#see: zutara

[too-cool-for-facebook]

I'd like to apologize for shipping Grimmons. I unfortunately have a horrible track record of my ships never becoming canon

[demaparbat-hp]

Golden Boy (and Silver Girl) for the Kintsugi AU.

[tedkaczynskiofficial]

I love Zutara as much as the next girlie, but I think people romanticizing Zuko catching Azula's lightning in the Final Agni Kai are doing Zuko's character a massive disservice. He would have done that for anyone. Not just anyone in the Gaang, anyone.

He did it for the division he ended up getting burned over. He did it for his subordinate that was going to fall to his death after the ship was struck by lightning. He did it for Lee, when he was kidnapped by Gao. He did it for Iroh, when he confronted his dad and tried to break him out of prison. He did it for the whole Gaang at the Western Air Temple. He did it for Sokka, Suki, and Hakoda at the Boiling Rock.

His whole character revolves around saving everyone else first. Hell, he tried to save Zhao of all people! There's no way that would have gone well for Zuko if Zhao had actually taken his hand. He always does what he thinks is right first before considering his own safety.

Zuko always saves other people. Even if, especially if, he can't save himself.

[favlie]

The Southern Water Tribe ambassador and the Firelord.

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Don't repost.

[maishairbuns]

Imagining Zuko having a secret crush on Katara throughout book 3 is soo good and angsty and peak drama. What if you tenderly touched my face during a shared moment of vulnerability, and then I betrayed you anyway. What if afterwards I couldn't get you out of my head, so I tried kissing another girl in hopes that might fix it. What if I came back to you, but you hate me so much now that being around you feels like getting my heart ripped out, and I have no one to blame except myself. What if I fell in love with a girl who despises me.

[mellpenscorner]

People need to understand that Zutara isn't about Zuko being the hot and sexy dream guy that makes Katara swoon. It's about their complimentary Tired Parent™️ energy and the fact that Zuko is—at all times—slightly terrified of Katara in the most smitten way possible.

[zukosdualdao]

everytime i see antis imply that katara somehow secretly still hates zuko by the end of the show, i'm like

... "yup. that's exactly how i look at people i hate."

[zutarawasrobbed]

I’m sorry, but the Netflix showrunner referring to Kataang as an “issue to tackle” in the future is some of the funniest shit I’ve ever read/heard.

[pineapple-frenzy]

Can we get Toph teasing Katara, please?

With Zuko being clueless in the background. ;)

Toph knows :>

[ecoterrorist-katara]

The tragedy of Katara’s parentification

Sokka and Katara were both parentified, and it’s a profoundly life-changing thing for both of them. One of the saddest things in ATLA, though, is how Sokka sort of got to outgrow parentification, but Katara never did.

Sokka’s told to be the man. The provider, the protector. He’s not so good at the former (his hunting failures are a consistent source of comic relief), and he takes failures of the latter very, very hard. He doesn’t manage to save Yue, and that wrecks him. After Yue, he becomes extremely protective of Suki in a way that’s borderline offensive to her. He’s willing to do anything to protect his friends and his family, including something as irresponsible as breaking into the Boiling Rock. I don’t think it’s a coincidence that Sokka is the only one of the Gaang who unambiguously kills. The rest of them may technically have clean hands because of cartoon logic, but Combustion Man is very dead, and Sokka is the one who killed him. We don’t know how he feels about it, because the show never goes there, but I have a pet theory that Sokka is so uncharacteristically (remember he was team “leave Zuko to freeze to death”) against Katara confronting Yon Rha in The Southern Raiders because he’s the only who knows what killing feels like and wants to protect Katara from it.

But by the end of the show, Sokka’s in a place where he can start to let go of his need to protect. Objectively, all his friends are unbelievably powerful and can take care of themselves, including his sister and his girlfriend. Suki is the one who saves him in the final battle, representing not only a reversal of his initial cartoonish misogyny, but also demonstrating that he is worthy of protection. And of course, he and his friends saved the world, so there isn’t really an enemy that he has to protect them from anymore. Sokka’s loved ones create the conditions under which his parentified behaviour is no longer necessary. Sokka would still have to take the first step to stop seeing himself as the one who has to lay his life on the line, but at least it’s possible for him.

But not Katara.

Katara had to take on the mom role after their mother was murdered, which meant she was responsible for domestic labour and emotional support. Sokka says in The Runaway that her role was to keep the family together. Unlike protection, that’s always a full time job regardless of the war. We see Katara spending more screen time than anybody cooking, getting food, mending, and generally doing women’s work. We see Katara giving everyone emotional support, including strangers and her enemy. We see Katara putting aside her own discomfort and her own hurt in The Desert because if she falls apart, they all die. Nobody ever showed her that she doesn’t need to be the only one who cooks, or that somebody else can be responsible for the emotional wellbeing of her friends, or that — god forbid — someone else can actually be responsible for her emotional wellbeing.

That’s why I never cared for the Ka/taang argument of “he teaches her to be a kid again!” Putting aside the fact that Katara ends up taking care of Aang a lot more as the series goes on, the whole tragedy of parentification is that you can never again be a child. That part of your childhood, your god-given right, is robbed from you. It is extremely precious and important to still be able to be a kid, but breaking free of parentification is not about seeing yourself as a kid. It’s about breaking free of being responsible for everyone’s feelings and behaviours.

For Katara, that responsibility is not problem of perception, but of reality. Unlike Sokka, who was told and shown that his loved ones are capable of protecting themselves, Katara has zero reason to believe that her loved ones are able to feed and clothe themselves and not fall apart emotionally. Between Toph and Sokka who emphatically don’t want to do this work, it all falls on Katara. Telling a parentified child that they just need to loosen up is akin to telling an overworked mother that she needs to just relax (“happy Mother’s Day! You get a break from chores, which you will catch up on tomorrow because nobody else is doing them”). It doesn’t accomplish anything if nobody creates the circumstances under which it’s possible to let go of responsibilities. A lot of Zutara fans, spanning all the way back to the early days of the fandom, like the “Momtara and Dadko” trope where Zuko also does chores. Why? Because even without the concept and language of parentification, many fans recognized that Katara’s performance of domestic and emotional labour is inequitable and probably very taxing.

Growing out of parentification is about more than just letting go of old expectations: it’s also about finding a new way to value yourself beyond the role you grew up with. I’ve said this before, but it’s very important to acknowledge that just because a kid is parentified doesn’t mean they’re actually good at being a parent. In fact, it’s probably a given that they’re not, because they’re kids performing roles that are developmentally inappropriate! Sokka remains a shit hunter; he becomes a decent fighter but he’s still miles behind his friends. A big part of healing from his parentification is finding another area — strategy, engineering, project management (what else do you call that schedule) — where he actually excels, to which he can dedicate his time and from which he can derive satisfaction and a sense of identity. For Katara, fighting for the oppressed and combat waterbending give her that. Crucially, however, Katara does not stop being a girl when she becomes a warrior. She’s still responsible for domestic and emotional labour. Unlike Sokka, whose protector duties were more or less relieved as the series went on and he found new ways to contribute to the group, Katara continued to perform her old role in addition to her new one (which is depressingly realistic btw, look up feminist theory around the concept of the second shift). Still, it’s important that she found these new ways to value herself and her contributions…

…which disappear in her adult life. Where’s adult Katara fighting for the oppressed? Where’s adult Katara enjoying her status as a master waterbender? Where’s Mighty Katara? Where’s the Painted Lady? Where’s the person who vanquished a whole Fire Lord?

What do we know about adult Katara? She’s no longer a rabblerouser or an ecoterrorist. She did not translate her desire to help the downtrodden into a political role, like being Chief or on the United Republic Council. She’s not known as the best waterbender in the world, only the best healer, even though her combat abilities are what she took the most pride in. Even as a healer, she established no hospitals, trained no widespread acolytes (except Korra, I guess?), and made no known contributions to the field.

What Katara is known for…is being a wife and a mother. The same role she was forced to take on at age 8. One which she performed for the next 80+ years.

[demaparbat-hp]

Beautiful

[katy-89]

Thank you Twitter katara fans for existing

[yikes-kachowski]

Drew this years ago. Based on very funny red, white, and royal blue fanart I think? I'm sorry I didn't save when I first drew it 😔

It's also a real quick drawing, sorry to kataras hair and fit. I love u queen I swear.

Sokkas not a zk hater he's just in shock lol

[turtleducsk]

fire lord zuko and ambassador katara were spotted out on their date night(?) 🧐

[burst-of-iridescent]

it will never not be bizarre to me that kat.aangers use the fortuneteller episode as foreshadowing for ka when literally every possible interpretation of this episode is anti kat.aang.

if aunt wu's prophecies are unquestionably true, then kat.aang is DOA right off the bat because she explicitly says she doesn't see romance in aang's future. yet kat.aangers love to uphold the “powerful bender” prophecy as foreshadowing for kat.aang so… which is it? are aunt wu’s prophecies only eternally binding for katara but conveniently untrue when it comes to aang? because if katara marrying a powerful bender is unchangeable, then so is aang not being able to find love, so that’s strike no. 1 for ka foreshadowing.

now on the other hand, if we take aunt wu's prophecies as false, then our boy aang is free to do all the lovin’ he wants… but following the same logic, so is katara. and since her prophecy is the catalyst for her seeing him as a potential romantic partner at all, that’s strike no. 2 for foreshadowing.

finally, we come to the last interpretation and the episode's actual message: that destiny is real, but not immutable. throughout the episode, it’s clear that aunt wu's prophecies do come true, though not in the way that their subject(s) might expect. the future isn’t created through passive acceptance, but active agency. everyone has the power to shape their own destiny, and make their own choices.

this is the complete opposite of katara beginning to view aang in a romantic light solely because sokka makes an entirely on-the-nose comment about him being a powerful bender. because had katara not heard her prophecy, that would have meant nothing to her! how is this meant to be the spark that fuels the kat.aang relationship when it's entirely based on katara holding herself to a prophesized future instead of writing her own story, and hence antithetical to the fundamental theme of the episode?

which is also why so many people interpret this episode to be lampshading zutara, because the only way that all of these contradictory interpretations — aang isn’t meant to find love, katara is meant to marry a powerful bender, but both of them still have the power to shape their own paths — make sense is if the final scene was an intentional red herring… but that’s a discussion for another time.

[shihoerusu]

“you rise with the moon. I rise with the sun”

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Eternally grateful for my best gal @oceanview15 for all her amazing ideas and support