#she deserves everything.

[tamarackbaumann]

tamarack...........

[ayo-edebiri]

INTERVIEW WITH THE VAMPIRE (2022 - ) I I Could Not Prevent It

[narwhalandchill]

on the brighter side however today Also marks the day i FINALLY have a decent enough 4pc of navias signature set to replace my MH set 🫡😭 the ratio is a little lopsided with 84/180 (id prefer like. Just a Few more cdmg rolls to cr there if truly minmaxing) but considering the agony that farming that domain has been so far this W sure fucking is one ill gladly take especially after the kafka disaster 😭😭😭

[misandriste]

ELOISE BRIDGERTON + being mistaken for a suitor

[jenanigans1207]

What I wanted so badly was for Mary to learn about her boys from Cas. Like that night where Cas finds her when she can’t sleep and she expresses that she just doesn’t know anything about her sons since she missed so much?? All I wanted was for Cas to sit down with her at the table and just start telling her about them. Basic stuff at first: their favorite foods, their sleeping habits, the stuff he’s just observed by being their passenger for years.

And then I want him to say something totally Cas, like “Dean always wears more layers but that’s because his body naturally runs two degrees colder than Sam’s. But that’s normal for him and not indicative of any illness, so it’s nothing to worry about.”

And as they talk, it starts to get a little deeper, and Cas tells her more. He tells her about what she missed, about all the horrible things that happened to her sons and how they coped; how it changed them. And he tells her about Sam, he does, but really it ends up being all about Dean.

He’ll tell her about how Dean clenches his fists when he’s upset, even as he tries to keep his face impassive. About how Dean drums his fingers on the steering wheel when he’s anxious. He’ll tell her about Dean’s nightmares, about the ways he’s chosen to cope. He’ll tell her how to know when to approach Dean and when to give him space, how to gently acknowledge what he’s feeling without pushing him too far.

And with every word he says, Mary’s curious head tilt from when she’d seen them hug in reunion turns into a bone deep type of certainty. Because Cas is telling her things that only someone who paid special attention would notice. He’s telling her things that only someone very, very close to her son’s heart would know.

Cas will tell her the cliff notes of what they’ve been through; will tell her how the whole world looked to Dean and he rose to the occasion over and over again. He’ll tell her about Dean’s doubts in himself and then vehemently declare them as wrong and explain, at length, why. He will tell her about the people Dean has loved— the people who loved him like he was their own— and lost. He will tell her about Bobby, Ellen, Jody, Donna, and Charlie. He’ll tell her about Claire, too, and how Dean stepped up.

And the whole time, Mary will have this realization that oh, she may not have been around to guide and protect her sons, but there was always someone there to care for them and support them when they needed it. She will realize that she and John may have left them, but they were never alone.

But more than that, there was someone there for Dean. Someone picking Dean over and over again while Dean picked Sam, or the world, over himself. There was someone fighting for Dean when he wasn’t fighting for himself. There was someone who saw Dean, and loved him unconditionally.

Sitting across from her, at the asscrack of dawn, filling her in on all the things she missed was every mother’s dream: someone who loved her child with the kind of devotion that would break the world. And from the sounds of the stories she was being told, it did break the world. Someone whose love is entirely untainted and comes without any strings attached.

It’s so clear to her as she listens to Cas talk that Cas loves Dean with no expectations. That loving Dean is something he just does, like he doesn’t know how not to love Dean, like the possibility of not loving him never occurred to Cas. He loves Dean in a way that Mary knows can and will soothe Dean’s sharp edges and battered heart. He loves Dean in the kind of pure way that tells Mary that it will continue to endure and overcome everything without ever diminishing, even the littlest amount.

Mary, through tears, will tell Cas how she always told Dean that there were angels watching over him. And before Cas can make some comment about Dean being the Righteous Man and the interest of most of Heaven, she will place a hand over his and give him a motherly look that will convey all the things she’s not sure how to say— and the things she’s not sure Cas is ready to hear yet. And Cas will flush and look away, mumbling about how her son is very special to him.

And when she pulls him into a hug and murmurs thank yous into his shoulder, she will be comforted in the knowledge that her sons turned out to be wonderful men, and that they managed to stay together through everything. She will be comforted to know that no matter what happens, no matter her shortcomings as she tries to fill a role she never meant to leave, Sam will have Dean and Dean will have Cas.

And this time, when Cas tells her that she belongs here, she will believe him. And she will tell him that he belongs here, too.

And when Dean wakes up a few hours later and wanders in to find Mary and Cas still chatting over the table, he’ll be surprised— but pleased— to find Mary looking more at ease. He’ll be pleased when she gives him a warm hug and pats him on the cheek and tell him with all the sincerity that only a mother can muster that she’s glad that he met Castiel. And when Dean agrees, a little confused, Mary will just smile at him.

“I always said I’d like a third son.” She says, “so give him a reason to take our last name, won’t you?”

And Dean will splutter and turn fifteen shades of red as he steadfastly doesn’t look at Cas but mumbles something that suggests he’s not against the idea at all.

And Mary will laugh again and wink at an equally red Cas before heading towards the kitchen like “Cas said waffles are your favorite, so I hope you’re hungry!”

[codenamethebird]

God I have so much to say about Melinoe's characterization, and the fasinating implications about her future arc/the overarching plot of hades 2. I want to make a larger think piece with pictures but for the moment I'm just going to focus on this one specific thread.

In the wake of the Prometheus reveal, she has a slew of convos about his motivations for siding with Chronos, and the gods basically all go: this is his vengeance for us punishing him a tad cruelly. And Nemesis is like, yeah the gods 100% deserve it. But Meli's responds that he must have more motivation than just vengeance, it can't just be that. But when Prometheus explicitly goes, 'I'm doing this because the gods are horrible to humanity and I love humans,' she basically goes, no he must be lying. That motivation is both too pure, but also humans kind of suck why would you care about them?

Mel's humanity hot takes deserve it's own essay (Ms I think Humans should have never gotten fire and are better when they are dead), and I just want to focus on the former for now. She can not comprehend that Prometheus is fighting the gods for noble reasons. It just does not make sense to her. Mel's world is so black and white. She doesn't understand the nuance of the situation, and the thought that the gods might be actually in the wrong doesn't even get close to crossing her mind.

It's a fascinating (and horrifying) result of her upbringing. Of the constant state of war and the very convenient big bad that is Chronos, the evil monster who stole her family. If she accepts that his side isn't completely evil, that they might even be right in some (even many) respects, she would have to grapple with her whole life. Everything she believes would be thrown into question, the literal thing she was training her whole life for.

She can't have Prometheus fighting for a noble cause, because he fights for Chronos whose the Bad Guy tm. But he also can't be fighting for something as simple as vengeance, because that would also mean she would need to really think about what he's angry about. If the punishment was truly so unnecessary cruel.

When talking to Odysseus about Prometheus, when Ody's saying how much he respected him for stealing the fire despite knowing the consequences, Mel says that it was the price to be paid for breaking Olympus's decree. To her, Olympus's rules are sacred and ultimately good. Unquestionably. Prometheus broke the rules with intent, so to her, why would he be so angry at the consequences? Especially if he knew because of his power they were going to happen.

So he must have another reason, some secret machiavellian plan that drives him. Except as I already said, it brings her right back to him doing it for humanity, which she also can't accept. Because that would be admiting that the gods did something wrong to humans. She twists herself into knots to justify her worldview, and it's fascinating! She's so messy I adore her.

Please Supergiant please the final surface boss has to be a human pleeeaaasse (preferably a living one). Or at least have one (or more) show up in some other capacity. Mel needs to come face to face with the other side and have it utterly destroy her worldview.

And/or have (Pan)Dora betray her for Prometheus, that would also be very fun haha.

[sweetlullabyebye]

Those two were so unexpectedly sweet they just kinda adopted each other with the third game like yeah we're in this together now

[novelconcepts]

A thing I find really important about the way Kevin Can Fuck Himself goes about its job: Allison is kind of a mess. She’s self-centered, she doesn’t put other people’s needs first, she makes reckless choices that endanger herself and others. And the show says: yes. Right. She’s flawed as fuck. And she still does not deserve any of what’s happening to her. It could be argued that she is, in fact, this flawed as a direct product of her trauma. Her self-absorption, unlike Kevin’s, is actually self-preservation. It puts Patty in danger. It tunes out Diane’s pain. It capitalizes on Sam’s relationship problems. And still, the show says: yes. Right. She’s going about this in fumbling, worrying ways. And she still does not deserve any of what’s happening to her.

Know how we know this? How we really know this, outside of our own objectivity, our own awareness of the abuse she’s enduring even to the soundtrack of laughter?

Because Tammy is the one to find her. Because Tammy is the one holding the cards at the end of the game. Tammy, who does not like Allison. Who sees so clearly the complicated, messy, dangerous person Allison can be. The mistakes she is prone to making in the name of desperation. How imperfect she is at every level. And Tammy, who is the character most explicitly set to call Allison on all of her shit, to drag her before a court of law, to lean on that hot-button of whether or not she’s a “good person” until it breaks—lets her go. Folds the cards up, puts them in her pocket, and leaves.

Because Tammy, like the show, like the thesis statement of abuse is never earned, never deserved, never warranted, understands. This is a world that so often sanitizes women after it’s too late to save them. A world that insists she should have done more to get out. A world that insists you should be kind and moral and perfect, or maybe you got what was coming to you. This is a world that sees fighting back as an equally heinous crime. As punishable, if not more so, than the actions of the instigator.

But this show doesn’t want to play that game. This show doesn’t want to fuck with it at all. Allison doesn’t have to be perfect and moral and above reproach. Allison has blood on her hands, and a DUI neatly ignored, and knowingly has an affair with her married boss. Allison hurts her friends sometimes, and she makes awful decisions out of desperation, and she doesn’t always pay attention to other people’s plotlines. And the show says: yes. Right. She’s making choices you probably should not agree with.

And she still does not deserve any of what is happening to her.

[youhavethesun]

the hardest thing in this world is to live in it. be brave. live. is so beautiful and such a heart wrenching moment between buffy and dawn but it’s also the saddest thing I have ever heard. this is coming from buffy summers, who ever since she was called has had to fight every day of her life to survive. coming from a girl who was murdered when she was sixteen years old, who didn’t want to die. this is coming from a girl who had to kill the person she was in love with to save the world. someone who has seen classmates slaughtered on a regular basis. a girl who found her mother dead on their living room couch from a brain tumour. a girl who fought tooth and nail to survive every battle, every single apocalypse. who despite every effort to live is sacrificing her life all over again at twenty.

the hardest thing in this world is to live in it. buffy summers knows better than anyone just how hard that is.

[bonicedemandarina]

live laugh love Betty Grof, truly nobody is doing it like her

Click for better quality, also maybe zoom in a lil bit for some cool details

Actually lemme make it easier for you, closeups under the cut

[erabu-san]

Imitate

Bonus Tighnari's POV :

[demigods-posts]

they're filming season two, but i'm thinking about the potential adaption of the mount tam scene in season three. you know, the one where annabeth could apologize for pushing percy out of the way and falling off the cliff in his place, and how she knows that sounds terrible but they didn't have time for another plan and she didn't want to lose him that way. but percy just engulfs her in a hug because he's so relieved that she's safe now and everything else be damned. and annabeth doesn't understand why he's snickering to himself after that last statement, but she melts into the hug anyway because she missed him. and thalia and grover stand in the background happy for their friends on the outside but internally mortified, because their friends are definitely falling for each other but fate may not allow them to see it through.

[rainedropsart]

Some Wondie doodles to go with the Arrowette I drew yesterday, I need to draw her stupid wig outfit more

[buqbite]

My thoughts here mainly revolve around YSA as the mary sue/female lead type character:

She goes from being this perfect woman to. just being a woman. And my idea is that the weight gain isn't there to make her "unconventionally attractive," or whatever other dumb phrase you wanna use to avoid calling someone ugly, but to make her conventionally attractive, yet realistic.

Instead of looking like a skinny waifu character, she looks like a skinny human woman. Her hair swaying in the nonexistent wind isn't as perfect, her magic blush is missing and she has eyebags. She's still hot, just more human.

[dirtytransmasc]

if they don't give Helaena one scene that doesn't strip her of her agency or just treat her like fodder, I'm gonna scream. if they don't give Helaena one scene with her dragon, I'm gonna scream. if they don't give Helaena one, better yet, multiple, scenes with Aegon, her brother, her husband, the father of her children, I'm gonna scream.

[frost0wl]