#see also: I draw for an audience of myself
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Time and Time Again comes back tonight!
Thank you all for being so patient with me, I know it was a long hiatus.
My health was struggling, my arm was (is) hurting, and I decided it wasn't worth it. I'd rather be slow!
So thank you for giving me that grace, and I hope you'll be there with me for the rest of the series.
#like straight up. it's not worth it. idc how many people get mad at me#i would rather work fuckin. anything else than maintain this impossible schedule and keep hurting myself#if thats what it takes to do comics full time. then i can't do comics full time. simple as that!#i hope that for my next work i can have a healthier schedule and still make this work as my job#but if not. I'm never going back#i can't do it. 3 more years at this pace will take my ability to draw#anyways. its really good!!!#like genuinely i can feel a marked improvement in my skills#which is WILD!!! And I'm extremely happy about that!!!#just one more step into being better built to give people the quality stories they deserve.#ive not properly had the fire under my ass to finish stuff up but. its fine.#like i said? not worth it.#if i have to pause again then ill pause again. like i literally simply can not my body can't handle it#so. hopefully stuff goes smoothly but whatever happens will happen#whatever will be will be#i keep getting distracted lmfao#im excited about it coming back#and also. will. probably be distracting myself...#other creators dont read their comments. I'm like straight up not capable of that LMAOOO#i check for comments like all the time#love seeing em. love reading people's thoughts about my work#it makes me a better writer and keeps me connected to what matters most. which is my audience!#so i dont regret doing that but also. jts extremely distracting#i get straight up nothing done on big update days#cause im in the comments absolutely massive eyed refreshing.#this sounds obsessive. and it is. no jk#its just fun and keeps me in touch w peoples perception which helps me learn to write better#plus people are nice and ask me questions that i wanna answer#or if someone is being an ass. then i wanna tell them to leave (cause i cant block people) cause i consider it my responsibility#time and time again
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Actually you know what I need to rant about this: while literati is technically a good girl x bad boy dynamic it is written so incredibly well and avoids so many pitfalls and stereotypes that it makes a good girl x bad boy hater like myself (I’m only half joking — I don’t think any trope is inherently good or bad but I tend to dislike most pairings with this dynamic) fall head over heels for their story and relationship.
So much of what makes the two of them work is the contrast between how others perceive them and how they truly are. Don't get me wrong, there are plenty of people who understand who Rory is as a person (Lorelai, Lane, Paris, Richard and Emily to a certain degree for starters), but she's constantly met with the expectation that she just does good and is supposed to make everyone proud 24/7. Stars Hollow as a group especially are big on this, as seen f. ex. through how Taylor takes Rory's one comment about an inappropriate DVD and twists the whole thing into a censorship crusade and makes Rory its poster-child even though she wants nothing to do with it and tells him so repeatedly. But instead of hearing Rory disagree with him (like he would Lorelai and Luke) he assumes that she actually agrees with him - and why shouldn't she when she's the perfect sunshine paragon of good who would never disagree with her elders? Also her grandparents treat her as incredibly fragile and childlike, like she must be too innocent to ever do anything wrong and so whenever she does something it has to be somebody else's fault (usually Lorelai, but occasionally Jess or whoever else was present). Time and time again Rory is treated like something innocent and naive and weak — but not by Jess. He sees her as a person.
And it obviously goes the other way too. Jess is treated like shit by pretty much everyone else. Either people hate him unprovoked or very much provoked (he did do a lot of pranks in his first few weeks and while I'm a Dean-hater I'm not blind to how much Jess picked fights with him), or they’ve simply given up on him. He tells Rory himself that every authority figure he had back in New York gave up on him too, from teachers to principals to his very own mother. But Rory doesn’t treat him like a lost cause, she treats him like the smart, brilliant and asshole-ish teen that he is. By having faith in him she also often holds him more accountable than others. Where f. ex. Lorelai or the other adults just roll their eyes, Rory physically drags Jess into doing his shifts at the diner. While others write him off, Rory chews Jess’ ear out for not helping Luke more and for willfully making enemies out of the Stars Hollow adults.
They don't put each other on pedestals or below each other. Jess doesn’t try to make a sinner out of Rory and she doesn’t try to make a saint out of him. There’s genuine respect between them. They expect each other to have integrity and treat others with kindness and honesty, and the rest is good old chemistry and common interests.
I particularly love how in so many of their scenes (especially pre-relationship) when they spend time alone they just get to be these goofy nerdy kids. They argue about controversial authors and dig through records shops and eat hot dogs and make fun of each other and try to make each other laugh. It’s not just sexual chemistry as it too often is in a dynamic like this (and often uncomfortably sexual when writing teenagers - looking at you Gossip Girl), and not just well written intellectual chemistry — they have platonic chemistry too. A hell of a lot of it actually.
While I don’t think ASP wrote them through a purely deconstructionist lens on the good girl x bad boy dynamic (if she did plan on writing the dynamic at all), there is something to be said about how where many around them treat them like stereotypes they treat each other like people. To so many people, Rory is a perfect small town princess, a little miss sunshine with booksmarts for days but too delicate and sweet for anything with grit and weight. To a lot of the same people and many more Jess is a pathetic brutish and maniacal lost cause, hell personified in a chainsmoking leather-wearing teenager. But to each other they are actual human beings. Kind and mean and flirtatious and scared and reckless and smart. Rory really thinks that with the right motivation and mindset Jess can be the kind who does (and at the end wrote) incredible things. Jess really believes that with a little more practice and support to step out of her comfort zone she can be the amazing journalist she wishes to be.
They don’t have this stupid «we’re so bad for each other but we can’t stay away» thing that too many trope users rely on and don’t even justify in the plot. Everyone else might think they’re not fit for each other, but they knew they were each other’s person from the very first day.
#where a lot of good girl x bad boy dynamics are about opposites attracting#what draws Rory and Jess towards each other is how much they resonate with each other#the books the weight of expectations and assumptions the passion for more in life#they don't look at each other and see a sexy alien world they look at each other and see themselves#me rant because me unnecessarily passionate about this#again I don't inherently hate the good girl x bad boy dynamic#there's just so many examples of doing it badly out there#like I don't even need the dynamic to be morally good I just need it to be justified in the narrative#and to not just rely on the same old “it's so bad but it feels so good” and relying on stereotypes over actual character writing#Rory and Jess is one of the ways this dynamic is actually done right and it's because ASP doesn't dumb them down#or take the dynamic for granted just because it's popular and bound to have an audience#literati#gilmore girls#rory gilmore#jess mariano#rory x jess#gilmore girls meta#my meta#also extra because I can't contain myself
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When you answered the ask asking about your art style (which is a post I keep looking back on bc what you have to say is very interesting) in one of your screenshots of you talking you mention something about how most if not all of your symbolism is self referent and I was wondering what you meant by that!
Hellloooo. I’m glad you found my ranting interesting. Here is some Dirk art I’m probably never going to finish for your troubles.
What I meant by that when talking about any symbolism in my art is that it doesn’t reference outside sources - e.g. where some art might use something like religious concepts, animals, real life events to represent ideas, I tend to use things more like colors, contrasting objects, composition. That sort of thing. So things that are inherently a part of the work itself rather than connections to the real world. If I ever do use symbolism otherwise, it’s usually comic related even still. Although I have done pieces with religious symbolism before too, haha.
I don’t know how to describe it other than “self referential” because I’m not really sure what else to classify that sort of symbolism as. Just… artistic maybe? Non literal? I couldn’t say. I think it all basically just goes along with the majority of my art nowadays being more figurative than literal. Sorry if this doesn’t explain it very well. It’s also funny to think that anyone is “Looking back” on any of my texts posts though, haha. To me I feel like I am just dumping my words on my poor followers. Surprising. Thank you for reading.
#ask#Sorry for more art rambling. If I am responding to this then I might as well post the rant about art stylisation responding to another ask#I’m nervous about alienating my audience with too much not homestuck posting.#I really ought to just spam my asks considering I promised myself I’d take a 5 day break from drawing#(Too much drawing)#so it is the perfect time to answer asks. But I’m still nervous about spamming. Haha#I know art beyond a character based level isn’t something that most homestuck fans necessarily care about. Which is fine#but *I* do. Might delete later#If you see me posting this Dirk art (finished) at some point in the future then ignore it. Haha#Also religious symbolism piece was the Rosebot one I did… somewhat recently I think#Edit : I think probably the best way to classify it would just be visual symbolism actually
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tonight's little doodles
#doodle#lcb#meursault lcb#meurgreg#im trying to be less self conscious about making meurgreg or any ship art really#twt has exposed me to everyone having an opinion on every ship ever#which has made me back away from making too much art of any one ship#i know meurgreg is one of the most popular ships but because of that i also feel an odd sense of guilt#i cant explain it like i should use my art to contribute to a rare pair or smth idk#its all a bit weird and irrational#but ive realized i have not been able to make art for myself for months#every idea i have and everything i go forward to draw im always thinking about how others will feel about it#and how i can make it better fit or adequate for an audience so i dont let them down or bore them#and that mindset has made art so much of a chore that ive significantly slowed down so much on art at all#so idk#trying to stop overthinking and just draw what i feel to the extent that i feel#escape the perfectionism and wanting to please everyone as much as possible#to elaborate on the weird meurgreg feeling i guess its like#i feel guilty for filling tags even more with an already popular ship & making mutuals who dont like meurgreg see it more#but its just not that deep#people can mute meurgreg and thats just not my problem anyway#sry ab these tags!
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i'm the antonymph of the internet
#how many tributes to this song will i make in my life#MANY ! it literally changed my life and means a lot to me. i love antonymph and vylet pony's music is worth checking out - please do.#unsupervised internet access as a queer neurodivergent kid anthem !!#i chose to do misty since we all know i like drawing her in experimental pieces and putting her in outfits. she also has art in a gir hoodi#from the clash team in treasure trove!! :D#this is also experimental/stylistic as well!! had fun!! nice to just draw something in one day and not worry. leaves me tired but...#haven't done a nice piece like so in one day in a while!!! i'm very proud :] it's a fun one#anyways... both a little tribute to the song and misty as a character#ihave so many thoughts about misty even if i dont talk publicly on them. shes a very interesting character to me and i care about her so#much. i compared her to fluttershy in the past - and realized that if i liked ttcc as a kid she would've been my favorite.#fluttershy on her own meant a lot to me as a child. including mlp itself as it's one of the core things that got me into drawing art online#a lot of my analysis on misty and headcanons at least on the more emotional scale do come from a bit of projecting but...it makes it more#fun to me when i can put myself into the shoes of a character like her who i already relate to. rrghh too bad im scared to talk about her#too much in nuanced detail in public since some people are... not so nice about her. though i know the tumblr audience is nice and unders#standing!!#anyways from me just having fun being me#i let misty have a little bit of fun... something i think she would possibly enjoy? i do see her as someone who gets nostalgic#and is stuck in more childish things and matters. she wants to play ip dip with you...its very sweet to me. letting myself and her be#confident through a song that means so much to me is kind of powerful to me. i had a lot of fun making this drawing.#anyways. love this song. love ttcc. love mity /p. be swag and be self indulgent and have fun. you can do anything u want forevah#toontown#toontown corporate clash#antonymph#guz art#rainmaker
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very often ill see bears following my nsfw account and ill end up looking thru their profiles as i check for ppls ages in bio and theyre 99.9% bear4bear. That one anon lied to me.
#talkys#this is like a half joke/not that deep bc i dont actually care#and like. hm. how do i word dis.#there ARE people that have messaged me very very excessively over how much theyre into al on there#and i would NOT want that directed at me.#and i myself am‚ of course‚ an al enjoyer#and like. this is also not that deep im not saying its actually affecting me on a very personal level#especially since me and skunker are boring little guy things#but seeing everyone going into that account only being there for my guy is just reminding me of#being friends with like the prettiest girl in high school#where like at lunch she'd leave to get something and all the guys tailing her would be like#so whats the name of your hot friend lol :)#LIKE GAH. of course you're here for him but damnnnn cmonnnn#idk how to describe it bc again id also feel strange if ppl were being weird about skunker instead. idk! idk what it is#and i myself wouldnt lust after skunker adjacent beasts etc so i get it but theres Something about it i cant place#I THINK its bc skunker is an expression of identity and self#and skunker and cow al are like. copium. so some part of me feels really alienated by feeling like my audience straight up doesnt want#''me'' there...ykwim...i think thats it. bc ive been asked for more solo als or al with literally anyone else#or al with other big guys bc itd be hotter#and while im open to dis if im paid to draw it it really feels like the simpsons sheep bit LOL
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starting to feel really complicated about the upcoming Finnish production of Moulin Rouge!
#like. on the one hand I'm of course looking forward to it#but on the other hand. well. it's just that this is hardly my first rodeo.#I've seen some of my all-time favourite productions being redone by other theatres before and they're never as good#(with the possible exception of the Karlstad/Jönköping Les Mis I guess)#(but that was all about Alex being my fav + Philip Jalmelid delivering the most out of this world rendition of Stars I'll ever hear)#and then I'm just very prejudiced against the theatre that's staging the Finnish MR!#with one notable exception every musical I've seen on their big stage has felt... just a little bit soulless to me I guess#maybe it's just because that stage is so big and it always feels like theatre set up in an airplane hangar#or maybe it's because the type of audience they attract almost always gives off a certain slightly detached vibe#or maybe it's something about the way they work itself#or maybe it's all three!#but I'm a little worried that though it's by the same director the Finnish MR! experience simply won't compare favorably to the Swedish one#and then there's the weird feeling you get when it comes to these things... or at least *I* get when it comes to these things#if I'm right in my premonitions and I'll walk out thinking it doesn't hold a candle to the Swedish production that is#inevitably Finnish people are going to love the Finnish MR! and praise it because it's a good production no matter what#so then I'll be stuck in that weird mood#where I'll feel like everyone around me is watching the shadow and I'm the only person who's been outside the cave to see the Real Musical#and I know it's stuck up and silly to feel that way! and yet#oh man. just please let me see the u/s Zidler and I'll be too happy to even compare the rest of it to Stockholm#anyway!! I guess this is something I'll need to work through myself as a musical fan before I go see it#also maybe some fanart of the Swedish production? I've honestly been too exhausted the entire spring and summer to even think about that#but I'd like to draw something#maybe one day?#Moulin Rouge! posting
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yeah fuck it aphmau's 2015 minecraft roleplay series can get me back into fandom culture. sure. why not. adult life is already so fucking weird.
#heres the thing#im approaching this series as an adult man working on an english degree#as an academic#that part of my trade is a big part of who i am and how i interact with media as a whole#so honestly i am now interested in these videos as a method of storytelling#and asking myself#how did mcd captivate audiences like me? what was done in the making of this to hook people and make them really care?#what did people get out of watching this and was it intentional or what?#obviously this series has immense value to countless people and i wanna understand exactly how to get a better idea of how media shapes us#and also how is media shaped by the way it shapes its audience#like a bad movie that you love anyways because it came out at an important time in your life#or a flawed game series that fans still love#what draws us to these things#what is it exactly that makes things that aren't high art compelling to us?#how does the love of an audience give media value regardless of its artistic value or even its overall quality#im the type of person that is of the opinion that bad media can be good media because of the effect it has on others#like marvel movies are intersting to me as something to study bc its a behemoth of cultural context and context from rights disputes#and i feel like watching the properties says a lot about the current state of the industry and world at large#do i enjoy the movies or shows? not usually lol#ok deadpool v wolverine was kinda fun#but i like to see what the immense funding and the collaboration of hundreds can create#even when its not really like... good#its still interesting#and it still has cultural value! emotional value! i had fun watching deadpool v wolverine#bc i was high and having a good day out with my friends who i love#and i like the general ideas behind marvel stories#thats valuable!#god#ok#nerd rant over
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Thinks about my next series again... I drew the icon for it!
I'm planning to have it launched within a year! I'm hoping for summer 2025. I want to make a prelaunch page before Time and Time Again ends so people can subscribe if they're interested, but I'm worried the series return would be too early...
#SORRY HAHAHA REPOSTING IMMEDIATELY#i. it. IM SORRY okay the.#i had 'im not interested in the comic' as an option but it immediately made me feel bad#DONT FEEL BAD IF YOU PICKED IT i put it there#i just realized its not really a helpful metric to me at all!#im making the comic either way!#so i just want to gague interest. disinterest doesnt do much for me. you can come and go as you please!#just wanting to retain readers as much as possible but without losing them due to taking too long#ahhhh the balance of marketing. a beautiful beast she is.#anyways yeah hoping to launch like about as tta is ending#or like at LEAST a prelaunch page by then#im also not intending for the prelaunch page to be like. announced...#moreso just a link i append on art for the series!#just so when a drawing of zagan gets 500 notes#people who are interested in what hes from can. see that...#anyways. sorry i haven't been posting work is wild im going 70+ hours a week again i am so tired#not much time to draw non work stuff#im hanging on by a thread of having multiple projects i can bounce between again#and sometimes thats this one! so heres the results of some mental health work variety#we were legion#polls#sorry for the instant repost. in my defense. i am exhausted.#i can not wait until im making a different comic that i can do a fucking. normal ass schedule with#where im not every week gasping for breath in some kind of bad at swimming metaphor.#anyways if youre not interested dont tell me. it doesnt matter to me. no offense but i just dont wanna hear it.#i want to make the comic and my audience as much as i love you all is not going to have any control over what i do with my art#im gonna make this comic if i only get it done on weekends after getting home from the fuckin movie theater#i am not working for webtoon again wnd im not forcing myself into the dirt for comics again#but im also never gonna stop making them. just need to build a healthier relationship!#FUCK I MADE IT A ONE DAY POLL.
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affirmations for when u have to edit ur art to post it instead of just drawing and doing nothing else because u hate editing:
i love editing photos
editing videos is very quick to do
editing and posting on socials are my favourite parts of art
i’m so so good at editing and creating voiceovers
my art is very organised and easy to edit and keep track of
editing videos does not make me want to throw up and/or die
i love filming my process
i always draw at a table with cameras set up and not on my lap while i watch tv shows
auto-recorded procreate videos are not boring and people love them
i can get paid for my art without having to label myself as a content creator
#algorithms love me and people see my art and like what i draw#editing videos isn’t even that bad but after an hour i want to throw my phone away :)#~content creation~ stfu i literally just draw pictures what the hell#it’s ok it’s fine i’m doing it for myself so i can get an audience that’s all im not doing this as a job im fine i can do the bare minimum#<- that’s also an affirmation btw#art#art meme#social media
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I'm changing my artstyle again
#tbh it's just so boring with my new style#Probably will draw like that still#But occasionally#It's just kinda time consuming#And by the time I'm halfway I'm bored#So yeah :)#I just wanna make it easier and more fun for myself#Also that way I can pump out more art and stuff#For my audience of two people <3 I see you!#And love you ❤️#my art#Artstyle
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commission for an extremely generous donation to the Gazan families in my bio by @six.ketterdam.crows ❣️ donate and I draw you anything you want
tbh I never saw myself drawing this scene, but I'm glad this commission gave me the opportunity to think about it. I wanted to show the scene in a way that was hopeful but not romantic; to see the moment through Inej's eyes rather than objectifying her (as a trafficking victim forced to be fetishized). I wanted it to be beautiful in a terrifying way, where things appear gilded but when you look into the shadows, they are in a cage filled with objects snatched out of context and displayed as "exotic" paraphernalia. I wanted Kaz to be a source of hope but not a savior; Inej is performing an escape act in this moment, and he's the audience. It was also my first time doing a real room and treating it as a character, which was a learning experience toward a goal of mine.
#illustration#procreate#my doodles#my art#shadow and bone#grishaverse#art#six of crows#digital art#grishaverse fanart#kanej#inej ghafa#kaz brekker#commission for gaza
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Viktor's (subverted) Aristotelian Tragedy
A common sentiment I’m seeing throughout post-finale Viktor discourse is an understandable concern or distaste for the element of choice lost throughout his story. I know a lot of us – myself included – expected more time spent on his transformation, along with emphasis on the anger/rage/betrayal fueling it. But seeing him allow Singed to “begin the process” in episode 8 reminded me of Arcane’s origins – tragedy. Bear with me for another long analysis :)
Aristotle wrote the following on the tragedy: “A tragedy is the imitation of an action that is serious and also, as having magnitude, complete in itself…with incidents arousing pity and fear, wherewith to accomplish a catharsis of these emotions.” He also emphasized that the true tragic hero couldn’t be perfect, and his downfall into such catharsis-inducing circumstances was reliant on a fatal flaw, oftentimes pride.
Viktor fits this mold, as do many Arcane characters, and it stands to reason that this was intentional since the writing team has reiterated that the show is a tragedy, at its core.
Regarding Viktor’s fatal flaw, I’d argue it’s pride, but it manifests very uniquely. He never makes any grand declarations about his success and doesn’t draw attention to himself in any clear way throughout season one (“Progress Day” comes to mind). Instead, his pride manifests as staunch independence and self-reliance that lead to his downfall; his unwillingness to break his stoic mold arguably led to his use of the Hexcore…so it goes.
Fascinating caveat: Viktor’s pride is a defense mechanism, a necessary tool he built in order to survive and succeed in a hostile environment to people of his station. His self-reliance is increasingly desperate as his illness worsens. He’s cornered by fate but banks on the sanctity of choice at every turn – in season one, Viktor is bound by the conviction that we all have a choice. It’s why he’s so distressed when Jayce makes the wrong one regarding weaponizing Hextech.
“There is always a choice.”
Viktor’s choice to fuse with the Hexcore is the classic Aristotelian fatal flaw moment, the singular incident that opens the flood gates for eventual catharsis. We watch Viktor make an irreparable choice, one that we know to be bad, and endure the repercussions. He then makes the choice to abandon the Hexcore, and end his life, but audiences can’t shake the feeling that those consequences aren’t leaving anytime soon.
So why is Viktor so anti-choice in his final season 2, act 3 form?
Choice is Viktor’s weapon. Pride is what leads him to abusing it. Despite how uncomfortable and depressing it is to watch, Viktor’s slow descent into the Herald is a perfect twist of fate. The Arcane is even so insidious that it meshes with his original intent, to help those suffering in the undercity, while convincing him that their subservience is healing. He becomes responsible for their choices. He knows what’s best because he’s relieving the Gloriously Evolved of their suffering, right? The utopia is for the greater good, yes?
Admittedly, it was really hard watching act 3 Viktor descend fully into his choiceless ethos. But we can still relate it to his tragic flaw – his pride has mushroomed into coldhearted omniscience; not only does he know what’s best for everyone, evolution, but he also has the sense to make the choice for them to supersede their “baser instincts.” The grief we feel upon seeing this perverted, violent version of himself, as far removed from Viktor as possible, is the culmination of Aristotle’s treatise on tragedy. The catharsis is the rock-bottom Machine Herald.
"Choice is false."
But then Arcane decided to basically make Jayvik canon (get out of here, Christian Linke) and destroyed the early drafts of this post. I’m going to rapid-fire this next bit:
Jayce forces Viktor back to life. Viktor has no agency in his season 2 inciting incident. Again, it’s distressing when we mourn his agency, but it remains in accordance with Aristotelian tragedy.
Viktor clings to humanity as long as he possibly can. When Jayce calls out Viktor’s trajectory, alleging that his old partner had died in the Council chamber, whatever is left of Viktor gives way to the Arcane because his last tether has been snapped.
Jayce knows the game – Old Man Jenkins Mage Viktor told him so. Jayce becomes the linchpin in subverting Viktor’s tragedy. He knows what must happen. He understands now.
Machine Herald Viktor is given the chance to undo his fatal flaw, to reverse the catharsis, when he sees Old Man Jenkins Mage Viktor. With Jayce’s help, he takes it.
Given that it’s a version of Viktor who ultimately frees him from himself by empowering Jayce, we can gather that Viktor has liberated himself from his tragedy.
Aristotle’s catharsis is rapidly transformed from something based in release to something healing – Viktor’s tether to humanity returns. He grasps it. The walls of his pride and self-reliance collapse. He accepts Jayce’s help, finally being seen as the full individual he is. Catharsis ensues, for sure, but I don’t think it’s based in the typical tragedy genre.
All this to say, I think Viktor’s arc was, in fact, carefully constructed. He represents the Aristotelian descent into a fatal flaw and that’s very distressing to see unfold, especially since he embodied the tragic hero archetype so well from day one. However, Jayce undoes this narrative and we’re given an incredibly subversive ending that I, personally, never saw coming.
I’m sure that Mage Viktor has a much larger bearing on this analysis than I’m accounting for. But for now, suffice to say that he is Viktor’s way out of the tragedy. TALK ABOUT CHOICE!
This doesn’t erase anyone’s discomfort for Viktor having less and less agency, but I’d like to emphasize the logic and literary precedent behind the story decisions.
PS: here's a quick source I looked at about Aristotelian tragedies. I hope to re-up on Greek tragedies so I can get more specific about the parallels Arcane draws from them.
#wow! big one! thanks for reading if you stuck thru to the end#if you couldn't tell...i am a fan of viktor's entire story#it still doesn't feel fully real to me#and OFC they could have - and should have - spent way more time showing rather than telling#but that's a problem unfortunately endemic to the entire season so i see no point in dwelling too much#i just. i love him#and i will never stop talking about him for as long as i live ok ok#viktor arcane#arcane viktor#jayce talis#jayvik#arcane meta#arcane#arcane season 2#arcane s2#arcane spoilers#also i fucking love old man jenkins mage viktor and nobody will silence me on that front#viktor propaganda
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fairy of shampoo — ryomen sukuna.
“No, I doubt that.” he murmured, his voice dropping further as his eyes trailed over you, taking in every detail of his creation on your body. “I didn’t outdo myself. You did. You made it come alive. Well, you always have.” He reached out, his fingers brushing the edge of the fabric near your shoulder, the touch light yet searing. “This was always meant for you. No one else could’ve worn it like this.” There was a beat of silence, heavy and charged, before he added, “Do you know how hard it was to sit out there and watch everyone look at you like that?” You raised a brow, your smile teasing now. “Jealous already, ‘kuna?”
GENRE: alternate universe - fashion world au!;
WARNING/S: afab! reader, love at first sight, co-workers to lovers, romance, nsfw, rated 18 and above, explicit content, kissing, making out, rough sex, fingering, p to v sex, backstage/greenroom sex, orgasm, humor, pet names (angel, sweetie, etc), devotion, possessiveness, jealousy, characters speaking in sexual innuendo, mention of sexual euphemisms, depiction of explicit sexual content, fashion designer! ryomen sukuna, super model! reader;
WORD COUNT: 5k words.
NOTE: i wrote the first part of this while on instagram live and continued to write, but then i forgot to do a live about this again and passed out from more cold medicine. the cold weather isn't really helping my case either. but im feeling much better now!!! though, i kept changing titles too, cause im indecisive. but of course txt saves the day with fairy of shampoo.
i adore this song a lot. also, if you are curious, this was something i was imagining for a while as an au to concubine reader and sukuna. like in another live, he would be a former underground fighter who fell for model reader. in any case, i hope you enjoy it. i love you all!!! see you on the 10th!!!
masterlist
if you want to, tip! <3
HE DOESN’T THINK HE’S EVER SEEN SOMEONE LIKE YOU BEFORE. He felt his breath hitch, the steady rhythm in his chest faltering as if the very air had thickened, demanding more effort to draw in.
The crowd was roaring around him, but the noise seemed muted, far away, like a distant wave crashing on an unseen shore. All he could focus on was you, the commanding force you carried with every step.
It wasn’t just the way you moved — it was the raw, magnetic energy emanating from you. Each step struck the floor like a declaration, a drumbeat echoing through the cavern of his mind, drowning out every other thought.
He tried to remind himself to blink, to exhale, to ground himself in something other than the overwhelming pull of you, but it was no use. When it comes to you, there was no winning.
When you reached the center of the stage, you turned slowly, your gaze sweeping over the audience like a stormfront rolling in. Then, for the briefest moment, your eyes landed on his.
He felt like a man struck by lightning. The fire in your gaze seared through him, sharp and unyielding, leaving no room for the walls he’d so carefully built. He was laid bare, every defense stripped away, and for the first time in his life, he didn’t mind.
As quickly as it had come, the moment passed, and you turned your attention elsewhere, leaving him in the wreckage of his composure. His heart was racing, pounding against his ribs like it was trying to escape, and he could only wonder how someone could hold so much power without even trying.
Control? Composure? He realized now how fragile those concepts truly were.
Everything about you screamed majesty. It was obvious you knew what you were doing and it was obvious that you were doing it with so much passion, so much pride, so much expertise. If it was not clear now, it would be obvious to all now that it was you who ran this world.
And you had no problem trying to show that to everyone. Everything about what you were doing could only exude wonder people cannot explain. Especially when you walked. Ryomen Sukuna knew this from the first time he saw you walk.
He could somehow remember the first time he’s seen you walk on a runway. He wasn’t yet the person he was at this time. Ryomen Sukuna remembers that he was a rough man, a brutish man. Someone whose hands were at one point made for destruction more than they were for anything relating to creation.
These hands were born for nothing good at all. These were born from nothing and then for violence. For most of his life, he was sure that they were made for nothing else but pouring blood on the concrete in rough fistful bouts than they were for wanting to understand the language of fabrics and colors.
Sukuna was all too certain that he wasn’t someone who he himself thought was even worthy of being in your presence then. You wouldn’t have liked the man he was then.
If he didn’t, then you would certainly not like him too. But he liked to think that this was the moment his life changed. He could remember it so very clearly, that moment.
He could recall it all, if you asked. Every little detail. His bloody hands fumbled with the remote control, the echo of his fingers pressing the buttons whiplashed as he tried to find something worth watching. Nothing was worth watching, nothing was worth looking forward to. One after another, the button pressed only to lead to disappointment.
Then, he stopped.
You were the first thing he saw. He blinked as he found himself staring at this moment. It was like you owned the runway. Your long silver stilettos click and clack across the steps,the fine texture of the shimmering silver dress blossomed like moonlight right in front of him. It was like an epiphany when he watched you come towards him through the screen.
Your bright blossoming eyes narrowed sharply as you stopped at the center, posing masterfully for the audiences and then for the cameras. He could feel the hairs on his body stand up as he walked closer to the screen. Almost a second after, you had smiled at the crowd.
For a moment, Ryomen Sukuna had thought that this belonged to him. Your smile, your gaze, your pose. He had felt like you had been longing for him. Calling for him to come and join you. Beckoning him closer by your side. Almost as though you were commanding him like the goddess of the moon you were in that moment.
He wished that moment had lasted much longer. But as you finished your moment, it was your turn to walk away. Disappointment slowly seeped into him as he watched you go, the train of your metallic silver gown flowing behind you like moonshine withdrawing from the slithering darkness.
You were so beautiful, so bright and gorgeous. For a moment, he didn’t even think you were real. He couldn’t believe that such a being like you could ever exist. He couldn’t believe that such a being like you could ever bless him with your wonders, even for just a moment. From that moment, he was awestruck.
But it’s not like Ryomen Sukuna could not help himself in wanting you. You were life itself for him from that moment. And he couldn’t help but live in the world you made. He could not help but want to know you. To know more of your wonder. To be there in the room where it happened, watching you command the world with each and every step only you could make.
One could call him insane for believing that this was the moment that changed his life. That you, who he had never known, would ever change his life. Yet, it was true. You had made him your most adoring servant.
And he had made you his master, his lifelong muse. He knew that he didn’t have any skills to dress you, his goddess, just yet. But if there was something Ryomen Sukuna knew, it was that everything can be learned. And you would guide him how.
He could recall how he stood up from his couch that night and washed his bloody hands on his sink. He cleaned every bit of it. By the time he finished, he found his hands clean enough. And with that he felt satisfied.
He dried his hands with the dry cloth, watching the bloody water drain down the sink. He knew that he had to have clean hands, for you. He can’t dress you if his hands are dirty with blood. He won’t soil you. No, he won’t soil his goddess.
The click of the cameras brought him back to reality. You stopped at the center of the runway and posed. You look at the side dramatically, your jaw sharp against the glow of stage lights. You had fun as you brushed the loose hair back on your ear, trying to showcase the fine sapphire earrings encrusted with diamonds.
People were in awe as you stood there, the leather covered fingers tracing your beautiful face as you showcased the fine red silky flow of the shimmering strapped dress bejeweled in fine rubies and sapphires and its majestic slit at the hem forcing your fine leg forward, the heel of your shoe just as magnificent with its intricate design.
Everything about it was a perfect fit — as it should. Ryomen Sukuna could only think to himself about how proud he was that it looked good on you. Red was certainly made to be your color. The color he had so loved, the color he knew you had come to love just as much when you looked into his scarlet eyes too.
Sukuna’s smirk deepened as he watched the crowd, their collective awe painting a smug satisfaction across his sharp features. They didn’t just see a veteran model on the catwalk; they saw his vision, his devotion, his muse brought to life. They saw life form before their eyes.
It wasn’t just about the clothing, no. It was about you, his precious muse. You carried his work like no one else could, not just wearing the piece but embodying it, giving it a presence that no other model could match. Every step you took whispered of elegance, screamed of confidence, and radiated the unshakable power he had designed into every stitch.
He leaned further back in his chair, one leg draped casually over the other, his fingers tapping a slow rhythm against his arm. Sukuna’s mind flickered back to the nights spent creating the masterpiece you now wore. The hours he poured over sketches, fabrics, and details, all with you in mind. The fire in his chest when inspiration struck, always tied to the thought of you — your silhouette, your essence, your wonder.
It was a dangerous thing, he knew, to let himself feel this much for anyone. It was even more grievous when one thinks about how crazy he is, obsessed with you. But as he watched you claim the stage as though you owned it, as though you owned him, he couldn’t bring himself to care. If anyone deserved his best, it was you.
And now, seeing you carry with pride what he had envisioned, the culmination of his work, his smirk twisted into something softer, something almost reverent. His scarlet eyes could only glint with a mixture of pride and possessiveness.
Because this wasn’t just a fashion show, not to him. This was his world laid bare, his unspoken devotion stitched into fabric, and you, his muse, standing at the center of it all. And he could care less about anything else. This was what mattered. Nothing more will satisfy him than you.
Let them look. He thought, his scarlet gaze darkening further. Let them be captivated.
But they should know this — the vision, the brilliance, the art?
It was his. And so were you.
And you just as well knew it too.
He was yours too, after all.
The moment the show ended, Ryomen Sukuna slipped through the mass of the crowd, his stride purposeful as he made his way backstage. The buzz of the event, the voices, and the clinking of glasses faded into white noise as he navigated through assistants, models, and photographers.
They all parted instinctively for him — whether out of respect, fear, or both, he didn’t care. Why should he care at this moment? He had something else much more important in mind, after all. Nothing can compare to that, to you.
He found you standing alone, the chaos of the backstage swirling around but never touching you. You were a picture of composed beauty, your magnificent features illuminated by the soft backstage lighting. The masterpiece you wore still clung to you, the fabric shimmering as though it held its own light.
You didn’t notice him at first, too engrossed in adjusting one of the intricate details of the outfit, but the shift in the air told you he was there. You looked up, your tender gaze locking with his, and in that instant, the world seemed to narrow in this cage you had always made for just the two of you. Your lips perk up into a small sly smile.
Sukuna let the door swing shut behind him, the sound muffled by the hum of the outside world. The room felt smaller now, the space between you crackling with an intensity that mirrored the one you’d commanded onstage. He leaned against the wall, crossing his arms casually, though the smirk on his lips betrayed the hunger in his gaze.
“Stunning, as always.” he said, his voice low and deliberate. “But then, you already know that.”
You tilted your head, meeting his smirk with a soft smile of your own. “The design does most of the work. You outdid yourself, Sukuna.”
His smirk deepened as he pushed off the wall, closing the distance between you in a few slow steps. You shake your head at him, your smile getting bigger too. He was about to have another one of his antics, for certain.
“No, I doubt that.” he murmured, his voice dropping further as his eyes trailed over you, taking in every detail of his creation on your body. “I didn’t outdo myself. You did. You made it come alive. Well, you always have.”
He reached out, his fingers brushing the edge of the fabric near your shoulder, the touch light yet searing. “This was always meant for you. No one else could’ve worn it like this.”
There was a beat of silence, heavy and charged, before he added, “Do you know how hard it was to sit out there and watch everyone look at you like that?”
You raised a brow, your smile teasing now. “Jealous already, ‘kuna?”
His chuckle was dark and low, the kind that sent shivers down your spine. “Jealous? Maybe. But more than that…” His hand slid from the fabric to your jaw, tilting your beautiful face up to his.
His scarlet eyes burned with something raw, something possessive. “I just wanted to remind you to come by and tell you, like I always do. All of this, the applause, the stares, the admiration... none of it matters. Because at the end of the day, you’re mine. No one else can have you but me.”
The air between you thickened, you could feel your pulse quickening as his blunt words hung in the space. His thumb brushed against your tender cheek, and soon enough, his face echoed a small smirk against his beautiful lips, one that you were certain was softer this time. But of course, you were just as certain that it wasn’t less intense.
“And don’t you dare forget it, hm?” he added, his voice barely above a whisper, before leaning in to close the distance between you.
“I will never forget.” You hummed back to him, just as sweetly. Just as venomous. “Just as you never forget that I am the only muse for you, hm?”
He laughs, the tone rich and eager as his eyes narrowed at you. “And when have I ever forgotten that, hm? Ten years of my life given to you so far, and you’ll have the rest of it too. You don’t have to worry about me leaving you.”
You couldn’t help but laugh aloud this time. “Hm, then you are my prisoner now.”
“I always have been….. I am always willing to be, sweetie.”
He grabbed your hand, his grip firm but not forceful, and guided you through the bustling backstage chaos. You followed without question, the dress flowing into the brush of wind as you made your place elsewhere. You could feel your heart racing as he weaved through the narrow halls with singular focus, while still holding onto you, no matter what.
He didn’t stop until the two of you reached your green room. With a swift glance to ensure no one had followed, he shut the door behind you, the lock clicking into place with a finality that made your breath hitch. You looked at him and then he looked back at you, almost as though time had frozen between the two of you.
The room was quieter here, dimly lit and far removed from the noise of the show. The faint hum of the loud music leaked through the walls, but it only added to the charged atmosphere between you. Ryomen Sukuna took a breath before starting to get closer to you, his intense scarlet gaze pinning you to the spot.
It was as though your throat had all but closed. You felt yourself standing there as he made his way to you and then stopped. The space between the two of you had all but evaporated into nothing. You pursed your lip into a line and then shook your head into a small smile.
His scarlet glint lingered, locking with your gaze, a mischievous gleam dancing within his eyes. Slowly, he lowered himself before you, hands deftly reaching for the ties that bound you to your heels. The heels he had designed just for you.
You knew you could do it yourself. But he refused to let you do it, even when he has to get to you later on, he would get some sort of way when he didn’t do it for you. For so long now, you have never been able to take your shoes off by yourself. He wouldn’t allow it.
After all, it was a ritual he insisted on. It was something he had done even when he was first designing clothes tailored just for you. And you had long stopped having any qualms about it.
Every time he did this for you, whether after the runaway or some time else, there was always this calm. It was always a quiet moment of devotion woven into the fabric of your bond each and every single time.
An angel like you shouldn’t have to stoop to something like this, sweetie. He had said back then, his lips curving into a playful smile as his attention remained on your feet. Only devils like me should kneel, taking on tasks as lowly as this.
Now, as his fingers worked to free you from the delicate binds, he couldn’t help but hum. You could feel his mumblings be rough and edged with something untamed and all at once, the warmest of spring days and tenderest of breaths. You obediently look upon him as he carefully removes them from your feet.
“You’ve been driving me insane all night, sweetie.” He set your shoes aside, tucking them where they wouldn’t catch another soul’s attention. His scarlet eyes roved up to yours, filled with longing. “Everything you do, even now... You just woo me to no end.”
You shivered under his gaze, feeling the intensity of his words wrap around you like a warm, intoxicating haze. His hands, calloused yet deliberate, brushed against your ankles as he adjusted your footing, ensuring you could stand without strain. Even in such a simple gesture, his care for you felt all-consuming.
“You have always imprisoned me, you know that? But tonight…..you really have mastered it.” he snickers, his tone dipping lower, velvet and gravel in equal measure.
“I have.” You muttered back at him, smiling at him as sweetly as you could. “Don’t you like it that way? Your muse gives you everything, artist of mine.”
“I did. I always do. I loved tonight most, I should say.” His lips curled into a smirk that sent a rush of heat through your chest. “Every glance, every move—it’s like you’ve cast some wicked spell. And here I am, completely at your mercy.”
He leaned in closer, his breath warm against your skin, his hands still lingering just a moment too long on your legs. The proximity was enough to make your heart race, yet he stopped short of closing the distance, his teasing nature keeping you on edge.
“And the worst part?” he added, his voice softening but losing none of its weight. “I don’t even mind. Your devil craves more—he begs, over and over, to be your fool willingly.”
He stood, fluid and graceful, the motion commanding yet intimate. Your eyes blossomed as you looked towards him, unable to move. You felt as though you were being consumed by him. You felt like you were consumed by his wonder, by his soul, by his everything. Like you always have been. Like you always want to be.
His fine lips hovered near yours, daring but unyielding, as though he relished the tension he had so masterfully wrought. Every second seemed to stretch into eternity, leaving you breathless, waiting, wanting—until finally, he whispered back to you.
“Tell me, my angel... How long are you going to keep me like this?”
Before you could respond, his calloused hands were on you. One sliding around your waist, the other cradling the back of your neck. His precious lips crashed against yours with a hunger that left no room for hesitation. It was a kiss that demanded everything from you, one that poured out all the frustration, admiration, and possessiveness he’d kept in check throughout the show.
You melted into him, your tender hands finding their way to his chest, fingers curling into the fabric of his coat and then his shirt as you kissed him back with equal fervor. His touch was everywhere, his hands tracing the curve of your waist, the line of your back, pulling you closer as though he couldn’t stand even an inch of distance between you.
The kiss deepened, his lips parting yours as his tongue sought entry, exploring, claiming. You gasped against him, and he took the opportunity to tilt your head back, giving him better access as he pressed you against the cool wall, pinning you against it.
“You were perfect, sweetie. You truly are.” he muttered against your lips, his voice a gravelly whisper. “You have no idea how you burn me alive.”
Your fingers tangled in his hair, pulling slightly, earning a low growl from him that sent heat pooling in your stomach. “I think I’m starting to get the whole of it, ‘Kuna.” you teased breathlessly, your words cut off as he captured your lips again. “But….I wouldn’t mind knowing more about it.”
The air around you was thick with the scent of him, a mix of that one of a kind expensive mint cologne and a little bit of cinammon, something he had become fond of because of you. Everything about it was unmistakably your Sukuna.
The world outside the green room ceased to exist — no crowd, no cameras, no responsibilities to the world. It was just the two of you, tangled together, consumed by the fire you’d stoked in each other. Consumed by the very word that both of you couldn’t fathom saying to the other.
When he finally pulled back, the string of your connection bellowed you in parting. You looked at him intently as you gathered yourself. Both of you were breathless, wanton in your desire. You found your lips swollen and your heart pounding to no end.
Soon enough, he drew you closer and let his forehead rested against yours intently, his hands still firmly on your waist, holding you as if he feared you’d vanish.
“You’re so ardently beautiful, angel of mine.” he said again, his voice a husky promise. “Always. My only muse.”
“And you’re just as cunningly sweet, devil.” you replied, your voice steady despite the whirlwind of emotions coursing through you. “You’re the only one who can be my artist.”
“You’re quite possessive tonight, aren’t you?”
You hummed back to him. “Don’t you already know that I am vile when it comes to you and smiling at other women?”
His smirk returned at your words. You rolled your eyes at his smirk, but your own eyes were too playful to suggest anything else. Your lover’s smirk turned softer soon, as your hands rested around his neck. But it was obvious that it was just as dangerous. Soon enough, he leaned in to kiss you again, passionately slower this time, as if savoring the moment.
The green room felt impossibly small, the charged energy between you crackling like a live wire. Sukuna’s hands roamed your body with a confidence that left you breathless, his touch igniting a fire in your veins. His lips trailed from your mouth to your jaw, down the curve of your neck, leaving a heated path in their wake.
Your back pressed against the cool wall, a small breath releasing from your lips. You could feel the difference when you pressed against his body, though. Now more so when he had all but taken everything off, naked as the day he was born. It was truly a stark contrast to the endless heat and pleasure just radiating from his body and onto yours.
He held you firmly, his strong calloused hands gripping your voluptuous hips closer as though grounding himself in you. His hot breath was heavy against your skin, his sharp teeth grazing the sensitive spots on your skin that made you shiver and arch into him.
"’kuna, you….." you whispered, your voice trembling with both anticipation and need.
He chuckled darkly, his lips curling into a wicked smirk against your neck. "Say it louder for me." he demanded, his voice dripping with authority and raw desire. “I love hearing from you.”
You barely had time to respond before his hand slid lower onto your body, finding the silky fabric in his way. His brow raised for a moment. He had put himself in a conundrum, at times. He likes dressing you in everything he thinks of and creates. And yet, he just as much loves to see it off your body.
With a swift, deliberate motion, he tugged at the silky material, his eager movements ever so impatient yet precise. When your lover found your bare skin, you couldn’t help but gasp, throwing your head to the side slightly, clutching onto his shoulders for support.
It didn’t take long before your lover found himself pressing himself closer, the thick heat of his touch teasing at the warmth of your entrance. He paused, his warm scarlet eyes locking with your own, searching for permission in your gaze. Even when he leads, he knows an angel will always be the one on top, not him, not the devil.
You nodded, your bruised lips parting as you whispered back at him. "Please. Please, my devil."
From there, you could only find that the tension had all but snapped. He pushed into you with a slow, deliberate force that had you throwing your head back against the wall. A loud pleasured cry escaped your eager lips as his throbbing tip pressed against your walls with such a mean, unrelenting precision.
You could only ever feel so full with the way he was easily stretching you in a way that was both overwhelming and intoxicating. He always knew too well how your body would react to him, wantonly eager to capture him in this desire. Just as much as it was willing to follow him, like he was its very own pied piper.
His rough and yet gentle hands gripped your hips tighter against him, steadying you as he slid into you deeper, filling everything inside to the brim. Your lover’s breath could only feel ragged, his jaw clenched and tightened as he fought for control, his sweating forehead resting against your own, now too drenched in desire.
"You take me so perfectly, don’t you?" he growled, his voice low and filled with unrestrained hunger. “Too good.”
Your fingers found their way to the small of his back, nails painted crimson now stained deeper as they dragged across his skin, leaving raw, bleeding trails in their wake. You clung to him desperately, adjusting to the fullness of him, each deliberate motion sending shockwaves through your body.
The initial sting of his girth soon melted into a searing pleasure, a molten heat pooling deep within you as he buried himself further, again and again. Each thrust forward in this pandemonium of pleasure was deliberate, unyielding, designed to elicit the loudest, most unrestrained cries from your lips.
Even against the sound of music outside these walls, your pleasure was even louder. Not that Sukuna minded. If anything, that had just made him more eager for more. The air in the green room grew dense and feverish, charged with the mingling of your ragged breaths, the rhythmic slap of skin meeting skin, and the guttural curses that spilled freely from Sukuna’s lips.
He shifted slightly, tilting your hips with a nearly brutal precision, each movement driving him deeper and deeper into you. It was raw, primal—his intensity teetering on the edge of brutish animalism. The cool wall at your back pressed harder against you as he pushed closer, his heat overwhelming, searing into your already burning skin.
From then on, your lover found himself thrusting against you in a new angle. Almost instantly, you found yourself unraveled entirely, tearing cries of unrestrained ecstasy from your lips over and over again, layered in different pitches one after another. Your body arched instinctively, meeting him halfway, desperate for more as he kept you teetering on the precipice of bliss.
Again and again, your lover gleefully pushed you closer to that feverish edge, his swift movements unrelenting, even as his own breaths grew rough and uneven, the sound of his hunger matching the rhythm of your shared passion. You could feel your slick sliding down your crevices, as much as drool was falling from your lips.
“You feel that?” he growled, his voice low and ragged, thick with possession. His lips found the curve of your neck, teeth grazing your skin before biting down lightly, claiming you in a way that sent shivers down your spine.
You groan against him. “You take me so perfectly… even now, in this dress I made just for you. Look at how it clings to you, ruined. It’s just like I wanted.”
The shining silk fabric of the dress bunched at your hips, a masterpiece he had poured his craft into, now crumpled and wrinkled between your sweating, mangled bodies. It was too intoxicating, the way that the waves of wrinkles formed on the fabric as you moved against him just as intensely. It was such an art. It was an art that only belonged to you and him. No one else can ever see such marvels like this.
The bright satin straps had all but slipped from your shoulders, exposing more of your gleamingly red and marred skin to his roaming calloused hands and greedy scarlet eyes. His long fingers gripped the delicate material, rough and unapologetic, as though the dress itself was just another part of you to dominate.
Your response was but a strangled moan as his brutishly eager hips snapped forward, the force of him driving you harder against the wall. The burn of skin against skin, the body against the cool wall — it has overtaken you whole in many fits of groans in pitiful harmonies of pleasure.
The cool surface contrasted with the molten heat coursing through your body, heightening every sensation. Your nails could only continue to claw at his shoulders, leaving streaks upon streaks of your touch across his skin, marring him, as you fought to keep yourself grounded. He could only smirk at that.
“Look at you now.” he murmured darkly, his scarlet gaze piercing into yours. “Still wearing this dress like a goddess, and yet, you’re falling apart for me. Do you have any idea how maddening you are? How irresistible?”
His hand slid between your bodies, teasingly brushing over the intricate folds of the fabric as his fingers found the heat pooling between your thighs. “Tell me, angel… do you want me to ruin this dress too? To ruin you completely, so no one else can ever have you?”
“Yes, my devil.Yes.” you gasped, your voice shaky but unyielding, the word spilling from your lips like a prayer. “Only you.”
His chuckle was dark, wicked, and utterly consuming, the sound of a man reveling in his victory. “Just how I love it, then.” he whispered, leaning in to brush his lips against your ear, his breath warm and teasing. “Because I’ve made you mine in every way that matters.”
His pace quickened, the power of his thrusts leaving you breathless, and yet, the dress still clung to your frame, a tattered proof to his desire and your surrender. Every stitch, every detail he had meticulously crafted was now a witness to the unrelenting passion that coursed between you, its perfection crumbling just as you were under his touch.
“You’re so beautiful like this.” he rasped, his voice thick with emotion, even as it trembled with raw hunger. “My perfect angel. My creation. Mine.”
The dress clung to you, its delicate fabric now rumpled and damp with sweat, a stark contrast to the pristine masterpiece it had been when he first slipped it into your body hours earlier. His hands roamed freely now, rough fingertips tracing the paths of the seams he had stitched with care.
Each touch of his ignited sparks across your glowing skin, a searing reminder that every detail of the garment was crafted with you burning the thoughts he had mind—and now, every thread bore witness to how completely he had unraveled you bear to him.
“Do you feel how perfect this is?” he murmured, his lips brushing the shell of your ear as his voice dropped to a rasp. His hips surged forward again, drawing a gasp from your lips that echoed in the small room.
“Every part of this, of you, was meant to drive me insane. The heavens planned for that, don’t you think? An angel to save the devil from sin.” He lets out a small choked chuckle, feeling sweat permeate from his neck.
His words were almost worshipful, though they carried the dark edge of his hunger. One hand slid down, gripping your thigh through the bouncing fabric, pulling you impossibly closer as he pressed harder against you. His other hand tugged at the hem of your dress, teasingly smoothing it back down only to push it higher again.
“You don’t even know, do you?” he continued, his scarlet eyes locked onto yours, holding you captive as easily as his body did. “How beautiful you look like this—wrapped in something I made, only to have me ruin it.”
His lips curled into a smirk, wicked and proud, before he leaned in, capturing your mouth in a searing kiss. The kiss was all-consuming, his teeth grazing your lower lip, his tongue invading with the same urgency as his movements against you. When he pulled back, leaving you gasping for air, his forehead pressed against yours, his breath mingling with yours.
“Say it again. I wanna hear it again.” he demanded, his voice thick with need. “Tell me you’re mine.”
You could barely form the words, but they tumbled from your lips without hesitation. “I’m yours. Only yours.”
His eyes darkened further, a victorious glint sparking within them. “That’s right.” he growled, his pace quickening, his grip on you tightening as he drove you higher and higher. “You’ll always be mine, angel. No one else will ever have you like this. No one else will ever love you like I do.”
The intensity of his words sent you over the edge, your beautiful cries mingling with his animalistic groans as he followed you into an oblivion together. The air around you was heavy, thick with the scent of desire and the echoes of your shared release.
For a moment, neither of you moved from the bliss of the high. The only sound that mattered to the two of you was the ragged cadence of your breaths. His hands, once rough and relentless, now moved with never ending tenderness, smoothing the crumpled fabric of your silk dress as if trying to restore its dignity.
As if trying to hide the ruin and depravity that he feels only belongs to you and him. No one else can see it, no one else can know about his depravity. Only you, only you were the spectacle of any wrinkle in his composure. Your lover smiles at you. His lips brushed your forehead, a soft contrast to the ferocity of moments before.
“You’re perfect, as always.” he whispered, his voice low but steady, carrying a rare, vulnerable warmth. “In every way.”
You couldn’t help but smile at him. “So are you.”
#jjk#jujutsu kaisen#jujutsu kaisen x reader#jjk x reader#jujutsu kaisen x you#jjk x you#jjk x y/n#jujutsu kaisen x y/n#ryomen sukuna x reader#ryomen sukuna x you#sukuna ryomen x reader#sukuna ryomen x you#ryoumen sukuna x reader#sukuna x reader#sukuna x you#sukuna x y/n#sukuna smut#ryomen sukuna smut#jjk smut#jjk fluff#jujutsu kaisen smut#jujutsu kaisen sukuna#sukuna#ryomen sukuna#sukuna ryomen#jjk sukuna#kayu writes ! ! !
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Hi so I may or may not have forgotten to actually post these on here. Ofc the original concept goes to the brilliant @wolfythewitch, I've just leeched off of it because I wanted to see Elias in the Hermes suit. Also I wanted to see Jon and Martin doing a little dance. And the way I drew Tim as Orpheus is just.... so similar to how regular Orpheus looks. I am sorry. He has a boob window so it's more accurate to his character.
As I talked about in my ask to Wolfy (which I believe to be what drew quite a few people here? idk at this point), I have quite a few reasons for why I think Elias would fit the role of Hermes. Obviously he's a much more sinister Hermes, but it's a neat little concept to play around with. I think the little things Hermes says (like the line above) can be interestingly recontextualised when you view Hermes as an antagonistic force, rather than a guide/mentor. I thought it'd be interesting to see Elias as someone who helps Tim/Orpheus because he knows that it'll end in tragedy every time, and finds enjoyment in the helplessness that the audience faces knowing how it ends and being completely unable to change it. Get Beholdinged, babey!
Maybe I'll draw some Gertrude!Hermes....? Who knows - I'm currently in the middle of doing a shit ton of work at the moment, both for school and for personal reasons. I've got Mechanisms fanart happening, some concepts for myself as a Corruption avatar (nature!), ideas for animatics (which I admittedly don't have much experience in, but I will try to do it), and some other random ideas. Only time shall tell.
#tma#elias bouchard#elias tma#magnus archives#the magnus archives#the magnus pod#tma fanart#art#jonah magnus#magnus archive fanart#jonathan sims#jonmartin#martin blackwood#jmart#jmart fanart#tma jmart#tim stoker#hadestown#orpheus#hades#persephone#hermes#i am currently nothing but a bundle of hopes and dreams#that may or may not work their way into reality#fanart
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Why aren't comics more common in TTRPGs?
(This is about game design and presentation) In school one of the things I discovered is that I have trouble absorbing info from a big text book. And most TTRPGs are presented as text books. Once I understand the basic information in the book (chemistry textbook or RPG sourcebook or whatever) I can deal with the book on my own terms. I can dive into individual parts and learn, and slowly absorb the book as a whole. But I need help to get there. I need an access port. Sometimes this comes in the form of someone explaining the book to me. Explaining the rules of the game or the outline of an essay. This is great, and gives me a way in so I can absorb and master the book myself. But I don't always have someone in my life who can do that. Interestingly, I don't have this problem with novels at all. Narrative feels easier to access, at least for me.
In school I also discovered Scot McCloud's Understanding Comics. This is a pretty fantastic book which I'd recommend to everyone. It helped me understand how I process information. More importantly, it helped me understand the different people process information in different ways. I hadn't realized that at age 16, although I was starting to suspect it. Before I started making comics or games I used to be a teacher. As a teacher I could see that some of my kids were struggling with the information I was giving them, in the same way I had struggled in school. I started using comics in class to help reach these students. I'd draw little comics on my handouts or on the whiteboard to explain what we were learning. The goal wasn't to provide an entire lesson in comics form. I'm not Scott McCloud! Instead, I was trying to find an access point for my students. An on ramp. A port of entry to the ideas and material we were covering so they could engage and eventually absorb the information. It worked so well. It worked like magic. Why don't we do this more in TTRPGs? I used comics in my early games, Panty Explosion Perfect and Ocean. These were narrative comics, not rules comics, but the goal was to provide both an example of what play looked like (from a narrative standpoint) and a point of access for players who weren't sure what the game was or how to engage with it. My thought was that if you understood what the game was supposed to look like it would be easier to approach the rules. (A short comic from Ocean. The book has a bunch of these)
When my brother Nick and I started working on The Magical Land of Yeld I knew I wanted to use comics more directly as a teaching tool. Especially because part of our target audience was new and younger players who might look at a big text book (Yeld is a giant 400 page hardcover) and just bounce right off it. Like I did in school and like I often do with big games. So I needed to teach with examples and illustrations, and especially comics.
The first comics you'll encounter in the Yeld book are narrative, and designed to get you into the ideas and themes of the game. But in the first few pages we also start sprinkling in rules comics. These are presented along side the rules text. They don't replace that text, which is important. The text explains the rules in greater detail, and includes information that just couldn't be added in a single page comic. Instead, the comic is intended to be a point of access to the rules text. A player can read the comic, understand the basic concept, and feel comfortable engaging with the text. That's the goal, to make players comfortable and to make the rules text accessible.
We use comics to teach basic game mechanics, but we also use them to explain specific player facing systems. Sometimes these are things that really do need a comic to explain them, but sometimes we use comics as lures to draw player attention to mechanics that we're afraid they might otherwise not engage with. For example, in playtesting we found that when characters died during a fight the player would just sit there for the rest of the fight and not engage. It turned out, since you don't do anything in D&D once you die (except slowly die more), most players assume that's how all games work! So they hadn't even noticed that in Yeld you become a Ghost and get to ghost around and do fun Ghost stuff! I decided to create a comic that not just explained this but drew attention to it and showed why it was a fun (and important) part of the game!
Structure of play isn't always obvious to players, especially if they're new to TTRPGs or have only played D&D. You pick up habits from the games you play the most, and since most gamers play nothing but D&D there is a tendency to assume EVERYTHING works like D&D. Yeld doesn't, so we decided to take nothing for granted and make comics that very specifically show what a session of play looks like. In this example, it may not look a lot different from D&D, but the adventure is specifically divided into 5 parts. The comic illustrates these parts in a way that is easy to understand. The accompanying game text explains each part in more detail and illustrates how they are important to play. The comic serves as a ramp that gets players to the info they need.
Not all of our comics are player facing. Yeld has a rotating GM (which is awesome, btw), and this means every player gets a chance in the Game Master roll. Which means every player needs to understand how this roll works. Comics like this one, which explain how to build monsters to use in your game, help make the process easy to understand. Again, its about building a point of entry for players. A player might say "I don't want to GM, it sounds to complicated!" But its not. You just need to make it easy for them. Make the mechanics and responsibilities easy to understand. Show why they're fun! In Yeld, its important that each player takes on the GM role from time to time, since we're building a story together. Making it look fun is important! Comics help with that. What's more fun than comics?
Narrative comics are important too. At least for Yeld. I don't think every game benefits from them (although I always love seeing them). Narrative comics show players what the game is supposed to look like. What the characters do and say. What environments they visit. Narrative comics set a tone. Narrative comics let new players understand what a game is about immediately! We can hand a Yeld book to a new player or customer and they know what's up in seconds, just by reading a short single page comic. That's a powerful tool. So why don't more games use comics? Part of it is that game creators are usually not comic creators. There's not a lot of crossover. That always surprises me, but both disciplines take a lot of work. Who has time for both? Even when you have game designers that are comic creators, they often don't include comics in the games (Lancer???). I don't think this means game designers don't recognize the value of comics. I've had this conversation with so many game designers, and they usually agree that comics are useful tools. But if you don't know how to make comics, making comics for your game can be daunting. What rules should you focus on? How do you present that information in comic form? How many comics should you make? How do you hire someone to make comics, anyway? Hiring artists is expansive, btw. You know that, of course. Hiring an artist to make a set of comics for your game could cost you thousands of dollars (or more), depending on what you want. Of course, you can try to make your own comics. And you should! Really! A poorly drawn comic is not necessarily a bad comic. The point is to get your information across to your reader. to provide a point of access. You don't need great art for that (although great art can help attract people to your game). Stick figure work just fine. Here's an example, the layout for the Tea Dragon card game. Another artist took this layout and redrew it in their own style. But my goal here was to be simple and concise with my explanation of the rules. To make the game accessible.
There's a few more pages of this, but you get the idea. The purpose is to explain, and make the player comfortable with learning more. The art matters to the extent that it serves this goal. In fact, flashy or complicated art can get in the way! You'll notice in that most of the Yeld rules comics I posted above the art is pretty simple, with solid color backgrounds. You want to make your comics as easy to read as possible, and that includes avoiding clutter, overpacked word balloons and messy layout. Readers are easily distracted. It doesn't take much for them to set down a book at all. A complicated phrase or hard to read font can often be enough. And once they set a book down they may not every pick it up again. That's more true for a big text book than it is for a comics, but its still true for a comic. So our goal is to make our comic the easiest, smoothest point of access it can possibly be. So easy and smooth that the reader can slide right into the rules text without noticing! Here's my general process for creating a rules comic. This is from my friend Brian's game Scofflaws. I start by taking the basic mechanics that need to be illustrated and breaking them down into panels. The goal is to make each panel readable and not overwhelm the player. At this point I'm just doing a rough sketch. It may not eve=n be readable, but that's fine!
Next, I refine the text and art. I decide on the exact language I'll use, and I finalize where characters and other elements will be placed. As you can see, the actual layout didn't change much here. Sometimes it changes a lot!
Finally, I create the finished art. Honestly, the previous step was just fine. It explanans the rules I wanted to explain. But this last step allows me to add in some narrative flavor. The first panel contains a complicated background in order to present the game's setting. The characters look like the kind of characters you'll play in the game. This isn't nessacary for presenting rules, but it helps present the game as a whole. You want players to engage with every part of your game. The last thing you want them doing is picking up your dungeon crawling game and going "Oh, this would be great for playing Star Wars!"
(I probably shouldn't have chose than shade of red for the background. It makes the text a bit hard to read!) So again, why aren't we seeing more comics in games? Its not as if they don't exist at all, and I'm personally always excited to see them. I recently opened the Final Fantasy RPG box set and was so happy to find the rules were accompanied by cute comics. And there's lot of other examples (maybe you can post some in the comments). But I think comics are a clearly underused tool in game design and presentation. And as a comic person, let me tell you that you're leaving a valuable tool on the table if you're not considering using comics. Are they right for every game? Maaaybe not? But I think MANY MANY MANY games could benefit form them. Are they expensive? They can be. Are they hard to make? They can be. Are there people you can go to for advice? Hey, my door is open.
#game design#ttrpgs#ttrpg design#ttrpg community#ttrpg#roleplayinggames#comics in games#comics as a teaching tool#teaching with comcis#put comics in your game for fucks sake#yeld
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