#shades corn
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pleafyistired · 1 month ago
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i think they should met like this
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forbodium · 8 months ago
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mr-snailman · 12 days ago
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come on, baby, don't fear the reaper / baby take my hand, don't fear the reaper / we'll be able to fly, don't fear the reaper / baby I'm your man
for the record, mine is probably cabin in the woods.
okay so maybe the asshole grew on me just a little bit. fucking cackled when this song came on in the movie ;-; like no kidding huh
clean ver. under the cut for shits and giggles
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toxooz · 1 year ago
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How do u get so good at anatomy and faces??? 😭😭😭 I adore ur art style and I just wanted to know if you had like a certain method or anything or if u guys practise :0
i just draw a fuckload and observe the human body and how it moves at all times and use references and draw and draw and draw summore 👍 u may not now how tf muscles link together but with plenty of drawing and research it will eventually click into place and you'll Get It lmfao
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coern · 1 year ago
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the ancient Creatuare,,. beast
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rbs very apprecated!!!
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irishais · 2 years ago
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New tiny baby time!! This is Strawberry Starburst, a male snow-morph corn snake!
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chexadopt · 1 year ago
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Lava Lamp Earrings | Mushroom Jar Earrings | Oogie Boogie Earrings Traffic Cone Earrings | Candy Corn Coffin Earrings | Gold Spiked Shades Black Spiked Shades | Gold 1-Piece Shades | JOL Shades Striped Shades | Coffin Pin Board | Toxic Coasters Candy Corn Cup | Plague Doctor Plushie | VHS Bag Horror Movies Bag | Weirdness Bag | Villain Bag Cryptid Bag | Candy Corn Bath-Bomb | Candy Corn Cosmetic Brushes Oogie Boogie Bath-Bomb | Toaster Bath-Bomb | JOL Bath-Bomb Werewolf Bath-Bomb | Candy Corn Hair Clip | Spiderweb Umbrella Mortuary Science Book/Bag | Crime Scene Evidence Bag | Dissection Kit Bag
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I have 3 wishes for season 5
It is road movie style- I just like imagining juno & Rita hanging out in sleezy motels and truck stops working on finding Nureyev. And them and ruby bonding while driving around the galaxy, maybe listening to some Willie Nelson. Having a misadventure or two along the way
We finally get Rita backstory
We finally get Ruby backstory
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yourfourthparent · 2 years ago
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something interesting about dick riordan is how he never compares white characters to food in physical descriptions but when a character of colour is white passing he still finds a way to compare them to food. it won't be about their skin but it'll be about their hair or their eyes. and yet he doesn't do it with white folks. huh. i wonder why that is (sarcastic).
#on the side blog because i'm scared of posting criticism on the main blog in case someone calls me a loser idiot and i get ratioed#anyways this post is about sadie kane#white passing black girl described with caramel coloured hair. what white person does he describe like this#jason's hair was the colour of spaghetti. nico's skin was the colour of cool whip.#percy's eyes were like green sugar on a tree shaped christmas cookie. what.#closest we get is 'his hair was the colour of corn silk' for jason in hoo.#and corn silk isn't the food part so it doesn't really count yk#but like. he only describes poc like this. so if i see a character with a food descriptor i think 'ok this person is not white'#like calypso is described with caramel hair. is she white? i immediately think not but she literally could be#idk i'm counting the poc food descriptions and i got to calypso's introduction and idk if i count this one#cuz she's never stated to be a poc yk#but idk !!!! i could just be a loser idiot and maybe frank really did describe percy's skin as being the shade of mashed potatoes#maybe dicky riri really does write white people like that and i'm missing something very big.#anyways do i count calypso's 'caramel-colour hair' in the poc food comparisons or no#i'm counting them to prove a point about rick writing poc weirdly with physical descriptors so idk should i be doing THAT#is that a valid way to prove a point like this#is that a point i should even try to prove#am i weird and gross for doing this at all and should i stop#idk#maybe i'm stupid and lame and should fuck off or something#for all i know comparing your black character's skin to roasted coffee is the valid poc ally thing to do i have no clue#i'm a royal dumbass so yk if i fuck up then yk. i fuck upm please tell me if i do yk#tired as hell#the coca cola company's cock and ball stories#the coca cola company buys chbc
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mydearzero · 2 years ago
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I need to stop listening to my writing playlist on Spotify and instead create it on YouTube otherwise my entire Spotify Wrapped will be bad sexy time music, consisting of The Weeknd, Two Feet and the Fifty Shades soundtrack exclusively.
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gildedoak · 7 months ago
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Crab/Crawfish Boil! Coloring the food was a challenge of "what shade of Copic Marker is this?"
The last time I had a Crab Boil was in… middle school? My friend’s mom dumped the whole thing on a giant plastic sheet on the dining room table and it was DELICIOUS. Definitely made an impression, that's for sure!
SOUTHERN COMFORT FOOD SERIES Chicken and Waffles Sweet Tea Peach Cobbler Hushpuppies Gumbo (plus character notes!) Beignets (part 2) Shrimp and Grits Cornbread Biscuits and Gravy Pecan Pie/Sugar Pie Fried Catfish ??? - Season 1 Finale
Image description under the cut!
[IMAGE DESCRIPTION: 5 panel comic
PANEL 1: (Charlie stands to the side, looking at something offscreen.) C: Hey Dad? L: Yeah? C: We’re you expecting a package from Uncle Levi? L: A what?
PANEL 2: (Charlie looks at two giant towers of seafood crates. One has a note that reads “2 Luci w/ ❤️.” Another note reads, “Call more often u dick.”) C: It’s a bunch of boxes from Uncle Levi!
PANEL 3: (A blur runs by Charlie in a flurry of feathers, sending her hair flying askew.) L: WOO YEAH!
PANEL 4: (Lucifer bounds away, the crates stacked high above his head.) L: SEAFOOD IS HERE - FRESH FROM ENVY! AL, GET THE KITCHEN READY!! C: Uh… Dad?
PANEL 5: "A few hours later…" (There is a giant, messy pile of cooked crab, shrimp, crawfish, potatoes, corn, and sausage on a long table. Charlie is agape with amazement, and Alastor hands her a plate.)
A: Charlie - be a dear and fetch the others for dinner please? And you’re going to catch flies if you keep gawking.
(Lucifer is taking photos with his phone, sending them to a group chat.)
L: Eatin’ good 2nite! Thx Levi! <crab emoji> Levi: OMG JEALOUS Levi: Is that a GODDAMN CRAB BOIL?? F U Bee: No fucking way bitch u only cook pancakes Bee: Who’s cooking 4 U?? DEETS U BITCH <heart emoji heart emoji>
END DESCRIPTION]
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galactic-mermaid · 2 months ago
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And now that I have your attention...
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@maximumtravelerwizard's brother, Mohammed owns a water truck and wants to provide clean water and other basic necessities, blankets, clothes, food, drinks and medicine for the people around him. These are necessities other countries, like America, take for granted.
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Faisal has opened up a GFM in order to achieve this goal!
However, they currently only have £55 raised of £150,000 goal! Funds are VERY low, and he needs your donations in order to provide these necessities to his people!
You can help provide Gaza with clean drinking water with just a simple donation for the same price as a cup of coffee!
IF YOU VOTED PLEASE DONATE AND SHARE THIS POST! Anything helps!
🍉🍉Thank you for your generosity.❤️❤️
Tagging for reach, dm if you want to be removed from the list:
@thatsonehellofabird @buttercuparry @malcriada @neptunerings @butchmagicalboi @dlxxv-vetted-donations @appsa @imjustheretotrytohelp @rhubarbspring @commissions4aid-international @amvs4palestine @a-shade-of-blue @khanger @jezior0 @lesbianmaxevans @lonniemachin @monstermashpotato @raatwitch @crapscicle @tortiefrancis @mangocheesecakes @schoolhater @comrademango @deathlonging @girlinafairytale @littlegermanboy @c-u-c-koo-4-40k @magnus-rhymes-with-swagness @heydreamchild @dlxxv-vetted-donations
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headspace-hotel · 10 months ago
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The USAmerican imagination cannot consider land that is multi-purpose.
A corn field is Corn, an endless monoculture, and all other plants must be eliminated. A residential area is Houses, and absolutely MUST NOT!!! have vegetables or fruits or native plant gardens or small livestock. A drainage ditch is only a drainage ditch, and cannot harbor Sedges and native wetland plants, A sports field is for A Sport, and let no one think of doing any other event on that field, shops and storefronts must have their own special part of town that everybody has to drive to, which requires parking lots...and God forbid we put solar panels on roofs or above parking lots or anywhere they can serve an extra purpose of providing shade, instead of using a large tract of perfectly fine land as a "solar farm."
Numerous examples. But it is the most annoying with agriculture. The people who crunch all the numbers about sustainability, have calculated that a certain percentage of Earth's land is "Used up" by agriculture, which is troubling because that leaves less "room" for "Wilderness." It is a big challenge, they say, to feed Earth's humans without destroying more ecosystems.
Fools! Agriculture is an ecosystem—if you respect the ways of the plants, instead of creating monoculture fields by killing everything that moves and almost everything that doesn't. Most humans throughout history, and many humans today, sustain themselves using a mixture of foraging and agriculture, and the two are not entirely different things, because all human lifestyles change the ecosystem, and the inhabitants of the ecosystem always change themselves in response.
Even if you are a hunter-gatherer that steps very lightly in the forest and gathers a few berries and leaves here and there, you are being an animal and affecting all other parts of the ecosystem. By walking, breathing, eating, pooping, drinking, climbing, singing, talking, all of those things affect the ecosystem. If you gather leaves to sleep on, that affects the ecosystem...if you pile up waste, that affects the ecosystem...if you break a tree branch, that affects the ecosystem...if you start a fire, if you create a small shelter, if you cut a path, that DEFINITELY affects the ecosystem.
This idea, that human activity destroys the ecosystem and replaces it with something Else, something Not an ecosystem, is so silly. "But you just said that even the earliest most technologically simple human societies altered their environment!"
Yes, I did. Because we believe that "pre-agricultural" humans could have no effect on their "wilderness" environment, we ALSO believe another false idea: That when humans affect an environment, they destroy "Wilderness" and change it to something else, like Agricultural Land, that can never have biodiversity and never benefit many life forms.
I think it is the European idea of agriculture that it always involves people settling down and relying on a few special plants that are domesticated intentionally and grown in specially dedicated fields. After all, this idea of an agricultural lifestyle, is in contrast with the "hunter-gatherer" lifestyle, which is assumed to be what humans do before they "figure out" agriculture. The European mind imagines "pre-agricultural" folks ignorantly bumbling about, thinking plants and animals conveniently pop out of nothing for their benefit.
Bullshit! I shake my head in disappointment when I see websites describing Native Americans using wild plants as if those plants just-so-happened to grow, when those same wild plants just-so-happen to thrive only in environments disturbed by humans in some way, and just-so-happen to have declined steeply since colonization, and just-so-happen to be nonexistent in unspoiled "Wilderness" locations, and (often) just-so-happen to have an incredibly wide range where they either once were or are incredibly common, making it very...fortunate that they just-so-happen to have a wide range of uses including food, medicines, and materials for clothing and technology.
Accidentally of course, without any human impact from the humans that were impacting everything. /s
"But if it wasn't an accident, how did it happen?" Here is how to understand this idea: Look at the weeds! The weeds will teach you.
Look at the plants you always see growing without being planted around human buildings and roads, and learn their history. Often you will learn that these plants have many marvelous properties, and have actually been used by humans for thousands of years.
In fact, some of the most powerful and difficult to control weeds, were once actually some of the most essential and important plants for human civilizations to depend on. The dreaded Kudzu, in its home in East Asia, was one of the main plants used for clothing for over 6,000 years, and not only that, it has been cultivated for food and medicine for millennia. You can make everything from paper to noodles out of Kudzu! And Amaranth, the most expensive agricultural weed in all the USA, produces edible and healthy grains as well as several harvests of greens per growing season, and several species of the genus have been fully domesticated and formed a staple crop of Mesoamerica.
Meanwhile...some people have come up with this neat "new" idea called Polyculture, which is where you plant a field with two crops at once and somehow get better yields from both of them. WITCHCRAFT! Unrelatedly, there are other ideas like "Cover Crops" and "Agroforestry" that for some reason have the same beneficial effect.
Wow...It turns out, sterilizing the whole environment of every plant except one crop...isn't actually a good way to do agriculture in many places in the world.
Just think about it from an energy point of view...
We have some places used for "Agriculture," where we wring the land as violently as possible to squeeze green vegetation from light energy.
And we have other places for Other uses, where we spend massive amounts of fossil fuels mowing, chopping, poisoning and trimming to STOP the land from producing its incredible bounty of green vegetation.
And in the agricultural fields, we spend even MORE resources killing the unwanted plants that grow spontaneously
This system is hemorrhaging inefficiency at both ends. It simply isn't a one-to-one conversion of land and fossil fuels to food energy. The energy expenditure of agriculture is mostly going into organizing the vegetation's energy into the shape and configuration we want, not the food itself.
In the Americas, indigenous agricultural systems involve using the plants that exist in the environment to construct an ecosystem that both functions as an ecosystem and provides humans with food, clothing, and other important things. This is the most advanced way.
Most of our successful weeds are edible and useful. A weed is simply a plant that is symbiotic with humans. My hypothesis of plant domestication is that it was initiated by the plants, which became adapted to human environments, and humans bred them to be better crops in response. Symbiosis.
Humans did not pick out a few plants special to intensively domesticate out of an array of equally wild plants, instead they just ate, selected, and bred the plants that were best adapted to live near human civilization. That is my guess about how it happened.
Just think about it. Why would you try to domesticate teosinte (Maize ancestor?) It sucks. Domesticated plants in their wild form are usually like "Why would you put hundreds of years of effort into cultivating this?" Personally I think it's because the plant grew around humans and humans ate and used it a lot because it was abundant. So we co-evolved with the plant.
Supporting this hypothesis, there are many crop plants that mutated and evolved back into weeds, like "weedy" rice, "weedy" teosinte, and "weedy" radishes. Also weeds develop similar adaptations to crop plants to survive in the agricultural environment.
Consider Kudzu. Everyone in the USA knows it as an invasive weed, but since ancient times in China, it was a crop that provided people with fabric from its bast fibers, food from its enormous starchy roots, and many medicinal and other uses. Kudzu is not evil, it simply has a symbiotic relationship with humans, and just as any other species might serve as a biological control, the main biological control of kudzu in nature is the human species.
Think of the vast fields and mountain sides of the South swallowed by thick mats of Kudzu covering lumps that used to be trees. Think of the people toiling away to clear the Kudzu, while wearing clothes made of cotton that was grown in a faraway place using insecticides and depleting fresh water, using energy from their bodies that came from crops grown in fields far away.
Now imagine people working to harvest the Kudzu, to cut the new vines and dig up the starchy roots and use the plant the way it is used by the people who know its ways. Imagine the people using the starch from the Kudzu root to make flour and noodles and sweet confections. Imagine workers processing the vines into thread which is woven into fabric. The hillsides and fields flourish with plants that used to be suffocated, and hillsides and fields in faraway places also flourish with their own plants, instead of being made to grow cotton and crops to provide for the needs the Kudzu provides for.
Imagine the future where we accept our symbiotic relationship with the plants!
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cosmicanger · 11 months ago
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corn kernels in a variety of colors & shades
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mrpenguinpants · 26 days ago
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Sakura, did they...set off your romance sensor?
—  "Oh, listen, this boy here…whenever he senses anything romantic…he goes beet red in the face!!" - Tasuku Tsubakino (Ch.66)
— Hayato Suo, Hajime Umemiya, Jo Togame
[Masterlist]
Wow, my windbreaker brain rot has shot me into a whole new timeline where I can sit down and write. Not gonna lie, not my favorite but it is what it is. I've beat my first fic for a fandom nerves.
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Hajime Umemiya
When Umemiya had called a rooftop meeting, Sakura had been through them enough to know what to expect. Umemiya would either show up late or be completely off-topic until someone, mostly Hiragi, stepped in to direct the meeting to its actual purpose. Most of the time, the distractions would be on his plants or his giddy plans of having another barbeque with everyone. It used to be annoying, Sakura once believed the reason why Umemiya was so unserious was because he didn't care. But he knows better now than to take that carefree smile on the surface level. Deep down, Umemiya is a great leader who knows when it's time to get serious.
But this...
Sakura's cheeks are already turning pink.
This is a bit too much for him. He hasn't leveled up enough for this.
"The Three Sisters is a method of gardening that involves planting corn, beans, and squash together. The corn provides support for the beans and squash, the beans add nitrogen to the soil, and the squash's sprawling vines create shade and discourage pests too. It's really quite fascinating, don't you think so Ume?" you ask, lightly petting the leaves of his most recent tomato plant sprout. Your eyes downcasted as you thumb away bits of dirt that happened to be blown by the wind onto the greenery. Perhaps it's because you're one of the few people who entertain Umemiya's rapid obsession with his garden, even going out of your way to tell him facts to better his plot and compliment him on his efforts. Heck, Sakura has seen Umemiya crying because Nirei has told him that his saplings look bigger each time. While Sakura does not doubt that those feelings and expressions were genuine, the look Umemiya is giving you, a look you're not even seeing, feels different. Umemiya himself is different.
"Yeah..." Umemiya responds in a soft tone, his voice almost a whisper. Their usually talkative leader who won't shut up for half a second, who talks over people, is currently so distracted that it's kind of embarrassing watching him. He's been staring at you, eyes zeroing in on your fingers as they brush against the leaves, almost entranced by the sight. Sakura would give anything to leave right now, this second-hand embarrassment is too much. Luckily, Umemiya finally seems to register that you and he aren't alone despite the fact he was the one who called the meeting in the first place. His head perks up confused, hands on top of his knees, as he's greeted with varying expressions from his grade captains. Hiragi in particular looks like he's having both a stomach ache and the urge to slap the back of Umemiya's head. The urge is only partially restrained when you also look up, sending them all a little wave. Hiragi isn't going to slug Umemiya if you're there to see it, it's the pride of a man to not get beaten up in front of his crush.
"Oh shoot, you're all here already? Why didn't you say anything?" Umemiya whines, standing up while dusting his pants free of any lingering dirt. He extends a hand to you, not before rubbing his palm furiously on the back of his shirt, to help you up, "I'll see you later?"
"Mm, sure. Good luck with your new sprouts. Remember to remove the bottom leaves once the plants are over 3 feet tall. I'll be upset if they develop fungus issues," you pat Umemiya's cheek gently, ignoring the way that Umemiya completely melts openly at the gesture. You turn to nod at the rest of them, offering another wave goodbye, as you pass them to exit the rooftop. The resounding sound of the door closing finally sets them back on track.
"We did," Hiragi speaks up as soon the vibrations in the air fizzle out with an exasperated expression, referring back to Umemiya's first question, "You were too busy staring. We've been here for almost ten minutes, you idiot."
"Sorry, sorry, my bad," Umemiya laughs easily, his hand rubbing the back of his neck. Although he's been clearly called out, Umemiya doesn't seem the slightest bit ruffled. Sure, he looks a little bashful but Sakura doubts that he'll tone it back much to the embarrassment of any onlooker. Maybe one day, he'll be able to look that happy with his own feelings on display.
A sudden clap has Sakura jolting back to reality, Umemiya's loud voice returning back to something familiar, "Now then, come sit! I prepared some snacks for us all to share."
Everyone else seems used to Umemiya's behavior and they easily follow him, completely disregarding your and Umemiya's interactions as if they never happened. Sakura doesn't really get it but if everyone else is unbothered, it'd be seriously uncool if he said anything. He lets out a sigh, whatever. It's none of his business anyway.
"Sakura, why are you blushing?" Nirei, the bastard, pipes up behind him. Suo, the even worst bastard, laughs behind his hand like he's some rich Victorian lady.
"Huh, no I- I'm not." Sakura's cheeks went from pink to red, now that he's been caught. He looks away, avoiding eye contact, "S-Shut the hell up!"
Hayato Suo
"Mr. Customer, if you're dissatisfied with our menu, you're more than welcome to leave."
Sakura blinks, head jerking up as he crosses the threshold of Café Pothos. Initially, he assumed those words were directed at him even though it wouldn't make sense. He quite likes the menu despite only ordering the same thing each time. But no, when Sakura looks up it's to a rather unexpected sight. Suo sits at the bar counter, back ram-rod straight and his hands folded in his lap, with that ever-pleasant smile on his lips. Across from him stands a worker Sakura has never seen before. He always assumed that Kotoha was the only employee, but today seems to be full of surprises. A green apron with white ties, sleeves rolled up to the elbow, and hands fisted against the hips.
"The bakery across the street would love to hear your complaints, Mr. Customer."
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There is something about the new worker and Suo that keeps Sakura glancing back at them after he's sat himself in a secluded corner. Perhaps it's because it's a new face he has yet to meet at a place he frequents so often. It's normal to be curious right? Or maybe it's Suo being here alone. He's never seen the man "out in the wild" before. They aren't even looking at him, Suo hadn't even looked up when he first opened the door although Sakura is sure that Suo is aware of him. He's creepy like that. The new worker, however, whips an annoyed glance at Suo before letting out an irritated huff, arms crossing over the green apron, and glaring down at Suo’s smiling face. A face that would remain ever-pleasant in any given situation.
Regardless...
"Is this your version of service? It must be hard on the customer," Suo chuckles, a slight tilt of his head that bounces his tassel earring. Suo's laugh, however, causes Sakura to feel a hint of surprise. It's not a laugh he expects the man to give, yet at the same time, it suits him.
"That's because you're a terrible customer and a pain in the ass." The worker sneers, leaning in so the two of them are face to face.
Suo seems to be difficult for anyone to handle.
"It's busy today," Kotoha says, appearing out of thin air and scaring Sakura half to death. A plate of steaming omurice slides in front of him because he really does only order one thing here. It's not a great conversation starter, but it's nice of her to break the odd tension that has settled over the cafe. Kotoha is also looking to the side, watching the scene of her co-worker and Suo bickering and arguing. Passive aggressive comments are being flown out, scathing remarks padded with polite voices, so much so that the two of you don't seem to register anyone else around. Completely wrapped up in your world of irritation versus amusement.
"What…are they even arguing about?" Sakura chances to ask, his eyes still glued to the curve of Suo's smile, red eye focused solely on you. His hand idly reaches for his spoon, scooping up a bit of rice and egg, yet it hovers in the air ideally. Suo has his head tilted and is leaning somewhat in the worker's space. His eyes don't stray, watching each shift in facial expression carefully to gauge whether his words are having their intended effect. He looks like he's having way too much fun.
"Oh, that." Kotoha giggles, placing her palm on the table. She too looks like she's having way too much fun, "They always go back and forth like that. It's like a game of cat and mouse with those two. They're both stubborn as hell so it's a constant power struggle between them. Although, I wonder what they're arguing about this time. They always bicker at each other when we change shifts."
Kotoha shakes her head, a fond smile on her face. She glances briefly at Sakura before her eyes drift back to the other two. She raises her hand, finally cutting the bubble between you and Suo.
"Hey, I'm back from break. Thanks for covering for me," she calls, waving her hand in the air. The frown that was permanently on your face melts away when you break eye contact with Suo, returning to a more neutral blank look. You only nod to Kotoha, flashing up a thumbs-up, and you move to head back to the kitchen. But not before sticking your tongue out at Suo over your shoulder as you disappear through the doorway. Sakura blinked surprised, he had somewhat expected a different reaction than something so...tame. His eyes drift to Suo and he can feel his cheeks heat up.
He doesn't think he's seen Suo look happier.
Jo Togame
"See, you peel off the seal on the cap. Remove the ring from the little plastic piece you use to push the marble. Then, with your thumb, press down, and poof, the marble drops and you can enjoy!" you grin as you move slowly for Sakura to see your hands with each instruction. The fizz of carbonation and the clink of the marble hitting the glass amplified louder in the abandoned auditorium. A few other shishitoren members are loitering, but only you and Sakura are sitting up on the edge of the stage. After the embarrassment of not knowing how to open the ramune Togame had given him, he sought you out to explain it to him. Sakura didn't think he could stomach it if he went back to Togame again for help. He follows your movement, his fingers removing the thin seal. Popping the ring off the marble pusher, and with his thumb, pushes on the marble. His thumb slips a few times, but you're patient as you coax him to try again. With his third attempt, he feels the marble give, the rewarding sound of bubbles popping.
"Thanks..." Sakura mumbles, a faint blush on his cheeks as you cheer your ramune's together as you take a swig.
"No problem," you say nonchalantly, leaning your weight back on your arms. With the bottle held in your hand, you watch Sakura, who is intently staring at the drink on his own. The silence between you isn't exactly uncomfortable, but you can sense the slight embarrassment oozing off him. "Soooo... how's it taste?"
He gives a soft hum before taking a small sip, the fizzy liquid leaving a tingling sensation on his tongue. It's not as sweet as he thought it’d be. It's rather subtle for a soda. He takes a longer sip this time, the fizz tickling his nose and bubbles popping against his lip. Looking at you sidelong, he can see you already staring at him excitedly. You weren't kidding when you said you were a big fan of this.
"It's sweet, I guess," his voice soft as he shrugs. A few strands of his white hair fell in front of his face. His eyes glance up at you as you stare at him intently, waiting for him to continue. He awkwardly bites the inside of his cheek. It still feels weird having people who actually want to hear his opinion, even if it's as small as a drink. "A bit strange… The flavor is nice, but the fizz is new."
He takes another sip, careful with the angle he tilts the bottle lest the marble block the opening. He doesn't really understand the appeal of the marble. It's a nuisance. The fizz was the best part of the soda, but the clinking made it impossible to drink it quietly. Besides, he holds the ramune bottle out, how the hell do you even get it out? Does he need to throw it against a wall to break the bottle? He doesn't want to get broken glass everywhere since someone could accidentally step on it.
"Is the marble irritating you?" you ask, laughing quietly under your breath to not set Sakura off into another tomato-faced explosion.
"No!" he answers with a quick hiss, cheeks flushing. He can feel you stare at him as a smirk dances across your lips. He can already envision the teasing you’re concocting to make him react. He gives another soft huff, refusing to look at you, as he fidgets with the bottle. He doesn't want to ask you to help again. He already feels like a helpless idiot. Instead of commenting, you swing yourself upwards, planting your hand on your knee. The other hand, wrapped around the bottle, moves to your lips as you down the rest of your drink. The fizz of bubbles pops in the air while Sakura looks at you bewildered. Weren't you supposed to drink carbonated drinks slowly or you'll stomach hurt? Did you become immune or something from drinking so many?
"Come on, let's go. I still haven't finished my ramune 101 class," you wipe your mouth with the back of your hand, winking over your shoulder which sends Sakura into another pink mess, as you slide off the stage.
"W- What do you mean we’re not done?" he stammers quickly, flustered as he scrambles up to follow you. He feels a bit dizzy from going from a sitting position to standing too quickly. He grips the bottle in his hand and takes a few quick steps to catch up to you as you stride to the doors leading outside the auditorium. You laugh again when he rushes to catch up. His quick reaction time betrays his small stature. It's kinda cute.
"It means I'm gonna teach you how to get the damn marble out, genius" you tease, shoving his shoulder as you reach the doors. Opening them, the two of you were met with the cool outside air. It's refreshing after being indoors for so long and the auditorium has gotten you both hot and stuffy. Hence the initial ramune drinks. You quickly take his hand, ignoring the screams, as you drag Sakura to the side of the building. "Togame! Are you sleeping still?"
"Huh?" a tired voice answers groggily from the other side of the wall. Togame is sitting on the ground next to the wall with his back against the auditorium. He has his legs stretched out, his head leaning back on the wall, rubbing his eyes to clear the ever-constant droop in his eyes. He looks as if he is napping before being rudely interrupted, "I was..."
"Oops. Hehe, sorry," you chuckle, hands raised up in a mock surrender although you don't particularly look apologetic. To be fair, Togame doesn't look upset either. Only gives you and Sakura a sleepy smile and nods as he raises his arm high to stretch. His green eyes drifted to the bottles of ramune in your hands with a curious tilt of the chin. In response, you beam at him, rattling the marble inside the glass bottle before handing it to him. "Please, if you could."
Togame snorts as he takes the bottle. There's a hint of playfulness in his tired eyes as he shakes the bottle a few times, letting the marble inside thump against the glass. It's funny watching the marble rattle around. It reminds him of a little toy marble maze he had as a child. He flicks his gaze to look at Sakura, who stands off to the side stiffly. The poor kid looks ready to bolt at any second when given an opening. His own half-finished bottle lays limply in his hand, the marble reflecting off the sun's light.
"You know you just have to twist the cap in the opposite direction right?" he says, wrapping his fingers around the blue lid and twisting the cap off. Turning the bottle over, he catches the marble from the opening into the palm of his hand. He extends his hand, sliding the marble into your waiting ones. "I know you're strong enough to do that."
"Yeah, but my hands get cramps and it's impossible to move it!"
"I don't think that's how that works...But if it really is too hard, you can keep coming to me."
Sakura stands by, feeling out of place as you go back and forth with Togame. Yet, he doesn't feel like an intruder this time, merely an observer. He looks down at his own bottle, hands moving to twist the cap off while making sure he doesn't spill the drink.
It's easy. It pops right off with barely any effort. Sakura has quite literally seen you throw a man double your size over your shoulder.
The marble reflects his face messily, but there's a shine of red glinting off the surface.
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skeltnwrites · 2 months ago
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The Shape of Family ‧₊˚❀༉
As a single dad, Steve’s world revolves around school drop-offs, bedtime rituals, and tee-ball practices—and he's struggling to keep up. But you're always there, happily lending a hand when he needs it most. / part one masterlist
part two - at the rec center's fall festival, you and steve finally make plans to hang out 11k
a/n - how did this end up twice as long as the first chapter this was supposed to be a short one!! general warnings/tags here
── .✦
Utah’s pretty this time of year. Fall is in full swing. The maple and cottonwood mellow into rich shades of orange, there is a constant crush of leaves underfoot, and the crisp scent of pine needles mingle with the breeze. Your neighbors go all out to decorate. Pumpkins are for sale on every corner and the apple orchards buzz with families for the harvest. This kind of weather has every brush of sunlight feeling like a hug you didn’t know you needed. 
The rec center hosts an annual fall festival, bringing hayrides, corn mazes, and costume contests. And though you wouldn’t normally volunteer on a Sunday, Steve’s hard to say no to. It’s not like he begged you or anything, a half-shrug and simple “If you want to” was enough convincing. 
You’d volunteer with or without Steve. You have the time and the goodwill and thus it’s a cork on the end of your monotonous work-week. But there’s no denying that Steve makes it a hell of a lot more enjoyable. He’s the sunrise after a long night, guiding you into the days ahead. And yeah, maybe you’re romanticizing too much. Too caught up in the way his tongue sticks out when he’s concentrating or how he mumbles to himself when he forgets you’re near. But working with him is delightful, nonetheless. 
You and Steve are friends now. Well, work friends. You’ve never actually hung out outside of the rec center but there isn’t a Friday that one of you doesn’t mention it while you eat lunch in his office. You’ve learned trivial little things about him, like his favorite brand of pen, the store he buys his groceries from, and how he likes his coffee– hot enough to burn, with as much sugar as he can get away with without attracting strange looks. You ask about Penelope often and he’s very open; eager to rant and rave about the latest details of their lives. She visits every now and then, usually too sick or naughty to be at school. So you’ve come to know her just as much. That she loves Barbies and Salt-N-Pepa and insects but not the furry ones. 
Being in each other’s lives is routine at this point– parking beside his car, leaving sticky notes on his desk, setting your bag in his office. It would be crazy to say you love him, you don’t, obviously, but you feel like you could. And you know you’d be devastated if he left the center. Your shift assignments are arranged so they almost always thread with his.
He’s always hated asking for help, but then you came, puttering into his office with a lovely smile and open arms and suddenly it’s not so bad. He’ll ask for your assistance on more projects than not: your advice, your creative eye, your hands to hang something that he most certainly could do alone. 
Like now, you trail only a few paces behind Steve, cradling a wicker basket full of decorations. He billows a tablecloth over the nearest picnic table, considering your dispute over the best holiday. 
“I dunno, I’m more of a Christmas guy,” Steve shrugs, smoothing out a ripple in the fabric. “The music is just inarguably better. You get to open presents and eat delicious food. Not really a contest in my book.” 
You hum, centering a plastic pumpkin. 
“Penelope is like the queen of Halloween, though.” The corners of his eyes crinkle with mirth. “This morning, she told me she wished she was born on Halloween so she could go trick-or-treating on her birthday.” 
You wear a similar expression, gaze flicking over to Penelope. She’s not far, crouched in a strip of dirt, parting a pile of leaves to search for ladybugs and other creatures. “I bet she’s excited for all that candy.” 
“That’s all she’d eat if I let her. I’ve already scheduled a dentist appointment for her in November– But, I’m just as bad, she gets her sweet tooth from me,” he admits. 
“Figured. The amount of Reese's wrappers I find in your trash.” 
He squeezes your shoulder playfully, not hard enough that you should need to squirm away but you do. “Whatever. Why are you going through my trash anyway, weirdo.” 
You click your tongue, “I wasn’t going through your trash! They are on the top where anyone could see.” 
“Mhmm, whatever you say… dumpster diver.” 
Joan, the youth counselor, whisks over to interrupt with arms full of mason jars before you can retort. Steve smothers his smirk with an answer to her question. Your tongue prods the inside of your cheek to prevent your own. 
It’s like this with Steve, now. Teasing and taunting each other like schoolchildren. A game of tug-of-war, where every knowing glance and light-hearted jab pulls the rope just a little tighter between you. It’s as thrilling as it is nerve-wracking. 
It’s not much later when guests filter into the festival. The earliest glow of sunset mists the courtyard in gold. There’s cider stations and pumpkin carving and a whole bunch of apple bobbers fighting to win a pumpkin pie. Monster Mash bleeds from several speakers lining the trail to the tented area you find yourself in. People dance and laugh and drink. It’s a very successful event for the rec center. 
Steve plops down on the bench across from you, Penelope at his hip. A silent, self-invitation he knows you won’t decline— you enjoy their company more than people-watching. He seems to find you no matter which way you drift, even through a sea of townsfolk. 
A big scoop of chili is spooned from his paper bowl into a second. “Blow on it,” Steve reminds, planting it in front of Penelope. 
She does blow on it, a spray of more spit than air that merits her a shoulder nudge to knock it off. 
Penelope simpers over her steaming food as Steve offers you an apologetic look. Last you saw her, she was waving her way up the stairs to the costume contest. She’s since been bundled up– a tiara traded for a knit beanie and the gown from her dress-up bin crammed underneath a thick sweater and spilling out the hem. 
The string lights bathe their faces in a white glow. It highlights the beauty mark on the slope of Penelope’s cheek, like a half of Steve’s pair in the same spot. It’s not often you get to just enjoy their company. No scrambling about deadlines or standards. It’s a calm you could get used to. But Steve’s always ten steps ahead, already plotting which crew needs the most tending to when he’s finished eating. He’s selfless like that. Your feet ache from running around, but Steve’s probably worse. 
“Penelope, is that what you’re wearing on Halloween?” You ask.
Her chin presses into the neckline of her sweater. “No,” she recalls, mouth full of sauce. “I’m being Dorothy.” 
Steve swipes a napkin across her lips before anything drips. 
“From The Wizard of Oz?” 
“Mhmm,” she grins, popping the spoon out of her mouth. 
“Very cool. Did you get your costume yet?” 
She nods, glancing at Steve, “Daddy made it.” 
Steve’s in his own little world, slurping his belly full of warm food and basking in the second of peace he‘s been given. But he blinks back into reality at your questioning stare, leaning in to hear you over the boisterous laughs of nearby people. 
You try to reel in your surprise, soften your features. “You made her costume?”
“Oh,” he waves a dismissive hand, “I just sewed a shirt to a dress. Nothing fancy.” 
“Still– that’s really cool, Steve.” 
He stirs his food, voice torn with guilt. “I dunno. It’s cheap.” 
“Costumes are better homemade. The ones in the stores are tacky. I bet it looks amazing.” 
Fragments of a smile find his lips, more a peace offering than a true one. 
“I painted my shoes red and I put so much glitter on them so they sparkle,” Penelope adds cheerfully.  
“You did?” 
She nods, shining with pride. 
“It’s been two weeks and I’m still finding glitter everywhere,” Steve comments, more amused than he lets on. He can’t be that mad when they’re little reminders of his favorite person in the world. 
“Are you dressing up?” You ask him. 
He huffs, side-eyeing Penelope. “Yes.” 
A glint forms in her eyes, a sly little smirk beneath. “Daddy is going to be the lion because he’s hairy.”
You laugh and Penelope joins you because Steve has a funny pouty face. 
He rolls his eyes. “Tell ‘em who’s your Toto?” 
“Cinderella!”
“No way!” You match her level of excitement. “Does she have a costume?” 
“No, but I have a basket for her to sit in.” 
You coo, “I bet Cinderella will love that.” 
Steve snorts because he knows you know Cinderella will in fact not love that. 
Cinderella is supposedly the grumpiest animal he’s ever met. She was a quick, unfortunately painful, lesson on boundaries for Penelope– not to pet certain areas or animals as a whole. Steve described her as an old, scraggly thing with a temper flaring unpredictably from one moment to the next. He wasn’t a cat person to begin with, growing up in a house with no animals probably started his revulsion to having fur on his clothes; but at two and a half, Penelope begged to feed the stray on their porch and she just kept coming back. 
Steve wanted a dog when he moved out, if anything at all; but in four years he’s learned more about sacrifice than any speech his parents tried to drill into his head. And Cinderella is practically Penelope’s best friend now. She sets aside birthday money for new cat toys– the crinkly ones are her favorite– and sneaks the cat through her bedroom window from time to time. She even cradles her like a baby, not without protest and the occasional scratch, of course, but Penelope knows the risk. 
“I told her Cinderella probably won’t want to come trick or treating but she can still take a picture with her at home.” 
“I told you she will want to go because there’s candy.” 
“Yes, but I told you cats can’t have candy,” Steve jabs her side lightly. 
Penelope only pouts. “That’s sad. I think she would like candy.” 
“It is,” he agrees, slotting a rogue strand of hair behind her ear. “But it makes them sick, remember? So we can’t share with Cinderella.” 
Her cheek melds with his sleeve, begrudgingly agreeing with a sigh. “Can I get my face painted?” 
Steve traces her line of sight to the ring of kids swarming the face painter. It’s not far. He can see well enough to recognize most of the children. Many are younger than Penelope too. 
But Steve hesitates, “Can you wait until I’m done eating? I’ll go with you.”
“Daddy,” she whines, pinching his arm hair. “You take forever.”
Penelope’s got magical little eyes. You don’t know how Steve ever says no. 
“I can take her,” you offer, stacking trash on your plate. “I’m done anyway.” 
“No, it’s okay.” He deflates with a sigh, curling into his ribs so he can see her face. “You can go by yourself–”
Her frown washes away just as fast as she peels herself off of his arm. 
“But! You have to come straight back when you’re done and you have to stay where I can see you. ‘Kay?” 
“‘Kay!” She beams, nearly tripping on her dress as she swings her legs over the bench and breaks into a run. 
Steve can’t hide the wobble in his smile as hard as he tries to be strong. Most of the hardships he’s faced as a parent are foreign to you, but clearly, this isn’t easy for him. 
“She’ll be fine,” you reassure with a ginger squeeze to his wrist. “We aren’t far if she needs something.” 
He nods, still locked in on Penelope. “I know, I know. I’m trying really hard not to be a helicopter parent as she gets older. It sucks though, feeling like she doesn’t need me anymore.” 
“Steve,” you deadpan, prying his attention back. “That’s… silly. You’re her dad, of course she still needs you. Maybe not all the time or as much but she’ll always need you.” 
“I dunno. I feel like she grows an inch every time I turn around. I never thought I’d say this, but I actually miss when she was in diapers. She’s cute now, but God was she cute then.” He chuckles to himself, eyes swinging from Penelope to you and then back. 
“I believe it,” you grin, admiring his girl. Her cheeks are red from the cold, like two tomatoes framing her lips. She might like to wear your jacket, you consider, but she’s so small, perhaps she’ll overheat from too many layers.
Penelope scrambles into the chair when it’s her turn, talking a mile a minute to the face painter. A funny wave of emotion roves over you. There’s affection and joy and and then something heavier and harder to describe. 
“I’ll have to show you her baby pictures sometime.” You hear the parting of a true smile. “There’s this one– it was her first birthday– I gave her a whole cake and she just demolished it. Had it in her hair and her eyelashes and in between her toes. She was so damn happy.” 
You exhale a happy hum, turning back to Steve. He’s propped on his elbows now, close enough to discern each eyelash from the next. It doesn’t startle you as much as it just scrapes the words right off your tongue. 
He’s reading you, churning, and chasing the right words all in between the blink of an eye. “We should hang out, you know? Like actually– We always talk about it but…” He shakes his head, trailing off. 
He’d let the words be carried with the wind if you wanted. It’s hard to imagine you’d say no, but people have surprised him in worse ways. Just when he thinks he knows someone, truly knows them, they cut him off like he’s no more than a dying branch. The ghosts of past someones and somethings still haunt him. It makes being so forward with you all the more difficult. 
You wear a whimsical sort of grin that you hide behind the brush of your hand, fighting your own flood of emotions. “Yeah– I mean, yeah. When?” 
Excitement flares across his features. “What are you doing on Halloween? You could come trick-or-treating with us?”
“Probably just home handing out candy– but Steve, I don’t want to intrude on Halloween. It sounds really special to Penelope.”
“You wouldn’t! No way, Penelope would be thrilled if you came. She talks about you a lot, you know?” 
“No she doesn’t,” you grin madly into your palm, peering over to her. Her face is dressed in a bright shade of orange now. With her pudgy cheeks, she reminds you of a little pumpkin. 
“She does! Swear it– on my life.” He’s not lying. He can’t hold your eyes when he lies, even about silly things. 
You huff, feeling foolishly giddy. “I don’t have time to get a costume, Steve.” 
“Nonsense. We can find you one. I’ll make it if I have to. The Tin Man and The Scarecrow are still up for grabs.” 
You swallow, washing the sudden dryness from your throat. Why does Steve have to be so damn cute and sweet all at once? “I dunno. Would it be fine if I didn’t dress up?” 
He chuckles dryly. “Penelope won’t have that, I can tell you that much. Plus if I’m going to be tortured into some itchy lion onesie I expect you’ll do the same.” He’s teasing, which is typical for you both, but it’s like you’ve forgotten how. 
“Steve.”
“Come on. If not for me, for Penelope. She’ll love it.” 
“Okay,” you settle. But you aren’t really settling. He could ask you to dress up on any other day of the year and you’d do it. 
Penelope races over– a tabby cat with long whiskers and a pastel pink nose– yelling, “Daddy, look!”
Steve beams at her like he stuck a lightbulb in his mouth, somehow brighter than before. “I see! You look so pretty, princess.” 
“I’m like Cinderella.”
“You are!” He pats her former seat beside him until she sits. 
Her long lashes flutter questioningly. 
“Nell, don’t you think we need, I dunno, like a Tinman or a Scarecrow to go with our costumes on Halloween?” 
She tracks his gaze over to you, adopting your smirk. “Are you coming trick-or-treating with us?” Her voice is uneven and bubbly with anticipation. 
“Do you want me to?” You ask genuinely. 
Penelope’s tongue wriggles in her mouth like she can’t find the proper words to express what she feels. But she nods in this bashful way against Steve’s shoulder that surprises you. 
“Are we being shy now?” Steve remarks, pulling her into his arms effortlessly to peck her hairline. 
“No,” she whines against his sweater, overjoyed to be smothered in love. Dry paint creases with her scrunched face. It’s an adorable sight. You keep wishing you had a camera on you because this is the kind of thing Steve probably puts in his photo albums. 
The moon climbs the sky quickly, draping the party in a silver veil. Many stay for the campfire and the promise of smores. But the later it gets, the crankier kids become for their parents. Penelope’s no exception, whining and clinging to Steve until he agrees to hold her. And he tries to work still, but his arms are starting to burn and stamping hayride tickets isn’t easy one-handed so he makes the hard choice to leave before cleanup. 
He feels awful, apologizing to several of his coworkers on the way out but most are too drunk on cider or too high on festive cheer to care. Besides, he’s paid a salary, doing this out of the kindness of his heart. He has no obligation to be here– you’d reminded him of that multiple times. But the festival does feel empty when they leave, even with half the town still around. 
ᯓ★
Steve lives in a quiet pocket outside of town on a curvy, secluded stretch of road. The directions he’d scrawled out on a receipt weren’t as useful as you’d hoped as one of the street names you were intended to turn on was smudged beyond legibility. But you made it, parked in front of a white house with a similarly white picket fence. Steve’s beamer is idled to your right. It’s strange seeing it somewhere that’s not the rec center. But it’s a familiar comfort between so much new. 
There’s a tire swing knotted to the oak tree in the yard, a collection of painted rocks in the pebble-lined path up to the house, and two carved pumpkins set outside the door, caving in on themselves but not yet rotting. A lot of love is shared here.  
Penelope answers the door when you knock. She’s half dressed– stockings hugging a pair of fleece leggings and a flowy pajama tank top. Her eyes outline your costume and light up with approval. 
You sport a flannel and denim overalls stuffed with prickly straw straight from the local farm, courtesy of Steve. But Penelope ogles your face paint more than anything– a stitched grin and two circles for blush. You hope it’s not scary looking. 
She doesn’t know how to let you inside– she’s not supposed to answer the door after all– so she hangs clumsily off the door handle until you ask, “Can I come in?” 
“Yes,” she teeters out of the way, closing the door behind you with a sweeping grin— the mischievous kind that makes you wonder what she’s up to.
The foyer is situated between the living room and kitchen, both of which are missing Steve. 
“Where’s your dad?” 
“Umm. Cleaning?” 
“Oh. Are you getting ready to go?”
“Yes, but I can’t find my shoes,” she makes a strangled face and shrugs with her entire wingspan.
“Do you want me to help you look?” 
She nods, “I think they’re in my closet.”
Penelope sprints up the stairs easily, leaning over the railing at the top until you hesitantly follow. You hope he won’t mind. You were technically let in. 
It reeks of chemicals upstairs. You stifle a cough and hope it’s Steve, not some science experiment in Penelope’s room. But you don’t worry long. The culprit swings around the corner, juggling several bottles of solutions and sprays. Steve would’ve barreled straight into you had you not thrust your arms out in defense, but still, all his things scatter across the floor. 
“Christ, you scared me.” He kneels, tucking a roll of paper towels against his chest. “Nell, you can’t answer the door without me.” 
“I looked in the window.”
You hand him a sanitizer and shimmy your hat back into place. It’s too big and far too floppy, sagging over your brows no matter how you situate it. Amusement draws his cheeks up as he realizes. You look ready to plop yourself in the middle of someone’s crops and he’s in a tee and jeans you might find him in any other day. His smiley-staring only makes you feel sillier. 
“The straw’s really a nice touch, huh?” Steve teases, picking a sandy stem from your collar with his free hand. He’s got that smirk you so often find on Penelope’s lips. 
You yank the strand from his grasp and poke the column of his throat with it. “I’m definitely more itchy than you’ll be.” 
His fingers encase the entirety of your fist like a shell. They’re knobby and mannish, stout against your own. But there’s a tenderness to his hold as he eases your fist away. You don’t push back, though you contemplate it. He’s never touched you for so long; he’s basically holding your hand. 
“Could’ve been the Tinman,” he says, releasing your fingers at your thigh. 
You suck in, like fuel for a reply, and exhale a breathy, nervous laugh. “And paint my entire body gray? No thanks.” 
He chuckles, eyes darting behind you. “Well, you look great. You like it, Nell?” 
You’d almost forgotten she was there. She’s quiet as a mouse when she wants to be. 
Penelope bobs her head behind you, patiently watching from the doorway to her room. “I have oh-ralls like that.” 
“You do,” Steve confirms, fidgeting with the nozzle on the disinfectant bottle. It reminds you of the smell. 
“You kill someone?” 
He stiffens. “What?” 
You flick the bottle of Windex, serious facade fading. “Smells like you’re trying to cover it up.” 
“Oh! No,” his shoulders soften, “Just a little spring cleaning… in fall.” 
You hum gaily. “I like your house.” 
“You do?” His voice is light, buoyant with relief. “I can give you a tour. A proper one.” 
“I would but I’ve promised a patient little lady I’d help her find her shoes first.”
Penelope beams when you glimpse at her. “I think they’re in my closet,” she shares with Steve. 
“I think so too,” he says, eyeing past her. “What happened to cleaning?” 
“I was but I had to find my costume first.” 
“It’ll be easier to find when your room’s clean.” He sends you a look, “Don’t let her trick you into cleaning for her. She’s sneaky.” Steve whispers the last part, loud and teasing. 
“I’m not sneaky!” 
“Mhmm. I’ll go get ready and then come help you, Nell.” 
“Then trick-or-treat?” 
“Yes,” he starts down the stairs, “Yell if you need me.” 
Penelope tows you into her room by the arm, unphased by the clinking of toys crammed behind the door. Anything in her way gets kicked or shoved aside without a second thought. It’s like her toy chest exploded, a kaleidoscope of pink and purple across the carpet. And no wonder it’s a mess; she starts chucking things out of her closet, adding to the pile spilling out like an avalanche—books, stuffed animals, barbie dolls, baby dolls, and so so many clothes. 
You squeeze by a play tent, scanning the floor. 
“They’re red and sparkly, ‘member?” Penelope calls from behind her closet doors. 
You tip a beanbag over with your foot, “I remember.” 
She babbles to herself as she looks, just like Steve does– little hums and scraps of thought that are hard to catch. It’s a funny thing, to see it translated from one human to another. 
It doesn’t take long to find the shoes, wedged underneath her bed with numerous other things. You go prone against the floor to dig them out and hold them up by the straps. “These it, Pen?” 
She gasps vibrantly. You wish you got up in time to see her face. 
“How did you know they were under there!” She shrieks, snatching them from you. 
“Just had a feeling,” you sit up properly, happily watching her slip the flats on. 
She practically twinkles, clicking her heels together like Dorothy. 
“They look stunning! You painted these?” 
“Yes,” she skips over to her dresser, shuffling through drawer after drawer. Anything folded surely isn’t anymore. 
“You’re a talented artist.” 
“I know. Daddy says.” Penelope yanks out a blue line of fabric. “My dress is so pretty. I’m going to be the prettiest Dorothy for Halloween.” 
“I know you will! You should give your dad a big hug for making such a pretty dress.” 
She buckles into the costume as fast as she can, patting the skirt down with a satisfied grin when it’s on. 
After several compliments and much debate, you’re able to convince her Dorothy would have a clean room. Penelope puts a few things away, but she’s easily distracted. And it’s hard to blame her with so many toys about. So you do most of the cleaning, but you’re happy to. It’ll make Steve happy– lest he finds out it was you– which makes you happy. 
The floor’s mostly cleared when Penelope decides Steve’s taking too long; it’s time for your house tour, with or without him. And when he doesn’t answer her shout it’s decidedly without him. She shows you downstairs first– the living room, the kitchen, the half bath, her favorite hiding spot underneath the stairs. All the while she explains her very detailed and strategic trick-or-treating plan. Staying out until midnight is the priority, she doesn’t seem to care if it’s past her bedtime, and filling several bags with candy is also high on the list. 
“And this is Daddy’s room.” She jerks the door knob several times before yelling, “Daddy!” 
“What?” Steve calls, muffled. 
“Let us in!”
“I can’t hear you– hold on!” 
Steve unlocks the door donning the promised lion onesie and a pair of sneakers. It’s ridiculous how handsome he looks even with a stupid fur collar and tail. 
“Cute,” is all you manage to say. He takes it as teasing, rolling his eyes, though you really mean it. 
“Can you help me? I can’t get my whiskers right.” He taps the cap of an eyeliner pen against his cheek where he’s drawn two lines. 
“Sure.” You take the stick and follow him through his room to the master ensuite. 
“Wait!” Penelope shouts and waves vaguely at the room. “This is Daddy’s room.”
You pause to look it over, jovially commenting, “Wow! Very nice.” 
And it is nice. There’s a rustic set of furniture striped in blue and green accents; paired well with the framed floral prints above his dresser. And the bed’s made, only slightly surprising, topped with a Care Bear’s quilt you assume is Penelope’s. 
In the bathroom, Steve leans against the counter, arms braced behind him on the sink rim. You shuffle in front of his legs, skimming knees accidentally. He has no abhorrence for physical touch, you know that for certain. He’s touchy with not just you, but everyone in the office. An arm around the shoulder, a pat on the back, a gentle squeeze to the arm– he gives these out like candy on Halloween. But even so, touching him isn’t always easy. It’s vulnerable, runs the risk of rejection. 
Steve smiles at you, ever-patient and encouraging when you stall awkwardly. 
“Sorry,” you whisper. Talking any louder feels illegal when he’s so close. You cup his jaw and steady your opposite hand against his cheek, picturing the line how you want it. 
But just when you press into his skin and flick the pen, Penelope slams a drawer shut, startling you enough to flinch. The ink slants all the way behind his ear like a jagged nail. 
You gasp and recoil, “Shit.” 
Penelope gasps twice as loud and Steve crumples into laughter, even more so when he turns to view the damage in the mirror. 
“Oops,” you chuckle nervously, thumbing at the black streak. “This washes off right?” 
“Yeah, don’t worry. I’ve redone it like four times.” 
You douse your finger in water and work the pad across his happy cheek gently. 
He’s watching you. You don’t see, just feel it in the fringe of your peripherals. It’s not like he has many places to look when you’re a hair’s breadth from his nose. But he might as well press a magnifying glass against your face, point out every pore and blemish and hair you're insecure about. 
Your cheeks burn and the beginning prickles of sweat coat your upper lip. You brushed your teeth before you arrived, but how could you forget a mint? And what about an extra layer of deodorant? That wouldn’t have hurt. You glance at Steve anxiously and his eyes jump to Penelope. For once you’re grateful not to keep his attention. 
Penelope digs through his cabinet on a quest to find nothing in particular. 
You pull away to judge your first line as Steve opens his mouth. “Nell, go get your brush and hair ties.” 
The top half of her face pops up over the cupboard door like a puppet. “But I want my hair down.” 
“I still have to brush it. And I thought you wanted the bows?” 
She considers his words– her prior words– brows pinching before she shrugs, “Okay.” The cabinet door thuds against its hinges as it claps shut, and not a second later, Steve’s bedroom door slams as Penelope charges out. 
“You would not believe how often I tell this kid not to slam the doors,” he scoffs, though it’s devoid of any real anger. 
You take his chin again, packing away a grin. You have to focus. “Don’t move,” you prompt. 
He’s relaxed in your hold. Still as a stone, maybe apart from the slight tug of his lips when you resume drawing. 
“Tickles,” he murmurs when you lift the nib. 
You print another three to match the trio on his right. It’s not bad, but you wouldn’t say it’s good. The angles are skewed weird and one’s shorter than the rest. But if he wants them any better, you might not be the best person to ask. 
“How’s that?” You draw back, searching for any smudges. 
He spins, briefly inspecting his reflection before facing you again. “Perfect! Thank you!”
Perfect is definitely a stretch. 
Steve’s a perfectionist. You’ve seen it innumerably in the office. How he’ll spend hours revising something only to ruminate on an insignificant detail after. And with Penelope, every parenting decision is subject to endless second-guessing, as if her health and happiness hinges on the smallest nuances. 
But as much as he’s a perfectionist, Steve would never judge you in the same way he might himself. Your whiskers truly are perfect in his eyes, not for the shape or size, but because you drew them– wonky and all. 
The ink warps around his smile. You study his face under the guise of checking your work. Steve’s a handsome guy. An inviting kind of handsome, with shallow laugh lines and the start of stubble stippled across his jaw.  
“Wait,” you square his shoulders, brushing the nape of his neck to reach for his hood. The lion’s mane is laid gently over the top of his hair. 
“Now it’s perfect.” 
He smirks. “Sexy, huh?”
“Should leave this unzipped a little. The cougars will love that.” 
Steve laughs, harder than you think you’ve ever heard him. It’s so contagious even Penelope joins your hysterics when she returns, though she hasn’t a clue what you’re laughing about. 
“What’s so funny?” Penelope lurches into his legs with a handful of hair things. 
“We just think my costume’s kinda silly. Here, baby.” Steve heaves her onto the counter and props her right in between the sinks. 
Her dress pours over her crossed legs like a layered cake, baby blue and white gingham. Steve really did a great job with the stitching; you can’t even tell it was done by hand. And Penelope hasn’t complained about the fit once so it must be comfortable too. 
“Face forward please,” Steve reminds gently for a third time when Penelope twists her neck to speak. 
Penelope frowns at his reflection. “You’re pulling too tight.”
“Sorry. You have to stop moving though.” 
There’s a mild curve to his lips. He’s not aggravated with her fidgeting, in fact, quite the opposite. Maybe because you’re around, he’s in too good of a mood to spoil with something as trivial as his daughter's hair. But regardless, it’s endearing as it is entertaining to care for Penelope. He loves being a dad, even when it’s frustrating. And you can see the love as he braids her hair– how he cards through knots from the ends up and slowly sections off pieces to tackle one at a time. 
“I’m not moving.” Her chin droops as she scratches the polish from her nails. 
Steve cups her jaw, steering it back up. “You are, monkey.” 
“Monkey?” She chortles, seeking your gaze in the mirror to see if you also find the nickname funny. 
“Yeah,” Steve murmurs, seizing the rubber band from between his teeth. “Monkeys move a lot.” 
“Do they have tails?”
“Mhmm.”
“You have a tail 'cause you’re a lion.” 
Steve hums and bends back, evaluating his performance. “There. You look so gorgeous, Penelope.” 
And he really has done a great job, especially with all her wiggles. Steve takes a lot of pride in styling his hair– much of his confidence derives from it. And he tries to extend that care to Penelope; to teach her how gorgeous she is and that she deserves to be nurtured. 
Penelope shakes her head disapprovingly. “I’m Dorothy now, Dad.” 
“Oh, sorry.” Steve turns toward you instinctually, happy to catch your smile. 
“You look very very pretty, Miss Dorothy,” you correct. 
She slides off the counter, aided by Steve’s hand. “Can we go now?” 
Penelope waits patiently in the foyer for Steve to gather everything needed to leave. This lasts for all of about ten minutes before Penelope is halfway out the front door, too excited to wait any longer. 
“Wait, Nell!” Steve shouts from beside you in the kitchen. 
You’re choosing snacks and filling water bottles. Steve doesn’t really need to pack a bag for Penelope anymore, she’s a year and a half past diapers, but he likes to feel prepared. 
When Penelope doesn’t answer, he meets her on the porch to explain, “I’m almost done. And we still have to take pictures.” 
“I don’t wanna. I’m ready to leave.” 
“Well, we aren’t leaving until I get a picture of Dorothy.” 
She sighs, lugging herself back inside like she’s got bricks for shoes. “What about Cinderella?” 
“Go and look– get the treats.” 
She scrambles into the kitchen, snagging a jar of cat treats from the counter quickly. You shoulder the backpack and follow her out. Steve joins you not long after, two flashlights and several glowsticks in hand. 
“No Cinderella?” Steve asks, unzipping the bag pressed to your back to stock with more things. 
“No,” Penelope pouts, vigorously shaking the jar in the air. “How can I be Dorothy without Toto.” 
He yanks the zipper back up, then pats her head, “Keep calling. Where’s your jacket?”
“I don’t need it.”
“You will. It’s gonna get cold later. When it’s dark.” 
“It’ll mess up my costume. Dorothy doesn’t wear one.” 
“Let's bring it, just in case. I’ll carry it.” 
Steve jogs back inside, coming out this time with a camera around his neck, a jacket over his shoulder, and a plushie in hand. 
“Here,” he sets a blue stuffed dog on Penelope’s lap. “Backup Toto.” 
Penelope glares up at him, insulted. “This isn’t Toto.” 
“I know. But if we wait for Cinderella we might not have time for trick-or-treating. Why don’t we bring the treats? See if she’s started without us?” 
Penelope deflates, stuffing the dog in her wicker basket. 
“Can I take your picture now?”
“Why, Daddy?” 
“So I can remember how beautiful you look tonight.” 
A petulant bow creases her lips as she peers up. Round, sullen eyes connect with his. 
Steve squats in front of her, taking her much smaller free hand in his. “I know you’re sad about Cinderella but she’d still want you to have fun, right? And she might show up later. I just want to get a picture now so I don’t forget.” 
Penelope nods and Steve kisses her forehead, standing and backing up a few paces. 
“Smile, baby. Please?” He blinks at her through the viewfinder. 
She offers a strangled face– more of a toothy open mouth than a smile; not even close to wide enough to round her cheeks or crescent her eyes like the real deal. But it’s funny and just as cute. Steve snaps a photo and the expression drains from her face as fast as the camera’s flash.
You wander behind Steve and her eyes flick to you. You try funny faces first, frowning so deep your jaw aches, pulling the tip of your nose up like a pigs, winking terribly, but none of it works. Your fingers arch into bunny ears behind Steve’s hair and you stick your tongue out at the back of his head, but still, no dice. 
You have a really awful idea. You’re pretty sure you might die of embarrassment. But it’s worth it to get Penelope to smile. 
“Hey, Penelope? Remember when you told me dinosaurs are silly?” 
She nods. 
“Well, I have a really good dinosaur impression. Can I show you?” 
She nods again, equally jaded. 
You take a deep breath and shake your head, mentally preparing yourself and simultaneously erasing Steve from existence for the moment. A feral screech erupts from the back of your throat, the kind of sound you didn’t know for sure you could make. 
Steve buckles in his crouch, barely catching himself on the pavement with his free hand. A chorus of emotions ripple his features. He’s shocked and then amused and finally focused on capturing the picture, but what resonates the most is a fondness for you. 
You cup a hand over your mouth, rendering a string of different noises, inspired by several animals because what the hell does a dinosaur sound like anyway? You haven’t the faintest clue at the moment.   
Penelope fuses her lips together, unbreaking. 
“Come on Nell, I see that smile,” Steve rallies. 
But she doesn’t give up easy. She’s like Steve in that way. 
As a last resort, you press your lips to your mouth, blowing a raspberry and screwing your face in disgust. “Oh my God, Steve! Did you just fart?” 
He gapes at you, then Penelope, tickled and tongue-tied for comebacks. He can’t think straight, not when you’re making a delightful fool out of yourself, on his behalf, especially. As far as he’s concerned, Penelope’s smiling now or at least failing awfully at hiding it. So he takes several photos of her as she unravels into a giggly heap on the driveway. 
Certainly one of them is photo-album-worthy, but you continue your stunts anyway. “Goodness, what did you eat today?” You backpedal a few steps, fanning the surrounding air, partially to hide your own laugh. “Penelope do you smell that?” 
“Ew! Daddy!” 
You aren’t sure if Penelope actually believes you or if she just wants to join the fun but either way, she’s convincing. 
“I didn’t do it!” Steve defends, dropping the camera on its sling and raising his hands in surrender. “I think it was Penelope this whole time.” 
You gasp. “Penelope!” 
“I didn’t!” She cries, shaking her head aggressively. “I promise, I didn’t!” 
“I dunno. The closer I get the more stinky it smells.” Steve slinks up to her with outstretched hands that threaten tickles. 
She screams when he snatches her up, swearing up and down, “I didn’t, Daddy!” 
He’s well-practiced at being the tickle monster; knows every sensitive strip of skin to target. She was doomed from the start. Giggles spill out in jagged layers punctuated with gasps of air. Steve tickles her all the way down the driveway to the car, out of breath himself by the time he sets her on the trunk. 
Penelope deliriously eyes his hands where they rest on the beamer. 
“You ready to go trick-or-treating, Little Miss Dorothy?” You ask. 
She nods, dimples deepening with mirth.
“Here. Will you start it?” Steve fishes his keys out of his pocket and tosses them to you. “Come on, pretty girl.” 
She slides into her car seat happily, bouncing with excitement as he buckles her in. Steve’s told you before it’s not always so easy. 
“I really didn’t fart,” Penelope says. 
He chuckles, sewing a kiss to her cheek, “I know, baby. We’re just kidding.” 
Steve settles into the driver’s seat, depositing the stack of developed polaroids in your lap. You shuffle through as he backs out, flashing him your favorites; the best is one where she’s planted a hand on her hip and is rolling her eyes. You adore this little drama queen more and more every day. 
The drive’s only a few minutes, just to a denser part of the neighborhood to avoid long stretches with no houses. Steve parks against an empty grass lot behind another car. This area’s already bustling with kids which adds to Penelope’s anticipation. 
“Daddy, look– it’s Minnie Mouse!” 
Steve inspects the crowd through the window. “Yeah, you remember when you were Minnie Mouse?” 
“I was?” 
“Mhmm. You had ears and I painted your face. You were little.” He unbuckles, grabbing the backpack stashed at your feet. 
“Oh. Am I still little?” 
He pauses to melt, just to himself and only a bit. It’s too early to be sentimental– a long night of fun awaits. Steve cranes over his seat to see her face. “Yes, you’re still little. But you’re growing a lot. I think you might be as tall as me, one day.” 
“Nooo,” she giggles, waving her foot at him. 
“I dunno,” he sing-songs back, squeezing her shoe before turning back around. 
Steve distributes a handful of glowsticks, shoving a few extra in Penelope’s basket. You guys start down the block as the sun sinks below the treeline, more than enough time to complete Penelope’s plan which she reminds you of. She takes Steve’s hand, then yours, and it strikes you suddenly how much you appear as a family to outsiders. It’s not an unwelcome feeling, just a strange one. 
At the first house, Penelope knocks hard and declares to the elderly woman who answers, “Trick or treat!” She repeats it, insisting with wide eyes that she deserves two pieces of candy for her double effort. And the woman can’t resist her charm, obliging with a handful of pieces. Steve jokes it off, calls her a bargainer, but you gawk at the interaction. 
At the second house, she points to you and Steve, arguing you deserve candy too since you’re both in costume. And it works, scoring you each a piece that ends up in her tote anyway. By the third, you can’t keep a straight face, her antics are hilariously cute and you compliment Steve for raising such a little mastermind. 
You fall into a routine steadily, loafing along the road with Steve while Penelope trots up to each house. 
“Last year she was Snow White and the year before a cat,” Steve explains when you ask. 
“She likes princesses’.” 
“Less so now but yeah. She used to say she wanted to be a princess when she grew up.” 
“Can’t blame her.” You watch her fondly from afar. She picks a piece of candy off the ground and debates before tossing it in with the others. “What does she wanna be now?” 
“Changes all the time. Last it was a detective.” He beckons Penelope over. “Nell, what do you want to be when you grow up?” 
She fiddles with her basket handle. You’ve done two streets and it’s almost full. You're starting to think you’ll have to buy a pillowcase off of someone.
“Umm… Can I be a trick-or-treater?” 
“What!” Steve flips her braid over her shoulder, “That’s just for one day, goofball.” 
“Well… then,” she hums, squinting at the surrounding swarm of characters and creatures. “Maybe a pirate?” 
You and Steve share a look of amusement. You do that a lot now. It’s instinctual. Finding each other's eyes, even in a room full of people it’s easy. Sometimes there’s just too much joy not to share. 
“Daddy, how many houses are left?” 
“There’s quite a few on this street. You tired?” 
“No. Can I see? I want to count.” 
She doesn’t seem tired to you but Steve’s able to read her with the tiniest details. It’s like he’s got superpowers sometimes– dad superpowers. But maybe he’s just guessing, it’s getting closer to bedtime.
Steve boosts her onto his shoulders with a hefty groan about “getting old” which you bicker over because he’s only twenty-six. 
Penelope counts eleven houses, eight with lights on, but buzzes about a particular home illuminated with rainbow LEDs and a giant spider. And it’s even cooler than she described up close, mansion-like, decked out with spotlights and decorations taller than you and Steve combined.
A motionless clown holds a bloody bucket of candy outside. Their decorations are so extravagant, it’s hard to tell what’s real and what’s fake. But you’re pretty sure the clown just blinked and you make sure Steve’s aware of that, not that he was letting Penelope go alone anyway. 
Steve scoops Penelope up before she gets very far up the driveway despite her complaints. 
“I’m not scared, Daddy,” she assures. And there’s nothing that tells you she is– she’s just as cheery and bright-eyed as before. 
“I know, princess.” He rubs her arm, scanning for other statues with the potential to come alive. “I’m kinda scared, though.” 
She tips her head at him, puzzled because it’s always the other way around. But her arms coil around his neck, a loving press of affection that she learned from him. 
And whether he’s actually afraid to be jumpscared or just subconsciously ingraining in her that it’s okay if she is, you aren’t really sure. Probably both, and either way, it warms your insides. 
The clown cocks its head slowly when Penelope reaches in the bowl. 
She cocks her head back, innocently amused. “Trick-or-treat?” 
The clown nods, pushing the bowl toward her. 
Steve sags just a hair but remains very much on high alert. 
You mouth your appreciation— “Thanks.” Thanks for not scaring my coworker-friends-child who I’ve grown really fond of and would hate to see cry. 
“Daddy, can we go in there?” Penelope points to a tunnel opening, fringed with black streamers and flashing lights– some sort of haunted house walk-through that wraps around the home. 
“No, baby. That’s for big kids.” 
She spots a group of teenagers exit the other side, screaming, laughing, and doubling over each other into the grass. 
“I really wanna go– please, I’ll be so brave. I’m not even scared,” she pleads, flashing him a wobbly frown. 
But there’s no expression she could pull right now that would change his mind, not when he hears a chainsaw buzzing inside. She could throw herself on the ground and kick and cry and he’d still refuse. He knows enough kids that have been traumatized by horror-movie-type creatures and characters; he’ll be damned if his daughter becomes one of them. 
Penelope sulks for a few houses but she has loads more candy to collect and decides not to waste her time for too long. 
“Can you hold this?” She thrusts her basket toward Steve. It’s overflowing at this point; you’ve all started cramming candy in your pockets, hoping it’s cold enough outside that nothing melts. Steve’s been beating himself up for three blocks for forgetting the backpack in the car. 
“Sure,” he says, retracting his hand from his pocket.
But before he takes it, you joke, “Better keep an eye on him. He might eat some when you’re not lookin’.”
Penelope studies him for a long moment before shifting the bag toward you. 
“Penelope! You don’t really believe that do you?” He scoffs, breathily laughing.
You cackle as she shrugs and sprints to the next house. 
Steve bumps your shoulder, snaking a hand in the basket to steal a pack of M&Ms off the top. “Blowin’ my whole operation.” 
“Steve,” you scold and bump him back. “Don’t get me in trouble.” 
“She won’t notice.” He waves you off, tearing the wrapper with his teeth. “But if she does I’m saying it was you.” 
You whack his arm, glowing bright as the moon, “Asshole.” 
Penelope doesn’t complain about her feet aching once the whole night and you know they probably do because yours started hurting forever ago. Surely she gets some kid-sized Oscar for that. And Steve being the great dad he is offers to carry her on the way back to the car anyway. 
“Daddy?” 
Steve hums, hoisting her up where she slips. 
“Can we go trick or treating tomorrow?”
He glances at you, confirming you also hear this cuteness. “No, baby. Tomorrow’s not Halloween.”
“I know, but we should still go. I bet lots of people still have candy. Like, leftovers.” She yawns into his shoulder where his fur hood has been tugged down to warm his neck and double as a makeshift pillow. 
“Don’t you have enough candy?”
“No. I need more Reese’s for you.”
“You’re gonna give them to me?”
“Only some. I like them too.” 
“That’s kind of you.” 
Her eyes are half-lidded and struggling, but she’s still awake as Steve stows her into her car seat. She chatters sluggishly to keep herself up and you and Steve entertain it; it’ll make bedtime easier if she doesn’t fall asleep in the car. Perhaps handing her a pack of Smarties was overkill because apparently, it has enough sugar to wire her longer than the five-minute drive home. 
No slower than Steve can lock the front door, Penelope dumps the contents of her bag on the floor. A bouquet of candy wrappers, big and small, enough to last her months if she’s patient. 
“You can have five more pieces tonight.” 
Penelope smirks at Steve before he’s even finished. “Ten?” 
“Six. But you have to brush your teeth for twice as long.” Before she can rebuttal he shakes his head. “Final offer.” 
“Fine,” she huffs, combing through her pile. She sorts them into categories while Steve prepares her bath. It's the Great Pumpkin, Charlie Brown is already on– Steve has a bad habit of forgetting to turn the TV off when he leaves– but you find the remote when Penelope asks you to turn the volume up. 
“You can have these,” she announces, pushing a chunk of her goodies toward you. It’s mostly things she doesn’t like: twizzlers and dark chocolate and anything with peanuts. But she did sneak in one of your favorites you’d mentioned earlier that night. She really is a sweetheart. 
“Thank you, Penelope. That’s very nice of you.” 
“These are for Daddy,” she points to a second pile, smacking loudly on the gummy bear she just decapitated. “He loves chocolate but he got a cavity once because he ate too much.” 
“Are you talking about me?” Steve hollers, clambering down the stairs two at a time. 
“No?” Penelope giggles. 
His hands snap to his hips once he treks into the living room. “Alright, it’s bath time then bedtime Miss Dorothy.”
Penelope looks utterly betrayed. She’s only eaten three things and– “It’s not even late yet,” she whines. 
He pretends to check his watch, “It is.” 
It’s not but she can’t tell time yet. 
“Can we watch Oz, Daddy, please? There’s no school tomorrow, ‘member?”
“We watched it last night, peanut. Why don’t we watch a Halloween movie?” 
Peanut, pumpkin, princess, he calls her all sorts of cute things. Is it wrong to wish he called you cute things too? 
“I wanna watch Oz. I’m Dorothy so we have to.” She drags out the last syllable until she runs out of breath. 
Penelope’s over-tired. Delirious and whiny and easily hysterical when she doesn’t get her way. And it’s not that Steve thinks he should give in when she’s like this, he’s just tired too. And you’re here and it’s the weekend so what will one movie really do? He can guarantee she’ll fall asleep during it anyway. 
“Okay. Only if you’re super-duper fast in the bath.”
She shouts and whizzes upstairs. 
Steve diverts his attention to you, “You wanna stay? I can make popcorn.” 
Of course, you’d love to stay, and not just for the promise of popcorn, but you’re afraid if you do, you’ll never want to leave. 
“Are you sure?” 
“Why wouldn’t I be?” He makes a face– a ridiculously lovely one. “Go sit. We’ll be quick.” 
They aren’t quick but there are photo albums on the coffee table that you’re happy to look through in the meantime. You flick through beats of their life like stills of a movie. There are baby photos, school pictures, movie stubs, plane tickets, and several people you don’t know the names of. It’s weird– getting snippets of things about them you had no idea of. You’re filling the gaps as you go. 
Penelope returns first, frolicking her way to the entertainment center in fresh pajamas. She’s on a mission by the looks of it, making a mess of the VHS collection in the cabinet. By the time Steve arrives, most of the films are splayed across the carpet. 
“Oz is already in, silly goose. We watched it yesterday remember?” 
Penelope drops the tape in her hands, “Oh.” 
Steve hunches over her, slotting the films away one by one. She doesn’t help much, but he doesn’t seem to mind. 
Penelope clambers onto the couch beside you and Steve beside her. It’s a long sectional, enough room for several others. But Penelope scoots in right beside you so you're hip to hip. And Steve makes himself comfortable more in the middle cushion than the farthest. 
His onesie has been traded for sweats and his whiskers scrubbed away– though a faded, gray smear crosses his jawline. You consider telling him, or licking your thumb and scratching it away yourself, but it makes you feel less weird to be the only one still in costume so you let it stay. 
“I like these,” you tug the cotton pant leg of Penelope’s outfit. It’s a matching set, frilly and plaid with a black cat stamped to the torso.
She tucks her lower lip away sheepishly and pushes her crown into your shoulder. Her hair's damp, soaking your sleeve cold, but you fawn at the affection more than anything. 
“Did you find that picture? From her first birthday? I think it’s in there.” Steve gestures toward the closed album in your lap with the remote but remains glued to the TV. 
“No, I didn’t finish looking.”
“I wanna see,” Penelope arches over your legs, prying the book open. 
Steve rewinds the film to the start and pauses it so he can look too. 
You thumb the plastic sheet over a recent image of Penelope scrunching her nose at the camera, a riot of stickers across her face. 
“RoRo!” She taps the photo beside it. It’s a haphazard blur, most likely captured by Penelope; you make out the shape of Steve first, then the less angular, slightly shorter person– a woman, RoRo. You think Penelope’s mentioned her before but nothing about the picture rings any bells. 
“Mhmm. That’s Robin. Remember this was at the airport?” 
“Is that when we got pizza?” 
“Yeah!” Steve rubs her arm. “You have a good memory.”  
You turn the page, revealing a set of grainy, blue-tinted photos from the same roll of film. Steve looks young for his age now, but he looked like a baby then. Strangely though when there’s an actual infant in his arms. He was thinner then but even softer in the face. Not unhappy, per se, but maybe missing a lightness he has now.  
“This was on my twenty-third birthday,” he explains. “Look how little you were!”
“Did I eat cake?” 
“No, you were too young, baby.” He chuckles, pointing to another photo. “You tried a banana for the first time in this one.”
“I like bananas.”
“You didn’t used to.” 
Steve and Penelope share slices of their pasts fondly. You study the photos, compare these reflections to the people you find yourself next to. There’s an unexpected pinch in your chest– not getting the chance to know these versions of them, it makes you sad. But it’s a happy sort of sad. You’re grateful to know them now. 
Penelope begs to flip through another album but Steve decides it’ll be too late to finish The Wizard of Oz if they do. His true reluctance stems from how emotional the first one made him– though you’ll pretend not to notice for his sake. 
Steve bets Penelope an extra Reeses that she’ll fall asleep by the time Dorothy meets the scarecrow. It’s unfair, really. You tell Penelope not to pinky promise it but she does. And she loses awfully, yawning within five minutes and startling herself awake within ten. You scoff when Steve starts carding through her hair– her guaranteed snooze switch. It’s evil and you tell him so. So of course, that finishes her off long before Scarecrow makes an appearance; she curls into Steve’s side and digs a heel into yours. Poor girl never stood a chance. 
“She had a lot of fun tonight,” Steve utters. It’s alarming at first, how his voice eclipses the TV like there isn’t a child snoring against his stomach. But she doesn’t stir. He knows she won’t. 
“Did you?” You ask, skating between a whisper and not. 
“Very much. You?” 
“Mhmm. Loads,” you answer without hesitation. It’s possibly the easiest question anyone’s ever asked you. “I think Penelope’s right.”
He quirks an eyebrow against the front of the couch. His cheek is sinking further into the cotton like he might fall asleep. 
“We should go trick-or-treating tomorrow too.” 
His lips wane into a soft smile. If he wasn’t so drained he might laugh too. “What should we be? Penelope has a strict no-repeat costume rule.” 
You hum, scraping your memory for the best costumes you’d seen. There were Power Rangers and Ghostbusters and several Batmen with their Catwomen. But the image of one young family sticks out the most in your mind. A young pair of parents with their son and daughter decked in moody black and white. 
“Addams family?” 
“Who’s who?” 
“She’s Wednesday. Obviously.”
Steve chuckles, accidentally too loud and Penelope twitches against his thigh. He draws her against his chest readily and strokes her spine with the back of his hand. “Obviously,” he whispers. 
“You’re Morticia and I’m Gomez, though.” 
“Oh?”
“Yeah. She’s tall and pretty. Strong jawline, kinda sassy. I think you’ll make it work.” 
You’re flirting. You know you are as soon as you say it. And you don’t mean to, it just happens; the words come intuitively as blinking. Your brain does all sorts of crazy things around Steve. 
“You think I’m pretty?” He’s smiling hard. You can’t tell if he’s serious or not. 
“Pretty sassy, yeah,” you deflect. It’s a safer truth than admitting you do think he’s pretty. 
He rolls his eyes. “My mom says Nell gets her attitude from me. Says it’s payback for how I was as a child.” 
You gawk emphatically. “Were you a bad kid Steve Harrington?”
“I wasn’t bad– just needed attention I think.” 
You hum. It’s a little surprising since you know Steve’s an only child to wealthier parents. You’d pegged him to be spoiled in both money and attention.
“Are you close with your parents?”
He shakes his head, “Not really. Talk every now and then.”
“Sorry.” 
“Don’t be. I came to terms with it a while ago. Even more after she was born.” He skims his lips against Penelope’s head. “I can’t imagine not being in her life. You know, not really knowing her? Not knowing her favorite things or when she’s hurting or what she’s up to every second of the day. I don’t think that’ll ever change.”  
“She’ll be so grateful to have that kind of relationship when she’s older.” 
“Yeah, maybe. Like way older.” His shoulders droop as he sighs, “She already thinks I’m smothering her. Wouldn’t hold my hand yesterday because she’s ‘too big’ she said.” 
“Already?” You laugh.
“I know!” He groans. “I almost cried.” 
“She loves you. Kids just show it in strange ways.” 
“Yeah… She forced me to hold a slug last week.” 
“You held it?” 
“I had to! She was so excited to give it to me.”
“Aww. You’re a good dad.” 
Steve's eyes caper down and his cheeks pinken. “I’m trying to be.” 
Apart from the movie and an occasional sleep sigh from Penelope, silence swallows the room. It’s a comfortable silence; the kind you only get around people you’ve known forever; It feels like you’ve known Steve your entire life. You have to remind yourself it’s only been a few months. Remind yourself this is the first time you’ve ever even hung out. 
You find yourself drifting to the future. A future, with Steve and Penelope. Vacations and school events and hiking trips and movie nights and so much more. It’s silly. It makes your heart want to rip itself from your chest. 
Steve clears his throat. Your fantasy is only partially dissolved. “I’m gonna take her upstairs. Put her to bed.” 
You lean forward and press into your knees, gearing to stand. “Okay. I should get going. It’s late.” 
“Stay for a minute. I’ll walk you out.”
You have no reason to decline but even if you did, you aren’t sure you would be able to. Saying no to Steve is as hard as saying no to Penelope. They have the same puppy-dog eyes– brown and soft as sun-baked clay. That must be it. 
Steve strains to stand with the added weight. He’s strong but Penelope’s four now and having growth spurts like there’s a race to be the tallest kid in school. She clings to him instinctually, slotting her face into his neck like it was sculpted specifically to be her pillow. Her gangly legs sway against his thighs as he slowly climbs the stairs and disappears onto the landing.  
You don’t notice Steve’s return. He’s much quieter than before, taking softer steps and more calculated movements. He doesn’t have the buffer of his body heat to soothe Penelope back to sleep if she wakes. The palm on your shoulder startles you. 
He whispers an apology from behind the couch, voice sweet and buttery as caramel. You let him guide you the short distance to the front door– expecting it to end there– but he presses into a pair of laced sneakers thrown beside the entry table. 
The night’s chill is jolting, even in your coat. It’s easy to forget the months are slipping into winter when Steve’s around. He radiates warmth, not just in sun-kissed skin and honeyed eyes, but in his tone and his touches and every aspect of his spirit. And it bleeds like a fire. Brushes your cheeks like flames and stirs perpetually in your belly like magma. 
He walks you the entire length of his driveway to your car. Probably would’ve opened the door for you if you didn’t beat him to it. 
“Thank you for inviting me Steve,” you say, lingering in the threshold of your open door. 
“Thank you for coming. I’m really happy you came. So is Penelope.” 
“As much as I am looking forward to The Addams Family next year, we should plan something… maybe a little sooner?” 
“Mmm. Let me check my schedule first,” he teases, rapping his fingers against the roof of your car. 
“Whatever, boss-man.”
You still don’t get in. There’s a stretch of silence, not awkward, just a placeholder for when the right words come. And they don’t. Not tonight anyway. You could hug him? Peck his cheek? Pat his back as he might yours? 
You settle for a safe and simple tight-lipped smile. He appreciates it just the same. 
“See you Friday?” He asks. 
“See you then.” 
Steve guides the door closed after you settle in. He waits until your taillights have completely fizzled out in the shadows of his street to stroll back up to his house. 
He thinks of you as he locks the front door and again as he finds your hat on the sectional and a third time as he slips under his sheets. Steve isn’t sure what to do. He feels sick. His heart is hammering and his gut twists itself in knots like it does when he’s afraid. He hasn’t quite figured out what about you is so scary but how can he possibly wait until Friday to find out? 
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