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sw5w · 11 months ago
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Ki-Adi-Mundi Looks to Master Yoda
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STAR WARS EPISODE I: The Phantom Menace 01:25:48
In Legends, Ki-Adi-Mundi was originally the only Jedi Knight elected to the High Council, but it appears that’s been changed in Canon to him being a master as well.
With his prominence in the Star Wars (1998) comic from Dark Horse, there was a lot of backstory for Mundi and his species that is unlikely to be developed as thoroughly in Canon now, so these details aren’t currently contradicted by anything new - yet.
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freakinator · 1 month ago
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He tore across the hill
faster than any creature in the world.
All the world will be your enemy,
Prince with a Thousand Enemies.
And whenever they catch you,
they will kill you.
But first, they must catch you...
digger, listener, runner.
Prince with the swift warning.
Be cunning and full of tricks...
and your people
will never be destroyed.
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fictionadventurer · 4 months ago
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Maybe Jane Austen's real genius was that, unlike other authors at the time, she didn't have long sections where characters share their backstory. Or rather, when she did it, she set it up like a mystery so we'd want to know the backstory.
Instead of having a character be like, "Here's three chapters about my life," soon after showing up in the novel, she'd sprinkle little clues through the story that make us wonder, "What's Colonel Brandon's deal?" and then closer to the end of the story, Colonel Brandon would tell us what his deal was. We'd wonder "Why does Mr. Darcy do all those horrible things?" and then he'd give an explanation that includes a lot of backstory.
And these infodumps always come in response to significant moments of the story. She'd engage our minds and our emotions and then give us the infodump at a point when we care about the information it contains. Compared to some other authors (even some that came long after) it seems like a significant innovation.
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hitlikehammers · 6 months ago
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Steddie Missed Connection AU
feat. Craigslist-trawling-wingwoman!Robin + earnest-LA-transplant!Steve + rockstar!Eddie ✨ inspired by this actual Craigslist love story
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It’s always about a 50/50 shot when Robin starts making her little back-of-the-throat squealing noises. Up to a certain pitch, Steve could pretend he had his AirPods on noise cancellation mode.
Once she reached fire-alarm-screeching levels, it overrode the settings and boom: he lost his fall guy.
Thanks, Apple.
But that’s where they are, and the squealing plus the screen in her hands, plus the way her leg’s bouncing against the table they’re both sitting at—which would have overrrode Steve’s AirPod excuse in about a minute because she’s gonna start splashing his glass of orange juice in a hot second—but all of it lumped together?
He’s lucky he’s retained his athletic reflexes post-high school—maybe only because of being joined-at-the-hip with this particular platonic soulmate, really—because by the time she’s swinging her iPad from its case to plop right down in front of him?
At least he’s quick enough to save his overnight oats from becoming aluminum-flavored when she drops the goddamn thing down without warning—caseless, the heathen—and makes indecipherable noises Steve thinks he’s maybe only heard at the zoo as she taps her nail with an migraine-inducing click on the screen.
Steve…supposes this means he’s obligated to look.
He sighs, fully expecting a dumb meme or a ‘cute TikTok’ because he knows who he fucking lives with; he reaches across the table and unfolds his glasses—really, assaulting him with this before he can even get his contacts in…
And it’s a…webpage. Like: just a webpage. A boring webpage, even. Definitely not matching up with the…squealing and table-sized earthquake of bouncing knees. He squints, tries to make it make sense.
Oh. Wow. He didn’t…
Steve did not actually know Craigslist still existed, let alone that people still used it. He was pretty sure the things for sale were always just kidnapping plots with extra steps, and then also that finding a person you walked past that one time was an FYP problem to solve. But.
Here, in front of him, in black and white and honestly like no other color:
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Steve squints; it was posted this morning, but only just. Like 4am. So the last afternoon for there to be a one o’clock hour was—
Yesterday.
His yesterday was uneventful. Went shopping with Robs. Filled up the freezer and overbought shit again so they had a kind of massive and wholly mismatched dinner with the leftovers nearly popping open the fridge door. Can’t take the Midwesterner out of the man or woman, apparently.
Definitely nothing like the day this poor soul on a maybe-less-dead-than-presumed website had had. But Steve won’t pretend his heart doesn’t clench a little when he finishes reading because…it’s cheesy.
But Steve’s always been into that romantic…stuff.
“That’s very sweet,” he lands on commenting before passing the tablet back to Robin, who’s staring at him with frankly terrifying eyes. Like: lost-your-fucking-mind eyes.
“Steven.”
“What?”
“Steven.”
“Robin.”
He won’t even pretend he doesn’t jump with the metal slams on the wood where Robin narrowly misses flipping his bowl of sadly-abandoned oats with her iPad again when she slaps it down in from of him and points frantically yet again.
“Look at the location.”
Steve tilts his head.
Oh. He’d just looked at the time. And it’s not like the location in the title was…unique on its own.
“Huh,” he huffs with a shrug when he sees their part of the city listed in the main link up top. “Coinkydink.”
Robin’s growl starts deep, like a diaphragmatic thrum and Steve would be terrified of her if she were anyone else.
As it is: he’s only mildly unsettled. Specifically because the growl rumbles so…long.
Like at least a minute before she screams bloody fucking murder:
“My hair was in the buns!”
And the way she screeches it, and the maniacal twitch of those eyes…she’s saying more than those words, with those words.
Which means Steve has to put in effort to follow her coded message style of communicating, fucking hell. He hasn’t even eaten his breakfast.
He tries to think it through, at least manages to down his glass of OJ so it can’t be a sacrifice to flying iPads when he thinks he…
“Wait.”
Steve frowns. Robin just blinks.
“You don’t,” he shakes his head, or starts to, it’s a slow motion thing; “you don’t like honestly think,” but even as he’s saying it, the look in her eyes starts to make sense, and answers for him:
“This is not about me.”
Because: seriously.
“We were laughing!” Robin is immediate with her rebuttal, still in her screeching era. “No one else was there!”
“Because we specifically time our shopping for when people are at lunch on a weekday,” Steve counters quick, tries to cut her off at the pass; “a statistically slow window of opportunity for us to debate the list!”
“We write the list to avoid debating,” Robin answers in a more sedate, be reasonable now, dingus tone before she shakes her head and scowls and:
“Stop distracting me!”
Yep, back to the screeching.
“Why were you even on that fucking site?” Steve sighs as he crosses his arms and leans back in his chair.
“Steven,” Robin says again in that fucking tone that always means he’s missing the biggest, far-more-important point but does jack shit to help him find it.
“Robina.”
“Not my name, eww.”
“Well, now you know how I feel when you make up a middle name for me,” Steve sticks his tongue out very maturely to her scrunched up face: “they’re never even nice ones,” he adds, because they’re really not; “and I do know that was your next move so,” he smacks his hands opposite the screen on the table in front of him in victory as he crows:
“Denied.”
“This isn’t basketball,” Robin’s working her tongue around her lips inside her mouth, which is always deadly foreshadowing; “you didn’t block my shot or whatever—“
“Didn’t I?” Steve pushes because, well, one, he did, and two, the original conversation was absurd even for them.
“Maybe it was so empty because his security was there.”
Steve frowns. The tone’s too…even. No. No: too haughty.
“The fuck does that mean?”
“I said he looked like a rockstar,” she leans to grab back her tablet and poke near the top, obviously switching browser tabs: “so I did some digging.”
“Robin, what city do we live in?” Steve asks as she works, because yes, Steve remembers seeing a very hot fucking dude staring less in their direction than looking dumbstruck-lost as hell, and he’d considered walking over to ask if he needed help—Midwestern transplant to the bone—which was accompanied by the stray I’d fuck that gorgeous toothpick silly, but in the paper product aisle, like on the 48-count pack of Charmin, he looks soft under all that leather—then both thoughts were swiftly abandoned when the toothpick’s eyes met Steve’s and Steve maybe had to force himself to finish laughing at a joke he can’t remember now, that Robin told, because his skin felt like it was burning a little except the sun had poked behind a cloud, and his throat, it had like, it had just, it—
It just felt…weird.
He does remember that.
“But we don’t see rockstars every day,” which is fair, their neighborhood in particular is less music biz than others.
“Plus, look at this!”
Then she’s shoving the iPad back in front of Steve: it’s a TMZ shot or some other pap photo that’s more than half blur. It is indeed the parking lot at their Costco. And it does…feature a toothpick-esque figure looking similar to the one Steve remembers, but it’s more from the back than the side. And like, anyone can wear that much black in the summer. It’s a free country.
“And look at him!”
She split-screens to a Wikipedia article about a band even Steve’s heard of, if not for listening to them himself. It…he glances at the paparazzi shot.
Lead guitarist of Corroded Coffin Sighted Getting Groceries Just Like Normal People in Mar—
And then he looks back to the wiki: okay. Same band name. The guy with the guitar in the photo looks…
He has the same hair.
“Don’t tell me it’s just coincidence.”
Steve rolls his eyes.
“It is just coincidence.”
“Steve.”
Steve feels his face sour.
“I know that tone,” because he does. It never leads to things he enjoys.
“You’ve thought about him.”
“He was gorgeous,” Steve thinks he surprises her with his honesty but like, what does he have to gain by lying? Plus:
“LA’s is like the plastic surgery capital of the fucking world, it’d be kinda sad if a lot of people generally weren’t pretty.”
“He wasn’t that kind of pretty.”
And fuck if they don’t share a brain cell; fuck if she doesn’t see right through him.
“And that’s not why you’ve been thinking about him.”
And fuck if she doesn’t know Steve, far too well.
“I never once said I’d been thinking about,” he hears the words and knows they’re weak, goddamnit.
“You never had to,” Robin smiles a little and taps an annoying finger at the screen again, that’a somehow flipped right back to the Craigslist ad thingy.
And she’s actually not entirely right, because he hadn’t thought much about the gorgeous toothpick man with curls Steve wanted to be smothered by, suffocate in like a pillow. But when he did?
He’d thought most about how he looked soft, on the inside. Thought wild and idiotic things like maybe his soft could match Steve’s soft when no one else’s ever had and he was always left bruised for it, more than once near-unhealable, and maybe they could, like, if their softnesses matched, then like—
Something.
But Steve always comes on too strong, wants too much, hopes to hard and way too fast, though this shit might take the cake, there: so it was idiotic and he’d left that train of thought to derail on its own and—
Did that come on too strong?
His gaze snags on the words, those exact words up on the screen and he’s very tempted to start growling deep in the pit of his stomach, take a cue from Robin’s absurdity.
“Don’t you have a class to get to?” Steve asks, looking pointedly at the clock on the microwave: he knows she does. Pottery making. For self-edification.
She scowls but looks—swears colorfully because it’s later than she thought as she jumps up and goes to presumably…do whatever she does in the bathroom to get ready to leave and look her lesbian-luring best before she gets smattered in wet clay.
Steve remains unclear on whether that look’s more or less attractive to the specific ladies she’s trying to bait.
Either way: it prompts Robin to drop her one-woman campaign insisting Steve’s soulmate of the romantic flavor is calling our desperately into the void of the internet. But it also, however, has the…side-effect of making the time itself an obvious thing. 11:09.
Rob’s gonna take the car, she’s got…supplies and stuff.
Why that’s important is…lost on him.
He could debase himself and brave the bus, if he got off at Washington and—
What the fuck.
What. The. Fuck.
Steve very forcefully shoves Robin’s iPad back across the table and doesn’t think about anything, especially not the numbers, like the number 214, like two hours and fourteen minutes until—
Steve nearly chokes himself on his fucking spoon with how violently he shoves it, full of oats, between his lips. As if he can shut his brain up as easy as he can his mouth.
It…actually kinda works. He might have chipped a tooth.
——————
In the end, Steve is proud of himself for being reasonable and having standards. He doesn’t take a fucking bus to meet a stranger in a Costco parking lot, Jesus Christ. Come on.
He books an Uber.
(And yes, he and Robin agreed no solo Ubers for a month to save up to have the air conditioner looked at before it copped out on them because their landlord only gave a shit if it was dead-dead and yes, maybe she’d gone so far as to put their account on a hold you had to call and remove to avoid temptation—though of the two of them, she definitely had the bigger problem—but little did she think on the fact that while you had to link a phone number, you could just use Google Voice and make a new account and no, Steve’s not insane, or a hopeless romantic, or almost-asking-for-heartbreak-on-the-regular, thank you very much.
He is resourceful. And it’s only like $15 with tip. It’s a quick ride.)
He asks to be dropped near the back of the lot, and takes the walk up slow. Almost goes the long way, straight into the store. Almost turns back entirely.
But then he sees those curls.
And his throat does the…the weird tight thing for no fucking reason, and his feet don’t ask permission to walk in the direction of the man standing…less dumbstruck, now. Even from the back it’s clear.
Now: he’s waiting.
Steve can barely breathe, can’t fucking swallow for the state of his throat, but his feet still aren’t waiting for permission, so it’s only fucking seconds before he’s close enough to catch a whiff of cologne and then—
“Sorry,” Steve ducks around the man from behind and reaches out automatically to steady him when he startles. “Hey, sorry, you just looked like maybe you were looking for something?” Steve smiles as open, as reassuring as he knows. “Just wanted to check if you needed any help.”
Keep it casual, Steve, keep it fucking friendly and extra polite and—
“Oh my god.”
The guy barely breathes it out, his eyes so wide, and Steve doesn’t know why he hasn’t moved his hand from the guy’s arm but Steve can feel the electric current that runs through him, like the finest grade of trembling. And electricity, right, it travels. Conducts.
In case you felt your heart skip just one beat, didn’t even have to full-on stop—
And even that proximity to this man is nothing compared to hearing his voice, low and a little syrupy even as he stares in shock, in disbelief—and oh. Oh, but what was it the guy had written in his post? About feeling the earth move a little, or like, rewiring your cells just for meeting eyes?
Steve, he’s…
Yeah. Yeah.
Okay.
“You’re here.”
Steve blinks, rocked back to the moment to deal with the new tilt of the globe and the spontaneous realignment of his insides later. This guy’s looking at Steve like he’s unbelievable, like he’s miraculous, like he’s…
Sunshine.
“I’m here?” Steve asks, a little breathy, a little curious.
“I,” the guy swallows, lips shiny as he bites at them, fucking adorable; “I saw you, umm, yesterday and I maybe, well, possibly I wrote some,” he fumbles and sounds like he’s building up to eventual hysterics, so Steve acts wholly on instinct and reaches further now to catch at both his hands.
“Relax,” Steve breathes out with a smile, and doesn’t overthink smoothing his thumbs over the guy’s knuckles, just in case it soothes him.
“My friend,” Steve lets go with one hand and grabs his phone to show the page he’d loaded on the ride here; “she was convinced it was you, about me. I wasn’t, so,” he shakes his head quick when something falls in the guy’s face, something dims: oh, umm, no.
He cannot have that.
“Not trying to catch you out or something,” Steve exhales it warm, as reassuring as he can, with his whole chest as he grabs the guy’s hands in both his own again—since he seemed to not mind; “just,” and Steve shrugs even as he smiles a little, less self-deprecating with it than he’d probably have landed on if the guy hadn’t reacted to Steve’s hands on his by clinging back so tight:
“Just a little hard to believe, is all.”
The man barely lets the words settle before his jaw drops almost comically and he demands, high-pitched and somehow still rumbling, something commanding in it nonetheless:
“How?”
Like it’s unimaginable. Like Steve reading that post and walking into this lot and striding up to a perfect stranger—who may or may not be very famous but that’s actually not even a little bit of the point—but a stranger who would want to see him—
But then Steve’s meeting the guy’s eyes again; hadn’t wholly realized he’d been staring at their hands more than anything. Those eyes are like the night sky, swirling and endless and sparking in the right slant of light, and Steve feels them like a welcome, like a cushion of the stars, like a safe landing in a chaotic universe.
He doesn’t even know this man.
But he thinks…yesterday. Yesterday, his heart didn’t stop, not like this guy had written, but Steve understands now what it did do instead, the thing he did remember, the tightness in his throat: his heart didn’t stop.
It just surged upward and took up residence to pound at his trachea where it tripped instead. Which is kinda where he’s back to right now.
“Could I,” the guy’s voice is rough, shaky, and so is he, Steve feels it where he’s still got his hand gripped firm; “would it be too much to ask if I could hug you?”
And he huffs a breath, and it sounds too….too small, like he’s afraid or ashamed and it pings something hateful, but so much more protective in Steve’s blood just to hear it as he confesses on a end of an exhale:
“I just want to know if you’re real.”
And Steve didn’t grow up a hugger, but he sure as shit’s grown into one; he’d be one of those people standing in the city with a ‘Free Hugs’ sign without much convincing. But this guy.
This man in front of him who may or may not be famous, is definitely a stranger either way save that he poured out some lines on the internet that maybe exceeded the term ‘heartfelt’ by a mile, who may or may not be standing in here, inside this moment, for something like fate because…Steve did feel it.
Maybe he didn’t think twice about the immensity it could have, not in the moment, because he’d been shopping, and Robin’s story was funny and maybe he was just struck by his luck in living a life with his platonic soulmate and knowing joy; surely your heart can trip for that and just because it never had before, just because it did this one first time when he crossed eyes with a genuinely beautiful man who left Steve with half-a-second’s certainty that looking any longer would flay wide this unknown person’s soul for Steve to sift through: but Steve felt things like that easy, always had. Romanticized nothings like it was a profession.
But it never hit like this had, has—is—before, if indeed this is actually anything—
And Steve’s heart is still tripping but it’s back in his chest, and he knows it because where he’s pressed against this guy’s kinda-gasping chest, now, close and tight? Maybe Steve’s never paid attention before, or maybe Steve’s just never…touched like this before, even if all they’re doing is hugging in a fucking parking lot.
But.
He’s pressed there and his heart’s tripping in his chest and he knows it wholly and fully because he can feel this man’s heartbeat next to his own—and where it should be a battle, because it’s pounding, both of them are, one side literally against the other?
It feels like a caress. It feels like, like…
Steve closes his eyes tight because they start to sting with the single word it feels like: impossible, absurd, but…
Here he is. He’s never felt someone’s heartbeat pressed up against his own before. Definitely never felt—never dreamt—that it could feel like it fits.
He leans back when he thinks he’s got a hold on the hopelessness of his tender-hearted absurdity, but the guy is staring at him already when he does and suddenly Steve’s got a handle on absolutely nothing except his pulse jackrabbiting some more but then also feeling…like it lost something. Like it’s not complete.
And the man, he’s staring with those eyes so wide again but now it’s like he’s…it’s kinda like he knows. He knows his eyes are going to let Steve flay him wide open.
It’s like he’s begging Steve to…look. To look and less to take, and more to…have.
Maybe, maybe to keep?
And…how?
“Do you feel it?” the guy whispers, those deep dark eyes so big: just these vulnerable, bleeding hearts on main. “Even just—“ he tries to walk back, to open it all up wider, desperate and hopeful and Steve hears all of it because it’s all written in the same key as all that Steve knows, all that Steve is. Somehow.
Somehow.
So Steve blinks, too many times before he grabs the man harder and drags him in again to hold, hold, hold until the heartbeat on either side of Steve’s ribs is reaching for the other, touching. Until they’re holding on, too, and once they do, then he can whisper, warm and maybe wet in the crook of this man’s neck, this stranger who’s holding onto his heart now, unfathomable, as he speaks words he doesn’t have to think about first to know they’re going to shift the world again, this time so they both can know it in the souls of them together, all at once:
“I feel it.”
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For @hbyrde36, who requested 'Missed Connection AU' at my HOBBIT-STYLE BIRTHDAY MONTH PROMPT FEST
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✨permanent tag list: OPEN (lmk if you want to be added/removed): @pearynice @hbyrde36 @slashify @finntheehumaneater @wxrmland @dreamwatch @perseus-notjackson @estrellami-1 @bookworm0690 @imhereforthelolzdontyellatme @nerdyglassescheeseychick @swimmingbirdrunningrock @goodolefashionedloverboi @sanctumdemunson @theheadlessphilosopher @lawrencebshoggoth
divider credits here and here
💫 ao3 link here
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imfluffytrash · 2 months ago
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In my opinion, the fandom demands too much from Tattoo compared to the rest of the characters.
He didn't want to help Jack or the debtors in the first place, his priorities were his mother, his best friend and himself, which is fair. Of course, it wasn't right for him to try to involve an innocent person in this mess, but I think it's important to highlight he was not acting out of malice but out of desperation. He didn't know Joke prior to their "ring heist", not on a personal level, and currently he doesn't know much about him either while Joke knows all about his life situation.
Tattoo stole something he shouldn't have from the rich in order to escape the nightmare he's been living in because of them (the threats, the beating, the never-ending pressure), he put Joke in the spotlight but he couldn't avoid getting caught. Now, the same people that have been disturbing him nonstop want his help returning the necklace he stole to get rid of them, they convince him through another beating that includes Hoy and, potentially, his mother. Who wouldn't want to escape? Why feel like he owes them something? By making these types of decisions he may end up in greater danger than at the start, but he is not able to think of another solution and does not want to suffer anymore. Joke understands this, that's why he forgives him over and over again, he is familiar with the feeling of being trapped no matter what you do.
I get Hoy's point of view, I also value qualities such as honesty and loyalty, and I'm not trying to defend everything Tattoo has ever done and will do, but I think there's little discussion about his motivations although the series focuses on disadvantaged environments and the consequences of living in poverty.
I rarely see characters like Aran or Hope being held accountable even though their actions / intentions / motivations are immoral or, at least, questionable. People seem to like them because they are handsome and violent and confident, but they have not yet shown redeemable qualities.
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just-someone-online · 1 month ago
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I think it'd be fun if a non-Cure from one season got a transformation item from another season.
Like, if the HapCharge and GoPri Cures were fighting some new guy near Noble Academy and Yui ends up getting her own PreChange Mirror. Or if Regina (I like Cure Joker but just ignore her for a minute) got a Sky Mirage from Ellee. Or if the Max Heart Cures are helping protect the Healin' Garden and Shiho and Rina get their own Healin' Animal partners. Maybe Syrup could get a PreHeart and be a mailman themed Cure.
And design wise, they could all pull a Cure Echo and mix each season's designs. Yui could have the distinctive vest of the Happiness Charge Cures and everything else would be in line with the Go! Princess designs. Regina could maybe share some design cues from Cure Ace? I'm not completely sure what Hirogaru aspects she would get. But functionally, they would have the powers of whatever season their transformation device comes from.
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bumblingbabooshka · 1 year ago
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Rate My Professor . Com
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silverskye13 · 4 months ago
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Trying to analyze the tropes in my own fics to see if I think they're successful as component pieces and getting so confused I give myself psychic damage send help
#spazzcat barks#i was trying to figure out how -- if at all -- the 5 man band structure appears in RnS#Helsknight has been labeled: Leader Lancer and Strong Man#i think i am more firmly planting him on Lancer/Strong Man#but the story itself makes a compelling case for Helsknight is the leader but the story is narrated by his Lancer [Tanguish]#Tanguish not surprisingly Ive put in: Hero/Leader Lancer and Heart#EB i think could be Strong Man or Heart with emphasis on Heart#Martyn could be the Smart Guy for Tanguish or the Lancer for Helsknight#in which case if Martyn is Helsknights Lancer than Tanguish could compellingly be Helsknight's Smart Guy instead#conversely Tango doesnt fit into the 5 man band structure. he is instead an inciting insident / catalyst#who could become a support character role a la Heart later but only once he gets more screen time#as of right now hes very one dimensional#meanwhile Welsknight is one of three plot antagonists#the Main Antagonist is the Universe/Death#it represents a force of nature antag#the major secondary Antag and the Tanguish specific antag is the Demon#he represents what needs to change about the world and the concepts that Tanguish is ideallgocally opposed to#Welsknight however is theeeeeee#oh words#i belive its called the Saboteur? Antag archetype?#he is the thing that breaks things down from the inside#also to be further established#anyway ive been thinking about this for hours >:/#if i can not put my little guys into their assigned boxes i think that means i didnt quite make the mark on those boxes#which isnt inherently bad -- the main cast of RnS is a duo Hero/Right Hand Man archetype first#and a 5 man band second#but still! frustrating
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pixelatedraindrops · 1 year ago
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“Hey…Chief…why are there…three of you…??”
“Vivia, you’re sick and hallucinating. This is bad… we may need to call a doctor. Jeez. You really need to remember to take an umbrella outside...”
A doodle I made based on an ask, but I decided to post it separately.
My first time drawing Vivia, second time drawing Yakou.
(and im good at neither of them x-x)
But these two made me soft since Vivia's DLC so I thought I’d contribute to the ship somehow. And I noticed Vivia goes out in the rain constantly without a hood or any protection so...
Yeah no, this was BOUND to happen.
Yakou's willing to lend the very feverish spectral detective his bed for the time being (bc he's too tall to fit the sofas lol)
Kanai Ward's rain is harsh ☔
Hope you enjoy my lil' snack, Viviakou Nation 💚💙
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Kokobolt Clockmare
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mayhem-ensues · 1 year ago
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Also, I really hope in the next episode they actually go back and have Suletta react to Miorine's greenhouse getting destroyed. Like it makes perfect sense for it to be destroyed now, both thematically and just realistically, but given the importance of the greenhouse to the show I would like more focus on it getting destroyed than the 5 seconds it got in this episode.
Like fr, my heart will explode if we get Suletta re-affirming her desire to be with Miorine in the ruins of her greenhouse.
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vinewoodclassics · 8 months ago
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extremely random thought but can i just say i love ron and michael’s whole deal post caida libre. they have a grand total of maybe 2.5 conversations and ron wants him back in the grave more than he did before they even met face to face. not particularly secretive about it either. i think michael would view ron’s weird infatuation with trevor the same way he views trevor’s feelings for patricia in terms of the whole “am i hallucinating this” aspect except ron’s thing is 100 times more amusing to him. but i also think he would unconsciously (partly unconsciously atleast) partake in the unspoken competition for who trevor likes more because this is Michael we’re talking about. He never loses
spends a little more time in trevor’s personal space whenever ron is around just to see his eye twitch. oh trevor why don’t you tell ron about that score we pulled back in _______ haha weren’t those the best years of your life. oh hey ron me and t were just about to go drinking ouch looks like this car doesn’t have enough seats for three people what a bummer
what i’m getting at here is that ron has attempted to explode him with his mind at least 80 times. probably sees michael’s face in his nightmares. wakes up in a cold sweat, glances at trevor’s empty house and starts shaking his fist at the sky. trailer bunking era should’ve lasted longer
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direwombat · 6 months ago
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tagged by @voidika, @rhettsabbott, @carlosoliveiraa (and pseudo-tagged by @socially-awkward-skeleton), to do this picrew ty all so much <3
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deputy sybille la roux (fc5) | saoirse monaghan (c*d) | paola orsini (uncharted)
taglist: @confidentandgood, @knakrack, @cassietrn, @trench-rot, @harmonyowl, @fourlittleseedlings, @purplehairsecretlair, @aceghosts, @adelaidedrubman, @finding-comfort-in-rain, @locustandwildhoney, @testyfestyenthusiast, @strangefable, @inafieldofdaisies, @alexxmason, @deputyash, @josephslittledeputy, and anyone else wanting to make their ocs in this picrew! (taglist opt in/out)
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iknowwhereyousleepatnight · 10 days ago
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after hours of knitting i have decided that actually i hate this yarn and i need to find a new one
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longagoitwastuesday · 4 months ago
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I am liking Jujutsu Kaisen, way more than I imagined I would, but I foresee it will let me down and it's keeping me from enjoying this as much as I could haha
I think the characters and dynamics are well set, and I think many of them have an incredibly good and deep potential, but I would be willing to bet they'll not get a proper development, enough for them to really hit. A well assembled set of gears is not enough to make the movement go, you have to wind the clockwork.
I think Gojo and Megumi have a fascinating and very complex dynamic, but I doubt it will be given the time and care that imo it needs to actually work. And it is going well enough for now! One could see the intimacy between them was deeper than the one Gojo had with, say, Yuji and Nobara ever since the very first few episodes despite the fact Fushiguro too was a first year. But the pieces forming what they have are extremely complex, and it just wouldn't be realistic if it doesn't show, even if in a not showing way, or if it doesn't have consequences or implications.
It's one of those dynamics that shape one's life, the way one regards the world, the way one establishes or not relationships with other people. It's one of those dynamics that could be full of fondness, gratitude, resentment, admiration, trust, and that imply intimacy, the good kind or the bad, even if in just the knowledge of someone who's been a constant through your life. It could, and would, imply a myriad of feelings, and probably in such a mix it could imply contradictory feelings too. Even the nothingness would weight, even the nothingness would be significant and meaningful.
Gojo took Megumi and his sister under his wing, the son of a man who murdered him, because of both selfish and selfless reasons. Megumi looks like Toji. What does Gojo feel about this? How does Gojo deal with this? How does Gojo go about taking care of Megumi? Would he walk him to school? Make him breakfast? Celebrate his birthdays making him blow candles? Did he take him to the zoo? Does the relationship between them feel professional or is it something more? Gojo appreciates his students, but is Megumi to him just another student? When Gojo faces Sukuna in Megumi's body, did he see the kid he raised, or does he just see Sukuna in one of his students' body? Did he have one faint wavering instant? And how does Megumi feel about this? Is he resentful of him? Resentful of the situation? Of the selfishness behind his actions? Does he feel like a pawn? Is he grateful? Does he resent feeling grateful? Would he rather not? Does he love Gojo? Does he feel nothing about him other than what he could feel about a teacher that sort of annoys him but knows he's reliable in his strength? Does he think it unfair, cruel or unfeeling that Gojo is close, closer perhaps, with Yuuji or Yuta, considering their story? When Sukuna slices Gojo in two, does the remnants of Megumi's soul tremble?
And not just Megumi and Gojo. Yuuji and Nanami, Gojo and Nanami, Yuuji and Fushiguro, Nobara and the boys, or Nobara and Maki, Todo and Yuuji or Yuta, Gojo and Yuta, Megumi and his sister. Gojo and Geto, even! If the pieces are well set, the dynamics are intriguing, interesting, and have potential to be deep, but then the characters have like two plot relevant scenes that punch you hard, but little more, it's not nearly enough. Especially not nearly enough for the enormity that is shonen dynamics and situations. And the potential existing at all, and then not delivering, makes it all the more frustrating when you're left with something mediocre that could have been so good.
The development of dynamics through not only a few plot relevant gut wrenching moving scenes, but also the smallness of life, is important. The friend who recommended this to me said that those things were just unnecessary filler, but I disagree. I think there's a big difference between a large amount of anime-only filler episodes whose existence is based on the fact they had run out of manga chapters to animate, and moments of quietness. The low stakes character-driven moments of quietness can be so telling and so insightful, and they are so satisfactory when brought back later in higher stakes situations. My friend teased me there was no scene of Gojo making breakfast to Megumi, that it would be an idiotic idea, but it would be so telling. How he makes breakfast, what they eat, if he tries hard or if it's all mechanised, if they have personal bowls or if they use whatever, if he just buys them some pastry on the way to school, if the way they have breakfast changes through the years, or if he doesn't make them breakfast at all! All that would be very insightful on their dynamic and its evolution. All that would give a glimpse on how they regard each other and why, even in the present. All that could become meaningful in tense situations and high stakes scenes.
These moments also let the plot breath; if a lot is happening all the time, if every character is always experiencing trauma after trauma, the entire story is so emotionally draining that at some point you don't even care all that much. Besides, these nothing moments or low stakes plot arcs, besides deepening and developing dynamics, also let some in-world time pass, which would make the intimacy and bond between characters more believable imo; between Yuuji eating Sukuna's finger and their last confrontation in December how much time has passed? A few months? Am I truly to believe these characters are so everything to each other in only a few months?
Without some smallness, some repetition, some daily life, some low stakes not plot-centric development, the dynamics don't hit, they don't truly feel fleshed out, and dynamics as complex as the ones Megumi and Gojo have, or as supposedly meaningful as the one Megumi has with Yuuji or his sister, should be fleshed out if they're going to exist at all. Otherwise they'd risk making the writing feel awkward and fake. Besides, if the dynamics felt well fleshed out and realistic, they would shape the way the characters interact and act, and how they deal with situations, thus being plot relevant.
The shonen genre has so much happening all the time, the stakes are so high, the dynamics are so rooted in big events and the relationships carry enormous weight and implications. Yet they barely get developed, and it feels so stupid, so plain, the absence of something so important noticeable like a constant void, a shapeless nothingness present in every scene. It makes the characters feel like cardboard figures. Jujutsu Kaisen is already getting a better job than many, but I doubt it will do enough for what I've heard, and I fear I am bound to feel let down, and bound to feel unmoved.
After all, if not enough time and care has been given to develop a dynamic, I am not going to feel pressured by the high stakes; if not enough time and care has been given to develop the dynamic between Megumi and Yuuji, as good potential as it has I am bound to feel little for this last confrontation between Sukuna and Itadori, and his effort in getting Megumi back.
#It's not that I think everything has to be character driven or take a lot of care about dynamics#Death Note for instance works well without it. There's juice in the dynamic between Light and his father and the role of Matsuda there#and it works well with Light's views and their evolution and the whole Kira situation. It isn't much. It doesn't need more#But Death Note doesn't truly drop something as big as Gojo and Megumi to then do barely nothing about it#('But L and Watari' not the same at all. That was deepened in the anime and besides Watari is not one of the main characters)#Or Megumi and his sister. If we see barely nothing of Megumi and his sister other than shiny flashbacks of her#how am I to feel moved by it all beyond superficial emotions? I don't know. It just feels so like cardboard to me#And it annoys me! It annoys me a lot! Because Jujutsu Kaisen has amazing potential! The dynamics and characters could be amazing!#But I don't trust they'll live to their full potential and the potential existing for nothing is ruining this for me xD#Jujutsu Kaisen#Sorry this time I'm tagging it. I want to find this and see if I was right when I'm finished. I think I'll read the manga too#The condescending filler breakfast comment by my friend was ironic considering the Kramer vs. Kramer breakfast scenes exist#Breakfast can be so telling. And besides he loves the Chainsaw Man coffee scene so I don't get why not breakfast#But truly some small daily life moments can tell us a lot about a character that we could recognise later on in high stakes scenes#such as how they deal in tense situations‚ what makes them snap#how they go about dealing with a problem.#Sometimes it could be smaller moments or conversations what makes characters reconsider things‚ not just having Sukuna rip their heart out#In Pandora Hearts the conversation between Elliot and Oz about the book series they love and their favourite characters becomes key#Oz's development and how he regards things‚ his own person‚ and how he deals with situations will be shaped later on by this conversation#till the very end. The entire main character's development is shaped by a 'filler' conversation.It's not filler. It's just not a fight scen#Shonen manga readers find everything filler except for fights which is ironic considering that many fights in shonen feel unnecessary#Breakfast is unnecessary. Just filler. Fighting thirty seven secondary monsters or chapter after chapter of physical training is not. Okay#Things can be small but plot relevant. If it shapes and fleshes out and deepens a character or a relationship it is not filler#And mainly MAINLY for the love of everything good if you're going to make a fucked up or Meaningful Beyond Everything dynamic#give it time and care. Actually write it. Don't give me two panels and one conversation after some life and death situation. It's not enoug#Especially if I'm to believe they are important. Make me believe they actually are#I don't know... This issue with not trusting the development of very well set potential in Jujutsu Kaisen#has not only been keeping me from thoroughly enjoying the series‚ but actively keeping me from watching for weeks#It makes me doubt if I want to spend my time in this at all since after all time is limited and we can but spend it in a handful of things#A pity. I really love some things and I really think Megumi and Gojo could be everything to me haha the Heathcliff/Hareton vibe gets me
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favoriteblogonthecitadel · 8 months ago
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A similar thing is happening for me with BG3 as with ME, in the sense that after I made my Dark Urge OC I really haven’t been able to make another one and connect with them in the same way as the original. Seems like this is a “one main OC with the occasional background character” kinda brain!
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goldenduoses · 1 month ago
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ok so who wants to talk about the inherent insanity and freak goldenduo have towards each other when they interact ??
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