#she didn't know her Hero could save her; but she trusted him
Explore tagged Tumblr posts
jadedaegis · 4 months ago
Text
genuinely I wanna learn C nintendo 64 coding SO BAD to make a take on "TotK/BotW Era Termina" where TotK!Zelda is exploring with Link and finds a broken Mask deep in the Depths; unkowingly puts it on (not thinking this would be The Majora's Mask) and getting pulled into a... Termina so far into it's reincarnation cycle that Majora, in all of it's Greed, morphs and sculpts the Moon into a "seed" of sorts. Over the span of seven days you get to see the OPEN MOUTH OF THE MOON SPROUT A WARPING AND TWISTED TREE that acts as the Final Dungeon. I also want to take the parallels that can be observed for the stages of grief and make similar parallels with the seven deadly sins. I have also thought up ideas that incorporate every arrow type from Beta OoT! I was; at first; confused on what to do with Spirit- until it hit me! How else is Spirit manifested but by the electrical impulses that occur inside us and animate us?! I also have a lot of Twilight Princess references, such as Ikana Canyon being the place you interface with the Twili, and the Ooccoo being an ancient presence. Link would be the "dude in distress," obviously, since Majora wants to use his body as the "Fierce Deity" and reintroduce it's influence over Hyrule at large. ..if you can't tell there are a lot of details I can't really fuckin show people until I get off my ass and just try to make it LOL
TOTK/BOTW era Hyrule: post apocalyptic world, people have died in the Calamity and the land still hasn't recovered after 100 years, they are only just starting to rebuild with all the Zonai/Sheikah tech, Ganondorf keeps screwing things up
TOTK/BOTW era Termina: flourishing! Combination of masks being inherently magical and clock style mechanics powering the land's technology plus whatever tf they got going on in the temples, they probably discovered how to harness electricity and invented the light bulb already, Ganondorf literally does nothing but sell potions and run a fishing pond
25 notes · View notes
twilightkitkat · 26 days ago
Text
Thinking about how Logan is more open about his emotions than Wade despite what people perceive, and how Wade slowly learns to open up and confront his own emotions because of Logan.
Prompted by this amazing thread. Shoutout to @ramblingautisticman and @desperatelyneedcoffee for inspiring me to write this.
---
Most people expect Logan to be the more closed-off one. To hide his emotions behind a mask and keep them to himself.
But that's Wade's role.
Logan is honest about his emotions—when he's angry, he'll growl and thrash and let people know. When he's happy, he'll bark out a laugh and grin and let his eyes wrinkle at the edges. When he's sad, he'll cry and scream and drown himself in alcohol.
He may not be phased by smaller things, but he's honest about his feelings. (Something Wade could never do.)
Wade, on the other hand, isn't. He exaggerates trivial feelings, obvious situational ones—he'll cower in fear at a "scary enemy or pretend to be pissed over a minor inconvenience. He makes his outward, shallow emotions so loud that it turns everyone's attention away from what he's feeling inside.
(Because if people know how he feels inside, they'll see him and hate him. It's easier to be hated when you can chalk it up to "understandable" reasons, to being annoying or loud or inappropriate. It isn't easy when they hate you. When they look at you, bare and vulnerable and open, and hate who you are at your core.)
Wade has spent his entire life hiding his emotions. Even from himself.
He shoves them so deep down that they become a slightly bitter taste in the back of his throat until it all becomes too much and he violently throws them up.
Wade is like a glass bottle: he can steadily hold all his emotions inside, pretending to be OK, until the glass shatters and explodes and the shards dig everywhere and he's left to pick up the pieces.
But Logan isn't like that. He lets himself feel. He lets others see how he feels.
Even from the first moment they met, he let Wade know how he felt. How he fucked everything up. How he wasn't the hero he was looking for. How he was battling with so much grief and rage that he'd reached a point of complete apathy.
(It made Wade envious. To be able to just say it and move on.)
Logan was the first person Wade met to be so blatantly honest. To wear his emotions on his sleeve and act on them and still be strong and keep fighting.
(...Could he still be considered strong, if he did the same?)
When Wade was vulnerable, it felt like he was choking—the words tumbling out without his permission and leaving a mess behind. Even with the people he loved, he couldn't ever bring himself to fully trust them even if he knew he should. Even if he wanted to. (Even if he tried to.)
(He still remembers sitting across the kitchen table from Vanessa. She held his hand tightly, as if she was afraid he would slip away. Was slipping away. She was urging him to let her in. To tell her why he hadn't been himself. To open up so they could share the burden.
But he just... couldn't. How do you tell someone who loves you, who you turned back time to save that nothing was helping? That no matter how hard he tried to focus on Vanessa and just live a "normal" life that it all felt wrong? That he felt an itch under his skin to do more more more and nothing was "more" enough.
That he felt like he was just wearing his skin. Like it wasn't his, not since Francis twisted him into a monster he didn't want to become. That he still remembered her look of surprise and the reluctant way she cradled his face when she first saw it.
It wasn't her fault. He knew that. It was an adjustment.
...But why didn't anyone understand? The gnawing loneliness, the self-hatred, the feeling of everything being nothing and too much all at once.
He hated himself.)
But Logan let his emotions course through his veins like second nature. Wade watched as emotions twisted across his face like it was a form of art.
And, for the first time, he felt comfortable opening up. He let the words spill from his mouth, except instead of feeling the trail of acid burning through his throat it felt like relief. He finally met someone who understood him, who had gone through the same suffering. He saw his loneliness reflected in Logan's eyes and finally, finally, felt he could reach out without dragging someone down. (They were both already at rock bottom, anyway. The only place to go from here was up.)
And so he told Logan about Vanessa. About the family he wanted to save. About how, yes, he vaguely cared about the world, but none of this was to save the world. (It was for just nine people.)
And Logan... didn't judge him. He saw understanding—a tired, but real kind—reflected in his eyes. He didn't make fun of him for his selfish motivations. Didn't snarl in disgust that he could never be a hero because of them. (He saw him and didn't recoil.)
And there, sitting across the table from each other in that shitty building they'd escaped to, Wade finally felt seen. Understood. (Ironic, isn't it? To have to go to the void to open up about the void inside of himself. Wade would write a poem about it if he knew how to.)
He felt that same kinship as they continued their journey. Even through the insults, the exasperation, the annoyance, Wade could tell none of it was serious. Because Logan never really told him to fuck off. To stop.
If Logan didn't like him being touchy, he'd shove him off. (He didn't.) If Logan didn't like him asking questions and rambling about himself, he'd actually try to get him to shut up instead of just grumbling. (He didn't.) If Logan really didn't want to be here, he'd leave. (He didn't.)
Logan's visceral type of emotional honesty allowed Wade to let himself be vulnerable. Because if Logan hated him, he wouldn't be here. If Logan didn't want to hear it, he wouldn't tilt his head and listen and ask questions.
(It made Wade feel safe to express himself for the first time since he'd been strapped to that shitty operation table and torn apart until all that remained was a body not quite his own.)
Things were going good.
They were.
(Wade desperately hoped they'd stay that way.)
But then Logan pulled over the car, real and raw fury in his eyes. He yelled at Wade, his voice trembling with the intensity of it.
He picked apart everything Wade had told him. Threw it back in his face.
And oh. Oh.
Logan was honest. He was true to himself and his emotions.
And so, Wade thought quietly as the tired continued, he really meant it. It felt worse than when Logan had stabbed him.
(It felt like he was back on that operating table, small and weak and pathetic but still trying to keep smiling. To keep cracking jokes and being annoyed. Because, if he didn't, he'd break. If he didn't keep the shards of his personality clutched so tightly to his chest that they dug into his hands, nothing would be left of him.)
Logan dissected him. Using everything Wade told him. (Using the ammunition he'd provided.)
(Was Logan really looking at him with understanding, back then? Or was it disgust? The images blurred together in Wade's mind, distorting his memory.)
Told him how he was worthless. That the Avengers and X-men were right to reject him. (Ouch.) That it was his fault he couldn't salvage his relationship with Vanessa. (He'd tried. He'd tried so hard.)
That Logan saw him for what he was: a pathetic, attention-seeking parasite who clung to others instead of facing his own problems.
It really was God's greatest joke that he couldn't die.
Wade spiraled.
(Was he wrong this whole time? Did Logan really, truly hate him? He had to, if he's looking at Wade like that.)
If even Logan (the only person who could begin to understand his suffering) couldn't accept him, who could?
He felt like the ground was crumbling underneath him and he was falling and floating at the same time. He felt like he was an observer, looking in on the outside, even as his emotions crashed over him like a tsunami.
But he couldn't let himself break down. Wouldn't let himself be vulnerable. Not here. Not now.
So, he slid the mask back on and responded in the only way he knew how to.
"I'm going to fight you now."
(Even when they'd collapsed, bloody and weak and exhausted, the words kept ringing in his head. They'd let out their physical frustrations, maybe, but the words still clung to him like a blanket. There was still a sinking feeling in his gut. Dread twisting his stomach at the thought of being open.)
(The feeling never really went away.)
---
They started living together, in the aftermath.
Wade had called after Logan as he was about to leave and awkwardly asked him if he'd like to come home with him. Just long enough to find a place to stay, or even just for dinner.
(Logan couldn't refuse. Not with the sense of wrongness filling him as the distance between him and Wade grew with each step. When he heard Wade's voice, it felt like hope. It felt like coming home.)
One night turned into two, turned into a week, turned into a month until Logan had his own side of the dresser and nobody bothered to ask if he was leaving. (Thinking of leaving made Logan vaguely nauseous, now. It felt like ripping away the foundation of the home he'd painstakingly started to build here.)
Logan still had baggage. Still had days where all he wanted to do was grab a beer and stare blankly at the wall, thinking of all he'd done and all he'd lost.
But it was easier. Wade would walk into the living room, plop down next to him, and begin talking his ear off about whatever happened that day. He'd sling an arm around his shoulder, flip on the TV, and keep talking.
(Logan would lean against him, slightly. Would focus on Wade until his warmth and touch and voice drowned out his thoughts.)
(It worked better than alcohol ever had.)
Logan tried to let Wade know that he cared about him. That he appreciated it. Appreciated him.
(That Wade's presence was what made everything worth it. Made him finally feel like he was able to tread water without drowning.)
He'd cook Wade meals. (And pay attention to what he liked and disliked, making sure to cook things he knew Wade would comfortably eat.) He'd lean into his touch. Listen when he talked. Answer any questions he asked.
And so, when Logan came out from the shower one night and saw Wade curled up on the couch, staring blankly at the black screen of the TV, he approached him.
Wade had a vacant, empty look in his eyes. The kind that Logan recognized, but hadn't seen on him before.
It made him worried. He'd never seen Wade like this. (It was unsettling. To see Wade, who was so vibrant and expressive, look so bleak.)
"Is something bothering you, bub?" he asked, settling down next to Wade on the couch.
Wade finally seemed to register his presence, eyes flicking over to where he sat.
"Oh, peanut! I was wondering when you'd get out of the shower. Was it nice and steamy? I'd love to join you next time," Wade wriggled his eyebrows (or what was left of them) suggestively.
It was like a switch had flipped. Wade went from blank, like a doll with its strings cut, to animated and excited in a second. His eyes were sparkling again and he grinned at Logan like nothing was wrong.
(It was... uncomfortable. Did Wade not trust him? Was Wade hiding something from him?)
Logan wanted to question him, but Wade kept chattering and he could never really get a word in edgewise. (A part of him wondered if it was intentional.)
Maybe he was seeing things. Maybe Wade was just having a bad day. Logan tried to rationalize it, even as a pit formed in his stomach. A feeling of deep wrongness.
Except it kept happening.
Wade would get that same, desolate look in his eyes (always when he was alone, away from everyone) and Logan would walk in on him. Logan would try to see if something was wrong, but Wade would interject before he could.
(Logan knew his expression was concerned. Knew Wade could tell he was worried, that he cared about him. So why didn't Wade let him in?)
(Wade always listened, patiently, when Logan talked about his problems. It was one of the few times he'd go quiet, only occasionally asking questions and making extra commentary. He'd look at him with a grim understanding. Not pity, not sympathy, but empathy. Free of judgment. It was the first time Logan felt like his emotions were actually being received by someone, cradled and held and protected so that they didn't burn him out.)
Until, finally, one day, Logan snapped.
"What the fuck is up with you?" he snarled, and that didn't come out the way he intended but he was so frustrated by Wade refusing to just let him in.
"What do you mean, Wolvie? I'm—"
"Shut up. You're not fine. I've been alive for two hundred fucking years, I know by now when someone's lying, Wade," Logan interrupted before he could continue his usual antics.
"Look, I'm just having a bad day, alright? You know how it is. I'll be up and running after I take a nap, don't worry about little old me!" Wade's voice took on a faux-cheerful tone.
"This isn't just a bad day, bub. It's been happening a lot. You get this look in your eye, like you're not really there, and just stare at the wall." Logan stared at Wade with concern evident on his face. "It's worrying."
Wade snorts. "You don't have to worry about me of all people."
Logan furrowed his eyebrows. "What do you mean? 'You of all people?' Of course, I'd be worried about you, dumbass. I care about you and if you're hurting, I want to know why."
And Logan was so painfully honest. It was so clear in his eyes, in his expression, in his body language that he cared about Wade. Deeply.
It made Wade snap.
"Just shut up! Stop fucking talking. I don't want to hear it." Wade wished he had hair right now so he could fucking tear it out. He'd take any kind of physical pain just to distract himself from Logan, worried and open and trying to pry him open.
"Wade, what are you—you know you can tell him about anything, right?" Logan tried to regulate his breathing, to keep his tone calm. To not show the panic he was feeling. (It was obvious anyway.)
"What, so you can throw that back at me, too?"
What? What was Wade—
"So you can tell me I'm a fucking joke? That every superhero team was right to turn me down? That I couldn't even manage to keep a relationship with a stripper?"
Oh. Oh fuck. That was—
"That I should just fucking kill myself, but of course, it's God's best joke that I can't die, so now my pathetic existence is on you?"
He couldn't possibly think Logan meant that, right? Couldn't have been thinking about that this whole time—
"I don't want to burden your royal highness with my stupid problems," Wade practically snarled, "so stay the fuck out of it."
He slammed the door and left.
And Logan was left alone.
Logan wanted to run after him, to grab him and tell him that he didn't mean it. He was pissed off and spewing whatever came to his mind in the moment to hurt Wade. (And he'd achieved that goal, hadn't he?) He felt betrayed and responded in the only way he knew—by lashing out. (But that wasn't an excuse, not really. Not to take everything Wade had trusted him with and twist it. To betray his trust in such a personal, visceral way.)
(Logan knew that Wade meant well. That he was just scrambling to save his world and thought of the only solution that would get Logan to help. That when he made an "educated wish" he'd still try to see it out, had still asked the TVA after everything. But he was so fucking angry and so fucking tired and just wanted any excuse to lay down and die.)
Did Logan really have the right to, though?
Wade had listened to him. Helped him. Even after what Logan had said and done, he'd still cared. (And wasn't that a sobering thought. That this whole time, Wade thought that was Logan's opinion of him. That he still cared about Logan despite having his voice ringing in his ears, tormenting him.)
(It made Logan angry to think that Wade was used to it. To setting aside how people treated him and not expecting anything in return for his kindness. To loving and giving without receiving. It made him want to murder the people who set the bar so low. It made him want to rip out his own tongue.)
(It made him realize, yet again, that Wade was a better man than he'd ever be.)
...And Logan had fucked up. Immensely.
Had given Wade hope that he could finally open up to someone who came from a similar background and understood his suffering. All to tear it away in one glorious, horrible, mistake.
Logan had no right to fix things. To ask for forgiveness. (From Wade. From anyone.)
But what was the alternative? Letting Wade think he hated him? Leaving?
Logan would rather die than go back to living completely isolated from the world. He couldn't go back to waking up every day and drowning his sorrows with alcohol. Letting memories flash behind his eyes as he replayed everything he fucked up and obsessed over what he could've done differently.
(Because, without Wade, he would still be there. At rock bottom. Without a place to belong or any reason to get up in the morning. A samurai without a master. A drifter without purpose. A stray without a home.)
The thought of leaving behind the only thing he cared about anymore made him panic. He felt nauseous, like he wanted to throw up yesterday's dinner and his own heart alongside it.
He knew it was selfish and pathetic, but he couldn't let go. Couldn't handle losing the only thing that made living worth it, after everything.
(Of course, when he finally found someone who was like him, who felt the same loneliness, who couldn't die, he had to go and fuck up. What is Logan good for if not ruining anything good in his life?)
Logan knew he was selfish. And pathetic. And stupid.
(He felt his mouth move around the words. Spit venom at Wade, who was completely, utterly silent. He heard them, vaguely, but they didn't register. He was running on pure rage and adrenaline.)
(Why did he take until now to notice?)
He knew that.
But he didn't think it was this bad. That he'd end up ruining the only good thing to come out of his miserable existence.
He thought, at least, that even if he'd fucked up everything else, he could be good with Wade. Could be good for Wade. It was the one thing he prided himself on.
And now look at him.
Instead of Wade, it's Logan who was God's best joke.
Fuck, he wanted a beer.
329 notes · View notes
souliebird · 1 year ago
Text
[[and then i met you || ch.1]]
Series: Daredevil || Pairing: Matt Murdock x Fem!Reader || Rating: Explicit
Summary: A one-night stand years ago gave you a daughter and you are now able to put a name to her father – Matthew Murdock. Everything is about to change again as you navigate trying to integrate your life with that of the handsome and charming blind lawyer’s.
a/n: Reader is an extremely anxious person. That’s the note.
words: 5.6k
Tumblr media
You hope Matthew Michael Murdock is a good man. 
You tried to research him online, but you didn't find anything that could sway you one way or another.
The news articles say he's some sort of local hero - not only for being a lawyer who does a lot of pro-bono work but for saving a man from being hit by a truck when he was a kid. They all give his tragic backstory before praising him and his law partner for helping the underprivileged and going after some big shot corrupt businessman - twice. The comments are mostly from people he's helped, singing about how Nelson and Murdock saved them in their times of crisis. 
You want to trust them, but you can't.
The news also claimed Hitler was Person of the Year and deserved praise, too, and you know how that turned out. Not that you think a blind lawyer from Hell's Kitchen can be compared to a genocidal leader, but your mental point to yourself still stands. 
You know nothing about Matthew Murdock except he's blind, he's a lawyer, and his dick changed your life. 
You doubt he even remembers you - a one-night stand from years ago, before his name even started appearing in the news again, and to be fair, you didn't remember him at first, either. Not until four months later when you went in to get your anxiety medication adjusted and the doctor made you take a routine pregnancy test. Then you remembered the handsome blind lawyer who flirted with you at a friend's holiday party you had gone to. You could remember the silly conversation you had about white elephant, that he had the most charming smile, and he could do things with his tongue that made you moan just thinking about, but you could not remember his name. 
You had tried to find him, you really did, but your energy and attention was quickly needed elsewhere and the search for your daughter's father lost steam.
Until you saw him on the television while at the local diner, giving an interview with his law partner. 
That was yesterday and now you are standing outside the door of his firm, trying to work up the courage to go in. 
There's too many scenarios in your head, all of them bad- he's not going to want anything to do with you and your daughter, which you can deal with, or maybe, just maybe, he'll try to take her away from you. He's a lawyer and you work in billing for a transportation company. There's no doubt who the courts would choose and it wouldn't be you. 
The thought makes you want to turn and run but you know your daughter deserves the chance to know her father - and he deserves to know she exists. It's his choice, once he knows, if he wants to be in her life or not, not yours. 
It scares you so much it's not your choice. 
You scrub at your face, trying to work up the courage to actually open the door in front of you when it does just that. 
A kind looking woman with strawberry blonde hair is standing in the doorway and you recognize her from the firm's website - Karen Page. She's the third partner in the firm and you didn't really look into her in your hunt for information. 
She offers you a smile before speaking, "You look like you're debating coming in." You shrug, unsure what to say because that is exactly what you were doing but don't want to admit it. She looks you over without it feeling judgmental before focusing on the manila envelope in your hand. She steps back slightly and gestures for you to come into the office. "You made it this far. Whatever it is, we'll do our best to help you."
The sentiment is so kind and you know she means well, thinking you are a potential client, but it just causes your throat to get even tighter. 
It has been you and your daughter for so long, is this really the right path to take? 
You hug your file to your chest and take a hesitant step forward. Then another and another until you are in the office. It's not big or fancy and you didn't expect it to be. There's a little waiting area in front of the reception desk, with another desk shoved against a wall, and on either side of the room, doors leading to what you suspect are the private offices. 
Karen goes around to the back of the reception desk and picks up a clipboard holding some paperwork and offers it out to you.
You take it and stare down at it, unsure if you would fill it out or not. When you look back up, Karen is still smiling at you and you don't want to come off as a problem, so you take a seat in the waiting area and start filling out the requested information. As you write out your address, it finally occurs to you that you have no idea how to have the conversation you need to have.
Do you ease into it or drop it on him like a bomb? You had only ever thought about finding him and never about what you would say when you did.
You should have taken more time to plan this out. You're such an idiot - you just jumped right into running towards him like you might lose track of him if you took so much as a second to think. You know his name now, who he is, you can take time to get things sorted out properly.
Would it be weird to leave in the middle of filling out paperwork you shouldn't even be bothering with?
Probably not, but you're already here. There is no point in running. 
This is for your daughter, not you. You have to keep telling yourself that.
You don't fill out the information asking about your 'case'. It honestly makes you panic a bit if you start thinking about it all in a legal sense - you know nothing about law and the man you're meeting with graduated at the top of his class from a top law school. Your hand is shaking as you add your signature to the bottom of the page and date it. Reviewing everything takes just a moment, since there's barely anything written to begin with, and your eyes drift up to the logo at the top of the page.
Nelson, Murdock, and Page.
You trace it with your finger.
Matthew Murdock has to be a good man. This firm helps people and he wouldn't be here if he didn't want to help people. He graduated top of his class; he could work anywhere he wanted to. The papers said he is good, too - they win most of their cases. 
Unless it's all a weird front to hide something like money laundering. 
But if they were money launders wouldn't they have enough money to afford an air conditioner? 
"All done?" 
Karen is in front of you, smiling politely. You are surprised by her appearance, but you don't feel pressured. It's like she's checking in so that she can break you out of your thoughts and you appreciate that. You nod and hand her the clipboard. She takes it, giving it a once over.
"Foggy will be out in just a minute."
Your head jerks up at that.
"No, I need to see Mr. Murdock."
You can tell Karen is surprised by that and her eyes narrow just a fraction. She searches your face, then she looks towards the door on the left. 
You turn your head to follow her gaze. 
"Matt!" Karen calls out.
A few moments pass before the door opens and you feel like you're going to throw up. 
The cameras don't do him justice. 
Matthew Murdock is gorgeous. He was handsome before and somehow, he just got hotter. He's a little taller than you, still as lean as you remember, and looking crisp in a gray suit - like some model walked off the catwalk and into a sweltering office. His hair is shorter than you remember it being. You have the distinct memory of being able to grab onto it, but it's too cropped to do that now.
But the thing that catches your attention the most is that in person and in the light, you can see Matthew's hair has an auburn tint to it.
Just like Minnie's. 
The realization shakes your entire world. 
This man is the father of your child. He's real. He's no longer a concept of a person, who you knew nothing about, who just existed somewhere in the world. 
You have to look away before you start to cry. You don't know where this surge of emotion is coming from - it feels like this wave of relief. This question you have always had finally has an answer. 
You tell yourself to take a breath, you know getting overly emotional isn't going to help anything. It might actually make things worse and spiraling into a meltdown is not a good first impression.
You can see Karen in your peripheral vision, and you look up to her, trying to regain your focus.
It's Matthew who speaks first, "Yes, Karen?"
"We have a walk-in who is hoping she can speak with you." 
You introduce yourself, standing up as you do. You know he is blind, so you don't offer your hand. Instead you clutch your folder to your chest. 
He doesn't seem to remember your name. He turns towards you and gives a polite smile. "It's nice to meet you, I'm Matthew Murdock, but you seem to know that. I have some time right now, please come in. Karen, can you grab us some water before you join us?"
"Yeah, sure," Karen says as she turns to do just that. 
Your throat gets tight again. 
You don't want to have this conversation with someone else there. It's already going to be hard enough. You'll definitely start crying if Karen is in the room. You cannot deal with two people's reactions. The mere thought of you having to do that is making you sweat. 
Matthew's voice breaks you out of your panic. "If that is okay?"
You rush out your response, "I would prefer to speak alone, please." You're too panicked to feel embarrassment. 
Karen doesn't seem phased by this. She is still grabbing a couple of bottles of water from the fridge and offering one out to you. You take it. 
"Not a problem, let me know if you need anything."
"Thanks, Kare. Please, come this way," Matthew motions for you to follow him into the office. 
This is it.
Once you go through that door, you aren't leaving that room without telling Matthew Murdock he is a father. 
You surprise yourself by not hesitating and just charging forward into the office. 
This isn't about you or your fears. 
This is for Minnie. 
You keep your gaze forward because you can't bring yourself to look at him. If you stop and look at him before you tell him why you are here, you will just start over analyzing everything once again. You silently beg to whatever gods will listen that everything will be okay, and this man won't destroy you. 
He doesn't look like he is going to break your heart. 
But you know that looks mean nothing when it comes to pain. 
He closes the door behind you with an audible click and the weight of the moment starts to come down on your shoulders.
You take the seat in front of the desk quickly, worried your nerves might catch up with you, placing the water on the ground beside you with your purse when you sit. Matthew doesn't rush, he walks to his desk with an air of quiet confidence and if you were a client, it would be comforting, but you aren't and all it does is remind you why you fell into bed with him. 
"What brings you in today, Miss..?" He trails off, prompting you to say your name again. As he reaches his desk you watch as he trails his fingers along the edge, using it as a guide, before moving his hand to brush over the back of his seat before sitting in it. 
You chew your bottom lip, wishing you had taken a second to actually plan what you would say instead of jumping in. As far as you know, there isn't a step-by-step guide on how to tell a one-night stand that he's the father of your child - not that you actually looked into that in your desperate research the night before. 
Matthew doesn't push as you gather your thoughts. He moves some paperwork away from the center of his desk, then folds his hands there, waiting. You keep your gaze on his hands, needing something to focus your eyes on while you force the truth out.
"I saw your interview last night," you say, deciding to start there, as it seems the most relatable.
Matthew's brows knit together and he tilts his head to the side and you are one again reminded of Minnie. It's a gesture she does often, tilting her little head left and right as she tries to understand something. It always reminded you of a dog and now you wonder if it's not a learned behavior, but genetic. 
His lips turn down into a frown and his head stays cocked as he asks, "Do you have information about the Lynch case?"
Heat rushes to your cheeks - of course that would be the question to ask after bringing up the interview. The whole piece was about a specific case they were working on and how it would affect Hell's Kitchen and you hadn't paid any attention to what was said - not after you realized who was on the screen. 
You shake your head, resisting the urge to look away and you curl your fingers tighter around the manila folder in your lap. "No, I'm sorry. I saw you and…recognized you."
He straightens up and his demeanor shifts to something less…friendly. It's minute but your messed-up brain screams at you about body language - his shoulders have squared up and you can see where he's clenching his back teeth. You quickly continue on, wanting to get through with your explanation before your anxiety makes you clam up.
"We met nearly five years ago," your voice is firm and factual and you're proud of yourself for that, "at a holiday party." 
The words leave your mouth and you know he knows. Every part of him seems to go still - even his breathing seems to stop. The crease between his brow smoothes out, like he's gone from squinting to wide eyes behind his dark glasses. Your heart is pounding in your ears and your throat is getting stiff, but your voice remains steady as you push the words out.
"I think you are the father of my child."
All the color seems to leave Matthew's face and he looks nearly as gray as his suit. The reaction makes your stomach turn. He looks like he is going to throw up. 
You bite into your lip, waiting for Matthew to do or say something. All you can do is mentally chant to yourself: he's a good man, he won't take her away.
You know it's probably just seconds, but it feels like hours pass before Matthew moves.
He leans slowly back in his chair, reaching up with one hand to rub at his mouth. 
"Are you sure?"
He doesn't sound upset, at least to your ears. His words are cautious - tentative - and it makes your heart go tight in your chest. You don't know if it's fear or hope or everything crashing into you at once now that he knows.
You force out a nod before you remember that the man in front of you is blind. You find your voice and words creep out.
"I'm pretty sure," you start. Your eyes drop away from his hands back down to your lap and you have to lick at your lips to wet them before continuing, "I didn't go out much after that party, I got so busy with work. I didn't…find out until the first trimester was over. By then, I couldn't remember your name. My friends who I went to the party with didn't know you either. I tried to Google you with what information I had, but 'blind lawyer' just got me a lot of disability lawyers." You take a shaky breath, "I understand if you want a paternity test."
You know Matthew is probably taking everything in, but now that you've started talking, it's like you've lifted the dam on your anxiety. You squeeze the file in your lap - just because you hadn't known how you were going to tell Matthew the truth did not mean you hadn't extensively thought about the consequences. Words start to spill out of you.
"I also understand if you don't want anything to do with us, I get it's a big shock. I'm not looking for anything from you." Matthew drops his hand to the desk and if you didn't know better, it would look like he was staring at you. "I just wanted you to know and I thought it would be good for her to know you, but if you don't want that, I get it. All I ask is you fill out some paperwork, medical history mostly so I know if there's anything I need to look out for. I printed it out for you, it's all in braille." 
You get up just enough so that you can place the manila envelope on the desk, then sit back down. Your throat is getting so tight and stiff you feel like you're struggling to breathe. 
Matthew runs his hand over his desk until he can feel the envelope. His fingers move along the edge and you stare at them, like they are going to be the one to reveal what Matthew is thinking instead of his mouth. He finds the lip but doesn't open, instead flattening his palm against it.
"...her?"
His voice is so quiet you barely hear it. You lift your head to finally look at him and your heart skips a beat.
Matthew looks so soft. The corners of his lips twitch a few times before a smile slowly spreads across his face. 
And you know.
You know without a doubt he is your daughter's father. They have the exact same smile. You can't help but to grin as well. 
This is good, isn't it? He looks Happy. 
"I have a daughter.."
"Winifred.. Winifred Love," you offer. Matthew lifts his head and tilts it towards you, brow wrinkling slightly.
"Love…?" He asks, no judgment in his voice, only curiosity. 
You close your eyes in a bit of embarrassment, as you always do during the story, "I meant to put Grace, but I was out of it. I even put a big heart next to it on the paperwork." You aren't ashamed of the story and you love your daughter's name, but it's always a 'oops I was high' moment, even if it was done with the purest intention. 
If possible, Matthew's smile gets even bigger. 
"Winifred Love," he says, his voice dropping back down to the barely there whisper. 
"She goes by Minnie. Like, um.. Like Minnie Mouse," you say. That gets an amused yet fond chuckle. You find yourself relaxing at the noise - like some of the pressure squeezing on your lungs has been lifted and you can finally breathe. 
He repeats her nickname and you feel your lips start to turn up. 
"How old..?" His voice cracks with emotion and Matthew has to clear his throat before continuing, "how old is she?"
"Three and a half," you answer quickly, "her birthday is a few months away." You bite your lip then hesitantly add, "She wants to go to the zoo. It's all she talks about."
"Yeah?" Matthew prompts. His smile is so so soft and it makes your stomach turn in this pleasant way. However, you were expecting him to act, this is not it. In your heart, you think the best you were going for was acceptance, but this seems much more than that. There is a stinging in the corner of your eyes and you have to take your own steadying breath continuing on.
"Yeah, um.. She…likes maps right now. I got her a map to the zoo and she's got the whole day planned." Which is very much true - your coffee table has been the home of a makeshift zoo diorama for a little over a week now and the itinerary has changed about twenty times. 
 Matthew ducks his head and nods a little, taking all the information in. You squeeze your fingers in your lap, needing a way to release the nerves still buzzing inside you. 
A few moments pass before Matthew clears his throat again, "What else does she like..?"
The question makes you chuckle just a little bit, only because gushing about your daughter is something you're very good at. Since you work at home, it is just the two of you ninety percent of the time, you don't get to coo over her very often.
"She loves arts and crafts - anything she can get her little hands on. Right now she loves pipe cleaners and paper, things she can bend and fold, you know? I set her next to me while working and she'll just fold paper into little shapes. Not origami or anything, just abstract things, she doesn't plan it. She always wants to help, too, whatever I'm doing. Cooking and cleaning. She is the best helper for grocery shopping." You pause, looking over Matthew's smile for a moment before continuing on, tears starting to gather in your eyes.
 "She looks just like you," you admit, fondness clear in your voice because it is so so true. Now that you are properly looking at him, Minnie looks just like Matthew, and telling him that makes him light up even more. "You've got the same smile. The same hair. Hers is a little more red, but it's definitely from you."
You watch Matthew lick at his lips and you want to know what is going on in his head. You think everything is going well, even if you are on the verge of crying. They are tears of relief - relief you weren't told to fuck off or to go get your own lawyer. You don't fully know if Matthew Murdock is a good man, but you're over the first hurdle and the prospects are looking good. 
Matthew leans back into his chair, inhaling deeply, as if centering himself, then asks, "Why now? Why find me now?"
"Like I said, I couldn't find you, I didn't know anything about you, really, except what you looked like and you were a lawyer. I did try, I really did, but…" you trail off with a shrug, "I had a newborn."
Matthew seems to accept that answer - it is the truth after all - and continues on, "But you saw the interview... Last night?"
You nod, "I was picking up some dinner and they were playing the news at the diner. I saw it and looked you up and now…now you know."
"Now I know…" Matthew repeats slowly, his smile dropping a little and you wonder if is hitting him in different waves, like it did you - the realization he is a father. You know it is an intense roller coaster and you are not going to try to guide his ride, especially after just kind of dropping it on him. 
He taps the manila folder in front of him, the crease returning to his brow, "What is this?"
Your cheeks get hot again and you turn your gaze away from him and back to your lap, "Requests for family medical history and information about how to establish paternity, if that's what you want."
"It is," Matthew rushes out. Your head jerks up and his expression looks serious, "I want that. I want to be in her life."
He sounds so sure of himself that it makes your head spin a little. You built up in your mind he either wouldn't want anything to do with you and Minnie or he was going to try to take her away - you hadn't really considered the obvious option that Matthew would just want to be involved. At least, that is what you are hoping he is implying. 
"I won't abandon my daughter," the conviction in his voice startles you, but it also makes your heart twist but in a good way because in that moment, you believe him. "And I won't abandon you. I used to question if I had the right to bring a child into my life, but this isn't a hypothetical anymore…. And I can't.." he trails off and leans back into his chair, rubbing at his mouth again. You don't press, you have no right to when you've come out of the blue and changed his entire world. He takes off his glasses and pinches the bridge of his nose. "I can't step away now that I know she is out there." 
You quickly shake your head at his words, "You don't need to rush into anything, I mean it, I don't want anything from you but for you to have the chance to know her. We can go slow, she's still little, you know? She can't handle a big change. Start small?"
You're more worried about how he is feeling versus what you are. You have at least prepared yourself to have a reaction - he thought he would be having a normal work day and you've given him a lot to process in the last five minutes. 
"We can go at your pace, Matthew."
He drops his hand from his face, a smile coming back to his face, "You can call me Matt."
You repeat your preferred name, then apologize, "I'm sorry for coming out of nowhere. I didn't want to lose track of you again, but I could have scheduled an appointment."
Matt shakes his head a little, "No, I get it." His hand goes back to the envelope, like touching it is grounding him like squeezing your fingers is grounding you. "I'm glad you came…I'm glad…thank you. Thank you for telling me." 
Part of you wants to reach across the desk and squeeze his hand, to give him comfort and let him know everything will be okay, but you don't dare. He's still a stranger, despite everything. You decide pushing past the emotional to the practical might be the best approach for now. You need to get your anxiety to settle now that you know your world isn't going to end and the best thing for that, in your mind, is getting an action plan. 
"I don't know what the steps are for doing this," you start, trying to think up ideas as you talk, "but I think maybe we could…get together again and plan things out? Give you time to adjust to the idea and let you think about how you want to move forward?"
Matt nods along with your words, "That sounds like a good idea." 
You bend down to grab your phone out of your purse, "I put my contact information in the packet, but could I get yours?" 
He waits until you are ready, then gives you his personal number then the office number. You do the quick song and dance of calling his phone, so that he has your number and you wait patiently as he adds you as a contact. Hearing the voice commands to navigate a phone is new to you and once he is done putting in your information, you let your curiosity get the better of you.
"Do you prefer texting or phone calls?"
"Phone calls would be preferable," Matt says as he sets his phone on his desk, having held it up to speak clearly into it, "I have text to speech but it's not always the easiest for texting." 
You nod in understanding, "Got it." You squirm in your seat, unsure of what comes next, so you say the very first thing that comes to mind. "You can call anytime. I work from home so you don't have to worry about interrupting anything…like I'm doing with you."
He hums, then asks, "What does Minnie do during the day?" 
"She stays with me, mostly. There's a daycare down the block she goes to if I need someone to watch her. That's where she is now."
That makes Matt frown just slightly and part of you panics that he disapproves. "Is it just the two of you…?"
"Yes." 
You say it with confidence. You've worked hard to get where you are alone and despite all you've been through, you are proud of that. "My parents passed when I was in college and I don't have any siblings. We've managed to do pretty well on our own. It's not the biggest, but we have a little place in Chelsea."
The little frown stays and you don't know what it means - you hope it's over you not having a big support system and not something else. Matt looks like he is going to respond but a knock at the door cuts him off. You jump at the noise, having totally forgotten there were other people in the office. 
Matt looks slightly annoyed when he calls out, "Yes?"
The door opens and the final partner for the law firm is there. "Pardon the intrusion," he says to you with a nod before addressing Matt, "They've got that guy from last week at the 15th. He's asking for us specifically."
Matt openly scowls before running a hand over his face, "Okay. Give me a few minutes."
Foggy nods before stepping back out and closing the door.
"I'm sorry," Matt says sheepishly.
You cut him off before he can say more, standing as you do, "Please don't be, I really did just barge in on you at work. I can call you later? Or you can call me?" 
Matt gets up as well, starting to come around the desk, "I can call you." He hesitates just a second, then ducks his chin, that little smile reappearing and your heart does that funny flip again. "Maybe we can get lunch?"
You smile back, "I would like that. We can start planning." You bite your bottom lip, then add, "I can bring Minnie…?"
Matt's entire face lights up and the awkwardness of trying to end your talk evaporates. "I would like that. A lot." He motions to his desk, "I'll work on getting that back to you. I want to…I want to do this right." 
"I do, too." 
It feels like a promise. You want to believe Matt - that he wants this and won't disappear at the first minor inconvenience. You've read so many horror stories about bad parents and you don't want any of that for Minnie. 
You grab your purse and the water Karen gave you, then finally give Matt a proper look over. 
You enjoyed your night together with him. Not only had he been a phenomenal lover, but he had made you smile and laugh. You weren't nearly as anxious then as you are now, but you had been rather nervous being flirted with by a handsome lawyer and he had made you feel at ease. Bringing him home with you had been an easy choice. 
He must sense you smiling somehow, maybe you giggled or something, but his smile, which had started to fall, brightens back up.
"Can I ask you something before you go?" 
You nod to his question, catch yourself and reply, "Of course."
"Can you tell me what she looks like?"
Guilt courses through you and biting your lip turns painful, "I'm so sorry, of course. Um, I included pictures in the packet with descriptions but, of course." His face drops into something a little nervous so you launch into the description of your daughter, emphasizing how they have the same smile because you can’t get over that. You can't help yourself and start describing some of the pictures you included.
"She has this big noise canceling headband so she can sleep comfortably - she doesn't like loud noises - but because she is three, she refuses to wear it unless it's cute. So we crochet little sleeves for it. One of the pictures is her asleep on our couch, face down, because that's how she sleeps, wearing her favorite sleeve. It's Spider-Man the-"
There's a quick series of taps on the door before it opens again.
"Buddy, we gotta go."
You start to apologize, but Matt speaks over you, his voice a little firm as his expression drops, "I'll be right there, Foggy."
A silent conversation seems to go through them, as Foggy raises his eyebrows at Matt and Matt does the same right back. Foggy steps out of the office, closing the door behind him. 
"Let me walk you out?" Matt asks, motioning to the door.
"Thank you." 
You let him open the door and you follow him into the reception office. Foggy is looking at his phone while waiting by Karen's desk as she finishes packing her laptop. You cross the room in silence as Matt leads you from the office. Once you are in the hallway, he speaks to you in a soft voice.
"Can I call you tonight?"
"Yes, please." 
"Does eight work?"
"That's perfect." 
"I'll talk to you then."
You force yourself to be the one to turn away and start walking towards the stairs. As you get to them, you pull your bottom lip between your teeth to try to suppress your smile.
Maybe the papers are right and Matthew Murdock is a good man. 
You really hope he's a good father too.
2K notes · View notes
zvtara-was-never-canon · 10 months ago
Note
Can you give examples of Aang showing Empathy? Oh wait, you can't.
Actually, I can - because unlike you, I base my opinion of the characters on the actual stuff that happened in the story, not the bad faith takes dumb people on the internet come up with.
Zuko literally only survived past book 1 because Aang was the ONLY person amongst the heroes that gave a single fuck about his well-being. Aang offered to be FRIENDS with him as early as episode 13, even though this dude is trying to kidnap him.
In the first damn episode we see him realize and try to remedy Katara's struggle with no longer being able to act like a kid and have fun. He wants to travel with her so SHE gets to learn waterbending. He willingly lets Zuko take him into his ship because he understood that a conflict could lead to the people of the water tribe getting hurt or killed.
In Warriors of Kyoshi he apologizes to Katara for letting all the praise and admiration go to this head. He makes sure to put out the fires Zuko and his crew started in Suki's village.
He tries to help remedy the Hei-Bai situation, even though he is unsure of himself and even scared, because he knows he is the only one that has any chance of helping - and the thing that allows him to connect with Hei-Bai is the fact that he is ALSO upset about the destruction the Fire Nation has caused AND hopeful that the world would eventually heal.
He thinks Jet is awesome because he wants to help people that are being oppressed by the Fire Nation - and then is horrified when he finds out his intension is to "free" them by killing everyone
He wants to help the two rival groups not only safely cross the Great Divide, but also stop hating each other.
He confesses that he hid the map to Hakoda because Bato, Katara and Sokka are showing how much they appreciate and trust him and he feels unworthy of it after what he did because he knows it'd hurt him if the roles were reversed.
He is so devastated by the fact that he ACCIDENTALLY hurt Katara that he swears to never firebend again. He is also able to recognize the same principle behind his mistake in Zhao's fighting style, allowing him to win the battle against the bastard.
He accepts the fact that the Northern Air Temple is now occupied by people who not only don't belong to his culture but also don't understand it and unknowingly destroyed something sacred to him (and that one of them had been forced to make weapons for the Fire Nation) because these people have nowhere else to go and he doesn't want them to suffer.
He is furious at Pakku for refusing to teach Katara waterbending, because he knows how much it'd mean to her and how unfair it is that she can't learn it just because of her gender.
He is so devastated by the death of the Moon Spirit that the Ocean Spirit latches onto him to avenge it and save the day - and the leve of destruction it causes haunts Aang, even though the violence was against his enemies. And still, he tries to go into the Avatar state again because people are dying and he can't accept that.
After the fall of Omashu, he wants to rescue Bumi, not because he needs a teacher, but because they're friends.
He felt empathy for Toph when she was explaining to her parents how lonely and unappriacted their over-protection made her feel.
He and Katara both feel bad for snapping at Toph during "The Chase" and wanted to apologize for not understanding that being part of a group was a radical change to her, even though she had refused to even try. He also didn't have a problem with fighting alongside Zuko and Iroh against Azula, AND he looked concerned when Iroh was injured.
After Katara comments on the fact he called Toph Sifu but not her, he calls her Sifu while bowing, to show that he respects her both as his master and friend.
The hopelessness and downright depression he was feeling after Appa was stolen only starts healing because he saw a couple being happy with their newborn baby - the same couple he decided to help cross the Serpent's Pass, even though he and his friends had just been allowed to take a much safer route to Ba Sing Se.
His understanding and sympathy towards Jet, even after everything the guy did, was so strong that it freed him from literal brainwashing.
He doesn't want to push his love for Katara aside to gain power because he cares about her too much - and then does it anyway because, even though not making her his main focus 24/7 offers the risk of her being hurt, him neglecting his mission guarantees she'll get hurt.
He is devastated to learn that the world thinks he is dead because he knows he was everyone's last hope - and yet in the end he still accepts the burden of failure because he understood that, at that moment, everyone would be safer if no one else knew he was still alive.
He goes to a Fire Nation school and bonds with the kids, wanting to give them a taste of freedom and joy, as well as trying to understand what the war is like from their perspective. The same episode also has him pull Katara for a dance because he noticed she was feeling left out.
The boy felt empathy for, and understood the mistakes of, both Ruko and Sozin. SOZIN. Aang could see the humanity in the monster that is responsible for him losing his entire culture and everyone he loved.
When Zuko spoke about wanting to control his impulses so he wouldn't accidentally hurt anyone, Aang explicitly connected with that struggle and saw them being teacher and student as fate, and Zuko agreed because that's how deep their connection was.
Aang is not happy about Katara wanting to murder a man, but he still lets her take Appa on her mission and is not disapproving when she ultimately spares the guy but does not forgive him and makes it clear she never will.
He feels empathy for freaking Ozai, to the point that refuses to kill the guy - even as he has the balls to say that Aang's family, his people, deserved to die. He spared that guy - but only after he had a way to do that without it meaning the death of more innocents. Aang, the pacifist, was going to turn his back on everything he believed in just to avoid more human suffering.
So yeah, miss me with your bullshit and don't come back until your brain is developed enough to understand a cartoon aimed at kindergarterners.
639 notes · View notes
periwinkla · 8 months ago
Text
I think what I love the most about AA is that characters have a duality to them that I don't see often in media. They have actual flaws and do actual bad things, and it's not glossed over. Phoenix is a fundamentally good person, he helps people at the drop of a hat, risks his life for them. Has a penchant for taking strays under his wing. He believes in people... but also not really. He carries a literal lie detector with him at all times, and only employs people who can also peer into other people's hearts. So is he really that trusting? Sure he trusts his clients are innocent, but he doesn't trust they will tell him the truth at all (there's always something to lie about). He believes himself naive, and that's why he works extra hard not to be. Some people think he changed with his disbarment but I feel like when he actually changed was after Dahlia. He became less and less trusting as time went on. And Phoenix actually does forge evidence and risks his subordinate's career, and he says pretty nasty things sometimes (that one time to Edgeworth had got to hurt, badly, especially if you consider that the note could have been genuine at first, which we don't know for sure), has a pretty tactless and somewhat hurtful sense of humor, brings his daughter to cheat at poker, and doesn't tell said daughter she actually has some family left alive. He's secretive, elusive and cryptic, and masks it under a false pretence of goofiness. Miles is, by contrast, very easy to read. He may appear emotionally stunted but is one of the more emphathetic characters. He realizes when he's wrong and immediately needs to correct those wrongs. He grows uneasy and uncertain and eventually recognizes when he's mistaken. By the end of it he begins to help people naturally, without even thinking about it as much as he would have in the past. He helps so many people, he has basically got Phoenix's savior complex 2.0 but the healthy kind where he doesn't jump off a bridge. But... he was also actually cruel, and did send innocent people to their graves (was he really so naive to believe whichever defendant came his way was guilty?). He feigned his death disregarding other people's feelings, and while you could say he had no obligation towards Phoenix (apart from basic decency and respect towards someone who had turned his life around to save him), he still abandoned Franziska, who was still just a kid and had just found out about what her father did. She probably thought, at some point, that the apple didn't fall that far from the tree. That's it's somehow her fault as well. He may be rude and antagonistic, frank to a fault. Isn't afraid of telling stuff to your face. But he also cares about the people he loves so much, to the point he doesn't hesitate to risk his career and break the law multiple times. He may appear a pessimist but he's pretty idealistic at heart, it's quite funny that his favourite show is about an hero of justice, isn't it? Godot is... well, we don't know much about it from before his coma, but he definitely shared Mia's sentiments for helping people in their hour of need. But when he wakes from a 6-year coma he's so broken that he just pins the blame on the most absurd person to blame it on, settles on a complicated plan, and also prosecutes on that particular murder he should just confess upon. Iris was sweet, innocent, self-sacrificing. She knew absolutely nothing about the world apart from what Bikini or her sister told her. She was naive and falsely thought she could fix everything, that her sister was salvageable, that she could save Phoenix. But she still ended up lying to the person she loved and abetting a murder. That's why I love these characters so much. They're interesting and their stories make sense. People don't remain unchanged from what happens to them. People are multi-faceted and complex. You can't sum them up in a bunch of characteristics and aspect them to act on every single one of them, always, consistently. Sometimes people break. They make mistakes they regret, ...and some they don't.
515 notes · View notes
metranart · 2 months ago
Text
"She's the fuckin' blood running through my veins, the air filling my lungs-" Hawks admitted unashamedly, giving one last long lick to Dabi's twitching cock before standing on his feet, proudly. "She's irreplaceable to me and I came here to fuck HER…. Not the other way around…."
ft. Hawks centered, Hawks x reader, Heavy! Dabi x Hawks, Slight! Bakugo x reader, Slight! Dabi x reader, sexual content
Tumblr media
Hawks x UA Student! Reader (Part 15)
-
Warning tag: obsessed! Hawks, possessive! Hawks, naive! student reader, violation of trust, dubious consent, mating cycles, rut response, obsessive behavior, uncontrollable thirst for reader, manipulation, forced, thigh riding, hormonal minds out of control, sexual content, first time, cock riding, teenage fuck, Dabi's toxically interested in you, Bakugo bestie yet secretly inlove wit you, love confessions, cock-drunk, Hawks trying to be good but failing miserably, gaslighting, HEAVY plot, lots of smut.
-
Yesterday's incident
A few days after the Nomu attack, everyone began to prepare for the sport’s festival, and between that, the classes and training, you felt more exhausted every day. Physically and mentally exhausted, so vulnerable and confused, unable to swallow the bitter pill of what had happened, it was a mix of emotions too complicated to deal with.
And the boy with the crimson stare who was constantly watching you without your knowledge, noticed it too.
"(Y/N), you didn't even try to dodge my last attack," Bakugo's body plopped down next to yours, unconcerned with how close he was, a viciously rough push bumping your shoulder to get your scarce attention. "Earth to (Y/N)."
You grinned tiredly, and returned the push as hard as you could, not even moving him.
"Is that the best you can do?" Bakugo teased with a growl, "I thought you called yourself a hero." He was as friendly as he could be, even so, witnessed your features darken.
The champagne-haired man clenched his jaw, dammit! His body tensed next to yours and a trace of guilt forced your mouth to open, but you were silenced from whatever you were going to say by Bakugo's soft fingers suddenly pressing against your lips.
"Let me start," he asked, and you waited, his thumb caressing your bottom lip with a tenderness almost alien for someone like him and a long sigh, followed. "I know what it feels like to feel vulnerable and incompetent-"
"Jeez, thanks man-"
"Zip it, I’m not done," his fingers squeezed your lobe as he usually did when he wanted to be serious with you, you had a secret language since pups, so, immediately fell silent. "What I mean is, I've been attacked and unable to defend myself twice already," your breath caught in your lungs, it was true. The first time he was saved by All Might and the second time by you and your classmates, "...I know how you feel after the Nomu's attack," his hand slid like a snake that coiled between your fingers, making your heart rant pleasantly, not scared and confused like some other Hero did, "...I know how you feel, that powerlessness that makes you rage inside and leaves you exhausted," every word was hitting home, only it wasn't the Nomu you resented, "you have to let it out somehow, shortie...” you loved his nickname for you, a simple mock of how massive he was compare to you, “or you're going to go crazy," he smirked gloomy, "trust me, I know. It's a nasty thing."
"What does ‘King Explosion Murder’ suggest to letting it out?" Your attempt to tease him worked.
Bakugo chuckled low before set to think, for a moment, "I train non-stop, but I know your quirk isn't the fighting type-"
"For me, training non-stop would be making out with every living boy I can get my hands on," you shared bitterly amused, your brow furrowing at your few options.
"Or-" his fingers played around yours and something in the air thickened, "…... just kiss me."
You couldn't hide the growing blush on your cheeks quickly enough, one very similar to what your best friend sported. Bakugo cleared his throat. "We've been intimate before, we've kissed,"
"Only when drunk-"
Bakugo shrugged. "You gave me head once after training." He reminded you without the slightest care at been surrounded by your classmates. 
"Keep it down, Kat. That was more than three months ago-"
"-I returned the favor almost immediately." He licked his lips, knowing you were watching, and you looked away so fast, your neck cracked.
"Bakugo, cut it out, someone is going to hear." You muttered low.
The explosion boy just shrugged again, uncaringly, highly amused by all the range of emotions he could muster out of you by mere teasing. He just hated when you were gloomy.
"Let them know that I ate you-"
Your hand slapped at his mouth to silence him. "You have no filter, silly boy." You scolded him goodheartedly and felt him smile under your palm. His tongue coming out to lick you, just for the fun of the fireworks he knew he’d unleash inside you. Your skin bristled and you released him as if his wet tongue, burned you.
"If you want, we can," he offered again, watching closely how you cleaned your palm on your uniform sweatpants. Cheeks showing that he was embarrassed but his eyes showing the contrary, shining with implacable determination. "Just say the word, and I'll be your boy toy."
It was your time to giggle, openly laughing at the term; it was the last term you would expect to come out of his brash mouth.
You stayed silent, and for the first time since he started talking, he felt nervous. Were you going to reject him? Would he be able to handle it? ...was there anyone else? Bakugo refused to find out.
"It's for training purposes, (Y/N)," he added, sensing your refusal, pushing for his secret agenda. He just needed time alone with you, not as friends, so that you could see him in another more favorable and less innocent light, "Don’t duel too much about the implications, you have to improve your Quirk control. Who better than me as a test subject?"
Your lips pursed.
"I'm discreet," you raised an accusing eyebrow, "when I want to be."
"We've known each other for a long time," he continued to push as discreetly as his desperation to have you would allow, "not to mention that I have excellent tongue play, you are fervent proof of that." He showed off, sticking out his long, fat tongue and moving it up and down, imitating his latest exploits on your more intimate parts.
You buried your elbow in his ribs this time, hard and he chuckled. 
"I know, what you fear but it won’t happen,” sometimes you forget that he could read your mind, “our friendship is indomitable," he stated suddenly, proud of his fancy use of pompous vocabulary.
“Indomitable, huh?... Pride and Prejudice?” Bakugo sneered a snicker. You, being the only other creature alive who knew his embarrassing and well-hidden, weakness, for period novels. 
“Wuthering Heights. You, illiterate monkey.” Your giggle tasted wonderful to him and seeing his opening, took advantage of the fact that Deku had just broken a training machine, and everyone was distracted by it. 
"Let’s give it a try."
“And, if doesn’t work?”
Without warning, Bakugo yanked you by the collar of your uniform, dragging your whole body to his without even breaking a sweat, to whisper against your lips. “Then, we give it another try.”
His minty lips smashed yours, and your breath caught in your breast while being crushed against the strong pecs of your best friend, his massive frame devouring your petite one. His hand with a mind of its own circled your lower back, sliding around your waist to end up sitting you on his lap, where his two hands gave itself the task of manipulate your head at will, bending you a little to submerge his tongue better, now a little to the other side to suck and nibble at your lips, he wanted to hear you moan, he wanted you to do it for him... he wanted-
A crack was heard, viciously loud as a gym window exploded like a grenade.
Bakugo abandoned the sweet and addictive taste of your lips to cover you with his body and protect you from the rain of sharp glass. Good luck to everyone, it was just the impact of the noise since the rain of shrapnel didn't hurt anyone. Not even you, who were the closest.
"Are you guys, okay?" Deku appeared next to you in seconds, searching with his eyes for injuries.
"We're fine, nerd." Bakugo replied, gruffly. Damn timing! when everything was going so well. Izuku offered you his hand to pull you up and Bakugo could only growl at how frustrated he felt, he was seeing red.
"What the hell was that?!"
The kind green-haired boy shook off the remains of glass he could find off of you, and you quickly found yourselves surrounded by all of your worried classmates.
Professor Aizawa immediately sent everyone to the classroom…. and Hawks couldn’t feel more pleased.
The ever-watching, winged Hero’s aim as perfect as ever. He even managed to break the shield of the UA Academy from the outside, which was a huge red alert but for now, it served a purpose. The blonde’s lips pull into a nasty snarl, if anyone saw him at that moment, they would swear that he was a villain and not the number two hero of the country.
He had felt sorely tempted to barge in and pummel down that Bakugo with his own fists until he was nothing more than a disgusting, bloody pulp of meddling asshole.... but he had promised you a month, and a month he would give you.
“Enjoy your month, baby bird.” He phrased in repressed wrath. “Things are going to change big time, after.” 
-
Dabi couldn't stop laughing and cackling at Hawks, and how offended he looked as he almost ripped off his own Hero costume, his mouth ranting about some boy - apparently a friend of yours - who had the audacity to kiss you... Dabi loved the hypocrisy that his oldest acquaintance could show so carelessly. Hadn't he, himself raped you not less than a week ago without the slightest cordiality or permission? He still treasured that naughty set of photos. This bird was undoubtedly a born narcissist and a real, drama queen.
“Calm the fuck down, birdie.” Dabi suggested, airily, lazily passing his shirt over his head, “What did you expect? The girl hates you-”
“Nah-ha!” Hawks complained, shaking his head brazenly, his hand yanking sharply on the arsonist's belt to get him naked quicker, desperation clear in every pull. “My mate doesn’t hate me,” he stated in pent-up frustration, “…she’s just young—”
“—Too young if you ask me.”
Dabi let himself be bossed around, his belt slipping like a whip from his pants, his boxers pooled around his ankles next, the blonde already on his knees in front of him.
“I didn’t.” Keigo replied, tasting the shin of sweet from Dabi’s hardened cock. Wet tongue licking a fat stripe from his balls, up through the glorious shaft to then envelop the mushroom head in between his lips, kissing and lightly nipping the sensitive tip with noisy, lewd sounds.
“Fuck-birdie!” Dabi growled low in his throat, jauntily. The smallest of smirks twisting his scarred lips, his hands burying in the golden locks of his occasional lover, “Ho—fuck, like that.”
Takami Keigo smirked against the swollen piece of pierced, palpitating meat on his lips, eyes shut tight while he repeated the motion over and over again, teasing and enticing his receptor to the point of almost a sexual assault.
“Sit on it.” came that dark, gritted baritone through ragged breaths, losing all sense of composure and frankly loving it, shoving Hawks handsome face against his pubic hair forcing him to swallow him whole in one gulp. 
Keigo didn't even resist, the tip of Dabi's cock bottoming down to the back of his tight throat as if it were putting on a glove.
No gag reflex, no struggling from the doting Hero who didn't even get teary-eyed, he was a true professional. After doing it more than he liked to admit, his throat, no doubt, had already been well trained to withstand the brutal thrusts of his oldest, inclement friend. 
"Sit on it?" Hawks repeated amused, releasing his lips from the shaft with a smear of saliva and a wet pop.
His smut features got Dabi smirking just a little, his pierced tongue peeking out to wet dried lips as he slowly panted. The fire-bender cocked his head down, playfully.
“Worried you loved it so much that you'll forget about your mate?”
Keigo snorted loud, this time chuckling, blatantly. “You? replacing my mate?" he snickered darkly, "Nah—”
Dabi's thin eyebrows raised, quizzically.
"She's the fuckin' blood running through my veins, the air filling my lungs-" The birdman admitted unashamedly, giving one last long lick to Dabi's twitching cock before standing on his feet, proudly. "She's irreplaceable to me and I came here to fuck HER…. Not the other way around…."
The blond motioned his finger in circles, indicating Dabi to turn around and take it like a good, little cumdump. Just a warm replacement for the Pro Hero to play make-believe while that long month passes, and he is welcomed into your warm embrace again. 
Dabi found himself pleasantly surprised by this Hawks, had been a while since someone put him in his place. This promised to be fun.
"Why don't you make me, Number Two Hero of the Country?" The black-haired teased, and Hawks turned methodical.
Roughly yanking the Todoroki who, even putting up some playful resistance, ended up face first against the mattress, his bare butt being lifted into the air by merciless hands, spread like a whore for his tight ring of flesh to be presented and soon eaten by the nation's Golden Boy before being destroyed by his monstrous cock.
"You are going to shut the fuck up," Hawks ordered between twirls of his tongue, "and you are going to let me blow my load inside you," his voice sounded beyond aroused, a breathless snarl. "I don't want to see your fuckin' face while I imagine that you are HER, got it?"
COMING SOON PART 16....
➡️ NSFW Artwork of this story
@wtvbabes @dreamlessnight @naomi1247e @alicecil87 @geniejunn @justanerd1 @bakugosgirl01 @toxicxmindsposts @kezybear
169 notes · View notes
villainsandvictimsalliance · 5 months ago
Text
So many lonely people on Kaiju No. 8 had found companionship with Kafka.
He's the personification of support. A senpai, a role model, a hero, a friend, a cadet, a reliable worker, even a crush. He's someone you can trust and someone that wants to be there for you. Even the comedy relief guy or the saviour of the day!!
In the latest manga chapters he was a plushie for a little girl.
There's Reno who lost his entire family. Kafka took the role of the senpai with him: guide and teach the guy, talk with him, show him how to survive and inspire him. Reno met a genuinely good guy that was openly offering his help and friendship, so he went back to thank him and do the same. Hey, your dream is not over, Reno said. What did he get in return? Kafka sacrificing his life for him, telling him to run, giving up the most important thing in his life for Reno.
There's Mina, who is terrified of being alone. She found a personal clown in Kafka, yes, but he was also the boy who helped her keep her hope and made things easier. He would always go with her to the shelter during a kaiju attack, even if he was in another school. He told her she didn't have to kill kaijus all alone. He promised to be by her side. Mina was thrown into a world of giant burdens and expectations, where her failures could mean death and destruction. Kafka saw her not as the weapon she was, but as Mina.
Hoshina was constantly disrespected, overlooked and ignored. He gave Kafka a chance because he reminded Hoshina of himself. For his troubles, Hoshina got a guy that would work hard to reach his expectations, that would rival him, that would call him first thing and spend all that time worried and would apologize before turning into a kaiju to save their lives. Kafka became a friend of sorts to Hoshina through hard work and respect.
Kikoru was used to all types of reactions from the people around her, but not to the level of worry and pride and trust Kafka gave her. It was not for show, he was completely open and sincere in his feelings. Kikoru you're an asshole, Kikoru you're amazing, Kikoru pleaseeee take care of yourself, Kikoru I won't disappoint you, Kikoru you have my permission and gratitude if you kill me if I ever lose control, Kikoru I trust you to finish this battle.
The first thing Kafka did during the second part of the recruitment was support Aoi and Haruichi during their subjugation of a kaiju.
He saved Minase's life by partially turning and risking his life for it. He saved Iharu and Reno that day against No. 9.
Narumi told Kafka that only they knew the weight of the burden they carried for being there the day Isao Shinomiya was killed. Freaking Narumi, who wouldn't share that burden with anyone else.
Like it was noted by his boss while he was still part of the Cleaning Corps, Kafka would do his job after complaining, but he'd do it perfectly and do it again if asked to.
He's reliable. I know I said it before, but he is.
In a world where anyone can die any minute, in the Kaiju Country, Kafka is a presence you don't want to vanish. It's what Mina says: everything is easier with him around, anything is possible.
When in the first chapters Kafka tells the little girl to not be afraid because he'll go and everything will be okay— the girl thanks him. In the anime, the little girl even asks Mina to please not hurt the good kaiju. Once people have met him, they don't want him to go. They'd do anything for him not to go, not to die. When Kikoru saw him losing control and remembered her promise, she decided that she'd rather believe in him 'til the end. When Isao was about to disappear, he thought about Kafka and said he'd leave things up to him too.
Isn't that what it means to be a hero? To be able to say "leave it up to me" but also trust others to help you when you need it? Inspire people to support you because you supported them first?
The only thing scarier than the kaijus is to be left alone in the world— and Kafka fights that.
252 notes · View notes
smallmightsupremacy · 5 months ago
Text
Why we are getting a dvk3
So. The war is over now, and everything is supposed to go back to normal, right?
Wrong. I don't know about you, but this recent chapter was... a roller coaster of emotions, to say the least. We went from the highs of graduation to a mysterious new character all the way to some panels showing how Izuku isn't doing well mentally. And I have a lot of thoughts about that last point in particular. Especially for what this means for Izuku and Katsuki's relationship going forward. So, well before reading this chapter, I was a firm believer that we were going to get a dvk3. It just makes sense, right? Every pivotal moment of their relationship has been a dvk moment, so it wouldn't be a stretch to assume that the third pivotal moment of them becoming true equals would be a dvk too. Not convinced? Well, I'm going to breakdown one specific moment in this chapter and explain why this makes me even more sure that we're getting a dvk3 The moment I'm referring too is Izuku's interaction with Ochako:
Tumblr media
We start off with Izuku looking off into the distance after hearing the words "why I wanted to become a hero" from Mawata. It wouldn't be a stretch to assume that those words were enough to make him reflect on himself and beliefs; to reflect on his own why. Why exactly did he become a hero?
Well, we already know the answer to that: to save people with a smile.
But in the final war, did Izuku actually achieve that? He doesn't seem fully convinced about that idea:
Tumblr media
He believes that he didn't fully save Tenko, and those feelings of self-hatred, of not being good enough rose to the surface when the why of becoming a hero was brought up. Hence, his pensive expression in that first frame. Clearly Izuku's going through some turmoil right now. Self-hatred, emptiness, probably no sense of direction about where he wants to go in his life now that he's quirkless... the list goes on. So what does he decide to do about it? He approaches Ochako:
Tumblr media
Maybe it's to talk about her moment on the UA rooftop which was referenced just before, but it doesn't seem that way. They've already talked about that moment already, why bring it up again? I mean, you could argue that it's Izuku telling her not to be so humble or embarrassed over that moment, but his reaction when she changes the direction of the conversation says otherwise:
Tumblr media
He looks so upset, like he wanted to truly talk about his feelings with a trusted friend. The war is over. There's no need for him to control his heart again. He can finally talk about his feelings... yet he gets brushed off.
The fact that this panel of him frowning is right next to one of Ochako laughing says A LOT too It wasn't an accident that this panel of Izuku was put next to one of Ochako smiling. This was done for a reason. I think that reason is to showcase Izuku reaching a realization-- the realization that everyone is starting to move on from the war and smile again while he's stuck in a slump. I think it's in that panel, where he decides that he won't try to talk about his feelings again. If he does, then he'll bring down the mood and no one will be smiling anyone. Remember, Izuku still blames himself for the reason why his class got targeted, so he probably blames himself for them getting injured and upset from the war too. In his mind, the least he can do is keep quiet about his feelings and suffer in silence at the gain of everyone else's happiness. That being said, this is by no means an attack on Ochako's character at all. She's a great friend to Izuku- hell, that's probably the reason why he decided to go to her specifically to talk about his feelings -but I think there's a part of her that doesn't want to talk about what happened in the war either.
Even if there was, she still would've said something or shown concern if she could truly see how much the war was impacting Izuku. Instead, she misses it. She misses it because, as close as they are, she's the person from class 1A that knows Izuku second best. So that leaves only one person who can help Izuku process his feelings: the one person that knows Izuku best; the one person that will be able to see through his guise of pretending to be alright and save him before he reaches the point of self-destruction; the same person that has proven that they can and will do something like that time and time again. Sound familiar? Yeah. Katsuki is the only one that can help Izuku right now.
But it's not going to pretty. I'm not necessarily saying that dvk3 will involve a fight. On the contrary, I think that's the last thing that should happen for a multitude of reasons: Katsuki is still recovering, their relationship is at the point where they can have vulnerable conversations without throwing punches (read: the hospital scene), and it wouldn't make sense at all to have them throwing punches. Izuku hasn't got a quirk anymore; against Katsuki, he doesn't stand a chance of winning the fight. And that just negates all their growth of becoming equals. So perhaps we shouldn't call it Deku vs Kacchan 3, but rather Deku AND Kacchan 3 It's going to be a fight of them accepting feelings; both each other's and their own. There's going to be crying and tears and so much pain, but it's going to end up with Katsuki reaching out to Izuku so we can get that long awaited and incredibly foreshadowed handhold. So we can see that Katsuki still sees Izuku as an equal, quirk or no quirk.
At least, that's what I hope. I'd love to hear your thoughts about this too!!
315 notes · View notes
impactrueno · 12 days ago
Note
hello dear! I was wondering and i apologize if you’ve already been asked but I was curious…ik that that toonjuice cares about Lydia like a niece/daughter, and the musical cares about her too, how would both react at how keetenjuice treated movie Lydia in the first film when she was a kid?…like say they never knew he was a p#do, how would they react? (And I’m sorry if this sounds bad or weird I’m just curious if they’re protective and shit or?…😭😭)
ok sorry first off i gotta reiterate: movie beetlejuice is not....a pedo....he was just using lydia as a green card thing just like musical beetlejuice.........he says it himself
this misconception comes from people repeating it a lot, especially after they spread the knowledge about the first versions of the movie script (which they changed for good reason,) but when you watch the actual movie and pay attention to what he says and how the wedding goes, it's a lot more clear that his sole intent was to cross over as soon as the wedding was finalized and get the hell out. especially now that we can compare that scene to the sequel where he actually IS into lydia now as an adult (which is creepy as hell on its own but it's very much not pedophilia let's not water down the terms here) and THIS wedding is like a WHOLE thing, he relishes it, he's not frantically hurrying it up, he takes his sweet time trying to woo lydia and enjoys it. his attitude could not be more different this time around
ok now that that's out of the way
if you're asking about my comics specifically, i've been writing them like they're already caught up with what went down with their respective lydias. each of them knows that movie bj tried to marry his lydia twice and has been stalking her for 30 years (he himself mentions it and musical bj uses that against him to insult him,) that musical bj DID marry his lydia but she immediately killed him (cartoon bj called her the "little black widow" and movie bj mocks him for getting tricked into it, as if he himself didn't also get tricked into marriage and murdered by his first wife lol) and that cartoon bj is best friends with his lydia and hangs out with her all the time (babysitting her, as movie bj put it.) the rest, they've been finding out through their conversations.
cartoon bj as we already know is jealously protective of his lydia, but musical bj ehhh not that much. hell, i'd argue he needs to be protected from her, lol.
i think he just knows she can take care of herself, she IS tougher than she looks and he can personally vouch for that. he did step in to save her from his mother, but i think that might've just been because he literally owed her his (incredibly brief) life and he wasn't gonna let someone take that from her. that has more to do with how he himself feels about life and death than how he feels about his lydia, i think. i'm not saying he doesn't care about her because he clearly does. but it's not like the dynamic cartoon bj and lyds have.
cartoon bj's protectiveness of lydia stems solely from how much he cares about her. he's not noble, he's not a hero, he's not a good guy, he doesn't protect her because it's the right thing to do, but because that's HIS best friend and no one better touch a hair on her head or take her away from him. a little selfish but oddly sweet in his own beetlejuicey way. lydia thinks so, at least.
i went off on a tangent here but i think establishing how they feel will help ppl understand where i'm coming from with this argument.
your question is how they would react to learning how movie bj treated his lydia when she was 15:
i talked a bit about how cartoon bj wouldn't stand up to the other two because he knows he has no room to talk, and i think he would only take action if either of them tried to do anything to his lydia (which they won't, obviously, but HE doesn't know that and doesn't trust them) but he also can't help but have a fondness for the other two lydias even if he doesn't really know them. he probably thinks hey if they're lydia, they're probably great. cartoon lydia has similar feelings about the other two juices; she thinks they can't possibly be that bad. but she's not stupid, she's also a bit wary. i think she just wants to get to know them and understand them, maybe sees them as misunderstood, just like how she sees her own beej.
now musical bj.........lol he would be the KING OF HYPOCRITES if he gave movie bj any shit about what he did, because he did exactly the same and was WAY more aggressive about it. he's extremely volatile and that makes him the most dangerous of the three in my opinion. he and lydia became friends, she left him alone for a bit to find out if she could see her dead mom again, his mommy issues and abandonment issues made him take that extremely personally ("you wanna treat me like a demon? then i'll be a demon") and he immediately decided he was gonna backstab her and force her to marry him so he could become alive and not be alone anymore. he tricked her the exact same way jeremy tricked astrid and almost got barbara killed just to extort lydia into agreeing to the marriage and possibly to also get back at her for leaving him, at the maitlands for helping her and everyone else for getting in his way. full on rampage. then when he falls for her bait and switch, he goes "ok well my plan failed so now i'm gonna kill ALL OF YOU"
if anything i think movie bj would be the one questioning musical bj about this stuff, especially now that he seems to have genuine feelings for lydia and helped her save astrid and get rid of rory (the rory thing was a freebie too, but i guess he needed him out of the picture if he planned to marry lydia anyway.) how he dealt with rory and jeremy shows that he actually has some integrity, and from how he talks about dolores we know that "even he has his limits." he follows through with every single deal he's made and he's never lied to lydia once. you can't say the same thing for the other two juices (cartoon bj constantly disappointing his lydia with his lies and lack of integrity, and musical bj for lying to, tricking and backstabbing his lydia)
i think movie bj would come up to musical bj, drape an arm over his shoulder to pull him closer "hey c'mere. lawrence. may i call you lawrence? just wanted to know what the hell is yer damage. lydia can teach ya some breathing exercises to, yknow, control yer emotions so you can stop making a fool of yerself know what i mean?" pat him firmly and stare him down with a scary sleazy smile. musical bj does need therapy. like. asap lol
it's interesting because it's not how you would expect things to go. but when you look closely and compare each of them....it's what makes the most sense.
at least that's what i think, this is all my opinion of course
102 notes · View notes
arisewanekosuki · 1 year ago
Text
Traveler's little helper -Extra-: Lyney x Fem!Reader
It will take a while before I’ll write for Fontaine boys for ‘Traveler’s Little Helper’ (we still wait for more guys and information about them!) But I wanted to write something about Lyney! [ Teyvat , Mondstadt ] Fontaine Archon Quest Act I spoilers:
Aether can’t completely trust Lyney after he learned that he with his sister are part of Fatui. But for some reason you trust them. You weren't even that surprised after hearing that they are from House of the Hearth, it’s like you were more surprised how quickly this information came into daylight. It’s like you already knew, but how? To Aether dismay you still told them that when things clam down you wouldn’t mind if Lyney with his siblings join to your small group for some adventuress. Lyney couldn’t believe it, do you try to deceive him? But looking into your mesmerizing eyes he knows that no, that everything you say is genuine. He couldn’t help but ask, why are you not wary of them? You just smiled with sadness filling your eyes, telling that you know not all people who are part of Fatui are not bad people. You told how you meet one in Inazuma, someone who wanted to live peaceful and simple life, you told about the ones who wanted to be heroes, to help another nation just to be hated, forgotten and abandoned in deeps of Chasm. You told about one who joined the army to gain money so their sibling can follow their dreams. Of course you are aware there are bad people in Teyvat, but everyone has their story. There are people in Fatui that were just unlucky, that were manipulated and deceived.  And you can tell that both Lyney and Lynette genuinely wants to save Fontaine, so there is no reason to you to not trust them. The only person you won't trust is Arlecchino because she is a Harbinger! (Aether looked at you with ‘are you serious?’ face, after all you didn’t mind to invite Childe and Wanderer to the team and even Teapot.) Lyney was speechless, you're such kind and thoughtful person. The first time he saw you in the port, he could tell by your wonderful eyes that you have beautiful soul. After you bid goodbye and went on your separate ways, he couldn’t stop thinking about you. -“Lyney?” his sister asked “It’s unlike you to space-out like this.” -“Ah sorry, I have been thinking about something.” Lyney smiled. -“… More like you were thinking about someone.” She whispered, but her brother didn't hear that. Going back to thinking how nice it would be to travel with you.
632 notes · View notes
mllemaenad · 1 year ago
Text
Listening to Wyll's backstory in context of all the details we're acquiring on devil's contracts and soul selling is fascinating.
See - I listened to Lann Tarv's three tales to get my soul coins. I felt bad for making Karlach listen to that, obviously, but to be honest I didn't even want the coins that much. I actually wanted the stories. I wanted a better understanding of how this works.
And what I'm learning is - for the gods (and godlike beings) of this world, cruelty seems to be the point. I mean - it's possible there's a god in this world I wouldn't want to stab to death with a rusty fork, but if so I have not met them yet.
These beings have the power to save people and places, to change lives, to do anything. And when someone asks them to - they demand a terrible price. But they don't just demand a price. They subvert the original request in such a way that they utterly fail to deliver on the original promise.
An abused woman wishes to be loved - and her true love appears, but dies instantly. A man wishes to save his children from starvation, and ends up personally growing masses of meat on his own body - not only painful for him, but forcing his children into survival cannibalism, which they were trying to avoid.
Auntie Ethel works the same way. Every one of her customers is left in a tortured state, while Ethel still takes her payment.
The idea is that the person must come to regret their wish long before the payment comes due. Every cry for help must be met with a boot to the face. Or else the mortals will get uppity? Or something.
What is interesting is how consciously Wyll defies that. And how much Mizora is dancing around, trying to force him into that state of miserable regret.
Wyll was manipulated into selling his soul. He was a kid, and he was summoned into a terrible situation - and in that moment, he could see no other way to save the city. Mizora did need to save Baldur's Gate to serve her boss's purposes, so she couldn't take that victory from him - but she did everything she could to take the joy of it.
He didn't get respect, or admiration, or his father's pride for saving the city. He lost his home and his family. He was assumed to have done something monstrous because he was denied an opportunity to defend himself.
That was supposed to fill him with bitterness and regret - but he got to work building his own life instead. By the time you run into him, the Blade of Frontiers is a hero of some renown. He's remade himself, and found a way to enjoy what his powers can do, however he came by them.
So that didn't work.
Then Mizora sent him after Karlach, and that was a mission tailored to break him. Karlach is kind and heroic herself, and that the start she has been sold into slavery, mutilated and forced to fight in a war against her will. If Wyll killed her, and then found out who she really was, then he betrayed everything the Blade of Frontiers is supposed to stand for - and he would lose the life he made for himself.
But he didn't, and that didn't work either. He's got a friend, now, who at least knows part of what he's dealing with.
So Mizora gave him demonic features. That would destroy the life he's made for himself, because no one would trust him to help them.
Except now Wyll basically goes nowhere on his own, and a small army of people can attest that he got those horns and eyes as punishment for being a good man. Mizora might be able to shut his mouth, but she can't silence his friends - and the group absolutely have shouting sessions about everything. Wyll's horns become a battle scar, like his missing eye, and nothing more.
And beyond that, if you are playing as a heroic character, a significant throughline in the game's story is the journey of the tiefling refugees. The story makes it clear that these people experience a constant barrage of racism, due to their appearance and "demonic" heritage. It also makes it abundantly clear that this prejudice is entirely undeserved - they're just people, with virtues and flaws like everyone else, and what is happening to them is terrible. So Wyll turns up to assist a bunch of people whom he now at least somewhat resembles - and with Karlach along, you have two people in the group who technically count as "infernal", but haven't got an evil bone in either of their bodies.
Mizora created solidarity. Oops.
Wyll is deeply suspicious of gods and higher powers. He doesn't want to make more deals with devils. When Elminster arrives to tell Gale what Mystra demands of him, he explicitly says he does not do religion. When you get Mizora to agree to let his contract expire in six months, he starts by casually invoking the gods - but switches to thanking the player character instead, because he knows who helped, and who did not.
But he utterly refuses to regret the pact he made. That can be a struggle. He clearly misses his dad, and would like that relationship repaired. The fact that he was transformed very much against his will is clearly a source of distress from him.
But if he regrets, then Mizora wins. That's it. Game over. She gets what she wanted all along. So he doesn't.
The main companion characters all have this kind of problem, and naturally have different ways of dealing with it. You have characters like Shadowheart and Lae'zel, who were indoctrinated as children, or Gale, who was literally seduced by one of these nightmare deities - and with them you have to start out by convincing them they they were the wronged party in the first place.
But Wyll knows exactly what game he's playing, and he's been screaming defiance the whole time. It's just that, in his case, the "defiance" is grinning and carrying on every time Mizora inflicts some more bullshit on him.
786 notes · View notes
piracytheorist · 8 months ago
Text
I am once again emotional by the thought that Twilight has been an unsung hero in all his years working as a spy, has accepted that and doesn't expect to get any recognition by it, but that recognition will come in a way he never could have imagined: his daughter's love.
Because Anya loves him and chose to stay with him because he's her hero, the one who fights to create a world where she and other children can be safe and happy.
I feel it's a different dynamic than with Yor because Anya didn't choose her because she thought what Yor did was the right thing; she mostly found her cool and exciting, and it was after Yor showed her protective side that Anya trusted her. With Yor it's more direct, because if anything it's been Yor that has directly saved Anya. Twilight's methods are more secretive and even detached and as far as he knows, Anya doesn't know anything about those.
So while I believe Yor will be touched to realize that Anya trusted her despite her dangerous work, it won't be a grand shock to her because she knows that Anya knows she's been saved by her - and it's how Loid convinced her he values Yor in the family, in the bench scene. It will still be an important moment, which will solidify (either immediately or slowly) in her the thought that she is worthy of love and of her place in the family. Yor has received recognition for her self-sacrifice and protectiveness (especially during the years through Yuri's adoration of her), even though it's for her direct actions and not her assassin work. Her direct actions were still her honest self, so I think post-reveals it will be more reassuring to her that Anya loves her despite her dark secrets. It will be more grounding than ground-breaking. After all, it was the hope of acknowledgement that pushed her through in the last battle in the Cruise Arc.
For Twilight it will be shocking, because as far as he knows, no civilian knows of his achievements. The SSS and other criminal organizations that know of him hate him, and WISE values him only for his "material" use. In his mind, Anya knows nothing of all he's done to protect her, either directly or indirectly. But to learn that Anya loves him for his very core reason to become a spy? To see that not only she knows, not only she values him, but values him for his principles and his character?
Like, I feel that especially because his motivation is to create a world where children don't cry, having a child see that and call him her hero is what will shake his world. He does get recognized. He is valued for who he is and not what he can offer. Those are things he deprived himself of for so long, and he'll receive them from an innocent child who knows him better than anyone ever will.
(anime only fan here, don't spoil me for the manga)
250 notes · View notes
rey-jake-therapist · 14 days ago
Text
I keep reading that if people think of TROP Galadriel as the innocent victim of Sauron's awful schemings, despite the fact that she orchestrated the whole thing and that Sauron just played along (which was very wrong of him, but it's a separate issue), is because of the movies. Apparently, most viewers saw Third Age Galadriel, as depicted in PJ's movies, as soom angelic figure who was no longer tempted by darkness. But have we seen the same movies ?
I mean, yes, in the 3rd age Galadriel was the Lady of Light, she saved Gandalf, she was kind, she helped the Fellowship in their task, no question here. But still, this was also Galadriel in PJ's movies :
Tumblr media Tumblr media Tumblr media Tumblr media
It's not TROP Galadriel who's tempted by the One Ring and who turns into a scary, dark, power hungry figure and who says these words, but Peter Jackson's.
You offer it to me freely? I do not deny that my heart has greatly desired this. In place of a Dark Lord you would have a Queen. Not dark but beautiful and terrible as the Morning. Treacherous as the Sea. Stronger than the foundations of the earth. All shall love me and despair.
And why did she turn all dark and scary in The Hobbit, when she faced Sauron ? If she was so pure, so perfect as certain people seem to think, shouldn't have her light been enough to cast him out ?
Also, should we forget what Gimli told his friends, when they approached her domain ?
Stay close, young hobbits..they say a Sorceress lives in these woods. An elf-witch of terrible power. All who look upon her fall under her spell…and are never seen again! Well, here's one dwarf she won't ensnare so easily.
I mean, what Gimli refers to was probably just some nasty rumours ;) But the bottom line is this : Third Age Galadriel IS scary. Mortals are afraid of her, and of what she could do to them. We never hear any character speaking of Elrond this way, do we ? There's no smoke without fire...
When she resists the temptation of the One Ring, she says "I pass the test." Because yes, despite being the ethereal she-Elf she is, despite being the Lady of Light.... She still had to earn her final journey to Valinor. She admits herself that she desired the One Ring a lot, and gave much thought to what she could do with it if she had it in her hands.
It's even more obvious if we compare Galadriel's reaction to Frodo's offer, with Gandalf's. Gandalf looks visibly conflicted when Frodo offers him the One Ring, but he doesn't even want to consider it. Gandalf probably desired the Ring too, but not as intensely as Galadriel did, and unlike her he didn't need to pass that test, because he already decided a long time ago that it would be too dangerous for him to use it. And he's a Ring bearer just like Galadriel is, so he knows what the Rings of power can do.
Tumblr media Tumblr media
Even Aragorn gets tested, and passes without difficulty, which shows how pure of heart he is, despite being a man.
Tumblr media Tumblr media
After Boromir, Galadriel's the one who struggles the most to resist the One Ring. I think that should inform us about who Galadriel used to be, before she found her path to the Light.
Stop taking Galadriel for what she's not. She's not innocent, she's not "all light", she's not pure, she's not a victim, and she's definitely not the Virgin Mary.
And by the way, why do you think that Galadriel feels so bad in season 2 ? Why does Elrond call her out when she throws Sauron under the bus as the sole responsible for her mistakes ? Why does she want to fix her mistakes, if she didn't do any ? Galadriel KNOWS that she screwed up when she placed all her hopes in a "man" who kept telling her he wasn't the hero she sought. And her screwing up whas not only trusting Sauron to be a good guy, mind you.
69 notes · View notes
suzukiblu · 1 year ago
Text
Day nine of fic NaNoWriMo; obligatory sugar daddy Tim/sugar baby Kon.
Tim's nucleus of an idea requires some careful math, some even more careful bank fraud, and a lot of planning. Less planning than the supervillain timeline, at least, but still a lot of planning. He has to time it very carefully to make Kon won't have forgotten about the museum heist and the idiot civilian he saved from it, but so there won't be anything suspicious about said idiot civilian having managed to track him down. Admittedly, Kon isn't very hard to track down, but normal high schoolers aren't very good at tracking people down.
Well, not unless they're stalking a celebrity they have a crush on or doxxing a YouTuber who's mildly annoyed them or something.
. . . okay, Tim's probably being too paranoid here. If Kon asks how he found him, all he has to say is he follows him on Twitter or something.
He does actually follow Kon with one of his undercover IDs, because Caroline Hill needed a few social media accounts to round out her existence and giving her ones that she just focused on following celebrities with saved him from having to rig up a bunch of bots and other accounts to be her "friends". It's way easier to just keep up lurker accounts for her and occasionally like a few interesting photos and generally inoffensive comments about current events.
He didn't even deliberately go find Kon's account; Twitter recommended it to him after he followed the Titans and he decided if Bruce asked he could just sell it as a way to keep tabs on a new ally and teammate in a way they wouldn't notice. Caroline Hill also follows Arrowette's official account, even though Tim knows Cissie's mom is the one who actually runs it, plus the Titans' and a couple of other more public-facing heroes'.
So as long as Bruce doesn't notice just how many thirst-trap selfies Kon has posted in wet swimsuits or post-fight ripped-up costumes or with that stupid flirty smirk on, Tim might actually be able to get away with that excuse.
Heteronormativity might protect him, if nothing else.
Maybe.
Look, there's a reason it's Caroline and not Alvin following Kon's account.
Tim works on his idea and his plan and the bank fraud that'll let him crack into his trust fund early without his dad noticing, because while his allowance is frankly appalling and he has a lot more in savings than anyone under the age of twenty probably should, it's not actually enough to fund an entire new life for his stupid sexy teammate, and unfortunately Robin-duties kind of put a crimp in the idea of getting an after-school job, so bank fraud it is.
Just a little touch of supervillain practice, he figures.
Tim works out some reasonable timing and a few different possible approaches to take with Kon, and he tries to stay logical and patient about the whole process even though literally every day this takes is another day that Kon is stuck in a shitty lab that tried to mind-control him and is still actively taking advantage of him, under new management or not. Even Superman doesn't trust Cadmus–understandably–but apparently having an inside man in with them is more important to him than protecting Kon from them? Somehow?
Which is much, much less understandable, to Tim. It's not like Kon volunteered for that. Superman only came to him about it after he took the job for lack of other options. And also he asked him to do it while offering him a real name tied to his family, and while Kon doesn't even know his real name exists.
So yeah, Tim really needs to get a personal kryptonite supply going. Just so much of a personal kryptonite supply. A full rainbow of one, just in case. Like, carefully lead-sealed and code-labeled so Kon will know to avoid it just in case he stumbles across it, but still.
Fuck, Superman better be being mind-controlled right now or something. Or impersonated. Or just somehow compromised.
If he's not, there is not enough Kryptonite in the world for Tim's needs.
So Tim works out his plan, and then he goes back to Metropolis. Specifically, he goes back to Metropolis after Kon updates his Twitter with a selfie that has the Metropolis skyline in the background and a caption about a local café he's about to hit up, which hopefully will give Tim an hour or so to get there before Kon swans off to some random beach or goes back underground with Cadmus or whatever, and also hopefully won't be swarmed with fans or supervillains when he does.
Actually walking up to Cadmus's front door and asking Superboy to come out and play is not in any way in the plan, though if it takes long enough to "find" Kon somewhere plausibly deniably findable for a high school student to manage, Tim's open to the possibility. Fuck knows he's done stupider and weirder and still made it work.
Tim gets to Metropolis in forty-five minutes because of judicious abuse of the Batplane and Bruce being busy on the Watchtower for the day. He'll be telling him he went to see Superboy, since obviously Bruce isn't going to miss the missing jet fuel and Alfred has no reason to keep his mouth shut about it either, but be lying about why he went to see him. As far as Bruce knows, this is business.
Technically, Tim could spin this as business if he had to.
He gets to the café and there aren't any supervillains but there is a small handful of preteen girls on the sidewalk outside giggling over their collection of newly-gained autographs, which means the local supervillains are either behind the times and not properly tuned into social media or just don't have beef with specifically Superboy. Which . . . quite possibly they don't, Tim is realizing. The locals would know how little investment Superman has in Kon, after all, and Kon spends more time either underground with Cadmus or running around with Young Justice than he does actually in the city proper, so it's not like he's had time to collect many personal grudges. Those are probably all back in Hawaii. In Metropolis, he's mostly just been reported as covering petty crimes that'd slipped through the cracks while Superman was busy handling Brainiac or Parasite or having another cold war with Lex Luthor.
It's Kon, of course, so eventually he'll piss off Toyman or accidentally trip over Mxyzptlk or something, but right now, Metropolis mostly just remembers him as that slightly too eager kid who stopped a bomb from killing them all that one time and helped Superman stop Engine City from happening to them. Kind of like Superman has a very enthusiastic but well-intentioned super-powered fanboy kicking around downtown, as opposed to an actual sidekick or any kind of partner that he regularly works with and supports. Steel gets a lot more Metropolis street cred and appreciation, for obvious reasons, but Kon just hasn't been around the city that often since his initial debut. He's a little bit like a tertiary mascot character.
Tim thinks Metropolis is full of idiots, but their standards for vigilantism were set by a man who can bench-press a planet, so he supposes it makes sense that they see a teen idol telekinetic as a charming little side character and not really anyone too impressive in his own right.
No wonder Kon ran off to Hawaii the first chance he got after Superman came back to life, though.
Though in retrospect, why did Superman let him?
Tim walks into the café in civilian clothes and immediately spots Kon at a table in the back and gets a very sharply assessing eye from the woman behind the counter. He doesn't patronize her by pretending to be here to order anything and just heads straight for Kon.
She watches him, and so do a couple of assorted patrons that might be regulars. Tim wonders if Kon's a regular himself, or if Metropolis is just more protective of its Supers than he'd previously realized. Kon isn't here often enough for him to have really looked too closely into it.
Kon doesn't look up from his phone or his mostly-empty plate and mug; it looks like he's playing a cell phone game or something similar. Tim debates the best way to introduce himself, since he doubts Kon will immediately recognize him, but before he can–
"This better be worth ditching out on the refill I just ordered," Kon says distractedly without even glancing up.
"Sorry?" Tim says, a little bemused, and then Kon does look up and startles a little, looking surprised.
"Shit, sorry, thought you were somebody else," he says. "Blame the coat."
"You weren't looking at my coat," Tim says, looking down at it himself in vague mystification anyway. It's just a coat. It's long and dark and on the heavy side, but that's literally the only notable things about it.
"I don't think you understand how TTK works," Kon says, lowering his phone with a wry smirk. "I don't have to look at you to see you, man."
. . . well, that's definitely an application of tactile telekinesis that Tim wasn't previously aware of.
He's just going to try not to think too hard about any implications of Kon's telekinetic field potentially being in constant passive contact with literally everything and everyone around. Especially not him.
If he's lucky, he'll be able to forget that new bit of knowledge as anything but an unfortunate new angle to his occasional sex dreams and just leave it at that.
"Oh," Tim says, feeling vaguely faint and still trying very hard not to think too hard about this new bit of knowledge. "Uh, that's . . . cool. Um. Can I talk to you? Er–please?"
"Need another museum un-robbed?" Kon asks, and Tim is genuinely surprised to be so immediately recognized. It's been over a week, Kon saves people's lives every day, and they'd barely even spoken.
"Not so much," he says. "I just wanted to thank you again. Um. Properly, I mean."
Kon tilts his head, a brief flicker of curiosity flashing through his eyes, then grins up at him.
"I told you, man, it's no big," he says. "It's just what I do, you know?"
"I know, yeah," Tim says. "But I still appreciate it. Can I cover your lunch for you?"
He figures that's a subtle little nudge towards what he wants out of this conversation. Get a foot in the door and all; set some expectations. Or at least try to work up to it.
"I don't know, can you?" Kon says with another brief flash of curiosity, though his grin doesn't change.
"I mean, you're a superhero so I assume you could stop me if you wanted, but otherwise I'm not really seeing any obstacles there," Tim replies reasonably. Kon laughs a lot more brightly than Tim usually gets to see him laugh, which is incredibly distracting, but the people glaring bloody murder at his back finally start letting up.
"I dunno, you're pretty cool under pressure," Kon says with a sly smirk. "Maybe I couldn't."
Tim hates his useless brain and all the totally inappropriate thoughts it immediately conjures up about various options for getting one over on Kon, because of course all of said options are sexy options. Kon's smirking at him all sly and teasing and Tim just made him laugh; there is literally no possible way they could not be.
God, he's going to be thinking about this for their entire next training session, isn't he. That's gonna be mortifying as fuck.
"I think you're underestimating yourself," he says. "You handled those assholes at the museum like they were nothing."
"Well, they weren't exactly Intergang," Kon says wryly.
"Still," Tim says. "The only casualty of an armed robbery and hostage situation was a vase."
"Apparently a very important vase, according to the papers," Kon says, making a face. "Superman told me I need to be more careful next time."
"Over a vase?" Tim says incredulously. He doesn't care how important the stupid vase was, Kon was busy protecting his skull from bullets. The vase's untimely demise is mildly unfortunate at best.
"Well, he wouldn't have broken it," Kon says with a shrug, picking up his mug to knock back the last of his drink. It looks like hot chocolate, not coffee.
"Neither did you," Tim points out. "You're not the one who freaked out and dropped their gun."
"Tell that to Superman," Kon snorts, briefly eyeing his empty mug before setting it back down. Then he shrugs again and grins again too, leaning forward a bit towards Tim. "It's whatever, man, no big deal. Wanna sit?"
Tim isn't actually sure what to do with that offer, but it would be helpful for making his pitch, so . . .
Though he doesn't know why Kon's making it, to be honest.
Still, no time to be looking the gift horse in the mouth, so Tim takes him up on it and sits down across from him. Kon looks weirdly pleased about it, for some reason. Tim still doesn't know why, but isn't gonna question it.
"Thanks," he tries.
"Pleasure's all mine," Kon says, flashing him a grin as he rests his chin in a hand. Tim remains mystified as to why he seems so pleased and why he even remembers him at all, but . . . okay, sure. This might as well happen. "What's your name, anyway?"
"Tim Drake," Tim says, feeling increasingly mystified.
"Nice to meet you, Tim," Kon says. "You know, without any weird magic goats or guns to anyone's head being involved."
Honestly, the magic goat and the gun to his head were both less weird in Tim's personal frame of reference than Kon's apparent interest in chatting him up in this trendy Metropolis café is, but whatever. It's useful, so he's gonna make full use of it.
323 notes · View notes
fiivela · 3 months ago
Text
I think one thing that always bothered me about D*ego and Lila (censoring so those shippers don't have to see, I love D*ego) is that D*ego has a lot of trouble working as a team.
D*ego works alone. He is a vigilante who prides himself on his own ability and heroism. Most of his self worth comes from his ability to save people. He wants to be a hero. He wants to be the only hero.
He and Eudora didn't work for many reasons but mainly because D*ego is someone who needs to be in control of the situation. He thinks his way is the best and he doesn't want to do things other people's way because it makes him insecure (boy is traumatized).
He and Lila have an instant bond because she is also wild and anti-authority and doesn't play by the rules. But he still doesn't trust her (and rightly so in season 2) so he goes along with what she wants to feel her out and understand her better. However come season 3 when he does trust her, this is where I could immediately see that they would not be compatible for an extended period of time.
D*ego is extremely controlling of Lila in season 3. Because of his sensitive ego he has a lot of trouble with Lila taking the reigns and making decisions for herself. Yes, she is pregnant in season 3 but D*ego treats her like she can not make informed decisions and takes away opportunities for her TO make those decisions. He shows a complete lack of trust in her skills and decision making by locking her in closets and telling her he has made up his mind already for her. D*ego believes he is doing the right thing by protecting his family, but he isn't. He is treating her very similarly to how the Handler treated Lila, or at least it's possible she would perceive it that way.
But it makes sense why in season 4 she doesn't involve D*ego in her investigation of the Keepers. She wants to be in control and investigate at her own discretion, but D*ego would feel inclined to take the reigns and go full hero mode if he knew. He would let his ego take over and relegate Lila to sidekick.
I love D*ego as a character. I think he is beautifully complex and flawed, and my interpretation isn't to bash him, it is just what I observed from rewatching seasons 2 and 3 recently.
Now look at Five. Five talks a lot of shit about Lila in s2 because he knows she is the enemy - and he's right! He has no reason to trust her. He doesn't play pretend and try to investigate by getting her to trust him, he does a more respectful thing and tells her, hey, I don't trust you, don't fuck with me. He doesn't manipulate her, and he doesn't underestimate her.
Same in s3. He still doesn't fully trust Lila and tells her as much, but he now has more perspective on why she is the way she is. Like Five, she has spent a lot of time being manipulated by the Handler. They are both trained assassins from the commission. He understands why she is the way she is, and doesn't underestimate her. He recognizes her as being smart, resourceful and dangerous.
Come season 3, they have known each other for years now and Five knows she isn't going back to the commission and has no plans on hurting anyone. Now he can just appreciate her friendship as someone who is just like him! He finds her at the Keeper's meeting and he's intrigued. Five follows Lila's lead at the Keeper's meeting. He trusts that she has already sussed them out and asks her for her information instead of insisting on finding it out himself because he sees Lila's skills as valuable and appreciates that things that she was able to do that Five wasn't.
Now, on the subway they must rely on each other for survival and you see them actually helping each other. Lila cuts his hair, Five helps her injured foot, Lila even shaves his face - literally with a blade to his face! - and they enjoy and respect each others skills and what they bring to the team.
Once they get back, you see Five and Lila playing off of each other. Five tells Lila to use her lazor eyes, not to run away and let him handle it. Lila and him team up to use their powers together. Five listens to Lila's idea of using his power, even if he doesn't fully agree with her plan, because he trusts her and believes her to be smart and capable.
I just think that in the long run, Five and Lila would genuinely be more compatible than Lila and D*ego based off of the evidence I've seen and interpreted from the show.
84 notes · View notes
brucewaynehater101 · 2 months ago
Note
semi sapient absolutely sentient eldritch gotham gets tetchy and sulky whenever tim leaves gotham because what if this is the time their little birdy doesn't come back? what if this is the time some other city sinks their claws into her birdy like that hussy central city threatens sometimes? they already nearly lost their Nightwing, their first Robin, to Bludhaven, and the League keeps trying to take their sweet Jason! And Gotham knows in some deep part of herself that if Tim left her for good, she couldn't blame him, but she'd miss him! she'd miss her little starlight who kept her from destroying herself, her little birdy who saved her son, her Bat, she'd miss the little birdy that loved her even when she was at her worst and she doesn't want him to go!
Gotham goes NUTS when she realizes that Ra's is being creepy about her birdy and almost, almost forces a boon on Tim so she can keep him close and keep Ra's away from her birdy
Kon has similar issues with Metropolis who has thoroughly claimed Superman and Metropolis noticed negative vibe Superman displayed towards Kon and the dehumanizing sort of attitude from its other chosen, Lex, and so Metropolis isn't too welcoming to Kon either
Bart didn't have a boon, Central, Keystone, and any other city in his future that could have offered him one were all either destroyed or twisted so that boons were a bad idea and Bart doesn't really want to be tied to any single place now either, just in case
Cassie may or may not have been offered a boon from Themyscira but she asked Tim how to politely decline
C4 WITH BOONS!!!
I particularly like the angle with Bart. Not only does he not trust it due to his experiences in the future, but he also doesn't want to be tied down. Bart is constantly on the go and traveling. A boon makes it difficult for him to leave for extended times (especially if YJ does space missions).
I also love sentient city beef. Let them bicker and hate each other (maybe some actually like each other). Regardless, they are all stuck to their city limits. They can't leave, but they can ask their favored to mess with other cities.
I'm kind of curious about the association of boons with heroes. I don't think GLs would have boons, but what about the rest? What if not having boons is another reason "Just Us" was formed and relied on each other? What if that was a trait ALL YJ members shared?
Perhaps Gotham is special in her boons and behaviors/responses, and the other cities are much more subtle in their boons/favor. Lots of possibilities
123 notes · View notes