comics as an art form make me insane. they’re so difficult to do well. there’s so many different ways to make sequential art work and most of them are deeply unintuitive. onomatopoeia that feels completely ridiculous to put down often reads seamlessly. panels on a page become a fractally nested image composition challenge that’s only possible to lose because if you do a good job no one will notice. you have to direct the readers’ eyes on a specific path across the page but also account for the fact that they won’t follow it. comic time isn’t linear. if the order of events isn’t crystal clear the story becomes incomprehensible. sometimes you need to do this on purpose. all this for a medium almost universally considered less effective than animation and less respectable than plain text. even its own name doesn’t take it seriously
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[image id: a four-page comic. it is titled "immortality” after the poem by clare harner (more popularly known as “do not stand at my grave and weep”). the first page shows paleontologists digging up fossils at a dig. it reads, “do not stand at my grave and weep. i am not there. i do not sleep.” page two features several prehistoric creatures living in the wild. not featured but notable, each have modern descendants: horses, cetaceans, horsetail plants, and crocodilians. it reads, “i am a thousand winds that blow. i am the diamond glints on snow. i am the sunlight on ripened grain. i am the gentle autumn rain.” the third page shows archaeopteryx in the treetops and the skies, then a modern museum-goer reading the placard on a fossil display. it reads, “when you awaken in the morning’s hush, i am the swift uplifting rush, of quiet birds in circled flight. i am the soft stars that shine at night. do not stand at my grave and cry.” the fourth page shows a chicken in a field. it reads, “i am not there. i did not die” / end id]
a comic i made in about 15 hours for my school’s comic anthology. the theme was “evolution”
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H... hello billford people...
If I didn't have commissions to work on, I swear I'd be drawing nothing but these two all day. I'd have a fucking graphic novella by now dksjhjskgh
But these are some doodles I've done while slacking off. I really hope you like them, I've honestly been excited to throw my stuff into the tumblr billford pile (seriously, there are SO many of you making artwork, and you're all so talented?? It's wild. It's like christmas every day.)
So.. I hope you like these! I like to think about Ford when he's all gullible and infatuated with his muse... before he wises up to bills bs.
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My favorite gif. I never get a chance to use it, so I’m just going to share it.
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Hi folks. There seems to be a lot of confusion about what we as fans can and can't do with the striking happening. So I made a flowchart.
Let me make this SUPER DUPER EXTRA CLEAR. Unless an AMPTP studio reaches out and says "We would like to give you X (money/swag/whatever) to create content for us" (that would include writing or acting in anyway on your part) you will NOT be crossing a picket line.
Cosplay, fanart, fanfic, going feral, sharing marketing posts, watching your favorite show, getting your friends to watch your favorite show, etc does not count.
It is ONLY scabbing if you are getting REIMBURSED by the STUDIO.
Please take this flowchart, repost it, spread it everywhere!
The studios benefit from us being confused. The studios benefit from us not promoting and not watching and cancelling our subscriptions. The unions, the actors, the writers, they all benefit from us promoting in their absence, they get paid when we watch the shows, we bolster their argument when we boost the shows numbers. If we make the media popular and successful the studios have to meet the writers and actors at the table, and the writers and actors will be in the position of power.
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I feel like tumblr should be bigger fans of The Blues Brothers. It's a movie that has everything we value as a community. Attention and respect to pioneering black musicians, open hostility to nazis, open defiance to police, Carrie Fisher with a rocket launcher and flamethrower, a soundtrack that goes hard as hell, John Belushi so blasted on cocaine that he continues to do somersaults despite having a broken ankle. It's got it all!
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OMGOSH! Why did no one tell me it was Timmy's birthday??
HAPPY BIRTHDAY TO THE BEST ROBIN ♥️♥️♥️✨✨
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A personal favorite dynamic of mine is ‘I would die for you’ and ‘Die? Who said you could die!? No! I will drag you back from the afterlife my self!’. Like yes the ‘I’d die for you’ energy is great, but when the other person responds with basically a ‘like hell you will!’ It’s probably one of my favorite things.
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I found this on Pinterest, but it’s from tiktok. Pinterest user @thsandhyasigh and tiktok user queenbugaboo
It is one of my absolute most favorite edits that I have ever seen for Miraculous and I want everyone to get the chance to see this wonderful work of art.
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