrificing and pretty because they cannot imagine mothers being anything else. Which is why they almost always end up being dead, have limited speaking roles, or off screen.

An interesting and somewhat disturbing fact about the creation of Rapunzel is that she was created as a means of “capturing” the idealized notion of physical femininity. :

Accessed from Wikipedia with link to interview:

“With Rapunzel I did an enormous amount of drawings and I wanted to keep a sense of asymmetry in her. I read a book about feminine beauty and it said the key to beauty is strangeness in a woman's face. There needs to be something slightly off, some element; it might be her nose, her lip, her tooth, or one eye higher than the other, but something. Even in Rapunzel's teeth, the way she talks, there's something a little bit wonky in the placement of her teeth, and things like that were designed so that she was more real, true and appealing.”

— Keane, on designing Rapunzel and the concept of "feminine beauty"

These “off” qualities of Rapunzel’s character design are all superficial in nature and barely noticeable. I feel like this is more to keep her from venturing into the uncanny valley.

For example, the computer does things perfectly symmetrical. Symmetry is easy, and typically the way you would design a CG character is that you would model half of it and duplicate it.

It's done and it's perfect, but what you've done is you've created create this robot and everyone goes, "Ew, something's weird." With Rapunzel I did an enormous amount of drawings and I wanted to keep a sense of asymmetry in her.

— Keane, on designing Rapunzel and the concept of "feminine beauty"

Now, this is just my interpretation, but it seems like they looked at Rapunzel’s design and went “ew” (like any normal person would) but instead of changing her design to be less uncanny, they seemed to blame the perfect symmatry of the computer rather than it being a design flaw. She’s still uncanny, but when working closely with her character model it becomes slightly less now with superficial adjustments.

Something that only someone looking incredibly closely would be able to know. And still, Glen Keane’s design of Rapunzel is still conventionally pretty and even infantilized. Rapunzel is meant to represent the “ideal” girl. With Mother Gothel and her aging being the direct contrast.

#anti tangled #tangled crit #anti frozen

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codetrainwreck · 6 years ago

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Code Geass Season 1 Interview Collection

All of these interviews were translated/summarized by Celiss @ GameFAQs

CLAMP Summary of the Newtype Ookawa Nanase x Taniguchi Gorou interview. Note that the early designs on that page are by Ookawa Nanase, but the finalized CLAMP original art (not to be confused with the finalized KimuTaka character designs) were done by Mokona, a different CLAMP member. All info listed are from Ookawa and Taniguchi themselves; dialogue in ""s means those are the parts I didn't rephrase at all. - Suzaku originally had a "sharper" look to him. Ookawa -- "Originally I imagined him as having Chinese-like, sharp, single-eyelid eyes." Taniguchi -- "In order to have Lelouch stand out more, I had this design changed to a softer, rounder image." - On the early design for Lelouch (white hair) Ookawa -- "I imagined Lelouch as someone everyone will find to be "cool"; a beauty, to put it simply." Taniguchi -- "We talked about Tackey & Tsubasa as well as early Kinki Kids." (Popular Johnny's idols in Japan) - Ookawa attended the Episode 1 sneak preview / test screening; according to her a large number of reporters and other mass media-related personnel showed up as well because of the pre-show hype. When the 1st episode ended, the room went dead silent. With the fast-moving plot and the episode ending with Lelouch going "Die, all of you" as he Geasses the soldiers into killing themselves, everyone was left speechless. However, the momentary silence was later broken by tremendous applause. Taniguchi himself wasn't at the screening, but he heard about what happened as well. - How did CLAMP come to be part of the Code Geass project? Producer Kawaguchi was the one who wrote to them first. That was the first time CLAMP heard from him, and also the first time they received a request to design characters for an anime. The members only met the director more than a year later; they were already on board the project when the characters and world view were nothing more than a vague concept. CLAMP offered some "interesting ideas" and these helped shape the world of Code Geass. - The character illustrations shown on the page are preliminary designs; when these were first drawn Code Geass wasn't about a war with an Empire but something different. Taniguchi said "We're making a hit show", and wanted to create a show which appealed to everyone. They ended up using the Johnny's artistes (Tackey & Tsubasa; early Kinki Kids) as a sort of model for the characters (probably Lelouch; those Johnny's artistes are usually thought of as "Prince" types, especially early Domoto Kouichi of Kinki Kids) - The character "Zero" was decided from early on, and is one of the characters left unchanged even when they adjusted the story. CLAMP members call Zero's mask "Tulip" (because of it's appearance) They wanted to create a mask never seen before in previous Sunrise shows. They were told to create a mask showing only one eye, and there were two possibilities for that, the other being the masks used in palaces (...which kind of palace? Asian or Western?) Taniguchi -- "When I saw Zero's mask, my thought processes all came to a halt (laugh) It was extremely simple yet had impact." The biggest merit of having CLAMP do the designs is that, according to Taniguchi, they can come up with things normal animator-turned-designers can't. The clothes, for example, may seem impossible (*coughZeroandC.C.'scostumescough*), but CLAMP still went ahead with them anyway with the simple reasoning that "These are better!" - How did the designing process work? CLAMP members drew a certain number of illustrations, handed them to Taniguchi and Taniguchi would later return it to them with his own comments. The designs would be changed according to his wishes and the cycle repeated. The comments ranged from "I want you to redraw just this part" to "I want you to add this part of the character with this part of that character and come up with a new character." Taniguchi pretty much gave CLAMP free reign over the designs, telling them not to worry about what the CG world was like, and because of that they came up with all kinds of variations, from SF to Classical, for things like the military uniforms. There were altogether some 40 ~ 50 designs; C.C. also had traditional Japanese clothes as well as Western Barbie-style clothes. (Now we know why C.C. cosplays so much. Taniguchi probably included them because he thought it would be a waste not to...) - Ookawa -- "Taniguchi doesn't like girls with big breasts." (This is true; Taniguchi is famous for being anti-fanservice. He supposedly hates "jiggling chests" the most, but it seems that since GunxSword he's had to compromise on this area because frankly, sex sells) Ookawa - "Even though I drew all kinds of female figures and body shapes, only the flat-chested designs were returned." (The unreturned designs = No Good) Taniguchi: "It's not that those aren't allowed (laugh) It's just that when you transfer them on to the screen it usually ends up even more exaggerated, so I wanted to keep the original designs under control, at least." - Taniguchi also likes having characters who have something different on one side of their bodies (the "unbalanced" balance) Lelouch has one red eye, for example; Villetta's and Jeremiah's hairstyles also fall under this category. Taniguchi -- "I like it. It's sexy, don't you think?" Ookawa -- "You like characters with sex appeal, huh." Taniguchi -- "Sex appeal is important. CLAMP's characters are all sexy. That's another reason why we decided to request designs from you." - Before doing the character designs, KimuTaka spent every day copying CLAMP's art from their artbooks and manga. After analyzing CLAMP's art to his best ability, he then started on the character designs. He did his best to design them in a way so that the other animators would be able to draw them without deviating from CLAMP's original artstyle. - According to Ookawa, Schneizel was designed with "Lelouch's arch nemesis" in mind. The most time was spent on his design. Taniguchi wanted someone who could appear either good or bad and had a large sense of scale (2 meters... okay so he probably wasn't referring to height, but still) - Lloyd is the professor-type CLAMP is good at (Ookawa's own confession), but originally he wasn't supposed to be that much of a mad scientist. It happened mostly because of Shiratori Tetsu's acting (In the audio commentary for episode 1 Taniguchi mentions that he gave Shiratori free reign over Lloyd's character) Ookawa was surprised when Lloyd turned out the way he did. - Which characters do the CLAMP members like? Mokona (she did the final character original art) liked Clovis, so when she saw that he was offed after only 2 episodes she was really depressed. According to Ookawa, Clovis was killed off a lot earlier than originally planned. Taniguchi apologizes for this, and then remarks that Jeremiah, on the other hand, has survived longer than originally planned. (The power of 2ch, indeed) - Taniguchi: "If you rewatch the first half of the show after watching episode 23, you might discover new things you didn't see before." He refuses to say what these things are, saying that this is an enjoyment exclusive to viewers who noticed themselves. - Okouchi was the one who insisted that a mask was necessary in order for it to be a Sunrise anime. - Ookawa -- "Director Taniguchi is someone who makes it clear what his likes and dislikes are, and this really helped our work. I like Cornelia, and I hope she can be happy." (I'm sure she'll get along well with Fu-kuyama, that crazy Cornelia fan) - Ookawa seems to be a Lelouch fan. She says that she worries whenever Lelouch does something stupid or uses the Geass in a wasteful manner. - CLAMP will still be doing the designs for the sequel, or perhaps have already done them. --- Animedia Q. Is it true that the Emperor is invading countries because he is looking for (Geass) "ruins"? A. In episode 19, General Bartley said "The Emperor decides which country to invade going by the location of the ruins" (I'm not sure how gg translated this). It is unclear whether this is truly the motive behind the invasions, but as the General has been investigating this for a long time, his statement that there are other such ruins, at least, must be true. Since a gigantic Geass mark surfaced on the Kaminejima ruins, it appears that it is somehow connected with the Geass. (Well duh) Q. What exactly is the "Mental Elevator" (Intellevator) the Emperor mentioned? A. This is still very much a mystery. However, because this is something coming from the Emperor, it may have to do with the mystery of the ruins he is said to be searching for. (...Double duh) Q. What is the 2nd Imperial Prince Schneizel looking for? A. Bartley and co. are picking up where Clovis left off with his investigations, which is why they went to Kaminejima. It seems that they have a vague suspicion on what the Emperor's objectives are, and intend to get a jump on him. At this stage this is all we are able to infer. It is probable that there is a certain something the Britannian royalty all wish to obtain. (...? Immortality? Pizza? And Schneizel vs Emperor, go! If Schneizel isn't a bad guy, or had nothing to do with Marianne's assassination, Lelouch should just team up with him already >__> With Suzaku, the Emperor would be dead in a day) Q. After episode 23, what will become of Britannia's "Area 11"? A. As we have just reached the part where the next step of the battle would be to destroy the Britannian government office (the palace-like building with flags), the answer to this question will have to depend on the outcome. Should the Black Knights triumph, Japan may have its rights restored while the Britannians may be forced into a vulnerable position this time around. (Take away all their cellphones! That'll teach 'em!) However, both the Chinese Federation and the EU, names which have repeatedly come up in the show, are both keeping an eye on the situation. How these two forces will act is something to look out for in the future. Q. What happened to "Good Morning'd" Orange? A. I too am surprised. Even though it's amazing that he's made a reappearance in the show, it's "Good Morning'd" after all. (Meaning the line destroyed the serious, cool mood of the scene XD) It seems that after the Narita battle, he was picked up (in the same sense you pick up rubbish / abandoned animals), turned into a subject for experiments and then modified. I'm sure many viewers have already realized what happened because his silhouette is in the OP. The resurrected Orange can't be beat! (Literal translation = "is the strongest") Q. What happened to Shirley's "memories" erased by the Geass? A. Basically, those memories will not return. The Geass works only once. Having seen the memo with her own handwriting, Shirley made her own inferences and somehow managed to grasp the truth of the situation. Although there was a subtle scene in episode 23 where she reacted to the name "Lulu", with the situation becoming increasingly hectic, her chances of meeting Lelouch again will diminish. (What does this mean? She's not going to get her chance to confront Lelouch about the truth after running away from it in episode 22?) Q. Will Kallen's real identity never be revealed to her friends in school? A. Although Suzaku already knows about it, he didn't say a thing about it in school, so as long as Suzaku and Kallen herself keep quiet no one will know. However, in episodes 24 and 25 Kallen, along with Zero, may storm the government office. What will become of the school when the settlement becomes a battlefield...!? (Are they hinting that the school will be in danger --> Black Knights come to the rescue --> Kallen's identity is finally revealed?) *The caption for Nunnally's picture: Sayoko's position itself has become somewhat ambiguous. There isn't a single person left who is protecting her... (I noted this because this sounds bad. Protect her, Arthur!) *The caption for Milly's picture: Having given up on Lelouch, she plunged headlong into the engagement with Lloyd. However... (However...? JUST JOIN THE BLACK KNIGHTS ALREADY!) Q. If the settlement is attacked, what will become of Nunnally and Arthur? A. In episode 23, it appears that the school is still somewhat safe and peaceful. Although Nunnally was frightened, she still has "the mysterious" Sayoko-san with her. Sayoko was told by Diethard to "Stay as you are and wait for further orders." (Episode 21) Things should be alright. Is Arthur with them!? (No, he's obviously outside taking down mechs left and right) However, should Japan achieve independence, Britannian schools would be in danger. *The text below (not in the blue boxes) written by the magazine writers (not the CG staff) says that if Lelouch doesn't go back to Ashford, Nunnally's safety will be "a candle in the wind". However, since this is his beloved sister we're talking about, it makes sense to think that he will definitely return in episodes 24 and 25...!? (...did they really need to end the sentence with an interrobang?) Q. Will "Chigusa"-san join the Black Knights? A. Chigusa-san = Villetta. She's currently cohabiting with Ougi and living a life reminiscent of the Showa period (...loving couple, wife waiting at home etc?) The octopus wieners she made for Ougi's bentou truly had a lot of impact. However, because her memories disappeared not because of the Geass, they will return someday. With that the two of them will become mutual enemies, which will make things difficult. *The lower text says "There is no way a Britannian female Knight will pass all her days living a lovey-dovey life in secret. But don't cry, Ougi!!" (I... want to see him cry >__>) Q. When will C.C. give the OK to Lelouch the Geass user? (This is the literal translation of the question; it seems that what the question is trying to ask is: Exactly what does Lelouch need to do in order to fulfil the terms of the contract?) A. This is far from clear. It seems that C.C. sealed the contract with Lelouch with a certain objective in mind. This contract is valid until that goal is reached. (Does this mean that once her wish is fulfilled, she can / will take Lelouch's Geass away from him?) For Lelouch, his goals are to defeat Britannia and the Emperor and also to create a happy world for Nunnally... However, what C.C. stands to gain from these goals of his remains a mystery. Q. Is Wall h4x Suzaku's (okay, so it actually says wall-runner Suzaku) physical prowess that of a normal human being's? A. Yes, he's a normal human being. It's just that he possesses extraodinary physical capabilites. It seems that his excellent Knightmare piloting skills has to do with him being unexpectedly compatible with Lancelot, and nothing more than that. Lloyd of the Special Dispatch was quick to notice this. (...? What about Fake Okouchi and Real Okouchi's previous hints about there being a secret behind his abnormal physical strength? Unless this answer is supposed to be a red herring?) Q. With Euphie dead, is Suzaku's mental state alright? A. He can't be alright, can he? That's not the usual him. If you listen carefully he said "Ore" (? He was still Boku-Suzaku during the phone conversation though, but I might have missed him saying "Ore" in episode 23), even though he had been using "boku". However, it seems that that is Suzaku's original personality. Up till now he's been faking his personality because of what happened with his father. He can no longer continue his facade now that he's snapped. Rather than saying that he will be somewhat like a beast from here on, it would be more appropriate to say we will be able to see Suzaku's real personality. Q. Why is it that up until the very end, Suzaku still doesn't have a "cellphone"? A. It's because there is a clear rule regarding this; Elevens and Honorary Britannians are not allowed to have one. It's a Britannian rule. This was probably decided in order to nip any possible insurrection in the bud. Also explains why Cecile-san had to personally come and get Suzaku (in episode 17) Q. After episode 23, what will Suzaku's next move be? A. To take revenge? For Euphie. Against Zero! Perhaps he isn't thinking about the future at all. Although he's fighting as a Honorary Britannian, it seems that he's just rushing headlong into the battle with personal grudges to settle. However, he pretty much cannot die due to the "Live!" Geass on him. A rather painful future may be awaiting him. Q. Who is more amazing? Suzaku vs Lelouch 10-point showdown! 1. Knightmare piloting skills: Suzaku 2. Hunting ability: Suzaku 3. Game skills: Lelouch 4. How they treat Nunnally: Lelouch 5. Popularity with the girls: Tie 6. Popularity with the guys: Suzaku 7. Studies (Science/Maths): Lelouch 8. Studies (Humanities/Arts): Lelouch 9. Independence (Cooking): Suzaku 10. Independence (Money concept): Lelouch (Lelouch wins 5-4. Lelouch is actually pretty good at cooking (It's part of his official character profile, IIRC; Sayoko also mentions this in her Diary section for DVD vol 2's booklet) Some of the reasonings behind the Lelouch vs Suzaku results are pretty nonsensical, actually. For example: 9. Independence (Cooking skill): Suzaku Lulu has been feeding Nunnally ever since their childhood days. His cooking skills are absolutely perfect. Suzaku received a strange Onigiri (Cecile's) Therefore... ...What does that have to do with cooking skills? >__> If anything that only proves Suzaku isn't human. As for Popularity with Girls, it's a tie because while Lelouch may have a hidden fanclub at school (I forgot who said this... FO?), Suzaku is popular with older women. This is also part of his official character profile; Suzaku admits it himself in the booklet for DVD vol. 03. However, he denies being attracted to them, but considering his first love (a house maid) happened when he was 3 years old... >__> Suzaku wins in the Popularity with Guys section because Lelouch doesn't really mix around with other students, only with his fellow Student Council members. This isn't really fair considering Suzaku probably has a hard time getting along with other classmates as well, but I guess that all changed after Euphemia knighted him. Though I think if it had been Zero vs Suzaku Zero would have won hands down. Zero has Diethard (Obsessed stalker), Tamaki (Tsundere) and Orange (also a stalker when you think about it >__>) --- Taniguchi Some interesting stuff from the Taniguchi interview: - Taniguchi appears to be hinting that Suzaku will have more scenes in the 2nd season. He mentioned that for viewers who want to watch this show thinking of Lelouch and Suzaku as double protagonists (Like Kazuma and Ryuhou in S.cry.ed; however, officially, Lelouch is the only protagonist in this show; everyone else is a supporting character), this motif will come up from here on. (He probably means that the difference between Suzaku and Lelouch will be made even more obvious in the future) - We'll be seeing more of Lelouch romantic relationships (probably in the 2nd season) According to him they decided not to put too much focus on those in the first 23 episodes because it would only complicate matters. It was necessary to show what Lelouch's primary focus is (Destroy Britannia; happy world for Nunnally) - V.V. will be a key person in the 2nd season; same goes for the mysterious long-haired Chinese guy (? Girl?) shown in episode 23. - By episode 26 (Taniguchi probably means 1st episode of the 2nd season; it seems that he's thinking of Code Geass as one whole continuous season) viewers will be able to see what Lelouch currently has in mind and what he intends to do next. - In case the sequel wasn't greenlighted (they already received the OK for it back in December last year, at least), they had an alternative route prepared for the story to take, one which would have ended the story in episode 23. It would have been a non-conclusive ending though; according to Taniguchi it was more of a "psychological" ending for Lelouch (think EVA ending) - By Taniguchi's own admission, the real story has only just begun. --- Kawaguchi The Kawaguchi interview itself is quite strange. It feels as though Director Taniguchi, Scriptwriter Okouchi and Producer Kawaguchi all have different interpretations regarding the show. On the subject of the phone conversation at the end of episode 23, Kawaguchi says that Okouchi originally wrote the scene intending to dramatize the mistaken nature of Lelouch and Suzaku's friendship (lit. trans: how it continually "passes each other by"), but Taniguchi said "If you need to confirm it, then you're not really friends" (The "After all, we're friends, aren't we?" line) and had the meaning of the scene changed. So... are they truly friends or not? I suppose they're "friends" in the sense that they truly care about each other, yet at the same time they can't be "true friends" because they're still hiding all sorts of secrets from each other. Kawaguchi, at least, is adamant that Lelouch and Suzaku cannot be considered friends. I'd like to see an Okouchi-only interview next to hear what he has to say on this matter XD Also, Kawaguchi referred to Lelouch as "Lulu" twice in the interview. Kawaguchi is a big fan of Lulu Quality, indeed. --- The infamous phone call in 23. Producer Kawaguchi actually offered an explanation in his interview on why Lelouch has Euphie's number. We know that he definitely has her number saved because "Euphemia" showed up on his cellphone; we also know that calls from unknown people show up on his phone as "No Number" (episode 13 -- assumed to be a call from Ougi and episode 15 -- Mao) Basically the (lame) explanation is: "They must have exchanged numbers on the deserted island (laugh)" I wonder what name Euphemia saved Lelouch's number under though. She can't possibly have saved it under "Lelouch"... she's not that much of an airhead... right? >__> Though "Zero" is a lot worse, but not as much as "My First Love, Eheh <3" --- Fake Okouchi questions from 2chan 1. (Did Suzaku know that Zero = Lelouch at the end of episode 23? If so, did Lelouch realize it as well?) No comment. 2. (When exactly will episodes 24 and 25 be aired during the summer? Will they not be aired first via Biglobe's internet streaming?) I don't think so . We weren't able to secure the slots in time. It's a little thick-skinned of me to say this, but to make up for it the animation and the directing etc. will be impressive. 3. (It seems to me that Suzaku is more important to Lelouch than Lelouch is to Suzaku. What exactly does Suzaku think of LuluNana?) To Suzaku, Lelouch is more of an old friend. As for Nunnally, rather than her being just the sister of a friend, it appears that he thinks of her as an important person. 4. (Will Lulu and C.C.'s line "Bestow upon me the mark of destruction! Consecrate it!" used in the pre-airing CMs appear in the show? A word about this line please.) I don't think the line will appear in the show. The lines said in the CMs are more like "catch copies" <"catch phrases" in English> 5. (Did Suzaku see V.V. or C.C. in episode 22? What was the reason behind it?) <-- The light silhouette in front of the Gawain It was C.C. It's somewhat like the mirage(?) of C.C. only Lelouch could see in episode 1. He saw it because he has the Geass potential. 6. (C.C. talked to Marianne in episode 23. Is Marianne in the World of C?) No comment. 7. (How does C.C. go about choosing Geass users? As long as they have potential everything's fine? For what reason did she choose Mao and Lelouch?) It's a secret, but the main criteria involved in the choosing is related to the bloodline as well as where and how the person grew up. 8. (In episode 7, C.C. said "The blood does not rebel" (Children take after their parents) Whose blood was she referring to? The Emperor's or Marianne's?) Both, I suppose. C.C. was teased *by Marianne* a lot, so I think she just wanted to get her back for it *by claiming that Lelouch takes after her?* 9. (Who's stronger: V.V. or C.C.?) It depends on what you mean by "strong", but if you were to make them fight each other mano-a-mano I think C.C. would be declared the victor. 10. (Will the "Lelouch being good at household chores" character setting be used in the future? Is it true that he made Zero's costume himself? Will such hidden character settings appear in the drama CDs etc?) I think the scenes that were cut from the show *such as the kiss with Kallen?* as well as the character settings that have yet to be shown will be included in the drama CDs and such. *He didn't actually state a specific media* 11. (What's the meaning behind the OP shot in which Lelouch rides a horse? What about the mugshots? Whose hand is it in the scene showing someone trying to grab hold of the person floating with the Geass mark?) Horse-riding is a sort of reference to piloting a Knightmare *they're "mares", after all* It implies that his (Lelouch's) main role isn't to pilot a Knightmare *he's more of a commander*, unlike Suzaku. Also, his elegant way of spurring a horse onward shows his prince-like quality / nature. This is further supported by the background, which was drawn with the Britannia homeland in mind. As for the mugshots, I think that those show the key characters whose actions help move the story forward, but I fear that only the director knows the truth of it. As for the hand, I think it's probably Nunnally's. (Actually I don't know either, but the skin-tone is the same as Nunnally's) 12. (What is the debt from 7 years ago? Will it be revealed in the 1st season?) The "Debt" doesn't only refer to one specific thing. One of it has to do with the Kururugi family forcing LuluNana into confinement *in a storage shed, no less* 13. (Will the Emperor's past cronies and Knight appear in the show?) That would depend on the 2nd season. 14. (Why is it that even though Nunnally calls Marianne "Okaa-sama" (polite), Lulu calls her "Kaa-san" (informal)? It's rather strange for royalty to do that.) I think perhaps it's a sort of code showing how he respected, trusted and in a way depended on his mother. The same goes for Suzaku calling himself "Ore". *Meaning it's a sort of clue about what goes on in their heads* 15. (How much time has passed in the show between episodes 1 ~ 25?) The actual length of time is made ambiguous, but I suppose it's quite close to the broadcast length in real life. *About 6 months?* 16. (The difference between a Knight and an Elected Knight (Suzaku, Guilford) please.) Originally, the term "Knight" is a general one referring to all Knightmare pilots. Elected Knights such as Guilford and Suzaku are those chosen by the royalty as personal protectors. It's just that for the convenience of the conversation there are times where the term "Knight" actually refers to "Elected Knight". 17. (A hidden character setting, please. Anything is fine.) In the early planning stages, Rivalz was named Radner *? Katakana = "radona"; I have no idea whether this is a name or whether he's referring to another famous person or what* and had a much bigger role. In a way, he had an evil side to him, more so than Lelouch, and was truly "bad company". However, if he was to be made into someone who had too much in common with Lelouch, Suzaku's existence would have less of an impact and thus changes were made. 18. (Will the period in which LuluNana lived by themselves be shown in the show? Or will these be covered by the Picture Dramas and Drama CDs?) Unknown. 19. (Was the Marianne shown in episode 22 part of C.C.'s memories? Why did Suzaku faint?) Rather than say that was C.C.'s memories, it would be more appropriate to say that was a scene showing her "vision". *That's exactly what he says in katakana* Suzaku collapsed because of C.C.'s shock attack. 20. (Villetta once said "Britannia is scary" when she was still Chigusa. Were those her real feelings?) That was her reacting to having been seriously wounded and having lost her memories. Besides that, she felt peaceful during her time with Ougi and was also influenced by his way of thinking. 21. (What are the requirements for the reactivation of Suzaku's "Live!" Geass? How will it affect him, exactly? Make him go berserk?) He will return to his original way of living and become more and more honest. *His "boku" personality is a false one used to protect himself* 22. (Are there plans to use the cut Zero / Kallen kiss scene (Source: Megami Magazine) in the future?) It is true that that scene was cut. A lot of adjustments were made around episode 20. The kiss event was to give Kallen courage after she lost her nerve to continue to act as a member of the Black Knights. Originally there was supposed to be a sequence of scenes showing her remembering the kiss, shaking off her hesitations and fighting whenever she was about to be discouraged. 23. (A word about the Emperor and Marianne, please.) No comment. 24. (What is the relation between V.V., Suzaku and Nunnally?) For Suzaku and Nunnally, it's just as I said in the answer for the 3rd question. As for V.V. and Suzaku, no comment. At the moment V.V. and Nunnally are not connected. 25. (A word about the future of the Ashford Academy Student Council members.) The school will become a part of the battlefield due to various calculations *? from which side? Nina...?* 26. (A hint about love relationships. Also, a word on why Euphie fell in love with Suzaku. Is Suzaku no longer a virgin?) No comment. *Yeah, 2chers like asking which characters are virgins. See: Virginity Theory* 27. (Kaguya called herself The Goddess of Victory. Did something happen before this to support her claim?) Unknown. --- Ura de Net Geass! Participants: Tanaka Kazunari (Tamaki VA) Yoshino Hiroyuki (Secondary scriptwriter / series composition) Kawaguchi Yoshitaka (Producer) Morotomi Youshi (Producer, MBS TV station side) - An 8 hour meeting was held to determine C.C.'s name and real identity. Supposedly none of the participants ate or drank throughout the whole thing (Okouchi: "Give me something to eat!") According to Yoshino, whenever he thought the meeting was about to come to an end, someone would start up again and the meeting would continue with no end in sight. XD - The title "Code Geass" was a fairly last-minute decision (the tentative title was "Lelouch of the Rebellion") The production team were in a panic over the lack of a proper title; "We need a title to design the title logo!" etc. - Yoshino: "A strange scriptwriter joined around episode 12." (referring to himself) According to him, for episodes 1 ~ 11 all he did was comment on Okouchi's scripts: "Oh, I like this. I don't like this. This is cool." etc. Okouchi got annoyed and told him "Why don't you write the scripts then?" (Yoshino wrote the scripts for episodes 12, 13 and 19) Dark Okouchi >__> - Mao's repetitive clapping didn't exist in the scripting stages; Taniguchi was the one who later added it to make him "more annoying". Also, according to the producers, the Mao arc had the highest ratings o__O - Originally, Toudou was supposed to join Lelouch's side much earlier. They talk about the Diethard and Toudou shot in the ED. All are baffled by it; conclusion: "Only Taniguchi knows." - Okouchi wrote the script for episode 18; according to Yoshino, Okouchi told him: "Isn't it exciting, leaving viewers wondering whether Lelouch Geass'd Suzaku?" Yoshino: "So how are you going to wrap this up?" Dark Okouchi: "I'll think about it later!" XD Each time Yoshino asked him if he's thought of it yet, Okouchi would reply: "Not yet." Seems like Okouchi is a fairly laidback character XD - Yoshino ended up writing the script for episode 19; supposedly he requested to do it, saying "Oh well, if (Okouchi) wants me to write a script, I might as well do the island arc." (he's more or less the fanservice supervisor for this show) According to him (and the Newtype Taniguchi + Fu-kuyama interview), this was how Lelouch's trap was supposed to work: Lelouch successfully digs a proper hole --> However, a boar appears behind him --> Lelouch tries to Geass it: "Lelouch Vi Britannia orders you to SIT!" --> Geass doesn't work on animals --> Lulu Quality Tragedy (Wait, isn't this just like that one fancomic? o__O) However, Taniguchi changed it all, telling Yoshino: "Well, in the first place, Lelouch isn't capable of digging such a hole..." - The reason why the writers made Kallen stand on Gawain's shoulder instead of getting into the two-seater cockpit with Lelouch in episode 19: "There's no way Kallen will hand over the 2nd-pilot position to anyone else once she's in there." Good point. - Will we see Gawain engaging in electronic warfare? Maybe, maybe not. However, officially Gawain is equipped for it (Druid System) The producers and Tanaka all agree that Gawain is pretty much a h4x mecha in this show. - According to Tanaka, right after the airing of episode 22, 3 of his friends rang him up asking "What the hell was that? I need to know what happens next!" etc. According to Kawaguchi, "some of the viewers may have been satisfied with the handshake in episode 22, but actually, a lot more people would have been upset..." - After episode 23, the production team received letters from fans saying "Okouchi is so evil", "Dark Okouchi" etc. According to the 4 of them, Okouchi doesn't like that. Realizing Okouchi may be listening to this, they start sucking up to him, saying things like "Okouchi is a wonderful person!" "He's an... *long pause* honest person!" Tanaka: "I love Okouchi!... okay, moving on..." XD XD XD - Tanaka says he isn't allowed to talk about episode 24, but he dropped some hints, like: "I had no idea that part in episode 23 was a foreshadowing" and "So that was what that person was doing". Okay...

#code geass #interviews #translation

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bluekayanite · 6 years ago

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So I did enjoy the latest SU episode. Still, there were some things I found odd or interesting that I wanted to comment on.

Followers of mine might be able to guess it: even with all that, I still think that Rose and Pink were most likely separate. XD The latest ep doesn’t cancel all the contradictions - in fact, it creates a number of contradictions - and I think it might ties in to some of my old theories. There’s a LOT of speculation involved, but if you can deal with that, feel free to look.

Spoilers for the latest arc AND the preview for the next ep below. The part for the preview is at the very bottom, and clearly marked, so hopefully you can easily avoid it if you want.

EDIT(s): Added a couple links, GIFs (for clarity), some smaller segments, plus a few small wording changes. EDIT pt. 2: Swapped a link for a more-appropriate one. Fixed a GIF.

First, a summary for context: I think that Pink DID want to save the Earth, but knew that outright doing so was risky. So she made Rose - modeling her strongly after herself - to lead the Rebellion while secretly doing her own work. White Diamond found out - recently I speculated that she looked at the specs for Rose Quartzes (possibly to see if there was a flaw), and found out what they were really for.

White probably has powers that affect the minds of Gems, with Pink being the only one who’s immune. So since White couldn’t control Pink, she instead took Pink down, used her mind powers to alter the memory of everyone else involved, and stuck Pink in the (probably Gem-powered) observation orb, with a field around it that I think might let in anyone that just wants to use the orb, but blocks anyone who’s thinking of doing a rescue attempt. I believe that White was even able to affect the minds of the CGs because, as shown in Off-Colors, some things apparently can still get to a Gem through Rose’s shield.

And I’d think if anyone could get through Rose’s shield, it’d be White.

(More details here.)

Pearl’s story creates a LOT of contradictions - I won’t list them all here, but a big, quick one is this:

“I’ll have us warped into the Kindergarten at once, My Diamond.” - Pearl, in the moon base with Pink; Now We’re Only Falling Apart “There's a Diamond base[...] but getting there is going to be difficult[...] because it's not accessible by warp pad.” - Pearl; It Could’ve Been Great

Yep. There are even places where Pearl contradicts herself, but I guess she doesn’t realize it. I don’t think we can take much anything from Pearl’s memories at face value, other than maybe the bits with Garnet.

The contradiction that got me thinking about all this in the first place, over a year ago, is that, when Steven first visits the palanquin, it’s placement suggests that Pink was standing on a ledge behind the palanquin when she was taken down.

This is so far removed from anyone’s memories that it seems like it can only be explained by implanted memories, and we know Centi’s memories were impacted by the Diamond Attack, and it looks like neither Yellow nor Blue have any clue about such a power.

Anyway, I’m going to try to tackle the aura: It has long seemed to me that while Rose and Pink had to be separate, they mostly likely had a few very similar powers - namely, plant-growing powers, and I think probably the empathy and the healing tears. For example, most of the flowers sometimes shown on Earth are pink, but the jungle moon is FILLED with pink flowers when none are shown through the window when Pink looks at her reflection - in fact, they disappear for that part of the dream, so I think they weren’t really there at the time and are only dreamed about in the first place because the dream is mixed-up.

(And by the way, she looks different than in Pearl’s memories. ;3)

Kind of like I mentioned in this post, this seems to me like Pink may have affected the jungle moon with a massive explosion of power, long before she came to the Earth. Meaning she probably discovered organics - and her powers - well before the colony happened, and that she wouldn’t have had to disguise herself to discover organic life.

But if the plants were grown by Pink, and the two of them are separate, then why does one of the flowers still react to Stevonnie’s presence?

My theory? Because their powers are just that similar - at least, on the surface. I suspect it would seem different if you looked deeper. I mean, visually, Steven clearly gives off a Rose-aura, without a hint of Diamond-iness to be seen.

So yes, if Stevonnie’s aura can fool flowers, I think it’s possible that Steven’s aura could fool Yellow and Blue. (But maybe not White, who I suspect is especially good with magic.) Also, it’s been awhile since Blue and Yellow have seen Pink, Steven honestly believes that he’s Pink, and there may be some wishful thinking on the part of Yellow and Blue; so I think those may be influencing factors.

(That said, I have still kind of wanted Steven to befriend at least Blue over the ‘Steven = Pink” thing. So I still really like that part. ^_^)

Okay, so I can kind of understand why Yellow might come to Earth, but the idea of Blue being there seems out of place to me. She wouldn’t want to see the Earth destroyed by the Cluster (and there’s no clear sign of her helping to release it), I doubt either of them would suspect that Yellow would need backup, I doubt that Blue thought she’d have time to collect humans (and it looks like she didn’t even try to), it doesn’t sound like she knew Steven was there... and you remember what happened near the end of the trial?

Zircon’s accusation definitely had an impact on Blue. Between that, and how much Blue wanted to find the truth about Pink, I was convinced that she’d launch her own secret investigation. And yet, if anything, it seems like Blue dropped the matter. She even seems just fine fighting alongside Yellow - who would probably be a suspect, as far as she knew.

Heck, in The Trial, she wanted to hear everything that Steven had to say, and in Reunited, she doesn’t seem to care to listen. She even tells Steven to “Answer for what you’ve done, when suspicion had been cast on her fellow Diamonds not that long ago. She even identifies Rose’s sword as the one used to shatter Pink when Zircon had cast suspicion on whether it could have been Rose.

And I don’t know about you, but I’m not sure if Blue would even know that Rose’s sword was the sword (supposedly) used, because it doesn’t look like Blue had seen what happened, and I don’t know if it was ever specified by the witnesses. (Granted, it was Rose’s signature sword, and Blue may have been acting out of emotion.)

But really, it’s like Blue completely forgot what happened at the trial, and even some of her own motives. But how would she do that so easily?

You might have guessed it: I think that Blue really did investigate, and either she wasn’t careful enough about being found out, or she asked White about things outright. White, intent on covering things up, would’ve altered her memory. Maybe Yellow’s, too, just for safe measure.

On a related note, I think the timing of when the Diamonds coming for the Cluster isn’t a coincidence - we don’t know how long ‘shortly’ is in this case of how soon the Cluster would emerge, but I’d think Yellow wouldn’t suspect that it was in a bubble, or that it would need a little ‘encouragement.’ And again, Blue’s there when it seems odd that she would come.

But I noticed that this happened during the ceremony:

I think the lizards may be drones of sorts that White uses to spy on things, and Lion seen was eating one (with a very serious face, I might add). Considering everything that’s been going on, I think there’s a good chance that White noticed some things she didn’t like, realizing that Pearl’s memories were out in the open. Maybe she even heard, at some point (say, through Steven’s song just then), that the Cluster had been bubbled, and maybe that it considered itself victim. Or at least, maybe she figured that the wedding would be a time when the CGs would have their guard down.

At any rate, I think she thought that it was time to act, and so she ‘influenced’ Yellow and Blue to come for the Cluster. Maybe she even bumped up Blue and Yellow’s anguish so they’d be more prone to attacking Steven.

It might even explain why their thoughts were so strong that Steven was having trouble getting through them. Maybe it’s even tied to why Yellow didn’t recognize Peridot.

(I’m don’t know if that last bit is really important, but I think it’s kind of a funny potential-side-effect, at least. XD)

So... Where are Yellow Pearl and Blue Pearl?

I mentioned in my post about Made of Honor that I think it’s possible that they’ll play a major part before too long - that they probably know something about Pink Diamond’s Pearl that could point everyone in the right direction. I thought they’d show up in Reunited, but I guess I mispredicted.

That said, I do wonder why we haven’t seen them with their Diamonds. It seems a bit strange that the Diamonds would be without their Pearls. It doesn’t look like the Pearls are ever left behind to handle things while their Diamonds are away, which makes me think that maybe they were asked to wait while their owners handled things outside, and they might just waiting in the wrecked arm ships. ^_^;

I do wonder what Blue and Yellow might do about being stranded on Earth... maybe Steven will try to heal the Galaxy Warp. Or maybe they’ll try to salvage something from the ships.

At any rate, I’m pretty much waiting for everyone to start comparing notes and realize that things don’t make sense, one way or another.

This isn’t a contradiction, but I thought I’d note: I think it’s possible that, because she’s stuck in the observation orb, Pink can see what’s going on on the Earth, and that the moon in the sky could usually mean that she’s watching at that point.

You can see the moon quite a bit during the wedding ceremony (during the day), but not at all during the reception, or the fights (at sunset/night).

And you know how the stars usually look like diamonds in SU? In What’s Your Problem? and The Question, some of them look like encapsulated pink diamonds.

This isn’t the first time effects like this shown up, but it does seem to have only started more-recently. Even then, they’ve usually been pretty subtle - nowhere near as prominent as at the beginning of The Question. This kind of seems like a hint about Pink, or maybe even an effect of her powers - whether intentionally, or instinctively, she might be subtly influencing the skies and effecting the look of the stars.

Also, I think hot-pink suns may be another celestial sign of Pink - usually, the sunsets are more of a more subtle pink, or an orange color, or a gradient of the two fading to a dark blue. But then in, What’s Your Problem? and Made of Honor, the sunsets are more noticeably bold than usual.

So far as I’ve noticed, the only other ep where the sky is that boldly pink is Raising the Barn, where Lapis - the Gem who may have been stuck in a similar situation to Pink - was leaving forever. You don’t see the moon during all that, but it does show up shortly after the fact.

So during the arc, the moons shows quite a bit during the day, some of the stars look strange, and the sunsets are unusually bold. But then once the reception starts - after the ceremony itself - these things disappear, and the skies are much more normal.

Backing up a bit, the moon DID show up at the beginning of Now We’re Only Falling Apart - rather brightly, I might add - so it seems like Pink may have been really paying attention when the Gems were discussing what Pearl had just shown Steven.

Basically, I’ve been thinking that maybe Pink saw what was going on, started freaking out (especially with how hard Garnet took the info), and desperately started stretching her power to try and give a hint that she’s really stranded on the moon, and that she wasn’t Rose Quartz - a lot like how Lapis stretched her power to give Steven instructions, and to help him free her from the mirror.

But when she noticed that Ruby and Sapphire were getting together again and that the CGs weren’t going to fall apart, she started to calm down. She made sure to catch the wedding, and she decided to take the advice that Steven sang and just relax for awhile - I would guess she even fell asleep, or something. But that meant that she ended up missing all the stuff with the other Diamonds. XD; (Something that it would seem she does a lot of, actually, if the moon is any indication.)

Just something where I’d like to see if it’s true or not. I kind of hope the moon bit is, at least, because I like the idea of Pink making sure to watch Garnet’s wedding. Among other events. =3

Something about Yellow’s thoughts caught my attention:

"How miserable. I knew Pink couldn't handle her own colony, but I gave in. And now, I'm to blame for her fate.”

I’ve often thought that the Diamonds would put matters that effected all of them to a vote (though they’d otherwise have free reign over their own planets). I think Yellow’s thoughts confirm this (or at least lend credence to it), and it looks like one of the things that they might vote on is who gets which planet. I’m guessing Blue had long supported Pink in this, and if it took Yellow caving to make it official, then maybe White never voted for a planet Pink to have a colony.

But why? Did she have a reason to suspect that things would go wrong if Pink took a colony? Maybe she had reason to suspect that Pink might side with organics. That said, if she did, I wonder what tipped her off?

Also, we have yet another story for Blue’s and Yellow’s mindsets on Pink and her colony: Yellow figured that Pink couldn’t handle her own colony, when the dream in Can’t Go Back suggests that they thought she didn’t need any assistance - heck, Blue was even shown saying that all Pink needed to do was smile and wave. Also, Garnet implied that Yellow and Blue came to give Pink help, while Pearl pretty much said that those two denied Pink any real assistance.

I’d like to find out for sure what happened. Personally, I always thought that Pink probably tried to keep them from getting involved, but it only worked for so long, and I still think that scenario is pretty likely.

Small bit: I do love Peridot’s “flower girl” dress, but I find it odd that it destabilizes and poofs with her, suggesting that it’s part of her form. I thought that changing one’s outfit would count as shapeshifting (which Peri said that she couldn’t do at all), but this suggests that it doesn’t - or at the very least, maybe it’s a minor form. I’d kind of like to hear some clarification on this, personally.

Also, I’m interested in seeing Lapis and Peridot reform with CG-based outfits. And in seeing what they look like. =3

Now this part really caught my attention: In seasons 1-3, the end credits played snippets of Rose’s farewell song, Love Like You, gradually progressing through the lyrics until it was wrapped up at the end of Bubbled. But for every episode after that, there’s been ominous-sounding sound clips, moving into an instrumental tune that includes the instrument used for the Diamonds.

UNTIL Reunited... where they started playing a bit of Love Like You again. =3

Interestingly, it seems to be a different recording. Also interestingly, they started about halfway through the song, with the lyrics “I always thought I might be bad, now I’m sure that it’s true, ‘cause I think you’re so good...” (It fades out before “and I’m nothing like you.”)

Though why I really find this interesting, is because of the lyrics that come shortly after that part: “Look at you go. I just adore you. I wish that I knew... what makes you think I’m so special?”

Love Like You, in general, is about Rose not thinking much about herself. But if she really were a Diamond, I don’t think it would be hard for her to imagine why others might think of her as special.

And personally, I think if Crewniverse really is setting up for a reveal that Rose wasn’t Pink after all, those lyrics would be the perfect line to end the episode with.

Maybe this is a clue that such a reveal is close after all. 83

THIS PART IS RELATED TO THE PREVIEW FOR THE NEXT EPISODE - AVOID IF YOU WISH.

So Blue and Yellow thought that they obliterated Gems instead of just corrupting them. But how would that be? I would think that they would know what they were doing with their powers. And heck, Bismuth knew right away that the corruption had to have been a Diamond thing.

“Only a Diamond could do damage like this.” - Bismuth, Made of Honor

If Blue and Yellow didn’t know what was going on, then that only leaves White as someone who would know. I’ve been saying for a long time time that she’s been using manipulating the two Diamonds - it may or may not be with mind control, but it’s possible that she did that when it came to what the Diamond Attack did.

I’m guessing she wanted remaining Gems to be corrupted in order to try and get rid of any remaining organics - and at least torment any remaining CGs - but I’m less certain why she would mislead the other Diamonds (or, to a lesser extent, Homeworld). My only guess so far is that she wasn’t sure how anyone else would take the information, and so she figured she should cover up what really happened, just to be on the safe side.

But yeah, I think White is the real liar, as far as the plot is involved.

And I think learning about the corruption might be a good reason for the other Diamonds to start suspecting that White may be involved.

Also, Steven says that he doesn’t have any of Pink’s or Rose’s memories, suggesting that they’re may still be some skepticism (on Yellow’s part, most likely) over whether Rose was truly Pink - and frankly, if so, I find that understandable.

(Also, it just hit me on how heavily involved White probably is. Seems I way underestimated that factor.)

#steven universe #su reunited #heart of the crystal gems #su pink diamond #rose quartz wasn't pink diamond #rose wasn't pink #theory #theories #Speculation #su #white diamond #su white diamond #pink diamond

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sonicfanj · 6 years ago

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Why I dislike Amy’s Piko Piko Hammer

I’m a relatively strange individual in that over the last couple of years I’ve come to dislike Amy’s Piko Piko Hammer. I know that it’s an iconic part of her character but I just can’t bring myself to like it any more. As it has become a topic in most discussions that I seem to have anymore I wrote up a 6300 word explanation to try and detail why i dislike so it would be easier for others to see where I’m coming and thought I’d share it here too. So here it is

Amy Rose, one of the most well known and controversial characters in the Sonic the Hedgehog franchise since her adaption into the games back in 1993. Debuting as a fangirl damsel in distress who Sonic rescues and subsequently flees from, she would continue to persist in the franchise in spinoff appearances interacting with the rest of the cast and continuing her crush driven pursuit of Sonic. Come 1998 she was granted her first chance at being in a mainline platformer entry in Sonic Adventure. In this game Sonic Team experimented with giving every character their own unique way of playing through the game with each playstyle being further and further from Sonic’s own, and the one that put the franchise on the map to begin with. Some were reasonably accepted and others weren’t. Amy’s was one that was criticized primarily for a lack of speed and made the toy hammer she used in Sonic the Fighters a staple of her character. In time the hammer would become an element of Amy’s design that I would come to dislike and not even believe that she needed at all. To understand the many problems I have with the hammer, the role it has in gameplay, in its use, thematically, and Amy’s reliance and affiliation on/with it, I must first provide a retrospective of my own history with the franchise and how my viewpoint of the series changed when I looked back on it with the announcement of Mania.

At the age of five in 1991 I was living with my parents in the house they had just bought. My dad was a diehard SEGA fan who hated Nintendo with a passion and owned both the Genesis and Master System and he was finally allowing me to start playing video games. I immediately became attached to Alex Kid and though I was no good at the games I absolutely loved them. Then one day my dad brought home Sonic the Hedgehog. It was unlike any game I had played or seen my dad play and though I was not good at it, it completely enthralled me. Then came 1993 and Sonic CD, and my mind was blown away again. From the diverse levels and time traveling experience to the amazing opening and ending animations it was the game that solidified my interest in Japan and that I finally got good at playing Sonic games with. I was the first of my family to beat it and everything about the game won me over and Sonic, Amy, Metal Sonic, and Eggman won themselves permanent places in my heart. To me anything American made was dead and to this day I still do not know how I knew about Eggman and Amy’s Japanese names at that time as they were not used in the USA. Then though the dream was over as my dad sold his Genesis and Sega CD. I would not be able to see Amy again until my dad bought Sonic Jam for the Saturn and she appeared in the updated version of the CD ending as well as the CGs that were included in the game. For years I played the original trilogy with my younger brother but those games never captured me like CD did. Then Adventure came and I was enthralled all over again. But things were different, there was voice acting that was nowhere near as good as the Japanese voices in the OVA trailer included in Sonic Jam and Amy and Eggman had been redesigned almost beyond recognition and Amy suddenly had a hammer which origins I learned about through game magazines at the time. But back then that didn’t matter to me. I could play as one of my favorite characters and it was awesome with me loving her Hammer Vault more than anything else she could. I would spend hours just running around Station Square Hammer Vaulting over and over again because it was just so much fun. Then my sister one day brought home Sonic R and Sonic CD for Windows and the magic of that game was rekindled. I would play for hours and it was the greatest thing in the world. It was Sonic at his purest and nothing compared, not even the uniquely enjoyable Sonic R. I enjoyed Sonic Adventure 2 when it came out, but it was not CD and Amy had been removed from play except in competitive mode where she was just a slower Sonic, who himself disappointed me beyond instant Light Speed Dash compared to Adventure 1. Then the end seemed to come as SEGA withdrew from the console market and I was faced with the fear of Sonic having come to his end. Fortunately that was not the case as Sonic Heroes debuted across all platforms and I played it on my older brother’s Xbox. The game had everything in it that should have made it my favorite, but the cheesiness and way Metal Sonic was handled just disappointed me. There was also Amy who though playable again, was lacking her Hammer Vault from Adventure still and stripped most of the fun out of playing her for me, and when combined with her teammates and easy mode difficulty left me almost never revisiting the game as even Sonic was missing that purity that I so loved. Not surprisingly I returned to Sonic CD and mostly just watched my sister and younger brother play Shadow. Then 06 was revealed and something about it captured my imagination like nothing else had in a long time. Even with the game’s problems I was one of the few who was fortunate enough to not have that many glitches appear as I played the game and generally enjoyed it. But there were more disappointments and my family pretty much stopped caring for the franchise at that point beyond my younger brother who mostly stuck to CD like I had for year before as well. When Unleashed was first teased I remember being apprehensive about the Werehog idea but then that first trailer with Endless Possibilities won me over and everything about the game seemed right. Sure I was disappointed by the Werehog and how Tails and Amy weren’t playable, but they seemed so much better represented than anything I saw in what little I watched of Sonic X. It was a grand adventure again and Sonic was Sonic again, at least during the day. At that point though, while my younger brother played Unleashed even he had pretty much given up on the franchise having forward progression and pretty much stopped talking to me about the franchise. Fortunately for me I had discovered the SEGA forums around this time and between the community and the wikis my eyes were opened up to so much more. I learned a great deal about the Archie Comics which I had previously ignored due to my preference for the Japanese side of things and discovered so much more. I just soaked up as much of the franchise as I could. When Sonic Colors came out for Nintendo only it was disappointing but the forums kept me informed and in the game to an extent. Then there was the day of Sonic Generations reveal and my dad showed it to me when I got home from work and it was a game I had to have. But the more I studied it, the more it was wrong. Classic Sonic was round and chubby instead of sharp and dynamic. I was exposed to the belief that he was always cute in greater form than I ever was when I first heard such comparisons drawn by Morgan Webb on X-Play back when Heroes released. Everything seemed wrong but I bought the game anyway and was blown away by what was being done level-wise for Modern Sonic but was disappointed by so much of the game that I couldn’t revisit it. It wasn’t just Generations though, everything was going completely sideways from what I knew and loved about the franchise and I could no longer even retreat to Sonic CD because the PC it ran on had pretty much died and all of the working PCs could not run a Windows game that old. Christian Whitehead’s remake was a godsend in a way, but it too was wrong. I was able to finally experience the Japanese soundtrack for the first time, which immediately won me over in game context, but Sonic felt so heavy and slow compared to the Windows version that I just stopped playing because it didn’t feel right. Somewhere around this time I managed to finally be able to watch the subtitled version of the OVA with my younger brother and it was one of the most nostalgic experiences we had ever had. Sonic was Sonic, Metal Sonic was Sonic. Tails was fast and competent, and Knuckles was probably the most enjoyable I had ever seen him even though he was removed from his role in the games. It was everything I wanted though, bar Amy missing, and it made me wonder how much I was missing from the old days of the Japanese side of the franchise that never made it over. It was at that time I found Sonic Retro’s archives and my world was opened up again in ways that the Mania previews couldn’t touch.

Of all the arguments that never made sense to me in my time in the fandom it was that Sonic was a children’s franchise so it should be full of weak comedy and Teletubby levels of childish harmlessness. It was an argument I had never seen pre-Shadow the Hedgehog and made no sense in the context of Sonic being a teenage rebel with an attitude as I had been introduced to him back in 1991. I found myself frequently siding with Adventure diehards in the belief that the games were so much more but I had no real context for what I was talking about. But I finally realized that Sonic really was a children’s franchise when my younger brother translated the story in the first Sonic Drift and I saw that Amy addressed Sonic as Sonic-sama. It’s so hard to describe what it was that clicked due to the use of that Japanese honorific, which implies utmost respect and on occasion even admiration, but in that moment I realized that characters around Sonic’s age actually undermined the franchise being a children’s franchise. Sonic was a character of the nineties, a character who parents feared being a bad influence on their children because of his rebellious ways and cheeky attitude yet here was this eight year old girl who looked upon Sonic with such admiration and respect. And why wouldn’t she? She was a hedgehog and adventurer herself in a world where Sonic was the most famous hedgehog in the world, so much so that even a fox (a hedgehog’s natural predator) wanted to be like him. He was a role model. He was the cool teenager that your best friend’s older brother was. The problem solver. The one you wanted to be like because he was that awesome. That was who Sonic was and I had forgotten that at some point in the years since I was first introduced to him. I wanted my brother to translate more of the untranslated material from the Japanese side but he refused for reasons unknown to me so I instead started reevaluating the series and what it was. Everywhere I looked where another character around Sonic’s age was introduced it smothered the influencing effect he had on young children in favor of the Shonen Jump tenet of friendship, and Sonic changed over time from being the cool teenager who young kids looked up to into this shining beacon of righteousness who corrected the path of everyone he met. But who he was was no longer there and Tails trying less and less to be like his hero as the years went by nigh completely erased that aspect of Sonic’s character. But back then even Amy had that idolization of Sonic, instead of a hammer that she swung at him with if he refused to go on a date with her. Her idolization was gone in favor of violent jokes played off her infatuation. She was not the genki girl I loved but some green eyed monster who was routinely accused of being a stalker and yandere. While plenty of arguments were made in her defense it was not enough for me. I had to see what was missing from Amy’s character and so I studied the games and discovered some amazing things. Amy was introduced as a damsel in distress, but how much of a damsel was she? If I went by Sonic Adventure she should have been perceived as a helpless damsel before then but this clashed with her tomboy description and Rascal nickname from CD so I would have to look at her from before then. My starting point was again the Japanese manual of Sonic Drift where, according to what my younger brother translated, the car that Sonic drove was praised by the hedgehog for being nearly as fast as he was. That meant that since Amy was competing that she was driving a car that could nearly keep up with Sonic. Taken in context that means she had the strength and reflexes to control such a car and actually race against Sonic. This was taken to its extreme in Sonic R where Tails supposedly upgraded her car and she was now competitive with a cast of characters who could keep up with Sonic on foot in one way or another. She was significantly more impressive than some average person or damsel in distress. But how much further back could I trace this astounding competence of Amy’s. As it turned out, all the way to Sonic CD where she debuted and Sonic Team Japan presented her as a damsel in distress. What they did not do though was make her helpless. She traveled to Never Lake under her own power led on by nothing but a message from her cards and a love for mysterious things. Upon arriving she didn’t just hang around the lake but got herself up on Little Planet which the only demonstrated way up within the game and manual was Eggman’s chain, which can be inferred to mean that Amy made her way up there by that method. Then on Little Planet she demonstrates enough strength to hold Sonic in place if he is moving slowly enough and makes it through Palmtree Panic to Collision Chaos before Sonic. Later in the game once she is rescued from Metal Sonic she appears at the end of Metallic Madness after Eggman’s defeat, but is shown catching up with Sonic. This can be inferred to mean that she made it through Metallic Madness on her own, navigating all of the death traps designed to stop Sonic himself. But what about her being a damsel in distress? Considering she was captured by Metal Sonic who even Sonic cannot straight up defeat in head on confrontation instead having to simply outrun him, then Amy’s capture makes sense. She’s not as fast as Sonic and even Sonic can’t beat Metal so of course she is captured. Not because she is helpless, but rather because she was simply outclassed by something beyond her abilities. In light of this, when discussions about Mania and Amy being included were ongoing I proposed that Amy did not need her hammer and could be included without it. This resulted in me being ostracized due to a general love of Amy’s hammer and her Sonic Advance 1 gameplay amongst the community. Faced with such a reaction I decided to look at the place of Amy’s hammer in the games and the more I studied the more I disliked the hammer and the more I believed that Mania was a chance to re-explore Amy without it as it had no place in Naka’s original rolling gameplay that gave birth to the franchise itself, no less Sonic the Hedgehog, the object of Amy’s affection and the hedgehog who she has enough respect and admiration for to use the -sama honorific in pre-Adventure content.

I don’t recall where I first heard the story but I have seen it revisited several times over the years; how Naka when tasked with creating a paltformer franchise created rolling momentum based gameplay based on the movement of a ball so as to allow continuous movement without stopping to attack, instead bumping into enemies to defeat them. While that formula was tweaked heavily over the years, and even abandoned for a time, it is still something that is genius in its execution and simplicity. Using a hedgehog, a creature that naturally curls into a ball to defend itself, was even a further stroke of genius as it created the necessary imagery to connect the concepts of attacking and rolling together due to a hedgehog’s quills and the motion of a ball. When Sonic curls into a ball you know instinctively that a ball of spikes will do damage, so it is naturally affiliated with attacking, especially since when Sonic jumps he curls into a ball and damages any enemy he bumps into. Then the fact that Sonic curls into a ball when he ducks tells the player that if Sonic curls into a ball while running he will roll and carry any momentum that he had while running. It is absolute genius simplicity that provides both depth and ease of play. There is no memorizing numerous button inputs and combinations, just running and curling into a ball. Deceptively simple, but when combined with solid, engaging, and imaginative level design the possibilities are near endless, and above all, fluid. The intention of achieving continuous movement is met with this simple design that is both easy to pick up and play and provides as much depth as the levels have variety. It is this formula which the franchise built itself upon and that always pulls me back on the gameplay side of things. As much as I enjoyed Amy’s Hammer Vault in Sonic Adventure it was never as engaging beyond just enjoying doing it. It required sometimes excessive effort to pull off and in turn was frustrating in level where it was meant to be used. The compromise for this was to create a complex command system for Amy that has been described by many as a hard mode in Sonic Advance and excludes all traces of the original rolling gameplay to defeat enemies by bumping into them. Simplicity was gone and what should have been intuitive instead required major experimentation to even begin. Yet in the same game the traditional gameplay still existed and could be used to complete the game without the use of any other ability tacked on. So why make Amy so complicated? I’ve heard plenty of arguments, some ranging from thematically to others that argued for uniqueness. None though could ever address the fact that Amy is a hedgehog who lacks her natural ability to curl into ball and take advantage of the original gameplay design. But gameplay complications further arise from there

Jump /\ /__\ Run Roll

Jump /\ /__\ Run Swing Hammer

Take the two triangles above. They describe the basic gameplay that the franchise began with and Amy’s gameplay. While they are similar, 1/3 of Amy’s gamplay is completely different and leads into a series of complex additional commands as well as a focus on melee gameplay which requires stopping to fight instead of maintaining the flow of continuous movement. As the versatility of “Swing Hammer” becomes even more in depth the triangle become unbalanced and you no longer have a platformer but a brawler with platforming elements. It is fairly disingenuous and betrays the simplicity and intention of rolling so as to not need to stop to defeat an enemy. It puts an emphasis on combat based gameplay instead of movement based gameplay. When approaching Mania and its return to the top triangle and the simplicity it relies on there is no room for the hammer, and thus Amy if she must have it. As someone who wanted Amy playable in Mania and was starting to have a desire to see how she could be explored without the hammer in a setting where it was not as much a part of her character, the insistence that she had to have that overly complicated gameplay even in a setting that thrived on the use of simple gameplay played into my dislike of the hammer. In a way, it was keeping one of my favorite characters and gameplay styles separate. I could not have both and that just seemed wrong since Amy originated in that gameplay era.

Further discussions I would have about Amy’s hammer and its use in the franchise would only fuel my dislike of it as I began to see it as a rather twisted and horrible tool. To me, Amy is a genki girl, or a girl who is overwhelmingly positive, optimistic, energetic, and is always trying to get everybody to have as much fun as she is so that they too can be happy. She is joy incarnate in a way, yet the hammer is the very opposite of that. While it is designed as a toy, a hammer is technically a tool for building things but that is far from what Amy primarily uses it for. She doesn’t build anything with it beyond fear as she wields it as either a sledge hammer or war hammer destroying everything that gets in her path. This destructive use of the hammer combined with the temper introduced to her character in Sonic X would convert what was once a silly toy into weapon of entitlement where any time Amy would not get her way she would bring out her hammer and get her way in an instant. She was no longer a genki girl, but an over entitled brat that no one would put in her place for overwhelming fear of her hammer. If she didn’t like something, just swing the hammer and the world would fall in place, a far cry from the bubbly and energetic girl who could win people over with kind words and a smile by calling out their inner good. To make matters even worse, she would turn that same hammer against Sonic, the very hedgehog who holds her affection and who she was once demonstrated as having enough respect and admiration for to use the –sama honorific when addressing him. But even beyond Sonic, her supposedly best friend Cream is also an unfortunate victim of hammer abuse if some her lines throughout the franchise are anything to go by. As the lead heroine of the franchise I find this type of behavior from her completely inappropriate, and further, as someone who sees the franchise as a children’s franchise it is content that can teach children all kinds of twisted values. It shows that if you want something bad enough you just have to swing anything you can make a weapon out of, even your toys, as hard as you can and everyone will fall in line. It’s a horrible lesson and not one that should be being taught on any level. For example, take Knuckles and his ability to punch. In his debut game he is demonstrated punching on a number of occasions, including at Sonic and Tails, but once he is playable his punching is a not an option for the player unless they try to use his glide leaving him instead to use Sonic’s special abilities. To a small child this can appear as only villains punch people and it is very hard for a good guy to punch anything, but instead a good guy has special abilities that they use to defeat bad guys. This can leave a profoundly positive effect on a child and can even potentially lead to a child having an interest in learning the right ways to deal with bad guys and maybe even becoming real life heroes like our police, firefighters, doctors, and soldiers. In contrast, Amy’s hammer encourages a more villainous approach of using weapons to get what you want and that if you act sweet enough everyone will let you get away with. It is disingenuous and is a horrible message to pass along to children. But it gets even worse. When Amy is using her hammer against her friends they are shown as weaker then weapons which undermines the roles of the heroes having special abilities to beat the bad guys. But then, if you take Amy’s hammer away from her she is usually made to be completely useless and helpless promoting a need for weapons and self armament. It is spectacularly tonally dissonant with the rest of the series and her optimistic ways.

Over the years the Sonic franchise has gone through many changes but one thing has stayed consistent; the image of a blue anthropomorphic hedgehog running with a confident smirk on his face to his next adventure. It is so iconic an image that at one point back in the nineties I remember hearing that Sonic was more globally recognizable than even Mickey Mouse. It’s lavish praise for a simple blue hedgehog who loves adventure but it speaks strongly of his image; red shoes for running and a shade of blue that evokes the freedom of the open sky and peacefulness of that scene. He may have a strong sense of justice and won’t stand for injustice but at the end of the day even he enjoys the peaceful times when he can run to his heart’s content. And that brings me to the image of Amy’s hammer. What does it imply if not combat. When it comes out everyone knows that Amy is intending to do harm. That does not evoke the peace that Sonic fights for and represents just by being. It instead evokes the very images of the conflict that Sonic puts an end to and is an opposite image of the optimistic girl that Amy is supposed to be. While it can be said that combat is as much a part of the Sonic franchise as adventure, to me part of what works is not glorifying traditional combat and instead using the fantastical specialness of a hedgehog’s ability to curl into a ball. It makes Sonic and his cast of characters unique from other franchises and can make any blue ball evoke thoughts of Sonic, or yellow with Tails, and red with Knuckles. But what about Amy? Well, when I see hammers I think of construction work, or the Animaniancs, or Thor and his hammer Mjolnir, or even Harley Quinn from Batman with the Tales of series usual being my first thought when I see the type of hammer that inspired Amy’s. It also doesn’t help that a hammer does not make me think of Sonic gameplay in any way and it does not conjure up images of rolling and running. As an Amy fan who wants to see more of her this lack of strong identifying imagery means that most people outside of the fanbase would not think Amy if you showed them a picture of a hammer limiting demand to see her. Even in fanbase it is not good as her hammer is usually affiliated with her violent representations where she uses the hammer in ways as to make people feel like she is a yandere, a type of character who harms those who show interest in their affection even going so far as to kill their affection so no one can have them. Further, when the hammer appears arguments for combat centric gameplay arise and sense of adventure is washed away in the wake of a clamoring for action. Praise is constantly heaped onto the hammer for its deep and involving platforming and combat. No mention is made of exploration and discovery with the worst parodies of the hammer simplifying Amy down to a cheep Incredible Hulk knock off. Imagery like this while made in good fun in some cases is disingenuous with Amy’s character. When you can show her on one hand as a bright and cheerful girl who you can’t help but smile at and then on the other where she is a hammer wielding force of terror it can be horribly jarring. While it could be argued that it shows multiple facets of her personality it can also be argued that she is treated almost as a Dr. Jekyll and Mr. Hyde character due to how different the personalities are. This change in imagery though is all controlled by whether or not her hammer is out. When there is no sign of it she is typically cute and adventurous with an all around cheerful disposition. Once the hammer comes out though, she becomes something else which is almost always affiliated with combat and destruction. This dual imagery is not conductive for a character that is intended to have a single image, especially one of being, curious, optimistic, cheerful, and adventurous. By affiliation with her hammer Amy is portrayed as having two extremes she can exist in which, while reconcilable are rarely shown as such with her either being in hammer mode or normal mode. As a fan of Amy’s character, hammer mode feels like a detraction to me that smothers the genki girl that she is at her best.

Amy’s affiliation with her hammer does more than just give her an unneeded violent image, it also affects her interactions with those around her. The first thing that typically comes to mind even in universe when Amy’s hammer appears is typically fear. Or occasionally in the reverse the sign of hammers will make the characters think of Amy. Her affiliation with her hammer makes her interchangeable with the sight of any hammer, effectively reducing her role to just hammer. If something needs hammered everyone thinks of Amy. It is a gross simplification of her potential in the franchise. She is never addressed as an adventurer or someone who has a great sense of intuition, or even just someone who can listen to your troubles and lend a hand. Her affiliation with her hammer and overreliance on it also cuts off her own potential for growth. As mentioned above, I see Amy as spectacularly competent and that she has been since Sonic CD when she debuted in the games years before she was given the hammer. Like Tails, she idolized Sonic and made every attempt to chase after him. Unlike Tails though who was gifted with the concept of flying like a helicopter to keep up with Sonic, Amy was given nothing back in that period and when she finally was adapted into a main game she still was not given gameplay that would reflect her pursuit of Sonic. Instead she was severely undermined and was even slower than Big the Cat. In a platformer series where you run fast and plow through enemies without stopping by curling into a ball she was made excruciatingly slow and provided a weapon that brought her to a stop every time it was swung unless she was going fast enough to Hammer Vault. In fact, her affiliation with her hammer at that time required you had to be going fast enough to attack without slowing down which was counter intuitive with Sonic design up to that point where you attacked by rolling so you did not slowing down. In other words, her hammer represented slow methodical gameplay in a franchise that was about moving fluidly with speed as a reward. Amy was instead rewarded with fluidity for moving fast but to tell you that you were going fast enough to be rewarded you had to wait for her hammer to appear, an almost cruel reminder of what it was that was keeping you slow in the first place. Even when the problem was resolved in the Sonic Advance series by giving her speed, she was still deprived of the classic rolling gameplay which allowed for fluid play as soon as you picked up the controller. But her hammer association would not get better from there as her next and final in her modern design platformer gameplay appearance in 06 sacrificed everything she had built up in prior games. From there it would not get better. Her violent image continued to get worse outside of the games and she was only considered relevant if she had her hammer. Her hammer became so relevant that when the Archie Comics did their 25th anniversary celebration with the Mega Drive Comic, Amy was only allowed to follow along because of her hammer and how it was useful with Sonic even then seeing her as at risk if Eggman decided to go after her. Her hammer is treated as so representative of her that when Eggman is bested in Cascade Temple Zone and everyone attacks him, Amy is left off screen with only her hammer being visible. In the next volume things get even more out of hand with the hammer as it is practically the only reason Amy, Tails, and Knuckles are able to best a dragon robot as swinging the hammer keeps Amy safe from its attack. Yet in the same issue her hammer is then useless against an animal container that Sonic can plow through with ease using the classic spin attack which is shared by Tails and Knuckles. She is again shown as useless if her hammer is unavailable even though she herself is a hedgehog who chases after Sonic and should be able to imitate him if Tails can. The fact that she doesn’t at all also cuts off some of her potential as a motivating character. Her and Tails were both introduced as characters who idolized Sonic and chased after him with Amy being the optimistic and cheerful one and Tails being the one who struggled to be confident. From a narrative standpoint it was a perfect opportunity to create a relationship between Tails and Amy as Amy cheered on Tails’ efforts to be like his hero even going so far as to give her best examples to show him that one could be like Sonic without being Sonic. Unfortunately it was a wasted opportunity and now outside of Sonic Mania even Tails has not attempted to be like his Hero in well over a decade. Amy meanwhile is waiting for a game where her hammer can fit in so she can finally be playable again. If she was not so affiliated with and dependent on it she would already be playable again and accomplishing who knows what. Just like Tails, the game she was introduced in showed she could keep up with Sonic and make it through Eggman’s death traps with only the most extreme of circumstances being beyond her, in her case a metal doppelganger of Sonic even he could not directly fight in game. It was a theme at that time that could have been followed to spectacular effect showing how Sonic could motivate young children to be all they could be in pursuit of what motivated them without fear of what others thought while subtly hinting at what is good and bad. Instead Amy out of all of the main cast, barring games like Sonic and the Black Knight and Shadow the Hedgehog, was the only character to be given a permanent weapon and not to have any lessons attached to it creating an image dissonance between a sweet bubbly character and nightmarish over entitled brat who even her friends were terrified of. It brings nothing to her character or her best moments, but her affiliation with it bars her from more traditional takes on the series and leaves her with a violent psychopathic imagery at its worse.

Though argued by many, I, after my long history with the franchise was able to look back and see it as the children’s franchise that it was supposed to be. A story about a blue hedgehog and his adventures and all of those he met and inspired along the way. As a children’s franchise the characters who best represented that were Tails and Amy, but where Tails was able to be like his hero for a while Amy was left out until she was given a hammer that did not allow her to truly belong. In light of the current times where equality and equal opportunity for all is being fought for in the public eye again, as well as equal representation for women, it really is a shame that Amy is held back from being able to achieve what Tails did in favor of a hammer. A message is left with Amy for any girl who wants to chase their dreams and that is that they will never be able to catch up to their heroes and so they might as well take up arms and make a ruckus until the world bends over backwards for them. That is one reason amongst the many above that I have detailed for why I dislike Amy’s hammer. I acknowledge its iconic place in the franchise but I would like to see Amy put it down for good and become a character like Sonic who fights for what is right and what she believes in without relying on the way of villains. I want to see her smiling brightly as she chases after Sonic with her heart on her sleeve and believing that she can catch up him. To me, as long as she holds onto her hammer she never will, because all she will be is the one who hammers, and not Amy Rose.

Whew that’s a lot. Anyway, I hope anyone who took the time to read this can at least see where I’m coming from. Not trying to change anyone’s mind, just trying to help them see why I have the stance I do.

#sonic the hedgehog #Amy Rose #piko piko hammer

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kordeliiius · 7 years ago

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Spring Anime 2018 First Impressions

This season is looking up to be a pretty big one. For some people, it's because several huge series such as Tokyo Ghoul, BnHA, and Stein's Gate are returning to the screen all at once. But for me, who got into hardly any of those, it's more because I feel like I have more on my plate than before. Heck, there were a few more shows here and there that didn’t quite make my watchlist, but I feared I wouldn’t have enough time to get through all of them, so it’s back to the usual one or two per day. Without further adieu, let’s get into it!

Notes:

I won’t be doing impressions for anything continuing from last season. This consists of: Black Clover, CCS Clear Card

Decided to not watch Golden Kamuy after all; Decided to add Comic Girls to the list

Kakuriyo no Yadomeshi - A show like this might remind a person of Noragami, Inuyasha, Kamisama Hajimemashita, or Spirited Away because of the heavily-emphasized youkai theme, though none of them put such an emphasis on food, so I'm looking forward to how the show sets itself apart from the crowd. At the moment, I'd say it's alright. The animation is nothing special, but I immediately became a fan of the color usage, with the OP drawing me in, and I specifically remember seeing that initial shot of the Hidden Realm with a color-contrasting town and mountain range against the night sky. I found a few of the character designs to be intriguing as well, though I'm a little concerned as to how far the show will go in terms of personality. It's gonna take a little more than them being attractive to drag me in this time. I'm at least glad that the main synopsis is out of the way and we've already landed in wonderland. I decided to watch this show pretty last-minute, but I like it enough to keep going!

Magical Girl Ore - Hooooooh boy where do I even begin with this one? So. Basically it draws you in by throwing all the cliches in your face. Reusing shots, childhood friends, embarrassing teenage drama, the sentient ahoge, super long attack names, the power of love, etc etc. The intro to the first episode was like Tokyo Mew Mew and Precure (and maybe even One Punch Man?) had a child that liked to occasionally break the fourth wall, and I loved it. I wouldn’t say the show is quite as outrageous as something like Pop Team Epic, though it certainly is outrageous. Certainly looking forward to the fun I’ll be having with this one, though I’ll probably dread watching it in public...

Tada-kun wa Koi wo Shinai - I don’t watch very many romcom animes, though for one reason or another I decided to check this one out. After looking into it, I discovered that it’s being made by the same studio who adapted Nozaki-kun, so this’ll be interesting. Getting into the actual show, I admittedly didn’t like Teresa riiiiight away (probably because she was introduced with the typical “gaikokujin” stigma), though like some other watchers, I can’t help but feel like there’s a mystery surrounding her. She did hesitate in saying her last name, after all. I recall the synopsis saying that she and Alec were from Luxembourg, though in the show they’re calling it Larsenbourg? Weird. At the moment, a voice that really stands out to me is that of Ijuuin’s, I found it amusing to listen to. (I also looked up his VA, and found out he’s apparently a big deal.) I feel like the voice acting is good in general. This show has a slow start, so I honestly don’t have much to say about it, yet it seems promising to me.

Comic Girls - Sure enjoyed watching this one! I first showed interest in Comic Girls because I like to draw a lot, myself, and I plain and simply love manga, so I thought that a whole series dedicated to the process would be an excellent idea. And I feel like the first episode got the feeling of an artist down pretty well. Though I'm more experienced with general classroom settings rather than a (college) dorm, I think this anime accurately portrays communication with artist peers, the joys and pains of creating, and living in a new environment. It's also good as a comedy, and it makes good use of gags such as typical manga cliches, using panel-like screens for scene portrayals, Kaos' oddly adorable nervousness amped to the extreme, and how everyone is gay for Tubas, but don’t quite admit it. While some things are obviously exaggerated, all the characters seem real, and the fact that this is a cutesy, colorful slice of life doesn't prevent it from showing us their struggles as artists. I almost didn't test this show out, but I'm ultimately glad I did.

Hinamatsuri - I REALLY LIKED IT! I really liked it. That’s the least I can say right now, haha. We’ve just begun and this show is hilarious. You wouldn’t think a show with a yakuza and a psychic little girl would work, but it honestly does. I’m not sure why it took so long for it to be uploaded anywhere, but the intro hooked me with its fast-paced, non-stop animation, and from what I can tell, that part was a flash-forward that gave us a preview of the plot. I like the setup and the characters quite a bit, and I just know there’s gonna be more along the way. Also, can I just say that I really like how they draw the hair in this show? I don’t think I’ve seen something quite like it before.

Boku no Hero Academia Season 3 - Not the strongest start for a new season, to be honest. A lot of the episode was simply dedicated to flashbacks, recap exposition, and what some people would call filler, I guess. So far not a lot to get us prepped for the upcoming plot, other than what was already stated or implied at the end of the last season. Other than that, I thought the OP and ED were quite nice! The OP song was really hype and modern-sounding in my opinion, and I liked the ED because it started off by showing pencil concepts and keyframes, which are something I always like to see. Tasty. Can’t wait for new characters and for things to get real dark in the near future.

Piano no Mori - I actually liked it more than I thought I would. the characters and their personalities drew me in immediately, and I can’t wait do see how the relationship between Kai and Shuuhei grows. This is just a little suspicion, but I’m hoping the series uses magical realism somehow. The prominent example in this first episode was when the piano in the forest would play for Kai and no one else, and for this to truly be MR, it can never be explained. It’s something I’ve been wanting from an anime ever since I started studying the genre again. And you know what? I’m just gonna say it. The use of CG isn’t bad. In fact, they kinda had to use it, considering how fast these kids’ fingers are flying and the kind of camera movement they’re going for. It looked something straight out of a game to me; it clearly looked like it had effort put into it. And hey, why couldn’t Houseki be that smooth most of the time? I’ll be looking forward to the rest of this show, and appreciate some quality music while I’m at it.

OOOOOOF that was a lot to get out. For now, I’m gonna sit back and watch what I’ve chosen and just have fun with it. See you in a few weeks for the usual ongoing impressions!

#anime #seasonal anime #kei's anime list #anime review #first impressions #spring anime 2018 #kakuriyo no yadomeshi #magical girl ore #tada-kun wa koi wo shinai #comic girls #hinamatsuri #hinamatsuri (anime)#boku no hero academia season 3 #my hero academia season 3 #bnha #piano no mori #kramblings

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satoshi-mochida · 3 years ago

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Some thoughts on my last Gamefly rental, Song of Memories.

It did not get off to a good start from me. First, I was kind of tired when I decided to start playing. And you know that ‘MC’s best friend whose always has bad romantic luck that people don’t like and acts like a horndog’ trope? Yeah, it starts off with one of them. It thankfully moves past that part fairly quickly, but I learned my lesson from when I played Our World Is Ended, which I started playing while I had a headache and had a bad time for a while, so I held off on getting back to it when I wasn’t tired.

There is a decent amount of fanservice, though it’s spaced out and actually less obnoxious than I was expecting, but the game does unfortunately make the mistake of putting it in a couple scenes that are supposed to be more serious, hurting the mood, in my opinion(thankfully not many).

Though it’s not even close to the point of being unable to tell what’s going on, there’s quite a lot of text goofs, like a couple naming inconsistencies, and typos that I think needed a second pass to clear up. Seems like third lines in dialogue boxes had a bad habit of having the first letter cut off for some reason.

Oh, and one heroine, Fuuka, is the MC’s adopted/non-blooded-related sister.

Decided to get my more negative thoughts I had on it out of the way first. If that hasn’t made you decided to skip it, good, since there is plenty more to it than that.

The game uses something like Live2D and a unique ‘Emote’ system for the dialogue and, surprisingly, CGs, and actually does something neat with it: at some points in both, they have the characters do several different things, such as change expressions on the fly or look at speaking characters instead of looking forward the whole time, and it actually looks like it’s done pretty naturally most of the time to me. A few nameless characters, and specific enemies, don’t get this full treatment, just the standard ‘looks like they’re breathing’ effect. This might make more sense to see than have described to you, though. If you’ve played Yuzusoft VNs, they do something similar, but are still just static images. I hope this system gets used again in another VN.

Speaking of the CGs, the MC, default name Minato Kamishiro, is drawn in them without visible eyes(the way he’s shown is like a generic character with his eyes meant to be hidden under his hair), or sometimes his face is cut off by the screen, and I think that hurts the impact some of the CGs he’s in, since it makes him much less expressive compared to the others.

A fun extra that you get after getting a character’s Normal or True End is letting you mess around with the character portraits and the various poses/emotions they have that lets you see how expressive they are.

There’s a very handy flowchart that you can use to jump around to pretty much any point in the story you’ve seen before, which makes getting all the endings easier, as well as a Trophy that requires you to pick every dialogue choice, which can get monotonous, at times, especially all of the ones for D4U.

At one point, a battle system is introduced, using virtual idols to fight enemies(just roll with it; it sort of makes sense later), which is pretty much just a very simple rhythm game(though higher tier moves are more complicated). They can be skipped if you want, and you still gain EXP(expect for certain fights later on). There’s only one battle before the route split(except if you’re going for Akira’s), though. Its mostly done fine, though there’s no HP bar for enemies(only the MC has visible HP), and a few battles just have static art that doesn’t react to damage, which made me think I was doing something wrong at first. If they decide to have something like this again, I hope they expand it to look more fleshed out, like it’s from a normal RPG game.

The first half of the game is the ‘Joint(Common) Route’, where you work on getting onto a specific heroine’s path. After a certain point, the second half, and a specific character’s route, begins. It’s probably best to do one full blind run before using a guide. There is a Bad End for the Joint Route, but it’s pretty hard to get it accidentally.

If you’ve seen the game’s actual box art, which isn’t what's shown above, you know it has quite a different tone. Though the official descriptions hint at it, I’ll put stuff about the second half’s events under a Readmore.

On a certain day, which you’ll probably be able to guess, someone with the X-Virus starts attacking people, and chaos ensues. There’s even a second opening made for this section, to help set the mood.

The shift in tone is a bit jarring, and even though I knew it was about to happen, it actually startled me for a second, but what happens is foreshadowed at a few points during the game. I think this is where the story starts picking up more, too.

Since this is the point where the story splits into Character Routes, the events of each, for the most part, are all pretty different from each other, though some specific details and events are a constant through each.

For the heroines, I liked Yuno, Satsuki and Natsume’s routes the most, and though I didn’t hate it or her, I liked Fuuka’s route the least, for the reasons mentioned above. Kanon’s seems like the one that’s probably supposed to be ‘official’, since she’s very important to the story’s events, is front and center in the official art, and gives the most background information on what caused the outbreak.

Makoto has a route, too, where he actually acts like a good friend instead of his usual self in the end, though it stops before the outbreak.

This part of the story, like Devil Survivor that has a similar premise, is good at showing people’s possible behavior changing, and losing their humanity and rational thinking during such a lockdown, though I feel the former does it better, overall. Themes like the mobs of survivors possibly being scarier than the monsters is something shared between the two, I think.

Speaking of, the ‘horndog best friend’ I mentioned above, Makoto, gets changed by the events that kickstart the story’s second half pretty differently depending on the route. In one, I’d say he redeems himself in my eyes, while in another, he goes way off the deep end. I can see what drove him to become like that, but it and something else he almost lets happen are inexcusable.

At certain points in the section, you’ll have to pick where to travel on a map, one section at a time, and it’s possible for random battles to happen here. The rate increases on repeated playthroughs.

...not to get too topical, but due to current events, some parts where characters that are known to be infected with the X-Virus go out to where some groups of people are getting relief supplies just kind of bugged me. ^^;

I was skeptical of it first because of previews, but this was actually worth taking the chance on playing, some annoying parts mentioned above notwithstanding. Each route is also fairly long(some shorter or longer than others). I want to see them use that Emote system in another visual novel; it really helps add more life to characters during dialogue scenes.

I did use a guide, but I’d recommend trying it mostly blind unless you get stuck, since it’s not spoiler-free.

Next game being sent is: Teenage Mutant Ninja Turtles: Mutants in Manhattan.

#Song of Memories #Thoughts on my rentals

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