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elizabeethan · 4 years ago

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Steal Away: 2 / 5

When a bank robbery with his brother goes horribly wrong, Killian Jones learns to heal with the help of a fiery blonde who happened to get caught in the crosshairs.

A Modern AU

Based loosely on the movie Hell Or High Water (and so I tag @captainswanmoviemarathon)

Read on Ao3

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A/N: So this was supposed to be a one shot, but it’s, like, 24k words so I thought it would be best to split it up. I’m probably going to post one part a night for the next week or so, though.

This part is rated T as well, mostly for language and car sickness :) (I’ll let you know when we get to M hehehe)

thank you as usual to @the-darkdragonfly, @donteattheappleshook and @xhookswenchx for letting me ramble about this for weeks, and to Kay for beta-ing <3

~~~~

It happens quickly.

Her sense of humor, her taste in music, the adorable way she snorts when he hits a pothole while she’s sleeping… it’s impossible for him to avoid the feelings that stir in him. It’s almost embarrassing, the speed at which he begins to recognize his feelings, but it’s not as if he plans on sharing them at any point.

The fact is… he likes her. She’s cute, and funny, and undeniably sexy, and he knows that if she wasn’t here, he probably wouldn’t be either. He would’ve been arrested right off the bat, or shot in the bank himself, or drowning in a bottle of rum beside his brother’s grave. If it wasn’t for Emma Swan and her insistence to stay in his life, he wouldn’t be on his way to Maine to pick up the only remaining person in his life who means something.

Although, perhaps that isn’t true, because after a day on the road, he’s discovered that she’s starting to mean something, too.

He doesn’t know enough about her to dignify a crush, but he also isn’t stupid. He knows that he’s infatuated with her. He knows that he’s finding it hard to keep his gaze off of her. He knows that her stunning green eyes play off of the gold of her skin and her hair in such a way that makes his heart race. He knows that, based solely on what she’s told him so far, he’s desperate to know more.

She doesn't have a family. She spent much of her childhood homeless and running away from abusive foster placements. She was abandoned as an infant, left in the woods at only a few hours old. She’s been through hell and back, and she still manages a blinding smile.

Her ex boyfriend is the reason she’s here with him, he thinks. She says that he screwed her over and that she wants nothing more than to get away from him and from the place that reminds her of him, and Killian thinks this all happened at a rather convenient time for her. She told him yesterday, when he was panicking over his brother’s demise, that she could tell that he was there in that bank for a good reason, and he’s taken to assuming that she has a good reason to assume that.

They hardly know each other, and yet he feels as though he’s known her his whole life. He knows so little about her, and yet, he can read her like she’s an open book. The term kindred spirits feels naive, and yet, that’s exactly what they are.

“Are we gonna stop in Chicago?” she asks excitedly as she watches the Welcome to Illinois sign pass them by.

“Definitely not,” he laughs. “It’s far too north for where we’re headed.”

“What, and Maine isn’t?” she snorts, shaking her head and pointing out a bird that flies by. “What’s up there, anyway?”

Immediately, his heart starts racing and his palms start sweating at the thought of telling her the true reason for their trip. It dawns on him that, when they arrive, he would have to tell her anyway, lest he abandon her in town before he arrives at the lawyer’s office.

Of course, Emma has experienced her fair share of abandonment at this point in her life, and while he hardly knows her and shouldn’t care, he wouldn’t dare contribute to the trauma that comes with the feeling of being left behind and forgotten.

Bloody hell.

“You don’t have to tell me,” she says after a long moment of silence.

He clears his throat, drawing his focus back to the highway before him. “It’s alright, love. I just… it’s a sore subject, I suppose.”

“We share a lot of those,” she jokes, smirking at him and making his heart race. More gently, she reasons, “which means you should know by now that I won’t judge you.”

“Aye,” he agrees immediately, because he does know that. “Aye, you’re right. It’s, um… my child.”

He catches her balking, her jaw dropping and then snapping shut in quick succession before he needs to focus back on the road. “You have a kid?”

With a nod, his grip on the steering wheel tightens. This vehicle is better than the last, the clutch not sticking like the one in the truck had, but it’s so small and cramped that he doubts they’ll be able to sleep comfortably in these seats tonight. He’d best pull over soon so that they can find a place to sleep. “I do,” he confirms. “A daughter. She’s eight.”

“How old are you?” she asks in shock.

He narrows his eyes, shifting his gaze to her briefly and suspiciously asking, “how old are you?”

“I asked you first,” she says seriously, as if she truly doesn't want to disclose her age, and he begins to panic. She looks old enough, but the potential that he’s just kidnapped a minor on top of everything else begins to assault his thoughts.

“Please just tell me I didn’t kidnap you,” he begs, his heart racing.

“No,” she rolls her eyes. “I’m 23, and much more mature than you.”

With a sound that’s somewhere between a snort and a sigh of relief, he nods. “Aye, love. I’m sure you are.”

She sits in silence, staring at him expectantly, and he knows that it drives her mad when he smirks and begins to laugh. “Don’t be stupid! Just tell me how old you are!”

“I’m… I’m 31.”

“Oh,” she says, chuckling beside him. “So you’re not that much of a cradle robber. Just a regular old bank robber.”

“Oy!” he shouts in offense, staring at her in shock. “Sensitive subject. And what makes you think I’m trying to rob your... cradle?”

She snorts and shakes her head. “Please. I saw the way you were staring at my ass at that last rest stop.”

She could’ve chosen a more opportune time to say that, perhaps when he wasn’t taking a sip of coffee. It’s rather uncomfortable coming up his nose. “Love,” he says through a cough. “I’m not— that is, I meant not to—”

“It’s fine, Killian,” she tells him, giggling softly and playfully. “A girl likes to feel flattered, especially a girl who feels like a—”

Her jaw snaps shut and her eyes grow wide, the emerald catching the rays of the sun and throwing glints of gold. “Like a what, darling?”

“Like… um, like I could eat everything on the menu at McDonalds. Is it time to stop yet?”

“No,” he laughs, although he finds that he struggles to say no to her and mean it, even after such little time, and he indicates his intent to change lanes and moves towards an exit. “We only stopped for breakfast a few hours ago.”

“Well, I’m starving,” she tells him, shooting him a soft smile. “And if I don’t stretch my legs in a minute, they’re gonna fall off.”

“You need to stretch your legs? Your feet are currently on top of my dashboard. Is that not enough of a stretch?”

“Your dashboard? I’m pretty sure I witnessed you stealing this car.”

“From a scrapyard,” he mumbles, giving her a shy smile as he exits the highway. “What do you want for lunch? Or should I say brunch? It’s barely eleven.”

“We crossed time zones, you ass.”

“What do you want?” he laughs.

She hums playfully, pretending to ponder his question seriously and says, “a prime rib, cooked medium rare, with a side of garlic mashed potatoes. Caramelized onion and mushroom sauce on the steak. And some green beans, for balance.”

Shaking his head and laughing along with her, he says, “chicken nuggets and fries it is, darling.”

~~~~

“You need to pull over,” she says suddenly, breaking almost an hour of silence between them during which he was certain she was asleep. After their early lunch, he decided to keep driving, anticipating that she would take over in a few hours.

“Emma,” he sighs, “we only just stopped two hours ago.”

“I’m not asking,” she demands. “I’m telling you that if you don’t pull over,” she puts her hand over her mouth, her retching and gagging preventing her from saying anything more.

“Jesus,” he mumbles as he pulls into the breakdown lane, barely stopped and still in gear when she thrusts the door open and loses her lunch all over the ground. He can’t ask her if she’s alright because she hasn’t stopped vomiting, so he checks his side mirror and opens his door, walking around the front of the car to meet her. He stands behind the door and places his hand in her hair, massaging her scalp as she shudders violently. “I didn’t realize you were prone to car sickness.”

She groans, shaking her head and resting it against the window at her side. “I think your driving has gotten worse.”

He hums, continuing his ministrations on her scalp as she catches her breath. “Was it the chicken, love? I knew that stuff was crap.”

“No, it’s your crap driving.”

“Do you want to take over, then?”

“No, I want to sleep.”

“Come on out and get some fresh air, would you?” She whimpers as he pulls the door open a bit more, and he takes her hand to help her out and around her sick. “It’s alright, love, come here.”

She breathes deeply as she stands, and only remains in front of him for a moment before she falls forward against his chest and into his arms. “Sorry,” she whispers into his sweatshirts wrapping her arms around his waist and holding herself close to him. “For delaying the trip.”

“You needn’t worry about that, love,” he soothes, and he focuses on moving his hands along her back and hair in the same way she had his. “A few moments while you find your bearings won’t hurt. Are you alright?”

She nods against him, a sound coming from her throat that makes him squeeze her tighter. He can’t stop himself from pressing a kiss to the crown of her head, the need to comfort her interrupting any reasonable thoughts in his head. She whispers, “yeah,” so softly that he kisses her again.

“During lunch I found a small campground that takes cash. It’s only another few hours; can you make it that far? We can use the tent and the camping mat instead of sleeping in the car.”

“Luxurious,” she jokes softly, maintaining her firm embrace around his middle. “That sounds perfect.”

~~~~

She’s relentless in her jokes at his expense as he struggles with the tent. It’s dusk, and there’s a decent canopy of trees above him, and, as she points out often, he’s getting old. He struggles to see the small pieces and determine what goes where, and she’s hardly any help as she sits in the car laughing at him as she claims to be recovering from another spell of car sickness.

“You could try helping me, you know,” he finally mumbles as the structure collapses again and he’s met with her symphonic laughter.

“Need a newer pair of eyes, Captain?” she asks in good humor, standing and bounding towards him confidently. It’s almost miraculous how quickly she’s recovered, and yet her nausea seems to keep coming back.

“Very funny, love. Come and tell me where E connects to G.”

It’s impossible to ignore the way the full moon shines against her hair, almost white in the dim light of the night sky. The gentle waves flow freely as she releases the tie from around her locks, rubbing her palms over her face as she settles into the warm cocoon of the sleeping bag. She gives him a soft, gentle smile as he zips the tent’s opening securely shut, taking his place upon the ground between her and the door. “Where’s yours?” she asks, gesturing down at her sleeping bag and camping mat.

He shrugs and then nods towards her. “Someone stole it.”

Her eyes widen in surprised embarrassment and she asks, “this is yours? What about-- weren’t you and… I mean…”

Smiling as he lies down on his back, he turns his head to face her and says, “I was meant to travel alone, actually.”

Just as he thinks she’s about to match his position and lie back herself, she stirs and begins tugging on the sleeping bag until she’s out of it. She shakes it out in front of herself to straighten it and then feels around in the dark for the zipper, pulling it around the puffy fabric until it’s fully open before her. Turning towards him, she gives him another soft smile and dramatically opens it like a parachute, draping it over the both of them. “There you go,” she says with finality. “We can share.”

“You don’t have to do that, love. It’s summer anyway.”

“We’re sleeping outside, and you're taking a second, unexpected person on your trip across the country, who also happens to frequently demand pit stops. The least I can do is share your sleeping bag with you.”

“Well… thank you, lass. That’s very kind of you.”

“I just can’t part with the mat, sorry. The ground is way too hard.”

He laughs as he turns to his side, silently agreeing with her that the ground is mighty firm as he grimaces. “You can’t spare it for an old man with old bones?”

She shrugs, laughing softly as well as she rolls to her side to face him head on. “You're not that old.”

“So I'm only young when it suits you?”

“I didn’t say you were young.”

He hasn’t laughed this much in years. Before he met her, he hadn’t been so close to a woman in almost a decade. He’s forgotten how soothing the gentle touch of another can be, and he’s been hard pressed to ignore how especially soothing she is, in particular. “You do have quite the sense of humor, love.”

“All in good fun,” she smiles. He catches her gaze shooting down at the hem of the old sleeping bag, her fingers fiddling with some thread that has pulled away from its place. “Will you tell me something?” she asks in a whisper.

“What is it?”

She clears her throat nervously, continuing to avert her eyes from his, and asks, “will you tell me about your daughter?”

With a hum and a sad smile, he bites his bottom lip and nods, the memories of his love flooding back into his mind, as if he’s ever been able to prevent them. “Alice,” he says. “She’s just turned eight a few months ago. I missed her birthday.”

“Why? What happened?”

He notes the way that her fingers continue to play at the loose threads, and he matches her actions just beside her. “I was with my mother; she was dying and had no one else while Liam was in jail. I wanted to bring Alice with me, but… her mother wouldn’t allow it.”

“I’m sorry,” she says immediately. He hears a rustle against the mat her head lies on and lifts his own gaze to meet hers.

“Thank you.”

“When did you see her last, then?”

He gulps over the lump in his throat. “It’s been well over a year.”

She sighs, and he doesn’t think he imagines the minute amount of space that she closes between them. “You must miss her terribly.”

“Aye, I do. Everyday.”

“Is there… I mean, is there a reason it’s been so long? I’m not trying to judge you, I’m sorry, I just—“

“It’s alright, love,” he interrupts, noting the sudden shift in her demeanor as she realizes the nature of her question. “Her mother was rather… controlling, I suppose. I believe she used drugs and alcohol for much of Alice’s early life. I don’t have any reason to believe she used during her pregnancy, but I cared for Alice from birth when Eloise fell off the wagon. I even named her, after my ailing mother. But a few years later, she got clean and started to take over. She took Alice to live with her; became upset when I came around. And eventually, the way she would scream at me when I tried to visit made Alice upset, so I stopped coming around as much.”

She’s quiet for a moment, and he wonders if he’s taken things a bit too far. If he’s opened up to her too much. He fears this for what feels like an eternity as she lies beside him, her warm breath washing over his nose as he thinks the worst. That he’s upset her, that he’s offended her, that he’s made her think of the trauma of being abandoned herself as he describes the way he abandoned his own daughter. And his fears are confirmed when she sniffles softly before him and moves her fingers from the frayed threads to her eyes, wiping tears away.

“Emma,” he whispers into the darkness, “I’m sor--”

“That’s so terrible,” she interrupts sadly, and he bows his head in shame, knowing already that his actions are deplorable. Until she whispers, “I’m so sorry.”

“Sorry… for what?” he asks in shock, speaking almost at full volume, a contrast to their whispering tones.

“You just--” she sniffs once more, “--it’s obvious how badly you want to be in your daughter’s life, and you haven’t been able to. That’s got to be the worst feeling… I can’t even imagine not being allowed to…”

Clearing his throat, he takes a risk by reaching before himself to wipe a tear from her soft cheek with his thumb, almost desperate to comfort her as she has him the entire time he’s known her. “It’s alright, love,” he whispers. “I’m going to get her back, with your help. I wouldn’t be here, on my way to her, if it weren’t for you.”

She sniffles and laughs at the same time, adorably embarrassed at the sound that escapes her, and asks, “what’s changed now? With you and her mom?”

“She died,” he answers simply. If she had begun to relax slightly into his hand, she stiffens at his words. “She relapsed, mixed drugs and alcohol… her body couldn’t handle it.”

“I’m sorry,” she whispers. “That must’ve been hard, too.”

“Not much,” he answers too quickly. She draws her brows together in question and he continues, “I’m sad for Alice; she’s lost her mother. But she never really had her much. Eloise was never a very devout mother. It always seemed like she was in it for the image, or only when it suited her. I don’t think she ever really wanted a child.”

Emma nods gently, the small gap between them getting smaller when a gust of wind shakes the tent and she slides closer to him. “Was she, I mean, was Alice a surprise?”

“Oh, aye, very much so,” he laughs softly. “El and I weren’t ever a couple, we just met at a bar and… well, we were only together once. It was sort of a low point for me.”

“I get that,” she nods again. “Sleeping with the wrong person, I mean. Not that… I mean, not that Alice was a mistake or anything, of course.”

“I know what you mean,” he consoles in a whisper as she again worries that she’s offended him. She should know that she couldn’t possibly say the wrong thing, because despite how short of a time he’s known her, he knows that she can do no wrong in his eyes.

“Will you tell me about her? Like… What was it like when she was a baby? Was it very hard?”

He hums and nods, agreeing, “it was hard, yes; I was mostly alone. But it was so worth it.”

“It was?” she asks softly, almost insecurely and making him narrow his eyes in thought.

She hasn’t told him anything, but he isn’t a fool. He means every word of what he says to her next, and says it in hopes that he can give her solace. “Aye. As hard as life has been, I wouldn't change anything because it’s how I got Alice.”

In a move that surprises him almost as much as it doesn’t, she moves as close to him as she can and tucks her head into his chest, just below his chin, and wraps her arm around his waist. “That’s a good point,” she murmurs into his sweatshirt.

“Are you alright, love?” he asks, accepting her into his embrace and letting his hand run along the length of her spine over her own sweatshirt. He reminds himself that he doesn’t truly know her, so he can’t assume that this isn’t like her, but it feels profound.

She nods against his chest, pulling herself impossibly closer as she seems to seek more warmth and a firmer embrace. “It’s weird,” she starts, her voice muffled. “I barely know you, but it feels like you're my friend.”

“I am your friend,” he agrees with a smile. “And you’re mine. I told you I wouldn’t be here without you.”

“I wouldn’t either.”

“Of course not. I’ve been driving most of the way.”

She snorts, nuzzling her nose into the crook between his neck and his shoulder and squeezing around his waist. “Yeah, that’s why I’ve been puking nonstop.”

“Would you like to drive tomorrow, then?” he laughs.

“Sure.”

“Alright. We’ll need to leave quite early. Just another two days to go, I think.”

“Okay,” she yawns, falling asleep in his arms feeling, he hopes, as safe as he does.

~~~~

Tagging:

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#captain swan #captain swan fanfic #cs ff #captain swan au #modern au #cs ff au #Steal Away #steal away ff #cs fluff #cs angst #eventual smut #hurt/comfort

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rollychan · 3 years ago

Note

Not trusting Marvel or Disney is perfectly valid and all but I think that dropping hints that an organization is evil and/or corrupt but not fully saying it within the first two episodes isn't inherently them not making up their minds as much as possible foreshadowing. If you just show they're bad right away it would have less of an impact.

They're giving us all the subtext that the tva are awful and authoritarian. If in the end they don't commit to them being awful, I'll agree it's bad writing. But not revealing it this early in the series isn't bad writing. In fact it'd be worse writing to give it away that soon.

Yes, it's normally perfectly fine to do that, I agree. I love good villain reveals as much as the next person.

The thing with the TVA though is that there is nothing subtle about their authoritarian and deeply inhuman actions. That's not really subtext, it's text. Or if it is supposed to be (subtle) subtext, it's badly written subtext because it's very in-your-face. They literally, in front of our eyes, destroy whole timelines and purge variants for not owning tickets those variants didn't even know they absolutely had to have so they wouldn't be "erased." Prisoners are dehumanized - there is a literal robot that erases their clothes. Mobius argues in favor of determinism and not free will. The only subtlety about it are the posters people have noticed that aren't in the focus.

This got rather long so the rest is under the cut.

Before finding out what other fans and reviewers and the people creating the show themselves were saying, I had the same opinion as you, anon. I am still holding out hope they'll deliver on what I think they have pretty clearly shown (I'm with you on the authoritarian / dystopian coding of the TVA, though I don't quite agree it's subtle or just subtext), but seeing those interviews and reviews? That made me doubt it a lot. Had I not seen the interviews etc. or known about them, I'd still be very convinced they'll turn the TVA (or at least the Time Keepers) into the final / actual antagonists. A part of me actually is still that stubborn and convinced of that, but another part of me is jaded when it comes to Disney and Marvel. At this point I actually hope it's Disney's / Marvel's irrational fear of spoilers that makes them force people who worked on the show to give such shallow interviews and professional reviewers to act like they've never reviewed a thing in their lives.

With something that is so in-your-face, I wouldn't expect a villain reveal, but rather an escalation, as is the tradition of dystopian novels and some movies at least (haven't watched that many movies so I can't actually say and I don't want to make assumptions.)

I think I got carried away somewhere in the middle there, sorry, anon. Back to the second part of your ask.

For me, it's not so much the impact of the reveal that is important here but that they have to reveal the TVA as actually really bad in the first place that's bad writing. They clearly are. Nobody should look at what they are doing and think "yeah, that's how it's supposed to work, looks fine to me" and nobody should be on the fence about it / doubt that they are doing very wrong things. The individuals at the TVA may not be "all bad" as Loki put it so well, but what they are doing there based on their orders is. I think this would tie into the "escalation" that I mentioned. None of the dystopian novels I've read lacked impact and it was pretty clear from the start that the authorities are very tyrannical dictators (or otherwise didn't care about individuals.)

(little aside here: if not for the interviews and reviews, I'd actually have believed they were going for an "escalation" route. But the PR they're doing is messing it all up. There's also the fact that this is a Disney show and not a dystopian novel turned series. If this were a dystopian novel, it'd be obvious the TVA is a tyrannical organization and the author wouldn't have to make that explicitly clear by saying it, it'd be pretty clear within the first few pages, like in 1984. "BIG BROTHER IS WATCHING YOU" and the mirror and recording devices mentioned would be enough, and if not, the protagonist mentioning that simply writing a diary is cause for a death sentence should be. But it's not a dystopian novel. I find the lack of seriousness around what the TVA do a bit worrying for that reason. Context matters, and so does meta-context.)

I don't know, I just think that if people will be surprised about the TVA turning out to be the bad guys here, we as a human species have fallen pretty low not to recognize it.

That said, I'm oscillating very much right now (after the second episode) between a more positive and a more negative opinion of the show. The main reason for that aren't the themes or the TVA though. I like the themes they picked up. I just hope they continue to deliver on them (they did explicitly mention determinism vs free will again so this gives me some hope.)

#random #loki series spoilers #loki series #loki series negativity #ask #I'm sorry this got so long #I'm sure it's very possible to make it more succinct #but it's kinda late for me and braining better isn't possible #feel free to further debate / discuss this with me anon #I know it's hard to get a lot of stuff across in an ask when it has a character limit #this is the first ask that I got in a while so I feel very popular right now lol #but also a bit weird because I have been perceived #thank you anon for talking to me though because that's exactly what I'm on this hellsite for!

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classic80sand90smovieloves2 · 4 years ago

Text

Traveling in time with Marty McFly would include~

(Not my gif)(Requested by anonymous)

(I wrote this as a slight friends to lovers type of scenario so I hope thats okay! Also, this is based on just the first movie so if you’d like certain time periods or something then feel free to request.)

- You’d been working for Doc alongside Marty for a while so of course you’d be invited to help with the DeLoreans send off. Doc was excited, the tapes were rolling; Everything was going great...until it wasn’t.

- The Libyans arrived and ruined everything, forcing you to join Marty inside the DeLorean in an attempt to save your skin. Soon enough the two of you were going through a terrible blast to the past, still mourning your lost friend and scared half to death.

- Fast Forward a little, or rather rewind a lot, and the two of you are sat panicking worse than ever in the front seat of a stylish time machine. You get out of the car as quickly as he does, gazing at the long empty road and the sign that proves you aren’t where you’re supposed to be.

“Hey Marty?”

“Yeah....”

“Do me a favor and pinch me...hard.”

- And so he does, asking that you return the favor once you yelp in pain. The two of you shut your eyes tight, praying that once you open them again you’ll be back home in bed but alas, no luck.

“I don’t think we’re dreaming.” You say, grabbing onto his arm and feeling more helpless than you’ve ever felt before.

“Yeah, I think you’re right.” He responds, his eyes returning to the Lyon Estates sign once more.

- With nothing else to do, you help him stash the DeLorean and start your long journey to town.

- Once you get there, you’re torn between being amazed and horrified. I mean, you’re in the 1950′s! ...But you’re also stuck in the 1950′s.

- You’re sure you look downright insane to the locals, stumbling around like you’re experiencing everything for the first time, but you frankly don’t care. You’re just wondering what you’ll have to do to return home, or if you’ll ever get to return home for that matter.

- The two of you walk into the diner and take your seats at the luncheonette. You end up interrupting and ordering for the two of you yourself, deciding to be merciful to your frazzled friend and not wanting to suffer from anymore secondhand embarrassment.

“What my friend here meant to say was that we’d like two coffee’s, Decaf.”

- Marty rubs a hand down his face and leans his forehead against your shoulder, groaning quietly in “silent” gratitude. You get your coffees, taking a sip just as the door of the diner swings open to reveal the one and only Biff.

- You soon find out that the young man beside you is Marty’s father to which you can only respond with a whispered “Holy Crap McFly, your dads hot.”. Marty still isn’t sure how to feel about it though at the time he just gave you a disturbed look.

- Now it’s at this time that I should mention: Marty has had a pretty big crush on you for a while now. The main reason he hadn’t asked you out yet was because he really didn’t want to lose you as a friend or have to face you every time he visited Doc; in case you did wind up rejecting him.

- The reason I’m telling you this is because after Biff and his friends make fun of Marty’s “life preserver”, he notices the babe sitting beside him. Now Biff wouldn't be Biff if he didn’t try to flirt with a dorks girl so he gives you a line and Marty uses everything within him not to launch himself at the bully.

- He has a silent victory when you just scoff at the boy and turn back to your coffee. Biff gives one of those tough guy, undeterred responses and finishes his threat to George before walking out with his buddies.

- You turn back to Marty, watching awkwardly as he uncomfortably stares down his father. After a minute, you lightly hit his arm and give him a look, trying to make him stop. The two of you have a silent argument, giving each other different facial expressions and mouthing words. You’re both interrupted by Goldie's speech.

- You’re the one to first notice George’s absence, prompting you to pull Marty out of his seat and push him out the doors of the diner.

“You know y/n, you’re really taking this whole time travel thing way too well!”

“That’s because I’ve got you Marty.” He melts.

- You’re sort of just forced to watch from afar as the whole car accident scene unfolds. You spend the rest of the day awkwardly waiting outside the families house with nowhere else to go.

- You have to jog to keep up with him after he runs out of the house. He explains everything to you at a mile a minute, grabbing you by the arm and telling you that it’s really time to find Doc.

~One extremely long conversation about how you’re from the future, the mechanics of time travel, and other interesting tidbits later~

- Marty and you get dressed up in 50′s wear, which he finds particularly adorable on you, and head over to the school. You quickly come across his father and without even thinking, you storm up to him, ripping the sign off his back and standing up to the jerks who were tormenting him.

- In theory, your actions are harmless but they proved to have a much bigger effect than you intended. George thanks you, commenting shyly how nobodies ever stood up for him before to which you respond that nobody deserves to be treated that way.

“You’re beautiful.... I-I mean, you’re heart is! Not that you aren’t! You’re very attractive, it’s just... What I mean to say is that you’re very nice.” Shit.

- It became increasingly obvious that George was now infatuated with you. You’d just royally screwed up, and all because you wanted to be a decent person.

- As Marty whisked George away, neither of you could ignore the fact that the boy was trying to look back at you as he was being pulled.

- When Marty attempted to introduce his parents to each other he found that it was completely in vain. His mother hardly even noticed his father and his father didn’t even seem to mind all that much. Why? Because he was too busy sneaking glances at you.

“Oh dear. We certainly have a predicament on our hands.” Doc muttered once you all joined back with each other.

“Great job y/n. You made my dad fall in love with you in what? Two minutes?” Marty quipped sarcastically. Not that he could really blame his father, he was sure he would have fallen for you even quicker. Well now you had to think of a plan, and fast.

- Lunchtime came and you were sure you had the perfect excuse to let the boy down easy, getting him and Lorraine together in the process. You and Marty made your way to the boys table, sitting down and greeting the nervous boy who looked ecstatic to see you.

- George greeted you back, saying how he was hoping he’d see you again and how he wanted to thank you by taking you out for a milkshake or something. This was your chance. You opened your mouth and...

“Actually George, you see, we’re kind of dating. You know, going steady.” Your mouth snapped shut, eyes widening as you turned to look at Marty.

“Oh....” George replied somewhat dejected.

- You quickly jumped in, saying how you knew he had a thing for Lorraine and how you wanted to help them get together. He tried to deny it before he shyly asked you what you had in mind.

- You try to give him some dating advice but he quickly decides that it would never work. After all, how’s he supposed to win over Lorraine’s affection when she’s obsessed with “Calvin”.

- You help Marty dress up as “Darth Vader” all the while seriously questioning his sanity and how he thinks it’s a good idea.

- He gives you this smug, prideful look when George approaches you the next day, rambling about how an alien told him he has to ask Lorraine out. You just smack him on the arm and start to try and coach his father.

- Marty somewhat argues with you on what his father should do, giving George the typical male dating advice while you give him the more sensible “what females actually want” advice.

- You sit back with him while George goes to talk with Lorraine, giving him puppy dog eyes while asking to get a good old fashioned malt.

“You know it’s seriously unfair when you do that to me.” He says, digging into his pockets. The kiss on the cheek you give him is worth the trouble.

- Sitting back and watching things go South after he messes with Biff. You realize that things are only going to get worse between him, his mother and his father if you don’t do something so once he’s finished with his getaway, you run over and lay one on him.

- You’re hoping that once Lorraine sees him with “his girlfriend” she’ll realize he’s off limits and be more open to getting with George. It does seem to somewhat work but it certainly makes things between you and your friend a bit awkward.

- You can’t help but think about how you actually enjoyed that kiss and how he seemed to just as much. You pull away from him awkwardly, whispering an apology to him while he shyly reassures you that it’s fine.

- The dance is your last chance to get Marty’s parents back together so you really have to be at the top of your game. Lorraine obviously doesn’t have a date so Marty uses his influence with her to persuade her to double date with him, you and George.

- The plan will go as planned, Marty will convince her to come out to the car with him, “force himself on her” and George will come to her rescue. Except before Marty can even think about going through with the plan, Biff comes in and Marty gets locked in the trunk.

- Long story short, George punches Biff, woos Lorraine and Marty performs on stage before saying goodbye to his parents. You and Marty have a tough final goodbye with Doc and successfully make it into the future, or rather, where you’re from. Doc gets shot, again, but this time he’s equipped with a bulletproof vest and survives, much to your (ecstatic) surprise.

- He drops you and Marty off at the boys house, saying goodbye before departing into the future. Marty, whose arm had been around your shoulder as you watched, turned you around and confessed that he’s liked you for a very long time. You admit that you like him too and the two of you lean in for your first kiss as an actual item.

- You walk home that night happier than ever and in the morning you meet up with him so that the two of you can have a well deserved relaxing day together. Well, that was what you were planning on doing before Doc showed up to whisk you away for another time travel adventure.

- You and Marty share a look before getting into the DeLorean, eager yet scared to see what’s in store for you.

#back to the future headcanons #back to the future imagine #back to the future headcanon #80s movie imagine #80s movie imagines #80s movie headcanons #80s movie headcanon #marty mcfly imagine #marty mcfly headcanons #marty mcfly headcanon

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threeeyesslitthroat · 4 years ago

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So I watched Chaos Walking(2021)

Yeah, lucky for me, my local theater was open and showing(side note, I love my local theater so much. Like, not to brag but seven dollars for a movie and a snack is so great)

Anyhow, I watched Chaos walking. This is sort of my review.

First off, I read The Knife of Never Letting Go and one third of The Ask and Answer, almost two years ago. When they finally dropped the release date and the trailer, i made the choice not to go reread the first book because i wanted to give the movie a chance and make an exercise of managing my expectations(in preparation for Disney’s Percy Jackson adaptation). Which means not only do I not have a complete understanding of the source material, but I also have a shit memory, so I don’t have a great shot at analyzing this films in adaptation terms, but i’m gonna try anyhow.

So first off, The Noise.

I found it a bit sketchy that they decided to make the make Noise have visual elements alongside audio but I decided it was fine, since it be pretty hard to bring this to life with only just audio and not make general audiences confused.

But they did try and do a solid job. Minus not letting us hear the Noise of animals, which sucks. we do see the Noise of a Spackle, but briefly.

The part that really pisses me off is the final confrontation, when the Noise is treated like a Super Power. we see this when Todd scares Davy’s horse by conjuring up an image of big snake, when Mayor Prentiss tricks Viola into a false trap, when Ben tricks everyone by pretending to give Viola up when in fact he’s buying Todd and the real Viola time to get away, and in the final, Todd distracts Prentiss by conjuring up the image of his mother(complete with bloody wounds) and the various women that died when he was a baby, which caused Prentiss to fall to his death.

I don’t know how the Noise is depicted in the later books, if it was anywhere remotely like this, but i know for sure it doesn’t happen in the first book, which the film is based on.

(Also, how the fuck does Todd know what his mum looks like, or any of the other women and how is he able to bring up their images so perfectly how is ANYONE ABLE REMEMBER SOMEONE WITH THAT MUCH DETAIL That goes beyond photographic memory)

Second bit, the Spackle.

The design is boring. Its clearly an alien, buts its dark grey, tall, holds its own when Todd attacks it in the film, has zero impact on the film as a whole and pretty boring. I do recall reading the book and imagining them to have faces similar to real world lemurs or Sloths, with big expressive eyes and such, but the CGI monster doesn’t emote for shit in this film. Todd comes at with a knife with every intention of killing it and it shrugs him off and walks away like it wasn’t fucking attacked my gods.

But in short, they only brought up the Spackle because they’re a thing in the world and it teased the bigger concepts of the next books with like, one measly exchange between Todd and Viola. (it went something like this)

Viola:We’re the aliens, though. They’re the natives.

Todd: huh.

Third bit, New World itself. Not a big deal, It looked like how i originally imagined it, no mention of swamp apples, though we see Todd Hewitt use a knife to stab a big ass bug thing for food. i hear some critics consider it lame that the planet isn’t actually alien but eh, whatever, Didn’t really feel an alien vibe reading the book so it doesn’t matter.

Now there’s one bit i have to acknowledge in passing. At one point Todd decides to go get lunch by going into the water with his knife and wrestles with some big ass thing with tentacles. Which is fine, just have a couple of questions.

A: is this in reference to the books? Where there big ass tentacle creatures in the novel that are hunted for lunch?

B:if not, was this the film makers deciding to remind the viewers that yes, they are not on planet earth and to make Todd look cooler and justify why he’s useful for the quest and show how much Viola doesn’t know?

I kinda have to acknowledge the thing. In that scene, Todd and Viola take a break, and Todd removes his clothes (all of them) and decides to go hunting in the water naked as the day he was born. You may have noticed that the Tom Holland stans are all over this scene because One) the camera focuses on Tom Hollands muscles when he takes his top off and Two) one can see his bare ass in the distance.

Not a big fan off this, just find it interesting because its the most recent example of a Male being objectified by the camera when this never happens once to any of the female characters in the film, including Viola. Also, a touch of weird character detailing because haha, get it? Boy’s never seen a girl before in his life and doesn’t know what modesty means.

Also, very weird because Todd Hewitt in the book was so fucking self conscious that he would never have done that.

Now I gotta talk about the characters.

( i understand why they aged them up, i truly do, better to get established actors instead of child actors that could more easily break to movie than sell it. its easier to make movies with legal adults instead of working with child labor laws. but damn it you lose so much of the fucking nuance of the novel when you age them up. There’s so much shit that makes an impact because of how young they are. Around the ages of eleven and twelve is when ones understanding of good and evil has its foundation, to me it was like the story was grappling with Todd Hewitt’s very soul and you lose so much of that when you change it to them being older because instead of being just kids in fucked up situations its younger adults in messed up situations. Like ugh. and aging them up leads to even more problems but we’ll fucking get to that)

Tom Holland’s Todd Hewitt is not the Todd Hewitt of the novel. He just ain’t. There is nothing there that reminds of the boy. The acting is solid, don’t get me wrong, but it just ain’t the Todd Hewitt i remember. Neither is Daisy Ridley’s Viola Eade.

(excuse me while i get Percy Jackson flashbacks)

Now, I have to acknowledge the fact that neither actor(actually none of the actors in this film) slouch on the job. They bring solid and at times very good acting.(If Tom Holland is in the film, its not going to be complete waste of time. He brings quality.)

Honestly, respect to Mr Holland because he was basically the main character, not only acting but also doing voice and various stunts(also huge credit to the stunt coordinators and stuntmen) and I heard that filming wasn’t that great and bloody broke his nose how many times like damn boy, hats off to you.

But here’s the thing. I don’t want to say that Holland was playing himself or just a version of peter Parker, because i really don’t think he wasn’t but it just. Didn’t feel like a legit character? Especially when compared to the novel. Like Todd Hewitt in the novel is such a raw force of emotion and such a smartass and i was so looking forward for Holland to own this role but in the movie he just? Awkward dude going through some stuff?

but yeah, Holland works his ass off and there are some scenes and moments in the movie that work just because this fellow is just that charming, so (shrug emoji) like i said, He doesn’t waste your time at least.

Ridley....sigh. i know this woman can act. But next to the character who’s thoughts are heard constantly she’s very boring. And it hurts so much because Viola has an actual personality in the novel like; I’m ninety percent sure that Viola hits Todd with a big stick and I do remember that there were multiple moments where she lets Todd know when he’s being a dumbass.(seriously, i may have a shit memory of the book, but i do remember that they play off each other well and hugely entertaining seeing two twelve-year-olds handle the shit getting thrown at them)

Like, Viola in the film doesn’t really have much going on. We see the crash, we hear about the graves she dug herself, we see her be sad, we see her look at Todd like weirdo, we see her look horrified or shocked. (its so sad that I only remember the facial expressions more clearly than the actual dialogue) We really have no idea what the hell is going on with Viola Eade. I don’t think we can blame Ridley, only the film makers, because how can you see Viola Eade in the novel and then turn her into that????

i do have to talk about the relationship between Tom Holland’s Todd Hewitt and Daisy Ridley’s Viola Eade, even though its painful. In the novel, them is just two kids on a really tough adventure. Because they aged them up, its not two kids old enough to run for the playground when recess starts. Its Teenagers.

First question, HOW OLD ARE THEY??? Is Todd sixteen? Eighteen? Seventeen? He sure as hell ain’t Thirteen in this. What about Viola? I mean, big shout out to the hair and makeup team for making 28-year-old Daisy Ridley look so much younger but how. OLD. IS.SHE? Nineteen? Twenty? Twenty-one? Pretty sure she’s older than him in this? I ask because it MATTERS.

The way they play off each other has a vastly different energy to the novel because they are aged up. Its pretty obvious pretty fast that Todd’s feelings are basically a big crush, though not all of it is superficial as the film progresses. And Viola is clearly not receptive to that in the film. (honestly i cringed so hard at the “daydream kiss’ and whatever the hell that was in the Farbranch mayor’s house)

The relationship in the film just doesn’t have the nuance or the energy that the novel had in depicting their relationship which is depressing for all the Todd x Viola fans i’m sure. There’s some adorable bits though, like Viola seeing Todd’s dream of her playing with Manchee, and not so adorable canon bits like when Viola read the diary to Todd.

I’m just grateful that the film at least ended with them being friends instead of trying to force the romantic relationship. That right there is why I like the movie. It’s a crush, its used for a couple laughs, they’re friends, its fine. Even if you didn’t read the novel that’s really great for a movie in this day and age to not end with forcing two opposite sex characters into a relationship. To be honest, I like the idea that the film leaves us thinking that yeah, maybe these two could be real friends one day.

I just want to touch on Manchee real quick.

Manchee’s Noise is not seen or heard in the film. It is briefly acknowledged by Todd ins their first scene but other than that? Nada. Which is a low blow in comparison to the novel because Manchee was a character in his own right, which is why the death hit so hard.

Todd?” he barks, confused and scared and watching me leave him behind. “Todd?” “Manchee!” I scream. Aaron brings his free hand towards my dog. “MANCHEE!” “Todd?” And Aaron wrenches his arms and there’s a CRACK and a scream and a cut-off yelp that tears my heart in two forever and forever. And the pain is too much it’s too much it’s too much and my hands are on my head and I’m rearing back and my mouth is open in a never-ending wordless wail of all the blackness that’s inside of me.”

in the film, it takes place in white rapids, So its chaotic, its awful, the veiwer’s all stressed out because Viola can’t swim, everyone's getting separated and Aaron’s there and he is seen drowning Manchee.

Dude, its brief, but not pretty. Because you can see Manchee’s legs trashing above the water, struggling to get free. Aaron is drowning a dog, letting its lungs fill with water. For the folks that don’t like watching dogs die in graphic detail on screen, this isn’t great.

Personally, I love this scene in the novel. Its the first time i had to put the book down and take a moment. It hit really close to home for me, because i watched my own dog die in real life. It was emotional and horrifying and had such a fucking impact because we could hear his thoughts. Todd had to make the choice to leave him behind to keep Viola safe. To be honest, i think the death is better in the novel, since Manchee basically dies instantly instead of drowning, which takes time(I’ve always assumed that his neck was snapped but I’ve heard others say it was the psine but whatever) it would have been easy and necessary for them to not show that on screen. I personally just think that in terms of depicting a violent death, the novel did a lot better.

Anyway, on to the other characters

(I had to choose the one with the big orange fluffy coat, and i couldn’t find a good pic og Ben and Cillian on google images.)

As for Mayor Prentiss, he’s played by Mads Mikkelsen, and he delivers. But for the most part, we don’t really know why he’s the bad guy, he just wants to get Viola because “she’s the key” which isn’t really explained, and at the end he tries his hardest to kill Todd.

Because i only read the first book, I don’t know what exactly his character arc is. And since its been a really long while, I don’t remember what he’s like in the novel regardless, other than the cliffhanger ending.

I did take a quick crashcourse through the wiki and it turns out that Todd and Prentiss have a relationship in the later books, which the film sort of touches on, because Todd looks up to Prentiss in the film from the get go.

To be honest, I knew that the trilogy was a lot more complex, and even though I didn’t read the whole thing I knew it would be really disappointing for the fans to see the mayor be hollowed out to almost unrecognizable and not getting to see the whole picture on screen.

As for Davy Prentiss Jr., he was an asshole and stayed an asshole. I know he improves and gets killed off in the novels, so yeah, exhibit B of character foundations not being laid down because there isn’t gonna be a movie after this. Also, why is he played by Nick Jonas? Did they actually have more in mind for him when they decided to go with a Jonas brother or was it just star power?

As for Aaron...don’t have much to say about him, other than just being pretty weird fit to the film. I think he’s after Viola because he’s just that full of delusions but other than that, his character is just flat and useless. (I wish to the gods that writers would actually think instead of going with “religious delusion” to explain insanity) He only brought tension in a few scenes for the most part. I’m pretty sure that in the novel Todd and Aaron have a confrontation, like the final fight of the novel, and I’m 90% sure that its where the Novel gets the Knife of never Letting Go as its title, because the knife is big deal at that point. But I guess they wanted Viola to have a quick boss battle for the ending and set him on fire.

Ben and Cillian were fine. They did a good job, the actors were pretty great, I liked Cillian, and i like how they acknowledged that these dudes were family(i know that they’re gay and a couple but the film doesn’t say it outloud beyond letting them sleep in the same bed, be Todd’s parents, and having Ben hold Cillian in his arms) I get a kick out of the fact that the official reviews by Movie Critics are openly curious about why the film doesn’t make it more obvious that they’re gay, but whatever.

As for the overall plot, this is a fine example of mashing three books into one film and not having good results. Instead of going to Haven, the movie decided to shortcut the ending and go to the original ship that somehow has working tech but whatever, Viola needs to communicate to her ship. So not only do we not get the great relationship between Todd and Viola, not only do we not get the Spackle, Not only do we not get to see the noise of Manchee, not only do we have poor character adaptation, we also don’t get to have a plot that matches THE ONE BOOK THEY WERE SUPPOSED TO ADAPT. THEY HAD ONE FUCKING JOB AND THEY COULDN'T ADAPT THE ONE BOOK-

Its only so sad that they decided that this was going to be a one-shot deal because they didn’t have faith in the film and chose to have all the threads tied up. I mean, its so sad for the fans because the movie makes it very clear that we are not going to have anymore movies. sigh.

slight respect towards the film makers for tying up all the story threads instead of leaving them hanging. they did a neat job, even if it wasn’t a great one.

Anyway, maybe later on when google images has more than the promotional material I’ll do a review of only the good stuff this movie did, even if its a sad pathetic failure of an adaptation. Anyway this review is a bit of a mess and already so long so i’ll stop now.

May the gods give us strength against all the Tom Holland stans that will inevitably clog up the Chaos Walking tag with their Todd Hewitt x reader fanfics.

#Threeeyes speaks for once #messy film review #took forever to do this #i truly do feel for the Chaos walking fandom #As a Percy Jackson fan #I can only say #First Time?#Chaos Walking #Knife of Never Letting Go #Tom Holland 2021 #Daisy Ridley 2021 #Viola Eade #Todd Hewitt #Chaos Walking 2021

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bokunoheroanalysisforthefuture · 4 years ago

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Alright, chapter 8! And man is there a lot to talk about here. I don’t really have any pre-content things to say, so we’ll just hop right into it today!

[No. 8 - Rage, You Damned Nerd]

I swear, this first page has a LOT to talk about on it, so I’ll go from panel to panel and do some rambling thoughts on each segment.

First off, UA doesn’t actually handle the costumes the kids get! It’s support companies affiliated with the school that does - which makes sense, since the school has to focus on teaching their support students before letting them get their hands on actual costumes that these kids might be fighting in.

I mean, they seem to be allowed to practice on like, minor support stuff (read: Mei making Izuku his new gloves post-Nighteye or somewhere around there) but not full costuming, which is… actually a bit reassuring? But also explains some of the lag time in getting costume repairs / upgrades since they’re probably busy companies. It also explains why there probably aren’t major alterations to any costumes besides between the summer and winter variants, since it would be time-consuming to remake these costumes so regularly.

(It still doesn’t excuse some of the costumes the kids got, but that’s more on the whole ‘eye candy’ thing for readers than actual practicality, so whatever.)

(Also, I can’t get over the fact that Snipe has a support company. Fucking Snipe. Guess we know another canon or likely-canon Support teacher.)

Next we get a preview of what the kids sent in for specifications for their costumes:

We get a bit of insight into a few of the characters - as background stuff, we get Shouji, Mineta, Aoyama, and Sato. Mineta got pretty dunked on for char design and costuming, and Aoyama’s costume almost looks like a magical girl outfit like this, which honest to god would have been fantastic to see him in. More interesting (at least to me) are the other three: Ochako, Tenya, and Katsuki.

Ochako first, because that pressure point thing is interesting, and I dunno how often those actually come up in fics besides a passing mention, like. What if her support bracelets / neck piece broke during training / a mission / whatever? Would she suddenly have to fight through the nausea? By the point of current canon (War Arc) she’s probably trained enough that she doesn’t need them as much, but man, it could be an interesting little thing to explore, like, post-Kamino.

Tenya is a bit surprising, since we know he comes from a well-off hero family. Logically, this was before the whole Hosu / Ingenium plotline was really developed, so Tenya didn’t have that to fall back on, or it could be argued that the support company that Ingenium is associated with also works with UA. Alternatively, it could be that either Tenya didn’t want to rely on his family (which seems silly when they’d know how to work with his quirk best) or UA is very firm on ALL costume stuff going through them…

But then again, Katsuki. Oh god, Katsuki. What fucking support company looked at this kid and went ‘yeah we should give him a way to store more explosives AND give him bombs’ and just. Did so. Why did UA not vet that. Maybe the support company didn’t realize how strong his explosions were without the gear, but UA, man, I just. I suppose they had no way of knowing how reckless he’d be with them, but honestly, after the battle trials, they should have been fucking yoinked from him so damned fast.

Anyways, onto other parts of Katsuki’s costume, we see he’s a fucking dork. Possibly what lowered their guard. ‘Something scary’ and ‘Dynamighte all over’. What the hell, kid. At least your designer stuck close to your design… including the huge-ass clunky gauntlets. Man, the Musketeer Trio movie poster ones are so much better looking and so, so streamlined. Works of art, they are.

Moving on, we get a bit of a flashback to ~three weeks ago, which by the calendar would be around March 20th? So a few weeks after the Entrance Exam. And Izuku is only NOW getting around to updating the quirk registry? Izuku baby seriously, how the FUCK did none of the UA staff notice the ‘quirkless’ on your application form at any point before this?

But yeah, he’s worried about his registry, so he calls Toshinori, who explains the update process. It gives the example of someone who might alter their stuff with updated information, with one or two allowed - though major ones aren’t accepted. Toshinori then says it’ll probably be okay since he started with nothing, then tries to correct himself to ‘definitely’, only to get cut off because Izuku accidentally hangs up in a panic when Inko calls out that she’s home. Haha poor Toshinori, and poor Izuku, the two anxious dumbasses.

Anyways, moving on from that is Inko showing off the jumpsuit she made, with Izuku surprised. She admits it’s not the coolest, but she based it off of the design in his notebook (the one we saw back in chapter 1). She tells him she regrets giving up on him back then, and how he never quit regardless of her faith. She apologizes and says from there on she’ll be cheering him on with all she’s got.

Izuku’s narration notes that it’s a symbol of his mom’s love, and that he couldn’t wear anything else, even if it’s not ‘efficient’ or ‘cutting edge’. (Or even at all decent looking.) And it’s also hinted through the present thoughts on it that it’s meant to be an homage to All Might (the smile and the hair pieces) which is just such a dorky thing.

We get to the wide-spread of hero costumes, which- wait a second.

That’s Momo’s initial hero costume design???? Why did Hori not stay with that??? It’s a LOT better than the stuff we’ve seen her in later! Like, sure, it’d still be improved with the main opening being her stomach and not her chest, but this still looks like actual human clothing and not a sexy Halloween costume variant of her hero uniform. Fucking hell, now I’m even more mad.

Tsuyu’s costume meets the approval of the discord server as basically ‘no changes needed’ asides from maybe the goggles being a bit bulky.

Tenya’s costume, I’m sorry, I know it’s an homage to your brother / family, but were the additional pipes really needed? Also, the helmet isn’t a bad idea since he goes fast, and bugs in the mouth/teeth have to suck, but it just looks so damned Gundam-y I can’t help but laugh a little.

Shouto… nah, too easy a target.

Aoyama is Aoyama. I’m actually a bit disappointed now that it’s not a magical girl costume, but alas, I suppose even Hori couldn’t be that brave.

Kaminari… I forgot he had that headset thingy.

Don’t really have much else to say about anyone else, so let’s move on.

Izuku bugs out a bit about Ochako’s costume/appearance, while she compliments his more practical looks and laments not being specific, saying it’s a bit too puffy and curvy for her. Which means it’s more the accessories which seem to be her issue with it over the main costume itself? Huh.

Anyways, after All Might confirms they’re all there, he notices Izuku’s headpieces, which are a match to his costume, and has to turn to muffle a laugh for how obvious a reference it is. Tenya steps up, asking whether they’ll be doing cityscape maneuvers again since it’s the same field used in the entrance exam. Izuku thinks to himself how cool Tenya’s costume is, while All Might explains that they’re moving onto step two - indoor anti-personnel battle training!

He explains what while villain battles are most commonly seen outdoors, statistically the worst crimes and villains are more likely to be found indoors. Confinement, house arrest, black market deals… the clever villains luck indoors to avoid heroes. Which is why the class will be split into teams of two and pit against each other, heroes versus villains style!

Ah, Tsuyu. Calling him right the heck out, as expected. All Might then notes that in this scenario, the fight won’t be against disposable robots.

This entire page is just fucking hilarious. The class and all their questions while All Might is shaking with nerves. The fucking cheat sheet he uses to try to get back on track. Him being questioned on the lot drawing, and shaking while Izuku accidentally ends up covering for him. I just. All Might was not prepared for this mess and it shows. He was doing so much better when it was the one on one stuff with Izuku.

But yeah, Izuku notes the scenario is like from a western comic plot, and he’s also the one who ‘realizes’ the lots are like when heroes from different agencies have to team up for emergencies without prior warning.

Lots are drawn, and we have our teams:

Izuku’s so stressed out because he still can’t really talk to her, while she’s excited to be teamed up and calls it ‘fate’ that it happened. All Might draws the first two teams to participate, and… team Izuku and Ochako (as the heroes) versus team Katsuki and Tenya (as the villains). Both Izuku and Katsuki are alert from this development…

Which makes this a good point to cut off, since it’s halfway through and we got a lot of information to chew on already. Second part should be out this weekend (hopefully).

#chapter 8 #readthrough #opening arcs #boku no hero academia #my hero academia #midoriya izuku #uraraka ochako #iida tenya #yagi toshinori #bakugou katsuki #midoriya inko #class 1a #izuku's first costume was fucking hideous #thank god hori / the support company improved on it afterwards #also shouto #i don't even need to say anything when the fandom has made fun of your for me #also i cannot BELIEVE we were robbed of this momo costume #what the FUCK hori

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morbidly-malicious-muffins · 4 years ago

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What Kind of Music Slashers Would Vibe to Headcanons♪

This little thing popped into my head. Fyi, the canon timelines are thrown out the window for this so... Yeah.

Bring forth the bop~

RZ Michael Myers

"Let my weapons be your children, let my armies be your damned. Try to suffer on in silence, try to stop me if you can." --- This Cold Black by Slipknot

I think he'd really enjoy metal in general. I can totally see him unknowingly stomping to some Marilyn Manson and Meshuggah, though the lyrics and message probably will just fly over his head.

He listens to some heavy shit, but probably all the more mainstream bands/artists.

The loudness and organized chaos of the genre fills the void in his soul and reflects the state of his mind, despite his stoic and non-verbal outer demeanor.

Someone please do everyone a favor and introduce Michael to some death metal. Admit it, it really fits his aesthetic.

This is just based on speculation, but I suspect a 70% possibility of RZ Michael resonating with Cannibal Corpse. Fight me.

He hates classical music with a burning passion. Back in Smith's Grove, they played Bach's Air Sul G on tap. (its canon in the first movie lmao) He hates it. Mikey no likey.

Freddy Krueger

"No stop signs, speed limit, nobody's gonna slow me down. Like a wheel, gonna spin it, nobody's gonna mess me around." --- Highway to Hell, by AC/DC

Freddy listens to classic rock, period.

This guy is ngl a supporter of music taste discrimination. You listen to pop? Disgusting. You listen to Jazz? Disgusting. Classic rock is the epitome of all music.

He'll call you music-related slurs you never knew existed.

As stubborn adamant as Freddy is, he does harbor some guilty pleasures, including 70's hair metal and glam rock. Pshh. What a heckin hypocrite.

Some of his all time favorites are Guns N' Roses, Led Zeppelin, Van Halen, and AC/DC.

(Basic bitch)

*Hip thrust movements to go with his 'The Sprinkler' dance moves, Welcome to the Jungle by Guns N' Roses blasting in the background*

OG Michael Myers

He doesn't listen to music, but if he did, he would probably enjoy Jazz.

Michael only listens to Miles Davis because he enjoys his music and can't be bothered to discover more artists.

Oml Michael I know Miles Davis is amazing but don't neglect other iconic artists plzzz. Someone please make him listen to some Teddy Wilson and/or Dave Brubeck.

I imagine him sitting stiff-straight on a rocking chair (he just likes how it moves), knife in his lap, rocking and zoning-out relaxing to 'Blue in Green'. (I love that piece)

#AfterHeFinallyKillsLaurie

#RetirementGoals

He also hates classical music because of the same reason as RZ Myers. Seriously, if either of them so much as hears the opening chord of Air Sul G, expect the speaker to be stomped to a pulp in a split second.

Bubba Sawyer

Alright let's all be honest with ourselves... 70's pop and country is Bubba's shit.

Look me in the face and tell me he wouldn't adore ABBA, The Jackson 5, and Dolly Parton. Thats right you can't

Everytime 'Dancing Queen' starts playing on the radio, Bubba will drop everything and start busting down.

Ain't nothing and nobody stoppin him. Drayton is powerless against the supreme sovereignty that is ABBA.

But let's also appreciate the fact that our Bubster can motherfuckin get down. *wipes sweat from forehead + heart eyes*

He would also do passionate lip sync with his heart and soul, to Dolly Parton's 'I Will Always Love You'.

50% chance of him starting to cry right after he finishes his earnest performance.

*Holding Bubba in your arms, rubbing comforting circles on his back as he bawls hysterically, incoherently babbling on about how much he loves you*

I also feel for some reason he'd really like Joan Jett & The Blackhearts.

Thomas Hewitt

"For one moment, I wish you'd hold your stage, with no feelings at all. Open minded, I'm sure I used to be so free." --- Citizen Erased by Muse

Y'know what I have a hard time imagining the type of music Tommy listens to. Kutos, Mr. Hewitt, you have defeated me.

siKE

(This is where I yeet the timeline out of the window y'all)

Thomas enjoys Muse, Evanescence, and Radiohead. (Fight me)

He just loves how emotional their songs are. He'd have one earbud in as he works away at his projects for hours. The music helps him concentrate, it is also a source of emotional support to him.

Hearing the heart-wretching lyrical content of 'Lost in Paradise' performed so beautifully by Amy Lee's angellic voice is really comforting to him. It's like hearing about another person's experiences. It makes him feel less alone in dealing with his emotional and mental turmoils and burdens.

The first time Thomas heard 'Creep' by Radiohead, he almost cried.

He also listens to My Chemical Romance sometimes. He only knows the Black Parade album, but he loves it. If 'Creep' didn't make him cry, listening to that entire album from top to bottom sure did. He started sobbing half-way through 'Famous Last Words'.

Tommy is emotional boi 🥺

Brahms Heelshire

C l a s s i c a l

No matter how stinky Brahms is, you can't tell me that he's not classy.

Schubert is his bitch. Schubert's style tends to be quite majestic and/or dreamy, (generally) and can change color/sound very abruptly yet appropriately. (This is just my opinion based on experience with Schubert's pieces, but then I only know his piano pieces soo) (let's still cue that maestoso to scherzando transition)

But of course, Schubert isn't the only thing he listens to. He prefers the romantic period, so Mendelssohn, Rachmaninoff, Chopin, Shostakovich, Brahms, Schumann, you get the gist, all the staples. Oh yeah Elgar too. To be a proud English lad.

*Brahms swaying in the living room with the grace of a baby giraffe, engrossed in the beautiful melodies in Schumann's Kinderszenen.*

(Oml please check out 'Von fremden Landern und Manschen' and 'Kind im Einschlummern') (For those who play piano, they aren't that difficult too totally recommend) (Ok sorry I'm done now)

Brahms would totally waltz around alone to Chopin's waltzes and nocturnes.

Oh yeah apart from that classy shit, he likes to jam to meme songs.

"Hey now, you're an all star, get your game on, go play---"

*cut to Brahms passionately fortnite dancing*

Listens to The Strange Man Who Sings About Dead Animals for a good laugh. (Please, all of his songs are gold)

Vincent Sinclair

He'll have 'emo' and 'classical' with a side of metal, thanks.

I headcanon that Vinny McWaxy is an INFJ, so the boy is likely prone to crippling existentialism. It would make sense for some aspects of his music taste to reflect that.

*cut to Vincent sitting rock-still on his workbench/stool, hands hover in mid-air, staring straight ahead, some John Cage piece playing*

You'll never hear this from Vincent but he enjoys sexy-time music. He has this whole erotic playlist he listens to while working. (Boy likes to feel sexy on the job, I respect that.)

I think its pretty much canon that Vinny loves MCR. (Hello fellow emo piece of shit 👋) His favorites are everything by them really. A hardcore fan. He used to have MCR, P!ATD, and 30 Seconds to Mars posters plastered everywhere in his workshop until he had to remove them all to add to the intimidation factor of his waxy hell for passer-bys. For the record, he is very gay for Frank Iero.

On the metal part of his spectrum is mostly classic metal, groove metal, and thrash/heavy metal.

Rammstein, Pantera, Vildhjarta, new and old Metallica, Dream Theatre, Coheed and Cambria. His bitches.

He also uses music to scare victims when bringing them down to his workshop. *cue horror movie soundtracks*

*KI KI KI MA MA MA*

Is a whore for the dramatics when in a good mood.

*Lacrimosa by Mozart plays as he makes a point to bring the wax painfully slowly down toward a drowsy and petrified victim*

A lament for your upcoming death, pitiful human.

Bo Sinclair

"The day has come for all us sinners, if you're not a servant you'll be struck to the ground." -- Beast and The Harlot by Avenged Sevenfold

Bastard boy is into dad-music™. (same)

Dad rock, classic rock, pop punk, punk rock, old school pop, his shit.

He listens to a lot of the same bands as Freddy, but Bo (generally) doesn't discriminate and explores a more diverse variety of music.

Its a fandom canon that Bo loves Avenged Sevenfold. I totally agree.

A7x is the perfect amount of cynical, political, and shred for Beauregard, (I hc that ge hates his full name so plz don't ever call him Beauregard)

He listens to the radio whenever he's at work. Whatever that might be.

Will NEVER admit it, but he thinks Vinny's music taste is dope as hell.

He'll turn off the radio just to strain his ears to listen to Vincent's music downstairs. No one will ever know that though. You don't.

Actually likes classical music too. Its not one of his main genres but there's one piece he really likes, Second Movement of Shostakovich Piano Concerto No. 2 in F Major.

He never thought he'd enjoy this type of music. Its so.... Calm. He discovered that piece from Vinny's playlist. When he first heard it on his brother's speaker, he fell in love. It was one of the extremely rare cases in which he'd be committed enough to ask Vinny the name of the music.

Tiny shuffle for man-kind, huge fuckin step for Bo. Good job Bo, we're proud of you.

Also pleeeeeaaase message me or request stuff, I'm bored and have little inspiration 🦊

I might do a pt2 of this, since I didn't write many of the boys and gals🤷‍♀️

Also sorry if I've neglected some genres/artists (Like i've neglected non-piano classical pieces.... Bc ya girl is just a pianist), a person can't know everything😗

---Zali 🖤

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travllingbunny · 4 years ago

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Tribes of Europa, season 1 - thoughts

I finished season 1 of German post-apocalyptic Netflix drama Tribes of Europa a couple of days ago, and I have... lots of thoughts and mixed feelings.

It's a standard post-apocalyptic show with all the usual tropes, but mostly well done, and has potential. I ended up liking it better than I expected, mostly because one of the storylines (Kiano’s) turned out to be pretty good/interesting.

The main problem of the show is that most characters, so far, don't have a lot of depth. An exception is a female villain who has proven to be quite complex and interesting. On the other hand, while I loved seeing Oliver Masucci, in a role completely different from Ulrich Nielsen, and he's great and charismatic, I feel like I've seen the exact same lovable rogue-turned-mentor character a dozen times in various shows and movies. The main trio of young protagonists have the potential for interesting character development, but it remains to be seen what saason 2 does with it.

At least there's one thing that makes the show different than most post-apocalyptic shows I'm aware of - I can't think of any others that take place on the European continent? Usually it's North America, Australia, or UK. So, that's interesting... But then, after I finished it, I started thinking a bit more about some of the elements of the worldbuilding, which are a bit... questionable? I'm reserving judgment till these things are explained.

Spoilers under the cut.

In the first episode, the show did the GoT thing of introducing us to a likable family and then having siblings separated by fate and trying to get back together, while having different storylines. But they should've spent a bit more time with them together and explaining their history.

The show also does that thing where the siblings look nothing like each other and are played by actors of different ethnic origins, so I was waiting to hear they were half-siblings or some other explanation, but there was none. Well, OK then.

One thing I wasn't crazy about is that Kiano had a girlfriend we saw for about 20 seconds and then she apparently got killed for no particular reason. I can't say it's even fridging, since he never even mentions her afterwards and he has a lot of other reasons to hate the Crows.

But Kiano's storyline turned out to be the most interesting , and most disturbing, the kind that can make or break the show, depending on how it deals with issues like slavery, rape, trauma. So far, the show has dealt with it well, which made me like the show more than I thought. (It definitely beats The 100 - a show it was the 100 in the Netflix promo campaign - in that respect. I was already scared it would do something similar to The 100, which really dropped the ball when it touched on such issues in a really clumsy way in season 3.)

Lord Varvara has turned out to be the most interesting and compelling character, and excellently played by Melika Foroutan. (I wish I could say the same about the Crows’ big boss, Yvar - but whether it is mostly due to the OTT costume and makeup or the similarly OTT acting, I had a hard time taking this guy seriously.) She is not exactly morally grey - she is definitely a villain, slaver rapist and murderer, but her role as a former slave - a victim of abuse turned abuser, and someone who upholds the ideas of Social Darwinism - makes her role very interesting and ambiguous. I think that (especially based on some hints) that she used to be a sex slave, too, and if she was also made to be a Crow by her former slave master, that would probably mean Yvar used to be her master. That could lead to some interesting tension and conflicts, as she probably hates this guy deep inside, but still has to vie for his approval, even now that she has “made it”. And she sees to see something in Kiano that makes her think they are similar, that he is 'strong' like she thinks she is (on the other hand, she despised her other slave who had a huge Stockholm Syndrome for her).

I'm curious how they deal with Kiano's character development next season, and how far into moral greyness or darkness it will be willing to go with him. Varvara is a blueprint of what he could become. He didn't exactly show much concern for the lives of other slaves, except his father.

Liv's storyline was also pretty interesting. with her navigating the political issues of the Crimsons. I liked that the Crimsons as a whole turned out to be more morally grey than I initially expected - with their strict military discipline to the point of authorianism and lack of tolerance for dissent.

I don't know if the show expected me to side with the general (aka "Father") or think his views were right, as Liv did? I did not.. "Let's make peace and unity with slavers"? No, dude. But I’ll go with the idea that we are not necessarily supposed to side with him rather than David just because Liv did; or that a third option may be found (such as causing a rebellion among the Crows themselves, which would be my preferred direction of that storyline).

(I also rolled my eyes whenever he started going on about "old European dream" or whatever he called it. No, my dude, you need to brush up on your history. Your plan is nothing like the EU, unless your plan is to go and deliver a bunch of demands to the Crows: "Unless you guys: abolish slavery; ensure human rights for everyone; install a viable non-slavery based economy etc.. - we're not letting you into our new unified Europe!" He also may needed to be reminded EU was formed after Axis powers were defeated.)

I've heard that a lot of people didn't like Elja's storyline because they found it the least interesting, and sure, it wasn't very emotional and didn't have much character development, but I'm very curious about the mystery of the Black December, the Atlantians etc. so I liked it. And I liked the fact that Elja wasn't a naive kid and could deceive people and keep secrets when he needed to.

But there are certain problems I have with the show’s world-building... which, at its worse, may end up being just as problematic as The 100′s was.

While I like the idea of a post-apocalyptic show set in continental Europe, and with languages other than English - almost all of the characters are only speaking German or English (the latter, I guess, for the same reason it's widespread today - people speak it as a second language and use it to communicate). We should really see more people who speak other languages. So far, that’s only happened sporadically - but my problem is more with the fact that the most villainous tribe, Crows (murderous, slave-owning Eurotrash-like villains with very Social Darwinist views) - even though they speak German or English 99% of the time - very notably use certain words from Slavic languages - and only for specific terms like "lubovnik" ('lover' - actually sex slave), "boi" (fight/battle), "svobodnik" (free man?). These were very recognizable. I have no idea what "Bozie" means, but I read somewhere it comes from Russian. What's supposed to be the backtory behind that? Sure, I am for more language diversity, but did a German show have to give the kind of barbaric-version-of-fascist villains these questionable Slavic references? That would be uncomfortable in so many ways.... It's not just Slavs, because another notable Crow character, Grieta at some point used Romanian (and the actress is Romanian), but I hope they're not going with the Evil Barbaric Eastern Europeans here. To be fair, many Crows were clearly slaves at the beginning, which complicates things... but Varvara says her real name - slave name - was Sophia, which could be anything - while her Crow names is Varvara - which definitely sounds Russian or Bulgarian (or, I guess, it could be Greek).

On the other side, opposed to the Crows, we have the more “civilized” tribe/army of former Eurocorps, whose members have so far only been heard speaking English, German and, at one point, Dutch - curiously called Red Crimson Army (!), I have so many questions...

Another questionable thing, pointed by the host of the Culture Cave YouTube podcast, who did an overall favorable review of the show, howeverpointed out that the Crows - the villains - are the only ones who don't conform to gender roles? And the males who are the most 'effeminate' looking are baddies. I didn’t even think of that initially, but thinking about it... yes, it has been like that so far, hasn’t it?

I’m reserving judgment till next season, but I only used to give The 100 the benefit of doubt with its questionable world-building, and we know how that turned out.

#tribes of europa

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lesbian-vmin · 4 years ago

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I think vmin is real wouldnt it be mean for them to intentionally look romantic with things like 4 o’clock and saying each other soulmates? and how there songs connected.

Seemed like I should answer this.

I don’t wanna say vmin is real because of 4 o’clock and because they call each other soulmates. Let’s talk about those two things first.

Let’s talk about 4 o’clock first. While it’s clear that 4 o’clock is about Jimin (seriously come fight me) because Taehyung confirmed that himself, that doesn’t necessarily confirm them being romantic. (This post will be a mess, but below the cut)

I think many people believe the lyrics of 4 o’clock are romantic, and that’s why many anti-vmin shippers and many anti-shippers (different than non-shippers) in general want to try to argue about the fact that the song is, indeed, about Jimin. This was argued against when Namjoon initially said (and then deleted) that the feeling in the song was inspired specifically by Jimin. Taehyung had described the feeling that he wanted the song to give, and he talked about waiting on a friend. When Namjoon asked him if he had any specific friend in mind, his answer was Jimin. He ended up deleting the part about Jimin with no explanation as to why, so a lot of people said that it wasn’t. However, three years later, we get a new confirmation from Taehyung himself (and Jimin) that the song was, indeed, about Jimin.

No. He might not have said Jimin specifically. He just said that he wrote it about the time of the dumpling incident, and it was about their fight in the park. Whoever wants to come at me and say that doesn’t mean it’s about Jimin....really. I’m not saying 4 o’clock is a romantic song, okay? But it’s about Jimin because why would Taehyung write an entire song inspired by a moment that happened between him and Jimin when the song has nothing to do with him? Whether or not it’s a romantic song is a different story. But...it’s about them making up in the park, which means that the only person it can possibly be about is Jimin. And people can write songs for friends. It’s not like you write a song for/about someone, and it automatically has to be romantic. People write songs for friends and family all the time. But you know. Tumblr and how everything has to be romantic or nothing at all, so...

But anyway. That whole disclaimer paragraph is a little off topic from the ask. There’s really no lyrics in the song that specifically make it a romantic song. There are some deep meaning lyrics, and some might argue that the reference to the movie make it a romantic song. Specifically about a gay romance since the movie is a gay movie? I don’t know much about the reference, but here’s a block quite from Genius to explain the connection? Whether the song actually references that movie...I’m not sure. I’ve never seen anything where either Namjoon nor Taehyung specifically bring up the movie, so whether that’s true or not is still debatable to me until it comes from one of them themselves. Or if someone can provide the source in which they said so..because I honestly don’t remember them ever saying it. But it might just be a detail I’ve forgotten or something I’ve never seen. (BTS has way too much content for me to keep up with everything.)

RM references the 2016 film, Moonlight, which tells the story of a young, gay, African-American man growing up in Miami. One of its signature lines is:

Runnin' around, catching up all that light. In moonlight, black boys look blue.

Many of the main character’s moments of vulnerability and self-discovery take place under the moonlight. The play on which the film was based was also called, “In Moonlight Black Boys Look Blue.”

Even so. The reference to the movie, if true, still doesn’t necessarily have to mean that it’s a gay love song. Because why that movie was referenced might not be because of the ‘gay’ part of the movie but the ‘moonlight’ part? I don’t know.

On a side note, I somehow think it’s sweet to think that Taehyung was telling Namjoon he was waiting on “a friend” instead of just outright saying Jimin. Part of me likes to wonder if Taehyung was a little shy about telling him it was Jimin when he asked. Another part of me wonders if Namjoon asked him about the specific friend because he had a feeling it was Jimin. (Also, I’m 98% sure that “the moon” that goes to sleep in the song is Jimin. I don’t think it’s a literal line. I think it’s a metaphor. And I think “the moon” is Jimin, and I don’t have to go into my justifications for that because there’s plenty of confirmation (from Taehyung himself) that he sees Jimin as the moon. Those aren’t theories. He literally says it himself.)

All that being said, I’m not trying to negate the possibility of the song being romantic, either. Because it is possible that it’s romantic, too. There’s just no guarantee. The song feels romantic to me, but that doesn’t mean it is.

Moving on, let’s talk about Friend and them calling each other soulmates.

The term soulmates is has a deep meaning, but that doesn’t mean it has to be romantic. It just shows there’s a deep connection between two people. Many languages use this term as something that can possibly be platonic, and even people who speak English sometimes use this as a platonic term. So, needless to say, the part in Friends in which they call each other soulmates doesn’t really confirm romance to me. In fact, it’s the least suspicious, potentially romantic part of the song. To me.

I think something that stands out more is the intimate “Hello, my alien” line and promises to stay together. I could be wrong about the intentions behind “my alien”, but it does feel pretty intimate to me. I’m stating this as an English speaker (though some English speakers may still disagree with my explanation depending on the individual and specific friend culture), and the fact that the lyric was written in English instead of Korean. Typically when we say “my x” it’s pretty intimate. It’s okay to address you friend, “Hello, my friend” but most of the time, adding anything else is a little different. An usually reserved for children or romantic partners. “My baby” “my sweetie” “my love” “my dear” “my star” etc. And, while it’s possible that friends joke around with friends and might say “my wifie” to their best friend, it’s usually in a joking manner. If the lyric was written in Korean, there could be a little more ambiguity here because Korean’s use “our” instead of “my” for many things. If you translate literally, a Korean woman calls her husband “our husband”, but that doesn’t mean she’s sharing her husband with anyone. So the choice to make the lyric in English makes the line seem a little more possessive and intentional to me. Because he’s not our alien (he’s expressed his dislike for being called that). He’s Jimin’s alien.

There are some pretty deep, potentially romantic lyrics in Friends. But again, nothing to be confirmed. Because it’s not obviously romantic. Or strictly romantic.

Still, them calling each other soulmates could be platonic, too.

And now. As for their song connections, I assume you’re talking about how Vmin bloggers often compare their songs and link the songs together. While I see all the possible connections, and they can certainly be suspicious to those of us who make those connections, it’s all just theories. Until Vmin themselves link their songs together, we can only assume that the connections we draw are based in our heads and unintentional. It’s a little silly to say they’re mean for unintentionally creating songs for us to connect to each other. They might not even think of the connections themselves, and it’s just coincidental that they go together so well when we get to analyzing it.

All that being said. I’m not trying to deny the possibility of their songs actually being linked. Because I’m one of the people who can see the connection. But I’m also highly aware of how human minds naturally notice patterns and make connections even without realizing it. And, while I like to think I’m impartial because of my reasoning behind shipping vmin, it doesn’t eliminate the possibility of me still being biased based on that. Because our minds naturally look for confirmation to affirm our own thoughts. It’s why you’re (probably) more likely to be drawn to articles and blogs that stand on the same side as you. Because it’s thought confirming instead of thought provoking.

On the other hand. There are vmin bloggers that say a lot of things I disagree with. Which is actually why I started talking about Vmin on here. Because I don’t necessarily agree with other vmin bloggers. Not saying they’re wrong and I’m right. But I just wanted to share another perspective than the others were giving. I think that’s why any of us start sharing.

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drshebloggo · 4 years ago

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how to make WW84 a stronger movie

As sort of requested, here’s a beefed-up version of the list of notes I made watching WW84 because I was getting cranky with the execution of this movie and couldn’t help but jot down ideas. I WANTED to love this thing but the script was not selling its ideas to best effect.

For me, I think there were a few challenges inherent in the movie they wanted to make. BUT with a few different choices here and there in the way the story was told, it would’ve improved its impact without sacrificing what they were going for with tone and characters.

CHALLENGE #1: this movie is set SO far in the future from the events of the first film. 65 years have passed, and Diana is still just gliding somberly through her life and that makes me SAD. All her friends are dead! She’s on her own and cursed with immortality!! She lives in an ‘80s decor sadness chamber surrounded by photos and memories of people she’ll never see again!!!

And yet the film gave us no real textual information about that. They did the laziest thing possible, which was pan the camera around a million photos on mantles and told us NOTHING. Literally WHAT has Diana done for the past, say, THIRTY YEARS since her Earth Friends all died without her??? Has she literally made NO OTHER friends? She’s still sad about Steve 65 years later and nothing else has progressed?

This lack of specificity leaves Diana fading in the lead role of her own movie despite the fact that there’s TONS of material there that they just... ignored. For me, she read flat, which bummed me out majorly. Her best stuff was with Steve because that actually MEANS something. But it’s all she’s got in this film. They didn’t bother filling in any other information about her life.

FIX IT: literally just make Barbara already friends with Diana at the beginning. Not only does it make Diana more interesting, it reduces the sheer amount of exposition that the film piles on in the first 45 minutes. This also means you can bring Steve back sooner than the 45 minute mark, which would help grease the wheels in the first third of the movie. And it also means that Diana losing Barbara to inhumanity would actually have a greater impact on Diana beyond “oh my kooky new friend turned into an evil cat; this is vexing.”

CHALLENGE #2: the tone is WILDLY different than the tone of the first. They went from WWI trench warfare to shopping malls and fanny packs. It’s a HUGE tone shift, and it takes some getting used to. But there are good things to it; namely it provides great comedy for Steve, who is a definite bright spot in the movie.

Overall I’m on board with doing a superhero movie that pivots away from grit and darkness and toward camp and comedy, and it’s cool to do something new rather than reiterate the same tone from the first film. But I think they could’ve done more to sell the tone shift.

There are HIJINKS inherent in the premise that I’m guessing were fairly unilaterally unexpected. There’s a vaguely historical magic WISHING STONE and three buffoons each made a wish and turned shit upside down. I myself wish that Maxwell and Barbara and Diana were rendered in triplicate, as equal collaborators in this batshittery. I don’t think you’re watering down Diana’s role as lead (no more than giving her no other emotions to play than sadness) by doing so, and it even works nicely to own the idea that Max and Barbara are on equal narrative ground as Diana.

As far as the villainy goes, Max is more recognizably a Bad Guy, but Barbara is NOT, and it’s fascinating to show at least Diana and Barbara working together but slowly falling apart as shit goes SIDEWAYS. Hijinks can be zany and also meaningful! What if a villain is just a friend who wants something different than you and you have to come to terms with that and stop them from doing dumb shit? There’s an element of screwball to this premise and I wanted them to lean in more. This would also give Diana more to do than cry and fight.

FIX IT: show Barbara getting her powers using the same tropes of other superheroes getting their powers and figuring them out. Play it like she’s Peter Parker finding out she’s Spider-man. Hell, do a montage with all three of them using/abusing their powers: Barbara beating the shit out of things, Maxwell manipulating people, Steve and Diana making the fuck out and enjoying the shit out of it. These are the joys of wish fulfillment!

AND, if they had set up the rules of the artifact beforehand (see Challenge #3), then the audience would know they were watching very happy people who are going to have their LIVES RUINED SOON. And that is good storytelling. (Maybe this is oversimplified, but honestly half of good storytelling is just making the audience feel two opposite emotions at the same time. The other half is dramatic irony, which would also apply to this trio montage.)

CHALLENGE #3: What the hell are the rules of this magic wishing artifact anyways??? The audience should know them before the characters do. The way this movie doled out information was bananas. They waited right before they were going to the tell the audience something to show us what they were about to tell us. Just show us earlier and tell the characters later!!! That way WE’LL already know because we’ve seen it, and THEY’RE not saddled with expositional dialogue to make sure the audience follows the idea.

FIX IT: For the love of humanity, nix the opening sequence with the horse race and make it about the damn stone!! Rip off Lord of the Rings and tell the history of the innocent but dangerous thing. Rip off Harry Potter and the Deathly Hallows and animate something about how it gives wishes at a cost. Hell, let Connie Nielsen and Robin Wright(’s unbelievably ripped arms) tell young Diana the story so they can still hang out and be a part of the film! Throw in some lore about the gods, just to remind us where Diana comes from and her belief system, and we’re good to go.

While you’re at it, toss in the whole point of the film into the moral that Diana’s moms impart to her at a young age. It’s not a spoiler. We don’t wonder if 1984 Diana will do the right thing. She does not need to LEARN this moral. She already knows the moral, but she still has to make the hard choice to let Steve go and of course it doesn’t come easy.

In summary: that horse race had little to do with the rest of the movie and it’s wasted story space, especially for setting up the entire magical premise that the movie hinges on, let alone the actual message of the film.

CHALLENGE #4: Do we care about Maxwell and his kiddo enough to rest the entire movie’s resolution on it? Ehhhh. The glimpses into young Max’s abuse is another example of showing information RIGHTBEFORE it’s important, rather than setting it up earlier to pay off later. It’s a far weaker choice.

FIX IT: Age up Alistair. If he’s a teen or preeteen, then the stakes feel higher because it seems more monumental to undo the trauma of neglect at that age. Much like in his business pursuits, the clock is ticking and Max is running out of opportunities for success in all realms of his life.

Maybe show Maxwell trying to reason with Alistair earlier in the movie, saying that he’s a good dad because he’s not as bad a dad as his own father. It shows us how he justifies his behavior, gives us the information that he had an abusive dad, and gives an actual interaction between father and son other than “daddy you’re not here” and “shhh son here’s a pony.”

Possible other fix-it which connects to other fixes: what if Barbara actually renounces her wish before Max does? It should be more painful to the audience to lose Barbara to her wish because we’ve technically LIKED her at one point. She means something to Diana, and so she means something to us. Honestly, the audience has rooted for her independent of Diana! The scene where she realizes she’s not powerless against her harasser but then completely loses herself in violence against him? One of the movie’s best. It’s pretty dissatisfying that she just goes completely off the deep end and then nothing with her is resolved after the wishes are broken.

But, with the way the movie is set up, the big emotional climax is the scene of Diana getting through to Max/the entire planet, so it’s hard to undo that and give it to Barbara instead, considering that it won’t wrap up the plot. But geez, do SOMETHING with Barbara that’s based in actual emotions. Don’t hinge your entire movie’s emotional resolve on a father-son relationship that’s two-dimensional and doesn’t have anything to do with the main character! You had emotional investment in Barbara; use it!!

At the very least, have Diana get through to Barbara in some way, either before Maxwell renounces or after, and maybe even intercut it with Max and his kid.

CHALLENGE #5: I experience great existential malaise at watching a mylar balloon drift off into the ether. Was there no better visual for the final moments of the film? Asking for myself, and also the planet. (This one is mostly a joke... but seriously, you guys, the PLANET.)

#ask box #spoilers #uhhhh I should probably keep this out of the tags #I wanted to like this movie a lot #but it came up short for me and it hampered my enjoyment a little bit #so I tried to take note of how it could've been improved with a stronger script #instead of complaining vaguely and dunking on it #WW84 #Wonder Woman

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popculturebuffet · 4 years ago

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Scotrospective: Scott Pilgrim Vs the World (The Comic)

Hello, Hello, Hello scottaholics! And what a beautiful day it is: After decades lost in the lost woods, at least it had that catchy tune to keep it company, Scott Pilgrim Vs the World: The Game is FINALLY back and performing for you on all platforms!

Even Stadia, the platform most likely to disappear like this game did for a while! Cheap shots at the stadia aside as a huge fan of the franchise as a whole and of this game who played it back on the 360, and had since sold said 360 so I had no way to get it back or ever play the dlc packs. Seriously who didn’t want to play wallace but never got to? Everyone, everyone is the answer. But with those the entirety of what I consider to be the main cast is playable, it has online so you can beat up hipsters, guys in costumes and robots with your friends, it’s a good damn feeling. And since i’m in a celebratory mood, naturally i’m also feeling like a review. And since it just so happens the next volume up in my look at the comics is Vs the World, seriously I planned this review for this month without thinking to have it come out on the same day as the game until a week or two in, I felt there was no better way to celebrate the biggest day for Scott Pilgrim fans in some time.. and for Brian Lee O Malley as he’ll stop getting twitter asks about it. So with all the exposition taken care of LAST TIME, and the link right there if your curious, we can jump right in. On with the show!

After our opening titles, and yes this comic has opening titles, with Ramona sitting solmely in the rain.

And Scott caught in the title. The rain shot is real pretty by the way. But yeah once we get past those we’re taken back 7 years ago. Finn found out his father was an asshole, and voiced by Stephen Root so hey you take the good with the bad, Steven just learned the horrifying truth about Gem Monsters, Guardians of the Galaxy saved the MCU and I was trying to find work after college.. wait... sorry sorry that was 7 years ago from THIS year. The comic came out in 2005, though the comic takes place on a sliding timescale where only like 2 years pass so I dunno when this is. Let’s just say 98. Okay so 1998: Bill Cllinton’s sex scandal breaks, and puts way too much of hte blame on the young intern whose life came to be defined by one stupid mistake she made with a man who was way older and should’ve known better, the tide of the Monday Night War turned in favor of the WWF as Stone Cold Steve Austin became a household name, and it was an utterly standup year for video game relaases with Ocarina of Time, Banjo-Kazooie, Crash Bandicoot: Warped, StarCraft, Castlevania: Symphony of the Night, WWF: War Zone, Pokemon Stadium, Spyro The Dragon, Pokemon Yellow, WarioLand 2, Oddworld: Abe’s Exodus, Star Wars: Rogue Squadron, Pokemon: Trading Card Game and Sonic Adventure. It’s like someone took a good chunk of my childhood and squeezed it into one year holy shit, I did not expect this when looking up what came out in 98.

And while the movie pool wasn't’ quite this amazing, we still had The Wedding Singer, The Big Lebowski, the dude abides, Batman and Mr Freeze: SubZero, The Truman Show, Mulan, the good one not the one made near concetration camps that makes her into a demigod, Saving Private Ryan, Blade, Simon Birch, Scooby Doo on Zombie Island, Rushmore, Bride of Chucky, HalloweenTown, Plesantville, and the Prince of Egypt. And in music Weird Al changed from his first signature look to his second, getting Lasik and growing out his hair. Seirously had no idea that was this year. Good to know. Also Elton John got his knighthood. Super shooters. I could go on with 1998 triva for days but I cannot go on for 8 weeks so let’s get to the point here.. during alllla this Scott Pilgrim, age 16, was starting St. John’s Catholic School and a couple of guys who were up to no good started making trouble. . by threatning to beat him up for no real reason. A fight insues and we cut to the principal’s office as Scott’s still a minor and not allowed to get into death fights just yet under the people’s freedom of choices and voices act.

It’s here he meets Lisa Miler, a peppy and sarcastic blonde, who’s intrigued by the fact Scott somehow got beat up after being here just 15 minutes and wants to be friends. Naturally for scott next we see him he’s busy playing video games, and annoyed someone else is around and wondering who this person whose now in his basement is. God no wonder teenage me related to him. So for the next few pages we see their friendship in time lapse: Lisa joins him at lunch, then geninely wonders since Scott’s Untentionally a dick if he hates her.. it’s part of why I think Scott has some form of autisim. And not just because I tend to belivie a character is on the spectrum all the damn time, it’s because of the way he acts: while he is nice and charming at times.. he also clearly has trouble relating to people or realizing how his actions effect them and as seen here in a younger form can often be compeltely distanced from normal social queues, not getting how his actions might be seen until Lisa outright talks to him about it. I mean.. it’s not a huge stretch, and it dosen’t mean he’s nto responsible for his own actions, but it does EXPLAIN a lot of them better: why he just sorta forgets about Knives post-ramona but at the same time still cares enough he dosen’t want to hurt her despite you know, that ship sailing just by having moved on.

But now the two are friends and his parents, who we meet for the first time and sister inquire about her being his girlfirned.. and by next jumpcut his parents apparently don’t want him hanging out with girls? What exactly the fuck? Also they mention Laurence, Scott’s brother whose missing for most of the books and has no real payoff for not being around. Next cut we get KIM!

Thank you Prissy. And she’s.. not all that different, assuming, correctly that their partner project, how she meets scott will just result in her doing all the work.. which not only is how these things usually went when I was in high school a decade later, but reminds me of the time me and my friends curtis and justin were put on a project and when asked who the alied powers were, guessed “Germany?”.... you can understand my fear. And also Curtis punching him for getting nothing done.. and not hard or brutally mind you just once quick in the gut and with full warning. Ah... the adaquate old days.

So back to Lisa as, since Scott’s Mom has a guitar.. a fact I.. never honestly thought about. Seriously I never realized her children, since the Bass Scott has for most of the books is Laurence’s, getting into music was probably due to her. Also Lisa makes her case for WHY be a band: the school has a regular event called Lunchapalooza, where everyone goes to and since by teen logic, just being in a band is automiacally cool, she figures they can jump from not QUITE being in any cliques to being super cool. Which honestly yeah... while I didn’t know any bands in high school, the fact one of my friends, ironically named Scott, was a DJ automatically made him pretty damn cool once he got past his awkard phase. I never got past mine but somehow was loved by all except that one douchey kid in our group who mocked me for naming my Luxray kim, assuming it was based on Kim possible and not Kim Pine... though frankly how that’s an insult when Kim Possible was a fucking awesome show and character is beyond me but he was just 17 and also a douchebag, it didn’t have to make since it just had to piss off the easily pissed off kid with aspergers. So Scott poses how they can be a band with just their guitars and Lisa concedes drums WOULD help.. I mean it’s what MADE Shallow Gravy.

So while Kim wonders if Scott is dating Lisa, because teenagers don’t really get girls and boys can be friends without wanting to be together, though not often as teenage boy brains can be rather stupid and horny... can confrim from personal experince. So it becomes clear Scott has a thing for Kim, and when Scott tries broaching it with Lisa she dosen’t take it well and he backpedals to asking her to be her drummer and plans to monday, proving Scott has somehow not gotten better at reading women, or anyone after 7 years. Can relate.

So yeah he decides to ask Monday, same day as their presentation.. and thankfully missed the bus as he arrives to find the Benvy Tech boys came in, took everyone out and abducted Kim. Because yeah, just in case you were wondering Scott’s life was always like this.. or was it? Questions for later. So one Canadian Version of River City Ransom later, Scott’s made his way to simon... who, since most of you have probably seen the movie or art of the movie.. looks an AWFUL lot like Gideon. Hrmmm. Simon is naturally the final boss here and wonders if this is the best St. Joels can muster. Scott quips back as only Scott can.

So cue an unsuprisingly awesome actoin sequence. IT’s part of why I love these color editions: While they already LOOKED thoroughly fantastic the added colors really help the series shonen manga meets old school video game vibe REALLY fucking pop. So Simon pleads mercy which like Scott delivering a good quip.. should’ve really been a red flag to younger me and is foreshadowing for later in case I was too subtle. He then does what any noble hero would do.. kicks simon into the sunset, tells Kim how he feels and asks her to play drums. They then make out. Awwww.

Lisa suprisingly takes it well as the next montage shows.. granted we’ll learn in Feburary she wasn’t QUITE as over scott as it seemed, but the three, along with a friend of Lisa’s whose name I forgot and who DOSEN’T come back so I’m not going to bother learning, form their own friend group, Scott and Kim get an A, and Scott, Kim and Lisa’s band is dubbed sonic and knuckles, which is an objectively awesome band name. Something the series really does great: Video Game Based Band Names. Crash and the Boys, Sex Bomb-Omb, Clash at the Demonhead... we need more bands like this in the real world dammit. So then they play their big game, the two loose their vrigniity.. and then Kim asks scott “your moving to tornoto?” And.. for now.. that’s that.

While the framing of that will be VERY important in the last volume, as notice how KIM’S the one who brings it up and it’s not explicitly stated scott actually told her, this flasback is great. While it does contribute to the volume’s drifty pacing, more on that as we go, it brilliantly sets up a LOT of stuff for later, paticuarlly Lisa who I assumed wouldn’t be back and younger me’s jaw fucking DROPPED when she popped up in Volume 4. Granted i’m spoiling that suprise for you now but odds are most of you reading this have either alreaddy read these or were probably wondering if the girl from the animated short ever had any actual relevance in the books. So yes, yes she does. She’s also the pink haired girl you see pop up in the game in the background, as a nod to O’Malley’s comic strip style which had her and Kim as the leads. Also yeah for fans of the game or movie or even the comics who were unaware.. this prologue got an animated adaption on adult swim to promote the movie. Naturally Micheal Cera and Allison Pill reprised their roles as Scott and Kim, with Mae Whitman voicing lisa.. and honestly being perfect for the roll, and Jason Schrwartzman voicing Simon naturally. While the animation is slightly limited, it still looks decent and expertly translates O’Malley’s art, while sliming things down slightly where needed to fit a short, and the anmation takes a huge bump for the fight scene which like the comic is short but awesome. While it has no real bearing on the film as Kim’s former relationship with Scott never really comes up or has any impact, as the Film while good was based primarily on volumes 1-3 with small pieces of 4 (paticuarlly the iconic “Lesbians gag”), with Wright working off outlines and drafts of 5 and 6, so the last half hour or so is mostly Wright’s invention.

Not a bad thing as it’s still awesome and not o’malley’s fault but it means kim dosen’t get to do much, and is a big reason why I want an adaptation on netflix or hbo max. While i’d still want changes both because there’s no sense doing an adaptation if your not going to make some tweaks of your own and because it’d be intresting to update the series to modern day, both in societal conventions and so everyone stops saying the r word. Seirously the most telling sign of the series age is that word showing up quite a bit during the first half of the series. Point is there is merit in doing another remix of the story and doing a longer form one so we can get more of the characters, as well as flesh out ones like Steven, Neil (Who was done WAY better in the movie adaptation thanks to the wonderful Johnny Simmons), and Stacey who got the shaft in the books. Again, not slagging off the movie, it’s really great. Just saying there’s always room for more Scott Pilgrim content and we all know it.

We’ll get back to the comic proper, and the present day of 2005, after the cut.

So the story proper opens with Scott dreaming of playing video games... because of course he is with Ramona walking in. and finding it charmingly pathetic but wanting her boyfriend to you know, get out of bed. It’s 11:30. So with Scott’s ass out of bed, we find Scott, Age 23 idiot with a heart of gold and Wallace, 25 king of all gays, on the bus as they talk it getting warmer and Lucas Lee, movie star and jason lee stand in coming to town to film a movie.. and Scott being Scott gets him confused for Luke WIlson. He’s also seen Bottle Rocket which.. good on him. Seriously while not wes anderson’s best film, those were made long afte this comic was published, it’s still a damn good one.. where was his career at this point... looking it up life aquatic was his most recent films and is still one of my favorites. So yeah he was in a good place career wise.

Scott proudly talks about having Ramona over in a couple days so she can see his place and meet Wallace. But as explained by Wallace for those of us just tuning in, he already met her last volume. You know during that time Stacey thought she could magically make her date not be attracted to someone else.. and yes even almost a month later not letting that one go. Stacey should know better. Not saying i’ts right Wallace keeps poaching her boyfriends, but she still shoudlnt’ try and force a relationship with a guy or even finish a date with one who makes out with someone else, regardless of gender, mid date. She deserves better. In general not just in this one scenario but we’ll get to that.

Point is while Scott, as usual, is a bit pissy about this Wallace.. has no time for that and issues an ultimatium

And he’s not bluffing, as he fully intends to tell Ramona the minute she walks in the door if he dosen’t break up with Knives. It really shows Wallace off at his best and why he’s Scott’s closest friend: Kim and Stephen do care about him but Kim both has a LOT of unresolved issues and sexual tension with him and keeps eveyrbody including Scott at arm’s length. And Stephen.. while he will OCASIONALLY call Scott out mostly just enables him, either ignoring his college buddy’s shittier behavior or playing along with it and backing him up when Kim rightfully calls him on being a dickhead. While both love their friend they just aren’t the best at dealing with his shit or getting why he does the things he does good and bad. Wallace on the other hand geninely likes Scott. He’ll lock him out of the house and tell him to sleep elsewhere so he can bang one out, he’ll not wear pants if he dosen’t have to and he’ll certainly hit on Scott just to get a rise out of him, phrasing.. but he also genuinely cares for the guy’s well being. He lets him sleep in their house basically rent free since scott has no money, buys most of their stuff, and is, as we’ll see in this one, the ONLY one of his friends to take an active part in the fight against the exes, training Scott and researching his opponents when he can get info. He won’t baby Scott as seen here, but he will help him, and he will be the harsh voice of reason his friend needs. And he did TRY doing a softer approach last time, simply telling scott to break up with his fake high school girlfriend. Scott had every chance to dump Knives during the last third of the first book.. it’s just a combination of both Knives and Ramona being in the same place and Scott getting panicky meant he balked. He NEEDS to be pushed into leaving Knives or he’s not gonna. And he also gets it’s not just Scott being a shifty coward: Scott DOES like Knives.. he just found someone who actually challenges him, intrests him and connects with him on his level, versus someone who worships and adores him like a puppy who just happens to be skilled with knives. The relationship with Knives. was an ego boost, an unequal paring that gave Scott the illusion of moving on from Envy. Ramona is him ACTUALLY moving on and given how badly Envy fucked him up, which comes into play in this book and the next, Wallace recognizes that Scott does need her... but this relationship can’t go anywhere if Scott is seeing someone else, and they both know it. Wallace is just the one who’s willing to do something about it to force scott to do something about it. He’s doing this for Knives too: it’s very clear he cares about the girl, was against this from the start, and knew this was going to end in pain and the faster Scott rips off the Band-Aid the faster she can move on to someone closer to her age and far more equal to her. Scott.. takes this about how you’d expect, even calling Double Standard, as Wallace does sleep around.. and while Wallace will be a homewrecker to Stacey.. otherwise it’s not remotley the same. Wallace does his sleeping around either casually or when he does get a partner, with their consent from what we can tell. He never cheats or anything, he just likes to bone. So yeah Scott doesn’t have a leg to stand on and acts accordingly.

One of my faviorite gags in the series and one that’s etched in my head for keeps. So with a justified Ultimatium over his head Scott calls knives to hang out. Knives.. shows off that as adorable and trusting as she is.. she’s also kind of creepy and shows up just outside the phone booth he’s calling her from. So the two go to a record store and Knives tries to get Scott into Clash at the Demonhead, her faviorite band. But since i’ts you know, headlined by Scott’s ex as we’ll find out, he’s not into it. But before that can get awkward.. it gets awkward in another way as Knives invites Scott to dinner at her parents place. Which is an objectively bad idea even before you get into the fact Scott wants a way out and as Volume 4 will show us her dad is both not happy with the idea of her dating a white guy and willing to use a katana to prevent it so he dodged a bullet there. Scott TRIES weasling out of it, but his “I’m too old for you” thing falsls on deaf ears.. and actually explains why she thinks this is normal: her parents are 9 years apart. of course obviously two consenting adults with a decade between them is a mite bit diffrent than 5 years between a teenager whose taking this way too seriously and a grown man whose taking this not seroiusly at all and dosen’t get how effed up this is. But Knives is too naive to get that, and papers over any possible concerns about her parents not wanting her to date a white guy with i’m in love. Seeing that he has no EASY way out of this, as he shouldn’t, Scott just rips off the band aid and bluntly breaks up with her, saying it’s not going to work out. Knives.. is clealry devistatd. To her this was a serious relationship.. and Scott realized that too late.. and thankfully while he didn’t break up with her in the best way, at all, simply syaing i’ts not going to work out and confirming to her he means it, it’s clear from his face this hurts to do and he knows he’s REALLY hurting her and REALLY shoudlnt’ of dated her to begin with. IT’s why Scott dating a teenager dosen’t make him a morally rephrenisvie monster: because he was genuinely intrested, didn’t use her sexually, and there are tangible consequences for his actions. Knives just dosen’t disappear neatly into the sunset so he can be with ramona. The rest of the series covers her emotoinal recovery from being with Scott, and how she very horribly handles it and that’s why this plotline works at all: she’s not some act one contrivance to be thrown away, sh’es a human being, and more than that a young woman who got hurt REALLY bad and got way too in over her head with someone who just..wasn’t the one fo rher no matter how much she can’t admit that.

We also get one of my faviorite sets of pages as Scott relfects on things and the sheer devistation on Knives face, which credit to a series that even at this early point loves it’s big bold facial expressions.. her’s being more subded just makes it sting MORE.

This bit to me is vital to keeping Scott sympathetic and to his character. We see he really does regret what happened, dosen’t know how to process it and genuinely feels awful. As I said instead of some exgerated face that would still hurt him.. her face is quiet, clearly unable to process this and clealry lost and hurt.. and that hurts more than any fuck your or sobs he was probably expecting. Just her clearly not getting WHY he’s doing this or why he hurt her, and he KNOWS why he just knows telling her the truth would hurt her even more. But.. as he thinks.. his thoughts move to something else.. and the WHY of why he did this.

He did it for Ramona. Wallace was as harsh as he was right: he needed a clean slate to actually give this relationship a shot and the smile comes off less as him being a calous dick whose just happy to move on, I mean he is a little, but more jus tsomeone READY to finally move on. He found the right person, he let the wrong one go if clumsily.. he has a future to look forward to and he can smile about that.

Granted he’s still his usual unteitonally callous self and his way of telling his friends he and knives broke up is to casually say so and say “dont’ worry you’ll meet my new girlfriend soon.” Their reaction.. is my own.

Look just because Scott is a nuanced douchebag dosne’t stop him from being a Douchebag. It just means he isn’t intolerable to watch and you actually care about him growing as a human being is all.

So with that out of the way, it’s date night and Ramona is coming over.. also Scott is considering calling her Ramy which no. I'm genuinely in favor of a pet name that’s just a variant on someone’s name but a bit cute, as it’s just the right level of obnoxious, but no, just no Scott. No. Ramona enters, meets Wallace again and sits down while Scott tries to shoo him out.. because turnabout is fair play bitch. They also see Ramona’s new hair as she dyes it something new for the first time, in this case a very lovely two tone, the purple from last volume but with a darker purple bellow it. I honestly wish she went for multiple colors in her hair again, but likely didn’t since the book was originally in black and white... which still dosent’ make sense as it would’ve been EASIER that way. Regardless Wallace makes himself scarce proving that he’s more than willing to be equal in terms of one of them spending the ngiht elsewhere. What a guy.

Ramona finds out a few things about Scott: That his apartment is VERY small, just one room with a bed, a cabinet, a small kitchen and a bathroom, which despite what scott says I REALLY dont’ count as another room. Just common sense. She also learns that he can COOK. Yeah while you’d expect Scott to just get a wad of “I did the ultimatum thing okay now gimme” money and buy dinner but no.. he made the whole thing himself from his own recipe. And once we cut to them eating on the floor.. turns out yeah he not only can cook but is REALLY good at it. She wishes there was a table which, small as the place is.. fair point. I mean at least get some tv trays. You have chairs. Or at least the easy chair. You can get nice padded folding chairs so you have a second chair guys. I know your poor but come on. Also Scott leanrs bread makes you fat. Good stuff. Also Scott freaks out when , while making out with Ramona in bed later, she mentions his hair’s getting kinda long and could use a cut... which turns out to be a thing for him. He isn’t an ass about it he just panics a bit because he’s partially convinced his last relationship’s nightmarish breakup was because of a bad haircut he got. As we’ll see next week, that’s a no but as someone whose a touch neroutic myself I get blaming a larger issue on something trivial.

So we then get to the next chapter where it’s KIM’S turn to have a dream.. and the only time we see someone else's dreams. Honestly.. I really would’ve liked if it was a recurring device, even have Ramona pop into other people’s Not used ALL the time but I could easily see it being used with Knives to convey her obsession with Scott and her pain or kim again to help move her plots along or Wallace because I want to know what’s going on in his head. It must be a maze of male gentalia and fine liquor the likes of which has never been seen. It’s scotts funeral as Simon killed him and Scott’s corpse wonders if she dreams about this a lot.

So we see her get ready and wake up her roomate Sarah whose a bitch. And as we’ll see in one of the backups, so’s the rest of her roommates. So drifting into work. Hollie is a character I really liked... the past tense will be explained later. And the first scene is probably why as her and Kim banter effortlessly, with Kim suggesting maybe she was a happy kid... only to admit quickly no she wasn’t, she was pretty withdrawn and then pretty angsty over someasshole who will be named Scott. “Your a holy terror kim, and i’m glad your on your side”> It’s a short scene but the kind this series excells at: just realistic, fun little exchanges bursting with character. I also GENUINELY wish we got more of this kind of thing, as only Knives really gets these kind of scenes to herself for the most part. There ARE scenes without Scott, but not enough like this that just give us as look into what his friends lives are like during the moments they aren’t putting up with his dumbassery or watching him engage in mortal combat. It’s why i’ve been hoping a spinoff will happen even though it likely won’t SOON. I’m sure O’Malley will return to this world some day, but between Snotgirl and Wicked World, which will come out when it’s ready but should be good.. he’s just really busy. But i’d love to see more of Kim.. or Wallace or Knives. The latter two are a no brainer: Knives is the tritagonist of the books, and it’d be intresting to see what she’d be like 5 years at the book, at the same age and stage in life as Scott. And with Wallace it’s because we really DON’T see his friend circle, life or what goes on with him. We hear him talk about a new boyfriend, who we don’t meet until near the end of the series, though you can see him in stage 3 of hte game if your curious, we see him with some random friends in volume 4, but we really don’t KNOW what hyjinks and lojinks wallace gets up to. He’s pretty isoalted from the rest of the main cast, something I hope an adaptation could fix as while realistic i’td be curious to see what his relationship with Kim or Steven would be like. Just food for thought.

Point is this was a good scene. But as is typical for Kim’s life just when she has some serenity her ex crashes back in. In this case Scott needs to rent some movies, kim works at a rental store and god teenage me really wanted a clerks style spinoff.. but enough spinoff talk. Scott asks kim to bororw them, of course and explains he’s training for his fight with Lucas.. which Kim reacts to finding out her second best friend is in a series of death matches.

She has understandable questions such as how the hell doe she know that and is he stalking Lucas and just hoping he’s an ex.. which let’s face it would be a very scott move. But nope Wallace told him, likely learning in an interview he dated Ramona or is coming for scott because he knows everything. We also get one of my faviorite exchanges when Kim wonders why Wallace and Scott are roomates.. a valid question he deflects by saying i’ts a long story.

Also yeah, as much as casting Micheal Cera backfired for the movie.. that panel there proves there wasn’t another choice at the time. When you want a loveable, somewhat douchey, but also somewhat innocent and oblivious slacker.. who you gonna call. Also before we move on.. Kim.. how are you this suprised. You were there for the fight with Matthew. And Ramona giving out the exposition on why he’s there.. and you even did that whole weird space channel 5 thing no one ever did agian and to this day I will never understand what O’Malley was going for and only know the refrence by hearing that’s what it was. Point is you shouldn’t be this suprised. Anyways we next cut to Ramona and Stacey, as Ramona enters her workplace, second cup, and they talk and Scott’s spider sense goes off...

I mean it’s just a bad feeling but still.. weird. WE’ll get back to that later. Scott is in the middle of his training.. and I love the mentor side of Wallace and feel it didn’t get used enough as the series went on. As said before he cares about Scott, so he serves as his Shounen Mentor and a great one: he’s stern and makes Scott work, but he also gets his student and what Scott needs to work. I just wish he’d taught Scott some actual combat, but as we see Wallace’s combat skills boil down to yelling useless info from the sidelines.. I mean he can be useful, we’ll see that next week, it’s just he’s not an action guy. But spirtually he’s the guy scott needs to kick his ass into shape. That being said his “training” consists of watching Lucas’ movies, playing tony hawk and when Scott wants to play more Tony Hawk, having Scott do pushups while Wallace plays Tony Hawk. Before we turn... there is an elephant in the room I just gotta shoo out: Lucas.. is easily the worst setup of the 6 exes. Patel SEEMINGLY comes out of nowhere but his letter and email hint SOMETHING is coming up, and his flashy dynamic entry intro is damn cool and is what turns the series on it’s head, from an indie comic about a guy getting it together.. to that but with huge shonen dustups with epic visuals. Todd is introduced masterfully here, and is a presence from the start of volume 3 as a result, Roxie gets a slight tease in the free comic book day issue, and her not attacking for two months not only sets up tension but allowed for a red herring.. im’ not only hiding that the fourth ex is a she because anyone whose seen the movie or played the game knows the fourth ex is a woman. The cat’s out of the bag, no sense hiding it. The Kentangis show up pretty early on and Gideon is hinted at and built up, as this towering, mysterious figure, his relationship with Ramona, who he is, why he set up the league, and just how fucking strong he is is all obscured, with his only four apperances simply teasing the big final showdown and giving him that much more mysitque.

Lucas.. is just sorta intorduced like “Hey I gotta fight this guy”. There’s just.. nothing. Scott’s just gotta fight him because he’s next up and Wallace knows that because plot convience. It’s VERY lackluster given what comes before.. and frankly while I like Lucas, he’s the weakest plot and character wise. HE’s not even really EVIL, just a sellout and is more doing this because he has to I guess, and likely because of stuff we find out in Book 6 but sssssshhhhh. We’ll get more into that when the fight happens but it’s one of the books weakest points. The evil ex.. just feels like an afterthrought again despite there being no reason to. Thankfully this would never happen again as I said, but it dosen’t make this any less frustrating.

So we cut to Sex Bomb-Omb practice, and after that we get more tease for Clash at Demonhead. And Stephen.. is cool with them and entirely happy one of them made it, while Scott is understandably pisssed off about it and not happy one of his best friends is you know, promoting the band of his ex who broke his heart and as we’ll get more into next time, said rising career is what tore them apart. So yeah Stephen’s a dickhead, and I was wrong last time that he got better. He really.. dosen’t. He gets less CREEPY.. but out of the main 6 characters he’s the weakest: he dosen’t have much of an arc, does some very questionable shit in the second half, and his being around means we have to suffer through Julie. I’ll tear into him more on a case by case basis but for once Scott’s not overreacting. While Kim does nothing she also has no idea just HOW bad things were and Scott won’t tell her. Stephen was there the whole fucking time. He just saw Scott’s rebound with a teenager. He knows he was kind of messed up after this. Dosen’t justfiy knives but still he looses the moral high ground he tries to have at times.

So while Scott shops a song for Ramona to her, Knives calls Scott’s place clearly setting up another suprise apperance. Wallace.. figures out what sh’es doing quick and simply gives her a stern “You have to go” And to me it’s not him being a dick.. he’s both trying to save her from seeing Scott with Ramona and fucking her up worse... and is looking out for her. She needs to move on and moving up to stalking Scott’s not going to help that. Scott dosen’t WANT her anymore, and while he handled it bad, Wallace gets she needs to see that. Granted he could’ve you know explained it to her and tried talking, but as i’ve said he’s not a perfect person and he was also on a time table to get her out of there in case Scott you know, showed up with his new girlfriend and made things a billion times worse. And the two are indeed headed to his place to watch one of Lucas’ movies, and part of that weak setup is that Ramona.. just has no connection with him. It was high school. Scott also pretends he dosent’ remember his. You are a lying liar sir stop that. So they watch the film together hanging out, and it’s.. really bad. The good one was rented out. I miss rental stores.. a magical time. I mean i’ts better now, streaming means 80% of movies are avaliable if you have a bunch of services and even if you just have netflix or hulu or hbo max, you still get a pretty decent selection each month. Plus digital rentals are super easy. Do miss redbox though. I mean it’s still there I’m just warry of something that relies so heavily on touching things in a state with a lot of trump morons. You CAN get Covid twice and I don’t wanna. Also we get some dated Dialouge as Scott commenting on Lucas being hot, he is good taste Scott, is given a “good job convincing me your not gay”. He and ramona end up having sex though so .. yay? I dunno. The series has a really weird thing about not getting bisexuals exist and as someone whose bi, and really against bi errasure it bothers me, it bothers me a lot. Though given O’Malley apparently has not only far more queer rep in snotgirl but a bisexual lead, he’s clearly learned so i’m not going to drag him too hard on this. It was the early 2000′s. People were pretty damn stupid about this. Creators have gottten MUCH more important issues much worse.

So the next morning, Scott gets a call from his well meaning but ditzy mom, and reacts like you’d expect. His parents are in Europe to keep them out of the action and what not. Though apparently according to the last book his mom did read volume 3 at least. Or Wallace told her about the relevant bit. You make the call.

So i’ts Ramona’s turn to meet Sex Bomb-Omb. The group hang out and discuss Gordon Downie.

Look I don’t know indie bands. I have no idea who the tragically hip are I just know the name is really hipstery. We also get the recipe for Vegan Shepards Pie. None of them are vegan they just wanted to try it and I.. really want to make this some time. Just to see if it’s any good. But yeah it’s in general a fun casual scene, as Kim reveals she and Scott dated, just to break the tension, and Scott tries out Rammy but quickly backpedals. Just fun slice of life stuff. Oh and Knives is watching them from the window and takes Scott dating someone else as well as you’d expect.

So she gets some hair bleach to do some highlights and calls her friend Tamara over. We met her last volume as she dragged her along to the show, but it’s here we really get to know what she’s like.. i.e. the sane one in the duo, rightfully pointing out Scott’s not that great. Also Knive’s points out ramona’s “fat”, which is thankfully portrayed as petty sniping as while Ramona does have some curves it’s you know.. not remotely a bad thing and the kind of thing a teenage girl would harp on. Still she’s just in STEPS from this happening.

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But yeah.. it’s clear here Knives has some underlying issues to address and really needs therapy not to go after her ex’s current girlfriend with knives. I mean it’s in the name but still. Then again volume 4 has her dad going around with a katana or something like it wanting to murder her daughter’s older ex boyfriend he dosen’t realize is ex so it’s clear her whole FAMILY needs some therapy. But this does round her out and show there’s more to her.. a pretty violent and obessive side sure, but it shows she wasn’t just some one dimensional ego boost for scott but a person. One whose just as flawed as the rest of the cast.. but more sympatheic because they’ve all got about 6 or 7 years on her and at this age that’s a lifetime. And while Scott DID set this off by dating her which was objecitvely a bad idea... the rest of this isn’t remotely on him. He handled things BAD.... but all he wanted was for both of them to move on. Knives.. simply can’t admit Scott is not a nice person, was probably two timing her as Tamara points out, which as we know he 100% was, and is not some perfect guy she can’t replace: like Knives.. he’s just a person with faults and she’s too blind to see that.

So before we can get to the crazy stalker ninja fight, let’s instead get to Scott and Ramona hanging out where we meet Gideon, Ramona’s Cat who i’ll call Cat Gideon, both because I love steven unvierse and because it’s less confusing. This is a pretty slight scene as Ramona admits not a lot happened with Lucas and Scott’s apartment is a hole.. which yeah, yeah it is. Also she DEFINTLY dind’t cheat on him with any cocky pretty boys. Which would come off worse if it wasn’t for the pact Ramona was clearly doing it out of regret and Scott just liked like 50 pages ago about rembering his exes when one of them is his second best friend.. which neither would admit but you know it’s true. Stephen is third where he belongs.

So next morning it’s fight time, and Scott is glad wallace is going with him. It’s awkard going to fights alone. Which leaves me to wonder if before this comic Scott just.. fought random guys letterkenny style. Like they’d call up, schedule it and then he and one or more of his friends would go beat up a guy. It’s just.. hilarious knowing that this kind of thing is common in canda minus the ki attacks , flash effects, wizards, vegan psycics, ninjas, and roboticists. But damn I now want a scott pilgrimized letterkenny now more than ever. You know you do too don’t deny it. I”d love to see the hard right jay fight but iwth a loud “KO!” when he gets his ass knocked out. Also Casa Loma is a very real, very cool Toronto location, as I never realized as a kid, to the point that the lucas fight was filmed there for the movie.

So Scott approaches Lucas a bit star struck and upon finding out scott is.. punches him out as seen in the header image and throws him into a tower. When Scott regains conciousness, Kim and Neil have arrived and Lucas calls a time out. And it’s here we get to, while being the weakest of the 7, why I like Lucas.. he’s actually a pretty nice guy. At WORST he sold out. But the two have a pretty nice conversation over ritz and baby carrots, with it turning out, unsuprisingly Ramona did cheat on him with a cocky pretty boy, and while like Ramona he’s clearly moved on, it still hurts a bit and understandably so. He also warns scott while she might seem nice i’ts an act.

I mean it isn’t ALL an act, but she does have a tedency to put up walls and act pretty badly as we’re slowly finding out.. though given Scott does the exact same it only means.. she’s human. She’s not MUCH higher above him in terms of morality and this is where we get our first peaks into the fact the series isn’t just about Scott’s development but hers. But it’s understandably absent from volumes 1 and 2 since we need to know her first, and this volume is about getting to know her a bit and get a feel for who she is, something I ddin’t really get a grip on as a teen, but do now. We see more of who she is good and bad as the walls go down. She’s more SURFACE LEVEL functional than scott, but beneath it has a lot of the same exact issues. Lucas and Scott continue to GENUINELY bond, as Scott genuinely thinks the guy is talented and Lucas want’s an Oscar this year.. maybe not for the current film which is a romantic comedy with a teen star but hey, stars have done far worse in their Oscar years. I mean at least he’s not making a comedy about himself in a fat suit domestically abusing himself in a wig while he also plays an asian sterotype. He explains he almost didn’t get into the league but felt too important to ramona’s past.. plus he looks cool. Plus they let Patel in despite barely being in a relationship with her and being kind of a tool so they kinda had to let the handsome affiable movie star in. Scott wonders “wait league” and Lucas is understandably frustrated to find out Patel just sent a letter Scott didn’t read.. and at Matthew let’s be clear. I mean.. Gideon has to have known Scott wouldn’t read that since he’s been in his head. We’ll get to that in part 6. Point is they formed a league, hence why their organized enough to come after him like this and Scott understandably glares at Wallace for you know, having him play tony hawk and watch movies yet missing the fucking obvious clue they were all working together and they were only coming at him one at a time by choice.

Lucas offers to just.. take a bribe and SAY Scott beat him, Scott calls him a sellout jokingly and Lucas proves that while not AS bad as the rest of the League, he’s still a dick by telling him to kiss ramona’s sweet ass goodbye pilgrim. Okay either he’s seen her since high school or he’s fondly remembering a high schooler’s ass. Neither one is nice to think about. But Scott gets out of his ass beating by pointing out a ramp, real thing too used for the movie, and asking him to skate down it. Lucas says i’ts impossible, and Scott just whistles. So Lucas tries skating the impossible and dies via velocity. Yes really. Scott collects his change and gets a gift, a mytryil skateboard he.. can’t use because he dosen’t have a proficency for it and bemoans not picking it up in 5th grade. Also he didn’t get his autograph. He does get some coins though so neat. Yeah I mentioend Lucas was the least of the exes and I stand by it: He’s an intresting character, not a GREAT person but clearly a charming and nice enough guy who likely offered the bribe not because he’sd a sell out but because he genuinely liked scott, and is easily the best adjusted of the exes. But obviously a near non existant setup and a really hilarious and unsastifying finish just.. don’t really feel sastsifying. I mean i’t slampshaded, but after all the build up of her having 7 evil exes, the next one is just..filler. Not BAD, but not really anything special and giving Scott a an early pokemon victory, but unlike ash having done nothing to really DESERVE it. Thankfully both adaptations so far VASTLY improved on this. While Lucas is still affiable in the movie he’s also smarmy, if on better terms with Ramona, saying “he seems nice” after the tower throw and throwing in some stunt doubles. His fight goes from one of the least satisfying and weakst of the series, to easily one of the best of the movie. We’ll talk about that more there but obvious Chris Evans version is far superior, keeping the good traits while giving us an intresting fight.. and still keeping the skateboard death because it’s fucking hilarious and the movie improves on THAT too by having scott give flat wows as he slowly dies. The game likewise keeps teh skateboard death, if shortening it, and the skateboard, and while not changing his apperance does make him a hell of a tough boss. Took three tries and some online grinding to take him out. Still a hell of a fight. Point is while I genuinely like Lucas story wise.. this just dosen’t work for me and is pretty damn weak, even if it gives us some godo character insight we could’ve got that, and a fight and still had the finish we did.

That being said.. we DO get a fight instead, likely why the Lucas fight was so truncated. Next chapter and that evening or the next day or whatever, we pan over the real life tornto refrence library. It is a VERY nice touch thatt the comic and it’s adpations use either real places in toronto or reasonable subsittues. While not canadian myself I love the place and hope to visit Tornoto some day when the world isn’t a living nightmare and it’s really nice that like New York for Marvel, Brian Lee O malley really makes the city feel integral to the comic, like it’s own character. But Knives is ominously perched above. At second cup Scott is horrified to find Julie. Seconded. Julie takes the moment to give out to scott about him dating Ramona despite telling him no. Okay...

Yeah as you can probably guess I don’t like Julie. She’s not a good character. The movie did her better, with the bleeping gag and aubrey plaza’s performance, but in the comic.. she’s just the worst. She sucks bad. If she were an ice cream flavor she’d be pralines and dick. While she’s fine on OCCASION, and actually works in the next volume, outside of that she just gets more unplesant, more unlikeable, more bitchy, more unfathomabbly assholish every. damn. volume. I”ll give out about that a bit then too but I have to put up with her for the entire damn comic. Now her being bitchy to Scott is fair to a point: Scott is a mess, and she’s loyal to Envy in the breakup, and Scott’s own friends drag him on a daily basis. The problems are that she’s like that to EVERYONE, even Knives who isn’t about to stab her much as i’d like that. She’s unberable to Stephen whose tolerance for her is unfathomable, though the ending bits of volume 6 show maybe he just has terrble taste. She’s just a throughly unplesant, social climbing bitch who thinks she’s better than everyone. And it sticks out badly against the main cast; Scott is very bad with women and relating to people, but is also nice, charming and most of the damage he does is not intetional. Ramona puts up walls to keep others out but is also a responsible adult and often cuts through Scott, and at times others, internal bullshit. Wallace is an alcholic, but still a very responsible, very loveable guy who clearly cares about scott and supports him finacially and emotionally. Kim is VERY emotionally distant, very misntrhopic.. but also a good person who as we see as the series goes, has an inner light to her and often drags on Scott because she’s been putting up with his shit the longest and WANTS him to be better. Knives is an obessive and violent stalker.. who was also deeply hurt by an older man, dosen’t GET that her realtionship with scott was wrong and uneven, and is clearly not emtoinallyr eady for the deep feelings she’s having. And Stephen.. well he’s a talented guitarist but also enables scott and julie. Especially him enabling Julie.

Point is their all pretty well rounded, llikeable characters with flaws. Julie.. is just an ass. And this scene demonstrates that with flying colors. While Scott does ignore her because he’s too worried about his sister and girlfriend becoming friends, understandably given Stacey knows all his dark secrets, Julie spends two pages giving out and treating scott like some bad guy for persuing Ramona against her orders. And i’m going to break down why.. this dosen’t work.. on any level for her. 1) Ramona is not Julie’s property. She’s a big girl with her own free will. They aren’t even remotely close: Julie met her only barely before Scott, and given the dream thing probably not even that. And you could say Julie is just looking out for her... she dosen’t know Ramona well enough to KNOW if Ramona is still smarting over Gideon. She probably was.. but she readily, once the awkwardness passed, went out with scott and dove right into the relationship. While there’s still some scars as we’ll see.. she CHOOSE to move on and that’s her choice. If she wasn’t ready, she woudl’ve turned him down or broke it off by now realizing it was a mistake. 2) Scott has no reason to listen to her. She hates his ass, somewhat justifably but still, she hates him and has been against him since fucking colllege. She took his exes side in the breakup despite Envy still being partly in the wrong but paints him as some abusive dickhead and not just an insesntive dickhead. To him he’s just some villian she needs to reign in for her cool friend who wants nothing to do with her and grows to justifably hate her over time. Scott and Julie TOLERATE each other. They are not friend,s they do not like each other and never will. They are around each other because of Stephen. That is it. If Kim , Wallace or Stephen had asked, or at least made him wait for kinves. he probablyw ould’ve or at least considered it since while they take the piss out of him, they genuinely care about him and actually have shown they care about something other than themselves! Speaking of which the cou de gras 3) She’s a selifsh bitch: She is NEVER not in any volume seen as out for anyone but herself, and thus scott has no reason to trust her judgement. She berates Stephen, him and anyone who will listen, is only so loyal to envy because she’s famous, and as I said treats EVERYONE like dogshit. And given Scott is still a very flawed guy.. it takes a LOT for him to be so right and he runs out screaming when Julie mentions her.

So back at the library, Ramona brought Stacey along because the place is a maze. Scott calls Stephen and calls julie evil.. which given the last two paragrahs. Yeah. She is. She really is. But that goes nowhere as he dosen’t have Stacey’s number. He also thinks Julie was responsible for this which while she’s very much not.. would it REALLY be that suprising that if Julie were there she would’ve introdcued the two and set up their little hangout just to piss scott off? God I’m so sick of talking about her.

So the two after dropping off Ramona’s package decide to hang out a bit.. not long as Ramona’s got shit to do, but hey I agree with her logic i’m curious about this palce too. But before they can go up an elevator Ramona spots incoming.. and thus we get the fight of the volume. Though given the next one has two climatctic fights and one or two before that, they easily could’ve had both.. this is still the highlight of the volume. So Ramona snaps off a railing and before Stacey can give out about that she finds out WHY as Knives attacks with a pair of sais. And O’Malley did his homework as while you’d THINK it was just another dumb white person mistake.. O’Malley is asian, thoughw ether he’s candaian korean or canadian chineses, as his last name is korean but he has a large chinese cast in this very comic that might come from experince, I do not know and if you do know tell me. I’d like to refer to him properly as I don’t LIKE lumping all asian cultures into one basket. But not only that he did his home work, as Sai’s, while popularized in Okinawa Japan, were also used in other countries. I bring this up since I assumed it was just a simple mistake even knowing Brian was mixed-race, and was plesantly suprised to fine that know, I was the moron. And i’m fine with admitting that.

So we get a damn good fight.. and Knives figures out Scott WAS cheating on her. Granted she assumes so due to seeing Ramona at the refrence Library, before he actually cheated and clearly blames Ramona for it, but still, it fucking hurts. Plus while her attacking Ramona, who initally assumes she’s gideon’s doing, which.. yeah sending a teenage assasian just to mess with her head does sound like him. So while Stacey does complain “ramona you can’t just tear out art objects” to which I say... yeah high, Stacey? NOT THE POINT RIGHT NOW SCOTT’S EX IS TRYING TO KILL HER. SHE’S DEFENDING HERSELF. So we get one hell of a fight. It not only shows off that Ramona is one hell of a fighter herself, as is knives, but just how immature knives is, resorting to constnat fat jokes and taunts showing just how immature she is.. and unlike volume one where it was endearing and we just saw how sweet she was here it just comes off as mean, bitter, and uncomfortable. But again part of the series biggest charm is the main cast are all well fleshed out and throughly human. She’s doint this because she dosen’t know better and was raised in a house where, again as volume 4 will bear out, finding out her dad is going after scott with a samurai sword just warrants a “dad’s are so weird aren’t they” my point is her frame of refrence is a mite skewed. Plus this is a world where everyone but Stacey just calmly accepts big shonen fights break out, so it’s not that unsuaul to want to settle things with a fight and while i’ve joked about her killing Ramona we genuinely don’t know that was the goal> Could’ve been, easily given murder is peachy in this setting and just leads to a respawn according to O’Malley and would’ve just sent ramona back to her apartment. But I genuinely don’t think she has it in her to do it and while she could’ve planend to, she never would’ve. Plus Ramona easily leads the fight as while Knives uses hit and run tactics and tries make her follow.. Ramona is more annoyed than anything as she has shit to do. Knives only gets one hit in and while i’ts a pretty nasty scratch on the cheek, if thankfully not scarring.. Ramona shrugs it off when she brags about it and easily takes knives down with a potted tree. Knives runs and while she tells herself it’s to fight another day.. its really because her opponent was WAY stronger and way more ready for something like this than she probably planned on. She did defintely want a fight, she just wasn’t prepared to be outmatched so handily. It’s also a nice parallel to last book’s fight: Like with Scott and Matthew, while the fight SEEMS pretty even, in reality our hero/heroine was alwasy teh one in control and easily took care of the less experinced and less ready upstart, who likely wasn’t expecting a fair fight much less to loose.

So Ramona and Stacey wisely get out while Stacey explains Knives is indeed Scott’s ex, though is unaware of the cheating thing. Speaking of Scott he’s playing sonic and knuckles, and in fact kept wallace on the line before just to get advice because of course he did hence why stacey didn’t get through to him, but gets a call... from Envy.

This is easily the second best sequence in the boook, which was lovingly and wonderfully adapted to film and as a result I cannot read it without hearing Brie Larson’s voice for Envy , a nice mixture of seduction and condescension. It’s CLEARLY painful fo rhim, and we do get some things established as Envy toys with him, that it’s been about a year and that she left him for a cocky pretty boy, familiar.. and while Scott claims to not know what he looks like.. given Todd is clearly on her band cover... it’s not exactly hard to put two and two together. So after some awkard catchup and Scott telling her about ramona against his will, we get to the reason she’s here with Scott understanndbly being supscious and calling her a user.. which while Envy denys.. she ends up admitting to. She’s coming to town as estalbished and her opening act backed out, and since Scott has a band, and one that 2/3 of which she knows, she wants them to open for her. Scott naturally isn’t too intrested and thinks it’s just pity. The sequence. is masterful, using a watchmen style 9 by 9 panel layout and intercutting scott’s pained reactions and clear lack of comfort with flashes of envy on her side.. never showing her proper, but showing his memories or what he’s seen in magazines. It’s really striking and really sells the sheer discomfort Scott’s going through. So soon after Wallace gets home.. and finds Scott, drained and miserable on the floor, not even responsive. And this really is the scene that shows me that Wallace cares for the guy and cements that asshole he may be, he loves his buddy. He goes through possible scenarios that fit scott: Food poisoning, finding out Wallace saved over his final fantasy save (though he rules it out as last time that happened he was crying), that ramona dumped him.. before Scott let’s out a pathetic and miserable “Ennnnnvvv”. Wallace , who was at ground zero for that relationship as we’ll find out, realizes this and lets out a little shit, unsure how to help and pissed off at that bitch for once again hurting him like this. As I said it shows how Wallace knows scott in and out and loves him dearly.. and how he knwos about this paticuarly heartbreak better than anyone but Scott and Envy themselves. IT’s just a really tearjerking scene, as we get a sense of WHY scott spiraled into an ego boost of a relationship: His last one REALLY tore him in half, and he’s still not completely healed from the emtional bisection.

So Scott gets more bad news next chapter as Stacey tells him about the fight and he’s worried he’s going to loose ramona on top of this. I mean he desrves it.. .but it’s clear she’s the best thing to happen to him after a really rough year of denial and poor decisionss and loosing her will likely only make him WORSE. He also breaks the bad news, to him at least to the band about the gig. Stephen, being kind of a dick who while understandbly excited about a big gig fails to see his friend REALLY isn’t happy about this nor remembers you know, that the person offering this tore his heart out indiana jones style and while they should take the gig despite the risks, it’s too big an opportunity not to, he should be fucking senstive about this. Kim however... has a suprising and heartbreaking reactoin to this. Which is spread over a few panels but i’m gonna string into one image for convince sake.

Just.. DAMN. I honeslty missed this both as a teenager and as an adult when I read through the books last time but holy shit is this a heartbreaking little moment, even more with the development she gets in later books. Keep in mind, over two books so far, Kim.. really hasn’t shown a lot of emtion. The most upset she’s gotten was getting a bit pissed about another a girl drummer. The only other time we’ve seen her sad was at 17 when Scott left. Her only emotions that we could see were angry and surly. But here? She’s genuinely upset and we see her walls break down for the very first time.. and it’s with the clear indication she NEVER really got over Scott. She never got proper closure and while she hasn’t let it so.. it’s been VERY clear she's been grossly uncomfortable with how he just likes to brush off their history, something that very clearly still bothers her and understandably so: 6 years , while a lot of time, still really isn’t long enough to just .. FORGET your first boyfriend , how he made you feel or the fact he took your virginity and you took his. Stuff like that sticks with you.. I’m ony assuming on the virginity thing but my point remains: To Scott it’s SEEMINGLY nothing, when really he’s probably just trying to brush it off because he dosen’t like dealing with things and given how Kim is wrongly assumed she can’t feel pain. I mean to anyone else i’d be a fair assumption and even i’m not convinced if she touched a hot stove she’d burn, but that’s phsysical this is emotional. DIffrent playing fields. Point is Scott’s kind of a dick and not having ANY closure for anything, Kim is still smarting from him leaving as much as Scott is smarting from Envy dumping him. And it somehow gets MORE painful.... which should’ve been the tagline for Bojack Horseman now I think about it but yeah: her line is what cuts me up the most “I saw her on the cover of Now. She’s pretty”. It’s a little line, it’s easy to see why I missed it .. but the subtext really stings. It’s that despite being VERY pretty, I had a crush on her as a kid and I still do now.. Kim just can’t help but compare herself to someone whose now a glamrous rock star. Their equally attractive but all Kim can see is ANOTHER person who Scott cared about more than her. Which seems petty but again he just.. abnadoned her. His moving wasn’t his choice but his not telling her as was framed earlier sure as hell was. And then just.. look at the next people he dates: A glamorous rock star (She wasn’t at the time but that’s for next week), a much younger girl who can’t possible challenge him, and an ultra cool american. To her.. it must feel like he just looks right through her to every other person intersted in him and never even consdered her as a person anymore. I mean.. jesus christ that hurts.. and makes me hate Stephen more since you know he dosen’t notice any of this.. though at least unlike with Scott it’s a bit more understandable because Kim’s so unflappable and he’s already ignoring very obvious and transparent emotional pain why shouldn’t this be any diffrent. So yeah no one’s happy about this, and that ends up including Stephen as he’s so insecure about his band’s talent he’s pretty sure they suck when their probably at least adaquate.

So while Scott dosen’t say anything, it’s clear he’s at least consdiering the offer as when we next see him he and ramona are heading to Envy’s show. And honestly it’s just a really sweet scene as Ramona asks about envy and the two banter and hold hands. A really nice palletee clensar since hte last few pages were like I was the one lucas socked in the gut. Also she assures him she dosen’t hate him, and asks about how the breakup happened, turning down any offers to hear the good times. It was new years eve one year ago, and he mentions it was over her leaving to meet some guy named Todd.. and Ramona finds the story familiar but brushes off Scott wondering if her todd and Envy’s todd wer ethe same guy as a douchey joke. When prying about what happened otherwise, Scott admits it was all a blur.. Ramona isn’t ahppy with the answer.. but it’s nto like it’s that unresonable: he was in deep with Envy, and the breakup was damn bad to the point it took a year for him to recover and end up in the relationship he is now and the one before this was clearly a cry for help. It also helps reinfroce just how much Wallace was there for him and probably WHY Wallace hates Envy so much. They probably live together simply because Scott needed a place after college, was in zero condition to get a job or do anything given his zombie like state.. and Wallace just had him move into his bed, platonically and into his place. It’s probably why while Wallace will complain ocasoinally he isn’t that on scott to find a job. He dosen’t need a paying roomate, they do fine just on his sallary and he has a steady, secure job in some sort of calling office, probably working in medical stuff like my mom. He needs his friend to be safe and happy, then he can get on his ass about being functional, as he is in present day. If nothing else this volume made me realize just how good a person Wallace is. The one thing he CAN remember, to Ramona’s disbelif is a restraunt opening up, the job story he hinted at last volume: basically it was a fancy tex mex place called, and this is one of the best restraunt naems in the history of fiction brace yourself: The Gilded Palace of Flying Burritos. Naturally, as would I as I love tex mex and that name, Scott loved the place, ate there most of the week and like me with some places I liked waited impatietly to get a job. He did and they were even super generous as the food was FREE. Which is a euphoric feeling I relate to, though I also liked any discounts I got. seriously when I worked at Bagel and Bagel a good chunk of my paycheck was eating there for dirt cheap every shift. I miss that place so much. Like even after I left there I still like a good bagel sandwitch. And it wasn’t covid or anything it was just low staffed and slowly coming apart due to a lack of a solid manager after Crystal, the manager who hired me, transfered to a store closer to her home, which I do not blame her for.

Point is I get it even if Ramona thinks this is all made up. Anyways at Lee’s Place, based on the real life Leo’s place, everyone’s gussied up: Steven got an awful haircut and Kim...

But no time to dwell on how great kim’s..everything is.. who DID Neil bring to the concert?

While Kim is VERY much enjoying this, everyone else is a bit freaked with Ramona getting assurance her and Scott dated breifly, with Kim quipping her and neil will probably date even breiflyer, and Stephen.. freaking out, wondering if she seduced him, and asking if they should take him out back and kick his ass..

Just..... that’s a lot of douche to unpack and this review has been VERY long and suprisingly hard already.. but fuck it, we don’t have much left to go let’s do this. Okay one did she seduce him.. I mean I GUESS, but really let’s be clear here: Neil is a horny, lonely, monosolobic 19 year old who lives with his sister’s college friend and whose life revovles around said guys band. Knives is adorable. She likely barely had to flirt with him to get him to say yes .As someone who was a lonely 19 year old doofus, I guarantee no matter the red flags I probably woudl’ve said yes provided she was 18 instead of 17, despite the abudant red flags such as neil vaugely looking like scott, neil being the one single man within scott’s circle to get her way back in, as Knives hasn’t realized she’s bi yet or given how much she looked up to Kim, she probably WOULD’VE gone for it. As would any sane person, which neither knives nor I entirley are. So she didnt’ so much seduce him as offer him a girlfriend he didn’t have and him being too intrested in having a sweet, caring girl on his arm to see the giant army of adrestian soldiers needed to carry all the red flags this presents.

And as for “do we need to kick his ass. “ Stephen.. did you kick SCOTT’S ass? No, you fucking abetted him and only stepped in for the good girl thing. You did NOTHING to stop his relationship with knives or tell him he was screwing up or look out for that girl’s well being. This will bite him in the ass even harder in volume 5, but even now it just makes him look REALLY fucking bad that, even if he probably dosen’t mean it, that’s at all on the table. Also.. Neil, unlike scott is doing slightly less wrong. While he is 20 to her 17, three years.. it’s HALF of what Scott and her’s age diffrence is, and far more equal in power structure. It’s still not.. GREAT, but my point is you did NOTHING when Scott did this, for far flimiser and less forgiavble reasons.. but when NEIL, whose been nothing but weirdly loyal to you dates her, you want to kick someone’s ass. I mean yes he’s being stupid: in a clear role reversal of the Scott and Knives situation, it’s obvious just from her expression that KNVIES is the one in control here, and the one using someone to ease her own pain. Granted it’s wrong, if not as wrong as Scott should techincally know better and Knives very clearly dosen’t, as well as get into a show of her faviorite band. Is what she’s doing wrong.. yeah... while she can’t see it again it’s what Scott did just not QUITE as fucked up due to not being AS embalanced. Should neil probably be dating her after scott did ? No. But should you be threatning him and not scott for you know, setting all this in motion? No. Jesus christ you suck Steven.

Thankfully while Scott presumibly calms Stephen down, Kim spots Hollie and her roomate Joseph, who will be suprisingly important. He’s very gay, very quite, very bearded and is only hear because the bass player is hot and when prodded on it....

Well said. Also I read that with John Heder’s voice fo rsome reason.. don’t know why, his career ended as quickly as it began because he REALLY did not pick his films well. He saw that he was going to be in a film with David Spade and Rob Schinder and didn’t fire his agent for suggesting it. Meanwhile Scott and Ramona run into Sandra and Monique, Scott’s old classmates who just sorta.. show up every so oftne, often backing up Julie because every Alpha Bitch needs a posse. As Boscha has proven once you loose your posse you loose your bitchy powers. They also ask if Scott and Ramona are an item which leads to a fantagious visual gag.

Also Stephen awkardly talks to the new couple, about how much Knives loves the band, and because why start reading the room now just sorta.. CASUALLY slips in the fact he knows her is because she and scott dated.

Granted Knives action this book really EARNED her that curveball.. but still, it’s transparently clear she’s both not over Scott and Neil’s a placebo, and that she loves the band... how the fuck did you get through college, much less get two loyalish friends Steve.

Kim tries to hide when she runs into Sarah whose with.. someon O Malley does not know, literally captioning it “I don’t know htis girl”. Fucking love that gag even if SOMEHOW kim is the roomate they all hate. Despite hte fact as the side story will bare out, her roommates are all pretty obnoxious, so i’ts probably because she’s the only sane person in that group and their VERY lucky kim just dind’t set the place on fire on her way out and let god do what he should’ve a long time ago. Also we meet Lynette, the band’s drummer who smokes “She must be evil” “Still hot though”... both accurate. Also Luke wilson is there.. no really. Just holy shit that’s awesome. Okay so with all of that out of the way, it’s time for the show. So after a full volume’s build up , and a really cool build up in the page before we finally properly meet clash at the demonhead, and miss envy adams.

Heck of a reveal and not the only one as ramona realized what the audience probably already guessed....

Dun dun dun! And since I don’t like leaving a cliffhanger dangling lest I have to... we’ll be getting to this next week.. what you thought i’d say right now or tommorow? This was a lot. But no i’m not leaving you too long. Next week, Evil Ex Crossover! Ramona and Wallace become BFF’s! We learn what the deal with Scott and Envy is! Scott faces the Ken to his Ryu! And Wallace gets a boyfriend. All this and more next week. for now...

Final Thoughts: This one.. was a VERY rough one to review and it ties back to this volume’s biggest problem: it is not paced very well. Like the series as a whole it has a pretty easy going, slice of life pace. The only ones without this kind of easy pacing are 3 and 6, and even 3 has some slice of life bits, their just both more focused due to the events going on. This one... well....

Pretty much. While this one has very important stuff going on, Scott and ramona getting closer, ramona getting more fleshed out, Wallace showing how deep his character is, Kim also getting fleshed out quite a bit, Knives showing off her crazy side, setting up the next volume, the second ex fight.. it’s all just kinda.. jumbled together. It’s not really until the knives fight onward the book takes on some really solid pacing and really gets going.It’s not a BAD book: ther’es some REALLY good character stuff as I dug into.. but the pacing is just really loose and without the Evil Ex fight as an anchor and with ramona and scott just sorta.. getting to know one another, in both biblical and non biblical senses, it dosen’t have either of the series main narrative thrusts. Even the knvies subplot really amoutns to nothing for now, as Ramona dosen’t find out Scott’s a cheater, and only distrusts knives now. That’s about it. It does improve on book one in characterization, with eveyrone being MUCH cleearer in terms of who they are and settling into their iconic selves nicely. Wallace’s more selfless and protective side pops up, Ramona starts to show mroe of her personality good and bad, Scott’s better traits are mixed a bit mor eeven with the douche ones, Knive’s far more unstable and violet stalker side emerges, and Stephen.. well fuck him, point is things are coming together.. but O’Malley still isn’t quite at peak power yet. Not bad and still worth a read like last time, just a bit uneeven is all. That being said... if you want O’Malley at his peak.. well then come back next week. Until then i’ll be doing my usual buisness of reviewing birds, refrencing simpsons and letterkenny, and putting my eyes back in after kim’s look up there. For now the sun’s setting and i’m out of here.

#scott pilgrim #scott pilgrim vs the world #ramona flowers #kim pine #stephen stiles #wallace wells #envy adams #lucas lee #oni press #Brian Lee O'malley #knives chau #neil nordgraf

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