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#shakespeare mental illness
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So I’ve been watching Cheek by Jowl’s production of The Winter’s Tale and taking notes, and there are two that I’m really proud of/things I think are interesting about this production/parts of the general play that I find interesting:
“Leontes is literally crazy now. And when a king is crazy, it’s dangerous. Everyone is deeply disturbed and confused. Everyone is holding him back and trying to prevent him from lashing out. He’s like a rabid animal. And that’s really interesting, because he calls his wife a thing, but he’s not acting like a rational person. But he thinks he’s very rational.
Even full of hatred, Leontes loves so hard. He clearly still loves his son and cares about him so much. In one of the scenes, he seems very distraught over his wife’s “betrayal,” and he is very emotional about it. When he basically starts crying, you realize how much he fully believes it.”
“This man said that he hasn’t been sleeping, like, at all. He’s having a mental breakdown and I kinda feel bad? Like, I’ve had my own ‘episodes’ that have caused me to act very irrationally and emotionally, so I understand the feelings. I also remember the personal aftermath of these episodes, and any guilt that may occur once you come back down to earth. But he’s also hurting innocent people, and it’s really disturbing to see, and you are also perfectly justified in feeling very angry at him for doing this to those who love him.
So that makes it all the more tragic to me. He’s truly in a state of mental unwellness, and when he recovers, he’ll see the damage he has caused, and the damage itself is incredibly tragic as well. Hermione loves and trusts him, and you can see the hurt and betrayal written on her face when he turns on her. Even though he is the more touchy-feely one, she does love as deeply as him. And she doesn’t even seem that mad, just hurt, and she probably sees how unwell he is. And when you realize that a loved one is in a state like that, it’s horrible, because you love them, and one of the main things you see is their suffering. But you yourself are suffering from the hurricane.”
I just love this production because, as I said in my notes, Leontes feels so passionately about everything. If he feels love, he feels it intensely. If he feels even a twinge of jealous, he becomes full of hate. He is full of extremes, so it almost makes sense that he’d react so intensely to something so small. But it also makes sense that everyone would be surprised by thing. Because again, he has only really shown them his loving side, and you would never expect something from someone who loves so intensely.
Which is really sad. All of it is.
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knighthelm · 7 months
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It's almost Valentine's! I was able to finish the Henry VI and Margaret of Anjou piece for my Wars of the Roses series <3
Henry VI tends to be brushed off as a mentally-ill and ineffective monarch to this day, and it's difficult to find information that does not infantalize or malign him. Margaret of Anjou, my favorite figure from this period, would was a steadfast pillar of support for Henry until the day he died. A lot of historians paint Margaret as only supporting her husband to secure the throne for their son, but I find that narrative difficult to be the only reason. Margaret campaigned for Henry's release from captivity tirelessly and worked extremely hard to gather support for his reign and even raised armies for him. While their relationship doesn't have the passion and flare that Edward IV and Elizabeth Woodville did, I think their kind of devotion is exemplary in royal diplomatic marriages from the period.
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mewtwo24 · 9 months
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I finally finished reading the fourth volume of svsss in full, and thing is--the first time through I only read the bingqiu content because I was ravenous for more of their happy ending.
Turns out that was a perilous mistake.
Because I started reading the airplane extras. And I swear to god. MXTX is trying to kill me
What do you MEAN demon lord Binghe was sitting on his big fucking throne. All stoic and forbidding. Surrounded by his demon generals who don't know shit about human courtship. Asking them what he should do, fully demoralized by constant rejections from sqq, only to have airplane tell him to act more pathetic and needy. Which is already hysterically funny and insane, UNTIL LBH'S RESPONSE IS THIS, KILLING ME INSTANTLY:
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LUO BINGHE. WHY DOES HE SAY IT LIKE: "I already tried that, didn't work--nothing works :/ not mean, not maidenly, not housewife, not spicy, not capable disciple. Is doubling down on clingy really all it will take? What's a born hater with only one love in his life to do????"
The dichotomy of him sitting there like 'how can I reach the unfathomable depths of shizun's heart?' A HEART HE'S ALREADY WON OVER, MIND and then in the Holy Mausoleum solving the puzzle without blinking and being like 'oh yeah you just have to hit the acupoints, no sweat.' Literally the comedy writes itself I'm so--
How am I supposed to be normal about this. MXTX understands the juicy quintessential queer joy of a person with the world's power at their fingertips wishing only for love. Willing to do anything to earn that love, when unbeknownst to them it's already been freely given. Totally not screaming and yelling and clawing at the walls
And that's not even touching airplane's uproarious account of events. The way he's like 'lol what's next, lbh and sqq are best friends now? smfh' only to see lbh TACKLE SQQ LOVINGLY. FOR SQQ TO BE BASHFUL ABOUT IT BUT SO SO FOND OF THE LITTLE SCAMP. This when we've been experiencing sqq's constant inner monologue of 'I'm so cool and so dignified about my role, truly the epitome of propriety and poser-level fortitude.' Meanwhile, in their universe:
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Airplane constantly flaming???? Sqq and lbh in his observations????? His absolute bewilderment and confusion????? Legendary. No notes every single second of this shit was hilarious.
Airplane's comment that sqq + older adolescent lbh traveling together was just watching a couple in their honeymoon phase. OR the fact that lbh is exceedingly petty and refuses to share their food in the wake of airplane's interruption of their time together, until sqq relents sheepishly and insists airplane eat what's left (ONLY AFTER PLACATING LBH WITH MORE FOOD FROM HIS PLATE, SOBBING)
Watching airplane salivate over Mobei-Jun and acting like that's totally normal behavior. Finding out mbj and airplane got together first. Finding out sqq encouraged airplane. LIKE THIS. WHILE HE IS STILL IN DENIAL ABOUT HIS OWN FEELINGS:
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Mobei-jun clearly thinking their arrangement is a forever thing, heartbroken his human abandoned him with all the hapless fury of a scorned wife swept away by false promises of fidelity. Airplane writing demons to be the type to beat up their crush lovingly and still unable to connect the dots about mbj's feelings. Mbj letting him go and respecting his wishes, only relenting when there's indication airplane was poorly processing his own feelings and didn't actually want to leave. Mbj caring for him and listening to him as soon as airplane voices what he needs directly and with clarity. None of these gays are functional and it's everything to me
Unrelated, but I physically can't hold this information in anymore:
I'm still reeling from younger lbh having his sexual awakening from the image of sqq wrapped in the immortal binding cables. Condemn me as you like he was so, so real for that.
And no I will not be taking any comments about how luo bingge couldn't bear to see luo binghe cherished in ways he never got to have and all the haunting implications of that. I will also not be taking any comments about luo binghe's instinct to look for sqq in that alternate universe, only to be shaken to the very core to be unable to find his shizun anywhere. The unspeakable and latent horror of his relentless mind likely piecing together what happened, but unable to say it; to suspect what is true, and live with the harrowing confusion of his double's actions. To blame himself, to assume that he had let his anger get the better of him in that world and result in unspeakable folly...
I also refuse to talk about how heartrending it is to hear Tianlang-jun weakly say "In the end, I really can't bring myself to hate humans." The implication that the foolishness of that hope and bright-eyed fondness--the very thing that put him through such unspeakable agony--couldn't be beaten out of him entirely. To discover that his faith in Su Xiyan hadn't been misplaced, to the contrary: his beloved hadn't scorned him at all, but rather fought to the miserable end to protect the fruition of their genuine feelings of love when she couldn't protect tlj or herself.
How MXTX has sqq deliberately draw parallels between their situation and that of ygy+sj and tlj+sx; desperately wishing it might not be too late for them. The concept of breaking cycles of abuse and harm pervasive throughout the newly devised story, how it evolves for the better only when love takes the place of power, pride, and domination. How the moment sqq chooses vulnerability instead of saving face, the genre shifts to the so-called "cringe" girly genre where most if not every character is more fulfilled, more true to themselves. How the "male-oriented" former genre was aimlessly sensationalized and sexualized, how it was a sustained performance of aspirational toxic masculinity. How men objectify other men without end. All of the unspoken gendered implications that come with that.
Anyways. Going to go put my head in a sandbox and try to process everything I just witnessed because even a second reading is not enough to find a modicum of closure.
#svsss#bingqiu#moshang#i swear to god this series is just 'gay man who doesn't know shit inflicting his delusional reality on everyone else and inciting chaos'#and literally it's slapstick levels of hilarious every single time; mxtx never change#also i fully agree that we did not get NEARLY enough mobei-jun and sqh/airplane content#the amount of mental illness to mental illness communication going on there was astonishing#mobei-jun being afraid of his uncle and bringing sqh because that's the only person he trusts fully (WAILING NOISES)#sqh having a tantrum but running away because for the first time he was honest about his needs + his dissatisfaction with catering to other#how that reflects his narrative compulsions and how he felt forced to warp more creative story paths for the sake of survival as a writer#how sqq's restoration of much of his original intent--as well as mobei-jun's acceptance of his needs--helps airplane begin to heal#how his happiness begins; how just like sqq he wanders in such confusion and denial before he's forced to realize what truly matters to him#SHREK VOICE: STORIES HAVE. L A Y E R S#it feels like modern day shakespeare and when i say that i don't mean it in a hollow elevating sense i mean it more like#mxtx just hits that perfect balance of poignance but also hilarious concentric circles of botched communication and brainworms#okay but real talk for a minute? .........;-;#the way lbh constantly struggles with such a crushing feeling that he'll be abandoned over any little mishap/thing/problem#really hit me where it hurts??? if only because its so clearly an anxiety that stems from original goods' upbringing#the way it becomes even more heartrending when you think back to all the sect leaders clamoring that he should have been killed as an infan#that he should have been aborted as a fetus--insisting right in front of him that his birth was a mistake and a disgrace#over having demon blood in his veins. like my god that scene is so viscerally upsetting i struggle to read it#the way its so easy to see the demons as a manifestation of otherness in precipitated form#how both sqq and sqh are influenced by human rhetoric without evening meaning to--assuming the worst against their better judgment#how both sqq and sqh both struggle with their own otherness in different ways and only find solace when they begin to accept who they are#how their lovers (lbh and mbj respectively) both are willing to navigate those confusing waters with them#how both demons love them as they are--accept them as they are despite how difficult forgiveness of perceived betrayal is for them#ty mxtx for changing my brain chemistry#as i get older i have such a fondness for the messiness of thematic queer self-discovery and growth into self-acceptance#that and how youth can so easily be defined by perfectionistic self-harm and the violence of repression
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babygirlblogger · 27 days
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hampterguts · 4 months
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forever amazed and confused at how often transformers franchise just straight up depicts suicide attempts. like not even considering the superhero trope of "i have to save everyone!!! by choosing to die!!!!!" thing. like. non-allow-yourself-to-die-to-stop-a-thing-from-killing-everyone-immediately type situations. which tbh i wish more ppl talked about but not the point here
like. sure mtmte, a comic abt mentall illness and war, i expected it to be aware of the concept. but its not handled well and mostly used for shock value or "im better now i swear! i have a husband and everything" BUT ITS IN THE KIDS SHOWS TOO??? MY BESTIE G1 RODIMUS?? BEAST WARS DINOBOT???
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usefulquotes7 · 3 months
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shoutout to woman and men that are always working hard and not depending on anyone but themselves
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corvidaedream · 4 months
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a coworker (who is also a neurodivergent lesbian like me) who comes to me for advice a lot was asking me about one of the guys at work i hang out w bc shes been hearing rumors about him being "violent" outside of work that were making her nervous
(i assume this rumor is the end result of the original story of how he broke his jaw in bar fight a couple years back, which he didn't start, these things just happen sometimes at the kinda sports bars he goes to, and i suspect i know the source of the less savory version of the story that she heard, but the guy i suspect quit last week so...)
and while i was trying to be like "hey, idk where you heard that, but outside work he's in my roommate's curse of strahd campaign, and watches basketball, he's extremely normal"
she was like, "idk he just gives off straight neurotypical guy vibes, and i dont like that. i know hes not those things, but like. he still kinda is."
and im just fucking baffled, like i didnt know how to respond. i kinda just gave some half-assed well, sometimes its just safer to present like that for some people and thats his business
but like ???????!!!!!!
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flashyzz · 5 months
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Weird things I'm doing today! :3
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Oh! Also I painted sm.. uh— creepy ig?
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Btw, I listened to Melanie Martinez while doing this 😋
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By: Chris Hastings
Published: Jun 25, 2023
Is this a case of crazy wokery I see before me? Actors ridicule university trigger warnings over blood in Macbeth
Queen University Belfast has issued a warning to students studying Shakespeare
It stressed Macbeth 'could cause offence' due to its depictions of 'bloodshed'  
Similar warnings have been applied to the Twelfth Night and Titus Andronicus
It is Shakespeare's most violent play – a bloody saga packed with stabbing, strangling and poisoning that reaches a grisly climax with a beheading.
And for more than 400 years audiences have been enthralled – if a little disturbed – by the butchery of Macbeth.
But now one of the UK's top universities stands accused of 'infantilising' students after it warned them they might be 'offended' by the 'bloodshed' in the play.
Queen's University Belfast has issued the warning to undergraduates studying a module called Further Adventures in Shakespeare on its BA English course.
'You are advised that this play could cause offence as it references and / or deals with issues and depictions relating to bloodshed,' the warning, a copy of which has been obtained by this newspaper under Freedom of Information laws, states.
The university has also applied similar warnings to the Bard's Richard III, Twelfth Night and Titus Andronicus.
Some of Britain's biggest theatrical stars last night branded the warnings counterproductive and unnecessary. They point out that Macbeth, which was first performed in 1606, is particularly popular with schoolchildren.
Sir Ian McKellen, who starred opposite Dame Judi Dench in Sir Trevor Nunn's landmark 1976 RSC production, said warnings such as this could undermine the dramatic impact of the piece.
He said: 'My sister (a teacher) used to show Sir Trevor Nunn's TV version of the 1976 Macbeth to her teenage students.
'She'd pull down the blinds, start the video and then leave the classroom and count the minutes till she heard the first scream from within. Had the youngsters had trigger warnings in advance, the effect of the play would have been considerably diminished.'
He added: 'I remember talking to a priest who saw a number of performances of the stage production at the Stratford Other Place.
'He would hold out his crucifix throughout the performance, to protect the audience from the devilry conjured by the cast. I suppose these triggers are something similar.'
Call The Midwife star Jenny Agutter, who has acted in Shakespeare's The Tempest, King Lear and Love's Labour's Lost, said: 'I don't understand why anyone should feel warnings are necessary for Shakespeare's plays. Unless we need to be constantly warned that depicting human nature might cause offence.'
Sir Richard Eyre, the former Director of the National Theatre who has directed productions of Hamlet, Richard III and King Lear, said: 'It's completely fatuous and totalitarian to try to police people's minds with these absurd warnings. Ridiculous, contemptible, infantilising.
Presumably the people putting out the trigger warnings feel they are able to cope with the content of these plays, but weaker, younger, less intelligent people aren't.' Doctor Who star David Tennant and The Good Wife actress Cush Jumbo are due to star in a new production of Macbeth which opens in London in December. It is one of four major productions of the play set to open in the UK.
Queen's Belfast's trigger warning for Twelfth Night centres on what it calls the 'depictions relating to sexuality or gender. Warnings for Richard III and Titus Andronicus relate to depictions of disability in the former and 'race and or racism' in the latter. A spokesperson for Queen's University Belfast declined to comment.
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'[A priest] would hold out his crucifix throughout the performance, to protect the audience from the devilry conjured by the cast. I suppose these triggers are something similar.'
Very apt. It's magical thinking. Especially considering they've not only been shown to not work, they've been shown to make things worse.
Also: Spoiler, much?
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imyselfamstrange · 8 months
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Hamlet’s age has caused heated debates among literary scholars for a long time. Evidence suggests he is either 16 or 30. Read @noshitshakespeare’s excellent analysis here for more info.
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sushigrade · 2 years
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You know, when Shakespeare wrote of the thousand natural shocks that flesh is heir to, I kinda thought they'd be, y'know, spaced out a little more
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hykar · 8 months
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Devotion to something or someone is terrifyingly beautiful, The way you'd go through lengths just to satisfy your need and yearning for it is haunting yet loving. It's the purest of form love but the also the scariest of extremes.
(I literally combed through every single platform I am on in search of Sucheon content and went through every single account that posted about him in hopes for more.)
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Turn your eyes away
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lizardrosen · 1 year
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Let My Disclaiming From a Purposed Evil
Everything is coming together. Laertes has a plan, and it’s a good one. He gets what he wants and Hamlet gets what he deserves, and his sister gets to rest and his father gets to be proud of him for once. It’s a good plan, and the king may have guided him some of the way but this was still all his own choice.
So why isn’t he happy?
Well, how could anyone be happy after seeing Hamlet’s face when he clambered from the grave and demanded that Laertes prove his love for Ophelia? It would have been easy to dismiss it as a childish bid for attention and he wanted to dismiss it, but as Hamlet writhed on the ground shouting about crocodiles it became inescapably clear that something about him was just not right. It’s clear that Hamlet is not in control of himself, at least not the Hamlet who hugged Laertes goodbye five months ago.
Hamlet is not his madness but his madness is a part of him, jostling for space with the anger of grief and the fascination with death and the cloying sweetness of having all his worst suspicions confirmed, and all the people he had to shove to the corners of his mind because his position as prince prohibited him from becoming them. No matter which Hamlet or non-Hamlet was in charge, the same fingers pulled that trigger, and there is a death outstanding. The mad laughing prince is the price.
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jojotier · 1 year
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Thinking about the production I saw where Ulysses secretly kills Patrocles to force Achilles to go back to war
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wait no now I'm thinking about the Cas/Ophelia parralels that ARE present re: the relationship to the protagonist, the relationship to the protagonist's daddy issues relationship to revenge, but also like SPECIFICALLY how portrayals of "madness" in spn closely mirror those in shakespeare and yup ok this is gonna turn into a whole rant at some point soon
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