#she does also put herself in the story as the hero. but more as like a 'im a good person so i cant do bad things' kinda thing i think

[rearranging-deck-chairs]

"until i realised you wanted me to be doing what was right for some reason beyond the fact that you wanted me to"

[lime-bloods]

I honestly didn't ever expect that I'd be in the position where I'd be using this blog not just to analyse what has come before in Homestuck, but to look toward the comic's future and do some real old-fashioned theorycrafting. but the time has come. so here goes; lime-bloods' Beyond Canon theories as of the July 6th 2024 update:

Vriska's Going to Hell

were all gonna help you! / whether you like it or not

a select few eagle-eyed readers already noticed that the sound used in last month's (Vriska: Figure shit out yourself.) is called "hell_tierwav". while it was easy to dismiss this as irrelevant composer shenanigans at the time, it's now become clear exactly what this was foreshadowing. whether it would be more apt to call this "Hell" or "Purrgatory" is probably up for debate - but whatever you call it, Vriska's been placed in a dimension seemingly tailored specifically for her personal torment.

while Vriska characteristically interprets the recreation of her childhood home as a symbol of how badass she was, the ghosts of her past - both literal, as the shades of the trolls she killed as Mindfang, and figurative, in the form of sprites wearing the faces of her dead friends - show us in no uncertain terms that Vriska's childhood home is the stage where traumas play out.

Erisolsprite puts it succinctly with his welcome to hell, but pay close attention to what exactly we're being welcomed to: this update ends on page 665. so as of this next update, we'll be starting on page 666.

Does Homestuck Have Hell?

the exact bubble of reality Vriska's currently found herself in seems to be an entirely new construction of the likes we've not yet seen in Homestuck - but that doesn't mean this kind of cosmic torment is without precedent. because while 666 is a number with Satanic connotations in the broader cultural context, it also has a very particular meaning of its own within the world of Homestuck. indeed, the latter half of the comic almost revolves around it, culminating in a climax in Act 6 Act 6 Act 6.

specifically, this repetition of a single digit is emblematic of recursive storytelling. to summarise what you can already read about in detail in my essay The World / The Wheel: when Caliborn is 'gifted' the Act 6 Act 6 supercartridge, which he is told is an "expansion" of Homestuck, it's a trick. there is no "expansion"; he's going to be trapped in a story that never ends because it keeps dividing into smaller and smaller versions of itself forever. the only way to truly beat the devil who trapped the heroes within a story is to trap him in his own story.

that's what Caliborn's "Hell" is, and that's also exactly what the Alternate Calliope achieved in Act 7 by creating the black hole which Vriska knocked Lord English into, ending Homestuck's story - something that Calliope even hints at in this very update, when she refers to the black hole as "containment"; not an accident, but a deliberately crafted prison. black holes are a symbol of recursion and regression; being sucked into one means being forced to live out your whole life over and over again, forever. so really, this is all we ever could have expected to happen when Vriska stepped into a black hole within a black hole! the presentation of the narrative even subtly hints at this; events in Beyond Canon that take place in the black hole are enclosed (in brackets), and now events that take place in a black hole-within-a-black-hole are contained within {curly brackets}, because you should always use a different kind of brackets to differentiate nested parenthesis from each other!

it is absolutely no coincidence that when Caliborn closes the curtains on his appearances in Homestuck, thinking he's won when really he's been condemned to a hell of his own making forever more, it's with a tribute to this exact same Sweet Bro and Hella Jeff strip.

IF YOU REMEMBER JUST ONE THING I SAY, OF SO MANY GREAT THINGS SAID BY ME, THEN PLEASE REMEMBER THIS. I WANTED TO PLAY A GAME.

So What Does That Mean?

one of Beyond Canon's central missions is expanding upon Homestuck's exploration of the relationships between author, text, and audience. as discussed above, a large part of Homestuck's thesis is the evil of forcing characters to live the same lives and the same stories over and over without the chance to grow or move on, and Beyond Canon picks up on this by placing Dirk in the position of trying to keep Homestuck going forever purely to appease its fans, while the Alternate Calliope continues to oppose this ideology. and while the alpha Calliope outwardly seems not to have taken a hard position on where she stands in this cosmic battle, the question posed by her device seems to be an entirely new one: can it actually be a good thing to regress, to return to ground that the story has already covered? can this path lead to something new, rather than merely stagnation?

it's so relevant that Vriska is being confronted with the crimes of her past, not only in the form of all the trolls she was personally responsible for killing but also in the form of the exact same punishment she condemned Lord English to with her heroism - complete with the herd of horses that are always present at Caliborn's demise! but where being condemned to an eternal cycle was fitting punishment for Caliborn, someone who refuses to break free of cycles of abuse and instead chooses to enact that same abuse on the world around him... if Vriska is someone who can break free of these cycles, who can change and become a better person despite what happened to her, will this punishment have the same effect? or, as Davepeta seems to believe, is forcing Vriska to reckon with her own past and traumas exactly what will allow her to break free of that cycle?

DAVE: [...] ill just be over here in the hyper gravity chamber training to beat lord english KARKAT: WE HAVE A HYPER GRAVITY CHAMBER???

it's hard not to be struck by the parallels in design and purpose between the Plot Point and Dragon Ball's Hyperbolic Time Chamber, and not just because of the Dragon Ball enthusiasts present on Beyond Canon's writing and art teams: albeit in typically Strider-bastardised form, the Time Chamber got a shoutout in Andrew Hussie's own Homestuck (see quote above), in a reference that was even picked up on by prolific theorist bladekindeyewear at the time. for the uninitiated: the Hyperbolic Time Chamber allowed its users to train for extended stretches of time, sometimes even spanning years, while a significantly smaller time period passed in the world outside - something that is actually true of real-life black holes! and with the Plot Point's own emphasis on time, represented by the hourglass included among its mechanisms, it seems to me that an essential part of making the 16-year-old Vriska ready for the trials ahead will be giving her the time to undergo the same growth her adult friends have experienced.

considering that Beyond Canon is already playing in the Ultimate Self space, where there are levels of power beyond merely the "god tiers", it also doesn't seem too farfetched to speculate that Vriska, forced to reckon with the fact that becoming a powerful Thief of Light isn't the be-all and end-all of personal growth, will take another leaf out of Dragon Ball's book here and ascend "beyond Super Saiyan". perhaps this is even the "hell tier" so cheekily alluded to in the Plot Point flash? certainly this kind of evolution would be the perfect way to challenge Dirk's belief that the Ultimate Self is the only logical final step for a character's development.

whatever the case, I believe we can take Davepeta at their word here. I don't think it's just a joke that by the end of this ordeal Vriska Serket is going to be fucking RIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIPPPPPPPPPED!

[supershot73199]

Ok so this is a dcxdp prompt/idea I was thinking about.

We love to make Danny op and concern the heroes and while that's fun as @jedipirateking often correctly points out dc has seen pretty much everything Danny can do and while it can be fun to make Danny eldritch or whatever to justify it I had another idea.

Now I want to pull back to focus on the concept of Danny Phantom, that is a single individual standing guard over an area to protect the living from invaders who happen to be dead. You know who is an interesting figure that could potentially see some of themselves in Danny and probably does have a reputation that would make Constantine pause (in a way more similar to wonder woman, powerful but not just raw power), someone who could potentially take Danny under their wing and turn an already powerful teen into a terror for his enemies?

Scáthach, the legendary trainer of heroes who trained the Irish Heracles, Cu Chulain. The guardian queen of the land if shadows who defends humanity from the dead and I think in at least a few versions of her myth a godslayer.

Now as far as I'm aware the actual Scáthach has never appeared in dc comics however her legend shows she is a massive badass and while she may not have the raw power of like superman I would put my money on her having at least a decent chance of beating him as not only is she skilled in martial matters she was also a powerful witch.

How she and Danny meet can be up to interpretation, but I do believe that a trainer of heros would not be able to just tell someone who has so many similarities to herself to just figure it out as such I think Danny would end up being taken on as a student.

My idea on how she cam learn of Danny is when Pariah is released, she prepares to face him in battleshould he try to leave the infinite realms by way of her gateway (maybe that could be the only natural stable portal), not particularly concerned as she had beaten him before (the only reason she isn't ghost queen is that she is an immortal witch not a ghost and thus ineligible) only for her to eventually get word of someone else beating him and sealing him away. She then does her best to keep up with any news about him until the day Danny is forced to take the crown and immediately uses his authority to stop ghosts from invading the land of the living in attempts to harm them inadvertently freeing Scáthach from her duties as a guard allowing her to finally track down Danny so she can train him.

Also as I'm pretty sure Scáthach was the one who crafted the Gae Bulg, the legendary spear of Cu Chulainn, which means she could craft a weapon for Danny.

So yeah long story short the terror of Danny Powerhouse Phantom who has been taught and honed by one of the greatest teachers of mythology is someone I can see causing Constantine to hesitate to mess with.

[sapphic-agent]

I think the only reason for Izu to not see the corruption anymore even when he is a prime victim of it...it's bc of bk. Really. Hori went out of his way to make BK "it's not so bad" and did the same for us, AIZAWA and Endy.

Hori shut the victim's voice.

I can say with confidence here...all Izu's issues in writing and outside steem from BK's existence and how much Hori loves him.

Bc there no excuse for a person who was abused 12 years given or take to be so naive. Izu defending ua and Aizawa is baffling as Aizawa wanted to expell him day 1

Izu worshipping am is baffling as am doesn't deserve his adoration bc the man did the abre minium (and that is better than what Inko, his mom, did)

Izu liking A1 is baffling too since they are siding with the abuser.

MHA is a story where the abuser won.

Izu is silent

Shiga is put down bc he is the bad vicitm.

Yeah, the way MHA treats its victims as opposed to its abusers is... Mind boggling.

Touya's backstory retconned so much of the Todoroki lore and anyone can see it was an attempt to make Endeavor look more human. And in the process, Touya and Rei were demonized even more

Bakugou gets sympathy and admiration from everyone. Izuku gets made fun of and ignored. Even when someone does show concern for his well-being, it's either a) never talked about further or b) made into someone else's- Bakugou's- moment

Dabi's reveal ended up resulting in the rest of the Todorokis supporting Endeavor, not a word about Rei's pain or trauma. Nope, she's just there to help Endeavor's redemption

Hawks and Nagant were turned into child soldiers and forced to kill by the HPSC. Do they get autonomy or retribution? Never. Hawks continues to be their brainwashed soldier and Nagant fades into the distance. Even worse, Hawks is used to prop Endeavor's- another abuser- redemption

Eri escaped her abuser so she should be healing in peace, right? WRONG. She mutilates herself for the so-called heroes

Izuku loses OFA, only to comfort Bakugou who's devastated by this for whatever reason even though he was the one who made Izuku feel worthless for being quirkless in the first place

Kotaro is a grown man who purposely abused his children, right? But screw that, Nana is to blame even though she did what she did to protect him. And also, no one told him to abuse his kids

The only ones who are treated fully as abusers are AFO and Overhaul. But, well, we know what a disaster AFO was and how terribly Tomura towards the finish was written so it really didn't matter in the end, did it?

[molinaskies]

Lanolin: Designed to be Dislikable.

Hi friends. I’ve had a number of people in my digital face over the last few months trying to “show me the light of Lanolin,” but I’ve kept these interactions private because there’s no need to put them on blast. Of course, they're mostly respectful and I’m often reminded that I have a right to my opinion, but there is always an undercurrent that I might have just missed this one small tidbit that could blow the case wide open because how could I possibly not like her? How could I not understand her character and be empathetic to her plight?

But I’ve watched the videos. I’ve read the think pieces. I’ve seen it all. But my opinion hasn’t changed and that does not mean I’m wrong… nor does it mean I’m right! We have two different opinions that should be allowed to co-exist.

I’m being a touch cross here, I recognize. Please forgive me for that, this once. But frankly, I am frustrated—not because people like Lanolin, but because many seem incredulous to the fact that I dislike her. And I can only assume that means I simply have not made myself clear.

Consider this my final take on Lanolin the Sheep until there is some significant development for this character.

I am allowed to dislike Lanolin because she is a fictional character whom I’ve done the research on and have come to that conclusion. Done. That’s all she wrote. Go home.

That aside entirely for the sake of argument, I am allowed to dislike Lanolin because she is supposed to be unlikeable as per her role in this story. I dislike Lanolin because I dislike assholes, but I also like Lanolin because she is doing her job very fucking well! lol

Lanolin is not supposed to be in the right. She is a character who is making major mistakes due to her lack of experience combined with her arrogant dismissal of others, and she will eventually be punished by Mimic’s betrayal to teach the audience some sort of lesson. If half of this comic’s runtime has been about punishing Sonic—the titular character—for his mistakes, then Lanolin can get punished once. I would bet real world money that this will happen.

So many characters are sus of Duo by now and have tried to do something about it but Lanolin gets in the way because she can’t listen to reason. The only reason Silver and Whisper “go rogue” is because Lanolin wouldn’t listen to reason—and her response was still disproportionate because when Whisper tried again to explain herself, Lanolin made her hit the deck.

Lanolin is Sonic with some pieces missing. We know this because Lanolin directly cites Sonic as her inspiration for getting involved in the restoration. However, Lanolin looks at Sonic, sees his behaviour, and emulates it without any understanding or regard for how he has earned the right to do what he does. Sonic is insolent, not arrogant, because he only denies authority when it isn’t earned. Sonic is defiant, not self-righteous, because he believes there are multiple ways to solve a problem. Sonic is empathetic, not sympathetic, because he takes the time to learn and experience what it means to live on the other side. Lanolin has modelled herself off of Sonic because Sonic is a hero, but she’s missed the bigger picture of what that actually means.

Lanolin is cold, unkind, and unwilling to be wrong because she thinks she knows everything she needs to be in this game. That is inherently unlikable to some people and therefore justified.

But there’s more to this, isn’t there?

A huge defence of Lanolin as a character is that “she has baggage that makes her rough around the edges,” and you know what? Fair! You would not believe how empathetic I am to that, trust me. Imma get into it. But the reality of the case is that Lanolin is her own keeper, and if Sonic, Tails, Knuckles, Amy, Rouge, the Chaotix, Tangle, Whisper, Silver, Blaze, Jewel, Belle, and many others can carry their baggage around and still treat others with respect and without verbal and physical abuse, then there’s no excuse. Yes, it takes time to get there, and the whole point of Lanolin as a character is that she hasn’t learned the “everyone is useful just the way they are” and “a leader is nothing without her team” lessons, yet.

But allowing Lanolin to lash out at the world only to let her hide behind her trauma is a deeply reductive portrayal of trauma survivors that I find aggressively problematic. Further, it is a failure to Lanolin as a character because, again, that is not the fucking point of her.

This is the one time I will ever ask anyone here to just “take my word” for something. I’m not comfortable airing out too much of my personal issues on the internet. But below is what I can share.

I come from a very, very broken home that instilled a lot of unproductive defence mechanisms within me. In short, I used to be very mean because I was neglected, and acting out against my peers and showing off my skills gave me attention.

The big ticket, though, is I thought I was good. I thought I was Great. Awesome. Outstanding. AMAZING. I was a natural-born leader with a drive for justice who was good at a couple things. I thought I was doing everything right because teachers liked me and I was getting opportunities. What I never saw—never could have possibly seen until it was spit right in my face—was how I was treating everyone around me as beneath me because I thought I had it in the bag.

It wasn’t until I learned about a very public smear campaign against me that I got a wake up call. When I saw what people were saying, it shattered my entire paradigm not because of just how heinous it was, but because of how much of it was true—and that broke my heart. All I have ever wanted to do was help people. Fight for people. Protect people. Elevate people. Support people. For me to learn I was doing the exact opposite of what I set out to do absolutely destroyed me.

After that, I immediately switched up my game. I pulled out all the stops and really focused on being kinder, empathetic, and encouraging. I started to become more self-aware and mindful of how my emotions and behaviour impacted others, but it still took years to even start to comprehend that I was traumatized, let alone the ways my trauma impacted my relationships and behaviour.

I used to be Lanolin. I was a mean girl getting progressively meaner from ages 11-17, and I am still in active recovery. I still make mistakes. I still fall from grace occasionally, but I am working on it. I’m almost 24 now.

Remember when this used to be about a cartoon sheep? Back on track LOL.

I promise you that while Lanolin has some moments of clarity, she is not largely aware of what she’s doing. She’s not evil. She is not unworthy of love. She just needs time for the story to let her learn.

I am not saying Lanolin does not deserve a redemption. What I am saying is that down her current path and with her current behaviour, she has not yet earned one. And here’s the thing: even though what I’m about to say probably will not happen because this is a kids comic directed at 12 year olds, just because Lanolin might eventually get her punishment, see the light, and apologize for her wrongs while acting on solutions, no one she hurt owes her forgiveness. Whisper can still tell her to fuck off. Silver can send her to outer space, Sonic 06-style. Tangle can yeet her back to kingdom-wherever the fuck she-come from (hush, I know it’s Riverside). 

Why? Because the reality is that even if you are a changed person and have learned and grown from your past discretions, you still hurt people. Even if they do forgive you, they may never trust, and they will never forget. That is the reality I and many others like me live in daily, and to be frank: I think it’s entirely fair. I made mistakes, and I gotta pay the consequences. I deserve grace and patience, but that can only go so far. The people around me are human the exact same way I am.

I personally believe that I have never misunderstood Lanolin as a character. She’s snarky and inexperienced and abrasive entirely by design. She is meant to showcase the “wrong” ways to be a hero and will be corrected. But just because she is a rough-and-tumble person who had a bad day at work does not mean she can come home and treat the world as her personal shitter. No one has that right.

And if you disagree with me, good! Welcome to MolinaSkies.

[cryptfly]

All I ever want to do is play dress up with my dollies. Here’s Rinsea, my ESO main, in some various ceremonial garbs she’s picked up during her adventures. More info under the cut.

Champion of Vivec

She would rather you think of her being the City’s champion than the God-King’s, but here we are. I obviously based it on the Buoyant Armiger’s glass armor. She’s not officially a Buoyant Armiger or anything, but she does get some fancy glass armor pieces for official occasions which she does not attend. This is also partially based on Bajoran liturgical wear because I like it very much.

Champion of Sotha Sil

Technically she’s the champion of the Clockwork City but that was very long to put on her picture lmao. I don’t think Seht would have gotten her any ceremonial wear honestly, but since it’s basically a standard Clockwork Apostle outfit, I like to think that one of that order got her this, something fine and suited to the environment as a thanks for saving their sadboi God. Drawing the armor pieces was really fun and satisfying and they turned out way better than I was expecting.

Champion of Almalexia

Once again I changed the actual title given to fit the picture. Almalexia actually named her a Hand! However as we all know, a Hand of Almalexia is a specific kind of Ordinator and Rin is not actually inducted into that order. She’s a Hand because Ayem says so but that doesn’t actually give her any rank or anything. Instead of giving her Ordinator armor, I gave her a fancy gown. I think Ayem did this with a touch of vanity-isn’t my Hero so beautiful, a true Daughter of Morrowind I am such a proud Mother. Also, I really wanted to draw a pretty dress and no one can stop me. I based some of the details off Kirkbride drawings of Almalexia herself.

Urshilaku Clanfriend

In my personal canon of the story, the Vvardenfell quest happened first for Rin and took around little over a year and in that time she became a Clanfriend among Ashlanders. Her father, Gares, had been an Ashlander until he was forced to flee with his infant daughter and when she returned on what seemed to be Temple business, they were wary of her. But she made herself useful and was unfailingly polite and she was folded into much of their life. I like that while the other outfits look designed and tailored to suit her, her Ashlander gear almost looks like hand me downs and mended pieces. She wasn’t given new and special clothes, she was trusted with clothes worn by the tribe, inviting her into the family itself. These clothes look nice but also like something she work in side by side with the Ashlanders.

[autumnmobile12]

My Hero Headcanon: Rei

When I think of Rei’s childhood, I think of Yuki from Wolf Children.

Just not at all being the lady her parents probably wanted her to be and living her best life collecting bugs, feathers, and small animal bones.

And just like Toga, those interests were suppressed because they ‘weren’t appropriate for little girls,’ and she was made to conform.

I mean, look at her expression and tell me she wasn’t told to sit still and be quiet too many times when she was a child.

I think she was a weird kid.

And that's why I play with the snowboarding theme when I do fanworks involving Rei, as well as the idea that Touya’s inability to sit still when he's agitated/excited comes from Rei. It's also why I have the headcanon there was never a point where Rei and Endeavor loved each other. They already have two extremely different personalities in canon, and the high-energy headcanon just highlights a further personality difference.

I’ve already gone into it in more detail with an Endeavor analysis that I made, but here’s an excerpt that illustrates my point:

...what I think shows here is they weren’t really talking all that much. Specifically, he is not ‘talking down to her.’  He is not treating her with any particular disrespect or putting her down as inferior.   He doesn’t have the arrogance he later exhibits. This also isn’t him being aloof and ignoring her either.  Look at his face, specifically his eyes.  That is the same blank, deer in the headlights, “I have one brain cell dinging around in my head that is struggling to find a way to interact with people,” stare he shares with Shouto.

He has no idea what to say to her. 

So finally, Rei turns off to the side to admire the garden, and he asks, “Do you like the flowers?”  It’s a small thing, but it does show that in some capacity, he did show some interest in Rei and making her happy.  He’s just stupidly awkward about it at this point. (Even if his ultimate goal was…well, we’ll get into that.)

...

The long and short of it is if you remove the violence/temper aspect of Endeavor's character, you basically have Shouto: An awkward dork who doesn’t entirely know how to interact with people and he probably doesn’t understand sarcasm or euphemisms either. The main reason we can’t see that side of Endeavor’s character very well is because he’s weaponized intimidation/violence to cover it up. (Dammit, dude, this it not how you patch a character flaw.) So I don’t think Shouto’s isolation and childhood training caused his social ineptitude so much as exacerbated a character trait that was already there. He got it from Dad.

So referring to the earlier pre-kids part of Rei and Endeavor's relationship before the violence actually started, imagine the awkward personality-type paired with a partner who is, by all accounts, weird and has too much energy to be contained. Arranged marriage aside, I like the idea that Rei reverted back to her odd personality after she left her parents’ house. I like to think she danced in the kitchen when there was no one home, hoarded feathers and skulls and other odd keepsakes, and looked for places where she could snowboard. She was a housewife by herself for long periods of time, so who was going to stop her?

There is a short story I absolutely love called Ink, Water, Milk by Catherynne M. Valente. The plot's not relevant to this post, but there is a scene where a bored housewife buys a bunch of those cube-shaped watermelons and just stacks them in her fridge to admire them.

And for some reason, I can picture Rei doing this.

Like Endeavor just comes home to find her sitting cross-legged in front of the open fridge and smiling happily at the nine cubed watermelons stacked neatly inside. (Keep in mind, these things average $100-$200 a piece and are inedible/decorative.) No explanation for why she's done this, she just has a big, ecstatic smile on her face and pointing into the fridge. You know, Touya energy when he's a kid and excited about something. And Endeavor, in true Shouto fashion, is baffled by what she’s done, has no idea why she’s done it, and wondering if there’s a joke he’s not understanding.

I like to mirror this behavior in Touya and Shouto when I can in writing for Ambush Simulation. Underneath the trauma, they are at their core the brother with their mother’s high energy and the brother who is socially awkward and doesn’t quite know how to deal with the unhinged behavior but doing his best.

...

Edit because I just found this gif.

Young Rei:

[zahri-melitor]

Do you think there’s any hope of Tim getting a transition story anytime soon?

If so, what would you like to see?

Depends what you mean by transition.

In terms of Tim getting a new hero identity? I suspect the order of events there consists of "someone pitches something that DC likes, that they think will sell, and that fans won't overreact to", and then title sells well.

Because they got burnt during Young Justice 2019. Whether or not you think 'Drake' was a terrible idea for a new identity, the fandom reaction to it made it that much less likely for Tim to get given a new ID.

Because I guarantee for you that no matter what someone proposes, there will be people who kick back against it, and for it to work, it's going to need to be woven into DC mythology in a meaningful way.

This is where I'm going to point out that MOST Bats are running around using legacy identities. Nightwing is a legacy Superman-related identity, that Clark gave to Dick as part of their friendship, that goes back to the 1960s. Red Hood is a legacy identity, that Jason took from Joker and turned into his own as a take that. Batgirl is a legacy identity, that traces to Betty Kane and to Barbara, which is actively used by Steph and Cass. Robin is a legacy identity that belongs to Dick. Red Robin is a legacy identity - it was developed for Dick in Kingdom Come, and it passed through Jason to get to Tim. Kate Kane is Batwoman BECAUSE Kathy Kane was Batwoman, and Batwoman and Batgirl were deliberately designed to be feminine legacies of Batman. Azrael as a mantle is explicitly a legacy mantle that JPV holds.

Yes, Steph as the Spoiler and Duke and the Signal work and were accepted by the public as solid hero names, but those were both their first proper identities, and they were new characters without a significant weight of backstory.

Oracle works as an identity for Barbara because John Ostrander and Kim Yale spent the time and worked up a backstory for Barbara's transition into becoming Oracle, and made it full of joy and promise. She seized something new and created it for herself out of the ruins of where she'd been left as a character.

This is why I hate when people just throw out suggestions for random bird names for Tim to have a new identity. It has no depth to it. There's no point in calling Tim 'Blackbird' or 'Raptor' or whatever unless you invest in storytelling for why Tim would find that a meaningful name to represent. Why does he attach more meaning to it than being Robin (or Red Robin). It's lazy storytelling.

You can rescue it from an Elseworlds or another Earth. It doesn't have to be a direct "I am giving you my ID" like the transfer of Robin. But it needs to have history to it as a name for it to feel right as an identity for Tim Drake, a legacy character who has been around for 35 years, and who is fiercely associated with the concept of belonging to a team. It needs to speak to who he is as a character, and what his goals are in using that identity.

This is why Tim!Nightwing during the Ric Grayson period would have worked - Nightwing has that meaning, and if you wrote Tim and Dick working on finding a 'graduation' name for Tim through that story you could have stuck whatever nonsense you wanted as it, because then you would have built in the meaning (that it was a Dick and Tim project together).

So yeah, that's what I'd like to see for a Tim with a new identity. Someone who's put in the work to choose something meaningful from the back catalogue and develop an argument that Tim would use it. Because they're going to have to sell fans on it.

If, however you mean transition in terms of 'Tim is trans': no. I do not think it is likely that DC are interested in writing that for Tim, and I am really reluctant to see it as it would only get him pigeonholed even harder as 'the queer Robin', to be pulled out for use out of obligation for Pride.

Also they just got burnt over that Kon story and its reaction, and I think DC are currently more interested in working on their development of trans characters who are trans from creation (see Nia Nal, who's getting a boost in the current events).

[zvtara-was-never-canon]

Have you noted that no one from Azula's family was shown to express love and affection towards her?

That is mostly true. Ozai's affection is clearly conditional (and full on manipulation at worse, like we see in the finale), Ursa canonically favors Zuko to the point that we never see her spending any alone time with Azula like she did with Zuko, and while Iroh gave her a toy like he did to Zuko the toy in question was so OBVIOUSLY wrong for a kid like Azula that it's comical AND show's he did not really know his niece at all.

But there is a constant exception.

Zuko's relationship with Azula is complicated. He clearly admires her strength and power, but he hates how she uses it. She lied to him many times, was seen apparently cheering Ozai on during the Agni Kai, tried to have him imprisoned and even said she'd celebrate being an only child - and then allows him to come home as a hero after Ba Sing Se, even though SHE had the control of the Dai Li and was not yet aware Aang could have survived, meaning she had nothing to gain from it.

And when she lets him know that if he's caught talking to Iroh people might think he is a traitor too, and explicitly says "Believe it or not, I'm actually looking out for you" Zuko drops his innitial suspicion that she wanted something and that's why she was helping him.

On The Beach, he just follows her when she say their old family home is depressing and they shouldn't waste their time there. When she's asking him who she is angry at, she mentions herself and Zuko explicitly says that is not the case.

He doesn't trust her and know she has a tendency to mock or full on lie to him... yet when he wants to know about Fire Lord Sozin he asks her about it, and lets it slide when she mocks him by saying he should make sure the royal painter got his good side - for a character as quick to anger as Zuko, that is a big deal. In Nightmares and Daydreams he also goes to her to find out if he'll be allowed at the war meeting.

More importantly:

1 - Iroh's infamous "She's crazy and needs to go down" line was only said because ZUKO, without anyone putting that idea in his head before, suddenly went "I know what you're going to say. She's my sister and I should be trying to get along with her"

2 - Zuko only jumped into the fight in Ba Sing Se when Azula was being cornered by Aang and Katara.

3 - Zuko looked genuinely shocked and even distressed when she was falling off that cliff. He just sounded so shaken saying "She's... not gonna make it..."

4 - In the writer's own words, Zuko felt no hate but only pity when seeing her breakdown. Katara tried to comfort him because, canonically, even though Zuko and Azula are enemies, this was never what he wanted because he still sees her as family. That's why the Last Agni Kai's music is not the epic you'd expect from a battle, but a tragic one.

5 - Aaron Ehasz, the lead writter for the show, probably the person with the most influence after Bryke, has REPEATEDLY said that he always felt Azula should have gotten a redemption arc, Zuko being an Iroh figure to give her advice and be the only one still by her side when all else was seemingly lost to her forever.

Even the comics (most of which I HATE, mainly because Azula's storyline checks nearly every box for "the mentally ill are inherently evil/less human, so it's fine if literally every other person on the planet mistreats them") didn't fully abandon their complex dynamic.

Zuko is not a perfect sibling, and for a long chunk of the story he seemed too focused on his own issues for Azula to ever be a factor in his mind (aside from the moments in which she was a potential/explict threat), but he DOES still feel a sense of obligation towards her, to the point that it made him do something no one else in their family had done before or since - actually look at Azula. Not the prodigious daughter/perfect weapon, or the problem child that is difficult to handle, or the pontentially deadly enemy that was in the way, but Azula.

His 14-year-old sister that got on his nerves a lot, was far from the kindest person alive, and that he had a ton of issues with, but that he could never fully hate or even be indifferent to. Because she's family. Because he remembers a happier time in which the gap between them didn't seem so big. Because if things had been slightly different he could have been her. Because he went from wanting to be her to seeing just how miserable her life ended up being - especially compared to the one he now had - and feeling deeply sorry for her.

Now if you guys excuse me, I'm gonna go cry in the corner. Have some wholesome/bittersweet fanart if you wanna cry too.

[merwgue]

Nesta and Eris: The Power Couple We Deserve (Sorry, Cassian)

Alright, let’s get into it. We need to have a real conversation about why Nesta and Eris are the couple that should’ve happened, and why Cassian is just… there. Like, good for him for trying, but really, really, he’s more of a footnote in Nesta’s story than a leading man. Let me break it down for you.

Cassian, bless his heart, thinks that all it takes to be with Nesta is brute force and a wounded puppy-dog expression. “Oh Nesta, you’re so cold and mean, but I’m gonna keep fighting for you because that’s what I do. I fight!” It’s like watching someone try to punch their way through an emotional brick wall, not realizing there’s a door two feet to the right. Cassian sees Nesta’s trauma as a battlefield to conquer instead of a complicated reality she lives in. And honestly, that’s the problem.

Now, Eris? Eris gets it. He’s not here to be Nesta’s savior or her knight in shining armor. He’s here to be her equal, her match. When Eris and Nesta talk, there’s this undercurrent of respect. It’s not about saving her or “fixing” her; it’s about acknowledging her darkness without flinching. He doesn’t need to ride in on a horse and wave his macho bravado around like a flag. He knows Nesta’s strong enough on her own—and that’s what makes him so damn appealing.

Meanwhile, Cassian’s out here trying to be the hero of Nesta’s story, when Nesta’s never needed a hero. She needs someone who understands her, someone who knows that she doesn’t need rescuing; she needs someone who can handle the fire without trying to put it out. And that’s Eris. The man’s all about fire, after all. He’s not scared of getting burned, and he doesn’t waste his time trying to cool her down. He’ll stand in the flames with her, which, let’s face it, is way more exciting than Cassian’s endless attempts at being the “sensitive warrior.”

Cassian’s insecurities also drive me up the wall. The guy’s so fragile he can’t even handle Nesta speaking her mind without thinking it’s a direct attack on his manhood. Like, bro, chill. Nesta has her own issues to deal with, and not every sentence she says is about you. Cassian’s self-pity is exhausting. “Oh no, Nesta’s angry again, this must be about me!” No, Cassian, sometimes Nesta is just angry because life sucks. It’s not a personal vendetta against your feelings. Grow up, dude.

Now, contrast that with Eris. When Eris talks to Nesta, he sees her for what she is: a fierce, complex woman who doesn’t need to be handled with kid gloves. Eris doesn’t get all up in his feelings because Nesta didn’t swoon at his feet. He’s more like, “Yeah, you’re mad? Good. Let’s use that.” He challenges her in the right way, not by trying to crush her with dominance, but by meeting her on her level.

Also, let’s be real: Cassian’s idea of romance is dragging Nesta through mud and calling it training. So sexy, right? Meanwhile, Eris would probably plan some clever, intellectually stimulating activity that actually shows he knows Nesta’s mind, not just her body. He’d take her somewhere quiet, somewhere strategic, and let her intellect shine. Cassian? He’s probably just flexing and grunting in the background, thinking that’s all it takes.

Cassian’s attempts at "saving" Nesta from herself are almost laughable. You can’t save someone from their trauma by shouting over it. The guy is like an emotional bulldozer, trying to flatten out the rough edges when Nesta needs someone who can handle the jagged parts without flinching. Eris wouldn’t try to mold her into something else. He would let her be. He does let her be. Cassian, on the other hand, wants to shape her into some version of herself that’s palatable to him. And that’s not love—that’s ego.

So, in conclusion: Nesta and Eris are the power couple we never knew we needed. Cassian? He’s over there trying to punch his way into Nesta’s heart like it’s a door that needs to be kicked down. But Eris—Eris understands that Nesta doesn’t need someone to break down her walls. She needs someone to walk through them with her, side by side, as equals.

Cassian, sweetie, it's time to pack it up. You're the sidekick in a story where Eris and Nesta are clearly the main event.

[purgemarchlockdown]

Kotoko's ideology

(Also Known As: Kotoko has fascist ideals and I read way too many wikipedia pages for this.) (CWs: Discussion centered around Prejudice, ableism, sexism, and other topics that are associated with right winged/fascist concepts)

(Note: I went on this rabbit hole because of This post from Gunsli that covers things I don't cover here. Go read it! Plus this post exists because of a lot of conversations from friends out of fandom, and in fandom, like 74n5n and the affermentioned Gunsli who also helped in proofreading!)

So Kotoko is one of my personal favorites of the cast. There's a lot of things I find interesting and intriguing about her and her characterization and her place in the story.

One of those things is her worldview. I'm obsessed with it to say the least. It's one of my favorite things about her characterization. I find it to be a complex and emphatic look at a specific worldview:

Fascism.

Vigilante Justice

Okay so, fascism as an ideology is something we tend to associate with conservative right-wingers and powerful political parties. In our stories, there's a bit of a mythical edge to the image of fascist dystopia. Something strong and uniform.

Like, a lot of cartoons and shows and comics have the alternate nazi dimension where fascism reigns supreme over the populace, for example. We got many films and shows of the heroes standing up against faceless images of Evil Nazis or Nazi-likes, with leaders who are powerful scientists or soldiers hiding somewhere scheming something.

We can tell if someone is a fascist, we say to ourselves. The aesthetic qualities of fascism are something we can all recognize. Right?

Kotoko Yuzuhira is a (notably afab, put a pin in this) college dropout vigilante.

This is immediately incompatible with how we tend to view it. She's not a faceless drone or general. She's someone working with limited resources trying to hunt down evil because The Law can't do it.

A Underdog Revolutionary, that's how she thinks of herself.

Kotoko: Yes. I hate evil. Hurting innocent people with violence, taking away from others, killing people… I hate all this evil behaviour! The law being unable to judge some sins, there's too many of these cases in this world. Having clearly bullied and torturing the weak, but exploiting loopholes in laws, there's so many sinners who still live in such a carefree manner! Even though I want to change this world, I alone only have this much power.

Kershaw argues that the difference between fascism and other forms of right-wing authoritarianism in the Interwar period is that the latter generally aimed "to conserve the existing social order", whereas fascism was "revolutionary", seeking to change society and obtain "total commitment" from the population.[47]

Robert O. Paxton finds that even though fascism "maintained the existing regime of property and social hierarchy", it cannot be considered "simply a more muscular form of conservatism" because "fascism in power did carry out some changes profound enough to be called 'revolutionary.'"[228] These transformations "often set fascists into conflict with conservatives rooted in families, churches, social rank, and property."

And that's what she...is. I'm not going to say Kotoko is part of a secret evil organization or anything like that. She is an underdog, at least at the start of Milgram. She's a single individual up against society and social order. A Heroic individual standing up against erroneous social structures.

Really, Kotoko presents as very classically heroic, she's directly acting to save people, confident, doing real research, actually finding those who deserve punishment and bringing it upon them.

She's determined, she's strong willed, even when she's suffering she doesn't stop.

T2Q6: Don’t you feel scared of killing people?  A: If it’s for the world. How I feel about it is completely irrelevant.

It's sad and tragic, but she knows that if no one does it then nothing will actually change.

Kotoko: If you brag about hating evil, act against it! Carry on the belief that your actions can change this world! If you only brag about it from afar, the world will just continue to rot no matter how many of you are there!

She holds no attachment, no qualms, no second guesses. She does what is good at the cost of her own self, she's a heroic ideal in that sense. A hero so willing to do what is right even at the cost of their own self.

T2Q14: Don’t you feel a sense of isolation in your current situation?  A: It feels like nothings changed. If the world gets even a little better just by me undertaking this isolation, then that is the role the strong play.

Someone who actually has the strength and intelligence to do the things that no one else can do.

T2Q7: Why did you choose law school?  A: Because I have my suspicions. That’s the majority of my reason to why I chose to study it. Cause it’s unsightly to spout complaints without having proper knowledge T1Q4: When did you start learning martial arts?  A: In elementary school, perhaps. Without enough power, you can't enforce justice and do the right thing, can you?

Who actually acts instead of just waiting around for the world to fix itself.

Kotoko: You keep asking for it, but as soon as it happens near you by your own choice, you all start complaining and evading your responsibility... You're always like this... Always such idiots!

Able to actually handle the problems thrown at her, instead of running away like a coward.

T2Q20: What would you have done if you weren’t forgiven?  A: I’d despise it all. To compromise justice just because you’re unable to withstand the pain that comes with it is unbelievable

Fascism supports the creation of a New Man who is a strong-willed, dynamic archetype, a figure of direct action and bellicose violence. An anti-individualist, he is characterized by a sense of confidence and masculinity, quiet dignity and self-worth, determination, and authoritativeness. With a detachment from romantic love, family background and schooling, his worldview is romanticized, passionate, serious and realist, preoccupied with the honoring of fallen heroes, a strong belief in personal responsibility, national rebirth and renewal.

And there's something genuinely admirable about that intent of hers. It's sincere. She's disgusted at the state of the world, at how horrible it's become. Even implying that this isn't the Normal version of the world, but a distorted, corrupted one.

Becoming light-headed again, it all becomes crazy The normalcy sought for, Fading away, Everytime death comes The soul moves forward

1. The mythical past—used to invoke a nostalgia for a fictional time when the nation was great as it was not yet sullied by the “Other.”

Kotoko's ideology is built on an idea of the world's Unnatural Impurity. The idea that there is something corrupting and poisoning it. That Whatever is causing harm to the world is an External Thing. One that can be beaten if she puts enough pressure on it. At least for a while.

T2Q5: How do you deal with evil that can’t be bested by strength?  A: Force it so that it can. No matter how long it takes, no matter what means I’ll need to use.

So I ask the question, what Does she consider evil?

Sinners

Okay, so she already answered this question, in her T1 interrogations she describes evil as:

T1Q20: What do you think is evil? A: Oppressing innocent weaklings.

Which is a pretty cut and dry answer that she elaborates on in her VDs:

Kotoko: Yes. I hate evil. Hurting innocent people with violence, taking away from others, killing people… I hate all this evil behaviour! The law being unable to judge some sins, there's too many of these cases in this world. Having clearly bullied and torturing the weak, but exploiting loopholes in laws, there's so many sinners who still live in such a carefree manner!

Case Closed! We don't have to think more about this! Everyone go home! The post is done!

... Okay so it's not as simple as that. It's pretty clear that Kotoko's opinions on evil and how it should be treated is a bit...

Kotoko: Treat you like a child? Hah, you’ve got to be kidding. Back when I was your age, I was already the person I am today. I don’t have any plans to let you get away with something just “because you’re a child.” ……remember that.

Extreme, to say the least. She's very "Violence First." Because:

T2Q16: Do you think there are the ‘weak’ among the other prisoners?  A: I’m sure there’s a lot. Those with weak wills will easily turn to evil. The only thing we can do is firmly instil the risk of turning to it.

Which- There's another contradiction! She just defined evil as the ones who oppress weaklings, yet right here she shows her disdain for the weak for so easily turning to evil.

And again, in the same trial, she refers to the prisoners as:

T2Q11: Is there really no chance to start anew for wrongdoers?   A: No way. Once a beast gets a taste for human flesh, it will always come back for seconds.

And continues to discuss the matters of the strong, and how there oppressing the weak.

T2Q10: What is your ideal image of a hero?  A: An ally of the weak. Someone who helps the weak and crushes the strong.

These are two very conflicting ideas. It's almost like:

Fascist societies rhetorically cast their enemies as "at the same time too strong and too weak". On the one hand, fascists play up the power of certain disfavored elites to encourage in their followers a sense of grievance and humiliation. On the other hand, fascist leaders point to the decadence of those elites as proof of their ultimate feebleness in the face of an overwhelming popular will.

And not only that- Kotoko casts herself as an underdog, and the assumption of that role is presuming one as "weaker than" or "having less opportunity/power/skill" than the one above, the elites above her who are stronger and more powerful than her. The Beasts who roam the land. Who will always win, because, in her own words.

T2Q18: What would you do if evil disappeared from the world? A: I see where you’re getting at. But I believe it will never truly disappear.

"Pacifism is trafficking with the enemy" because "life is permanent warfare" – there must always be an enemy to fight. Both fascist Germany under Hitler and Italy under Mussolini worked first to organize and clean up their respective countries and then build the war machines that they later intended to and did use, despite Germany being under restrictions of the Versailles treaty to not build a military force. This principle leads to a fundamental contradiction within fascism: the incompatibility of ultimate triumph with perpetual war.

Kotoko: How amusing! Are you really a warden?  Es: Shut up...  Kotoko: You let their sins off just because they're close to you? You're making the punishment less severe just because they get along with you? What's next? Going to give them leniency for their looks? For their personality? For how long have you known them?  Es: I told you... to shut up...  Kotoko: Why would I? I'm trying to tell you the truth. In MILGRAM, a warden with mindset of yours is just usele-  Es: Shut the hell up! [slaps]  Kotoko: [catching breath] "Violence"... you call it? Being angry at hurting your precious prisoners... [laughs] Ha... It's not even violence at all.  Es: ?..  Kotoko: Weak... You're too weak. With that fragile body of yours, you can't stop anyone. You can't protect anyone. You can't even do your justice. All imperfect.  Es: Imperfect?..  Kotoko: In order to stop someone, you have to squeeze their throat. Without mercy.

There's this sort of...self victimization to it? If that makes sense.

6. Victimhood—casting “Us” as victims of “Them”, who are taking resources from “Us” and demanding special rights.

A sense of frustration and anger at herself and the world for being so weak and pathetic.

A form of political behavior marked by obsessive preoccupation with community decline, humiliation or victimhood

And that these feelings of weakness and shame are real reasons to attack who she views as enemies. No matter if they are strong.

the belief that one’s group is a victim, a sentiment that justifies any action, without legal or moral limits, against its enemies, both internal and external;

Or weak.

Because Kotoko holds a lot of genuine anger at who she considers "weak." As shown above and in Many other instances. She literally calls them "Useless weaklings" in her T2 voiceline. She has this Deep Anger and Bitterness at those who she considers not doing enough to help. To those who are failing to actually do anything of actual substance.

Kotoko: How ridiculous... It's always like this... All of you weaklings always act like this... All of you enjoy seeing someone getting hurt... (...)  Kotoko: You keep asking for it, but as soon as it happens near you by your own choice, you all start complaining and evading your responsibility... You're always like this... Always such idiots!  Es: I acknowledge it. You're the strong one, and we're weak. You're right. But that's how we are.  Kotoko: You have no power, and yet you make no effort to gain it! You're talking about justice, but it just doesn't make sense! You're invested in people's disasters, yet you take a position of "I have nothing to do with it"! You can't even face your true selves!

"Contempt for the weak", which is uncomfortably married to a chauvinistic popular elitism, in which every member of society is superior to outsiders by virtue of belonging to the in-group. Eco sees in these attitudes the root of a deep tension in the fundamentally hierarchical structure of fascist polities, as they encourage leaders to despise their underlings, up to the ultimate leader, who holds the whole country in contempt for having allowed him to overtake it by force.

So, if the words strong and weak just refer to the enemy, and those descriptors of the enemy can change depending on which one is more suitable for the situation. Thus making the idea of the evil that are "oppressing innocent weaklings" be more a subjective concept.

Then...what else can we search for when it comes to determining how Kotoko views who is "evil."

Cause, it's not just because they don't agree with her. It wouldn't have mattered if they agreed with her or not really. Yuno says it outright:

Yuno: Really? If you ask me, Kotoko is someone I would never want to make my friend, though. She’s the type who picks a conclusion from the very beginning and won’t actually talk with you.

Kotoko has stated that she has been tracking Mikoto Kayano since the start. Even though at the time she was semi-amicable with everyone. With Mikoto even being rather insistent that he did nothing wrong at all.

Kotoko: Like me being suspicious of Kayano Mikoto’s actions, carefully tracking his actions, it's all under your permission.

And she's said this again in the interrogation! Saying that she had "her suspicions."

T2Q17: Why did you choose law school?  A: Because I have my suspicions. That’s the majority of my reason to why I chose to study it. Cause it’s unsightly to spout complaints without having proper knowledge

Suspicious about what? About who? She says it's the evil, the sinners, but who is this? Who is this evil? Criminals? That's just the terminology she uses. If it really was just criminals shouldn't she be against MILGRAM? Es? They did kidnap her and she has no Knowledge of their true intentions, and yet she doesn't trust her fellow prisoners but the Guard who locked them up.

"Obsession with a plot" and the hyping-up of an enemy threat. This often combines an appeal to xenophobia with a fear of disloyalty and sabotage from marginalized groups living within the society (such as the German elite's "fear" of the 1930s Jewish populace's businesses and well-doings; see also antisemitism). Eco also cites Pat Robertson's book The New World Order as a prominent example of a plot obsession.

And so, I ask again. Who does Kotoko believe to be evil?

"Your Existence is a Crime"

Chauvinism (/ˈʃoʊvɪnɪzəm/ SHOH-vih-nih-zəm) is the unreasonable belief in the superiority or dominance of one's own group or people, who are seen as strong and virtuous, while others are considered weak, unworthy, or inferior.

Kotoko Canonically Holds Ableist Beliefs.

This isn't up for debate.

22/12/15 (Kotoko’s Birthday)

Kotoko: Hm. The border between the two is getting a lot vaguer. Your entire existence is a crime. And I will see you’re punished for it. That is what Milgram, and Es, and I have chosen.

“UNDER” Doltish “001 Parasite”

Kotoko: “Fufufu, fufufufufu.You’re thinking some outrageous things.To be frank, it’s abnormal. But I don’t dislike it. If only all sinners were like you.”

Kotoko Also Canonically Holds Sexist Beliefs.

This also isn't up for debate.

Futa: Isn’t that obvious? What a stupid question. There’s no way a girl could win in a fight against a man. This is real life, not a manga. There’s too big a difference in body size. And that’s what determines the weight of your attacks.  Kotoko: ……Futa’s not entirely wrong there In a lot of martial arts, they specifically split up divisions based on body weight for that reason. I’m bantam, and he’d probably be either cruiser or heavy.

“UNDER” Obscene “002 Slut”

Now, as much as the phrases "Obscene Slut" and "Your entire existence is a crime" is Loaded. Let's pretend, for a second, that this doesn't necessarily mean that Kotoko, to some extent, believes that mentally ill people are evil/wrong and that women are weaker than men.

For a moment, let us pretend that Kotoko didn't just tell us and go into the finer details of how she views strong and weak.

Cause, there is a bit of consistent framing Kotoko uses when she's talking about "the enemy." Those who contribute something meaningful to society (in her eyes) are ones who "contribute" something meaningful to society mainly through the usage of direct action, physical strength, and physical/mental durability.

T1Q4: When did you start learning martial arts?  A: In elementary school, perhaps. Without enough power, you can't enforce justice and do the right thing, can you?

Kotoko: Es, look. Someone who committed a crime can only realise its severity through losing something. I've seen many criminals, but none of them would give way without pain.

Kotoko: Weak... You're too weak. With that fragile body of yours, you can't stop anyone. You can't protect anyone. You can't even do your justice. All imperfect.

Kotoko: You have no power, and yet you make no effort to gain it! You're talking about justice, but it just doesn't make sense! You're invested in people's disasters, yet you take a position of "I have nothing to do with it"! You can't even face your true selves!   Es: Whatever you say.  Kotoko: If you brag about hating evil, act against it! Carry on the belief that your actions can change this world! If you only brag about it from afar, the world will just continue to rot no matter how many of you are there! If you don't have strength on your own, let me take care of it, Es! I can do it in MILGRAM!

T1Q: What is your ideal image of a hero?  A: An ally of the weak. Someone who helps the weak and crushes the strong.

T2Q14: Don’t you feel a sense of isolation in your current situation?  A: It feels like nothings changed. If the world gets even a little better just by me undertaking this isolation, then that is the role the strong play.

Those who cannot do that and are "unable to contribute" or somehow disrupt the stable world, thus causing it's normalcy to "fade away" are parasites.

“UNDER” Doltish “001 Parasite”

Obscene

“UNDER” Obscene “002 Slut”

An existence that is disruptive to the world at large.

Kotoko: Your entire existence is a crime. And I will see you’re punished for it.

Who are Weak due to a issue in there mental state and need to be warned against the consequences of "turning to evil."

T2Q16: Do you think there are the ‘weak’ among the other prisoners?  A: I’m sure there’s a lot. Those with weak wills will easily turn to evil. The only thing we can do is firmly instil the risk of turning to it.

Or be treated as irrational beasts that need to be firmly put down because nothing else will get through to them.

T2Q11: Is there really no chance to start anew for wrongdoers?  A: No way. Once a beast gets a taste for human flesh, it will always come back for seconds.

Fascism emphasizes direct action, including supporting the legitimacy of political violence, as a core part of its politics.[264] Fascism views violent action as a necessity in politics that fascism identifies as being an "endless struggle";[265] this emphasis on the use of political violence means that most fascist parties have also created their own private militias (e.g. the Nazi Party's Brown shirts and Fascist Italy's Blackshirts). The basis of fascism's support of violent action in politics is connected to social Darwinism.[265] Fascist movements have commonly held social Darwinist views of nations, races and societies.[266] They say that nations and races must purge themselves of socially and biologically weak or degenerate people, while simultaneously promoting the creation of strong people, in order to survive in a world defined by perpetual national and racial conflict.[267]

Social Darwinism is the study and implementation of various pseudoscientific theories and societal practices that purport to apply biological concepts of natural selection and survival of the fittest to sociology, economics and politics.[1][2] Social Darwinists believe that the strong should see their wealth and power increase, while the weak should see their wealth and power decrease.

"The only thing we can do is firmly instil the risk of turning to it."

Kotoko's ideological view is, at the very best, biased against those of marginalized groups or of "degenerate" thoughts and actions, and at the very worst, actively targets them because she personally believes that they Do Not Contribute to Society.

But we aren't done there yet.

Werewolves

Let's take that pin out now.

Kotoko has gone on record that she views Femininity as:

T1Q10: What do you think about the word 'feminimity'?  A: It's one of the means you can take. It's something you can freely choose depending on the scene, so it's not something to cling onto.

Now, as I have shown. She's kinda sexist. Which throws into question how she perceives herself.

Since, I have just asserted the idea that Kotoko does, at the very least, hold some concerning ideas about Women, and I think most people would notice that this is a bit contradictory when she herself isn't really the feminine ideal as decreed by the patriarchy either.

Now, just to be clear here, no, I do not think women should be baby machines. I am a cat who cannot perceive it properly.

However, if we are going by the strict gender binary and the stereotypes associated with it. Kotoko is pretty masculine. She puts focus on physical strength, she's mentally strong in the face of ills, she doesn't show much emotion, so on.

However, as Utena and also The World has proven to us. Just because you present or act in "non-traditional manners" doesn't mean You've Deconstructed the Gender Binary and the Patriarchal View of the World we Learn from the Society around us.

You can be the butchest girl the prison can handle and still hold traditional gender roles.

And the way Kotoko interacts with the world indicates that she still Holds these ideas, even if she has deconstructed them a bit, and since we are talking about her ideology...

Fascist Italy promoted what it considered normal sexual behaviour in youth while denouncing what it considered deviant sexual behaviour.[271] It condemned pornography, most forms of birth control and contraceptive devices (with the exception of the condom), homosexuality and prostitution as deviant sexual behaviour,

Sexual anxiety—as the “Other” embraces non-traditional approaches to sexuality,

But, going further into the way she views masculinity specifically...

"Machismo", which sublimates the difficult work of permanent war and heroism into the sexual sphere. Fascists thus hold "both disdain for women and intolerance and condemnation of nonstandard sexual habits, from chastity to homosexuality".

Machismo, Exaggerated pride in masculinity, perceived as power, often coupled with a minimal sense of responsibility and disregard of consequences. In machismo there is supreme valuation of characteristics culturally associated with the masculine and a denigration of characteristics associated with the feminine.

Futa: Isn’t that obvious? What a stupid question. There’s no way a girl could win in a fight against a man. This is real life, not a manga. There’s too big a difference in body size. And that’s what determines the weight of your attacks.  Kotoko: ……Futa’s not entirely wrong there

"Without enough power, you can't enforce justice" is what she said, isn't it?

Road to Hell

Okay, there was 700 more things I wanted to talk about but because I haven't even gotten into:

Through all of that, there would be one great leader who would battle the representatives of the old system with grassroots support.[1][2] In the fascist utopia, one mass of people will supposedly appear who have only one goal: to create their new future.[1][2] Such a fascist movement would ideally have infinite faith in its mythical hero who would stand for everything the movement believes in.[1][2] According to this utopian ideology, under the guidance of their leader the country would then rise like a phoenix from the ashes of corruption and decadence.[1][2]

Or her ideals of heroism or her view of violence in detail or-

But I think I can leave that to the people reading this. This post is getting really long and I'm trying to still keep it structured. I know all my links are Wikipedia and one Britannica. I had the energy to transcribe my dad's books on this I would.

However, we also do need to ask, where does this leave us?

Y'know, since Kotoko is the Audience Parallel and Milgram is a Social Commentary Webseries.

Well, Kotoko is a character in fiction, and fiction is the safest place to explore this. Kotoko Yuzuriha is a familiar character in the sense that a lot of people are like her actually.

Gunsli has brought up the idea that Kotoko was radicalized by news, and I personally think All the characters in Milgram have underlying right wing ideas and violent views on the world. It's not something...unique to them even. We call them conservative and traditional because to a lot of people it's "just the way the world works." Kotoko’s not special or unique for believing in these things.

She’s asserted multiple times that she’s had a “normal life” and whether or not you doubt the validity of that statement. There is nothing inherent about Kotoko that makes her more susceptible to this. 

And I think those are themes that are worth exploring.

[miraculouslbcnreactions]

Last post you talked about your ideal version of canon, I was wondering could you share it with us? If not, that's ok

Oh man, I could go on about my dream version of canon for ages! I've talked about various aspects of it on here with stuff like my "sugar" posts on Nino and Alya, but the broad strokes are:

Serialized story where it's basically one large narrative told in chunks

A true teams setup where Adrien, Marinette, Alya, and Nino feel like this amazing, tight friend group who grows into a found family as they get older, giving platonic and romantic love more equal billing

No guardian order, just have it be a single-person role that gets passed on from person to person

Kagami and Luka in supporting roles that have nothing to do with being love interests

Sympathetic Gabriel who feels like a truly tragic figure, but who does NOT get redeemed

Emilie gets an actual character

No sentinonsense

Revised miracle box that is way smaller and that has strong lore

The Agreste's aquiring the miraculous is far more morally complex, makes sense, and was not done for explicitly selfish reasons

Reverse the love square right from the start and never have the crushes flip

I've talked about all of these things on here, but the one thing that I've only briefly touched on is my love of a reverse square setup. I am passionate about that one, so let's take a moment to talk about why since it's probably going to be the most interesting to read.

I don't hate the canon setup for the crushes, but also I don't think that they're the ideal crushes. When it comes to romance stories, you want to design your love interests around each other. You want them to feel special and like they bring something unique to the table. Canon doesn't really give us that. There's nothing all that special about Adrien that makes him feel like the person that Marinette would be drawn to above all others. Same goes for Chat Noir and Ladybug, but we'll get to them in a second.

What is Marinette's biggest struggle? Her role as Ladybug.

Who is her main support in that role for most of the show? Chat Noir.

Who is her main support on the civilian side even before the reveal? Alya.

So why is Marinette's crush on Adrien and not Chat Noir? I don't know. It's the lesser setup by far and that goes beyond just the logic elements of who it makes the most sense for her to fall in love with. A lot of Marinette's worst behavior actually feels justified in a reverse crush setup, allowing you to write her without major changes to her character.

For example, Marinette keeping a chest of gifts for Adrien is kind of pathetic. She's friends with Adrien and she gives her friends gifts all the time, why can't she give him gifts, too? Reverse the crushes and suddenly this behavior makes perfect sense. Marinette isn't storing up gifts because of overblown fears of rejection. She's storing up gifts for legitimate fears about how her partner will explain these random gifts, thereby risking his identity, meaning that she has a sold argument for waiting until the time is right (post reveal) to give them to him.

There's also the legitimate fear that confessing her love could ruin their dynamic and put Paris at risk. Keeping her feelings to herself is now an act of self-sacrifice and not just an act of nerves. Basically everything about Marinette's hesitance just makes so much more sense if it's on the hero side.

But what about Adrien? How does this fix him?

I love the idea of our male romantic lead falling for our female lead because she's bold and brave, but it honestly doesn't fit Adrien's character. He is surrounded by powerful, confrontational women. Nathalie, Chloe, Kagami, Amilie, Audrey, and Tomoe are all no-nonsense women who get what they want. This means that Ladybug doesn't bring something unique to his life. She fits the standard mold. Adrien falling in love with her after she talks down Hawkmoth doesn't feel like the right choice for his character because it doesn't feel like something he'd be wildly impressed by.

Meanwhile, Marinette is shown to be a generally wonderful friend. She cares about others and will do what she can to make them feel welcome and accepted. That's a much more unique thing for Adrien to experience. Think about the umbrella scenes and imagine if it was Marinette apologizing. Marinette owning that she treated him poorly and asking his forgiveness. How often do you think Adrien gets moments like that? Doesn't it make more sense for something like that to make his heart flutter?

We see Marinette doing things like making banners to celebrate her friends (Timebreaker) and making sure everyone feels included (Reflekta). Imagine her giving Adrien that kind of treatment because it's just who Marinette is. She shows up to his fencing matches to cheer him on. Brings him his favorite snacks as a treat just because, surrounding this poor boy in honest, genuine love and support. Add in respect, too, and he'd be a goner because those are the things that he's not getting anywhere else! The things that make Marinette unique.

This brings us to our new civilian dynamic. In canon, it's Marinette failing to confess in ever more spectacular ways as Alya tries and fails to help. In a reverse crush setup where everyone is friends without gender barriers, it's things like Adrien coming up with his canon confessions and then watching Alya and Nino react with genuine horror because, dude, you're going to give her a panic attack! No! Bad kitty! Stop that! No confessions until you come up with a plan that we approve of and read at least five books of dating advice because holy shit did homeschooling do you dirty in this area!

Then, while Adrien is working to learn how dating works, he learns that Marinette is in love with Chat Noir and, oh no! He thinks she's into his public persona, totally unaware that she knows the real Chat Noir and loves his dorky self. So he tries to emulate his sexy alter ego while Nino and Alya suffer and Marinette is just generally confused because she doesn't think of Chat Noir like that, so she doesn't even notice what Adrien is doing.

This also adds a nice mitigating factor to Adrien's unwillingness to give up even though it's pretty clear that Marinette isn't interested in his civilian self. If he knows that she loves him, then his persistence is less concerning and more comedic. It's not that he can't take a no, it's that he honestly knows with 100% certainty that the answer is NOT no because she's told him that to his face. He just needs her to realize that the guy she's in love with is right here, ready and willing!

The potential for comedy is just so much more broad and so much less mean spirited because Marinette has none of Adrien's reserved nature, so her friends would totally know about her massive "celebrity crush". Adrien comes over for school projects and just stares longingly at her Chat Noir posters, wishing he could tell her his secret, but knowing that he can't.

In my world, that is so much more fun than canon's setup where Marinette has no reason to hope. I also wouldn't draw the crushes out anywhere near as long as canon did. I like getting couples together in the mid-game. It's a nice early plot to hook you in, but defeating the villain is the end game, so we don't need to draw the romance out that long. Romance isn't that special. It's not all that different from an arc about two characters becoming friends.

That's far from the only major change I'd make to shape canon into my ideal version, but it is the probably the change that I love the most. It's also the change that requires the least context to explain, so there you go!

[mmikmmik]

I kind of don't feel like getting the endings of Slay the Princess that don't involve Shifty and the Long Quiet having their final argument, followed by LQ agreeing to leave with her and their departure in their fully godly forms. I definitely don't want to kill her or starve her. And I guess I can see the appeal in the ending with the Princess and the Hero, but it doesn't feel like the right ending for me.

I think a big part of why I think of the Shfiting Mound as the "real" "love interest" is because I judged the Damsel a bit unfairly - she falls apart if pressed, but I don't think that means she's not real, you know? All of the Princesses are only one aspect of the Shifting Mound, but they have their own complete hearts nevertheless. But I didn't really get that when I was first playing the game and got her as my first princess, so I definitely thought of the Shifting Mound as "more real". But I think my near-immediate "oh I see! this is my beautiful wife who I love very much" would have occurred anyway. I just really like her! She's beautiful and patient and contemplative, and really successful imo as a truly divine character - an embodiment of a powerful idea/force of nature, who can express a form of kindness but can't really be "good" or "bad" in a human sense.

I also, throughout my first playthrough, felt strongly that the interactions I was having, and the resulting princesses, were like gifts to Shifty. I really liked having a little chat with her and hearing her evaluation of their hearts, and I chose dialogue options for the Long Quiet as though he wanted to bring her vessels and would, if he remembered her at the start of each Chapter 1, have actively chosen to help her complete herself. So leaving together as the Shifting Mound and the Long Quiet, not as the Princess and the Hero, felt like what they were both working towards all along. And they only sort of argued about it because that back-and-forth, rough as it can get, is a natural part of how they relate to each other as gods who embody "opposite" concepts but love each other and want to be together (thesis, antithesis, synthesis...?). I wasn't even really arguing with Shifty, she just went into that spiel because I spent a really long time asking questions before we left. It was more of a passionate explanation than an attack. (And I let her keep going because it was awesome, not because I disagreed with it.)

Putting it like that, "bringing her vessels", it is rather cold, isn't it? I can see the case that the Princess and the Hero deserve more respect than that, that by leaving them behind Shifty and LQ are abandoning something worth having, something they could have explored together at that scale.

Anyway, what I want to say with this post is that like... Slay the Princess has, more than any other game I've ever played, given me the sense that the "true"/"best" ending is really up to the player. I feel like the story + central relationship changes really really dramatically if you don't perceive the Long Quiet as enchanted by the Shifting Mound and happy to be with her and learn more about her, and the dialogue options definitely give you a ton of room to play it either way. I feel that you can play the game so that the Shifty and LQ ending is the true ending, and you can play the game so that the Princess and Hero ending is the true ending.

It does make me more curious about the ending where... I haven't even looked into it enough to really know what happens, but you can kill the Shifting Mound, can't you? Or you can "starve" her by withholding vessels? My gut reaction to the Narrator is "lmao dumbass" - I don't think he understands what he's talking about, and I don't trust his evaluation that a world without the Shifting Mound would be worth living. Just the way his scenario immediately got fucked up makes it seem to me like he doesn't have a strong grasp on the metaphysics. You can't just pick out all the parts of a major universal concept like "change" that you like and throw out all the bits that you don't! But I also don't think this game, with its writing philosophy, would really have a "bad ending" in that kind of sense, you know? I seriously doubt there's an ending that would just be like "you fucked up". But I also feel like... the way the game is written, I kind of feel like I have the freedom as the person engaging with it to say... "this ending is bad, For The Game As I Played It". Does that make sense? I'm definitely touching on complicated questions of narrative theory that smarter people than me have definitely engaged with more substantively haha.

[adobolover123]

bakusquad when they’re on instagram (headcannons!)

——————————————————————

bakugo’s instagram:

-doesn’t post a lot on instagram, but when he does OHMYGODDDJ

-he would post mirror selfies of him flexing with songs attatched. (maybe it’s just the camera angle but his arms r HUGE ASFFF—)

-does he post bakusquad? tbh rarely. bc of his big ahh ego. but since he’s getting better and warming up to them he’ll repost his friend’s posts if he’s tagged in them (hangouts, workout posts)

-he only posts stories

-his username is probably something corny as hell, like: 

king.explosionmurder , kb_explosionmurder , imbetterthanyou, LMAOO

or something else like that 😭

-omg. and if ur lucky enough to get on his close friends story, (from time to time,) he’ll post himself lip syncing to audios. DONT EVEN GET ME STARYEDDD

-he knows he’s attractive. like literally post more please.

-only thing on his acc is one highlight of himself.

-his pfp? mirror selfie covering his face 🤷‍♀️

kirishima’s instagram:

-omg y’all this cutie and his instagram.

-most-if not ALL of his stories are selfies with his friends, and he most DEFINITELY has a weekly dump of them.

-his selfies with them r mostly him and his friends working out, but he’ll post even the little selfies like them at lunch. 

-he WILL go on a story spam when the baku squad hangs out. 

-he’ll post his workout progress on his story fs 

-let’s be real he’ll post those motivational quotes

-his username would be his hero name or his regular name with his bday numbers 🤷‍♀️ (redriot1016, e.kirishima1016, )

-his main posts are kinda a pattern; himself, then his friends, then himself again.

-when he posts on main posts of his friends he would attach funny ass videos of them, and dumb challenges the bakusquad would do with each other

-his two main highlights r himself and his friends ofc, but he would have a highlight for each hangout to make it extra special ☹️

kaminari’s instagram:

-out of the whole bakusquad, denki and mina are the most active.

-i think we all know how he would be like fr 

-he is definitely that person who reposts EVERYTHING HE SEES ON HIS FEED; REELS, POSTS, MEMES,

— he spams his stories ( he made a gc on insta with the rest of the squad that are MAINLY him spamming them with reels; bakugo kept leaving it but kaminari keeps inviting him back in)

-but waitwaitwait; be careful skipping through his stories bc he WILL post some FINE ass selfies of himself for the hoes

-he also won’t hesitate to post himself lip syncing to songs on his public story

-like kirishima, he posts his friends a lot!

-he’ll post on his story with those add-ons that have to do with friends and he’ll make a mini collage of his squad :)))

-his username?… it’s probably one of those “theyluv___” “theyfw___” type shi 😭

-kaminari. has. a. lot. of. main posts.

-but they come out hella good; he prolly searches up “instagram post ideas” on pinterest

-his pinned post was when he had a whole photoshoot in a parking lot garage which funny story:

(the bakusquad decided to hang out at the mall, and they arrived at the parking lot garage. mina brought up how it was a good place to take pictures here and denki RAN with that. next thing yk;

bakugo was pissed asf waiting for them sitting down on the ground,

jirou was being denki’s photo critic,

sero was helping kirishima get the angles right,

and mina was showing denki what poses he should do. they were there for an hour. )

-he complains how his acc isn’t getting seen but he forgot that he put his acc on private

ashido’s instagram:

-second most active on instagram

-SHE HAS THAT HOT GIRL ACC FR

-she posts a lot, but her three pinned posts are: selfies of herself, a photoshoot of herself, and one of those cool hot photoshoots with the squad

-her highlights are: “💋” (herself) , “🔛🔝” (bakusquad)”, “my loves” (class 1A girls)

-her username is probably “iheart___” or something simple like “minaa_a”

-she posts herself a lot on her story AND EATS IT UP EVERYTIMEEE

-and she posts her friends on her story as equally as she posts herself ♡

-she posts a LOT on her close friends, she posts memes but mainly funny videos and pictures of the squad. including funny gc screenshots

-when her friends post she’ll repost them like 3 times, and spam/hype them up in the comments 🤗

jirou’s instagram:

-this girl got the whole themed instagram acc quickly.

-she only uses instagram to be up to date with music artists so she doesn’t care abt posting

-her username would probably just be her name or something like: “j_kyoka”

-but she does have one main post, and it’s a guitar she got for her birthday 🤗

-she posts reels of her doing all sorts of song covers with different instruments LIKE AHHHH

-her covers get a lot of attention, denki asks her how he could get attention on his acc

-since her acc got a lot of public attention (she’s thinking abt making another one just for song covers) everyone in class 1A is on her close friends so she could post stuff she’d like to keep a little private; like her friends, hangouts

-on her public story she would repost concert tour dates, music artists posts, stuff like that.

-she would post screenshots of songs she’s listening to on her public story

-sadly she doesn’t post herself—unless it’s a selfie of her getting a new instrument or something lol

-there was this one time she posted a cute selfie of herself in her cfs on accident, and denki and mina hyped her up sm fr ☹️

mina:

“YESSS”

“POST MORE 🗣️🗣️”

denki:

“OHMYOGF”

“U POSTED”

“OKAY JIRO I SEE YOUU”

jirou:

“sthu”

-she has a public highlight for covers, and her cf highlights are her friends !

-she doesn’t ask to take that much pictures with them, she usually reposts her friends stories when she’s tagged in them

-but she loves recording denki being stupid lol, she also has a cf highlight of that

sero’s instagram:

-almost like a bakusquad fan acc

-he’s like in the middle of jirou and denki when it comes to posting on his story

-he’ll repost memes, but not as much

-he posts sky pictures just bc 🤗 he has a highlight for them

-he doesn’t post himself ☹️😒 unless it’s a selfie with the squad

-in fact, he has a lot of main posts of JUST him and the bakusquad; he’s also the cameraman

-but he mainly takes pictures and videos a lot with denki, their pictures are funny ASF

-instead of just one highlight of the whole squad, he has a silly highlight for each of them!!

-funny videos, funny pictures, funny screenshots of things they said, you name it

-he also has a highlight for tiktoks the squad do together it’s so funny and cute

-his feed is everywhere tbh; a mix of memes and the squad

-his username is probably a meme quote or something like “notserohanta” 💀

———————————————————————

notes: (i wrote this at like 12am srry if it’s sloppy) those are my head cannons! i rlly don’t know wht to write for a fic anymore lol. i hope you enjoyed though!!

have a good day loves ♡

[haruka-norikoyo]

Monoma x reader who is Mirio’s younger sibling Part 6

I added Aoyama in ‘girl’s night’ so male readers can have a reason to be there <3 Also, apparently it’s canon that the girls agreed that Monoma’s objectively the most attractive hero course boy (if it weren’t for his personality they said 😭). I was told it’s in volume five but I can’t find it so is it in one of the light novels? Side stories? Please let me know where I can read it! I wanna feel validated for being head over heels in love with him!

Other parts:

Part 1 | Part 2 | Part 3 | Part 4 | Part 5

Part 6/?

~~~~~~~~~~

“Man, it’s been over a week but I’m still sore!” Kirishima groans as he walks together with you, Ashido, Jiro, and Ojiro. Each of you are in your gym uniform with a bag or a water bottle. “But that just means he’s really that powerful. Togata, your brother’s real manly!”

Jiro grimaces at the mention of him, “I’d rather not think about that training…”

“Yeah, you had it rough, huh Jiro?” Ashido pipes in, remembering how Mirio had tied her earphone jacks around her and Kaminari, who was unfortunate enough to be the one closest to her.

“Well, that’s why we’re gonna train real hard, right guys!?”

“Yeah!” you and Ashido cheer while Jiro and Ojiro each raise an arm in response to Kirishima’s enthusiasm. It’s your day off. Kirishima suggested a group training at Gym Gamma. Everyone else are either training off on some other location or decided to do their own thing. “Hm? Do you think Bakugo’s still in there?” Kirishima asks, seeing the lights of the gym on. They usually shut down after some time when no one is inside and turn back on once it senses someone walking in. Ojiro furrows his brows. “If I remember… he left the dorms around six… would he really be training for seven hours straight?”

Kirishima shrugs, “Eh, maybe he took breaks. I wouldn’t put it past him to train for that long.”

“It could just be someone else,” Jiro says as Kirishima pushes the door open. Then—

“AHHH!!!” Jiro shrieks, falling on her back. She covers her eyes like acid as been thrown in them because HE’S THERE AGAIN! NAKED. AGAIN. Mirio casually looks over his shoulder while someone lets out a small “urk!” further in the gym. “Ohh, (y/n) and friends!”

“What’re you doing here senpai?” Kirishima asks.

You deadpan, helping poor Jiro and Ashido cover their eyes while looking at the ceiling yourself. “Nii-chan, cover up. My friends are here.”

“Right right,” he chuckles, taking his sweet time to pick up his pants. As he puts them on, he explains. “I’m here to train. Or, rather, assist in training.”

“Assist..?” Kirishima trails off as his gaze drifts to the other person in the gym, who isn’t as used to public nudity as Mirio and is scrambling to put on his gym clothes without accidentally fazing through. “Monoma from 1-B!?”

“Why do you guys always say it so dramatically..?” You don’t know if you should laugh or cry.

“So you’re helping Monoma train, senpai?” Ojiro asks.

“Yep. As you can probably tell, I’m teaching him how to use my quirk.”

Kirishima raises his hand, “Uh… sorry if I sound rude for this; but, uh, why..?”

Neito scoffs. “Typical 1-A. What, do you think your class are the only ones who can be mentored?” The usual bite in his tone is dulled by his flushed cheeks and the vulnerability of public nudity. Seriously, how the hell does Mirio do it? Kirishima waves his hands in dismissal. “No, that’s not what I mean. I’m more so asking if you guys know each other..?”

There is a pause. You and Neito freeze up and glance at Mirio.

“Yeah, you can say that. He’s sort of a relative, so I offered to help him train.”

“Sort of a relative..?” Jiro wonders to herself once she has her bearings back.

Mirio’s description has the corner of your lips quirking up. ‘Sort of a relative.’ Is he saying it to keep suspicions away or is it like he accepts him as his future brother in law? Which ever it is, it implies that Neito is family. That simple thought has you feeling giddy.

“What? (Y/n) you never told us that he’s related to you!” Mina exclaims, pointing an accusatory finger at Neito.

Okay, now accidentally being related to your boyfriend is an irrational fear you have, so that has you furrowing your brows. “We’re not blood related nor technically relatives yet, relax.” You guide Mina’s arm down.

“What does that even mean?”

Mirio clasps his hands together. “Well, we’ve been training for almost three hours, so,” he turns to Neito, who is more than ready to leave. “You wanna call it a day? We can still continue if you’re still up for it.”

The thought of being buck naked in front of 1-A students— not to mention you— sends him to flight for flight, and he is vehemently shaking his head to flee. His face is red till his ears. “Haha, yeah, I thought so. You up for ramen today?”

You perk up hearing this. Your brother, bringing your boyfriend out to eat? His favourite food nonetheless. Now that’s some development! You won’t have to worry about him plotting to kill him!

Seeing your obvious smile, Mirio turns to you. “Before you say anything, it’s because I’m such a good upperclassman.”

You deflate, but the smile remains anyway. “Good grief, you’re stubborn.”

“Won’t be a great hero otherwise! See you (y/n), you guys,” he waves once he and Neito got their bags.

The five of you wave at them as they walk out of the building.

***

“That was embarrassing earlier…” You and Neito are in his room, laying side by side on his bed. He has his face covered by his hand as he recalls what happened at Gym Gamma. You chuckle. “Yeah… If I had known you were training today I would’ve warned you.” You toss to the side facing him, and he parts his fingers to glance at you. “How’s progress?”

“Pretty terrible as you can imagine.”

“Mm… yeah, it took nii-san years to be able to do the basics. Even once he got to UA in his first year, he still sometimes messed up.” “He’s pretty amazing, your brother…” Neito trails off. He has a faraway gaze at the ceiling, face reflective and calm. You close your eyes, leaning against his shoulder. “What’re you thinking about?” Neito absentmindedly picks up your hand, fiddling with your fingers while he gets his thoughts in order. “Hm… I guess I’m just thinking about how he’s similar to me.”

You look at him and blink. “Ah, yeah, now that I think about it. Is that why you agreed?”

“Yeah, well,” Neito scratches the back of his head. “I didn’t realize it because he made it look easy, but when he pointed it out… yeah, it’s the kind of quirk you’d expect a support or espionage hero to have. But he found a way to make himself a star with it.”

This time, he turns his head to you. “Do you think… if I can master this quirk like him… I’d be more of a main character?”

Immediately, you respond, “You’re already a main character in my eyes.”

“No, seriously I mean—”

“It’s not fair how you monopolize my thoughts, you know,” you insist. He smiles a little. “Now that’s your problem for getting side tracked by a side character like me.”

“I’m gonna hit you.”

“What? Why so violent?” he teasingly pokes your cheek.

“Because there’s no way a side character is getting this much screen time in my head.”

“You’re so cheesy…”

“Hey, you’re the one who calls people ‘main character’ and yourself ‘side character’!”

Neito sighs, though he can’t stop a smile from forming on his face. “Okay fine, let me ask this way— do you think that I’ll be a lot stronger if I master your brother’s quirk?”

You grin. Is that even a question? “Strong. Strong as hell.”

He ruffles your hair. “Well then, I’ll have to work hard to be like your brother.”

You laugh, leaning into his touch. “You don’t have to be like him… But I’m glad you’re getting along…”

The two of you lay there in silence. The warmth of your bodies comforting, and lulling you to relaxation in Neito’s arms. You get a glimpse of the time, 5:01 pm.

“Oh shit, girl’s night with the girls and Aoyama!” Neito raises a brow as you got up from the bed. Seeing his questioning gaze you say, “Girl’s night as, like, vibes. Apparently. Not just strictly girls.”

“What? Where?”

“The common room here.”

“I see… Well, I’ll be in my room if you need me.”

“‘Kay!”

***

You were able to get down to the common room before any of your classmates arrived, so they didn’t notice you walking down from upstairs. That would be suspicious as hell.

The girls of 1-A and 1-B, and you, plus the boys who passed ‘the vibes’ ergo Aoyama, Koda, Shoji, Shishida, and Rin are all sitting together in the lounge area with drinks purposefully made to look like alcohol. It’s really not all that sacred of a girl’s night. The other boys passing by to get something from the kitchen can listen in if they really wanted to. “Did you guys have heroism class yesterday?” “No— why!? Is the exercise insanely difficult?!”

“Yeah, it was excruciating!”

“No way..!”

That is how the general conversation went on. Despite being a fun ‘girl’s night’, it was more of a… review on heroism. Which, you were more than happy to partake in as long as you’re with your friends. Though, Aoyama thought otherwise.

“Mademoiselles— shouldn’t we take this as a chance to take a break from the stress of hero work?”

Everyone’s chatter slowly dies down as they think about it.

“I suppose it is a good idea… but what can we talk about?” YaoMomo asks.

“Well, what do people usually talk about in girl’s night?” you ask.

Jiro smiles wryly, “You know, it’s kinda sad that we have to ask that…”

Mina raises her hand up. “Ooh~! Lets talk about love!!!”

“L-Love!?”

You stiffen along with Uraraka. The two of you make eye contact, but you both look away, agreeing to not pry in whatever secret the other is worried about. Not that one of them is exactly a secret…

Kodai raises her hand a little. “What does that exactly entail..?”

“Yeah, I’m pretty sure everyone in the first year hero course is single.” You can feel the gazes of the 1-B students discreetly turn to you when Jiro said that.

Hagakure places a hand on her chin. “Then… who do you think is the course’s cutest guy?” “Cute as in adorable or as in charming?”

“Lets say overall charm.”

Rin, Shishida, Shoji, and Koda glance at each other, wondering if they wanna be here to hear all this. Aoyama meanwhile is all for the tea. The boys in the kitchen subtly inch closer to the lounge area with their ears peeled.

“Ooh~! Todoroki’s definitely one of them!” Mina says. “He’s 1-A’s ikemen!”

“I see it, yeah.”

“Todoroki-kun is rather handsome…”

“I’d say Kaibara-kun would be our class’s ikemen, huh?”

At the mention of his name, the boy stares at the ceiling while his fellow classmates in the kitchen nudge and elbow him as vengeance.

“Yeah..! He’s so handsome!”

“If we’re talking cute as in erm… cute…” Uraraka hesitantly speaks up, averting her eyes. She holds her drink in front of her for moral support as her face heats up by the second. “It would be… Deku-kun..?” “Okayyy Ochako I see you.”

“Midorya’s the cinnamon roll who can beat people up for you.”

“Is that a criteria..?”

“Of course!”

“Don’t forget about our cuties over here!” Tsunotori says, hands gesturing to the boys who passed the vibes. They’d been sitting silently, taking everything in. When everyone looks at them, they each turn away, scratching the back of their head with a blush. Except Aoyama who takes the compliment in stride. (Our masc presenting readers are part of said cuties.)

“No no, not cutie, I am dazzling!”

A few more of the boys are brought up, the group highlighting their charming sides and the others either adding to it or simply agreeing. The boys in the kitchen celebrate to themselves whenever one of their names gets a mention, listening to what the girls like about them. It had them blushing and smiling ear to ear. Giggling, even. “Sato-kun’s cake is delicious! And he made cookies this morning.”

“Does that count as a trait?”

“Absolutely it does!”

“Wait then we skipped over so much other charming traits from the others.”

“We can all agree that a guy that can cook good food is instantly more attractive right?”

There is a pause in the conversation as the 1-A students glance at each other, telepathically communicating the same person to each other.

“What? Who are you thinking of?” Yanagi asks.

“…Bakugo can cook well, kero…”

“That’s surprising,” Komori says.

“I remember he yelled at Todoroki for cutting the chives wrong in the training camp.”

You laugh. “Hah! I remember that!” “Bakugo…” Mina thinks about it. “He’s not bad looking..? Actually, he’s kinda handsome?”

“Yeah, you’re kinda right.”

“He reminds me of a Pomeranian, though.”

“Hah!” you snicker, as a memory is dug up from the depths of your mind. “Bakugo’s Best Jeanist hair!”

“His what now?” Tokage blinks, confused like the rest of the group’s 1-B students.

You giggle like a maniac as you pull out your phone. “Oh right, you guys weren’t there to see it. Hold on, I have a picture in my phone.”

“Togata, do you have a death wish..?” Tsuyu asks. If Bakugo found out you have a picture of him, and with that hair… oh boy.

“I took it while Sero and Kirishima were distracting him!” You pull it up for the 1-B girls and guests to see. The boys eavesdropping in the kitchen even move closer to look. They were quite fascinated, especially at the blurry transition picture of when his hair was reverting to normal.

“There’s something unnerving about his hair being… kempt…” says Awase, one of the intruding boys from the kitchen.

“Hey! It’s girls night you guys!”

“Wha— Rin and Shishida were invited!”

“It’s cause they passed the vibes!”

“I’m vibes! I’m so vibes!” Awase is left grumbling. Though, no one shooed the intruding boys away.

“Bakugo’s pretty charming if he wasn’t so… aggressive. Though, I guess there are some people that like that,” Tokage shrugs.

“Kero, you know who else is actually kinda handsome if it wasn’t for his… concerning personality?”

The 1-A students, again, telepathically communicate. Only this time, you aren’t in the mix. You turn your head back and forth between your classmates’ knowing looks in utter confusion. “What? Who?”

“C’mon (y/n), you know…”

“I don’t know?”

Even the 1-B students are catching on.

“Ah, I think I know who you mean…” Kendo smiles wryly.

“I’m so lost.”

Yanagi leans over to you, whispering so that your classmates can’t hear. “Togata-san, you probably don’t realize it since you find nothing wrong with his personality, but try to think about what he’s like in your classmates’ perspective…”

The lightbulb in your head switches on. “Ohh! Nei— Ohhh, Monoma?”

“Yes! Jeez (y/n)!”

You sweat, thankful that they didn’t notice your slip up.

“I’m gonna be honest since he’s not here— he’s probably the cutest guy in our grade! You know, aside from when he’s berating our class…”

“Yeah, he’s like a prince! When I’m not worried for his mental health…”

“I can’t help but agree with you… though of course, his personality with our class is a bit concerning…”

You sigh, feeling both proud that your friends can’t help but admit that your boyfriend is drop dead gorgeous, but also in distress from the other edge to their words. Tetsutetsu (intruder) just laughs, raising his red cup filled with apple juice. “Yep, that’s our Monoma!”

“He probably is the most charming based on all the criteria we’ve previously mentioned…” Kodai says with a finger on her chin in thought.

“Good fashion sense, knows how to cook, knows how to deal with kids, aside from his grades is smart…”

“Isn’t he lowkey boyfriend material?”

You can already feel the pride swelling in your chest and the corners of your mouth twitching to a smile. So, before your expression can reveal the smugness you feel for having such a wonderful boyfriend, you raise your glass. “I think we have come to agreement that N— Monoma is the cutest and most boyfriend material in the first year hero course. A toast, shall we?”

Awase side eyes you, knowing full well why you sound so triumphant, but he’ll give this one to you. He raises his cup. “I beg to differ, but agree to disagree.”

“I hate to admit it but the board has made a decision.”

“I’ll admit it since he’s not here. Lets all agree to not tell him about our verdict, okay?”

“…he’ll hold it over our heads forever.”

“Uh huh.”

By now, everyone in the common room has their glasses and cups raised. “To agreeing that Monoma’s the cutest boy in the first year hero course but swearing to never tell him!”

“Cheers!”

You had your fingers crossed behind you. After all, who said you didn’t adore all sides of his personality?

~~~~~~~~~~~~~~~~ A/N: Ah, I had fun writing that lmfao

[eularin]

I was watching some scenes from Naruto, and then I saw the one where Obito summons the Kyuubi in the cemetery, apparently next to Rin's grave and I was like "WTF you crazy? Right there next to your crush's grave? What the hell man" and then I remembered that Obito always does things with some justification (every villain does), but it is Canon that Obito likes to prove his PoV to others, and also to himself. So I asked myself: why the hell did Obito summon the Kyuubi near Rin's grave? What could he be thinking? And I came to the following conclusion:

He wanted to prove to Rin, and to all those other dead ninjas who probably sacrificed themselves for Konoha that their sacrifice was in vain. Obito's story, and especially Team Minato's story, is about sacrifice, promises, and tragedy.

Obito sacrificed himself for Kakashi (and the Team) bc he thought it was the right thing to do and the most important thing. He was more loyal to the team (his friends) than he was to Konoha (am I the only one who noticed that by going to save Rin, Obito basically abandoned the Kannabi Bridge mission?)

On that mission, Obkk made his promise, Kakashi gained his Sharingan, Obito "died" believing that by joining his power with Kakashi's, it would make them stronger and in a way invincible to protect Rin (his precious people) so of course the cruel world and cruel destiny proved to the two that the sacrifice and their promise were worthless.

When Obito finally realized that his shared power with Kakashi was not enough, and that Rin's loyalty to Konoha far outweighed her loyalty to the Team, Obito had a meltdown (another meltdown). I can reflect on Rin's character later. Let's focus on Obito.

When Obito chose the graveyard to summon the Kyuubi, he was making a strong statement. He literally wanted to tell Rin (and the other ninjas who sacrificed themselves for the good of Konoha) this: "hey Rin, look! You killed yourself to stop a Bijuu from destroying Konoha, but your sacrifice can't stop this Bijuu now. See? No sacrifice is worth it. You only delayed the inevitable. You died for nothing and without meaning" - Obito must have been very angry with Rin and Minato. At least I think he was.

During the 4th war he was literally mocking Minato and his acclaimed speed. Basically he was saying "there's no point in being the fastest man in the world if you don't arrive at the moment that matters most", and I don't think he was referring to the Kannabi Bridge mission. So there's that weird conversation where Obito tells Kakashi that Rin is an impostor?!? I don't remember that dialogue anymore (I watched it with subtitles, so I really don't remember what I read years ago)

the only thing I understood was "Rin killed herself, so she's not the real Rin, she's just an impostor that this world created!" – Obito is so... crazy? logical? delirious that I couldn't keep up (I always rewatch the 4th war arc)

also, i'm thinking about it 🤔 i think obito might have been bitter towards Minato bc out of all team 7, Minato was the only one who got along in the end. get my drift: obito "died"; kakashi and rin were devastated and minato probably suffered too, but the anime only shows kakashi for most of the whole story, suffering much more. (unfortunately, the anime shows almost nothing of Rin and her personality. she's portrayed as... idk, easily disposable background character. we don't see anything about her dreams, her struggle to be a great ninja, we don't see her other friends or family... she's almost an empty character, even though she's important to the story of two big prominent characters.)

So back to the main focus: Obito "died"; Rin and Kakashi suffered, then Rin died and Kakashi was left to wallow in his guilt and pain, then Minato went and put a traumatized child in the ANBU. And we know that Obito was already spying on all of them. He certainly didn't like seeing Minato being a beloved hero, enjoying his laurel leaves after the war, so he fulfills his dream of being Hokage, marries his wonderful Kushina, plays house and has a child. In other words: Minato moves on while Obito doesn't (and Kakashi doesn't either). I bet that made Obito pretty angry. I can imagine his anger at Minato's good life. So he went there and ruined it all. 💁🏻‍♀️💀

Well, that's it. That's my theory (?) about why Obito summoned the Kyuubi at the graveyard that night.

So, what's your take on this?