#she doesn't like to be called vern!!

[bereft-of-frogs]

with Vernestra being in the new book and seeing some people comment on like 'waiting for the other shoe to drop with her arc' (sorry if you happen to be the person who wrote that on reddit and are reading this haha, I actually really agreed with your review, that line just popped out at me), and my own frustrations with wishing they'd just invented a new character to fill her role in The Acolyte, because speculation on how we make the (kinda big) leap from book characterization to show characterization is overshadowing her character in these last few books, I started wondering like why did they choose Vernestra to be the one book character to bring forward? They had to retcon the Mirialan lifespan for it, didn't they? I know they probably wanted at least one book character to get the book readers on board with the series, but there wasn't anything that jumped out at me to explain why that figure had to be Vernestra. Then I got it.

...I bet they just wanted to use the lightwhip.

I mean first of all it is a cool, unique weapon for the series, even though they only used it in that one shot, fair enough lol. But I bet they had the idea for that shot of Qimir's scar to connect to whatever turned him to the Sith and planned the arc from there, so they had the plot first (Qimir fights his former Jedi master, leaving him with the scar that can be strategically revealed when it is time for #traumatic backstory) and slotted Vernestra into it because the lightwhip makes for a unique enough scar pattern to serve as heavy foreshadowing when it's revealed in episode 6.

But damn, I wish they had just made it like Silandra's shield and had it passed down, I would have been chill with Vernestra being Qimir's master's master, that would have made sense to me. But that's definitely where the 'they needed a character from the books to get the book nerds to watch the show' lol and maybe they already have Burryaga's (the only other character I can think of with a sufficient lifespan) ending planned (#fear). But it still does kind of suck that the ending of the book series has to be viewed through this lens of 'ok well how does this explain what happened between book Vernestra and show Vernestra...'

[ipostwhatiwant1202]

Headcanons for all 4 TMNT:

• they all love kids but they collectively agree that babies aged 0-2 are the best

• can any of them handle spice? absolutely not. does it stop them? no.

• the only thing can all collectively agree on without much arguing is music

• all are surprisingly pretty good dancers

• they have all said "suck my dick" at some point (raph uses it the most)

• they all manspread

• nothing triggers any of them more than a spider

-raph won't go anywhere near the spider and refuses to be in the same room with it

-mikey's okay with the spider but doesn't want it touching him

-donnie will move the spider without killing it but won't touch the web

-leo will touch the spider to take it outside but the feeling freaks him out

• don't say the words "i bet you won't" cause boom there they all go

• at some point they have all referred to april as mom just to piss her off

• they all agree smores poptarts are superior

• they play with april's hair if she's sitting in front of them on the ground

• shark week is a whole thing

• thanksgiving and christmas are the turtle's favorite times of year

• they will all devour the deviled eggs and cranberry sauce

• mikey and raph will shamelessly walk in the bathroom when their brothers are showering

• leo and donnie are very guilty of leaving cupboards open in the middle of the night

• raph and leo have similar facial expressions when shit hits the fan

• mikey and donnie freak out if wet food touches them when they do the dishes

• leo and mikey both really like dr phil

• donnie and raph can't stand the taste of bananas

• do any of them truly enjoy horror? no. do they suffer through the movie anyway? yes.

• april has sat on their laps when there's been no seats

-leo is the most calm and just settles his hands where she directs

-raph is a bit more timid and keeps one hand on her waist

-donnie tries to keep his hands off her because he's awkward

-mikey just wraps his arms around her like it's a normal thing

• splinter still tells the boys stories when they can't sleep after a tough patrol

• splinter also checks on the boys every night when they go to bed

• the guys can all shotgun like it's no ones business

• they're all very protective of april and casey's child(ren)

-one time one of the kids came home crying saying another kid pushed them down and all 4 of them were fully prepared to go to war

-if the kid is taking a guy to homecoming or prom, the dude gets threatening texts and blocked phone calls

• when april and casey's child(ren) was born, all the guys cried

-leo very reluctantly let someone else have a turn holding the child(ren)

-raph has made the child(ren) a blanket as a gift when they're born

-donnie handles all the medical care for the child(ren) and april during and after birth

-mikey decorated the child(ren)'s nursery and baby shower(s)

• april gets random texts to settle dumb arguments between the brothers

• they all love adele

• they all sing in the shower

• don't bring nerf guns into the lair for the sake of splinter's sanity

• vine references are frequently thrown around the lair

• they've all watched 90 day fiancé and they all hate ed

• mikey is the only one who can get any of his brothers to cry from laughing

• leo may suck at comforting his brothers but they all seek him out for comfort anyway

• donnie's sleep schedule is the worst so when he falls asleep in his lab his brothers have each carried him to bed

• raph can't sleep properly unless he knows that his brothers are close by and he's seen them go to bed

• splinter will still sometimes tuck the boys into bed if he knows they've had a rough time

• all of them have cussed out casey and vern for saying the wrong thing about a brother

• they all hardly swear around april

• splinter has banned legos in the lair because the boys were using them as revenge against each other

[steventhusiast]

once again inspired by a tiktok of a dad playing DnD with his kids. i had no idea where this was going the whole time but i had fun writing it so enjoy

-

When Steve pushes open the door to his home, a smile creeps up on him without permission. There's nothing better than getting home from a day of work to the sound of his daughters squealing with laughter and Eddie's chuckles.

He closes the door behind him quietly, and decides to quietly make his way to the sound. He doesn't want to alert them of his presence, wants to see what his family's been doing all day without him.

Poking his head around to peek through the doorway to the dining room, he sees Eddie sat with his DM screen in front of their two girls, Lily and Amy. Lily, who's five years old, is giggling at Eddie's description of a tavern they see in the distance, whilst Amy, who's only three, plays with the set of dice in front of her.

"The tavern ahead of you is strange. It's-"

"Strange how, daddy?" Lily interrupts, and Eddie makes a big show of narrowing his eyes at her interruption.

"Ahem. No interruptions, miladies." He says, leaving a pause for the girls to giggle, "The tavern is strange. Its roof is covered in rainbow tiles, and as you get closer you notice that it's shimmering in the light."

"Like sparkles?" Amy asks, and Steve smiles to himself as he sees her kick her feet as she looks up at Eddie with big eyes.

"Yes, lovely, like sparkles." Eddie confirms with a smile, and Amy gasps.

"I'm called Sparkles! Can we go?" She asks, and the leg kicking gets faster as she gets excited.

"Of course! Would you like to know what's strange about the tavern first?" He checks, looking to Lily for her opinion as well.

"No. Wanna see the sparkles." Amy says, and Lily nods in agreeance.

"Okay. As you get closer to the tavern you notice it is surrounded by what at first look like a swarm of rats, but are actually teeny tiny unicorns. What do you do?"

It’s clearly a setup for a fight with the hoard of unicorn, but either Eddie doesn’t know their girls at all or they don’t realise it, because the girls gasp in excitement at his words, and Steve decides to lean against the doorway instead of hiding. Eddie notices him and offers him a wide smile.

"Can we..." Lily hums as she thinks, "Can I adopt one?"

Eddie laughs at the suggestion, but nods.

"I suppose. Okay, I need you to roll for me," Lily squeals in excitement, "Grab the dice with 20 sides for me, and roll to see if you, Sunshine, can convince one of the unicorns to be your friend."

Lily nods in determination, and Steve watches as Eddie patiently lets her count the sides of the dice until she finds the one with twenty sides. She is very serious about rolling it, and when it ends up being a 15, she looks at Eddie with an earnestly hopeful expression.

"A 15 works! One of the tiny unicorns jumps up to land on your shoulder, and introduces themself as Cloudy." Eddie cheers with the girls, and then turns to Amy, "What will Sparkles do?"

"Can I flyyyy over the unicorns? I wanna see the ta-vern, daddy."

"Of course you can. Your character can fly, so you easily glide over the crowd and make it to the door of the tavern." Eddie says with a smile.

"Hope you're not going to let them buy any mead at this tavern, Mr Dungeon Master." Steve decides to talk at that moment.

Eddie knows he's there, obviously, but the girls are completely engrossed in their game, and jump out of their seats at his voice.

"Daddy! We played all day and I got a pet unicorn and we saved a princess!" Lily explains as they run over to hug his legs.

"Wow. Sounds like a busy day, huh?"

[dontlookatmytmntcollection]

First I Love You

Bayverse TMNT × Fem!Reader

This is self indulgent garbage I have made to keep myself distracted.

It varies from Drama to Fluff to Angst and Pre established relationship to a fucking year into being official to Y/N to she/her. No spicy tho. Good luck lol

-Raphael-

It wasn't panic.

It wasn't. He felt excitement. Raphael was bursting with energy. Stomach in knots, head pounding, chest pushing and pulling oxygen as if it was hard.

It wasn't panic. Leo concluded the huddle with a nod. "Let's do this!"

"Turtle power!" The group shouted. Turtle and human alike branched off in different directions.

Raph looked over at you.

"Raph, I-"

"C'mon people, let's go!" Vern called.

Raph didn't know what to do, heart racing and blood surging. Making him jittery. He half-heartly ran after his brothers.

He couldn't help but glance back.

You had taken a step back closer to Vern. You were watching them go, frightened. He understood.

He could die or get taken away- this might be the last he would ever see any of these people ever again. Last time he would ever see you.

"You don't have to do that." You had laughed, smiling as he lifted your couch.

"You're not gonna do it." He teased, watching your dog fetch it's toy happily.

"It's an upper east side candy shop." Raph explained one night. "I know you like sweets."

You gave him the biggest puppy eyes, smile ear-to-ear, holding the snacks to your chest. "You're my hero."

God, had he wanted to kiss you. He almost did one time. Almost spilled his guts when you blinked tiredly up at him. The scales of his arm were imprints along your face. Marks a movie lengths worth in the making. They wouldn't fade for several minutes. It was so cute.

Your hand grabbed his once. Tugging him to the edge of the water, in an effort to show him something. Probably. He couldn't remember. He hid his shyness under the banter. Soaking up the feeling of your hand in his.

Raph couldn't stop thinking about you, anymore. He knew you felt something too. He was more than happy about that.

But it wasn't meant to be. He knew better.

"We can't do this." Raph had whispered two days ago. Pulling his hand away from your fingers. Pulling away from what had almost been a kiss. "It's wrong."

Something numb fell over your expression. Blocking him out. It broke his heart as you pulled your lips tight. Looking down and nodding. "Okay."

Raph had faced impossible odds before. But this was bigger. Scarier. He knew there was a chance he could never make it. A good one if this plan doesn't go well.

No.

He needed to do this.

His feet started to do their own thing.

"Raph?" Donnie called. Confused.

You turned back around, suddenly swallowed up in Raphael's shadow. "Raph, w-"

"I love you."

Her eyes widened, staring up at Raph.

"I'm fucking crazy about you." He whispered, terrified. "I fell in love with you, and I'm sorry I-"

"Raph-"

"You're the best thing to ever happen to me, and I've been wishing I could be the guy you deserve, but I'm not, so...so I just want you to know -"

"I-I love you too." She whispered, rushing forward.

Raph blinked. Relief overwhelming him before he could register what had been said.

"I love you so fucking much." His best friends small hands were quickly on his cheeks; the sensation like lightning on his scales.

It...probably wasn't the best kiss, in hindsight. He had done nothing but stare wide-eyed in disbelief as it happened, was happening, and happened.

She pulled back, her hands petting his face. His hands holding her head too. Her eye contact made his limbs go numb when she whispered, "Just come back to me, okay?"

Just come back to me.

"Uh...Okay."

She choked out a laugh, letting go of his face and pushing at his chest. "Now go get 'em tiger." It made Raph choke and smile back.

"Raph!" Leo shouted.

Ignoring Vern's expression of horror. Raph nodded to himself. "Okay." He said again. "Okay." He sprinted after his brothers on legs he couldn't feel, new energy driving him forward.

-Michelangelo-

You weren't naive.

You knew he wouldn't be accepted by most of your family. You knew that a few individuals might even be dangerous to Mikey and his family.

But the key word was most.

The newest generations, relatives your age, were much more accepting of many things. Within reason.

With your boyfriends...predicament- it took some extra effort on your part to set up a meeting of some kind. A meeting in which both parties had nowhere to go but through the uncomfortable interaction. With no room for reactive actions. No access to immediate exits, phones, or weapons-

Good thing you were dating an actual angle.

Mikey could work a room so easily, it overwhelmed you. He had your siblings charmed within seconds; cracking wise while the first gawking and terrified reactions were water off his shell.

Now, your boyfriends social circle was that much bigger.

One thing led to another. Weeks went by, then months. It's how you two ended up here. You on your siblings couch curled up with a book. Chaos all around you.

"Aaand...boo!" Mikey leapt out from behind the doorway.

"AHHahah!" One of your neices squeeled and ran away, hands covering her face.

"C'mere, you." Mikey growled, his smile just as wide as he dramatically stomped after the four kids, his hands perfect T-rex claws. His shadow easily swallowing them as they hurried away.

"Mikey, you can't eat them!" Your nephew wasn't older than five, but he chased after the giant turtle man as they rounded the couch you were sitting on.

Mikey tackled your nephew to the ground expertly, the boy roaring in delight; getting tickled ferociously.

"Ahhh! Stopp!!" The boy was desperately trying to worm away from your boyfriend. "That hurts!"

Mikey let go, and the boy continued to giggle as he caught his breath, struggling to get up.

"Ya a'right?" Mikey smiled.

"AHHH!" One neice came out of nowhere, pouncing on Mikey's arm.

"Oh NOO!" Mikey cried as he fell expertly over, making the little girl laugh. Your nephew screamed in triumph, jumping on his shoulders.

The other two saw the action, and pounced.

"We gotchu!!"

"Oh no, oh no!!" Mikey whined, struggling carefully for their entertainment as the kids climbed on top of him. He went limp, a gross sound in his thoat.

The kids squeeled, tiny hands slapping him playfully. "We know you're not dead, Mikey!"

He didn't reply.

Your neice shook his shoulder. "My-ee?"

"RAH!" Mikey jolted awake, and they all screamed and scrambled away.

"Get back here!" He called.

The kids scrambled to another room, leaving you and your boyfriend facing each other where he was kneeling on the carpet.

"How are you doing?" Mikey asked, still smiling. He had glitter stickers all over him. And marker ink was all over his shoulder.

Your heart had swelled, closing your throat and misting your eyes. He looked good like this. Happy.

"I love you." You muttered.

Mikey jolted, his eyes blowing wide. "...W-what?"

"I love you." You repeated with a smile, voice breaking.

Mikey's jaw dropped, his hands lifting a little from his knees. "We're- I-I-I love you-"

"UNGUARDD!"

A pool noodle slapped Mikey's head from behind.

You laughed.

-Donatello-

"All done." You whispered.

"Thank you."

You didn't look at him, setting down the needle and blood-soaked fabric.

You and Donnie were sheltered in the lab. Curtain drawn. He sat maskless and blind in his chair. Hands clasped between his spread knees.

He'd been quiet. Avoiding your gaze.

You stared at what would be a new scar on his face. Down his cheek and neck. You mourned the marring of some turtle stripes under his jaw.

Blood was crusted between scales around your messy stitches; and you slowly got to work of gently dabbing it away. One hand on his other cheek to keep him still.

You couldn't handle it alone anymore. Hurt that had weld up in your chest suddenly surged. Your voice began working again.

"Why didn't you tell me?" You whispered.

He didn't answer. But you felt a muscle clench under your fingers.

You bit your lip. Tears welling up at last.

Your proposal that fateful night hadn't been unique. At all. But the offer of another date night was ignored by him completely.

Ghosted. You had gone to April. Worried that something might have happened.

April's number apparently didn't exist anymore. Her face gone from her regular network. Nothing was said about it. As if you had made everything up.

You didn't have any other numbers. You didn't know where to find anyone. You'd begun to accept he had let you go. All of them. Suddenly. But they were gone, none the less.

You were not needed; and Donatello hadn't wanted you.

Then tonight, two hours ago; you'd received a mystery caller. Three times. Leo. Imploring. Needing more hands, because Donnie was down and out for the count. You had never heard the leaders voice like this.

Karai was now dead.

Everyone is home safe.

You felt tears finally spill down your cheeks. You pulled away, sniffing as you scrubbed harshly at your cheeks.

Donnie reacted to the sound as if shot.

"Y/N it wasn't -"

"You didn't tell me." You hissed. "That's all I need to know."

"It's not like that!" Donnie said urgently. "I couldn't -"

"I needed one text. N-not even that, just... something. Anything." You hissed. "I don't even ask for an explanation! Just saying it's unsafe to talk would have been more than enough. Y-you and I even have a safeword-!"

"I couldn't do that!" Donnie said. "They had tracked Splinter and April through our communications. My firewalls should have prevented the Foot from - I didn't - I didn't know, and I couldn't endanger another person I love the same way."

A person I love.

You gasped, chest heaving with built-up sobs. Physical pain struck you at his words. Shock. Denial. Two weeks. Nothing -

"You don't love me!" You choked. Insistant.

Donnie blinked, mouth dropping slightly open as he stared at you wide-eyed.

He took in a shaky breath. "Yes, I do."

You sobbed, squeezing your eyes shut as you scrubbed some tears away. "No, you don't, c'mon." It was the weakest you've ever sounded.

Donnie's hands snagged your elbows. Pulling you to face him so his hands could rest on either side of your head.

"You were in danger." His voice shook. "You were in so much danger - and I'd rather you think I left or was gone than ever - ever, see you hurt. Especially because I was too fucking s-stupid to protect you or my family."

You were silent. Staring at him like he was the last thing left alive.

He bit his lip, wet eyes sparkling with the most conviction you'd ever seen. "I love you so much. You're the best thing to ever happen to me, and I promised myself I would keep you safe, no matter what. If...If I could redo all of this, I wouldn't change anything." His voice broke. "It'll be different from now on, but...the thought of you somewhere out there hating me is better than the thought of you...not being here at all."

You hiccuped, face wet with renewed tears as you pushed forward. Kissing him.

-Leonardo-

Leo hadn't liked you at first. At all, really. Comes with the territory, you thought. You didn't blame him.

The trust built slowly every month. Half a year went by before you could easily call him your friend, and you were good friends.

The problem was that you had started crushing on him. Hard.

One night, Leo had stopped you; rain pouring down as he - very awkwardly...asking you out.

You could tell that he had been terrified. It made your smile that much wider. Because you were terrified too. Over the moon. Finally.

You later found out the guy had actually the corniest, cutest list of dates he had been hoping to take you on. All written in a neat, dorky list in one of his notebooks. When you confronted him - he couldn't meet your eyes he had been so embarrassed.

Leo had been the one to ask if he could kiss you.

You had fallen in love. Not quickly. But you had admitted to yourself - looking up into those pretty blue eyes - that you were crazy in love.

And yet...

Leo still hadn't taken off his mask.

You asked once. "Am I ever going to see you without it?"

"Hell no." He huffed at you while he set your house plant back down.

"Scared I might find out you're a turtle?" You scoffed. "I have some crazy news."

"Nice try, but that kind of show-" Leo reached above you to grab a cup, then pointed it at your smug grin. "Isn't for free. VIP only."

"I'm not a VIP girlfriend?" You were outraged.

The curiosity was always there. But you didn't push. You knew it would happen eventually.

That moment came a week later. When you ran your nails across his scalp.

You quickly did it a second time after his tiny noise of happy surprise. A gentle scratch. Only slight pressure to the green skin.

"What're you doing back there?" Leo twisted, peering up at you from where he sat on the floor infront of you.

You kept at it. Smiling as you switched between scratching and petting his scalp, adding a second hand. "Just touching you. That okay?"

Leo's eyes fluttered before he turned back to the TV. His shell between your knees.

As time passed, Leo's head lowered. His neck weakening. He obviously wasn't watching anymore.

"You okay?" You giggled quietly.

"Mm."

"C'mere." You pat your lap. "Turn around."

Leo did. He paused, facing you. You stared back, smiling before pressing a hard loud kiss to the side of his snout. Pushing his head slightly with its force, making him smile and laugh.

God, you loved that laugh.

Your hands opened and closed dramatically over his form as he slumped his head into your lap, curling up close. You nearly giggled at how large his head was as he rested his cheek on a thigh.

There was one problem....

"Hey," you whispered. "May I move the mask?"

Leo froze.

"I can work with it." You quickly said, cringing. "You're okay."

"No," Leo said. "No, it's okay. Hang on."

Your heart leapt into your throat in surprise. But you bit your lip. You didn't want to scare him as he sat up and used one hand to loosen the knot.

Leo pulled it off swiftly. Never looking at you.

You stared.

You had convinced yourself it wouldn't be a huge deal seeing his face. It was a small mask. How much could it really hide?

Apparently, a lot. You felt your brain adjust to the ridiculous fact that it had been unprepared to have so much green to look at.

Leo moved to lean back down. You stopped him. That's when he looked at you.

Leo's eyes hadn't changed a bit. You realized that they looked even more gorgeous like this.

You're heart squeezed.

You'd been dying to tell him. Now more than ever.

"Hi." You whispered, smiling and petting his cheeks.

"C'mon," Leo winced. "It's not..."

"Tell me it at least feels better off..." the backs of your fingers pet down his cheeks before you pushed your nails along each side of his head. Across his temples and then along his scalp again. "It sure looks better off."

His eyes rolled closed. He pushed further into the contact, a pretty groan slipping out.

He stayed there. Leaned a little bit forward as he sat on the floor. His head being pet and scratched from where you sat in front of him on the couch. You pressed a few kisses across brow and nose when you felt his weight going lax once more.

Then holding his jaw, you pressed your lips firmly against his forehead.

Leo signed.

This was it. Time to tell him. You took a deep breath.

"I love you." Leo whispered.

[god-syndicate-if]

Because I'm a huge sucker for fluff I have to ask; What's something MC could say/do that would make the ROs feel all gooey inside?

Oh I do love these types of asks. Since idk which you mean, I'll take the sfw option for "feel all gooey inside"

Riley: Surprisingly difficult to make flustered as they'll take outright flirting as a joke. But subtle things will make them think of you for a very very long time. A small touch when you're trying to move past them is big, they'll focus on the spot your fingers were at for hours. For more direct ways you can defend them. Not even physically but if someone says something bad about them, or even slightly below neutral, then calling that person out on their shit (Before Riley gets a chance to) will make the, flustered and retreat.

Franco: He loves to make people flustered. If you blush easily he'll focus on seeing what he could do to make your ears red or to make you stumble over your words. But flirt back at the right time, make him lose momentum when doing so and he probably wont be able to regain composure for hours. You seriously just need to sit back and wait for the perfect opportunity to strike. (He also likes being ordered around just a bit but you didn't hear that from me.)

Verne: They're a little possessive, ngl. They handle it well and don't show it but it doesn't stop them from being jealous when they shouldn't be. If you're together then phrases like "I'm yours" will make them smile. If you really want to make them go wild wear their jacket or shirt, especially in public.

Mitch: Help him with a project. He works on his car a lot. If you come in and just spend time with him it'll make the time go by a lot quicker. but if you actually help him, even if he has to teach you something or if you have to teach him something, he'll really enjoy it. That night he'll be almost asleep and just remember small touches when passing tools, eye contact over the engine. He'll remember you grease stained and sweating and he'll have a hard time going back to sleep.

Sigourney: Chivalry goes a long ways. Make her feel important and that you care and she'll fall for you pretty quick. But don't stop at her, she wants to feel important but doesn't want you to step on other people to do it. If one day she leave home and sees you feeding a stray cat or something she'll go back inside and scream into a pillow.

Dame: Legitimately at this moment in time? Just pay attention to them. Come back from the shop with their favorite coffee and they'll hold on to it until it goes cold. When you're together they like breathy whispers a lot. Like a lot a lot. Lean in and say something (even innocuous and innocent) and they'll refuse to look you in the eye.

Rebel: Rebel wants to you see you at your best. Especially if you're physically exerting yourself. It doesn't matter what it is but if she watches muscles strain she'll refuse to look away, afterwards your touch on her will make her go wild. (if you've got someone's blood on you when you do she'll never let go.)

[marciabrady]

Scathing opinion on the Snow White teaser please (also, people yet again infantilising R@chel and acting like she's just a toddler being unfairly bullied by everyone for her dumb comments)

Oof I really can't get involved with anything even remotely touching Rachel's fandom/community. They literally claim Rachel never said things she was documented and recorded as saying multiple times lol that's another level. They're the type of people that change their points/the topic of the discussion whenever they're proven wrong and that's maddening. I'll say the most obvious, objective truth that it's pretty clear Rachel has a disdain for Snow White and the story and that there should've been more protections in place to guard this landmark of film from the people that signed on for the remake (the original director's SON has spoken out and said Walt and his dad would be rolling around in their grave; also I've never seen Gal finish a sentence with ease so I don't know how she's going to do justice to Lucille La Verne's chilling interpretation that still holds its own decades later in the Patheon of great film villains).

If anything, I think a documentary on Snow White would've been better than whatever this is. We got girlboss!Snow White twice in 2012 alone, so I don't know why Rachel thought she was reinventing the wheel with lazy takes that have been spoon-fed to her (someone's own authentic interpretation or opinion on a female character would be great!!!) and the lack of understanding and love for the source material is evident in every interview we've seen and now this trailer we saw that has the production value of a Danimals Yogurt commercial from 2004. She still doesn't even seem to get it lol at d23 they asked her about this film and she just generally said it's a dream of anyone to play a Disney Princess, but didn't say anything about *Snow White*- even after her announcer (who was more excited than Rachel) called out that Snow White was the original Princess (also this statement kinda drips with the vacuousness that Rachel does; how is it a dream for her to be a princess "even for a day" when she's already portrayed Fiona, Belle, and Ariel??? This is her fourth Princess lol and she portrayed each of them for more than a "day" lol).

Anytime anyone who is actually passionate about SWATSD tries to say anything, we're told that no one liked Snow White in the first place and Rachel is doing us a huge favor by taking on this role and we're feigning our SW support, despite the fact that there's been Snow White historians and museums and fan communities for close to a century. We're constantly told to shut up while everyone cries about how special Rachel is in a movie that hasn't even come out yet and, judging from the trailers, looks like AI text to speech leaping forth with a dress that's giving paint by numbers. Rachel definitely has photogenic features, but I don't know someone who can earnestly say what they did to her, design wise, is pleasing in any way- they made her look like a preschooler's interpretation of Pinocchio in drag. She also has talent and vocal ability but her tact is not there for me and she just really is not the right choice to play Snow White (and also we already had a live Snow White!! I'll die on the hill that Adriana Caselotti will always be the only Snow White, just like Ilene Woods is Cinderella, Mary Costa is Aurora...Ariel is trickier because I think it's more Howard Ashman than Jodi lol but she'll only ever be those two etc). Snow White is the heart and soul of Disney, what started this entire empire, and I think, from everyone we saw in the trailer, it's proving to be the inverse and is the death of Disney in many ways.

[knickynoo]

Back to the Future: The Animated Series, s02ep013 "Verne Hatches an Egg"

✨Last episode of the series!✨

Previous episodes linked here.

In this episode: Verne gains a cute little buddy, creepy Mr. Wisdom returns, and a jarring final moment with Real Doc

Well, friends, we've reached the end of our journey into the world of the animated series. It was almost exactly one year ago today that I posted my review of the first episode, and it's been a super fun project to work on. I'm kind of sad to be done with it.

Let's see what this last episode has in store for us, shall we?

We start in the lab, where Doc is making adjustments to his latest invention, the "ELB Pediatric Policer."

It's basically a lie detector designed to be worn by children, lol. When a child does something they know is wrong, or if they lie about something, it flashes with lights and blares a siren. He plans to present it at the Annual Convention of the Home Inventors of Mad Geniuses.

Gonna be real with you, Doc—not sure how I feel about this invention. Sounds like a good way to raise very anxious, paranoid children.

Anyway, this reminds Doc of something that happened to Verne when he was doing show and tell one day.

The cartoon begins with someone attempting the steal the DeLorean. They're shrouded in shadows, but it's pretty clear that it's Verne. He's got a pretty high track record for DeLorean thievery. Doc's security system catches him, though, locking him into the car, setting off an alarm, and taking a picture, which is sent directly to Doc's room.

Quick little sidenote, but I don't think I've mentioned that Doc regularly calls Clara "Clarabelle" over the course of the series. When he's woken up by the alarm system, it's the name he uses to call to her, and I was like, "huh. why have I never written about this in my posts?" I looked it up, and Clarabelle (the spelling according to the subtitles on the DVD) is a variant of the more official spelling, which is Claribel. It means "bright and beautiful" but seems to be a pretty obscure name, as it's only listed at .009% usage at the height of its popularity in 1893.

So, I'm left wondering: Is the animated series implying that it's perhaps her "real" name, with Clara being her nickname? Or is this just an affectionate nickname Doc uses for Clara? And if it's a nickname, is it something Doc simply thought had a nice ring to it, or is it because he's secretly a big fan of the Disney character Clarabelle Cow??

That's Clarabelle with her boyfriend Horace Horsecollar, btw. If you even care.

Verne tells Doc that he was only taking the DeLorean so he could go looking for something cool to bring to show and tell. Doc decides to help him out by letting him borrow an arrowhead he has. Verne is psyched, but before he can even reach the school building, Biff Jr. intercepts him and demands his lunch money. He steals the arrowhead from Verne.

Verne's teacher isn't happy that he had nothing to show or tell about, and she tells him that if he doesn't bring in something the next day, she's going to make him play Prince Charming in the upcoming school play. Which is a really weird threat if you ask me!! How does one force a child into a lead role of a play he doesn't want to be in just because he didn't have show and tell? What kind of school is this?

Verne is horrified by this news on account of he'd have to kiss some girl named Beatrice. He says he'd rather be, "dead like a dinosaur" which gives him a sudden idea. I sense a bad decision coming! And I bet Marty is going to be in on it because he always enables Varne in these types of shenanigans.

Yep. I knew it.

The boys take a quick trip to prehistoric times, where Verne swipes a dino egg for show and tell.

Shortly after arriving home, the egg hatches, and Verne finds himself caretaker to the world's cutest dinosaur.

Look at that guy. (Verne faints when he sees it)

Within the hour, the dinosaur has already grown significantly, and it escapes outside to the yard, where Verne begs Jules to help in hiding him. Just then, they hear Doc approaching and quickly work to form a ridiculous story in which the dino is their friend who painted himself green because they're playing a game involving aliens.

They're able to get away with it on account of Einstein is so afraid of the dinosaur that he launches himself at Doc's face and refuses to move.

Doc decides to take Einie to the vet, leaving his sons and their "friend" to continue their game. Jules insists Verne return the dino, but Verne wants to keep him as a pet. He names him Tiny.

It doesn't take long for Tiny to go missing in town. He ends up at the Tannen home, where Biff Jr. is watching Mr. Wisdom (who you may remember from an episode earlier in the season). If you don't, you just need to know that Mr. Wisdom is an evil children's TV show host who also happens to be one of Doc's old college roommates.

Mr. Wisdom announces that he's offering $50,000 to any viewer who can capture and send in an alien, bigfoot, or dinosaur. Very unfortunate timing, huh? Biff captures Tiny and sends him into the Mr. Wisdom show. After airing a special episode featuring Tiny, Mr. Wisdom plans to kill him and sell pieces of him to research labs for money.

Thankfully, Verne comes clean to his parents, and they work together to form a plan and sneak onto the set to free Tiny.

When Mr. Wisdom starts his show and reveals the "dinosaur," it's really just Marty and Jules on stilts.

Jules looks just like the monkey in that one meme.

The family gets home and prepares to bring Tiny back where he belongs. Before he goes, he spits out a baby tooth, which Verne is excited to be able to take to show and tell.

With that story wrapped up, we go back to Real Doc, who teaches us a little about eggs using a raw one. While he's talking, he takes out the lunch he'd packed, of which one of the items is a hard-boiled egg. Can you guess what happens? Yeah, he mixes up the two eggs. After some time to think about it, he feels pretty confident that he's figured out which one is the hard-boiled one and. And he just BITES into the egg, shell and all, like an absolute lunatic. And he's wrong about it being the hard-boiled one.

Who does this? Who on EARTH eats a hard-boiled egg in this manner? Are you telling me that Doc regularly leaves the shells on his eggs and bites into them like an apple?? He eats the shells? Is that what I'm supposed to take away from this??

We're ending the animated series with the revelation that this is how our beloved scientist finds it acceptable to eat a hard-boiled egg?? What am I supposed to do with this now? How will I make peace with this information?

Join me next time for nothing. The animated series is over, folks. Doctor Emmett Brown eats eggshells.

Adiós.

[zestymimblo]

Writeblr - ReIntroduction

Howdy howdy! I figured I'd type one of these out again because I'm trying to be more active on here, and also pushing myself to indulge in my passion for writing again... this helped last time, so I may as well give it another shot.

My name is Milo (he/xe) and I'm an aspiring author. I've always loved writing, and there's never been a point in my life where I didn't want to write in some capacity. It's easy for me to succumb to writer's block, but writing makes me happy and I want to be able to share what I create.

About Me

I'm a 21 year old (very gay) transman from Canada, and I want so badly to be able to travel to other parts of the world one day.

I'm a D&D nerd. When I struggle with a writing project, I often fall back on expanding my D&D worlds/characters. It's my safety net.

My career is in film. I work in the Art Department, mainly in props, and am working towards maybe becoming a Production Designer one day. Film work is a competing passion of mine, and you'll definitely find posts of me talking about work.

Like most other authors, I love weird shit, and you'll find a lot of weird stuff in my writing. Weird Fantasy is my favourite kind of genre.

In my writing you'll find themes of 2SLGTBQIA+, found family, fighting destiny, struggling under mega-corps/capitalism, nature vs nurture, self-discovery, different kinds of love, slightly unsettling surroundings, and weird lil monsters/freaky dudes.

My Current Projects

I have two writing projects going on right now. One I had to put on the backburner because I had written myself into a corner. The story wasn't progressing or flowing the way I had envisioned/planned, and I ended up getting more stressed than excited to write it. The other is one more laid-back for me to write. (Keep in mind, these short descriptions may be subject to change in the future)

The Strings of Willis Manor: Thistle Willis is sick. Her condition leaves her confined to the property of Willis Manor; a sprawling estate with lush gardens, dusty libraries, and secret corridors. At her attendance is Clementine (an automata handmaid, who was created with the sole purpose of tending to Thistle) and Andromeda Marrow (Thistle's childhood best friend). When her father doesn't return from a business trip to the South, Thistle's mother begins to fear the worst. In an effort to find a cure for her daughter, and establish Thistle as the head of the family business, Mama hires a Healer from an unknown land. But this cloaked Healer isn't who they say they are, and Thistle begins to uncover what really may be going on in the house she thought she could call home.

(Backburner) - Beneath Tattered Flesh: In the hissing, polluted, Magic, and bronze city of Ritec, Caesar Dampton is trying to move forward. He's trying to get over a bad break-up, make ends meet, and help his best friend - Emersyn Riley - find her place in the world. Between running away from his ex, and trying to figure out what he wants to do with his life, Caesar is stuck in a downward spiral. Newt Gourdeau got the chance of a lifetime; a full scholarship to Verne Cobb University. Leaving their small town behind, they carved out a life for themself in the city of opportunities. They're trying to bury their problems in mystery novels, university studies, and attempting to find a scientific reason as to why some people in this world have Magic, while others don't. Their obsessions leave them in solitude for days. But when the unlikely pair see similar tragic events happen at the same time, but in different parts of the city, they stumble into each other's lives. Manipulation and death follow the two at every step, but they're both determined to get to the bottom of a gruesome mystery unfolding in the city... or die trying.

What I'm Looking For

As you could probably already tell, I'm not awesome at keeping myself "on schedule", which is code for "I sometimes let my life/anxiety/career/whatever eat away at my passion for writing and I'll abandon it for several months a time". Having a place to post updates, or even just little rambles, really helps me out.

So in all honesty, if you're interested in what you see, then feel free to stick around! I'd love to chat, do fun word tags, and just be in a community of like-minded people.

Thanks for reading!

[thechaoticdruid]

"She has a little plant in a small pot that she affectionately calls Vern." I dunno why that line stood out while i was having a read of your tav, but i love that! And perhaps adding the thought of Astarion watching over it while stuck back at camp.

Honestly as adorable as that idea is I feel like Astarion would probably forget to water poor little Vern lol. Luckily, I headcanon that Winnie uses magical methods to care for her plants so Vern likely doesn't need as much maintenance as a plant normally would.

[minijenn]

Jen Tortures Herself With Every Dreamworks Animated Movie Ever: Over the Hedge

Yeah so I think I just entered Dreamworks' first Exceptionally Mid Era, because by god this movie just... well it simply just is.

So Over the Hedge. I've never seen it before and yeah... I feel like my life would have been completely unchanged if I'd never seen it. It strangely almost doesn't feel like a Dreamworks movie, it feels like something made by a c-tier studio that makes ripoff versions of Disney movies. Idk man, it's just... the vibes in this are so weird.

So the story. We follow RJ, an opportunist raccon indebted to a bear who has to collect a mountain of human food or be killed by said bear. To do this, he tricks a family of various other small animals, led by the cautious turtle Verne into going... well, over the hedge into the newly built nearby suburbs to steal as much human food as possible. Pretty simple plot, littered with enough cliches to kill literally any one of these creatures, really.

I think one of the problems this movie suffers from is its main cast is... simply too big? Like yeah, we focus mostly on RJ and Verne, but then there's the rest of the animals tagging along. Most of them are agressively unimportant and I wouldn't be able to tell you any of their names from memory because they're all just that forgettable (aside from Hammy, the crack-addicted squirrel, I guess). As for the humans, our antagonists are some crazy Karen lady who is trying so hard to channel Mrs. Tweedy (bitch wishes she had that level of Unhinged) and Dwayne, the exterminator, who is probably a Redditor tbh.

The animation is agressively bland, and honestly falls short of even the past several Dreamworks movies. There's just... not a lot of style to it? And what little style that's there is just so saturated and uninteresting to look at. The music is just as forgettable, a few whatever pop songs against an average score. I honestly kinda zoned out a few times while watching this because... idk it just didn't do a very good job at keeping my interest.

I feel like, tone-wise, this was the first Dreamworks movie very much made with young kids in mind. Coincadentally, I think it's also the first Dreamworks movie to not feature any swears or adult jokes? (aside from Prince of Egypt? I suppose, but that's a different case entirely). It's very focused on its slapstick, its "family is everything" messaging, its cutesy, silly animal antics, and so on and so forth, coming together to make what's, in my opinion, a pretty boring package overall.

So yeah. Over the Hedge. It certainly... exists. It's not insanely terrible or anything, but I think its definately one of the most... forgettable things Dreamworks has put out so far. Kinda understandable why this one never caught traction or became one of their reoccuring series. It's just sorta lame (shrugs).

Overall Rating: 4/10

Verdict: Call pest ontrol on these uggo animals

Previous Review (Wallace & Gromit: Curse of the Were-Rabbit)

Next Review (Flushed Away)

[smol-bean-boi13]

...

So I've been brain rotting a little hard

(??? Some guy?)

Andd then I end with a little self indulgent doddle of my sona.

So yeah. I've been hyperfixating on undertale for a bit.

So I originally just wanted to draw some cute npcs in snowdin, but then my brain saw lore.

Main masterpost

-- Info dump below --

So the first few pictures was just me doodlin a little bit, but then I really liked the Red Demon's design and lore. So I just dissected the f*ck out of this guy's dialogue, design, and understanding of the economy in the underground.

Eventually my brain led me to this conclusion.

*ahem* I have taken it up on myself to name the "Red Demon" (also called "Red Jester") as Vernillion (eh? eh?), and assign him an adopted sister, Loxie (the loox up top).

Before the war, he lived with his parents who adopted a lone loox after her parents had died fighting in the war. Eventually, Vern had lost his parents too, and soon only had Loxie to rely on and care for.

Once everyone moved underground, Vern and Loxie bounced from family to family; Vern wasn't old enough to be an adult monster yet. A couple (20) years later, Vern was assigned a plot of land and built a house to live with Loxie, and soon applied for college.

He met Sans in one of his classes, and have been good friends ever since. They often joked a lot and helped each other study.

Then sans applied to be on the royal science team, about a couple years in, sans quit. And didn't really talk much about his old job after that.

Meanwhile, Vern had been hard at work studying psychology, and eventually realized that nothing in life mattered. He realized that the economy was only going to get worse as time progressed, and that all the monsters would probably never be able to see the sun again, and that he would probably spend the rest of his life living underground.

This... caused Vern to develop depression. He didn't go to school, or interact with anyone outside of Loxie, who made him food and took care of him. And sometimes her friends who worked for the newspaper would come over to work on their comics and crosswords.

Eventually Loxie smacked some sense into her brother, and got him to go get help from a psychiatrist/therapist. He gradually worked to get back on track to get his PhD in psychology again, with the help of some medication and his sister's support.

Then, a human comes to town, and his reaction to them differs based on the route the player is taking. But in both, he's scared sh*tless to go outside the day rumors of a human falling into the underground reached his ears.

Loxie kicks him out of the house and tells him to be cool (ba dum tiss), while she meets up with her friends at the librarby.

Pacifist/neutral: greeted warmly, and says that even though there are problems in the underground, that doesn't mean that you should be morose about it.

Genocide: *smile falters a little* and says the same thing. (Knowing you've gained LOV/XP)

At the end of the pacifist/neutral route, he mentions that he's glad he doesn't have to keep pretending to be happy and smile.

...

And that's about it I think.

There's more little bits of information I don't think is important so I'll wait and draw it out later.

Thanks for listening ☺️🙏

[adamwatchesmovies]

Snow White and the Seven Dwarfs (1937)

There are many factors to consider when judging a film’s merit. An important but often overlooked factor is the film’s ambition. How many chances does it take and how far does it push the envelope? Under that criteria, Snow White and the Seven Dwarfs couldn’t possibly score higher. If there was a full-length animated film released in American cinemas before this one, it's been forgotten to time and it certainly didn't leave the same mark as this one. Now approaching 100 years old, there's no other movie quite like Snow White. You watch it as a child and enjoy the familiar story. You appreciate it for wholly different reasons as an adult.

In a faraway land lives the beautiful and kind Princess Snow White (voiced by Adriana Caselotti), the envy of her wicked and vain stepmother (Lucille La Verne). When the Queen’s magic mirror reveals that Snow White has become more beautiful than she, the Queen sends the young princess to the woods to be murdered. Following her escape, Snow White stumbles upon a small cottage and is taken in by the seven little men who live there.

Traditionally animated films age incredibly gracefully. Whereas you can see the limitations Toy Story and its early descendants had to struggle with, Snow White and the Seven Dwarfs looks as sharp as the day it was released. Snow White is not like the rubber-limbed Olive Oil from Popeye’s cartoons or any character from the many Disney animated shorts that preceded her. The fact that she can move alongside the decidedly anthropomorphized woodland creatures she befriends and the seven dwarves - all of which have cartoonish faces to match their outlandish personalities - is impressive.

Also helping the film remain timeless are the story and writing. There are no pop culture references, no fourth wall breaks, no ironic twists or subversions of the source material. There doesn’t need to be. Snow White simply is. Similarly, the songs are not the kind you’d hear playing on the top charts. They weren't made to sell records. They were made for the story. They’re used to develop the characters and move the plot forward. That doesn't mean they're not catchy. I think anyone who’s seen the film will be tempted to play Whistle While You Work whenever they begin cleaning and once you hear the dwarves’ Heigh Ho!, it becomes a part of your vocabulary. Nothing in Snow White feels like it was made to be more than part of the movie. There are no characters made to be turned into toys, for example. In that way, it feels more earnest than any other Disney film.

That's nice, but what really matters is how entertaining the film is. While this is a straightforward telling of a well-known, story (assuming you don't call the musical numbers "twists"), “Snow White” finds plenty of ways to make you care about its animated characters. There are many laughs throughout, courtesy of the seven dwarves. Her animal friends also provide memorable chuckles as they figure out inventive ways to help despite their limited sizes or limbs. My favorite has to be the deer who uses his antlers as a way to transport dirty laundry.

There's also drama and romance, courtesy of Snow White herself. Our heroine is so sweet and innocent your heart just can’t resist. When she talks about the handsome prince she dreams of meeting once again, it’s hard not to get as swept up in the emotions of the scene. There’s also a little bit of horror thrown in too - though only small children would be actually frightened. It makes the scenes when Snow White makes her escape in the dark woods and later, when the wicked Queen comes looking for her particularly memorable. On top of the emotions are the outstanding visuals. Even if you don't "know", I think a part of you knows or can tell everything you see was hand-painted and painstakingly put together. If there’s one criticism I can throw towards the movie, it’s that the ending feels abrupt. It still fits within the fairytale motif, but I wouldn’t mind if it was even 30 seconds longer.

There is so much to say about Snow White and the Seven Dwarfs. The visuals, the characters, the direction, the story, the songs… every aspect of the filmmaking could be the subject of a thesis. It's a film that was destined for immortality and I think people knew it as soon as it was released. Even today, it still stands triumphant as one of the greatest films - animated or otherwise- ever made for its place in history, but also for the way it brings a particular kind of story to life. (November 12, 2022)

[multifandomworldsposts]

We Met in Tampa PT 7 (final)

A/N: i hope everyone enjoyed this series i really enjoyed doing this series and sorry that i haven’t been posting this in a long time because im in school and i tend to procrastinate! so i hope everyone enjoy this last part of We Met in Tampa!

pairing: Austin!Elvis x Reader

warning: prepare to cry

PT 6

Y/N’s POV

Jerry and I would call each other once in a while. Sometimes it’s about Elvis, Evelyn, or the Colonel. Mainly the Colonel.

JERRY & I’s PHONE CALL

“Y/N, you know that the Colonel spoke Dutch right?”

“He did? I always thought that he had an accent but didn’t know what it was. When did that happen?”

“When I was talking about security.”

“You know, he always rubbed me the wrong way sometimes.”

“When Y/N/N?”

“He didn’t want Elvis to make a statement when Bobby Kennedy got assassinated. I thought he should but the Colonel said no.”

Ever since that incident Jerry and I got some theories about the Colonel. Until one day Jerry gave me a call.

“Y/N, there’s something about the Colonel you need to know about.”

“What is it Jerry?”

“The man who’s Elvis’s manager and you’ve known for a long time, he isn’t a Colonel, his name is not Tom and he isn’t even a Parker.”

I get confused, what is he even talking about?

“Jerry what are you even saying?”

“His real name is Andreas van Kuijk.”

“I don’t even know how to say that name.”

“Yeah I know! Get this, he’s not really from West Virginia, he’s really from the Netherlands.”

The words coming out of his mouth. It felt like my life was a whole lie.

“So he came to America illegally?”

“Yes.”

“That’s why he turned down the Japan, Germany, London offers.”

“You’re so right Y/N.”

I can’t believe what I’m hearing right now, the whoever the man is, is lying to us, to all of us!

“Jerry, I actually have something to tell you.”

“What?”

“Well, Andreas, it was when Gladys passed, he told Elvis okay, he told him this, ‘All that your mama has sacrificed for you will be for nothing.’”

“He said that?”

“Yes, I stayed near Gladys and Vernon room and heard that from him!”

“God he’s an asshole! He shows us some sides of him but I feel like you’ve seen like what, 3 sides of him.”

I thought of how many sides I’ve seen of him. I believe about 3 or 4 sides.

“I think I’ve seen 3 or 4 sides of him.”

“That’s what I said.”

“Have you told Elvis about this?”

“I’m going to, and also how’s Evelyn?”

“She’s doing well, she misses her daddy and she loves Tampa!”

“I’m gonna tell Elvis on what you said.”

“What do you mean?”

“Evelyn misses her daddy.”

“Alright uncle Jerry. Oh! I almost forgot there’s something else I know about the Colonel.”

“What is it?”

“When Elvis tried to tell him that he wants to go separate ways, Colonel, he took it weirdly like he wants to work with him but is there a reason why he still wants to work with him?”

“Y/N, you know he takes like 50% of everything that Elvis makes right?”

“What?”

“Since Elvis signed with him.”

“Are you serious!?”

“Y/N/N, did you know about this?”

“No I don’t. That bastard!”

“Y/N, I gotta go tell your family that I said hi.”

“I will, oh tell Elvis that Eve misses him, alright, bye Jerry.”

“I will Y/N, Bye.”

Jerry told Elvis, but something happened to Elvis...

Jerry's POV

"He doesn't exist. There never was a Colonel Tom Parker." I told Elvis while we were walking to the double doors but stopped.

"What are you talking about, Jerry?" Elvis slurred his words.

Elvis falls and faints, and everyone around us tries to get Elvis some ice water to calm himself down. Colonel ran to us and saw what was going on.

"Now, you listen to me. The only thing that matters... Is that man gets up on that stage tonight." The colonel demands.

Everyone including myself looked shocked, he's not going on that stage! He needs to rest physically and mentally.

"If he was my son, I'd put him in a hospital."

The Colonel looks at Vernon and says "Well, of course, this is a Presley Enterprises decision. Vernon?"

We all look at him, protect your child Vern!

"Well... um... Well, what can you... What can you do for him, Dr. Nick?" He says.

He clearly cares about the money, I can see it.

I'm in backstage, watching Elvis, I can't believe The Colonel is doing this to him. I have to call Y/N about this.

"So I'm caught in a trap I can't get out 'cause Colonel's got some big debts, baby." Elvis sings.

The colonel looks like he's confused but pissed and he should be.

"Fuck the International and Las Vegas." Elvis slurs his words.

"Mr. Schilling, what the devil is happening here?" The Colonel questions me.

"That's what he wants to know."

"800 shows! You don't have a goddamn passport you son of a bitch! You are fired! You are fired! You're fired!!" Elvis screams at The Colonel.

Everyone stays quiet. He said it, Elvis Presley said it.

Y/N's POV

I get a call from Jerry, we talked about what happened to Elvis.

"You know what happened to Elvis Y/N?"

"What happened?"

"He performed that night."

"Wait wait wait, he performed that night? I rather have him in the hospital."

"That's what everyone was saying except for Vernon, he asked Dr. Nick to 'help' him."

"God! They really don't care about his health!"

"Yeah they don't but Y/N, there's something I have to tell you."

"What?"

"Elvis Presley owns the Colonel 8 million dollars."

"I'm sorry, WHAT!"

"I know."

"But the Colonel takes 50% he makes."

"Right! But Vernon, said to him they have to sell Graceland."

"But, that house is for his mom and Evelyn loves it."

"I know, Y/N/N. We'll see what happens Y/N."

"Okay, call me what happens okay."

"I will bye."

"Bye."

We keep Graceland. I get to the airport with Jerry to see Elvis, Vernon holds Evelyn's hand so walks her to me.

"Hi, baby. How you doing?" I get to her level and kiss her on the cheek.

"Say 'bye daddy.' I told Evelyn." I waved my hand to Elvis and Evelyn waved at him. Elvis blows a kiss to her.

"Bye, daddy," Evelyn says.

"You're so good, sweetie." I said.

My mom takes her to the car and I talked to Vernon a little bit.

I get in the car that Elvis is in we stayed silent for a bit.

"Hey."

"Hi."

I look at him and said, "How are you doing?"

He just sighs.

I hold his hand and thought for a moment and said, "Honey, there's this place in San Diego where you can go to rest. To heal. After the show, you can fly directly and be in a clinic before anyone knows. It's all been arranged."

"I'm gonna be 40 soon, Y/N/N. Forty. And nobody's gonna remember me. I never did anything lasting. I never made that classic film that I could be pround of." He looks at his side of the window.

"But what about A Star is Born?" I question.

He chuckles lightly and looks at me.

"Barbra... the Colonel..."

We both chuckle.

I begin to cry, "Please go. For Evelyn? If you dream it, you can do it, baby."

"I'm all out of dreams."

"Promise me." I cry lightly.

I sniffle.

Jerry opens the door and I got out still holding Elvis' hand but he let go. He gets out of the car and looks at me. "I... will always... love you." I look down and bit and look back at him. I walk back to the car where Evelyn is at.

Elvis walks up the stairs to the plane and looks back at me and waves a bit at him. He waves back.

When Jerry called me saying Elvis passed, I bawled. The memories flowed through my mind. Us meeting the first time, him being my first kiss and being my first love. He showed an amazing time with B.B. King at Club Handy. We had our moments, us getting mad, upset about ourselves or us having an fantastic time or funny time. I’ll forever tell people he was more than my husband/boyfriend, he was my best friend. The best friend I never had in my life.

"When I was a child, ladies and gentlemen, I was a dreamer. I read comic books and I was the hero of the comic book. I saw movies and I was the hero in the movie. So every dream that I ever dreamed has come true a hundred times. I learned very early in life that... 'without a song, the day would never end, without a song, a man ain't got a friend, without a song, the road would never bend, without a song.' So I keep singing a song."

Mr. Elvis Aaron Presley

01/08/35 - 08/16/77

[god-syndicate-if]

💙 BLUE HEART - do they miss their s/o easily? how do they act when their s/o isn't around?

Riley Does not. They're not clingy and as long as you're in communication they'll be okay. (that communication can be like a single "good morning" text) when you're not around they'll literally just do the same thing they'd do with you. zero change. If you're without communication for longer than a day they'll arrive outside your door, make sure you're okay, give a hug, and leave.

Franco will miss you but it wont affect him for a little bit. Even if you call and text every minute of every day if he doesn't get to be next to you physically then he'll start to miss you. If it goes on for too long he'll start to write songs about heartache and love, probably with you on the phone with him as he does. He's overly dramatic.

Verne will never show that they miss you. Not openly at least. Everyone around them will think they're totally fine, the only outward sign that they're missing you is by a sudden abundance of crumbled up napkins, or ripped pieces of paper that they've done in quiet stress. When you come back and you're alone they whisper sweet nothings about how much they missed you.

Mitch distracts himself he has some projects he'll start doing to pass the time. He knows you have a life and knows you'll come back to him. He's a lot like Riley where he only starts to worry after no communication for a day. But unlike Riley he can't just pop up near you so he has to wait. After a while he gets jumpy and honestly kind of angry at anyone who isnt you (or Claudia of course)

Sigourney has a job that keeps her very busy, and when she's out of the job she has Claudia. So she's able to distract herself or at least put her mind elsewhere. But she needs closeness. She's a hugger and a cuddler through and through and if you're not next to her in bed when she sleeps then she'll either hug a pillow or get Claudia to join her. If she's without communication, or just gone in general for a long time she'll call her mom or her brothers and complain.

Dame already has very few people they actively seek comfort in and they need a lot of comfort. When you're gone they'll spiral and think the worst but they're actually pretty good at talking themselves out of doing something stupid (but they'll REALLY WANT to drive or fly to where you are and surprise you if they can.) They'll end up going to a local dive and just talking with the bartender (NOT Mitch) without actually ordering anything. (If/When they have friends this gets a lot better and they dont worry nearly as much)

Rebel naturally just spends her time trying to learn new things (and eventually dropping them) so with you not there to distract her she returns to that. She's the one who needs the absolute least contact with you. She knows you're hers and she knows she's yours. Rebel will probably learn a new craft and make you something but she only actively worries about you if its been actual weeks with no contact. And by that point she's ready to hunt.

[generalluxun]

I'm sick, so let me ramble about (one of) my ML AU

I've written a one shot for it, and that's it so far, but I am feeling I might return. It's a gothic AU. Modern day meets Mary Shelly, Lovecraft, and Jules Verne. We still have our Ladybug though, and perhaps I can start by introducing her.

Marinette Dupain-Cheng is a student at FDP Lyceé in Paris France. This part is familiar, as is her baker heritage and interest in crafts. Fashion however, has never been a passion of hers. She's made clothing, and enjoys the challenge of designing just the right outfit for someone, but it will never be more than a hobby.

Her real passion in life is... is it possible to say 'Project Management' at 16? Call it what you will, Marinette likes finding a way to make things work. Events, projects, causes, you name it she's there for it. From Mylène's campaign against poor wastewater management, to Rose's bake sale to raise money for orphan unicorns. Marinette takes joy in making the impossible, happen.

Perhaps it was this that drew the attention of whomever, or whatever, left that fateful box in her room. If only the earrings had come with a warning label, or a guide, or anything other than the two words sewn into the plush lining of the box. 'Spots on.'

Ladybug was born into a Paris in desperate need of a hero. Crime kept doors locked at night. Hot summers and freezing winters had pushed tempers and scruples to new extremes. On top of all this where were... the monsters. Thankfully rare, these beings could cause untold damage before the police could take them down. Paris deserved to be safe once more. Marinette was the girl to find a way.

Powers: Aside from general strength, agility, durability, and her yo-yo Ladybug has three main powers.

Her first power isn't supernatural, but her supernatural abilities allow it to shine. Marinette has a sharp mind. She's quick witted, observant, and tackles every situation as a problem to be solved. Her real strength is the ability to find multiple solutions to every problem. It is also her weakness. Sometimes she can hesitate, or switch gears mid-plan, as doubt takes her. It doesn't help that...

Lucky Charm: Is a monkey's paw of a power. Yes, it will give her an answer to her current situation, but it makes no guarantees of what collateral might come from said solution. Her first partner... she doesn't talk about her first partner. Marinette learned the hard way that she needs to be careful when using this power.

Miraculous Ladybugs!: The power to fix anything. Provided she has the will and fortitude. The Ladybugs are fickle and whimsical agents of creation. Ladybug can command them only through great effort. Summoning them without purpose or strength will lead to them running rampant, and creating who knows what.

Relationships: Marinette knows everyone, but has few close friends.

Alya has had her back for years, frequently the NCO to Marinette's leadership in bigger projects.

Adrien, the boy locked away from life. The boy Ladybug rescued from Agreste Manor. The boy living with her and her parents now. The boy who makes her heart flutter with his desperate innocence. He is someone completely happy with the simple gift of being alive, and with everything else in her life, that grounding influence is wonderful.

Chloé, the opposite of a friend, yet inextricably entwined. No one else can even begin to handle her the way Marinette can. There's a strange symmetry in how well one can get to know an enemy, as well as a friend.

[knickynoo]

Back to the Future: The Animated Series, s02ep08 “A Verne by Any Other Name"

Previous episodes linked here.

In this episode: Marty gets slapped by famous novelist Jules Verne and then has a terrible trip back to the Old West, and Verne hangs out with his parents on the night he's going to be born.

Wow, I haven't covered an animated series episode since September since I was so preoccupied with Doctober. I've missed this bonkers little show.

We begin in Paris (it's really interesting how we're hardly ever in the lab anymore this season). Doc is wearing a phenomenal floral-print Hawaiian shirt and talking about how much he loves visiting France.

He's taking a picture of Clara in that first one, btw. She's up in the Eiffel Tower :)

As usual, his trip has a connection to the plot in the cartoon portion of the show, and he leads us into it by mentioning that Marty and Verne once took a trip to France as well...

The cartoon opens up at Hill Valley Elementary school, where Verne is hiding out on the playground, waiting for everyone else to return to their classes before venturing inside. The reason? He's being teased by his classmates because of his name. While sneaking through the empty hallway, he's stopped by Biff Jr. and another classmate who appeared in a past ep but whose name I can't remember.

They call him "Verne the Worm" and "La-Verne," and then try to block his path down the hall.

When Verne gets home later, he immediately announces to his parents that he doesn't like his name. After failing to convince Verne that it's an honor to be named after such a great science fiction writer, Clara whispers to Verne that she wanted to name him after her uncle, but Doc won the coin toss, lol. And I just cannot get over the image of Doc and Clara settling on Verne's name via a coin flip. Ridiculous.

But you know what's more ridiculous?? What else is happening in the scene while Verne is talking to his parents:

That giant yellow thing behind Doc and Verne is CORN ON THE COB. Doc has created "super growth mondo corn." Because. Idk, we're not given a reason. And the thing on the left is a gigantic piece of popcorn that Doc made using just one singular kernel. When he calls to Clara that they're going to need a lot of butter, she drives into the workshop towing an equally large stick of butter.

This show is. It's a lot to process sometimes. Things like this just happen, and I have to go, "Sure, why not?" and keep watching.

Anyway, we cut to a new scene where bad decisions are being made. Verne has recruited Marty's help in dealing with his problem, and the plan is to go back in time and convince Jules Verne to change his own name. Even Marty thinks this is a silly idea, which is saying a lot.

Verne informs Marty that he's crucial to the plan because Marty speaks fluent French. Oohh, that's an interesting little tidbit, right? Except, no it isn't because, as Marty is quick to point out, he doesn't speak French; he's taking a French class. And he's failing it.

Upon arriving in Paris and tracking down where Jules Verne lives, Marty and Verne are very happy to discover that he speaks English. They exchange high-fives.

I have my criticisms of Cartoon Marty, but I do love his relationship with Verne a whole lot. They're such buddies.

Marty's list of friends:

His girlfriend (sometimes. Jen is angry at him a lot in the cartoon)

An old man

An eight-year-old

Posing as "Nerdy Names Anonymous," the boys tell Jules that they can help him pick out a new and cooler name. Verne offers a few suggestions: Hammer, Raphael, and Bart Simpson. To really drill in the point that Jules Verne is a bad name, Verne sings one of the taunting songs he's heard at school. Jules then slaps Marty in the face. When Marty points out that he wasn't the one singing the song, Jules says "A French man does not slap a child." He then slams the door in their faces.

Later on, Jules Verne is enjoying a meal at a cafe. Marty and Verne pose as waiters, and upon him telling them his name, Verne says, "What a doofus name. Why don't you change it?" J.V. responds to this by slapping Marty again. After a final failed attempt later in the evening, Verne decides it's time for Plan B.

The guys are heading to the Old West! Verne's new plan is to go directly to his parents and convince them to pick a different name for their second son.

And look! Look who we see! It's baby Jules!

While Marty goes to hide the DeLorean (he crashes it into some trees) Verne approaches the house. Just as the door opens, one of Doc's inventions goes haywire (because of course it does) and FLINGS Jules OUT OF THE CABIN. Verne manages to catch and save him just in time, and—after giving their thanks—Doc and Clara soon realize that Jules seems to love Verne. They invite their mysterious newcomer into the house.

And like. He introduces himself as Verne, and Doc and Clara don't bat an eye?? They don't even make a passing comment of, "Oh, that's interesting; our son's name is Jules, and we both love Jules Verne."

Anyway, I can't get over baby Jules. He's building a model of the Eiffel Tower. He is an INFANT.

Meanwhile, while all this is going on, Marty is stuck in the DeLorean on top of several very tall trees. His only way to get down is to jump, and after hitting the ground, he falls down an embankment, gets rolled into a giant snowball as he tumbles around, is then approached by an angry bear, and—in his attempt to get away—ends up running right into a tree. Typical day for Marty McFly.

ALSO! I just realized that this scene gives great insight into the amount of snow Hill Valley gets! (featuring Marty: the human snowball)

I'd been wondering how much snow they got. This could be helpful information for a future fic.

Back at the cabin, Clara is telling Verne all about the new baby she's going to have soon. She says the baby will be named Florence if it's a girl or Jehoshaphat (after her uncle) if it's a boy.

Verne is not pleased by this alternative name.

Doc steps in to remind Clara that he wants to name the baby Galileo, which Verne is also horrified to hear.

Doc and Clara then get into a full on fight over their inability to agree on a name, and it ends with Clara shouting, "Get out of my house you big eyebrowed slave to science!" They both then slam lots of doors, and Doc storms out.

??? Huh???? What is happening? Who decided that it was in-character for Doc and Clara to scream at each other like this? I don't like it!!

Clara then goes into labor, and tells Verne that he has to go into town to find the doctor and bring him to the cabin. Verne goes out into the horrific blizzard conditions.

It's up to the top of his head in that first pic. That is like four feet of snow!!

Using some ingenuity, Verne crafts a little snowplow and manages to brave the piles of snow all around. He locates Doc and the doctor, and leads them both back to the cabin.

We also return to Marty, who is continuing to have a great day.

The bear then shakes the tree, and the DeLorean (which is still stuck up there) falls directly onto Marty.

A short while later, Verne has the very odd experience of being at his own birth.

After tentatively asking if they're going to name the baby Jehoshaphat, Clara says that she and Doc have decided to name their new son after a brave young man: Verne.

And with that, Verne is now named after himself.

So. So though Verne was previously named after Jules Verne, his being named Verne now has nothing to do with that.

Verne and Marty (who is remarkably unscathed by his visit back to the Old West) return to the present day, where Verne now has a newfound appreciation for his name. End of cartoon.

Back in Paris with Real Doc, he informs us that he's going to read the entirety of "20,000 Leagues Under the Sea" out loud.

Unfortunately, he only gets a few words into the novel before a miniature hot air balloon interrupts his story.

The basket contains a note from Clara, informing Doc that he's out of time, and it's time to end his little science broadcast. He tells us to go check the book out at the local library and sends us off with his phrase that ends every episode, "See you in the future!"

Weird episode. Very weird episode. I don't like how Doc and Clara got so mean with each other and the fact that Doc WALKED OUT on his wife who was mere hours away from giving birth. That is not my Doc and Clara. Wish we could have had a super extended edition of the episode where Christopher Lloyd did read the whole 20,000 Leagues novel to us. That would have been nice, I think.

Also, what was with that gigantic cob of corn from the beginning of the episode?? It never came back into play at any other point. There was zero reason for that scene to happen. Cartoon Doc has problems.

Join me next time as the Brown family gets run out of town because Doc can't stop causing chaos.