#scratches directors cut

[nickolashx]

Scratches (2006)

Scratches is a horror point & click adventure game by Nucleosys. Scratches is the first commercial adventure game ever to be made in Argentina.

Dark Legends surround the old abandoned Blackwood house, secluded far away in the northern wastelands. For writer Michael Arthate, this cold, solitary atmosphere is fodder for his restless imagination. But Michael soon becomes distracted by the mysteries offered up, as he follows a trail exploring and delving into the secrets of the past.

[videogamepolls]

Requested by @skinsavant42

[runa-falls]

scratches and bites?

scratches and bites - miguel o'hara x spider-girl!reader

s&b was my first miguel fic and was initially going to be a smutty one-shot, but clearly i had issues sticking with some plotless porn. first there was one part, then two, then three, and now 4 (the last one has been sitting in my google drive XD).

i really enjoyed introducing an "extremely-new-doesn't-even-know-about-her-powers-yet" spider-girl into spider society because it was almost like i was writing how i'd react to the changes the spiders go through.

the first part introduces grumpy impatient!miguel and the reader who's barely through her transformation into spider-girl. i used this part to create some undeniable tension in their first meeting bc i wanted to make it clear that despite miguel's rough nature, he'll always fall for the reader.

in the second part, when the reader goes to nueva york, i wanted to focus on the dynamics between different characters (peter, gwen, hobie, etc) + how miguel and the reader's relationship evolves (jealousy, missing each other, defiance for attention). this chapter had the most plot and least interaction between the love birds, but i thought it was important to push miguel to the edge.

the third part was...mostly PORN. finally right? it did seem like most people skipped the second part (which is a bit disheartening) but i get it. i mean, i wrote this series thinking it would only be porn.

this part included the big fight scene and the big FUCK scene. i love writing arguments but irl i HATE conflict, so this is how i get my fill <3 from what he almost says (he was interrupted by the reader lol) it's clear that miguel wants to keep the reader safe, but he isn't ready to admit that he cares for her.

i know it seems to early for miguel to have feelings for someone that he barely interacts with, but the reader is the only person he's even considered opening up to after all these years. i think the fact that the reader is so new to being spider-girl makes miguel feel like he's needed + that's all he's really wanted since the accident.

later, after the fucking and sedation-kink, i wanted to highlight miguel's attachment issues due to his past. i mean, he's particularly needy in this third chapter (NSFW):

“Be mine, baby, and I’ll take care of you forever.” His claws dig into your web-pasted as he works himself into you, post-orgasm slick smothered carelessly over the both of you. “I promise.” He whispers breathlessly next to your ear.

sry this was so long. i honestly didn't know i had this much to say, but i guess i just wanted to convey my understanding of the story in case anyone is curious.

[reecey9o5]

Is that scratching in the walls?

[dies-irae-et-mortis]

Why did scratches never get enough attention??? It's like the more beautiful version of Myst and had such a lovely story?? I know that it's hard to get but the developers but it on the Archive for people to grab and play themselves. Point and click horror is becoming a dying genre (we don't include FNAF in this)

[moondirti]

jigsaws

— surgeon! simon riley x resident! reader

angst. anxiety. panic attacks. neurosurgical procedures. medical setting. mean simon. d/s undertones. 3.3k wc

There's a reason no one likes working with him.

Tough. Censorious, or hard to please – whispered wearily by nurses with permanent distaste etched into their crow's feet. He scathes anyone not accustomed to his abrasive exterior; a talus pile of whetted rocks, poised to flay you open should you take the plunge so confidently. Rubs your skin raw, brutally worms his way into your flesh, infamously bars rescue, allowing only saltwater to cradle your open wounds in the aftermath. Nothing about his criticism is comforting, not in the way an attending's support should be.

It sounds inflated. Excessive. Your intern year, you let the horror stories float you by as though they were nothing more than dust motes in an old room. To be expected, no? Hospital's are brutal for even the briefest of visitors, let alone a man who's worked here twenty years. In hindsight, you see that it's a type of discredit only the very fortunate can claim; inaugural residents and medical directors, those who do not have to deal with the virulent terror himself. You know better, now. Really.

Still, it feels as though you're being punished.

The air in the operating room is heavy. Clotted by a thick sense of unease. It's never like this, usually. Though the smell of burnt bone, blood, and remnant antiseptic is always a force to be reckoned with, you've gotten very good at shunning your nose for favour of your other senses. To tune into the vital monitor's beep, or the distinctions between this lump of amorphous tissue versus that lump of amorphous tissue. Reinterpreting them based on the plans you revised while scrubbing up, focused fingers around delicate tools prodding. Cutting.

Reliable perception is fine work. You've honed your personal ability the best you could.

The first lesson Dr. Riley teaches you, and rather gratuitously at that, is it takes just one person to throw it off kilter.

There's an impossible itch right where your mask hooks over your ears, latched nastily onto your scalp. Nothing you can address physically (sterility before comfort), though you're aware that its source isn't so easy as to scratch away. Figurative, then. An unwavering neg, pointed by a pair of cold eyes in your periphery. You're tempted to look up, throw off his stare with one of your own, but you think he wants you distracted.

So, you shift your weight and centre the electrocautery to another portion of abnormal growth. It comes apart like stale bread.

You haven't felt this micromanaged since medical school, when professors would loom over your shoulder and mark the clumsy way you sutured incisions shut. But where your grade had been on the line then, it's a person's life now. You seem to be the only one privy to that fact, or perhaps the one surgeon who cares.

Because Dr. Riley watches you over his wire-rimmed specs, grunting ambiguously under his breath like you can't hear him standing just a foot away. Maddening in that it's quiet, idle. To question it would be putting the burden of critique on yourself. To let it continue–

Sweat pools beneath your collar. The spotlights don't help, either, heat lamps on your roasting nerves, highlighting the wet sheen of your temple to whoever cares enough to notice (just him). Focus feels a vain pursuit, attention zeroing in and out of control. You're caught in the violent dance, swept away, water beneath your feet, between the operation and everything else. Everything else, like the ground that suddenly pushes too hard beneath you. The walls, stretching further and further away. There'd be nothing to catch you should you fall – a possibility that gains traction by the second, your vision spotting with exhaustion.

You almost lose it before a flash of green reels you back in.

It's instinctual. Entrenched response to a colour that only ever means one thing. Looking up at the neuronavigation, you watch as the silhouette of your apparatus veers dangerously close to the patient's motor cortex, highlighted in nausea-inducing neon for maximum visibility. Dr. Riley's presence darkens the space next to the screen, a point of singularity that consumes anything within its event horizon. Though it's the last thing you want to do, you coast a hesitant look over to him.

A surgical gown is meant to be ill-fitting. You find he fills the fabric in a manner antithetical to that design, shoulders stretching it tight across his neck, tree-trunk arms drawing tense pleats around his joints. Even his cap, wrapped smoothly around his forehead, ripples with every shift of his brow. Doubled-up gloves warped to the contours of his hands, thick fingers and knuckles. You watch the way they twitch, distorting the latex like a swift fish underwater, and swallow the stone lodged in your throat.

"I can't read your mind, Doctor." Your attending snaps when you take too long to elaborate. His voice is rough, a sucking chest wound in the sterile air of the OR – too raw, natural in a way these halls don't see. You squirm uncomfortably in the force majeure. "What's the hold up?"

"Um-" You pull away from the glioblastoma, your patient's head remaining tightly in place by a positioning frame. "I'm concerned about resecting this part. It's all wound up in healthy tissue, right up against the motor cortex. A wrong move could cause permanent damage."

Dr. Riley doesn't move. Instead, his blank stare flicks down to the surgical site, digesting the truth for himself. The anesthesiologist beside you holds her breath. You wish you had it in you to do the same, but your lungs already wheeze for oxygen as it is.

Somewhere, dim and timid in the recesses of your mind, it occurs to you that this isn't normal. No attending should actively foster an environment where help is punished, especially not while being paid a hefty salary to do exactly that. A dour attitude is one thing – everyone has their days – but you know nurses with greater burdens that boast smiles and little stickers on their ID badges, running on three hours sleep while dealing with bedpans and lewd comments all day. Your search for guidance, then, is certainly not the worst thing in the world.

(No matter how stern the look he gives you is.)

"You need to make a decision. Hesitation in the OR can be just as fatal."

Great load of good that does.

But it was to be expected. Pre-op, you sat down with him to discuss the acceptable margins, and got as much out of that conversation as you did this one. Review the imaging. You've been given the functional mapping for a reason. Never mind that it was standard procedure to check-in regardless; he handles you like you're a child playing dress-up, waving around tools too complex for your grubby hands to operate. Asking him anything is validating what he believes, like kindling wood into a roaring fire. Your mouth smacks to the taste of ash.

The discoloured mass growing off your patient's brain seems to glare back at you. Ugly, yellow, and stained in a coating of blood, severed from its sisters that now lay dead on an adjacent table. It kills you to let it stick, to progress to hemostasis with an increased risk of recurrence. Should this individual ever come in again, their pain would be on your hands – a real possibility you cannot reckon with, for all you know how devastating a toll it would have. The last time it happened, you promised yourself you would never allow it again.

(A mistake that even the greenest of medical students know not to make. Promises are null in this field. They'll blow out like bad tattoos, ink smudged under skin. Patients die, families grieve, doctor's bear the guilt – to fool anyone about it would be doing a greater disservice. Conciliation is not your job. It is not a duty you owe.

Not even to yourself.)

"I… I think we should stop here to avoid any potential issues." You resolve, lips pursed painfully tight. Your hands shake, bullet of emotion ricocheting within your ribs. Your nerves are shot, you tell yourself. It'll take time to compose them, time you don't have. Better to shelf this, then. You're doing the right thing by wrapping it neatly for another day, if that day should ever come.

Dr. Riley huffs.

Or, not.

"CUSA," He clips to the scrub nurse, who shakes as they place the tool into his impatient hand. It's all you can do to watch in horror as your attending commandeers your case, addressing the portion of concern with offensive expertise. The activity on the neuronavigation doesn't so much as blink as he emulsifies the target tissue, tumored cells dissociating from the surrounding matter like butter.

And it isn't a learning opportunity – hardly anything at all when he washes the area in saline solution, manoeuvre over as quickly as it started. Instead, your attention sticks to the casual disrespect he felt was necessary. Snubbing your insight like it was dirt beneath his shoes, too competent to even address your error with words. Humiliation rips like a wave up your neck, washing your ears and cheeks in balmy warmth. Underneath it all, settled like wet sand on the shore, you find that it is not your bruised ego that's left, but rather a wilder, darker thing.

Shame at having failed him.

(How obnoxiously redundant.)

"Think you can manage the duraplasty, Doctor?" Derision distorts his expression into something crueller than his usual indifference. You hate to think it suits him.

"Yes."

It's only an hour later that you're granted the chance to break down.

After wound closure, scrubbing out and postoperative discussions with the patient's family, you think you'd have moved on. Things like this happen – it's what necessitates post-graduate training in the first place – and you're certainly not irredeemable for having faltered on the line. At least, that's what the logic delineates. It mutters its assurances like dogma in your head, insisting that because it is rational, it is right. Any other day, you would be inclined to listen to it.

But that's the thing about being strung out beyond measure. The only sentiment with teeth, sharp and stubborn, is anguish. Indignity. Self-turned anger. You replay the scene like something new will come of it, a silver lining or a divot to pin the blame in anything but yourself. The scalp staples back into place, the dressings wrapped tight. The hibiclens soap lathers up to your elbows, your skin itchy as it dries. The family is thankful, little tears dotting their eyes. The storm passes, waters rippling into quiet calm. And still–

In the wake of it all, you're irrevocably changed. Raw.

There's a little closet for occasions like these. You're relieved to find it empty, void of anything but rusted buckets and mildewed mops. It's a welcome crowd, certainly, borderline claustrophobic compared to the wide floors of the OR, and you sink to the floors within the tight, comforting embrace. Immediately, hot tears spring to your eyes, rabbit heart racing along hollowed ribs. Emotion rushes your throat, tumultuous and messy, piling half-formed grievances on top of one another until they form an intricate, prodigious beast.

Impossible to tackle, worse to tame.

Could you have done anything different?

Is there a reason why he hates you?

Are you cut out for this?

Is this worth never getting a good night's rest?

Do you deserve any of the opportunities you've been given?

Would they be better off in the hands of someone more competent?

No answer claims any. Unresolved, they wriggle underneath your flesh, feeding on the muscle keeping you intact. Tunnelling through your marrow, soft matter fattening them up. You feel as though you're shifting to accommodate them, anatomy morphing into an ugly sack of dermis and maggots. True reflection of a degraded conceit.

The dark, at least, remains omnipresent. Clean against your skin, or purifying, in some odd way. If there is no witness to your misery, then perhaps you can pretend it doesn't exist. That it doesn't affect you as much as it does, or how you won't be thinking of it during every case to come–

A knock rattles you out of your reasoning.

"Hey." Kyle's voice is soft on the other side of the door.

You make your best effort to wipe the wetness from your cheeks, warbling a quiet come in to your chief resident. Fluorescent light intercedes on your little sanctum, spotlighting your crumpled frame. The pitying grimace that twists his face is enough indication that you did not do a good job at hiding your affliction. You must look pathetic.

"We missed you at lunch."

"Wasn't hungry." You sniff, taking his hand to pull yourself up.

"That bad, huh?"

"Worse than you could've prepared me for."

He snickers. It alleviates some of the weight off your chest, this. Conversation to remind yourself that there is more to the world than your angst.

(Only some.)

"It'll get easier, I promise. He's harsher on the juniors."

"I think that's not for you to say. Tell me, has there ever been a superior who didn't absolutely adore you?" Your voice sobers to a close resemblance of Laswell's. "Good work on the diagnosis, Dr. Garrick. I'll admit, I wouldn't have caught that myself."

The man in question lightly shoves your arm, wrinkling his nose in distaste. "Okay, hush. I get it. Still–"

"You don't have to do this, you know." You smile until it gets too much to sustain, then turn to gather your white coat from behind the front desk. The note of positivity his companionship brings is fickle. Appreciated, but not enough to balm the sore blisters of Dr. Riley's rebuff. That'll take the weekend, likely, holed up in your room with nothing but a cuppa and old How I Met Your Mother reruns. "I'm fine, really. I'd rather just continue about my rounds and forget he exists."

But Kyle sighs. Sighs, and bites his cheek in that same way he does when he has to deliver bad news to intakes.

You blanch. "Don't–"

"He came looking for you in the mess hall. Something about the report." The unsteady composure you've built within yourself immediately dissipates, as though it were nothing more than an absorbable stitch. "You know better than to skip out on post-op briefs."

Your voice is weak when you speak again. Breathless. "I'm sorry."

"I don't blame you, darl. But he wants to see you in his office, now." Kyle's face is sympathetic. It doesn't do you much good. "I'll cover your rounds in the meantime."

"Thanks."

And despite your true gratitude, the words ring as empty.

"Sit."

Like a marionette suspended on string, you do as you're told.

Dr. Riley's office is barren of any personal adornment, cast in the same austere template initially given to him. There's a leather couch tucked prim under the window, throw pillow flat on one end. A wire file organiser sits atop his desk, papers fighting for space between the flimsy bookmarks. Pens in a cup, a stapler by his keyboard. All ordinary, inconclusive belongings, that which you sift through like a ravenous creature, slobbering for clues at the life your attending leads.

Ironically, the one thing that offers any inference is an empty photo frame, faced towards the rest of the room, away from him.

You don't like the uncomfortable feeling it inflicts.

"The family." He levels a bored look to you, that which hardens the longer you take to address his ambiguous question. In the harsh lights of the operating room, his eyes looked nearly black. Now, sunlight paints a clearer picture. Taupe and sepia, flecks of various browns brightened by the pale blue underline of his mask. "Doctor."

Floundering, you search for the clouded memory of your discussion with the patient's relatives. It ripples, faintly, between your revels in self-pity. If you needed any censure of your disordered priorities, that is surely enough.

(Funny how he continues to criticise you, even unintentionally.)

"Good. Hopeful. I told them you managed to resect the entire thing, and detailed the plan going forward." It's as though your hands are compelled to move by electric shock, charged full of destructive energy. You rub your face, twiddle your thumbs, scratch the armrests of your chair; trying any measure to defuse the bomb you feel ticking beneath your chest. "They give their thanks."

All the while, he remains steady before you.

A moment of tense silence clears. "I just submitted the operation report." He says, derailing the conversation to what you suspect has always been its purpose. "I mentioned your inability to close the surgery."

You damn near choke on your spit. He notices, of course, and raises a challenging brow.

"I- I'm sorry, but that isn't what... I was perfectly able to complete it." Your protest carries none of the strength you will it to. As is always the case around him, you're made to sound like a defiant student, instead. Pouting and stomping your foot, inflating your strict sense of justice to an occasion that does not call for it.

"Oh?" You know you're not crazy for thinking that way, either. He speaks in faux conciliatory tones, brows knitting together as his argument waters down to one he thinks you can digest. "Would you rather I have said you refused, then?"

You shake your head, staring down at your lap. You really, really don't want to be here. Is it worth it, then? To stand your ground when the worst that will come of his misstatement is an inquiry from above? The strength has long since left you. Now, it is a matter of bloodletting. Leeching the struggle before it festers into something greater, a malady you cannot control.

"No."

"Make up your mind, Doctor." He hums, grabbing a protein bar from his drawer before standing. He doesn't have to round his desk to tower over you, but he does. Heat radiates off him in waves, blushing your neck so that when you look up at him, owlish, your face flares with stockpiled fervor.

You wonder if it could be read as desire.

"You know best." Shutting down has never been so disencumbering. Acquiescence, upending an ivory flag with the knowledge that you don't have to bleed any longer.

His lashes flutter. When you blink, they seem closer than they were before.

"That's right." Dr. Riley practically fucking purrs, chest rumbling thoughtfully at your chosen response. A pressure settles between your legs, bloating desperately into that bundle of nerves that inhibits all reason. "So next time, if you have a problem with the way I do things, you'll address it to me directly instead of snivelling like a bloody prat. That way, maybe I'll explain it to you, too."

A nod is not enough.

"Yes, Dr. Riley."

He cocks his head, fiddling with the wrapping in his hands. His fingers are scarred, brutish, though they tear the foil with all the precision in the world. Your acceptance does not feel nearly as final, expectation thickening the space between you. The title startles to your tongue, then. Novel. Unsure. You haven't called anyone it since secondary. You do not know whether he'll take to it kindly at all.

"Yes, sir."

But his eyes crinkle at the corners, pleased, and it more than fills the hole he harrowed out from you earlier. Your reaction to the approval should be documented, given a name and listed somewhere on the DSM-5.

(Nothing about it feels healthy.)

"Good." He pushes off the edge of his desk, tapping a knuckle to your chin. Instinctively, you open your mouth. The protein bar fits between your teeth, pasty and dry, but his pulse vibrates near your lips and–

You bite down anyway.

(But oh, does it feel good.)

[masterlist]

[liinos]

i still think maverick is one of the best mvs ever

[bkgml]

pro hero kats having to do an interview when he’s sick because he signed a contract.

i just know he’s so baby when he gets sick because of that only child syndrome he’s been stuck with. he gets really needy and just wants to be around you. give him love pls.

maybe it’s one of those interviews with the boards that have the peel off stickies on them where he answers questions about himself and his life.

idk whatever u guys think!

he doesn’t want to go.

“baby?” you ask gently and only get a grumble in response.

your hands drift over to trace the muscles on his back. you’re sat up against the headboard on your phone and he’s laying on his stomach with his head on your lap and he’s got his arms wrapped around you.

when you guys woke up this morning you’d planned to walk around the city you’re in, grab lunch and maybe do some shopping before going in for his interview.

but katsuki unexpectedly woke up with a fever and a stuffy nose.

so instead, your day has been filled with tylenol and naps.

“i know you don’t feel well but it’s time to get up.” you say gently, caressing his back while you speak and finishing with a tap on his shoulder to signal him to sit up.

“i don’t want to fucking go to this shitty interview.” he bites. it’s not directed at you and it’s clear from the way he nestles himself deeper into your plush thighs as he speaks.

you lean forward to press kisses to his warm forehead.

“i know,” you coo.

“but you have to. i’ll get you some more medicine before you go, okay?” you murmur against his temple.

he huffs but peels his eyes open anyway, shifting to rest his chin on your thigh while looking up at you.

“you’re not coming with me?” he replies with an unknown quietness, a hint of desperation slipping through.

you smile and kiss his forehead again.

“do you want me to?” you ask and he nods gently before shifting to press kisses along your bare thigh.

“okay.” you whisper.

“we need to get up now though.” you say and he grumbles but stands with you anyway.

the two of you get ready together-slowly but surely, and head out the door.

when the two of you arrive it’s obvious to everyone on set that katsuki’s more annoyed then usual.

his brows are furrowed so deep they practically cover his eyes, and he’s covered in a thin sheen of sweat.

you explain the situation and the crew agrees to keep this as quick as possible for him.

he puts on his brave face for the camera, goes through about one board in between each cut where he gets a five minute break.

“cut! thanks dynamite, take a five minute break.” the director calls out and you walk to where he’s slumped in his chair, pout on his face.

“hi, handsome.” you smile.

“what do you need? tylenol?” you ask and he shakes his head.

“water?” another shake of his head.

“do you want me to get you a cool towel for your head?” and he shakes his head once more.

“what do you need?” he ask gently.

his hand reaches out for you, misses once and after seeing his brows furrow in frustration you step forward.

the second time he reaches for you he gets a hold on your elbow and drags you forward until your thighs are touching his knees.

he sighs and allows himself to fall forward until his forehead is planted on your shoulder.

you breathe out a laugh and his arms come up to hold you around the waist.

you just stand there and let him do his thing.

every once in while you let your hand travel up and down his back. sometimes you’ll let it slip into his hair, scratching gently.

he lets out sighs and little grunts in reply when you ask him questions. he’s just breathing and hoping the director never yells action again.

“alright everyone, breaks over!” the director shouts and katsuki’s arms tighten around you because he was honestly starting to drift off, but he lets you go anyway so this can be over with.

he does two more boards where he answers questions about pro hero life and the rare question about his childhood and some about you.

there’s a 45 minute dinner break and katsuki spends it in his dressing room.

there’s a couch in there and he wants his half hour power nap.

“here take a tylenol before going to bed.” you say and he pops the pill before laying down and attempting to drag you with him.

“i’m going to get you a cold towel, i’ll be back.”

he groans when you leave but if he’s being honest a cold towel does sound really good.

“hi, i’m back!” you announce while walking back into the room.

when you get close enough his big hands snatch you by the waist and lifts you to straddle him while he lays on the couch.

you giggle and place the towel over his forehead.

“god, your makeup team is going to kill me.” you sigh.

he shuts his eyes and drags his hands up and down your thighs.

“don’t care. i’ll tell them i asked for it.” he mumbles, already drifting off.

“okay.” you whisper.

his power nap did not help him much and in fact probably made him a bit worse.

but you just reminded him that the quicker he got through this, the quicker you guys could go back to the hotel and sleep until morning.

he got through it. had to have little breaks for water and hugs, but he still did it.

when the two of you get home from the trip there’s edits popping up everywhere of the two of you on set.

“katsuki bakugou needing cuddles while he’s sick.”

“pro hero dynamite being in love with his girl for ten minutes straight.”

and all of the comments are filled with shit like,

katsufan118: can he look at me like that?

dynamiteloverrr836: why is he so cute with her

ynnkats4life: my fav relationship

katsuki frowns like his reputation has been completely ruined.

“kats they’re not wrong.” you smile and he grumbles but secretly agrees with you.

“who the fuck filmed us? ‘m getting them fired.” he says.

you slap his chest lightly.

“katsuki! don’t. they’re doing gods work here. i get a compilation of you being all needy.” you smile brightly.

he argues with you playfully but he can agree it’s not all bad.

[damienkarras73]

An essay on Furiosa, the politics of the Wasteland, Arthurian literature and realistic vs. formalistic CGI

Mad Max: Fury Road absolutely enraptured me when it came out nearly a decade ago, and I will cop to seeing it four times at the theatre. For me (and many others who saw the light of George Miller) it set new standards for action filmmaking, storytelling and worldbuilding, and I could pop in its Blu Ray at any time and never get tired of it. Perhaps not surprisingly, I was deeply apprehensive about the announced prequel for Fury Road's actual main character, Furiosa, even if Miller was still writing and directing. We didn't need backstory for Furiosa—hell, Fury Road is told in such a way that NOTHING in it requires explicit backstory. And since it focuses on the Yung Furiosa, it meant Charlize Theron couldn't return with another career-defining performance. Plus, look at all that CGI in the trailer, it can't be as good as Fury Road.

Turns out I was silly to doubt George Miller, M.D., A.O., writer and director of Babe: Pig in the City and Happy Feet One & Two.

Furiosa: A Mad Max Saga is excellent, and I needn't have worried about it not being as good as Fury Road because it is not remotely trying to be Fury Road. Fury Road is a lean, mean machine with no fat on it, nothing extraneous, operating with constant forward momentum and only occasionally letting up to let you breathe a little; Furiosa is a classical epic, sprawling in scope, scale and structure, and more than happy to let the audience simmer in a quiet, almost painfully still moment. If its opening spoken word sequence by that Gandalf of the Wastes himself, the First History Man, didn't already clue you in, it unfolds like something out of myth, a tale told over and over again and whose possible embellishments are called attention to in the dialogue itself. Where Fury Road scratched the action nerd itch in my head like you wouldn't believe, Furiosa was the equivalent of Miller giving the undulating folds of my English major brain a deep tissue massage. That's great! I, for one, love when sequels/prequels endeavour to be fundamentally different movies from what they're succeeding/preceding, operating in different modes, formats and even genres, and more filmmakers should aim for it when building on an existing series.

This movie has been on my mind so much in the past week that I've ended up dedicating several cognitive processes to keeping track of all of the different ponderings it's spawned. Thankfully, Furiosa is divided into chapters (fun fact: putting chapter cards in your movie is a quick way to my heart), so it only seems fitting that I break up all of these cascading thoughts accordingly.

1. The Pole of Inaccessibility

Furiosa herself actually isn't the protagonist for the first chapter of her own movie, instead occupying the role of a (very crafty and resourceful) damsel in distress for those initial 30-40 minutes. The real hero of the opening act, which plays out like a game of cat and mouse, is Furiosa's mother Mary Jabassa, who rides out into the wasteland first on horseback and then astride a motorcycle to track down the band of raiders that has stolen away her daughter. Mary's brought to life by Miller and Nico Lathouris' economical writing and a magnetic performance by newcomer Charlee Fraser, who radiates so much screen presence in such relatively little time and with one of those instant "who is SHE??" faces. She doesn't have many lines, but who needs them when Fraser can convey volumes about Mary with just a flash of her eyes or the effortless way she swaps out one of her motorcycle's wheels for another. To be quite candid, I'm not sure of the last time I fell in love with a character so quickly.

You notice a neat aesthetic contrast between mother and daughter in retrospect: Mary Jabassa darts into the desert barefoot, clad in a simple yet elegant dress, her wolf cut immaculate, only briefly disguising herself with the ugly armour of a raider she just sniped, and when she attacks it's almost with grace, like some Greek goddess set loose in the post-apocalyptic Aussie outback with just her wits and a bolt-action rifle; we track Furiosa's growth over the years by how much of her initially conventional beauty she has shed, quite literally in one case (hair buzzed, severed arm augmented with a chunky mechanical prosthesis, smeared in grease and dirt from head to toe, growling her lines at a lower octave), and by how she loses her mother's graceful approach to movement and violence, eventually carrying herself like a blunt instrument. Yet I have zero doubt the former raised the latter, both angels of different feathers but with the same steel and resolve. Of fucking course this woman is Furiosa's mother, and in the short time we know her we quickly understand exactly why Furiosa has the drive and morals she does without needing to resort to didactic exposition.

Anyway, I was tearing up by the end of the first chapter. Great start!

2. Lessons from the Wasteland

Most movies—most stories, really—don't actually tell the entire narrative from A to Z. Perhaps the real meat of the thing is found from H to T, and A-G or U-Z are unnecessary for conveying the key narrative and themes. So many prequels fail by insisting on telling the A-G part of the story, explaining how the hero earned a certain nickname or met their memorable sidekick—but if that stuff was actually interesting, they likely would have included it in the original work. The greatest thing a prequel can actually do is recontextualize, putting iconic characters or moments in a new light, allowing you to appreciate them from a different angle. All of season 2 of Fargo serves to explain why Molly Solverson's dad is appropriately wary when Lorne Malvo enters his diner for a SINGLE SCENE in the show's first season. David's arc from the Alien prequels Prometheus and Covenant—polarizing as those entries are—adds another layer to why Ash is so protective of the creature in the first movie. Andor gives you a sense of what it's like for a normal, non-Jedi person to live under the boot of the Empire and why so many of them would join up with the Rebel Alliance—or why they would desire to wear that boot, or even just crave the chance to lick it.

Furiosa is one of those rare great prequels because it makes us take a step back and consider the established world with a little more nuance, even if it's still all so absurd. In Fury Road, Immortan Joe is an awesome, endlessly quotable villain, completely irredeemable, and basically a cartoon. He works perfectly as the antagonist of that breakneck, Road Runner and Wile E. Coyote-ass movie, but if you step outside of its adrenaline-pumping narrative for even a moment you risk questioning why nobody in the Citadel or its surrounding settlements has risen up against him before. Hell, why would Furiosa even work for him to begin with? But then you see Dementus and company tear-assing around the wasteland, seizing settlements and running them into the ground, and you realize Joe and his consortium offer something that Dementus reasonably can't: stability—granted, an unwavering, unchangeable stability weighted in favour of Joe's own brutal caste system, but stability nonetheless. It really makes you wonder, how badly does a guy have to suck to make IMMORTAN JOE of all people look like a sane, competent and reasonable ruler by comparison?!?

…and then they open the door to the vault where he keeps his wives, and in a flash you're reminded just how awful Joe is and why Furiosa will risk her life to help some of these women flee from him years later. This new context enriches Joe and makes it more believable that he could maintain power for so long, but it doesn't make him any less of a monster, and it says a lot about Furiosa's hate for Dementus that she could grit her teeth and work for this sick old tyrant.

3. The Stowaway

Here's another wild bit of trivia about this movie: you don't actually see top-billed actress Anya Taylor-Joy pop up on screen until roughly halfway through, once Furiosa is in her late teens/early twenties. Up until this point she's been played by Alyla Browne, who through the use of some seamless and honestly really impressive CGI has been given Anya's distinctive bug eyes [complimentary]. It's one of those bold choices that really works because Miller commits to it so hard, though it does make me wish Browne's name was up on the poster next to Taylor-Joy's.

Speaking of CGI, I should talk about what seems to be a sticking point for quite a few people: if there's been one consistent criticism of Furiosa so far, it's that it doesn't look nearly as practical or grounded as Fury Road, with more obvious greenscreen and compositing, and what previously would've been physical stunt performers and pyrotechnics have been replaced with their digital equivalents for many shots. Simply put, it doesn't look as real! For a lot of people, that practicality was one of Fury Road's primary draws, so I won't try to quibble if they're let down by Furiosa's overt artificiality, but to be honest I'm actually quite fine with it. It helps that this visual discrepancy doesn't sneak up on you but is incredibly apparent right from the aerial zoom-down into Australia in the very first scene, so I didn't feel misled or duped.

Fury Road never asks you to suspend your disbelief because it all looks so believable; Furiosa jovially prods you to suspend that disbelief from the get-go and tune into it on a different wavelength. It's a classical epic, and like the classical epics of the 1950s and 60s it has a lot of actors standing in front of what clearly are matte paintings. It feels right! We're not watching fact, we're watching myth. I'm willing to concede there might be a little bit of post-hoc rationalization on my part because I simply love this movie so much, but I'm not holding the effects in Furiosa to the same standard as those in Fury Road because I simply don't believe Miller and his crew are attempting to replicate that approach. Without the extensive CGI, we don't get that impressive long, panning take where a stranded Furiosa scans the empty, dust-and-sun-scoured wasteland (75% Sergio Leone, 25% Andrei Tarkovsky), or the Octoboss and his parasailing goons. For the sake of intellectual exercise I did try imagining them filming the Octoboss/war rig sequence with the same immersive practical approach they used for Fury Road's stunts, however I just kept picturing dead stunt performers, so perhaps the tradeoff was worth it!

4. Homeward

Around the same time we meet the Taylor-Joy-pilled Furiosa in Chapter 3, we're introduced to Praetorian Jack, the chief driver for the convoys running between the Citadel and its allied settlements. Jack's played by Tom Burke, who pulled off a very good Orson Welles in Mank! and who I should really check out in The Souvenir one of these days. He's also a cool dude! Here are some facts about Praetorian Jack:

He's decked out in road leathers with a pauldron stitched to one shoulder

He's stoic and wary, but still more or less personable and can carry on a conversation

Professes to a certain cynicism, to quote Special Agent Albert Rosenfield, but ultimately has a capacity for kindness and will do the right thing

Shoots a gun real good

Can drive like nobody's business

So in other words, Jack is Mad Max. But also, no, he clearly isn't! He looks and dresses like Mad Max (particularly Mel Gibson's) and does a lot of the same things "Mad" Max Rockatansky does, but he's also very explicitly a distinct character. It's a choice that seems inexplicable and perhaps even lazy on its face, except this is a George Miller movie, so of course this parallel is extremely purposeful. Miller has gone on record saying he avoids any kind of strict chronology or continuity for his Mad Max movies, compared to the rigid canons for Star Trek and Star Wars, and bless him for doing so. It's more fun viewing each Mad Max entry as a new revision or elaboration on a story being told again and again generations after the fall, mutating in style, structure and focus with every iteration, becoming less grounded as its core narrative is passed from elder to youth, community to community, genre to genre, until it becomes myth. (At least, my English major brain thinks it's more fun.) In fact there's actually something Arthurian to it, where at first King Arthur was mentioned in several Welsh legends before Geoffrey of Monmouth crafted an actual narrative around him, then Chrétien de Troyes added elements like Lancelot and infused the stories with more romance, and then with Le Morte d'Arthur Thomas Malory whipped the whole cycle together into one volume, which T.H. White would chop and screw and deconstruct with The Once and Future King centuries later.

All this to say: maybe Praetorian Jack looks and sounds and acts like Max because he sorta kinda basically is, being just one of many men driving back and forth across the wasteland, lending a hand on occasion, who'll be conflated into a single, legendary "Mad Max" at some point down the line in a different History Man's retelling of Furiosa's odyssey. Sometimes that Max rips across the desert in his V8 Interceptor, other times driving a big rig. Perhaps there's a dog tagging along and/or a scraggly and at first aggravating ally played by Bruce Spence or Nicholas Hoult. Usually he has a shotgun. But so long as you aren't trying to kill him, he'll help you out.

5. Beyond Vengeance

The Mad Max movies have incredibly iconic villains—Immortan Joe! Toecutter! the Lord Humongous!—but they are exactly that, capital V Villains devoid of humanizing qualities who you can't wait to watch bad things happen to. Furiosa appears to continue this trend by giving us a villain who in fact has a mustache long enough that he could reasonably twirl it if he so wanted, but ironically Dementus ends up being the most layered antagonist in the entire series, even moreso than the late Tina Turner's comparatively benevolent Aunty Entity from Beyond Thunderdome. And because he's played by Chris Hemsworth, whose comedic delivery rivals his stupidly handsome looks, you lock in every time he's on screen.

Something so fascinating about Dementus is that, for a main antagonist, he's NOT all-powerful, and in fact quite the opposite: he's more conman than warlord, looking for the next hustle, the next gullible crowd he can preach to and dupe—though never for long. For all his bluster, at every turn he finds himself in way over his head and writing cheques he can't cash, and this self-induced Sisyphean torment makes him riveting to watch. You're tempted to pity Dementus but it's also quite difficult to spare sympathy for someone who's so quick to channel their rage and hurt and ego into thoughtless, burn-it-all-down destruction. When you're not laughing at him, you're hating his guts, and it's indisputably the best work of Chris Hemsworth's career.

It's in this final chapter that everything naturally comes to a head: Furiosa's final evolution into the character we meet at the start of Fury Road, the predictable toppling of Dementus' precariously built house of cards, and the mythmaking that has been teased since the very first scene becoming diagetic text, the last of which allows the movie to thoroughly explore the themes of vengeance it's been building to. A brief war begins, is summarized and is over in the span of roughly a minute, and on its face it's a baffling narrative choice that most other filmmakers would have botched. But our man Miller's smart enough to recognize that the result of this war is the most foregone of conclusions if you've been paying even the slightest bit of attention, so he effectively brushes past it to get to the emotional heart of the climax and an incredible "Oh shit!" payoff that cements Miller as one of mainstream cinema's greatest sickos.

Fury Road remains the greatest Mad Max film, but Furiosa might be the best thing George Miller has ever made. If not his magnum opus, it does at least feel like his dissertation, and it makes me wish Warner Bros. puts enough trust in him despite Furiosa's poor box office performance that he's able to make The Wasteland. Absolutely ridiculous that a man just short of his 80th birthday was able to pull this off, and with it I feel confident calling him one of my favourite directors.

[swampjawn]

Like the goofy horror crossover that inspired it (Sadako vs Kayako) Dandadan's identity is all about smashing together the identities of its many eclectic inspirations. (most notably of course, ghostststs vs aliens)

So how does its opening embody that identity? Well of course the song itself is swarming with references to everything from a couple Japanese creepypastas from 2chan to Demon Slayer and other popular shounen hits, to M. Night Shyamalan — but not to be left out, the formal elements of the animation combine not only the bold and sharply contrasting color schemes that are characteristic of the show, but also three completely different animation styles into one strangely cohesive piece.

Directed by "Scott Pilgrim Takes Off" director and one of Science Saru's original creative voices, Abel Góngora, the opening sets the stage with the contrast between these close-ups of the syllable "dan" shown mostly on various digital screens, and these character shots that give the impression of analog film with soft edges between highlight and shadow, and overlaid grain, scratches, and imperfections.

These cuts are not exactly realistic per se, but they reflect a version of the world of the show that's very grounded in live-action cinematic techniques, like I discussed in my previous video. Many of them mimic a wide-angle perspective and give the impression of a real camera filming the characters.

Soon though, we jump into these highly stylized cuts in which bold, textured silhouettes stand out against saturated painted backgrounds.

This style in particular feels very characteristic of Góngora, who has worked on many of Science Saru's opening sequences, and seems to love these stark, stylized, and textured silhouettes:

Many of these shots are direct references to the 1967 Ultraman TV opening,

but they also generally draw inspiration from 60s and 70s pop art and cut-out animation. Slight imperfections in the credit text and slight camera wobble even give the impression of hand-cut paper being filmed with an old 60s camera rig!

Turbo Granny gets up in the mix with a third totally different style: these loose, chaotic, and gestural scribbles where clean line-work gives way to pure organic energy with very little consistency between frames.

These cuts are mostly done by Kyouhei Ebata (江端 恭平) (who you might recognize from his crazy painted frames on Dungeon Meshi) and Genta Ishimori (石守 源太) who has relatively few official credits so far, but has done some extremely impressive (if quite disturbing) independent work on his youtube channel, and whose own personal style seems to have primarily created the vision for how Turbo Granny would be portrayed in the show!

And finally, the three art styles and two major opposing colors all come together in this climactic cut as this slick, detailed illustration goes from clean, detailed blue, to bold, chaotic red in an instant as Okarun smashes through it, and is interspersed with these three demonic frames that find a middle ground between the bold textured silhouettes and the loose scratchy turbo granny scribbles.

This is all just a sampling from this video, where I go more in depth on all these elements, and lay out way more of the direct references, so go watch it! (If you're not too scared… Maybe you can't handle it…)

[dotthings]

You know who I feel sad for right now is Misha, because I think he wanted to be able to speak much much earlier than he was able to about Cas’s confession. We know he drafted an essay about Cas’s coming out…and then wound up not publishing it. Misha deserved to be able to talk about it in interviews the way Oliver Stark is able to about Buck. Misha mentioned it on zoom calls, briefly. And then it seems like he got yanked back by the PR machine and the nature of Cas’s confession wasn’t discussed on any SPN PR materials and for a time Misha was restricted on what he could say on CE Con stages.

At first, back then, for a few glorious days, I thought the stigma about queer Cas, about Destiel, had been lifted, finally, and then WB/CW brought the restrictions back down via PR. Oh you can have your confession scene, SPN, but corporate will control the narrative on how it’s spoken about or not.

We saw this thaw over time. (Anyone who claims otherwise or that Misha was always able to be open about it, is lying). Now Misha can speak openly about it and that shift began around the time when Chaos Machine really set up shop and changed a few con policies. So I’m happy for Misha that he can speak only about Cas being queer and what the confession means and Cas coming out, but he still has yet to be able to speak in depth about it in major PR. The openness about it comes out on con stage. At first it was non-CE Cons. Then finally he was more able to speak freely on CE Con stages.

Which leads me to another point, which is that, in fact, any of us who thought Cas was supposed to be in the series finale? We were right all along. The PR Misha filmed meant to mislead and misdirect about his last episode…PR misdirect to cover up so it could be a surprise, which makes sense and is sometimes how PR is run. Remember that the production shutdowns of the pandemic happened during the first days of filming 15.19. We found out eventually Dean and Cas were planned to be seen at the Roadhouse bar in Heaven together.

When they filmed 15.18 everyone thought Cas would at least cameo in 15.20. During the filming of 15.18 nobody directly involved knew how far Cas would be shoved out of the story, the actors didn’t know, the writer didn’t know, the director didn’t know, how far 15.20 would be stripped back, no one knew how reduced even mere mentions would be in 15.20.

I’ve talked about this before but a reminder how screwed the spn creatives who worked on 15.18 were, how screwed over the actors were.

You were right. If you thought that there was going to be at least some satisfaction and closure and Cas was going to have one more appearance before the end and it wouldn’t be able to be loud open canon, but something that implied mutual canon Destiel.

We were right. We were right all along.

Antis on twitter dot com can keep scratching and clawing and harassing and gaslighting and spewing phobic comments, denying what Jensen’s views are and dening that corporate censorship is real and that bi Dean is canonical via queer coding and queer Cas is now loud open canon and Destiel is mutual, via canon queer coding. Won’t change what happened here or that the intent was so, so much better and more than what 15.20 delivered, and the reason it fell apart was the production shutdown gave some parties high up too much time to think and then interfere and cut Cas out.

There is no more room to indulge media illiteracy and malicious denialism and trolling from antis.

[neunhofferart]

fave scene u boarded this season?

Okay, MAJOR SPOILERS for Jurassic World Chaos Theory Season 2 incoming haha. It's hard to pick just one, so here's a bunch:

Favorite scenes that made it to screen:

The sucho vs. hippo fight (Though sadly I didn't request this one for my demo real because most of the boards are not very pretty/had to be cleaned up by someone else due to time. These panels below are some of the few that look nice enough to show LOL. Originally in the script, there were TWO hippos we called Orson and Welles, but it was just too much going on in that little set, so the whole thing had to be reworked from scratch halfway through the boarding period. My director Mike Mullen and our revisionist Emma Gilles contributed a LOT to this sequence and made my hastily redone roughs actually legible for everyone, and added/refined more after I had to move on in the schedule)

Ben freaking out while everyone piles more and more problems on Yaz

Kenji fixing his dislocated arm while Darius gagged

Santos sending Red to kill Captain Lang (I have permission to share this one in full, but I need to format it because it's in pdf form).

Favorite scenes that were cut or significantly trimmed down:

Extended scene of Brooklynn feeding Gordon that introduced more of an idea of her having lingering PTSD around dinosaurs, while also highlighting more of the connection between her and Gordon sharing a limb difference. It was a more contemplative scene, but the episode hit 30 or 35 minutes in the initial cut and it could only be 22, so a LOT was cut in the Brooklynn episode (I also have permission to share all of this one, but again need to format it first)

Extended Kenji/Brooklynn break up scene- The first half is still there, which leads into what Rianna originally boarded in 104. A stupid detail I'm proud of- when Kenji leads Brooklynn up the mountain by hand, it's the last time anyone ever holds that hand (in that way). HOWEVER- there was originally a bit more past what Rianna did in 104 that showed how their dynamic/what they both wanted out of their relationship wasn't really in sync. Brooklynn tries to defend her actions to Kenji, but Kenji feels that her work has grown important to her than he is, and Brooklynn actually winds up being the person to say 'Fine, then let's break up!' Which I doubt she mentioned to Darius haha. Anyway, this was again cut because the episode was too dang long.

[queenshelby]

The Peaky Role (Part Nine)

Pairing: Cillian Murphy x Reader

Warning: Age Gap, Best Friend's Dad, Some Smut

Please comment and engage!

After spending an extended weekend in Dublin, you stepped into the familiar set again, the echo of footsteps fading into the buzz of production chatter.

The air hummed with energy, the walls adorned with bright lights and intricate props, but today you felt detached.

You had just broken up with your boyfriend after four years of simmering frustration, and the relief mixed with sadness stirred in your chest.

You felt like you had wasted your time with James and this was what hurt you the most.

“Hey,” Cillian’s voice cut through the noise as he approached, those deep blue eyes of his scrutinizing you with an unsettling familiarity.

You plastered on a smile. “Hey Cills, how are you?" you asked, hoping your voice sounded steadier than you felt.

“Not bad,” he replied, eyeing you carefully. “You?" he asked, but sensing that his question barely scratched the surface.

“I’m fine,” you insisted, forcing a laugh. “Just another day on set, right?”

He didn’t buy it. “You don’t look fine,” he said, tilting his head slightly as if trying to peer through the mask you wore.

You shrugged, trying to dismiss his concern. “Well, I am fine enough and, honestly, I don't want to delve into it right now.”

Cillian narrowed his eyes, one eyebrow twitching upwards, his expression a blend of skepticism and genuine care. “You know, sometimes it helps to talk. I’m here if you want to...”

You shook your head, forcing a light-hearted tone. “You’d just get bored listening to my silly problems.”

“Hardly,” he replied, his voice lowering slightly, creating an almost conspiratorial just as the director called for you.

"Your scene is up next,” the director said, waving you over as he paced between the crew and the set. You exchanged a quick glance with Cillian, who offered an encouraging nod before heading back to what he was doing,

As you walked to the set, the weight settled heavier on your shoulders, a reminder of the lingering emotions swirling within you.

Luckily for you, the scenes scheduled for today were simple and straightforward, requiring little more than the scripted banter. You took a breath, adjusting your focus as you prepared for the scene with one of the other actors while Cillian looked on from the distance.

He could see that something was off. Your delivery felt flat, the lines slurring together without the usual spark of life. The actor next to you glanced your way, concern flickering across his features.

“Hey, you alright?” he asked, lowering his voice as the crew set the cameras.

You forced another smile. “Yeah, just a little tired. You know how it is.”

“Sure,” he replied before stepping back as the director called for action again.

“Alright! Let’s roll!” The command sliced through the air, and the familiar hum of the set drowned out the chatter in your mind and, after a few takes, you still managed to pull it off.

Cillian leaned against a nearby wall, his gaze fixed on you, rapt attention painted on his face as he watched the scene unfold. His presence both grounded and unsettled you, simmering underneath your skin. You could almost feel the weight of his gaze, prompting you to deliver each line with precision. The scene ended, and appreciation echoed from the crew.

“Nice work!” the director called out when the scene was wrapped up, clapping his hands together as he walked over.

"Thanks," you replied, though your voice felt distant, barely floating above the whirlpool of thoughts in your mind.

In that moment, Cillian, who had been watching, stepped forward too, an approving smirk stretched across his face. “You nailed that, despite... whatever’s bothering you.”

“Thanks,” you said, trying to keep your tone light.

“So, uhm, what are your plans for dinner tonight?” Cillian’s question cut through the haze of your thoughts, an anchor in the roiling sea of emotion.

You chuckled, a hint of sarcasm lacing your voice. “Instant noodles probably," you stated, your eyes rolling with mock disdain.

“Ah, the gourmet life continues,” Cillian teased, a playful grin presiding over those handsome features.

“Living the dream,” you replied with a dramatic sigh, leaning against a nearby prop like it was a lifeline.

Cillian chuckled, crossing his arms. “How about I save you from a dinner of noodles again and whip something up instead? You look like you can use the company."

The offer lingered in the air, and for a moment, all thoughts of James and the earlier turbulence dissipated. You raised an eyebrow, surprised yet intrigued.

"Are you serious? You want to cook for me? Again?" you eventually asked, a smirk creeping onto your lips.

Cillian shrugged, his confidence unwavering. “Well, I am kind of cooking for myself but you are welcome to join," he said, making it sound as casual as discussing the weather.

“Alright then, I accept,” you replied, unable to suppress a grin before turning your back to the set, the prospect of a dinner with Cillian somehow pulling you away from the chaos of the day.

Once the shoot wrapped, you went back to your place to get changed before making your way to Cillian’s apartment.

Arriving with a bottle of red wine in hand, you felt a flutter of nerves twist in your stomach as you knocked on the door. Having dinner like this, alone, with your best friend's father, felt somewhat absurd.

Cillian opened the door with that effortless charm of his, deep blue eyes sparkling with warmth.

“You made it,” he said, stepping aside to let you in. The aroma of garlic and herbs wrapped around you like a comforting embrace.

“I brought a bottle of red wine. I hope that’s not too weird and inappropriate,” you said, holding it up with a half-hearted laugh.

Cillian waved a hand, dismissing your concern as he took the bottle from your grasp.

“Not weird at all," he said, his smile widening as he uncorked the bottle with practiced ease. “In fact, I appreciate the gesture. It will pair perfectly with my culinary masterpiece.”

You couldn't help but chuckle at his statement, knowing that he was trying to be funny.

“Culinary masterpiece, huh?” you teased, leaning against the kitchen counter, watching as he poured the wine into two glasses, a delicate swirl of crimson capturing the light.

Cillian shot you a playful glance over his shoulder. “Oh yes, just wait until you see my famous spaghetti al pomodoro. A classic, really,” he said, his voice dripping with mock-seriousness as he turned back to the stove, stirring the bubbling pot with a flair that echoed his charm.

“Can you say this again?" you laughed, mocking his pretend Italian accent when he said it.

Cillian laughed, a rich, warm sound that wrapped around you like a cozy blanket.

“Spaghetti al pomodoro," he declared again, waving the wooden spoon like a conductor’s baton.

"Oh god, let's hope you never decide to portray an Italian mobster in a film," you teased, leaning back against the countertop, crossing your arms as you smirked at him.

Cillian turned to face you fully, a glimmer of mischief dancing in his eyes. “You wound me,” he replied, placing a hand on his chest, feigning injury before reaching for a red wine glass and filling it up to the brim, the ruby liquid catching the light as he raised it in a mock toast.

While enjoying your glass of wine, you watched Cillian cook with an effortless grace, each movement fluid and precise as he navigated the kitchen. The scent of simmering garlic filled the air, mingling with fresh basil, wafting toward you.

While he prepared dinner, you talked about everything and nothing, the conversation flowing with an ease that felt rare and welcomed.

iYou discussed books and music, fun topics like the latest films you had binge-watched and the classic bands you both adored.

Your mood was good now after he had made an effort to lighten it but this moment of happiness was short lived when your phone buzzed on the counter, cutting through the laughter like a thunderclap. You glanced at the screen, and instinctively, a frown swept over your features as the name “James” flashed on the screen.

Cillian noticed, his gaze shifting to the phone before landing back on your face, concern lining his features. “Everything okay?”

You snatched the phone up, a sigh escaping your lips as you swiped the screen open.

“It’s just James,” you said, dismissing it with a wave, though you felt your heart rate quicken as you willfully ignored his call.

C illian raised an eyebrow, his expression shifting to a mix of worry and curiosity. “Just James?" he asked, sensing trouble.

"I broke up with him last night,” you admitted, your voice barely above a whisper as you poured another glass of wine, trying to drown the memories in crimson liquid.

Cillian straightened, his eyes widening slightly. “Last night? Just like that?”

You shrugged, swirling the wine in your glass. “Yeah, it just didn’t feel right anymore. He was jealous, always questioning my choices, my time on set, and it felt suffocating. It's like he resented all the good things happening to me.”

Cillian leaned against the counter, his expression shifting to one of understanding, his posture losing its usual relaxed charm in favor of concern. "After what I have heard over the ye ars, I can’t say I’m surprised," he admitted, his voice gentle. "You probably are better off without someone tying you down like that because, at your age, you really deserve the freedom to chase your dreams."

With a bitter laugh, you responded, “I know, but it took me too long to realse that. I wasted four years of my life with him," you stammered, your voice more shaken now than you intended.

Cillian’s eyes softened. He tilted his head slightly, the warmth in his gaze adding a layer of comfort to the tense atmosphere. “You’re still young though and, at your age, we all make choices that we later question,” he said, his voice low and steady. “What matters is that you learn from them and move forward.”

“Easier said than done, right?” You took a deep breath, swirling the wine in your glass again, the crimson liquid catching the light. “I mean it’s hard to just move on, especially when the memories stick like glue after four years, you know?" you explained reluctantly as your eyes were tearing up, betraying your attempts to maintain composure.

Cillian stepped closer, a subtle shift that closed the distance between you. “I get it. It’s difficult to shift gears when you’ve invested so much emotionally, trust me. I've been there," he said, his honesty catching you by surprise.

You hadn’t expected him to share that side of himself and his own vulnerability stirred something deep within you.

“What you need to know, however, is that you deserve better than what you experienced with him,” Cillian said, his tone serious as he leaned in slightly, his voice lowering to a softer timbre that felt intimate.

“You’re talented, smart, and you have the world at your feet. You shouldn’t let anyone hold you back from chasing what’s truly yours," he told you while placing a stray strand of hair behind your ear, his fingers brushing your skin with a warmth that sent an unexpected shiver down your spine.

His gaze anchored you, those deep blue eyes glimmering with sincerity. You swallowed hard, caught off guard by the intensity of his stare.

“Thanks, Cillian,” you murmured, your voice barely breaking through the air thick with unspoken tension. The way his gaze held yours made your heart race, each beat a reminder of the shifting dynamics around you.

Cillian leaned back slightly, drawing his hand away but the moment lingered, electric and charged with unspoken words, thick as the aroma of the cooking dinner that now seemed to fade into the background and it was then that you did something you hadn’t planned on doing.

You stepped forward, closing the distance as if pulled by an unseen force and, just like that, your lips met Cillian's, a soft collision that felt both shocking and inevitable.

Cillian was suprised at first, his eyes widening in disbelief, yet the moment hung in the air, heavy with something unsaid. Thus, he gave in to the kiss, his initial shock melting away as his lips moved against yours.

The kiss deepened, slow and exploratory, a fleeting moment that suspended time around you.

You felt yourself melt into him, the tension of the last few days dissipating like fog under the morning sun. Cillian’s hands found their way to your waist, firm yet gentle, grounding you in a moment that felt both surreal and intoxicating.

But then, suddenly, just as it began, it ended. Cillian pulled back, a look of shock on his face as he struggled to process what had just happened.

“Wait—” he stammered, stepping back as if your kiss had burned him. “I can’t… we can’t…," he murmured, his voice trailing off into a breathless hush and, suddenly, you stood frozen, confusion swirling in your chest.

“What do you mean?” you pressed, your heart racing as the unexpected shift threw you completely off balance.

Cillian ran a hand through his hair, his expression a mix of surprise and regret. “You’re my best friend’s daughter. My daughter's best friend. I am married," he blurted out, the weight of his words crashing around you like a thunderstorm. "It's just wrong," he finished, his voice strained as he took another step back, creating an uncomfortable space between you.

You blinked, your heart thudding hard in your chest, a rush of conflicting emotions surging forth as if a dam had burst within you.

“Cillian, I—” you attempted to explain, but the words caught in your throat weighing heavy with confusion and regret. "I am sorry. I should go," you managed to say, the tremor in your voice betraying the calm façade you tried to maintain. You turned away, moving toward the door as though its exit held the answers to your storming thoughts.

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[muddyorbsblr]

come on, england

'one look and they'll know' collection masterlist See my full list of works here!

Placement: about a year after 'a sizing mishap'

Summary: When the video director for Tom's promo seems uncomfortable with articulating the vision that was instructed of him, you step in to help things along

Pairing: Tom Hiddleston x Reader

Word Count: 1.2k

Warnings: a tiny bit of dirty talk; little to no plot in this i just wrote it for the thirst [let me know if i missed anything!]

Things to be aware of: we're in a new era (reveal at the end author notes)

This feels familiar, you thought to yourself, watching Tom walk in front of the camera, wearing a white and blue jersey with the number 6 in the middle. He looked to the side of the camera, his eyes meeting yours for a fraction of a moment, before putting on his game face and returning his focus to the lens, looking like he was about to give a pep talk.

"Come on, England!" he exclaimed, with an enthusiasm that felt better suited for a stage performing Shakespeare. Fitting, considering how the target audience were to be sports enthusiasts that Soccer Aid wanted to attract and fill seats next Sunday.

The man behind the camera threw up his hand, scratching the back of his head as he shouted, "Cut!" It was obvious that while he had done a magnificent job, as always, this didn't quite fit with the vision they had in mind. "That was…great, Tom. Really it was. But maybe we could go again but this time a bit more…encouraging?"

"You mean like louder, yeah?"

"No actually maybe a bit…softer?"

Despite his efforts to keep his expression unchanging, you could see the questions swirling in Tom's oceanic eyes. You'd known him far too long that those minute changes no longer got past you. And long enough that you could wager a guess that the questions popping up in his head were the same as yours.

If they want encouraging, then that last take should have done it. It's the tone the sports fans respond to. It's their catnip.

But as soon as the director said, "Maybe like…soothing?", the real vision clicked into place. The target audience for this promotional video wasn't the sports fans at all.

"You mean seductive?" you spoke up from your seat, shifting your posture to cross your leg over the other and resting your arms on your knee. "Enticing?"

"That's--preposterous I would never--"

"Come on, you and I both know who you have in front of the camera. And the type of crowd you want filling in the rest of the seats of that stadium, it's okay. But see, he's not gonna give you the performance you see in your head if you keep trying to dance around the words," you explained, motioning toward both of them. "You want him to play it sexy, just say the words."

"I can't it feels weird, ma'am," he finally blurted out. "These were just the instructions relayed to me, that the feel should be--"

"Tantalizing," you finished for him, trying to hold back a chuckle at how his face reddened as he nodded. You stood up, smoothing your hands over the fabric of your navy blue jumpsuit. "Alright then, show me how to operate the camera."

You walked over to look at the instructions that he referred to, your skin prickling at the scrawled words of 'Make sure he doesn't show his left hand'.

'Bedroom voice pls', another one said in bright sky blue ink.

"I know that look, sweetheart," Tom spoke up. "Are you alright?"

You made your way to him, your shoulders immediately relaxing when he wrapped his arm around your waist, holding you to him as he pressed his lips to your forehead. "Nothing we haven't dealt with before," you answered him, taking a deep breath and smiling at the comfort you felt from his signature citrusy leathery scent. "Now for this take…how about we try you walking into the shot? And then you stare the camera down while you say the line? Forget encouraging and just…"

Identical wide smiles stretched across your faces as you whispered a scenario to him that you believed could get his voice to where the organizers' vision wanted it to be. He slid his hand down the side of your body, giving you a playful little tap on the ass right as you walked back toward the camera.

The video director showed you how to start rolling on the camera then stepped aside to let you run the shot. "Ready, sweetie?"

He threw you a look that had you fighting not to squirm where you stood, answering you in that gravelly tone you were intimately familiar with. "For you, goddess? Always."

You positioned yourself squarely behind the camera, throwing up your hand to count him down to his cue. 3…2…1…Go.

Tom walked into the shot, his eyes meeting yours behind the camera. He took a breath, adjusting his stance to have his feet shoulder-width apart and placing his hands on his hips. His eyes roamed your features with the slightest whisper of the hunger and mischief that you were accustomed to when you were within the privacy of your home. And then he spoke, his voice low and raspy that it immediately brought your thoughts to that scenario you whispered in his ear minutes before.

Imagine that it's just you and me, sneaking in a quickie on the day bed in our study and failing because you're talking me into just one more round. Talking me into making more of a mess on you so we end up in the shower. Or the bathtub.

"Come on, England," he said softly, squinting his eyes at the lens. At you. And then he pursed his lips, fighting back the smile that threatened to follow through once he clocked how your eyes had glazed over, knowing exactly where your mind had wandered.

"Cut!" the video director's voice rang through the little studio, audibly more excited over the take compared to the last. "That was perfect, Tom. I think we got everything we need for your video." He rushed over to you, holding his hand out for you to shake. "You're phenomenal."

"That she is," Tom chirped up, taking his place by your side and settling his hand comfortably on your waist. "Always a blessing whenever we find ourselves able to work together."

"Have you ever thought of directing, Miss H? I'd be more than happy to share the co-directing credit on this with--"

"Ohh absolutely not," you cut him off, laughing the suggestion away. "Too much responsibility. Always happy to assist but I don't think I'll ever want that workload on my shoulders no matter what the scope or scale. I'm more than happy letting you sign this video off as fully yours. And those higher ups that left you those instructions would probably be very happy with you, too."

You saw how Tom craned his head to see the instructions that had been left for the video director, his hand tensing for a moment before his thumb stroked at your side, the motion soothing both of you.

"I'll let them know though that it wouldn't have been possible without your input, at least. Do you prefer Y/N H. or just Miss H?"

Oh I'm sure they'll love that, you thought to yourself, already imagining the bitter sneers this poor guy was about to witness. "You know what, just tell them Mrs. Hiddleston says 'you're welcome'."

A/N: Okay so we have 2 welcomes in this chapter…First welcome back to the Soccer Aid Collection. Apparently we're gonna have 2024 chapters added because I couldn't help myself so this thirst piece happened, and the chaos is probably gonna go down where I'm writing for both 2023 Soccer Aid and 2024 Soccer Aid at the same time because I am just…slow…lol

But anyways…welcome to the married era 😳🥹 I honestly have so much planned to get these blorbos to where they are right now, and I had a different chapter in mind to reveal to y'all that this is what we're working towards, but things happen, plans change…Tomathy walks out in that jersey with the long hair, gets me struggling not to say the d-word, and effectively derails those plans in the best way possible 😅🫡

'everything' taglist: @simplyholl @loopsisloops @imalovernotahater @coldnique @loz-3 @huntress-artemiss @salempoe @vickie5446 @athalialaufeyson @lokiprompts @kats72 @kikster606 @asgards-princess-of-mischief @lokixryss @thomase1 @mischief2sarawr @lovingchoices14 @lunarnights95 @goblingirlsarah @iamlokisgloriouspurpose @creationsbyme @maple-seed @mjsthrillernp @ladyofthestayingpower @mygfloki @sititran @glitterylokislut @ozymdias @fictive-sl0th  @lokidbadguy @mochie85 @silverfire475 @joyful-enchantress @elizabethmidnight2017 @holdmytesseract @smolvenger @gigglingtiggerv2 @lokidokieokie @lunarnights95 @superficialdomina @kmc1989 @november-rayne @goddessofwonderland @buttercupcookies-blog @peaky-marvel @lokiified @tom-hlover @dryyoursaltyoceantears @herdetectivetheorist

[unscripted-if]

DEMO || PINTEREST

Lights…

Camera…

Action!

Those three words, along with the flashing of cameras and screaming of thousands of people, had made up your life for over a decade. Following your rising star into the stratosphere where you could look at where you’ve been upon your lofty perch in the sky. You were the ruler of your universe and there was nothing that’d bring you down…

… Until, of course, there was…

Suddenly in a free fall, without any chance of catching yourself in sight, you’re hurtling back to the ground with only one thought, one goal, in your mind: Find your way back up.

When a new project comes your way, new opportunities arrive with it, but nothing is ever cut and dry within Hollywood. You’ll have to put your all into this movie if you want any chance at salvaging your career.

Try to stay on script…

Unscripted is a slice-of-life interactive fiction where romance, drama, and the trivialities of life intertwine to create your story. Rated 18+ for explicit language, optional sexual content, drug/alcohol use, and violence.

Features

✰ Customizable MC: Name, gender (male, female, non-binary), sexuality, appearance, some of your past projects, and history with a few of the characters.

✰ Maintain your fan base and make sure that they haven’t forgotten about you. Will you earn more as your journey progresses?

✰ Be interviewed from sidewalk reporters to one of the biggest Late Night Shows within America. Just make sure that you make a good impression— there is such a thing as bad publicity after all.

✰ Romance one of the characters that’ll either have the crowd roaring or scratching their heads. Will you find common ground with your sworn rival? Take a chance at love with someone from your past? Give your hot-and-cold manager a shot? Time will tell…

✰ Adopt a new friend that will hopefully make your lonely nights less so.

✰ Rise back to the ranks of Super Stardom and take back your throne.

Romances

The Rival: Angel Sinclair [M/F] — Ever since you arrived in Hollywood, Angel Sinclair has been there. You’re not quite sure when, or where, your rivalry even began, only that it’s made a ton of tabloids rich with the stories they’d print due to it, and you’re even less sure why you keep running into them on the same lot you’re shooting your newest movie. Is it another twisted form of punishment? With an icy exterior that puts the Arctic to shame, you don’t think you’ve ever seen them smile— at least when they’re not in front of the camera or interacting with fans. Will you uncover more as your random run-ins start losing some of their randomness?

Route: Rivals to Lovers.

The Manager: Kieran/Kiera Walker [M/F] — Probably one of the few reasons you’re still where you are. With a keen mind, a sharp eye for detail, and an even sharper tongue, K has never taken it easy on you, and they’re definitely not doing so now. While pragmatic about their approach, they’re not afraid to tell you what they think, when the time calls for it, which is something that’s definitely caused some tension in the past. Still, you don’t know what you’d do without them; as they’ve stayed steadily by your side through it all. And you don’t think they’re going anywhere anytime soon.

Route: Slow Burn.

The Director: Spencer Hale [M/F] — Last Laugh, the title of the movie you’re now part of, is the passion project that Spencer has been working on for years; trying tirelessly to get it to the silver screen. You would know— after all you were there when they began to write it back in college. Despite not having seen them in years, the gentle look in their eyes hasn’t shifted in the slightest; even if it is a bit more wary now, they don’t hesitate in offering you the same level of kindness as before. Though, even that, still feels different, wrong somehow. Can you recover what’s been lost between you? Or will you forever be two ships passing in the night?

Route: Ex-Best Friend/Lover (can choose if they were your lover or not) || Second Chances

The Newcomer: Cameron/Carmen Rivera [M/F] — An up-and-coming star within Hollywood from the music scene. Having wanted to take a shot at the silver screen for years it’s only with this project that they’ve finally been given the chance— cast as your love interest, no less. You’re not too sure what to make of them. From everything you’ve read they’re sunshine incarnate, with a beaming smile always on their lips, that completely contradicts the darker colors that they typically wear. Something tells you, an almost bone deep intuition, that they’re an array of contradictions all rolled up into one package. Will you ever be able to uncover any of them?

Route: First Love (to them) || Age Gap

The Bodyguard: Roman Locke [M/F] — With a penchant to wear nothing but black, sometimes with muted tones of gray thrown in, you don’t know much about the individual that’s been guarding you with their life for the last five years. Only their stellar history in the Navy, coupled with a possible connection to being a CIA Agent, though that’s never been confirmed, and the other rudimentary facets of their past that any employer needs to know. However, even if they rarely speak, you know that you’re in more than capable hands and that they take their job seriously. But what happens when that professional facade begins to crack?

Route: Bodyguard Romance.

The Assistant: Harley Park [M/F] — Someone who’s very good at their job while also being everywhere and nowhere all at once. You don’t know if they’ll ever get over the embarrassment of your first meeting— with them being in a fandom shirt from a project you had done a couple of years before, with you at center stage on it. With an undeniable charm, if a bit awkward in their approach, Harley is definitely someone that’d you miss interacting with once you got the chance to do so. You just have to get them to actually interact with you first.

Route: Oblivious Love.

[natashaslesbian]

Scarlett’s Here

Summary: Scarlett comfort you through an autistic meltdown

Word Count:

Pairings: (Scarlett x Teen!Reader)

Content: Autistic meltdown and traits (written from my personal experience with my own autism)

————

As soon as the director yelled ‘cut’ you were racing back to your trailer. It was all too much, too many people, too many lights, too many sounds. You usually had your autism under control on set, making a scene was the last thing you wanted to do, especially as no one knew. No one except for Scarlett. You’d been in the acting industry for a few years now, but this was your first major blockbuster film. Scarlett took an instant liking to you when you had met and straight away she felt very protective over you. It was 6 months into filming now, the process had been gruelling and the days were very long. It was last month when you finally cracked and broke down in Scarlett’s arms, it was then you told her about your autism and she was doing everything in her power to look out for you.

When you left the set in a hurry, Scarlett immediately followed you. She checked her trailer on the way to yours, sometimes you would take residence with her after a rough day. When she found the room empty, the blonde figured you had gone to your own trailer. Scarlett nocked gently on your door and after being answered with silence, she made her way inside. “Y/n” she whispered as she stepped into your trailer. “It’s just me, it’s Scarlett” she said walking through to your bedroom. The older actress quietly pushed open the door, her eyes landing on the heap underneath the covers. You were crying quietly when you heard Scarlett come in and you felt the bed dip as she sat down on the end. “Y/n I’m just gonna sit here until you’re alright, you don’t have to talk or do anything ok” Scarlett said softly.

You wanted so desperately for her to hold you, but at the same time you wanted her as far away as possible. You continued to cry for a few minuets under the weight of your duvet, your breath had made the space hot and dark, settling your senses over so slightly. You felt a change in your brain as you sat up and pulled the covers away, you kept your eyes closed but soon realised that Scarlett had already covered the windows allowing you to be comfortable in the space. “Hi sweetie” Scarlett whispered “I got you some water, do you want a sip?” She asked as she held out the bottle. You shook your head as you climbed across the bed to sit in Scarlett’s lap. She welcomed you with open arms and directed your head to lay across her chest. “There we go y/n” she said “nice and calm” she said as she ran her fingers through your hair.

The frustration of it all kicked in as you started to cry softly, you gripped onto Scarlett’s arm tightly, not knowing if you wanted her to go or stay. “You’re okay sweetie” she quietly said. You pulled yourself impossibly close to her as she shushed you softly “I’m here, Scarlett’s here” she cooed. Her voice was calming, it floated around the room so gently that you began to settle. Your skin was still on fire, it felt like it was inside out and you wanted to rip it away. You released Scarlett’s arm and began scratching your own “easy sweet girl” the blonde said as she wrapped her arms around you, closing your hands against her side and stoping you from scratching. You shuffled in annoyance but calmed slightly when Scarlett slotted her own hand into yours, allowing you to stim with her rings.

The two of you sat in silence for at least 20 minutes until you felt ready to speak again. “Did people notice?” You shyly asked “no darling, it’s all okay” Scarlett said. “It was just too much. I couldn’t do it” you cried quietly “I know y/n. It’s ok, no one is angry with you” Scarlett cooed as she rubbed up and down your back. “I couldn’t even make it through the day and now we have to go back, how am I gonna do this?” You asked through your tears. “We’ll figure it out y/n, I promise” Scarlett said “and I told everyone I have a migraine, we’re done filming for the day” she continued. “You did? We are” You gazed up at her, she nodded in response. “Why did you do that?” You asked “because I care about you” the blonde answered “you shouldn’t have to be put into a situation that’s uncomfortable for you, and you shouldn’t have to hide who you are. But I know you’re not ready to let other people know, so I’ll have a migraine anytime you need me too” Scarlett said.

You smiled widely up at her, no one had ever cared for you the way she did. “Thank you” you whispered as you snuggled into her. Scarlett laid a soft kiss on your forehead, her way of saying ‘you’re welcome’. She continued to hold you close until the events of the day finally caused you to fall into a comfortable sleep. Scarlett decided that while you napped she would order your favourite take out, knowing it was definitely going to cheer you up. She was quiet on the phone so she didn’t wake you and you continued to sleep in her embrace, knowing you were safe and protected.

————

Taglist<3

@saraaahsstuff / @dannipotatoo / @tobiaslut / @marvelnatasha12346 / @yelenasdiary / @mousetheorist / @ashadash0904 / @nevaeh-daughterofvalcarol