#set your clocks

[jash-updates]

No bluesky BUUUT

new song :}

[ramon-balaguer]

🔊 DST ☀️ Alert 🔊 Sunday November 5th at around 2AM 🕑 is the Fall Back time 🔊🔊This Saturday night before going to sleep don't forget to turn your clocks 🕰️ back one hour around your home but especially your alarm clock ⏰ so you won’t get the Worship Service an hour late. Of course, most of us use our smartphones 📱 which Don’t require any adjustments because they automatically sync or sets itself to correct time… Blessings and we hope to see you Sunday to Rote Learn, Review, Revisit, Reverence, Rejoice, Review, Reflect, Recharge, Recite, Refresh, Revise, Repent, Render and Reconnect 🥰🙌🙌🙌

[whatsk-poppinhomies]

Might have started writing Goodnight Moon

Might be trying to get all of them written so they’ll be out by the second week of February

Might be staying up later than I should on work nights just to write more.

Might be physically drained

Might be on the verge of breaking down entirely

But Goodnight Moon might also be the cutest thing I’ve written yet…

But it might also have a little bit of angst in it

[chocolatecakecas]

the secret destiel sex scene is stored in the extra daylight savings hour

[quaranmine]

i guess it is a given that i am probably not an average or standard user of websites but whenever tumblr staff says something about the website being hard to use, or refusing to let us have options to turn something on/off in the menu because "it's adding bloat and too many complicated options for new users" i just get so confused. like what?

i love settings. i love little toggleable sliders. the first thing i do whenever i get any account or device is go into the options to make it exactly how i like. i spent 2 hours setting up my firefox to perfection. i have memorized and examined every tumblr feature multiple times. getting a new phone or laptop is like a fun 2 week long process of arranging settings and personalization and notifications. it baffles me that tumblr wants to REMOVE options. i love options!!

[virsancte]

you wouldn’t think having a good time would be so goddamn hard

[tequiilasunriise]

Annabel Lee & Fears: A Short Essay Based On Ep70

Here it is, folks, the truest crux of Annabel’s character, her deepest fears is not going mad or even people discovering she’s not as put together as she tries to appear, but rather:

Was that gambit of constant scheming and using others worth it, Annabel? Was always trying to think ten steps ahead and always keep yourself in a position of power and control truly worth it, because how can you ever be trusted when all you do is play 5D chess with everyone?

There is is, folks!!! Just like her greatest strength- her cunning willpower- is centered around a certain bright moon, Annabel’s greatest fear is rooted in Lenore. The deepest, darkest trenches of her soul, the one thing that would shatter her heart and send her lungs choking fer breath? The killing blow that would end her and make all these charades worthless? It’s Lenore seeing her constant conniving and asking Annabel, “Why would I be any different? You already have no problem using everyone else as a pawn, how could I ever possibly trust you, Annabel Lee?”

The way Annabel is SUCH a great morally grey character, y’all tell me you love hot villains yet many a time I’ve seen people calling Annabel too heartless. She’s the opposite! She cares!! SO MUCH!!! She would burn the world down if it meant kissing Lenore one last time, to the point where her deepest fear is losing Lenore in the process of trying to protect her. All Annabel knows is using manipulation to gain the upper hand because simply being born a woman in the Victorian era she was so throughly disadvantaged by such a horribly misogynistic society that girlypop had to scrape together any form of control she could. Annabel wants so badly to protect Lenore but all she knows are her own methods of protecting herself, which involves plausibility deniability and facades and sometimes sheer cruelty, and that’s where the conflict arises. From the start Annabel assumed Lenore and her had the same understanding of this ‘fake enemies’ ploy going on but surprise surprise babygirl, not everyone is overthinking four parallel universes ahead like you do. This boils over into her lover having doubts on what’s real and what’s not, which then culminates into Lenore asking if Annabel is using her affections as empty currency to get what she wants, and Annabel’s first move to tell Lenore to fucken kill her????

“To you alone, I have left myself completely defenseless.”

The drama of it all!! The shattered facade leading to exploding vulnerability of it all!! The dim sun sparking out into a heat death just to prove her sincerity of it all!!! The exposed innermost organs ripping out my heart with my bare hands and begging you, “Do you see it now? Do you see the way it beats for you and only you? Tell me you see it, tell me you see me…” of it all!!

Oh baby the way Annabel still retains this deep fear of Lenore not truly believing in the “only thing that’s real” to her, the way her lover’s ghost still lingers and haunts her and is then ripped up from her innermost psyche like a desecrated grave and given form by Ada’s power. The way, after all this time- and I mean all this time from Lenore’s constructed resurrection, to their relationship blossoming into a wedding, all the fucking way up to that bell tower scene, the fucken way Annabel still never truly let go of her fear that Lenore doesn’t see her, doesn’t see how she alone bashed through all of Annabel’s walls and made a home where her heart laid. I’m sure during their living relationship all the way until the wedding Annabel’s fears were greatly settled, but it’s the fucken way these panels implied that this wretched heartache never completely left Annabel’s guilt-wracked soul.

I just know, okay I just KNOW, that even up until she was putting her wedding dress on Annabel still questioned if she even deserved this happy ending because she still feel phantoms of guilt fer this betrayal. This comic only furthers this implication of unabsolved guilt when it’s made clear as day that Annabel’s biggest fear is Lenore not believing in her love. And before anyone argues how Annabel can currently feel guilt fer betraying Lenore when she hasn’t recovered the memory yet, I’ll argue back that from the very beginning of the comic these two were inexplicably drawn to each other even when they had NO memories. Therefore, even if she doesn’t have the explicit memory, I highly doubt Annabel’s subconscious would ever let go of something as huge as deeply hurting the one person she truly cared about in such a wretched way.

Fuck, dude, I mean Annabel’s greatest fear wasn’t even Lenore dying- which was already a huge thing if y’all remember her tearstreaked, panicked, “What is left? If she’s not here, what’s the point?”- no her greatest is Lenore!!! Not!!! Believing!! Her!!! Like yeah losing Lenore physically definitely would’ve cut so deep even her bones would bear the scars, but losing Lenore in the form of the other woman walking the same ground as her but choosing to stay away?? Call her fucking selfish because some people would rather have their other half still be alive even if they’re not by their side, but Annabel ain’t one of them that’s fer sure. Babygirl has spent a lifetime perfecting the craft of deceiving others fer her own gain, but the ONE TIME she’s genuine her heart is to be called nothing more but empty??? Oh babbyyy that’s gotta fucken hurt.

The thing is, I don’t think Annabel really loves herself all that much. I really don’t. A huge focus on self-preservation doesn’t necessarily mean one really loves themselves, and when we add the aforementioned guilt she carries? Plus, the fact that Annabel being forced to swallow down her anxiety attacks from a young age could easily lead to her having a rather sour view of her 'not normal' self? Yeah no yeah, I truly don’t think Annabel loves herself that much, if at all. So really, this line is adding immense insult to already grievous injury. Not only does Annabel deeply fear Lenore not believing her affections to be true, she also fears the New Yorker misconstruing her as nothing more but a shallow as hell, prissy, little pampered damsel, a role pretty much everyone else regulates her into whether she wants it or not (right from the beginning, before she even set her schemes in full effect, Annabel was already explaining, “Ada wanted a queen, so I gave her one”). Lenore, the only one Annabel had believed to ever really see her fer her, is now discrediting Annabel’s vulnerable affections AND seeing her as that unloving ice queen like everyone else?? Horrible terrible horrible!!! She may have a ribbon threatening to strangle her right now, but it’s clear that ghost!Lenore’s words are what truly cut her down to size. Y’all seeing that fucken pain in Annabel’s eyes? Her worst fear is just so… personal.

Which actually leads me to my next point, which is how just before Annabel’s worst fear is revealed in stark, horrifying detail, we see Prospero’s. Lemme just preface this by saying what Prospero went through is n o t any less terrible and is a super fucken mega valid fear/trauma, but let me cook y’all just hear me out. Prospero’s fear seems to be about medical malpractice and/or being conscious during a painful operation that likely went south (aka ‘oh shiiitttt he fucken DEAD-‘), and that’s fucking tragic as all hell. Yet, okay let me cook here, it’s more… I don’t want to say general, because that does NOT mean his fear is any less significant but it’s like. Way back when, death via medical bullshit was more or less fairly common, especially during wartimes (which is the era I headcanon Prospero to be from); meanwhile, Annabel’s fear is so uniquely hers, it’s borne of a culmination of specific experiences tied together by her relationship with Lenore.

By contrast of a more common fear vs something so deeply personal and specific to this one person- because it’s not just unrequited love, it’s being so vehemently denied and misunderstood by the ONE (1!) person who you wholeheartedly trusted in your entire life who also oops mega died on you- this distinction gives way to an almost more raw, more visceral feeling to Annabel’s fear sequence. Again!!! I am not undermining Prospero’s own trauma, I promise!!! But you have to admit that there’s something, from a narrative standpoint, that hits so much harder with how deeply personal Annabel’s fear is. The contrast is even more great when you look at how Prospero’s involved a buncha bloodied hands not really tied to any faces or even any indication of personhood like accessories, scars, etc etc. It could’ve been a group of anyone holding him down hurting him; on the flipside, Annabel is being restrained by one very specific person we see in full view. The faceless crowd who could’ve been anyone at anytime vs the lone perpetrator whose history you know like a second name. It’s just!!! So personal!!!

In conclusion, on the surface level, one would think a character so deeply ingrained in using deceptions and manipulation would have her greatest fear tie into having her true nature revealed to everyone she’d fooled, but then it turns out it’s the complete fucking opposite. What homegirl fears the most is her truest, innermost self not being believed and accepted by just one (1!) person. The way it’s framed is just so heartstabbingly personal, especially when you parallel it to a previous fear sequence just a few panels preceding it. This is it, your honor, this is Annabel’s deepest driving force broken down to its bare essentials. To hell with whatever reputation she’s carefully crafted! Who cares what anyone else thinks of her if she doesn’t believe her, if she doesn’t SEE her. Really, truly see her. Lenore is the defining point that Annabel has revolves around so wholeheartedly, and there’s no point to anything anymore if Annabel loses her. This crux of her character, OHHH BBAAABBYY it’s just so well done because we, as the audience, have been given clear evidence to build up this narrative of Annabel’s characterization fer so long now and to finally see it come together in a fiery explosion of lesbian angst with this latest chapter??? Gods, the writing of Nevermore will never not drive me absolutely insane in the membrane.

[rozecrest]

the rich bisexualities of the rosamaria-clayton-erik trio in exordia only have me more convinced that bisexual realization is coming to aminata in unnamed fourth baru book. seth dickinson i see your game and i believe in it

[andy-clutterbuck]

5x09 | What Happened and What's Going On

[greenerteacups]

Re: your recent response about Draco wearing blue - fashion is not something I tend to pick up on (or understand very well generally), so I’m always curious to hear more about it! Do you have any other fashion thoughts you want to elaborate on? You’ve talked a bit about Draco and Hermione’s fashion, what about Harry or Ron?

Aw, yeah! I'll preface this by saying that the following is a combination of canon and headcanon; some of this is evidenced in the text of the fic, but some of it probably isn't, it's just something that's in my head when describing them.

Harry's pretty small in Lionheart, as a consequence of chronic malnutrition in childhood mixed with a genetic predisposition to it (James is canonically a short king, cf. "Hairy Little Christmas.") That means a lot of his muggle clothes don't fit well, being hand-me-downs from Dudley; in contrast, his school robes, which we know he got tailored at Malkin's, seem to fit normally (i.e., Harry fits better in the magical world, it's his home, it suits him). In general, Harry's fashion is "adequate, but not great," which makes sense; he never had the chance to choose his own clothes growing up, and then he went to boarding school with a uniform, so when would he develop a sense of style? Honestly, it's a relief for him to have one fewer decisions to make.

Like Ron, Harry's uniform isn't super meticulous, but he seems to make an effort. He does his tie and keeps his shirt clean, etc. (which makes sense; Harry cares about belonging here). When we see Harry out of uniform, he's usually wearing baggy t-shirts and jeans, which are the least nice clothes you could give to someone while still expecting them to last; they're also clothes that fit loose and hang long on his body (very late-80's + early 90's).

Ron, on the other hand, doesn't have any qualms about belonging in the magical world; he was born to it. This manifests as a laziness with his robes. He doesn't bother with his tie as much, if at all, and when he does it's not the right knot (Draco points it out in Book 3); since he's the brother of not one but two Head Boys, we have to assume that's deliberate, or that at some extent his lack of attention is a deliberate manifestation of something. Ron is youngest boy, he has self-esteem issues, and the way this manifests is by Ron never asking for anything and then getting sour when nothing goes his way. He doesn't try, so he can't feel bad when he fails. Besides which, when Ron does try to dress nice, it backfires; it's either an uncomfortable costume, like in "Operation Prewett," or it's a horrible hand-me-down, e.g. the Yule Ball outfit. Contrast him with the other Weasley boys, many of whom — especially the three oldest — have their own cultivated aesthetics, because they all know who they are. Ron is figuring that out, and it manifests in stylistically messy ways.

[tittyinfinity]

It's really nice having a free housekeeping service thru my Medicaid but ever since my regular housekeeper that I had for a year (now friend) got promoted in March it's like every other person I've had fuckin hates disabled people

[quintessencewrites]

is yes daddy 4 still coming i’ve been itching for some angst👀

it's coming, i promise!!!

i got 10k + words to edit y'all!!!

this my longest story yet, i can not wait for y'all to read it.

how's noon tomorrow sound?

[muninnhuginn]

So, going to link a couple of things before I start with this.

Firstly, the new MV for the Vortex/Overthink/Tides medley which is going to form the basis of my observations.

Secondly, this post, which makes a strong argument that Link Click is deliberately drawing from other time travel media. In this case, the 2002 version of The Time Machine. Also, a fun fact not mentioned in the linked post, but that I recently discovered is that the name of the girlfriend the time traveller is constantly trying to save is *Emma*.

Now that I've linked these two, I just want to say that this rest of this post is me having fun and I would love for these to be deliberate references, but let's be real, a lot of time travel media understandably shares a lot of visual language. Hourglasses, butterflies, and clocks are all fairly recurrent themes.

Click the read more for a mix of potential references to other time travel media and screenshots of specific details of the new MV I found interesting:

Left: Link Click (note the photo reel design). Right: Doctor Who (specifically one of the intros for the Twelfth Doctor)

And to add to the photography aesthetic present throughout, the photo reel clock resolves itself into a camera lens:

Next, we have a main character centred within a clock. In both cases, the character casts multiple shadows that resemble clock hands.

Left: Link Click. Right: Steins;Gate

The shot where Qiao Ling is stood still amongst a moving crowd is neat for two reasons. First, the people she's surrounded by seem to be those related to the cases CXS/LG have taken on. You can see Emma just behind in the above screenshot. And the other thing is that the first time this sequence plays the moving characters are too blurry to easily make out. When the sequence reverses however, and the lyrics speak of "pausing" the scene actually freezes with all the characters clear for a tiny bit. (I didn't screenshot purely because it was a pain to get the exact moment but you can check this if you want)

Upper left: Link Click. Upper right: Higurashi Gou/Sotsu. Bottom: Steins;Gate 0.

Next up: fragments! This one is honestly a real stretch, but hey, there are at least two other time travel adjacent shows that use them as visuals in their openings. I would really like the use to be similar to in Higurashi (the example screenshot is from the anime sequel Gou/Sotsu but the sea of fragments is present in the og too). In Higurashi, each time "loop" is actually an alternate timeline (wherein events would differ slightly even without intervention) and so each fragment represents another timeline. For Steins;Gate, it's more a visual that exists purely in the opening sequence to play into the whole shattered clocks aesthetic.

Left: Link Click. Right: Steins;Gate.

This one is inspired by me watching the opening only to go "Okabe Rintaro????" when Qian Jin showed up. But also. We can clearly see some of Qian Jin's scars in this shot. There appears to be one on the back of his neck and two over his left shoulder. These have to be relevant and obviously his eye colour has me side-eyeing but I don't think we have all the pieces for this character yet. (Him being a former cop with a connection to both of our focus cop characters though makes me think)

And a final one with generic anime trope no 58382929:

Left: Link Click. Right: Steins;Gate

I know, I know. This is typical anime/donghua. But! It's deliberately a shot in Steins;Gate that returns again and again throughout the series. It's also very associated with the character of Mayuri so take that as you will.

Bonus whatever this is:

Multiple Cheng Xiaoshis in different states of doing badly. I wonder if the centremost one is the one Lu Guang appeared to be thinking of in episode 1? Possibly another "fragments" situation or if not then it may be various things Cheng Xiaoshi will go through in this season

Anyway, the Steins;Gate opening visually has a lot of similarities and of course a lot of it is natural overlap because they're both time travel series. And they both draw inspiration from The Time Machine (especially Steins;Gate's sequel, Steins;Gate 0). But I find it pretty neat how all these series from different times and places do have these recurring themes.

[britcision]

Somebody gave in and bought gold on Clip Studio today to get fancy sexy libraries to play with Arcane sad boys like dolls in

And then learned about gold membership and got 1500 clippy tokens and bought 1260 tokens of smut poses 👀

Note I’ve still not committed to ever posting any art anywhere except RedBubble to get sweaters made but like I have A Lot of sexy 3D poses now 👀

So like

It might happen

[kirinoha]

one of my favorite activities is clocking in at work and then logging onto tumblr dot com and passively consuming pornography as every gay I follow wakes up and begins their morning masturbation rituals