#screw it i'm posting it now

[babacontainsmultitudes]

RIP Will Campos the only person who was murdered this episode.

[secriden]

This line. God, this line! It has been eating me up inside for 2 days now, because let's not forget, this line isn't about love, it's about trust. And that has implications that make me want to scream.

It's a direct reference to this moment earlier in the episode:

At the start of this discussion, Style and Fadel still have a kind of playful air about their conversation:

Style: Oh? Not even me? Fadel: You're at 80% at best. I feel like you're hiding something from me in the 20%.

In this exchange, though, there's a sense that Fadel is issuing a challenge, like there's something specific which Style can do to gain Fadel's full trust. And while Style knows there are things he cannot (yet) reveal to Fadel, I think a part of him is determined to be as honest as he can be, which is why he issues a challenge of his own by asking for more specificity:

Style: What do I have to do to gain your complete trust?

Part of this question is a simultaneously inquisitive and deflective - What (and why) do you think I'm hiding (something) from you? - but there's also a moment after Style finishes speaking where he stills and goes quiet that feels... genuine, weighty. Or, as @airenyah has pointed out in her meta on Style in episode 4, the "grounded[ness]" in Style's demeanour is a signal that Style means what he's saying in the moment. Maybe about his own desire to be worthy of Fadel's trust, maybe about how he genuinely does want this relationship to be real in whatever way that matters to Fadel.

I think Fadel sensed that too, because the moment looses all the lightheartedness it had before. Fadel pauses, and then gets a look on his face that just... breaks my heart. There's a sombreness there, like he knows he's going to have to say something that makes him sad. Fadel looks away, and then down, before he seems to steel himself and says:

Fadel: It'll never happen. No matter how much you love someone, I just don't believe that you can completely lay yourself bare in front of them.

Fadel says this like it's fact. Like what he's expressing is something foundational and true and irrefutable. It's not even about his doubt in Style's honesty, because this statement has no qualifiers or conditions put on it to connect it to Style. Rather this is what Fadel fundamentally believes about relationships and trust: he finds the very concept of being fully known and still accepted an impossibility.

Sure, maybe this is because of the falling out (or betrayal or disappearance) associated with the former lover; but I also think it might be because Fadel is acutely aware not only that he's hiding a rather big and dark secret (not to mince words, but: actual literal premeditated murder), but also about what it implies about Fadel. Because being able to kill another human, coldly and clinically and without remorse, takes a certain type of person. Because, yes, Fadel has lived through an absolutely harrowing and traumatising event (his parents' murder), but it's also undeniable that it changed him. Because there's something about Fadel that twisted dark and which he never quite got back. There's an anger, a hurt that colours every moment of his life; that enables him to look a man in the eyes, smile politely, and pull a trigger.

And at this point in their relationship, Fadel's understanding of Style is that he's... well, kind of innocent. Especially in comparison to Fadel and Bison, and even Kant.

Style, who easily reveals facts about his life which Fadel already knows (winning a car tuning competition), making Fadel doubt his own instincts about Style hiding secrets. Style, who also reveals the things Fadel doesn't know, like the tender and secret pain of a mother lost to cancer (which, now that I think about it, Fadel may also know) and his worries about a father who "lost his bearings for a bit" (which he probably doesn't). Style, who tries to comfort Fadel in his own loss by offering a safe space and a sympathetic ear.

Style, who doesn't just see Fadel for his tragedy, but is asking to be given the chance to accept all of Fadel as a person. Style, who not only wants but has the capacity, to be the only person Fadel needs to rely on. Style who, despite the sea of differences between them, understands Fadel on a level that is so very foundational.

I'm going to slightly segue and mention something that may not resonate with everyone, but really hit me in the gut this episode: because I lost my father when I was 16 after he battled cancer for 2 painful years. And this revelation about Style has totally shifted and coloured everything Style has done in a new light for me. Because not only does this totally explain Style's sometimes almost stubbornly childish demeanour (it's common in adults who've had to 'grow up' too early), but also why Style shows seemingly random flashes of insight and maturity when they are most crucial. Notably, Style has this almost instinctive sense of when he needs to back off a sore point with Fadel that I couldn't quite put my finger on until this episode.

I've seen a few jokes about Style's awkward subject change, but I've actually got a friend who I hold very dear to my heart who was one of the only people to give me a sense of normalcy and comfort when my dad was on his last few days and then at his funeral. And part of that was the instinctive way she would know when I needed to just. Not be a grieving daughter for a few minutes. To get a small respite from the overwhelming hopelessness and sense of impending loss. To get a moment to breathe and gather my strength, because knowing I was never going to see my dad again, or hear his voice, or hold his hand was tearing me apart back then. Sometimes she'd talk to me about college drama, sometimes she'd introduce a new kpop video to me, sometimes she'd just ask me what I wanted to eat and take me to go have a meal with her. And sometimes there really just isn't anything else to say other than "I'm sorry." Nothing you say - nothing you can say - is going to ever, ever make this grief go away, and in most cases, it was better when people (especially those who couldn't really understand) didn't try.

And I think if you look at Fadel very closely, there's a moment of genuine surprise (Fadel wasn't expecting the subject change at all) and then... something that looks like fondness mixed with exhausted relief. Because I don't think Fadel was ready to talk about his parents yet. This was honesty he wasn't ready to give Style, mostly prompted because Style himself had willingly been so vulnerable that a part of Fadel wanted to reciprocate. But further down that path lies not only his darkest memories, but also the connection to the part of his life he is not willing to share with Style yet. So this subject change is a relief, it's a blessing, but it's also Style knowing when he shouldn't push any further with Fadel's fragile heart.

Which brings me back to how well the episode's theme of trust (both deserved and undeserved) was woven in this episode. This is true on multiple levels and characters but I'm not even going to attempt to touch Kant in this post because... Lord, that is beyond me at the moment. Someone else needs to do that, pretty please, so I can reblog it and scream.

It starts, somewhat unexpectedly, with Fadel asking for entrance into the intimate spaces of Style's life.

So, this episode was not about Fadel's fear of his own feelings, desires, or even affection for Style - that appears to be fully addressed in episode 4. I think that's why we see Fadel be so physically affectionate and indulgent of Style in this episode. He's come to terms with his lust for Style's body (hence his comfort in initiating sex), he's accepted Style as his boyfriend and so can enjoy Style's playful teasing (still reluctantly, but Fadel is still an introvert even if he's mostly enjoying Style's rambunctious nature), and give into Style's (and Bison's and Kant's) cajoling with relatively little fuss.

He's even comfortable toying with the edges of revealing his darker and more sinister side by reminding Style implicitly about how violent Fadel has the potential to be. Recall that Fadel knows Style knows some of his capacity for violence; he just doesn't know how very thoroughly Style is aware of the full scale of this truth. It does help that Style evidences no actual fear and, in fact, looks positively euphoric. Like, buddy, pal, dearest one... please control yourself.

And yet something very, very telling is the way the show makes it a point to depict Fadel very deliberately getting drunk during the double date. Even before the date has started, Fadel looks to be about half a beer in and we see him constantly drinking, drinking, drinking during the whole date. From the conversation about trust he has with Style while Kant and Bison are being off key and adorable about it, to after Kant leaves and Bison gets worried. And we've seen Fadel cope with emotional and mental distress with alcohol before, so we know that Fadel is internally fighting some kind of very intense battle even as he is also very clearly enjoying moments with Style on this date (most notably when they're dancing by the bowling lanes and when Style asks him to go home with him).

So here's my take: rather than being about love, this is about Fadel fighting to hold onto his own philosophy on relationships and trust. Because as much as I do believe Fadel believes he's telling the truth when he tells Style that 100% trust is "impossible", I think it's clear that's not what he wants.

What he wants is to finish this last job so that the only thing he can't be honest about with Style will finally stop being a factor in his life. What he wants is to fully and completely reciprocate the openness Style seems to be giving Fadel. What he wants is to switch off his brain and let his heart lead for once, to stop fighting a battle he has no desire to win anymore, only he can't. Trust (not love) is Fadel's final frontier, and one which he can't quite give up in spite of himself.

Which is why I think Fadel intentionally gets himself drunk here. Because he wants to let his guard down around Style. He wants to open himself fully, he wants to "lay himself bare" for Style, he wants Style to know the full truth and accept him anyway - and he gets so close, but can't quite get there - because he doesn't know that Style already has.

When Style says this, Fadel thinks it's empty words, not knowing that Style has long passed the bar Fadel thinks is insurmountable. And just like Style was able to offer safety and reassurance to the vulnerability Fadel was showing in episode 4, Style instinctively gets to the core of Fadel's darkest fears again:

Style: One day, I'll be your 100%.

This isn't (just) a promise that Style will wear Fadel's stubbornness down, or that Style will be worthy of Fadel's 100% (which, already, has me in tears, ngl). Beyond that, this is Style promising Fadel isn't ruined for this; that it isn't too late, that whatever hurts and wounds Fadel has can be made whole again. That the kind of honest and all-encompassing and unconditional trust which Fadel says is impossible can, in fact, be his. That Fadel still has the capacity to trust and be trusted the way he so desperately, painfully longs for.

I know a lot of people have said Style in this episode is writing cheques he has no ability to honour, but I think it's more layered than that. Because in a very significant and profound way, Style is wholly deserving of Fadel's trust. Because in all the ways that Fadel has ever known he should want, Style actually IS worthy of his trust. Style knows the truth Fadel is hiding, knows what this man is capable of, knows the danger of being in his arms, knows the likely nonexistent future Fadel has to offer him -- and wants him anyway. Style is a man who would stare into Fadel’s darkness and reach out first. Strip away the complication of Kant being blackmailed and dragging Style into his mission, and Style is literally perfect for Fadel. He is exactly what Fadel wants (and possibly has wanted for a very long time). He is, in fact, exactly what Fadel needs to ever experience anything beyond the shadow of a life he's had so far.

But oh, the cruel narrative means that Style is also, simultaneously, painfully undeserving of Fadel's trust; and this is something Style is very much aware of. I think that's why he's trying so very hard to be worthy in all the other ways he can be. Style's awareness of what Fadel is hiding enables Style to (counterintuitively) be completely honest about his feelings for and about Fadel even as he cannot reveal his motivations. So he gives Fadel as much honesty as he can: offers the vulnerability of his own pain and hurts; the comfort of his true understanding and acceptance.

And just as Fadel's vulnerability in the abandoned factory was met with Style choosing a form of physical connection that prioritised Fadel's pleasure (it's made very clear that Style is jerking Fadel off and that all his focus in that moment was on Fadel, not his own pleasure), so too is this moment met with Style very intentionally choosing to worship Fadel's body with all the tenderness and genuine emotional weight that Style wanted Fadel to have in their first time in the storeroom.

Because, crucially, this was Style giving Fadel the chance to lay himself at least physically bare. This is the closest either of them can get to full honesty with the secrets they both are keeping. It's why Style tries so very hard to show the care and adoration and genuine feelings he has for Fadel. Why he makes sure that the vulnerability of Fadel getting himself as drunk and as relaxed and as trusting as Fadel can allow himself to be is tied only to gentleness and tenderness and pleasure.

Because Style actually knows that Fadel can't (and shouldn't) trust him in the way Fadel truly wishes to.

And as much as I believe that Style genuinely means this from the bottom of his heart, the horrifying full truth is that it is Style that has the metaphorical knife hovering over Fadel's chest. He is the one with the capacity to actually give Fadel a new scar that would truly matter. He is, in fact, the only one Fadel wants to fully trust -- and this, along with Style's compromised heart, makes it so that the circumstances will doom them both.

[momentomori24]

[This has been sitting in my draft for a while lol]

When it comes to Curly's failings, I always see people bring up his obvious failure to protect Anya and him prioritising Jimmy, who was the rapist in that situation. Which is completely valid btw and we should rake him through the coals for that alone even more. But I also see too many people saying that Curly "didn't enable Jimmy" or playing softball for his actions. And I could maybe see where that comes from if that incident was the only thing we had to point to-- but that wasn't all he did, is it? Curly being indifferent or not taking Jimmy's mistreatment and belittlement of Anya seriously was hinted at so much earlier than that.

Namely, the very first time we play from Curly's point of view. Let's just skip the fact that Curly was putting everyone in danger by not taking his psych evals seriously and simply giving the same answers to pass them even tho he was shown literal minutes after this scene being clearly not-sane, and go straight to the point I actually wanna get into. Which is this:

These scenes in isolation wouldn't be that bad. From his pov, it's played off as comical and it is. Jimmy being a brony (not really lmao) and getting playfully dragged over it is funny. But unfortunately this is the first example out of many for Curly's complacency. Anya is complaining about Jimmy not taking his psych evals or her seriously, which is easy to believe considering how much he rags on her for "not being a good nurse" (she kept Curly alive on hopes and dreams how dare you). So he keeps making her do silly and inappropriate reports she clearly doesn't wanna do, which is kinda shitty (also borders on harassment). But rather than actually saying something about Jimmy's behaviour or even acknowledging how it sucks he says this:

Mate, that's not a good thing 💀 He's clearly aware that the problem is Jimmy's lack of respect for Anya specifically. He knows that if he, his friend and a man in power, were the one doing the evals Jimmy wouldn't try that disrespect. But it's Anya, a meek woman who ranks lower than him so he thinks he can get away with it (which he DOES), and Curly's shown as comfortable in knowing that. He doesn't chew Jimmy out for making Anya uncomfortable nor does he reassure her that he will do something about it. All he does is take it off her hands this once and helps Jimmy power through it to get a good diagnosis (even tho we know he's DEFINITELY not sane either). He doesn't even mention Anya's discomfort or confront him on his inappropriate behaviour, just teases Jimmy in good fun instead because he doesn't think of it as anything serious. It's subtle and pretty minor in comparison to everything else, but I think it's worth pointing out. Especially because this convo takes place after Jimmy had assaulted her, which makes this so much worse.

If you need any more evidence of Curly being an enabler you need not look further than Anya herself. And I'm not just talking about the way he failed her here-- I'm talking about Anya's own view of Curly and the way said view influences her actions.

Just look at her choice of wording. "What would you have done". This is in response to him saying that she could've come to him if she were feeling stressed, which she-- in his eyes-- didn't. The question itself implies that she had no faith in Curly to actually help despite his insistence that he would've, which I think is significant because it shows that she's very much aware of Curly's shortcomings when it comes to her situation AND it's one of the first (or the first time) she actually verbalised her lack of trust towards him or anyone directly. Prior to this scene she had told him about her rape and the rapist, presumably because she trusted him to handle it. And he dismissed her because the rapist was his best friend, and that evidently deeply scarred her. Enough so that she secretly took the gun and hid it someplace else and didn't even tell Curly were that was, because she knows that if Curly has access to it there's a so much greater chance Jimmy will have too, insinuated by the line "the least I can do is make sure he never gets it either". Speaking about the gun:

It sucks so bad that this perception of him isn't even inaccurate nor unjustified. That despite everything Jimmy had done to her and everything he could still do to her, he'd very likely still not allow her access to the gun for protection. Because that's exactly what he didn't do anyway. He didn't attempt to keep her safe from Jimmy, instead he just pretended that nothing was wrong and still let Jimmy's belittlement of her pass. He didn't give her the gun after the incident, because she wouldn't have hid the case if he had. Despite his desperate reassurance that he'd do anything, he did nothing but make it worse for her and she KNOWS that. It's so frustrating knowing he entrusted the axe to Swansea when he needed it but not the gun to Anya when she needed it too. Also this:

The fact that his knee-jerk reaction to her admitting that she's pregnant was "Who would you--" is so fucked, especially considering she's already told him what happened. "Who would you" what? Who would you fuck? Who would you have sex with? That choice of wording drives me up a wall-- SHE wouldn't and didn't do anything or anyone. That was JIMMY. The potential sentence implies that she had any choice or agency in her pregnancy. She didn't. And the fact that Curly had to ask "who" insinuates that he's been putting Jimmy's action out of sight and out of mind the whole time, choosing to not think about them or what happened to Anya at all. And considering he still made her do Jimmy's evaluations despite being able to do them himself and literally didn't even think of making sure she gets psych evals done too--especially AFTER getting sexually assaulted--that might actually be the case (I haven't seen anyone make a stink about that piece of info so I'm going to because what kinda colossal fuck up IS that??).

I vaguely had a post like this in mind but seeing so many people be like "well Anya did some wrong stuff too like leaving Curly alone with Jimmy but you don't get mad at HER for that so why is Curly not doing anything about Jimmy being alone with Anya so different??" actually makes me want to blow some people up. Jimmy's an abuser, sure, but Anya has no real reason to believe that he'd actually harm Curly. From her perspective, they were close, close enough that Curly would not only let Jimmy continuously disrespect her but also get away with assaulting her too. That, and she knows that Jimmy was closer to Curly than anyone and more likely to be civil around him than he ever was to her. She has barely any reasons to suspect Jimmy would harm Curly when they're alone. Curly, on the other hand, has every fucking reason on the planet to think Jimmy would harm her when they're alone. He knows he raped her (likely in her room at night too). He knows that he sexually harasses her. He knows that he doesn't respect her at all. And that was BEFORE the crash. Anya tried insisting on giving Curly his medicine, only for Jimmy to keep aggressively insisting that he'll take care of it despite her protests. Curly didn't try to keep them separate at all even though he was the Captain and had the power to do so. And this should go without saying, but leaving your rapist alone with his best friend that he was close to and enabled/protected him and leaving your friend alone with the woman he raped (and might have repeatedly assaulted given his free access to her) is NOT THE SAME and I'm going to start chucking some people down a waterfall because what the fuck is that argument 💀 Actually leave it to the fandom of the game where the rape of a woman is the catalyst for the events that unfold to use her trauma to defend the guy that enabled it in the first place. Bloody hell.

The reason why this whole Curly discourse pisses me off is because it-- from what I can see-- ONLY brings up his failures 1-0 days before the crash and the Dead Pixel scene (or all the discussion around other points are drowned out by those two). Those scenes, while important to talk about, are not the only things he's done, and focussing on those as the only things is a mistake that comes short of understanding the issue. When it comes to Curly the main defences I see for him are "he was trying not to escalate the situation" and "he was trying to keep things under control the best he can" and "he was waiting for the right time to help Anya", but those don't work when you look at the bigger picture of everything he's done.

He half-assed through his psych eval despite clearly not being sane (and KNOWING he's barely sane, he literally admits it to Jimmy's face). He still continued to task her with Jimmy's psych evals. He brushed over Jimmy's sexual harassment of her as a joke. He didn't think about making sure she got psych evals done herself after being raped. He gave Swansea the axe but didn't give Anya the gun despite it being for "unrest amongst the crew" (whatever the hell THAT means). He let her assault slip his mind that she had to remind him. He's literally a blond man. He took no action to hold Jimmy responsible for anything, and prioritised how his violation of Anya would affect him rather than her. He ignored her demands for him to get rid of Jimmy. He still allowed Jimmy free reign of the ship as co-pilot even after he was openly fantasising about killing everyone and had a major motive and the means to do just that. He was potentially thinking of making her miscarry to cover up what happened. He was so accustomed to her sucking up being disrespected and disturbed that he didn't even notice a difference in her behaviour until she hid the fucking gun. There's so much other shit he's done and hasn't done, and not talking about them or glossing over them makes it so easy for people to argue that he isn't actually an enabler or just minimise the severity of his neglect.

And while I'm already dragging Curly through the mud, I might as well just drag Swansea too. I've seen too many people being like "Anya should've told Swansea instead" and "Swansea was the one that actually took responsibility". Like, y'all realise he's not that much better than Curly, right? He already knew about what happened to Anya-- he admits it to Jimmy's face-- but he didn't do shit. He knew, but he still got completely shitfaced for months despite her earlier protestation to that (for very understandable reasons). He knew, but he still let Jimmy have the axe AND be alone with Anya while having it. He knew, but when Anya locked herself in the Medical and Daisuke and Jimmy asked for his help he didn't budge nor really showed any care. He knew, but the reason he finally decided to do something about Jimmy wasn't Anya, it was Daisuke. Her suffering and her eventual death weren't enough for him to take action either.

This game, on top of everything else, is a great depiction of rape culture. It doesn't just include the rapists, but the people (mostly men) that stay silent, do nothing, make excuses for and protect the perpetrator for whatever reason, and Swansea and Curly (Curly way more so than Swansea) are both active contributors to the environment that allowed for evil to flourish and continue unhindered until it destroyed them all. And while that arguably doesn't make them evil themselves or as bad as Jimmy, they are so much more a part of the bigger problem than the fandom likes to admit.

[Ok since this is kinda gaining a bit of traction please consider helping these guys out here, here and here. Thanks!]

[ryllen]

Look what came through the mail today! The letters & ( •̀ω•́ )σ 3 little gremlins from letterstoear.

Just wanna say i adore the flower stickers on the letters too much, they are that much worth mentioning.

[screwpinecaprice]

I have no idea where they are tbh.

Anyways, taking a few days hiatus from drawing anything digitally to rest my eyes longer. So the requests queue are on hold until the end of the weekend.

[itsahotminuteinbetween]

a small half-finished comic for my dentist au-i was gonna put more but I got tired

Eclipse notices something's missing, ehehe

(Context is that Sun let Eclipse (V2) go instead of shooting him in to another dimension with star power and kicks him out of the plex-he's out on the streets in the first panel)

[hualian]

"Do it scared this, do it stupid that" do it out of SPITE. Do it out of vengeance. Do it out of love. Want to prove others wrong? Do it to prove a point and be victorious. You're your own biggest enemy? Do it to prove YOURSELF wrong. In the end, you're the one to do it, so choose one motivator (or none!), and get out there and DO IT

[someartistsammy]

Genesis's childhood award, the basis of pasteurization, and the supposed fragility of Banora Whites.

A take on it from a farm kid that actually specializes in growing apples.

Was talking with a good friend of mine last night about various takes in the fandom last night and was reminded of one I had seen semi-recently about Genesis's childhood genius in supposedly inventing pasteurization.

I want to believe this is a take that comes from being uninformed as to what pasteurization actually is, considering him being the first to invent it around the time of 1990 would show a stunning lack of technological advancements in the world of FF7. Let me explain.

Shinra has had a lot of technological advancements, and we can see those constantly portrayed clear as day throughout the world of FF7. However even in the time before Shinra, during the time of the Republic of Junon, it can also be assumed that they would have pasteurization, a process that in the real world was invented in the 1800s. Exploration of the world in Rebirth also reveals multiple areas that have shipment docks from the time of the Republic. This would include the assumption that this is how people both traveled as well as transported and exchanged goods.

Pasteurization is an incredibly important technological advancement as it's allowed for the easier shipment and trade of food on a global level. The definition can be found below.

In food processing, pasteurization is a process of food preservation in which packaged and unpacked foods (e.g., milk and fruit juices) are treated with mild heat, usually to less than 100 °C (212 °F), to eliminate pathogens and extend shelf life. Pasteurization either destroys or deactivates microorganisms and enzymes that contribute to food spoilage or the risk of disease, … (continued on Wikipedia)

There are different methods such as Low-temperature long time (LTLT), High temperature/short time (HTST) and Ultrahigh temperature (UHT) (also called Ultraheat treated) however that isn't super important to this, just know that HTST is the standard for apple juice.

The point in this being that if Genesis were to have invented pasteurization ~1990, the rest of the world would have been taking incredibly risky measures in transporting food and risking spoiling for decades, as well as various things being unsafe for consumption such as milk. With the advancements the world already had by this time such as phones, war artillery, windmills, and mako reactors, I find it highly unlikely that he would've been the one to invent pasteurization.

I feel as though it is important to mention that Genesis's award was first place in the National Agriculture Awards, but more specifically, an award in the processed food category. The processed category in these awards directly gives it away in the fact that food was already processed enough to have its own category for awards. Presentation on this is in relation to the presentation of a processed product, and not a form of processing itself. In the assumption that these reflect actual reward categories, there are different categories for scientific invention as well as processing systems.

Reference page for the names/categories presented. This is not the description document.

Agricultural Proficiency Award Area Descriptions.

Although there is the argument that they likely didn't use this same style categorizing, its important to note that they did use categories within the national agricultural awards, and they specifically made the choice of processed food, instead of any of the other choices. If he really made such an important invention, why wouldn't it be stated anywhere as clearly being pasteurization, something that would revolutionize the world, or for that matter why wouldn't it be awarded in the name of development of food science?

I believe its also worth mentioning that the Crisis Core Complete Guide says "Because the fruit can only be harvested in this region, it sells for a high price on the market, but the village children don't seem to know this, …" This would be due to the fact that the Banora Whites are common-place in Banora. In a similar way to how wagyu in Japan is significantly cheaper than it is in the United States, due to export; Genesis would have an easier and cheaper time attempting experimentation methods, if there even needs to be any variation for them, resulting in juice with correct pasteurization due to his being local to Banora. (Market price on them in Banora would be naturally lower due to supply likely being higher than demand, as well as not having to worry about import and export fees. Not to mention being the place where it is naturally grown).

*In the above example I used wagyu as a comparison, however this could just as easily be any other exported food that becomes considered rare when exported, another example which is actually more rare would be the black diamond apple.

While mentioning this, I also want to say that his invention is specifically upon Banora White Juice, not apple juice in its entirety of existence. In similarity to pasteurization, this feels like an over-exaggeration of what Genesis actually accomplished.

While branching through this topic, I also want to bring attention to a take I was sent a while back on the supposed fragility of Banora Whites. While going through the Ultimanias with assistance of a friend, nothing could be found on sources hinting towards Banora Whites being fragile. My next assumption is that this conclusion was likely reached on the basis of Banora Whites being mentioned to be region exclusive, and a high-price market item.

Banora Whites are called just that because of their area of growth being only that of Banora in the Mideel region. The growth of Banora Whites is actually tied to the amount of lifestream that flows through the Banora Underground, this gives Banora a very unique type of soil that allows for the growth of Banora Whites. Since Banora is the only place where the crop grows, giving it a very limited area of growth, and since it cannot be grown globally, gives it a very high market value.

Now into the technicality of things, it could also be assumed that the sale of the Banora White was likely tied to its aesthetics, similar to the way that the pink pineapple is in the real world. The difference here being that when juiced, the pink pineapple loses most of what it has going for it in terms of its aesthetic appearance and thus reducing its marketability and price. Meanwhile, Banora whites, while although losing what would make them have a unique aesthetic appearance, could possibly have a specific flavor to them that translates into the juice.

You see, I believe Genesis's intelligence on the matter comes from not creating some life changing way of preserving things, but rather from preventing waste. Although I do not find any info on Banora Whites being fragile, it can be argued that all apples are fragile in a sense, or at least majority of them. They're truly one of those fruits where sometimes you can chuck them at a tree and only see a bruise or dent, and other times you look at them wrong and they'll split wide open.

When thinking of an apple in general, chances are fragile is not the first word that comes to mind, as many other fruits would be considered fragile long before them, and that'd be correct. However, the harvest and transportation of apples, as well as their general growth, can be littered with complications. When moving apples in a commercial wooden apple bin, when you have hundreds of them stacked together, driving faster than even 2MPH by tractor can cause shaking and damage to the fruit by rubbing damage which can create bruising.

Banora is a remote island location, and import and export of items is likely expensive, which would contribute to the income that Banora Whites would bring in (see earlier mention of wagyu and Japan vs US price) Due to being an island, the methods of exporting would have to be either by air, which would be incredibly expensive and fuel taxing, or by ocean. I mentioned earlier that FF7 Rebirth shows multiple docks and ports that would hint towards ocean being the likely way of transportation of food and people. This would require a boat to leave from down by Banora and travel all the way up the coast through the Meridian Ocean. Constant swaying of the ocean and anything unsecured likely leads to aesthetic damages which allow for even less of the Banora Whites to reach market in aesthetically acceptable shelf conditions.

Banora and in general the Mideel Region is a very coastal region that by flora alone also appears to be a very warm and tropical one. By this assumption not only would Banora Whites possibly be prone to sunburn, a reason they likely developed their darker appearance to survive, but also being internally cooked by the heat of the sun. Also being coastal could lead to strong storms brought in by the ocean leaving damage from heavy winds, pelting rain, hail, and similar damaging weather factors. Excessive rain also typically leads to apples suffering growth cracks, which also takes them off the table for being sold to market as-is.

In the assumption that the Banora Whites would survive possibly brutal conditions that are located down in that area, due to any damage caused by going across the sea, they would likely need to be packaged first while in Banora (hence the warehouse) which would also bring up the pricing on them. However, where does this leave the fruit that's been damaged? Just because it has a crack it it or an aesthetic-only scar across the skin does not mean that the fruit is ruined or inedible. This is fruit that can be used for many different things, including juicing. Juicing is a method that ignores damages that are purely aesthetic, and allows for profit where there would otherwise be none given. Genesis's invention is that of one that prevents waste, and allows for another source of income to the area.

Juicing of apples that wouldn't make it to market would keep the price of the pure solid apples that do make it to market still profitable, while also giving use to those that wouldn't be allowed onto the shelves. While its nothing groundbreaking for the world, like pasteurization would have been, it does allow for Banora to be able to sustain itself via income more, and just overall prevent the waste of more food.

Although to some its not as glamorous if he didn't do something that fundamentally changed the world as a kid, that doesn't mean that what Genesis did isn't still something that he was worth awarding for, especially as a youth. Not only did his creation prevent the waste of food, which earned him his award, but Banora White Juice also did become a famous global hit.

[freckleslikestars]

Favourite X-FILES Episode Countdown {3/24} 3.23 | Wetwired

[desultory-novice]

“A Beautiful Sunset”

CW: body horror, mind break

...

I know-kirby-saved-me-he-wouldn’t-just-leave-me-like-this-not-when-it-hurts-so-much-please-make-it-stop-where-are-you-Kirby-

...

...

...

My original sketch/idea had the two of them actually alright and safe in Dream Land, just plagued by memories, they being the lone “survivors” of having their Souls weaponized...

...Then cursed True Arena lore kicked in and now they’re not okay but since the Master Crown stole his eyes, Magolor can’t even see and he’s driven to hallucinating out of desperation and pain

Edit: I turned this into a whole mini series...

Part 2 “The Sun Never Sets” Part 3 “Screams of Joy” Part 4 “Visitors” Part 5 “A Perfect Circle”

Relevant: “Conditional”

Prologue: “Selfish Needs”

[royalarchivist]

Translation:

7 DAYS LEFT!

On the 7th at 7 PM, we will go to the Nether.... I will create a way for everyone to escape this island! I promise!

[sillyfudgemonkeys]

I need the 12 year old Rangi with her mother lore dropped like yesterday FC Yee. Don't leave me hanging. TT0TT

[vanmarkus]

Wip Wednesday 🎄

I was tagged by the ever so lovely @daffi-990 @thewolvesof1998 @jamespearce9-1-1 @hippolotamus @exhuastedpigeon and @rainbow-nerdss mwuah 💛

Welp a little later than usual but here I am! And uh apparently I added another Christmas fic to the pile because why not lmao but it's just a real short one and I'm aiming for it to be posted this week. 🫡

He was just about to decide what kind of disgustingly greasy takeout food to order, when the door clicked open behind his back.

He turned to see— Eddie. Because of course it was Eddie.

“Hey,” he said gently, shutting the door behind himself and Buck knew it was a little irrational right now, but it still warmed his heart that Eddie came and went like this; that he knew no matter what, he was always welcome here.

“Hi.” Buck gave him a weak smile over the brim of his beer bottle, unsure of what to expect.

“I just wanted to see if you were okay.”

“Why, did uh did I not seem okay?” Buck scoffed, just falling short of casual.

Eddie averted his gaze almost guiltily before pinning Buck with a knowing look. “No.”

“Yeah, I guess that’s fair.” Buck took a long swig of his beer with a grimace.

“You know it doesn’t change anything, right?”

“Uh no, Eddie, I really don’t know that.” Buck drawled and put the bottle down on the counter top with a loud clink.

“Bu—”

“Eddie, you’re leaving the 118. That- that literally changes everything!” He spread his arms widely, as if he could indicate just how much of that everything covered.

✨no pressure tagging: @malewifediaz @spagheddiediaz @jeeyuns @ladydorian05 @disasterbuckdiaz @jesuisici33 @steadfastsaturnsrings @eowon @heartshapedvows @nmcggg @watchyourbuck @eddiebabygirldiaz @theotherbuckley @fortheloveofbuddie

[cashmoneychiyo]

ohey we're finally using this poll feature

anyway thanks to tumblr's questionable updates, it's come to our attention that we can actually do photosets with more than 10 images now -- up to 30, in fact!!!

So we're actually able to fit whole chapters into one post rather than splitting them (obviously except for volume omakes which have maaany pages). Something you guys might appreciate since it means everything is in one place and we don't have to link to other parts in the post description.

However this also means the posts will become very long, which some people might not like; you can look at the Volume 14 omakes Part 3 post if you want an idea of how long a typical chapter post (14-16 pages) would look like. Also, I personally like to be consistent with how many images are in each row (2 per row vs 3 per row), which is easier to do when splitting the chapters HFKSJDHFJSKD but that is very specific to me, you guys probably don't care as much

So we're interested in hearing how you guys would like us to upload upcoming translations \o/ CMC members shall think about how to proceed with your thoughts in mind~

[theboxfort]

Corn plate moment with the Exitors

Bonus:

Interesting things I noticed:

Liy shows her work, but also takes shortcuts. Like how she skipped straight from √144 x (56⁰/3) to 12 x ⅓ in one step, and how she tried to get possible factors of 8 and 16. For the first question (5 - 1 = ?), she wrote "??? How can I show my work for this?". Her work is also very clean, but she didn't complete the sheet

Pencil doodles a lot, both on her worksheet and on the table (usually features her alliance and other Exitors prior to BFB 10). Literally does not answer any questions on the sheet

Leafy also shows her work She shows a lot more steps compared to Liy, like how she showed how she got 12 and ⅓ in two separate steps For the last question ("Bonus: What's your favorite number?"), she wrote "It's hard for me to narrow down favorites, they're all really cool! That means four is cool too! Numbers are the best!"

Bracelety was about to write down "ICE CUBE" for the last question (the favorites question) but quickly erased that and replaced it with "4". Her letters are also really big, probably because she's used to writing big messages on signs

Stapy does not show his work at all, answering every question (correctly) with 4. He also does not answer the last question.

David wrote a huge "NO!" on his sheet. That's it. He didn't even write his name on the sheet

8-Ball tried to make EVERYTHING relate back to 8. I mean seriously, it's amazing

Roboty does not write anything down since. He has no limbs.

Loser also does not write anything down either since. He doesn't know that there's a worksheet.

Questions on the worksheet:

5 - 1 =

√144 x (56⁰/3) =

Solve for y if y is positive y² - 8 = 8

Factor. n² + 8n + 16 = 0

(4/4) + (4/4) + (4/4) + (4/4) =

Solve for q (it's hard to write it down as an expression so I'll write it like this) (1/q)th root of 64 = √8

BONUS: What's your favorite number?

[cheesycatz]

Cheesycatz plush