#seriously idk what to do anymore

[oasisofgalaxies]

Holy fucking shit they don’t think Elon did a nazi salute either I’m in hell.

[czpeterp]

Man so beautiful you can never draw him the exact same way twice

[orphanbychoice]

atp i genuinely doooon’t care if the old guard two is the worst thing put to film i just want to see the best character of all time (andromache the scythian) and her loser henchmen and everyone’s favorite girl nile freeman again

[egggargler]

Here's some genshin ships that

I. ME PERSONALLY.

headcanon as queerplatonic (cuz i wanna talk just to talk)

1- Pixelshark. One of those ships that's like "a rare straight ship that i like and then it's actually not cuz they're both aroace as hell" kinda ship yk?

2- Kaebedo I know ppl probably wouldn't like this but omg Albedo is so aspec to me it's crazy (also Kaeya is on the ace spectrum out of spite cuz this fandom).

3- Lionfish/Gaminet OMG THEY MAKE ME SOB i don't see them having labels at all sorry not sorry.

4- Kokorou. My og genshin qpps theyre so. Ik they're not that popular but I need more people to know that gorou is literally aroace. Like he is. Play his hangout. He is. Idk abt Kokomi she's just me. So. Lol

Doodles cuz i can't help myself (^-^

[lmaowh-at]

Sketches i did while waiting for the boarding & older stuff

[butch-bakugo]

Why are vetted accounts sending people stuff like this.

I mean it's clearly copy-pasted and sent to multiple people but this isn't even a donations ask. Imma guess the reason people aren't responding is because you're accusing them of not doing enough for Palestine and sending it to multiple people who you clearly don't check because I've been posting about and for Palestine since oct 7th when I learned about it.

Also yes he is looking for donations, you can check his account and find it. Why are you sending this guilt trippy stuff to people and accusing them of not caring enough? You don't know me? You send these to multiple people so your clearly not checking the account in question. This dose nothing to help you personally or the Palestinian cause, it just pisses people off and makes them question vetters.

[ducktollers]

lowkey one of the most infuriating things i see regularly now is artists on tiktok being interrogated by people accusing them of using ai that have no idea how to actually spot ai art. i keep seeing vids of artists posting timelapses and showing their layers in response to commenters who dont believe them no matter what they do. and im just like . who exactly do they think they’re helping. have artists not fucking suffered enough from the existence of generative ai already. its bad enough that artists work and jobs are getting stolen and the value of creative work is being degraded NOW we also gotta worry abt proving that we’re real and trying to avoid making art that looks like the slop that stole from US in the first place. bye

[ayegomorrah]

It is important to keep in mind when talking about intra community trans issues that. There are 5 of us in total despite it not feeling like it because we find each other. And even if youre a trans ally, you probably do know more trans people than the average joe, for a reason.

We often dont have anyone other than other trans people so discussions on transmisogyny, for example, do become important even under really dire circumstances because not socially isolating people becomes more and more important the more trans rights are stripped away. Especially if youre a young transmasc it becomes pretty important to recognize how your transition is used against trans women, and how different transphobic narratives are used to reinforce each other to cause material harm in the world. Similarly now its pretty important to start learning about other kinds of oppression to know how to protect more vulnerable trans people.

That being said, every discussion on trans issues (from trans people) is bound to be kind of fucked because we are marginalized af and under active threat constantly (whatever it might be) so every trans person has mental health issues and trauma and just general minority stress. And those make people reactive? So i dont personally love every single thing some other trans person says but I also dont have the energy to give a shit about every opinion i think doesnt describe my personal reality. Trans women dont have to be experts in my personal history for me to try not to add insult to injury. Same with fandom stuff, in the middle of everything the small things reflect bigger things.

Internet makes this extra hard because how you navigate the world as a trans person is different depending on your gender but also transition status as well as locality and the medical and legal regime controlling your body. Also. Sometimes it's just luck (or larger trends in the world/society/locality/whateverrr) what your local island of a trans community is like. Just. Benefit of a doubt, please.

[feelo-fick]

molten/molted/molded

also yes i do actually have a flamingo mug thats sorta chipped, and it is a little ugly, here it is :

its not super chipped, but i was still devastated when i found out

[americankimchi]

being a comics fan is so exhausting........ why do i do this to myself

[zebratimw]

[wereh0gz]

Suddenly feeling very dissatisfied with what project: new moon turned out like

Or. Well. I guess I shouldn't say "suddenly" bc I've been feeling a vague dissatisfaction with it for. A while. But only know am I starting to parse out the reasons why I feel that way

With it having been out for a while now, I think back on all the things I could've done or could've executed differently, but didn't think of at the time so I didn't do them

Nox, for example. As a character, he's just kind of a vehicle for the story to happen, a source of torment for Rue, and the reason Sonic's werehog form is brought back. He never got to be much else. He's not very present in the story anyway despite being the main villain, and besides his obsession with Dark Gaia and lack of ethics, he's not really... much of a person

I got really lazy with fleshing him out so his entire character ended up just being evil antagonist. And honestly now I feel his role in Rue's story could've easily been taken by someone like Eggman with only a few changes

Rue's parents could've been way more developed too. They really only exist to make Rue's tragic backstory More Tragic and that's pretty much it. They're even less developed than Nox. Like they're not even characters even by the end of the story

And there's also Specter and Phantom, whom I like and have developed more than those I talked abt above, but I feel like I didn't really show enough of them as individuals. They're just kinda there to be Rue's friends and fight ghosts and not much else

It's like. Idk. I feel like I only really wrote that fic to justify my ocs existing and interacting with Sonic, and justify Sonic's werehog form being brought back even through it wasn't really necessary in the end. It was fun at the time, sure, but that rose-tinted view I had of it has kinda faded. Sometimes I even feel like I kinda rushed it bc I was so desperate to get that story out, since I've been working on these characters and the fic for so long. I was satisfied not bc I felt I made something good, but bc I was finally *done* with it. Now that's biting me in the ass and making me feel like all the work put into it went to waste

Hell now I'm even considering retiring Nox's character entirely (he is like. The biggest part of why I've been feeling crappy abt the fic now that I think of it) and giving Rue another revamp. Tho it feels weird to do it now bc the fic they're part of is out and finished. They are my ocs and I'm allowed to do whatever I want with them, but still

Whatever it is I decide to do, the twins probably won't change much, if at all. Not sure abt Sonic's redesign, I don't really wanna change it but I might have to recontextualize why he looks the way he does in this au

Idk what to do with the story yet, if I wanna rewrite it or not and just have my ocs existing in an au where Sonic never lost his werehog form instead. Really undecided abt all of this stuff rn. I definitely won't be deleting the project: new moon blog or anything tho, just won't be posting there anymore probably

Idk if this post makes any sense of if anyone actually cares but whatever I just need to get this off my chest

[sqvirely]

thinking about knights on the clock

[supercantaloupe]

okay don giovanni review from last night. under the cut bc it's me. tldr the vocal performances were great, leporello carried the show, one of the most insane productions i've seen thus far but somehow in a new bizarre direction from normal. good snacks.

first of all i don't care how much wine you offer i think it's kind of ridiculous to charge $165 for a base ticket price for a performance that 1. isn't even in a concert hall or theater 2. is a concert performance rather than a staged performance (which was not advertised ahead of time) and 3. was not even a full production because they made the absolutely mind boggling decision to cut 100% of the recitative and replace it with Some Guy sitting on the stage narrating the plot between every 1-3 numbers

i did not pay that much gd bless. the student ticket was way cheaper.

the narration wasn't even good it was weirdly ungenerous to the women (like how do you even make elvira out be a "women, amirite" thing and also vaguely imply anna was into it in a production with zero acting? well they figured something out) and i don't think it even explained well enough what happens between each number to truly give a first time watcher a good idea of what's actually going on. not to mention that it absolutely kills any sense of momentum in the plot and makes the entire show drag like hell, because you have to wait between every single aria for either Some Guy to talk at you for three minutes straight, or wait awkwardly while people onstage walk off and people offstage walk on. it was so painfully clunky

they had a piano up there but since there was no recit it's not like she was accompanying much of anything. in practice what it ended up being used for was 1. the mandolin part for deh vieni (acceptable in the absence of a mandolin player; they were working with a limited chamber ensemble of musicians so i get it) 2. the party music at the end of act i (egregious fault imo because it absolutely kills the vibe of the scene and completely obfuscates the way the music is supposed to be adding to the tension and chaos with its different instrumental groups playing in different meters)

and 3. used to give singers their notes when the vocal line of their arias start on beat 1 measure 1, which they otherwise would have been able to get from the preceding recits (which is imo painfully amateurish for an ostensibly professional production)

all the numbers in act i were there although the narration was so bad i got jumpscared by fin ch'han dal vino because i forgot it was supposed to be there and thought we had skipped over that point in the plot. act ii had some really bizarre additional cuts made, notably they just entirely skipped over meta di voi and vedrai carino. it was like masetto and zerlina fuck off for the entirety of act ii save for, like, mille torbidi (they VERY briefly mentioned masetto getting beat up in the narration and i don't think they mentioned vedrai carino at all, they just skipped straight from deh vieni to sola sola. and also there was a painful awkward pause before deh vieni because i think the pianist forgot she was supposed to play there and the narrator jumped ahead to the next chunk of plot explanation too early). kept both dalla and tesoro (i'm fine with this ottavio was quite good though could've used a bit of ornamentation imo), kept mi tradi, kept non mi dir (more on that in a bit). no per queste which is probably a good thing not only for the show itself but also my head would have absolutely and irreversibly exploded if they had, probably

the whole thing kind of felt underrehearsed. like a quarter of the time it seemed like people didn't know what they were doing or had to be reminded where to be at that point in the show. and there were a few moments throughout where the orchestra struggled to keep up with the singers, but i really don't think they had much time to rehearse together, honestly.

and then, to my utter shock, the finale was actually really good?? like. insane compared to the rest of the show thus far. though it helps that 1. i absolutely love the harmonieband arrangements of cosa rara/i litiganti/non piu andrai, after possibly the draggiest non mi dir i've yet experienced it was like a breath of fresh air to hear that (and non mi dir was actually well performed i liked this anna but considering how much the Entire Show was dragging, the fact that they cut meta di voi and vedrai carino, AND the fact that they promised this act would be short, it felt crazy to me to keep it at that point.)

2. leporello and the don were by far the best performers of the night. so much so that i sought them out during the post show reception to tell them how great they were and enjoyed their performance. which i usually do not do, but in this like, high school recital ass production value. unbelievable relief that the final scene is dominated by the two actors in the show who most remembered that they can, and in fact Should, be acting. so much more movement and physicality and expression from those two compared to most everyone else. leporello especially, his actor apparently specializes in comedic bass roles and it shows, he was the standout all night

and 3. for the first time in the entire production they made an interesting decision regarding the physical space and staging! they had the commendatore sing from up on a balcony overlooking the audience in the foyer. the bar admittedly was set very low in the previous act and a half but the finale reminded me that i actually like this show again which is appreciated

though they then threw another curveball at me by Cutting the sextet at the end. which like didn't even piss me off at that point i was just baffled. like the don sinks down in agony and leporello sinks down whimpering in fear and the orchestra cuts off. and i'm expecting an awkward pause while they quietly get up and shuffle off so the rest of the cast can come back but nope. big orange title slate appears on the big screen behind them and the audience breaks into a roaring applause and the announcement of the wine and dessert reception. felt like i was in a fever dream

i will say the desserts were very nearly almost worth the bullshit that was the preceding show. they were so good. thank you austria for your dedication to pastry. and because i don't drink and couldn't appreciate the free wine offered i had to indulge in my own manner. spread contained chocolate oat bites (tasted as much like espresso powder as chocolate and coated in coconut, 4/10), almond sponge cake (classic, 7/10), cardamom apple bread pudding with caramel cream (not enough cardamom but otherwise very tasty and autumnal, 8.5/10) and honey cake (11/10. i don't know how they made this so good. i want more right now so much). i take both my mozart opera and my desserts very seriously.

anyway overall the production was. i would say frustrating. the singing quality was Really Good (leporello was the clear standout, probably followed by the don though i prefer my dons with a lighter voice but technically he was very good, then probably ottavio, then maybe masetto or anna. the commendatore was great but he's in it so little it's hard to compare)

i just wish they could have, like, actually done a full production. it would have been so great if they had gotten to tell the actual story and had been fully allowed to act. when there Was acting were the best moments of the show, and it's really unsurprising that most of that came from leporello, the absolute legend.

[sluttyten]

My afraid-of-romance ass has just been asked by another regular customer for my number and the stupid thing is that again I do think this guy is kinda cute and I really probably should say yes

[rivershyperfixations]

Just a thing for anyone who might wonder why I drop off the face of the earth this week (idk if anyone will actually notice I just wanna say this in case there is someone)

Because of the KOSA bill and the stuff happening with it this week, I will not be accessing Tumblr until next weekend when I can get to it on my computer through guest mode just in case

So I have not died or anything, I'm just being cautious because god damn that bill is insane and stupid

(there is a chance I'll pop up before then if I have time to access it like that but it's unlikely and would be very often or for long)