So we saw Tammy Thompson sing the national anthem in the first episode of s4...
Which prompted Robin and Steve to give each other looks because they remembered Robin's coming out moment in the bathroom, where they made fun of Tammy's singing...
Vickie overheard them joking, and Robin took the opportunity to talk to her, saying that she "used to think that Tammy sounded good because I had this massive crush—um, we took a massively hard class together. We were in Mrs. Click's class together," reminding the audience of Robin's explanation that, in the class, she wanted Tammy to look at her, while Tammy only looked at Steve.
So episodes later, in the boat out on Lovers Lake, where Robin looked at Nancy looking at Steve? Yeah. This was a direct callback.
And it's interesting that even though Robin's crush was specifically mentioned when talking to Vickie, it's this scene with Nancy that we see what Robin referenced in action.
But the question is: why do any of this?
Even though Robin said Vickie is the girl of her dreams, we saw Vickie for approximately 3 min of s4, and it's within the last 20 min of the final episode that they had their first actual on-screen conversation. Meanwhile, Robin had been glued to Nancy's side all season. The writers are smart, they could've inserted Vickie into the main group at any point, to give her and Robin a chance to bond, and to develop their relationship. It's been done before with other characters. If anything, it seems like the last thing the writers would want is to give clear preferential treatment to Robin's dynamic with a character who's (supposedly) not meant to be a love interest for her (especially in the season where the actual love interest is first introduced, and the audience has been mentally prepped for Robin to have romantic interactions). I'm not saying Robin can't have platonic female friends, I'm just pointing out interesting writing choices, and the usage of show vs tell.
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remembered my doomed weslah(?) post-nfa au that i can only describe as "wesley is an unofficial third to a semi-retired frunn who are now hippies in portland and also lilah is there"
wes grows a depression beard and gets really into building birdhouses. sometimes lilah, still liaison for w&h, shows up and together they're the most sexually tense couple at the farmer's market. (lilah makes him shave the beard)
obviously lilah decides that she needs to insert herself into this non-throuple in order to make wesley jealous and admit that he cares about... something. other than birdhouses.
anyways every visit inevitably ends with lilah being called back to work by the senior partners. she only gets to snag brief moments of freedom before she goes back to work, and every time wes has to say goodbye to her all over again he gets all morose and guilty about it.
and i think it's ultimately about hanging onto guilt and loss past the point where it's helpful for you because it's your last connection to someone, even though it's keeping you from living your life in the present, because on some level the idea of being happy feels like a betrayal. and trying to figure out what moving on even looks like
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listen. i love el and i think she's a fascinating character. we all know this. i am very clear about this. but like. it really is SO crazy how she really came in and, like... fucked will's life up so fucking bad lmao. i know that it wasn't her fault, and i'm not saying it is, but that's just... such an excruciating writing choice.
it was a choice to have her be the one that opened the gate & essentially sliced will's life into an ugly before and after. it was a choice to have her replace him as mike's number one as soon as she came back into their lives. it was a choice to make her the party's mage and then "change" will from being their wizard to their cleric. it was a choice to make her his sister. it was a choice to purposely have her wear his clothes and have the same bangs. it was a choice to have her ignore him on mike's first day in lenora, despite the fact that he was mike's friend, too, and first. it was a choice to make her oblivious to his feelings.
it was a choice to make them love and genuinely care about each other. it was a choice to make her feel like a monster for everything that'd happened and kept happening. it was a choice to make will not resent her. it was a choice to make him support her enough that he's willing to uphold her lies to mike (!!!) of all people with his inaction.
it was a choice to have him spill his heart out to mike and gift him his painting all in her name. to have him be the one to unknowingly make mike finally say "i love you" to her in response to his confession. to have him realize too late that he's been needlessly pushing mike towards her this whole time.
it was a choice to place will right beside mike, his first ever friend and keeper of his heart, when he told el that his life started just as will's ended.
it was... a bold fucking choice to replace will with el in mike's eyes due to outside influence. it throws them into chaos and disarray because el and will are not interchangeable, and it shows in how...
mike seeks from el everything that will already gives him.
mike readily gives will everything that el begs him for.
el cannot read or understand mike in the innate, wordless, and familiar way that will does.
mike cannot be vulnerable with el, but he opens up to will without even needing to be asked.
mike always heeds, trusts, and listens to will, even when they're arguing or going through a rough patch.
mike always knows just how to mend things with will, because he knows exactly what he needs and he doesn't ever hesitate to do and give it. nor does he need anyone to help him with their conflicts either. he just knows.
el is always left waiting for him to do things for her that he's currently doing for will.
will visibly hates and feels uncomfortable lying to mike, but el can do it consistently with ease.
will is the one that loves mike how he truly wants (and needs) to be loved.
will hasn't been able to move on in full, because he was cast out of his own story and demoted to a supporting role behind the new lead.
el hasn't been able to find out who she really is, because she's been thrust into roles that were never meant for her to begin with. she has always been contorted into the shape of whatever others need or want her to be, but they don't fit because they aren't her.
and, like... there are so many things in this story, which is to say the show as a whole, that would not have happened had the men in el's life not done that. had they allowed her to just be, it's highly likely that the dominoes would've never fallen the way they have.
thankfully, the narrative is set up in such a way that it appears this disorder will rectify itself, but it's still so... upsetting to think about lol.
it all boils down to choices: who gets to make them, what choices they have, why they made those choices, and what happens after. that's all the show is: a series of choices, or a lack thereof, and their consequences with some monster mumbo-jumbo sprinkled on top.
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my friend invited me to go with them to a show tonight
and the thing is it was not good. it was a cabaret with some amazing circus acts but each of them got like. 5-10 minute slots. and were interspersed with 20+ minutes EVERY TIME of some of the most tedious standup work I have ever seen from the MC and the same 5 physical comedy bits repeated ad nauseum. this guy literally did a Borat bit. in the year of our lord 2024. he sang 2 entire rounds of the Family Guy theme.
and it just KEPT GOING. it was meant to be a 90 minute show, which imo is already a slog for a show starting at 11:30PM but within the bounds of reasonable. it finished. at fucking 1:50 AM. ALMOST TWO AND A HALF HOURS OF THIS SHIT. and it did not help that the 5 bits were all of the 'OH NO SOMETHING HAS DISRUPTED THE SHOW' variety which is funny for a bit, less funny when you're literally 45 minutes past the end of your scheduled finish and still fucking going.
HOWEVER. what I did not realise was that this was in fact. my friend's favourite comedian. and if I had known this I might not have gathered up my stuff and walked out during the curtain call and probably would not have announced on the way out, 'that was the most tedious fucking thing I have ever endured.' and I almost certainly, when someone overheard me complaining about the length and tedium and said 'yeah it ran a bit long huh,' have replied, at the actual near-shouting top of my voice, "I AM GOING TO KILL MYSELF."
I feel. bad for spoiling the show for them.
in my defence I have been very tired this week, I got home at 2:30 AM, and raked seating really hurts my hips so I was in agony by the end of the first hour. but mostly I'm just a bitch who loves to hate tbh.
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jjk 268 spoilers!!! scroll away now if you haven’t seen it yet!!!
I AM SO PROUD OF MY LITTLE BEAN MEGUMI 😭😭 I THINK I’M LEVITATING
and it genuinely took me by surprise how he ended up LAUGHING at gojo’s letter? 🤨 WHAT is funny while the rest of us were clutching our chests trying not to cry when that scene in shibuya happened (‘not zenin, eh? i’m glad’).
he really and truly became gojo’s son the more time he spent with him and it shows 😟
nobara being so cocky about her return is the cutest thing in the world ‘cause as much as people don’t acknowledge it, she also happens to be gojo’s student and also had a near death experience which she bounced back from, GOAT behaviour ofc 🤭
speaking of, guess whose return is next? 😋
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